Tumgik
#i can do whatever i want and that is a threat
holybibly · 12 hours
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Bunnies, lately my brain has been going crazy with the number of ideas in my head and the number of drafts is already over 50 🙈 And it seems like my inspiration just won't stop.
Everyone has seen today's teaser, right? And I just can't stay away. So here I am, sharing with you the idea that came to me today.
Bunny lucky charm hockey players Ateez x reader
Have you heard about Ateez? Yes, the hockey team that has failed every game this season despite their pretty faces and endless hours of practice. And they are in desperate need of a win so that they can keep their scholarship and not get kicked out of the university. And when I say desperate, it's literally true—if they have to lick the floor with their tongues for a win, they'll do it without a second thought.
So when they hear a rumour that there is a certain girl with a touch of "pure luck" in the painting department, they immediately find themselves on their knees before her. They'll do whatever it takes to get her "luck" for themselves, and maybe, just maybe, they'll fuck her in the process.
Loud, noisy, bulky, and sweating like bloody dogs after a rainstorm—the hockey team at your university was not your cup of tea. So it was a resounding "no" when they trooped into your small studio in the university's art department and asked you to be their lucky "bunny." You were from a completely different world, and you didn't want to be associated with someone like them; the whole university knew about their parties and their fucking. It seemed impossible to find a girl who hadn't slept with one or more of them, and there were even some who would manage to fuck the whole team at once. So you threw them out of the studio, even though they were on their knees, begging you not to.
But what you don't know about Ateez is that they never give up. They just change their tactics.
And if you were the golden ticket to their victory, they would stop at nothing until they had their hands on you.
"What are we going to do about it now? She answered quite emphatically." Yunho asked as he lay on the floor in the middle of their living room. There was no trace of his usual positive and sunny energy left; the threat of getting expelled was hanging over them all like a damned thundercloud.
"It's all Wooyoung's fault. He was the one who scared her." San noticed and pressed his face against Seonghwa's shoulder like a cat. The long-haired boy himself was deeply absorbed in thinking about a certain girl with her paint-covered hands.
"That's not true at all! Mingi was the one who kneeled first; I just followed." Woo shouted in indignation and slapped San's thigh with his hand.
"You followed on a reflex?" Jongho remarked, causing the room to burst into a fit of laughter.
"What if we seduce her?" Yeosang asked quietly. His voice was soft and almost drowned out by the cacophony of laughter from the rest of the team, but Hongjoong and Seonghwa were able to hear him clearly.
The two older boys looked at each other and engaged in a silent dialogue before a dark, lecherous grin appeared on both their faces.
"That sounds like a great idea, Sangie." Hongjoong said, running his tongue tip over his lips. "Let's go fuck the bunny for good luck, boys."
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lissomeingenuestuff · 6 hours
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CLARA BOW // charles leclerc - pt. 4
charles leclerc x figureskater!reader
part 1 part 2 part 3
summary: you're an aspiring olympic gold medalist who just wants to compete and have fun. on the way there, a handsome monegasque f1 driver slides into your dms and changes the trajectory of your life.
note: pt. 4 bby! i'm so excited to finally get into the main part of this story with you guys! you have no idea of the devilry i have planned 😈
cassievilleneuve
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liked by y/n l/n, isabeau.levito, and 8,393 others
cassievilleneuve we weren't cool enough for the amex lounge 🥲
view all 134 comments...
carolinevilleneuve sleepy bears 🧸💙
y/n l/n at least my ass looks nice 🤷🏻‍♀️
cassievilleneuve speak for yourself i look like a potato 😭 thanks care
carolinevilleneuve anytime 😁
leclerclover43 y/n is so unserious i love her 😄 "at least my ass looks nice"
y/n l/n well it does, doesn't it?
leclerclover43 you're so right queen ofc it does 🤧
leclerclover43 also, any reason why you might be traveling?
y/n l/n 👀🤫
leclerclover43 oH
isabeau.levito vacation without me? 🥲
y/n l/n bby issy you have school!
isabeau.levito australia >>>>>>> school
isabeau.levito also, where did all these people come from? what did i miss?
carolinevilleneuve you missed the y/n x hot driver saga!? dm NOW
callsignice am i the only one wondering why y/n's going to australia literally like 4 days after the olympics ended? didn't she just get back home?
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y/n l/n
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liked by oscarpiastri, charles_leclerc, and 22,691 others
y/n l/n cassie's man crush treated us to... whatever that is 😄
view all 213 comments...
cassievilleneuve i do NOT have a crush!!
y/n l/n bro be so fr i know more about him than i know about my own crushes 😭
sainzismysign don't be shy y/n, tell us, who's your crush 👀
y/n l/n i don't kiss and tell 😝
charles_leclerc Whatever that is it looks like a lot of sugar 😳 can i have some?
y/n l/n i'd get you some, but i don't need your trainer up in my dms threatening me 😔
charles_leclerc Andrea's an angel, I promise 🙏🏻 no threats
pierregasly Andrea, an angel? LMAO
charles_leclerc Pierre, fermez-la!
emmalechair yeah pierre let our boy shoot his shot!
carolinevilleneuve ...where did this picture come from? i don't remember going to a restaurant?
y/n l/n neither did i 😄 the man crush sent it to me
carolinevilleneuve @cassievilleneuve YOU WENT ON A DATE!?
cassievilleneuve IT WASN'T A DATE
y/n l/n liar 😆
mclaren
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liked by danielricciardo, landonorris, and 390,986 others
mclaren Live footage of @landonorris lying straight to our face after going on a date and consuming his weight in sugar.
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alllyyyssson ehem eXcUsE ME!? LANDO WENT ON A DATE!?
cecelewis ADMIN TELL US WHAT YOU KNOW
jazzyruiz admin rlly thought they could slip the "lando went on a date" at the beginning of the caption and we wouldn't notice 😭
landosleni my husband is cheating on me!?!?!
landonorris IT WASN'T A DATE
mclaren Sure it wasn't, buddy 😛
danielricciardo why you lying
neonorangepapaya LMAO dragggg him daniel!
y/n l/n ✓ 2m
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Melbourne Grand Prix Circuit Melbourne, Australia
"Are you sure this is even a good idea?" Y/N bit her lip nervously, letting the hometown hero - Daniel Ricciardo - drag her down the paddock.
"Bit too late for second thoughts now, isn't it?" Daniel quipped, nodding his head at a passing mechanic.
"I'm not having second thoughts, I just... he didn't even invite me here."
"Which is the whole point of a surprise," Daniel pointed out. He turned back to look at her briefly, "By the way, where's your friend?"
At that, Y/N giggled, "With Lando. Those two have been joined at the hip ever since he picked us up from the airport."
"So it was a date!" Daniel crowed triumphantly.
"Obviously!" Y/N snickered. "What else could it have been?"
"He was telling everyone you were there too after the McLaren admin made that post."
Y/N scoffed, "Now, that's a lie! I was dead asleep in our hotel room. Cassie snuck out and I didn't find out until I woke up and saw that Lando sent me that picture, saying she was in good hands."
"I'm not surprised. I wouldn't want to be caught dead on a date with Lando either." Daniel nodded, mock thoughtfully.
Y/N giggled again, "I don't think that's why she didn't tell me."
He hummed, but refrained from saying anything else as they reached the Ferrari garage, bustling as it was with mechanics, engineers, and strategists.
Y/N came to a full stop as he called out, "Oi! Frenchman! Over here!"
An accented voice yelled back, "I'm Monegasque!", as Charles Leclerc emerged from the sea of red, clad in his own scarlet racing gear.
"Same thing," Daniel grinned, but Charles' attention was no longer on him.
"Y/N?" He blurted out in shock.
Y/N lifted a hand nervously and waved, "Hi?"
Charles stood there, staring at her like he'd seen a ghost, until someone behind him shoved him forward and he snapped out of his reverie.
"Uh, hi! Hi!" He laughed, hovering in front of her uncertainly. "What are you doing here?"
"Lando and Daniel invited me," Y/N bit her lip, cheeks reddening. "They, um- we thought it might be a nice surprise."
He didn't say anything for a moment, but just as she was getting ready to backtrack, his face broke out into a beaming smile and he pulled her into a half-hug - an uncertain one, the kind you give someone if you know them, but you don't know them enough to give them a full hug.
"Welcome to Ferrari," he stated loudly as camera flashes went off, pictures and videos recording the moment that would go viral on Twitter and Instagram for the entirety of that day. "The best team on the grid!"
tag list: @1655clean, @norwayxo, @thecubanator2, @theendofthematerialgworl, @c-losur3, @lightdragonrayne
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callmebrycelee · 4 hours
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Can we just talk about how some of y’all were okay with Josh just being the sassy gay bestie until Tommy came along. Then all of a sudden, I start seeing posts about Gee, wouldn’t Josh be perfect for Tommy? So, all of a sudden Josh has romantic potential the moment a new gay man arrives on the scene. A lot of you only began to see this potential the moment Tommy aka Mr. Steal-Your-Buck became a threat to a certain ship. The moment that chin was lifted, you saw your ship flash before your very eyes. The fact that Tommy Kinard did in 4 minutes and 23 seconds what could never be done in 6 seasons, was downright terrifying for some of you. And the twist of the knife came when a lot of us viewers started to see the potential in Tommy and Buck.
Now all of a sudden you want to play matchmaker????!!!
And that’s what so frustrating about all of this. You don’t care about Josh or his romantic prospects and you most certainly do not care about Tommy. In fact, a lot of you are so hellbent on Buddie (notice I did not say Eddie and Buck) being endgame that you’re willing to screw over the other characters to make it happen. Like y’all seriously believe that Buck is going to cheat with Eddie at his sister’s wedding???!! Like how does that make sense for either character? Come on! Maddie and Chimney and Hen and Bobby and Athena … hell even Christopher at this point, they’re all pieces on a chessboard to move around until you get what you want.
Now I’m not a TV writer so I’ll leave the storytelling up to Tim Minear and the other 9-1-1 writers. Whatever ending we get to this show, however far in the future we get it, I hope it’s one that serves ALL the characters a lot of us have grown to love over the last seven years and not just a specific ship.
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bosbas · 2 days
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Chapter 9: I cannot be your friend, so I pay the price of what I lost
series masterlist previous part || next part
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pairing: colin bridgerton x enemy!fem!reader WC: 4.0k words
Warnings: period-typical gender roles, small part of the dialogue in French, colin being incredibly down bad it's insane, Penelope DOES NOT have feelings for colin in this, the bridgertons being tapped in as fuck
Summary: It took precisely two days in England for you to utterly despise Colin Bridgerton. It took him approximately twelve hours after that to hate you right back. But he doesn't care that you're the only person in the ton who doesn't like him. You're set to marry someone else anyway, right?
A/N: this one wrote itself basically. so enjoy! happy weekend and a big smooch
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June 6 – It seems that one Mr. Nigel Berbrooke has returned after an extended unexplained absence. He was spotted at the gentleman's club last night, though only for a very short time. This author heard that Mr. Berbrooke was asked to leave only an hour into his appearance due to a particularly aggressive threat he made toward Simon Basset. It’s safe to say that he has been uninvited from the Duke’s ball this evening, and perhaps from the rest of the social season’s events as well, depending on how lenient the Duke and Duchess of Hastings decide to be. 
However, information regarding his whereabouts for the past month is scarce, and this author lacks any reputable sources about what the man has been up to while away from London. But rest assured, dear readers, that any information I receive will be relayed through this very column.
Colin looked nervously at his reflection for what seemed like the hundredth time, adjusting his cravat ever so slightly. He sighed in frustration, accepting the fact that his appearance wouldn’t look quite right no matter what he did. 
Tonight was Daphne’s ball, and he knew for a fact that you would be in attendance. As much as he was trying to convince himself that this ball was no different, he knew it wasn’t going to be the same. Not after his talk with Anthony. There were some concerningly similar aspects between Kate and Anthony and his friendship– could he even call it a friendship? –with you, and Colin was not too hard-headed to be able to admit that. 
But he didn’t want to scare you off. As much as he liked you, he knew you were skittish after everything that happened with Lord Barlow. Besides, Colin didn’t even know if you liked him, too, or if you considered all of this as just an attempt to make you look desirable to other candidates. 
Frankly, Colin wasn’t even sure he could convince you to ever marry him. Maybe just being friends, or whatever it was the two of you had now, would suffice. Truthfully, he would take anything. 
Tonight, he just wanted a dance. And perhaps a chat, too. 
Based on the past few times Colin had spoken with you, he had concluded that you might be his favorite person in the ton to talk to. The mere thought of speaking with you tonight stirred excitement in his stomach. Every time you engaged in conversation, he found himself utterly captivated, forgetting everything else around him. What's more, you seemed genuinely interested in his what he had to say, a rarity among the ton. For the first time, he felt truly understood, and he hoped desperately that you reciprocated his sentiment. 
“You look fine,” assured Eloise. “Now can we please go? We’ll never hear the end of it from Daphne if we’re late!” 
Colin grumbled in annoyance but begrudgingly made his way to the carriage. In truth, he'd do just about anything to be near you. Even if he didn’t immediately dance with you– knowing full well you would be flocked by hordes of gentlemen wanting your hand in marriage– he still liked to simply… observe you. How your eyes crinkled shut when you laughed, the way you nervously bit your lip when someone you didn’t particularly like asked you to dance, the way you fiddled with your gloves when you were itching to get out of a conversation.
Bloody hell, Colin thought, maybe he did have feelings for you. Well, not love, that would be absurd. But certainly something more than the petty rivalry that had consumed your interactions for weeks on end. It was a sobering realization, especially after relentlessly antagonizing you for the better part of seven weeks.
He was so caught up in his thoughts about you that Colin barely noticed once the carriage had arrived at Daphne and Simon’s residence.
“Colin, darling, is anything the matter?” his mother inquired, tapping him on the arm and gently leading him toward his sister’s home.
“No, no, sorry. Everything’s alright, just got a bit distracted there,” he smiled back. 
Christ, he had to get a grip. You’d be put off immediately if you saw how he was acting now. He smoothed his coat down as he entered the ballroom, eyes immediately searching for you in the crowd.
He quickly spotted you speaking to a man he’d never seen before with Isabelle and Carlos by your side. Damn, thought. He’d have to wait to ask you to dance. 
But it was no bother. In the meantime, he attended to his duties as the most beloved Bridgerton. He sought out his sister and Simon to thank them for hosting the ball, of course, and danced with Penelope Featherington. 
Yet his focus stayed on you. He found himself glancing over to where you were every few minutes, just needing reassurance that you were still there. And also because he quite liked looking at you in general.  
Colin shook his head, bringing his attention back to Penelope. He had to remind himself to pull himself together. Even though Colin had spoken to Anthony, you had no reason to believe anything was different between you two. And it wasn’t. Everything was the same. It was only Colin who had changed. Who wanted something different, something more. 
“What’s on your mind?” asked Penelope after she noticed Colin’s drifting attention.
“Ah, nothing,” he responded dismissively. “Does Lady Montclair look particularly… subdued tonight, do you think?”
“Y/N?” Penelope clarified, looking over at where you were standing next to Louis. 
“Oh heavens, don’t look now!” Colin whispered, panicked. “She’ll see us both looking and know we were talking about her.”
Penelope laughed in disbelief. “Could it be? That my dear friend Colin Bridgerton is finally falling for someone? Have you truly found roots in England? Is that why you’ve stayed for so long this season?”
Colin could only smile bashfully. She had never seen him quite like this. And though it was unusual, it was fairly endearing to see him so flustered over a girl.
“Well, go talk to her, then. What are you doing dancing with me?”
“Penelope, I dance with you at every ball. I can go speak with her after. And don’t tell anyone! I’m not even sure if she likes me.”
“Very well then,” relented Penelope, but Colin did not miss the knowing smile she sent him.
After the dance concluded, Colin chatted with his brothers for a few minutes before making his way over to you and Louis, wanting to avoid seeming overly eager. But once he started walking toward you, your head shot up, as if you could tell that he was getting nearer. 
Your eyes met for a split second, but you immediately turned your head away, choosing instead to look at your gloved hands, which were fidgeting nervously. Colin frowned in confusion at your reaction, but continued walking, thinking that perhaps you had seen someone else behind him. 
As he reached your side, he saw you chewing anxiously on your lip and his frown deepened. But he pushed through. This was what he wanted, after all. You were what he wanted. 
“Lady Montclair,” he bowed. “Would you care for a dance tonight?” he asked, a hopeful smile on his lips as he reached for the dance card on your wrist.
But you pulled your hand away abruptly, refusing to meet his eyes. “No, thank you, Mr. Bridgerton,” was your curt response. 
Colin’s confusion morphed into frustration. What was the matter with you?
“That’s alright, I understand if you want to save space on your dance card for more…serious suitors,” he cringed as he heard himself speak. But at the end of the day, he was well aware that you were looking for a titled gentleman to be your husband. “We could take a turn about the ballroom and chat for a bit,” he offered, looking at you hopefully once again.
You finally met his eyes, and he could tell you were searching for something as you looked at him, a pained look on your face.
“No, thank you,” you repeated firmly, an edge to your voice. 
Colin rolled his eyes. This was so typical of you. You let him in for about three seconds and then went back to keeping him at arm’s length for whatever unknown reason.
“Are we really back to doing this?” asked Colin, exasperated. “I thought we were friends, at the very least.”
Your spine was suddenly rigid, and a fury ignited in your eyes. “We were never friends, Mr. Bridgerton,” you ground out. “You were simply doing Eloise a favor. Now, if you’ll excuse me, there’s someone else I must dance with.”
Your voice was cold and uncaring, and Colin was slapped with a reminder of how things used to be as you sidestepped him to go toward the other side of the ballroom. 
Three steps into your journey, it was clear that there wasn’t actually anyone waiting to dance with you, but he couldn’t for the life of him figure out why you were so desperate to get away. Even at the peak of your hatred toward him, you were always open to verbally sparring. 
Colin turned around to Louis, shooting him a questioning look. But your brother could only shrug. Who knew what went on in the depths of your brain? Louis had noticed you had been slightly on edge ever since you returned from Hyde Park with your sisters yesterday afternoon, but he wasn’t expecting you to be this hostile, especially after getting along so well with Colin.
Feeling his desire to speak with you outweigh his pride, Colin turned back and grabbed your hand, turning you to face him. “If what you want is to go back to arguing, I’m happy to do that,” he said, heart sinking to his stomach at the thought of going back to how things were.
He sounded positively pathetic. But he didn’t care. All he cared about was keeping this fragile dynamic alive, keeping you near him. If Anthony and Kate could do it, couldn’t the two of you?
You seemed on the brink of tears, but your voice held an unspeakable fury. “What I want is for you to leave. Me. Alone,” you emphasized each word with a pointed jab at his chest. “Please,” you whispered, your voice faltering. “I do not wish to dance with you, or to chat with you, or even to be near you at all. Good night.”
With that, you pivoted away, heading towards the refreshment table, tears welling in your eyes. And Colin was left standing there, hand lingering over the spot on his chest you had prodded.
He felt a familiar anger rising through him. It didn’t matter that you were the only person in the world who understood him. It didn’t matter that you were completely beautiful and incredibly smart, either. And it certainly didn’t matter that he’d fallen for you. Because you still hated him. And he was a fool to ever think things could be different.
Colin was rooted to the spot, unable to move as he watched you smile and greet some gentleman or other. He flinched as he saw the man kiss the back of your hand, and watched, seething, as he led you to the dance floor. 
Deciding he needed something stronger than lemonade, Colin turned around and grabbed a glass of champagne, downing it in one go. He couldn’t believe you didn’t think he was your friend. What the hell else could you call it?
He spotted Eloise and Penelope chatting close by and stomped over to them. He was sure he looked like Gregory after a fight with Hyacinth, pouting with his arms crossed, but he couldn’t find it in himself to care. 
“I thought you were going to talk to Y/N,” said Penelope, confused to see him back so soon. 
Colin shot her a murderous look. “She wants nothing to do with me, apparently. She said the only reason I talked to her was out of a favor to Eloise.”
Eloise coughed awkwardly. “Well, didn’t you?”
“No!” shot back Colin defensively. “Not entirely, at least. I don’t know. I need to leave.” 
You were still dancing with the unnamed man, and Colin was very much still seething as he watched the pair of you twirl around and smile at one another. 
Usually, it was frustrating to watch you dance with other people because you were never like that with him. But this well and truly hurt. It hurt to see you like this when he knew, now for a fact, that he could never have that with you again. 
“I need to leave,” he repeated. He couldn’t bear to watch you do this all night.
Snatching another glass of champagne and downing that one, too, he bid his goodbyes to Penelope and Eloise and made his way across the ballroom to the exit.
“Are you leaving already, darling? You’ve barely been here an hour,” Colin heard next to him as a hand reached out for his elbow. 
Turning around, he faced his mother, who looked like she was in the middle of a conversation with Anthony and Benedict. 
Colin nodded. “I’m sorry, mother. I just can’t. I can’t stay,” he responded, voice breaking as he glanced back toward you again. 
Seeing you lean to whisper something in your suitor’s ear, he slumped forward, practically feeling physical pain at the sight. 
“I must go,” Colin said firmly, giving his mother a quick squeeze and rushing to the door. 
Violet nodded, bewildered, and followed where Colin’s gaze had been. Finding you dancing with Lord Norcliffe, Violet sent a knowing look to Benedict and Anthony. 
“I suppose Hyacinth was right,” she said sympathetically.
“And don’t you dare tell her! It’ll get to her head,” responded Benedict. 
---
“The Bridgertons will be in attendance tonight,” your mother informed you carefully as you sat in the carriage on the way to yet another ball. 
“And by the Bridgertons you mean…”
“She means Colin, yes,” answered Jacques, earning a stifled laugh from his wife, Chiara. 
Ever since they’d been back and learned of your intense hatred for Colin, Jacques had not been able to stop making a mockery of it. Usually, you were quite agreeable, and it was rare that you found yourself at odds with someone who wasn’t your sibling, so this seemingly unprompted hatred was quite amusing to your brother. 
You groaned and glared at him. “No one asked you to come tonight, you know. In fact, no one asked you to come to England at all! You could have stayed in Tuscany, and I would have been much happier.”
“Ah, but then I wouldn’t have had the opportunity to tease you about this,” answered Jacques, completely unbothered by your biting tone. 
“Whatever,” you grumbled in response, only slightly comforted by Chiara’s apologetic smile as she softly scolded her husband.
It had been four days since your run-in with Nigel, and three since you saw Colin at Daphne’s ball, and the thought of seeing him again made you feel sick. It was already bad enough that he was disgusting and had no respect for you, but it was made infinitely worse by the fact that you had let yourself grow to care for him. In a friendly way, of course. You could never have married him, anyway. But it was still embarrassing that you fell into his charming trap and thought that you could become something more than a conquest for him.
“Be nice,” your mother whispered in warning as you approached the Bridgertons. 
You shrugged her off, not needing a reminder. You had been brought up to be the perfect lady. You weren’t about to forget yourself now. You refused to give Colin that power. 
You greeted the family warmly until you got to Colin. “Mr. Bridgerton,” you said, giving him a curt nod.
Not waiting for a response, you moved to stand away from him as you looked out at the crowd. Perhaps you would find a gentleman who was actually enjoyable to talk to, though your chances seemed slim. 
Colin shifted uncomfortably on his feet, watching you intently. It seemed that your behavior at Daphne’s ball hadn’t been a fluke, after all. He ground his teeth in annoyance, growing increasingly irritated by the fact that you were just standing there.
Why weren’t you doing anything? It was infuriating. Perhaps it would have been less infuriating if it were anyone else, but it seemed like anything you did was particularly vexing to him.
Making his way over to you, he stopped beside you. Wanting to slip back into the comfort of your tumultuous dynamic, Colin took a shot at your attire. “I see the modiste-”
“Don’t,” you interrupted, your voice shaking, barely above a whisper, and your gaze locked ahead of you. 
Colin was taken aback. You had never, in all the time that he had known you, backed down from an argument. It seemed that you just… didn’t want him around at all. You hated him enough that you didn’t want to be near him. And in any way that mattered, it was worse than when you were antagonizing him.
“I’m sorry,” Colin said desperately. “I didn’t mean- Look, can we please talk? Just quickly, I just want-”
But you didn’t even let him finish. “There’s nothing to say.”
Colin scoffed, a futile attempt to hide how hurt he was really feeling. “What do you mean there isn’t anything to say? I have things to say, at least. Just talk to me.”
You finally turned to face him, feeling your stomach drop as you looked at his desperate eyes searching yours for an answer. 
“Let me rephrase. I do not wish to speak with you, in any capacity, now or any time in the future. I do not care to hear what you have to say, Mr. Bridgerton, and I would appreciate it if you could respect that, though I know that’s not usually in your nature.”
Colin could only sputter, staring at you in disbelief as you walked away. He felt his stomach turn uncomfortably as you reached a man he didn’t know, but whom you’d danced with at Daphne’s Ball. 
He had to have done something wrong. Colin hadn’t the slightest clue what, but you obviously had something against him, and it clearly wasn’t just you being silly. 
He swore under his breath. You were impossible. Not even Eloise knew why you hated him! How on earth was he supposed to know how to fix this when you refused to speak with him? It was almost easier when all you did was hurl insults at him and step on his feet as he poured lemonade down your dress.
Over on the dance floor, you couldn’t help but steal glances at Colin, mentally scolding yourself every time you did. This was not how you were supposed to be acting toward the man who had jumped at the first opportunity to compromise you.
The only reason you were dancing with Lord Norcliffe now was because he had not arrived in London until after your whole debacle with Lord Barlow. You supposed he could have heard what happened from someone else, but he was safer than the rest of the men of the ton, you thought grimly. It would’ve helped if he was interesting to talk to, or even nice to look at, but you supposed you couldn’t be very selective.
Curtsying and thanking Lord Norcliffe for the dance, you made a beeline toward Carlos and Philippe across the room. 
“You look like you don’t want to be here,” commented your brother, amused. 
You rolled your eyes at him. “Astute observation, Philippe.”
Carlos laughed and gave you a comforting pat on the head. “But what happened to your season in England? I thought you were excited to be here?”
“My mother and father were certainly excited,” you mused, taking Philippe’s lemonade and drinking from it. 
Seeing their confused looks, you briefly explained your encounter with Nigel Berbrooke, and they suddenly became very concerned. 
“Ce connard! Il est où? Je vai le tuer,” growled Philippe under his breath, not wanting the rest of the ton to hear his threat (That asshole! Where is he? I’m going to kill him).
“Philippe, it’s alright,” you assured him, glancing over at Carlos and seeing that he, too, had understood your brother’s words despite not speaking French. “I believe Simon Basset took care of him at White’s a few days ago.”
“That’s just as well, or I’d have done it myself,” he grumbled, crossing his arms over his chest. 
“You can just come to Spain next year, cariño,” Carlos said warmly.
You smiled up at your brother-in-law, silently thanking him for the offer even though you knew your parents would never allow it. 
Colin watched enviously as you had a conversation with your older brother and your older sister’s husband. He wished he could talk to you again. Even if nothing got resolved between you, he liked to hear your voice. He loved how stubborn you were and how frustrated you got when you forgot the English word for something. He just missed you, he supposed. 
Which is why, as Colin watched yet another man approach you and write their name on your dance card, he decided he couldn’t do this anymore. The watching, the waiting, the wanting. He couldn’t do any of it anymore. 
“I need to leave,” he said firmly.
Daphne, who had been standing beside him, turned to face him, startled. “Leave where?”
“India, Egypt, Morocco, back to Greece. I don’t care. I just need to get out of here.”
“What? Why?” asked Daphne, still confused. 
“You know why,” Colin responded flatly, giving her an unimpressed look. 
Daphne instinctively turned to look at you, laughing as the man you were dancing with whispered something to you. She turned to look back at her brother with a disappointed look.
“I can’t imagine leaving would be the best option.” 
“Why not?” Colin shot back. “What good can my presence possibly do?”
Daphne put a hand on her brother’s elbow, giving him a sympathetic look. However, her voice was firm. “You always leave when it gets hard, you know? You’re always the first out the door and onto a different continent. Why are you so scared of staying?”
Colin was stunned. He didn’t know his motives were that obvious. But he supposed it made sense for Daphne to know since she knew him better than most people.  
“I’m not scared of staying,” Colin insisted defensively. “I just think it’ll be better for everyone if I go.”
Daphne furrowed her eyebrows and shook her head. “And do what? What could you possibly be doing that is so important that you would abandon the woman you love?”
“It doesn’t matter,” Colin argued, his voice growing strained as he felt his chest getting tighter. “None of it matters. She doesn’t love me back. I could be down the street or in Brazil and she wouldn’t even notice. She clearly hates me and wants nothing to do with me, so why should I stay?”
Daphne crossed her arms, looking more than a little disappointed. “Well, I won’t be the one to stop you if you decide to go. But really think about whether you want to be the person who leaves time and again. Things could change. It's only been a few days since she's been like this.”
She had a point, but Colin was too upset to admit it. Daphne was right. He couldn’t just leave now. If anything, it would hurt him more than being near you with you not speaking to him. It was the strangest feeling, knowing you loved someone but feeling powerless to do anything about it. 
Colin knew he couldn’t continue like this. Perhaps he couldn’t leave, but he could certainly stay as far away as possible. 
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envysparkler · 1 day
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Of all the people Bruce expects to see on his doorstep on a Sunday morning, Talia al Ghul is very, very low on the list.  Frankly, he’s surprised she bothered to knock.
“Oh,” Talia says, lips pursing in disappointment as he looms in the doorway, “it’s you.”  She rocks on her heels, like she’s attempting to peer around him.
“This is my house,” Bruce says, half-offended and half-bewildered.  She’s not alone, there’s a child scowling up at him—they’re making League assassins smaller and smaller these days—but Bruce ignores him and focuses on the greater threat.  “I’ve already told Ra’s al Ghul that Gotham is off-limits—”
“Don’t be ridiculous, this isn’t about him,” Talia waves him off and saunters forward, stepping over the threshold and into the house like it belongs to her.  The child follows her, only pausing to sneer at Bruce, and Bruce is left standing on his porch, thoroughly dismissed.
Talia always did have a way of getting what she wanted, and damn anything in her way.  It takes a moment for Bruce to shake the old, lingering fondness and remember that a deadly assassin is inside his house.
Alfred is going to kill him.
“Wait!  Talia!”  He catches up to her near the kitchen, where she is surveying the cereal boxes on the counter with palpable distaste.  The child looks like he’s trying to test them for poison, or possibly poison them himself, but Bruce doesn’t have time to worry about that, because she’s found—
“Uh, Bruce?” Tim’s voice cracks high, out of his chair and holding both his cereal bowl and his spoon ready to throw.  “Did you forget to tell me you had company?”
“Timothy Drake,” Talia says, cold enough to create icicles.  She studies him for a long moment, skipping from his Superboy pajamas to his bleary face to the overfull mug of coffee on the table.  “You are one of Lady Shiva’s.”
The child’s scowl deepens.
“Yes?” Tim looks at Bruce desperately, like it’s a test and he’s looking for the answer.  Bruce shrugs.
“She mentioned you were passable,” Talia sniffs.  “For a boy.”
Tim looks a mixture of outraged and pleased, but Bruce is more concerned with why Talia is here, standing in his home years after she gave back his mother’s ring.  Talia only reveals whatever she wants to reveal, and while she does only ever tells the truth, she lets him draw incorrect conclusions from those truths all on his own.  It means Ra’s isn’t involved in whatever brought her here, but that could mean anything from the old schemer being dead to Talia being on the run, and Bruce is not nearly awake for an imminent League invasion.
“Where’s Alfred?” Talia finally finishes her survey of the kitchen and rests her cool gaze on him.
That would be the reason Bruce is barely awake.  He only managed to drag himself from bed with the reminder that there was an unsupervised teenager in his house.  Unfortunately, he’d got there too late to save the coffeemaker.
“What do you want with Alfred?” Tim asks, on the verge of hostile.  The child draws himself up like a hissing, spitting snake, and only stays still by virtue of Talia’s hand on his shoulder.  Talia, for her part, merely looks inconvenienced.
“Well, this would’ve been several times simpler had he been here,” she sighs.  “I could’ve dropped off Damian for a spot of tea and gotten on with my business.”
“And what is your business?” Bruce presses.
Talia heaves another sigh—this time dramatic and put upon.  It’s an act, Bruce can tell, but that doesn’t help him, not when Talia turns to him and widens her eyes, looking up through her lashes.  “Unfortunately, Beloved, your son takes after you in terms of vanishing skills, and I’ve finally managed to track him down here, so I really must get going before he infiltrates that sorry excuse of a prison and finishes decapitating that clown you keep alive for some unfathomable reason.”
There’s a lot packed into that statement, and Bruce is still untangling ‘your son takes after you in terms of vanishing skills’ with the knowledge that Nightwing is supposed to be safely inside Bludhaven and the growing horror that Dick might’ve accidentally started a war with the League of Assassins, so it’s Tim that inhales first, staring at the child in sharp shock and then up at Talia, before finally turning towards Bruce.
“You have a kid with Talia al Ghul?!”
~#~
Talia, of course, does not bother to explain anything.  She merely instructs the child—Damian—to behave before vanishing back out the front door, and Bruce’s attempt to follow her is met with a katana and a high-pitched demand for a duel.  It becomes apparent that Talia’s version of behaving doesn’t match Bruce’s, because it takes several minutes and one shallowly bleeding slice before Bruce can extricate himself.
The child—his child—Damian leaves him alone then, looking disappointed in his swordsmanship skills, and turns instead to badgering Tim, who despite favoring a bo staff—“a clearly inferior weapon unsuited to anything but sloppy pulverization,” comes out crisp and clear-edged, much like Bruce himself when he was younger and his only point of reference was Alfred—is judged a suitable opponent on the basis of Lady Shiva’s reference.
Bruce is maybe a little sulky that a child—his child—has dismissed him in favor of a teenager with a pillow crease on his cheek, but he suppresses the emotion to dart to the Batcomputer so he can ask Nightwing what the hell he’s been up to.
Unfortunately, Dick’s response is both confused and irritated, which means Bruce has to waste time explaining the situation lest his eldest give him the silent treatment again, and Dick signs off with a promise to drop by, clearly excited at the prospect of a new sibling.
Bruce doesn’t warn him that this one is more apt to stab him than hug him.  Dick can figure that out for himself.
But with that distraction out of the way, he’s left to ruminate on Talia’s words.  She wasn’t talking about Dick, and clearly not about Tim, and not Damian, and Bruce has no other sons.  The thought drives a pang through him, a loss he will always carry, and he finds himself in front of the case with Jason’s uniform, as though it can help him solve the puzzle.
Is there another child out there he doesn’t know about?  He’d swear that he doesn’t have another with Talia, but he has no idea when or how Damian was conceived, so it’s the most likely explanation. 
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liquorisce · 3 days
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Do you have any eremika age gap au recs?? It’s my favorite trope and there’s nearly not enough fics out there😭😭😭
*rubs hands* I took my time with this because I am not the most avid fic reader unfortunately, but I do have a few recs and some more on my tbr. I think what you're looking for is not just an age difference but where the age gap is the focus? i've marked those in pink. definitely check the tags on these before proceeding!!
gonna start with mine just for completeness, and also because i love it *blush*
boy next door: For sixteen years, Mikasa has watched the boy next door. First: through the eyes of a child, hand in his during family trips, his hand on her first bike when she learned how to ride. Then: through the eyes of a teenager, peeking behind her blinds into his room on hot summer months when he didn't wear a shirt, eyes lingering on his lips when he pulled away his cigarette. Now, she is so much older, but he is older still, and the gap between them feels ever widening. But her desire to close it only feels more desperate.
i'm certain you've checked out @herblacktights 's ao3, but here are my favs of hers with that age gap sauce:
degausser: After a deadly flu pandemic that devastates Paradis Island and the rest of the world, Eren is all Mikasa has. After she turns sixteen, that gets complicated. -> the plot is entirely the age gap, lol!
comfort me: “Mikasa,” Eren drawled, fake scolding edging into his voice as he held the basement door open and led her outside. “Does Aunt Carla know what a bad girl you are?” For a moment, she looked stunned. A sliver of a second, a wink of an eye. Looking every inch the little girl he watched grow up, who he knew deserved better than him. But before it could take root in her and make him regret what he said, Mikasa gave him a terrible, sweet smile. “Aunt Carla says I deserve to do whatever I want after the year I’ve had,” she said and from the way that she was looking at him, he should’ve known it was a threat. cw: mild daddy kink!
love dog : this one is a bit different! teacher mikasa x student eren, and mikasa is the older one. cw: it doesn't exactly have a super happy ending. but it is one of my favs from hannah!!
Butterfly effect by @sunlightandsuffering : Sugar baby AU - older hobo eren x younger mikasa. how can i say this... it's the OG, the most delicious, lys-brand chaotic eremika but age gap flavour! i love it, i'm sure if you've been around this block you've read it lol, but it's simply amazing, read it again!!
You, me and our sins by @loneghostss : Eren is married and Mikasa has a boyfriend. But the fact that they both have someone doesn't stop them from sinfully falling in love with each other. (it is about eremika having an affair with each other and it is so sensual and hot, age gap is not central here but it definitely brings heat!!) you could also check out lost saints by the same author, there's also some age difference and great smut.
@dead-dolphins is a connoisseur of the age gap trope, defs check out all the aus on her pinned post!! ro is a master of drama and worldbuilding so her fics are always a treat. she's got some on ao3 that are all about that sweet age gap <3
chemical hype boy : idol mikasa x actor eren!! and eren is definitely playing into the older established actor mold!
i apologise if you feel something: Goth mikasa gets involved with older Eren, lead vocalist of a metal band.
the promised princess: a medieval fantasy au inspired by got. age difference is not the central theme, but it's a stellar fic regardless.
straight/edge by @sinigangsta-ao3: Mikasa Ackerman is prim, proper, and perfect. As the golden child of the Ackerman family, her academic achievements set her up for a bright future and atone for her older brother’s past mistakes. When the spring semester of her junior year arrives, she crosses paths with a local boy toward whom she’d typically never give the time of day — and they begin a whirlwind relationship that unlocks parts of herself that she didn’t know she kept hidden. this fic is more about the good girl x bad boy trope but with that delicious 3-4 year age gap sauce!! cw: NOT a hea
devilish lovers by softwinter: “I wanna be your friend, Mikasa,” he told her one day when she got home from school not able to feign a less distressed expression on her face, too many sixteen-year-old problems going on in her life. He had the habit of commenting that she was always sad, that he didn’t like how that transpired on her gray eyes.
“I thought you wanted to be my daddy,” something flashed in his eyes right then, like she’d said something forbidden, a kind of thing that could make her a bad girl in his eyes. cw: step dad kink!! definitely check the tags before proceeding.
heaven knows by @joannaofarkham: priest au where priest eren is mikasa's teacher in a catholic school. it is unfinished but the first chapter reads pretty well standalone!
eternally yours by @cxcassii: reincarnation au + age gap. It's been 2,000 years since Eren Jaeger was a titan shifter and unleashed the blood drenched madness of the rumbling upon the world. Now, in the year 2023, he's a twenty-four year old who lives with his best friend Armin. He goes about his days working as a pharmacy technician all while attempting to cope and come to terms with the loss of the loved ones he still remembers with clarity from his previous life. The atrocious sins of his past life he can never ever truly atone for. But most of all, there's one person he simply can't forget: His former love of his life, Mikasa. It's when he's not actively searching for her that they cross paths once again, and their love will once again be on trial when Eren learns that Mikasa not only doesn't remember their past life together, but is also seventeen years old. this one is still on my tbr but whatever i've read so far looks extremely delicious!!!
enjoy!! if anyone wants to add more please feel free to reblog and improve this list!! <3
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loneliestluvr · 3 days
Text
𝑪𝒐𝒍𝒅 𝑯𝒂𝒏𝒅𝒔 — 𝑷𝒂𝒓𝒕 2
part 1. part 2.
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pairing: eris vanserra x archeron oc
synopsis: Caught up in a world of hollow grief for her people, her life, and her father, Blair Archeron is forced into a life under the light she wants no part of after ghosting through immortality since being Made. But what she finds, is not what she expects.
warnings: should have added this in the last one but talking/thinking about loss of pregnancy, being controlled + used, angst, lots of description but Blair gets her lick back a bit 😛 this is also a bit of a slow burn
word count: 2.8k
taryn thinks: so this is gonna be a series and im just kinda holding its hand and letting it guide me rn, i have no planned ending at all or any idea where this is going. bear with me pookies and remember how attracted Feyre was to Rhys without knowing he was her mate please and thank you 🙏🏼
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“Eris,” Rhysand’s voice boomed in that firm High Lord tone he only ever used outside of the River House— Blair had only ever heard it once and not ever directed at her. It was that same day and argument Nesta had told Feyre about the threat to her life, to the babe’s life in her womb, when Rhys’ power had exploded and grew so loud and angry Blair had covered her ears and closed her eyes.
Eris. The name rung in her head as her brother-in-law spoke it and her mouth moved before she could think as she tested it silently on her own tongue. Eris.
The second eldest Archeron still hadn’t brought herself to tear her gaze from the male—Eris—before her, taking in every inch of his face. Every muscle ticking in his jaw. Eris’s eyes followed her mouth as she traced his name with her lips and then he finally looked away. As if he couldn’t handle looking another minute.
“This is Feyre’s second oldest sister, Blair.” Rhys continued, and something like panic lit his every word. “She is beautiful, isn’t she?”
But it was almost muffled— the sound of his voice, the music and chatter behind them. Blair’s hands still neatly folded in front of her as she stood there, like there was nothing else in that marble room but her and Eris.
“Divine.” The red haired male murmured and by the way Rhys’ brows shot up just slightly, Blair figured the male wasn’t ever one for so little words.
The sound of his voice washed through her, the heat of her skin only intensifying as it echoed through her ears. She could hear her blood thrumming through her with it, like just this nearness had her body boiling. A sense she couldn’t describe pulling to him.
“Likewise.” The word was out before she could control it, like her inhibitions overtook all.
What is it that you feel, bright one? A cold, unnatural, and otherworldly voice spoke in her head. The same as always when the smoke cleared. Feminine, if Blair could tell— speaking to her as she was sucked back out of her body and it swallowed whatever words were working up her throat. Pulled right back into that unintentional irreverence. You do feel it, I can tell. Pushing me back, for this? For him— for what lurks under?
“I’m sorry for my tardiness,” Blair said, voice vacant. It was some part of their plan, but Blair had been instructed to follow along. Some quiet tucked away part of her, far in the forest of her mind, began to piece information together.
Things she’d learned simply by sitting and listening, and nobody cared about talking in front of the mute immortal who would sooner die than participate in politics or anything relating to the fae realm.
At least that’s what she thought of herself, nobody would say it. Even if that’s what she knew they were thinking. Even if it wasn’t entirely true.
Blair listened, mindlessly and absently, but what else was she to do when she sat in the quiet of her own mind day after day under something else’s control?
She tilled the soil of her mind, planting and working and tending as she sat and listened. Took in every piece of information that seemed so little to whatever she had become after, tucking it away and into her pocket.
But she never participated, couldn’t seem to ever make her mouth move. Could only sit and look out the window as everyone moved around her.
“Nonsense, sister.” Feyre smiled lovingly, the image of a shining star with the way her barely there gown accentuated her growing belly. “You’ve come just in time.”
As if on cue, a soft melodic music that sounded like the forest’s calm embrace started playing. Forest’s that Feyre and her had frequented in the summers when the younger of them was just hitting maturity, welcoming and lovely. Soft and slow, serene. A moment of peace in a world of pain and anger.
Blair took another breath and turned her head to the dance floor, it was her again this time as she spoke so softly it was almost unheard, “I love this type of music.”
“You’d like to know, Eris, that Blair is of the same talent our dear sister Nesta possesses. One that you seem so keen on having her hand in marriage because of.” Feyre says, but Blair’s eyes remain glued to the floor of people dancing so slowly. Seamless in their waltzing, her body almost began moving by itself— fighting every muscle in her to stay present in conversation as she slowed back into her body.
A rage filling some now faraway part of her, screaming and clawing and fighting to push her back again.
But this moment, this day, had been the most lucid she had felt in over a year— like she was waking up and blinking the fog away. Blair could hear clearly, and think, she could see from her own eyes, she was herself then. She was her own.
The reveal of another Archeron sister was not something that Eris had anticipated for. Certainly not something he’d prepared for, he had never let himself become so raw in front of anyone, let alone those of the Night Court.
One look at her… one gaze into those amber flecked eyes and his entire mask had shattered. For a minute too long he had just… stared at her.
Blair. The name danced around in his head, he could see it scripted on pages with a light hand. Those delicate fingers dragging the quill into a mess of curls and lines, her beautiful name printed in his mind. Blair.
“I’m almost certain at this point only beauty comes of your family, if Nesta was that graceful on the floor I can only imagine any of her sisters being equally as talented.” He said without another second, gaze now fixed wholly on the High Lady of the Night Court despite the pounding of his heart in his ears.
“Nesta continues to be… occupied.” Feyre added, almost ignoring any of his ploying compliments and Eris didn’t miss the whites of Rhysand’s knuckles showing as he clutched the arms of his throne.
And it was true, the Illyrian brute that had swept away his hopeful bride had passed her to the aggravating shadowsinger. Eris would not get her back again, not tonight.
“Perhaps my sister Blair would like to join you in a dance or two?” Feyre said next, the question directed for the female next to him.
Something in his chest felt like it would cave in and Eris thought he could have been floating just being next to her. The soft brown of her hair that went almost to her waist, even with it half up in a mound on the back of her head.
Accentuating those beautiful features under the light, lips pronounced and eyes that guttered all the need for dominance from his soul. His mind screamed: Kneel, kneel before your queen and beg to touch her. To smell and taste and feel, to know.
“Blair?” Feyre’s voice rang through his ears again and Blair had seemed like she was so enamored by the music, by the need to be with it, she hadn’t heard the question her sister asked. Then her head turned back to the thrones on the dais.
“I’m sorry,” She said quickly, furrowing her brow slightly as she tuned back in. “—what was it?”
“Perhaps you would like to join Eris for a dance?” Feyre clarified again and she looked from her sister to him, nearly next to Eris and stared for a moment.
“It’d be my honor to dance with the son of a High Lord.” She said, a small smile blooming on her lips.
By the confusion that seemed to broadcast on the High Lord and Lady’s face, Eris figured that Blair Archeron had secrets of her own. That just maybe, like him, she was undermined and looked over in aspects she shouldn’t be.
Eris stepped closer and offered his arm almost mindlessly, eyes tracing every curve of this smart and quick creature’s face. And Blair took it as that song faded out and the crowd prepared for the next one, the cold of her fingers seeped through the fabric of his tunic sleeve. Icy and bitter despite the warmth that flourished on her cheeks, and she let Eris guide her to the floor.
Blair could breathe. She could feel the race of her pulse, however immortal, she could feel the air on her skin and the warmth beneath Eris’s sleeve as she touched him. It felt like her body was on fire— awake.
Eris Vanserra— High Lord of the Autumn Courts eldest son, she had remembered. It had been like a splash of warm water, it had felt good. Different.
Rhys and Feyre’s ramblings about him, about their trades and need to stand against his father. Their effort to sway him should war find Prythian again, Azriel’s updates as she sat in the living room. Absent.
But that fog had cleared, and here she was. Preparing to dance with him. And everything came back screaming.
It was quiet as they prepared for the song to begin, Nesta and Azriel on the other end of the marble floor.
And then the music began and Eris arm wrapped around Blair until his hand laid on the small of her back, fingers of one hand each entwined as they stared into each others eyes.
It wasn’t that Blair couldn’t think or feel it, but her body moved absently off of memory alone as the dance began. Graceful and smooth, gliding as Eris guided her through the movements.
Spinning and twirling and whirling, she could only look at him as they moved. They did not speak, just danced and eyed each other.
Something charged went through the air between them, the close proximity of their bodies, and Blair wanted to know it as equally as Eris. Wanted to welcome it.
He smelled of spruce and warm honey, mahogany and citrus, flames and burning coals. Blair swallowed it down, drank it in and almost closed her eyes from how strong it was.
The pads of his fingers were rough, felt scarred as they held the small of her back and her own soft fingers. The freckles on his skin were similar to hers but brighter, a hue of ginger rather than her umber shaded spots.
And where he touched, across her waist and now one of her hips, burned.
The feeling like a fire, warm and welcoming and home, spilling into her veins like hot oil. And then Eris was dipping her, their faces a mere inch apart and Blair’s lips parted in a breathy gasp.
His eyes watching those perfect lips, trained on them as they stood like that. Dipped over and under one another, Blair’s leg hooked over his hip like she would fall.
But something in those pointed eyes, cunning and lethal, told her he would never let her go.
“Where have they kept you?” Eris asked finally, and brought her back up to a stand as they began again.
“A female is nothing to be kept.” Blair responded as easily as their dancing continued. Reminding herself of the proper terms fae used. “I have heard of how backwards Autumn can be, though. Perhaps that is your way of thinking?”
“You were not there for the war.” It was not the statement he made it, a rephrase of his first question. And he did not scold her for the jab she shouldn’t have made, supposed to be swaying and wooing but instead bit at him like a ravenous dog. “Nobody talked of a fourth sister.”
“I hadn’t realized I owed my life to the Court’s of Prythian or it’s people.” His hands left her body and trailed to the tips of her fingers as she spun out and when she returned his hold was firmer but he smiled, wicked and beautiful. “What?”
That look in his eyes, she couldn’t place it. And her voice held more venom than she intended, despite how soft and sweet it may have sounded aloud.
“You intrigue me, Blair Archeron.” He said and pushed her out again, her dress spinning out at the bottom as she twirled and came back to him. Pressed against his chest, one hand on the back of his neck and he might have shivered. “Trust the most beautiful of your sisters to be the smartest.”
“We’ve shared mere words, what are you basing my intelligence off of?”
“A feeling.”
“A feeling?” She repeated. He nodded and then she was keenly aware of where his hands were, trailing to the base of her own neck— close enough to be courting. More than that.
“Tell me,” Eris started, beginning a box step procedural that she followed. “—have they tucked you away out of fear of what you could become, or fear of what they could lose?”
“Who’s to say I’m not the one who chooses to stay away?” Eris’s eyes glittered with a need to know, like he wanted into her mind to see all of that intrinsic astuteness shrouded by firs and spruce. “Who’s to say I wanted to be a part of this life at all?”
“I offered to give them armies in exchange for your sisters hand and they bring you in.” He states as the song comes to an end and another starts. A rapid tempo, fast and harsh. Mostly string instruments, dramatic. “Why?”
“I was late,” Blair corrects, one hand holding the back of his neck as the other is gripped in his. Larger, muscled, and firmer than Blair’s delicate, soft, and teasing hand. “—you must be a terrible listener.”
Amusement lit Eris’s eyes as he held an arm around her waist, fingers brushing her ribs.
“Did they keep you away because of your mouth, then?” He crooned, their bodies moving seamlessly to the upbeat music. Stepping and spinning all at once, matched with the other pairs of dancers on the floor.
“What of my mouth?”
“What of it, indeed.” He smiled, eyes flicking to the rich ridges of her garnet colored lips. Blair’s cheeks heated and for the first time her eyes flicked away from his face. Anywhere but him as they landed on Azriel and she almost breathed in relief when she found that his eyes were already on hers.
A silent question in them and Blair blinked softly in response.
“Would you believe me if I said the second I saw you, I forgot about Nesta completely?” Eris whispered into her ear, lips brushing against the hair that curled there. So close she could feel the heat of his breath, like a flame licking her skin.
She cursed the part of her that wanted to feel that heat in other places and shoved it down. She looked back to Eris, noses nearly touching with the proximity this dance required.
“And what if I am already spoken for?”
Questions, so many questions with him. And Blair just fed them back as if the answers were in the questions themselves, a proper response unneeded.
“Are you?” His brows raised.
“No.”
It was simple, nothing further needed and she didn’t understand why she cared to tell a male she had met mere minutes ago that she was available. The first other than Rhys, Lucien, Azriel, Cassian and the blonde male she had set her eyes on since coming here. Since being forced here.
“They must do it to you all then.” Eris said, smile fading into a tighter one as he saw that look in Blair’s eyes. “Dwindle your flame, drown it out, waste you.”
“My sister and her mate have been gracious to me in my… adjustment. I have nothing to complain about, and certainly nothing to waste.”
Eris shook his head so barely as they spun Blair almost didn’t catch it, disbelief in every beautiful crook of his utterly handsome face.
“All of you is wasted, my dear Blair. They are blind if they cannot see what lives inside of you, your fire, whatever that power is and whatever you are now.”
Perhaps it was because Blair didn’t even know what was inside of her, why her chest warmed on its own for the first time in over a year just now, but she didn’t say another word.
When the music ended, she bowed before Eris as any graceful courtier would— a dismissal on her part before she stepped back and allowed for him to bow in return.
But he did not, and only stared at her as if he couldn’t—wouldn’t—bring himself to say goodbye. We are not done playing, Blair Archeron, was what his eyes added as Azriel swept her from the floor and the room all together.
His eyes followed her the whole way and that cold returned as soon as she left his line of sight.
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🏷️: @prythianpages @impossibelle @readychilledwine
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Thoughts on The Ghoul
So I think all the characters in the Fallout show are spectacular, but I had some thoughts on The Ghoul/Cooper Howard in particular that I just wanted to put down. Owing to his 200+ years of history, he's a downright fascinating, dynamic character, and I can't wait to see what they do with him next.
Anyway, here's my thoughts/character analysis of The Ghoul:
One of the things I found most interesting on my second watch-through of the show was how everything The Ghoul does is motivated by ruthless pragmatism, not cruelty. It can appear like cruelty--sometimes it tips over into cruelty--but cruelty is not the point. The point is always survival. He must survive to find his family. That is his goal and his one guiding tenet. Nothing else matters, everything else is fluid. Whatever it takes to survive.
Getting rid of the three bounty hunters who dug him up? Survival. Two of those guys were already one twitch away from killing him on the spot for being a ghoul, and the other threatened to harm him if he didn't show enough gratitude. Coupled with some of the other things he was saying, it seemed possible he would double-cross or kill The Ghoul the moment it suited him. No doubt The Ghoul has worked with the type before, and knew trouble when he saw it.
In Filly, he only shot people who were shooting at him. Cooper loves dogs, but he stabbed CX-404 because she was actively trying to kill him. On the surface, he healed her for equally pragmatic reasons: she could lead him to Wilzig. But he also seemed to respect, too, that she clung to life despite her debilitating wound. She's not his dog Roosevelt, so he tries to maintain a cold detachment from her (at first), but he has a soft spot for dogs.
He was willing to shoot Lucy in Filly, but he hesitated--which is more than he did for any of the other people threatening his life. Possibly he wouldn't have killed her (she was armed with a non-lethal weapon) until Maximus showed up on the scene and changed the calculus (dispatch the girl and deal with the newer, bigger threat without having to worry about her finding a lethal weapon and killing him with it). He didn't kill Maximus when he had the chance, either. He didn't need to. Maximus had already shown himself to be incompetent with the power armor. It was simple enough to damage the power armor and watch him tuck tail and run.
When he meets Lucy again, he uses her with the same casual, indifferent efficiency as he would any other tool. The point of dunking her in the water was to lure the gulper. It had the unfortunate side effect of also being torturous for Lucy, but the cruelty wasn't the point. Getting the head back was. The head=caps, caps=meds, meds=survival, survival=eventually find family.
We don't know what The Ghoul would have done if they had retrieved the head from the gulper and his medicine hadn't been destroyed. Probably it would have depended on what Lucy did. If she seemed likely to come after him and the head, he probably would have killed her or incapacitated her and left her for dead. If she had explained she needed to trade it with Moldaver for her dad, Hank MacLean, hoooo boy, he would have beelined for Moldaver's with Lucy in tow. Whether Lucy came along as his partner or his captive/extra bargaining chip would also probably depend on Lucy's behavior.
But they lose the head and The Ghoul's medicine is destroyed. The math changes. He can come back for the head, but he needs meds now, which means he needs caps now, and the only thing of value he has on hand is this pampered girl from a fucking vault who seems patently unwilling to do the things that need to be done to survive in the Wasteland anyway, so if she's gonna die, he might as well profit from it. He needs meds to survive. He needs caps for meds. It's simple, brutal math.
While he's hauling her to the Super Duper Mart, though, he does several interesting things that are degrading for Lucy, yes, but are simultaneously teaching her how to survive the Wasteland, testing to see if she'll adapt. First, he mercy kills Roger and butchers him. It's important to note that The Ghoul didn't have to take a detour from his all-important mission to obtain medicine--he could hear it was Roger, he could tell Roger was going feral and didn't have any meds-- but he went anyway to help ease an old friend's passing. And he made sure Roger's last thoughts were pleasant, too.
Then, because this is the Wasteland and the one law is survival, he wastes no time switching gears. There's no waste in the Wasteland, and a fresh dead body presents an opportunity for those willing to seize it. The Ghoul, mind you, has had 200 years to learn that he can't be picky. Ghouls are unwelcome in most "civilized" parts of the Wasteland, barred from the simple comforts and safeties and securities that other people can enjoy if they reach those scattered, precious oases. The Ghoul has had to eat people. It sucks, but it's that or die.
But Lucy doesn't understand that. She arguably doesn't understand what a ghoul even is because nobody's taken the time to tell her. She doesn't know what the last 200 years have been like. She's appalled--and then she has the audacity to voice her disgust. The Ghoul hands her the knife to keep butchering Roger in part to humble her, to drag her down into the dirt with the rest of them, but he's also teaching her a stark reality of the Wasteland. It was a lesson and a skill that he had to learn the hard way. (Interestingly, while nearly everyone in the Wasteland is disgusted by cannibalism, it's also a known thing that happens all the time. The Ghoul and Lucy are in the interesting position of being some of the only people in the Wasteland who were raised in societies where cannibalism truly was unthinkable).
On the walk to the Super Duper Mart, he refuses to give her water. On a pragmatic level, there's no reason to waste water on the equivalent of a dead woman walking--he's leading her to get her organs harvested, after all. (He is pretty petty when he pours out the last drops instead of giving them to her, though). But also, whether he is actively intending to or not, he is teaching her to adapt to Wasteland conditions. The water in his canteen, in fact, was just as irradiated and gross as the standing water from which Lucy ultimately drinks; he refills his canteen from the same rusted-out vessel Lucy drinks from, and likely drew the previous canteen's worth of water from a similarly unpalatable source. This is water in the Wasteland. Drink it or die.
When she runs away shortly after, he lassos her (and, sidenote: can I just add how fucking cool it is that they actually carry through his lasso skills? Like, that is actually an extremely useful skill and the writers utilized it!), which leads to that pivotal scene where she bites his finger off and he takes hers.
This is interesting for multiple reasons. The Ghoul calls her a "little killer" and seems satisfied to see her finally fighting with the same savagery as a Wastelander. This could be either because a) he believes all people have a killer lurking beneath the facade of civility ("I'm you, sweetie. Just give it a little time...") and she's finally found that steely will to survive no matter what it takes, and/or b) he believes she's been faking her doe-eyed, good girl persona. He's the one who first finds Wilzig's body, after all. To him, it looks like Lucy lured the doctor off and ruthlessly chopped off his head before running off with it. Maybe she's just a really good actress, and in biting his finger off, she's let that mask slip.
Either way, he introduces her to another law of the Wasteland: don't dish it if you can't take it. She takes his finger, he takes hers. He doesn't kill her for it, in part because that would be disproportionate, in part because that would be a waste (he probably needs he alive to exchange her for caps). But also, from a practical standpoint, she just bit off his shooting finger. Unbeknownst to her, ghouls can reattach body parts, even ones that are not their own. He's harvesting his replacement from her. If he wanted to be cruel, he had ample opportunity to be cruel here. He could have taken more fingers. He could have hurt her in ways that wouldn't have affected her value to organ harvesters. He could have degraded her and called her all kinds of nasty names. But he doesn't. He's efficient. If anything, he seems almost proud of her for abandoning her hoity-toity principles and fighting back.
He still needs caps. He's feeling the effects of not having his medication. He's still committed to delivering her to the organ harvesters. In his mind, he has no choice. This is about survival. He has to survive to find his family. This is the option he has available to him. This is how he lives to see another day. He brings her to the Super Duper Mart and, drawing deep from that actor's well, he maintains the tough-guy routine long enough to intimidate her inside, then he succumbs.
He's still down when Lucy re-emerges, victorious, and he knows, he knows that he's dead. He tried to kill her, now she'll kill him. It's the smart thing to do, the practical thing to do. Another law of the Wasteland...
But she doesn't do it. She has all the power here, she knows he's a dangerous element, that she would probably be safer if she left him for dead or killed him herself. But she breaks all the rules. She gives him, freely, generously, with supreme dignity and a selfless kindness he had long forgot, an abundance of the thing he needs to survive, the thing he was willing to sell another human being for no questions asked. Just like that.
There's also something to be said here about how resource scarcity (and the removal of that scarcity) affects people. As soon as The Ghoul gains a cache of at least 2 months worth of medicine, it frees him from the basic math of mere survival. He has room to breathe and think long-term (at least by Wasteland standards). He can reflect on the momentous thing that just happened to him, too. As he watches himself on the TV in the Super Duper Mart, watches the man he once was unwillingly (and unwittingly) take the first step onto the path to what he has become, he remembers what it was like being Cooper Howard. Why he, Cooper Howard, hated the "feo, fuerte, y formal" scene so deeply.
Cooper Howard was a kind, moral, and dignified man who seldom said an unkind word. He was a loving husband who deeply respected his wife and absolutely adored his daughter. Though his naivety, privilege, and ignorance blinded him to the ugly realities of the pre-apocalypse world around him, he valued justice, freedom, and equality. He wanted the characters he played in the movies to reflect that belief in the power of the law and respect the innate humanity of all people, even the villains. And, when he began to see the cracks in the perfect picture of his charmed life, he is driven to know the truth behind the facade. His deep, defining belief in justice and truth would not let him leave it alone.
Cooper Howard learned the truth that Vault-Tec (and by extension, his wife) were willing to drive the world off a cliff, and it destroyed his marriage and deeply affected him. Even then, demoralized and hurt as he was, he found it in himself to be thoughtful and kind to his daughter and the people, both adults and children, at the birthday party he worked the day the bombs dropped. Fundamentally, he was still a kind, moral man. And that kind, moral man found himself in the middle of the most horrific nightmare anyone could ever imagine experiencing: the death of the planet under a rain of atomic bombs. Then he lived through it and had to contend with the harsh realities of surviving on the annihilated landscape left behind. Fortunately for him, he already had several handy skills to carry him through: having formerly been a real cowboy, he knew a thing or two about surviving in tough conditions; having formerly been a soldier, he knew what it took to kill a man and had the experience and fortitude to do it; and finally, having formerly been an actor, he had a built-in psychological coping mechanism to insulate him from the horrors of the things he needed to do to survive.
Cooper Howard used to put on and take off personas for a living. Sure, he played white hats, but he had an intuitive understanding of character and narrative tropes. He played opposite some of the best bad guys in 21st century Hollywood! It wouldn't be hard for him to pull the cloak of acting around himself to do what he initially needed to do to survive. But somewhere along the way, the tough, ruthless persona he adopted stopped being an act and he became his character. He embodied the answer to the question posed by The Man from Deadhorse: what happens when a good man is driven too far?
Cooper Howard adapted to survive. His actions reflect the realities of being a ghoul (again, a people generally reviled by everyone and cast out of safe havens because they are deemed threats). Pragmatic and efficient violence are necessities if a ghoul wants to live long, stay sane, and stay out from under the thumb of would-be enslavers. Still, beneath it all, Cooper Howard is still there, buried deep down beneath the character-persona of The Ghoul.
The Ghoul is drawn to Lucy (platonically, romantically, or some secret third thing), to her goodness and old-world manners just as much as he is disgusted/irritated by them. She's an echo of himself, of Cooper Howard, of who he used to be, and he knows EXACTLY where that gets a person. She's going to get herself killed if she doesn't wise up. With those high-and-mighty, anachronistic principles, that black-and-white worldview, her totally naive misunderstanding of the realities of the Wasteland, she won't last long. And initially he sees her as a pawn, like he was, only good for moving him one step closer to his goal. But then she shows him she can adapt and survive. Not only that, she can be true to her core principles in the process. She can conduct herself with dignity. Lucy reminds him what it was like being the white hat, and shows him that yes, even in this hellscape, there can be heroes. Over 200 yeas, his pragmatism and need to survive sanded away the nuance between Good and Bad. But Lucy makes him reconsider whether maybe there is right and wrong after all, and maybe it actually does matter.
Thus begins his transformation, but the change is not immediate, and this is still the Wasteland. He escapes from The Govermint and goes after Lucy. To do that, he needs to find Moldaver. He tracks down someone who might know where to find her, kills him and accidentally blows a hole through the letter with the key bit of information he needs to find Moldaver. So, he goes to that guy's family to find the man's younger brother, Tommy. When he gets the information he needs, he kills Tommy. He gives Tommy the opportunity to back down, but The Ghoul has a lot of experience and reads Tommy like a book. Tommy is not the kind of kid to let something like this go, and The Ghoul has clearly been burned by leaving vengeful people alive before. Tommy reaches for a gun to shoot The Ghoul, and The Ghoul doesn't hesitate. He blows a hole in the kid. It sucks, but again, this is a decision born from sheer practicality, not love of carnage.
Later, he comes across CX-404 trapped in a Nuka-Cola machine (left there by Thaddeus). The head is lost to both of them now; the dog cannot help The Ghoul with finding it. But he saves her anyway and dubs her Dogmeat. He lets sentimentality get to him for the first time in who knows how long and allows himself to bond with another living being. When he does reach The Observatory (where Moldaver, Lucy, and her dad are), he clearly stashes Dogmeat somewhere to keep her out of harm's way and goes in after Lucy.
After fighting his way through the Brotherhood of Steel, we come to that pivotal scene where Lucy finds out about her father's history. Cooper hangs back to observe and learns that his niggling, hare-brained hunch about Lucy and her last name was correct: she was the daughter of Henry MacLean, a man-out-of-time who presents the first real step in 200 years toward Cooper's ultimate goal: finding his family. (I think it's important to note, however, that he isn't 100% sure of her connection to Hank when follows her to Moldaver's--his reasons for going to the Observatory are either to get information from Moldaver or simply to back Lucy up, should she need help). He lets Hank get away so that he can follow him, and he's willing to follow him alone. But now there's Lucy, who is as wrapped up in this shit as Cooper is (even if she doesn't understand it yet), and he figures they both deserve answers. She's shown that she can adapt to survive, she just needs a teacher. In their first exchange since she left him at the Super Duper Mart, he treats her with new respect and offers her the opportunity to come with him, learn from him, and find out about who she really is and the legacy that has produced her. But perhaps he also knows deep down that he needs to learn from her too. He needs to remember what it was like to be good, to be human. He needs it so he can be it for his daughter when he finds her.
So, yeah, I don't know, it's just interesting how Cooper Howard became essentially lost in method acting a villain to survive the fucking awful conditions he found himself in, but even then he isn't cruel. Like, there are a lot worse things he could have done to Lucy. A LOT WORSE. As far as I can tell, he never looks at or touches her in a creepy, predatory way. Yeah, he drags her around on a leash and cuts her finger off when she bites his off, but that's pretty damn tame for the Wasteland. He secures her with rope, but otherwise is pretty hands off with her. If he objectifies her, it's in an extremely non-sexual way. More of a taking-the-cow-to-market kinda way. Which still sucks, but again, it's not needlessly cruel or wantonly violent, which is pretty impressive given general Wasteland behavior.
He's a damn interesting character, and I'm super stoked to see how he develops--and how he interacts with Lucy going forward.
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flower-boi16 · 2 days
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Do you think this fandom can still improve despite everything? Is it Viv and Spindlehorse's fault that this fandom is problematic or there is deeper root cause? Despite the amount of negativity both hh and hb recieved, is it still possible to listen to fans who give constructive criticism and improve both shows? Many fans often say something like"The Spindlehorse's crew don't want to listen to critics because there are too many bad faith criticism and hate" or "Those critics don't have the vision of the creators so their advices are invalid." I think both sides of this fandom are overly aggressive to whatever happened. It must have something behind it.
I think the reason why the fandom reacts so poorly to criticism is a mix of several factors:
These shows are fairly popular, the more popular something is the bigger the fanbase will be. And, likewise, some fans would be very defensive when it comes to criticism.
The batshit insane twitter users and fake outrage being confused with the actual critiques people have of the shows. I'll admit, early critical videos were...not great to say the least (cough cough Pkrussel cough cough), and many of Viv's past controversies are admittedly dumb. However, there are real issues people have with these shows and Vivziepop, however, because of all the past controversies with Viv being over-blown, fans lump these real and valid critiques in with the fake Twitter outrage, causing this confusing mess.
Vivziepop's reaction to critiscm. She directly dismisses critiques people have of her shows and pretty clearly spends a bit too much time on online discourse about her shows. Viv IS aware of the critiques people have of her shows but she has this very immature response to criticism just looking at her twitter, and, this does translate to the fandom as well.
Drama channels such as AyyLmao and Iox constantly defending Viv and her shows. AyyLmao is a fairly big channel and a lot of his videos are about controversies surrounding Viv. Pretty much all of these tend to be heavily biased as AyyLmao instantly takes Viv's side, as in several of his videos he deliberately chooses to lump in the actual critiques of the shows with the deranged Twitter users online, which contributes to the second problem I mentioned above. This can be seen with his hatedom video where he says that most of the criticism at least on Twitter isn't "real criticism" and "just hate disguised on such". Notice how he says that at least on Twitter the criticism is just hate. He's deliberately making it look like the critical community is just a bunch of deranged Twitter users who just hate Viv cuz they are jealous or something, when looking at sites such as Reddit, Youtube, Tumblr, etc you'll see people with ACTUAL PROBLEMS with the shows, by AyyLmao's ignoring that in order paint the critical community as a toxic hell-hole. He pretends to be neutral in the video but he clearly is biased with how he paints the critics here, as he only focuses on this one site just to make it look like the critical community is just an annoying vocal minority on Twitter. and because of that, the fandom views the critical community as just that; just an annoying vocal minority of Twitter users who shouldn't be taken seriously.
The fandom just refusing to engage with people's critiques because they can't handle criticism of their favorite shows. That's pretty obvious.
I don't think the fandom will get better any time soon given these factors I just mentioned. Until Viv learns to accept criticism, until Viv drama channels stop defending her bullshit, and until the fandom actually engages with people's critiques rather than sending death threats...ya no this fandom is still going to be awful.
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sophfandoms53 · 2 days
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Finished the Knuckles Show and uhhhhhhhhhh it’s certainly a show.
There’s good stuff buried in every episode especially where Knuckles is concerned. They set up a very interesting arc for him and just didn’t really explore much with it. After the first episode Knuckles is shoved to the side CONSTANTLY and is made the B plot more often than he should be as the TITULAR character.
Every criticism that said Wade takes over the show is correct.
After episode 1, Wade takes over every A plot and Knuckles is only ever in the B plot that has either minimal time focused on him or he’s just straight up not around (episode 4 is the worst offender here but it’s an issue from eps2-6). They actively write Knuckles out of the plot constantly and it’s very frustrating.
If you like Wade and enjoy his personal journey about his family then this’ll be fine. I, for one, thought it was interesting on its own but 100% it has no reason to be here in a SONIC MOVIE KNUCKLES spin off show. This is not Knuckles’ show. It’s Wade’s and that’s the biggest let down.
Knuckles IS there but that’s it, he’s just THERE.
And it sucks because Movie!Knuckles himself is very well crafted and very entertaining and engaging to watch. The show is at its strongest when it’s about Knuckles and spending time with him. Episode 1 is the only episode that it feels like what it was advertised as - the Knuckles show.
Sonic, Tails, and Maddie only show up for the first episode and never come back. Which is wild because part of the plot is Maddie has grounded Knuckles and he sneaks out but there’s never any consequences shown once he gets home nor do we see how anyone reacted once they noticed Knuckles is gone. These three are just abandoned after episode 1.
Tails has like 6 or 7 lines, my boy deserves sm better LMAOO
A big highlight, however, I LOVED Sonic in this one episode. The way you can see and FEEL how he’s grown from movie to movie and in this first episode is very well done. He’s truly becoming the Sonic I know and when he and Knuckles had their conversation on the roof where he tries to help Knuckles see the beauty in Green Hills, his home - that entire scene was PURE Sonic’s golden heart on display. He does still have his jokes that remind you Ben Schwartz is his actor and that he’s a silly kid but he IS still Sonic at his core and I loved that. It made me very sad we didn’t get to see more of him but I appreciated seeing Sonic handled this way. It makes me very eager to see how movie 3 goes about him considering everything Shadow brings to the table and how different of a threat he’s gonna be for Sonic.
Episode 2 is alright but GOOD LORD episodes 3-5 are such a waste of time. There’s good sprinkled in them in isolation but as full blown episodes, a waste. You can skip most of what’s happened and be fine.
The big climax fight in the finale just HAPPENS. The plot armor literally comes bursting through the wall and yanks Knuckles out of the plot for way too long and we only get TRUE and INCREDIBLE Movie Knuckles action (his fire fists which were insane btw) in the last 5 minutes and it only lasted like 2 of those 5 minutes.
Overall, it’s not entirely unwatchable but it’s not worth a majority of people’s time. You don’t need this for movie 3 so if you wanna skip it - I’d recommend that. If you really watch though, I’d only say watch the first episode and the finale and just google the context for what’s in between bc eps 2-5 are total slogs after a while.
If you like silly dumb fun - this is the show for you. But it’s not the show many Sonic fans may have wanted or expected.
I’m not angry or anything like many people have been. It’s not worth getting angry over. I’m moreso just disappointed because I can see a good show about Knuckles hidden in there. They just opted to give more time into Wade for whatever reason.
Just an overall let down imo.
Knuckles deserved better❤️
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m0rninglatte · 2 days
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Monster from Epic and Icarus analysis because the thoughts do be real
“How did suffering become so endless?”
- Icarus thinking it should have been done by now, but it's not. It's still going
“Do I need to change?”
Moving on.
“I'm surrounded by the souls of those of lost”
- Icarus talking about Aurelius, Enderian, *Centross*, Momboo, etc.
- The idea of everyone who has died is a sacrifice, and they will be brought back, but also Icarus ability to not grieve properly because of it
"What if the greatest threat we'll find across the sea, is me?
- Icarus wondering if they are failing and they are going to slip up to the point everything crashes because they made one wrong move.
“What if I'm the monster? What if i'm in the wrong”
- I like to think this line as Icarus beginning to think of each reset and all the "antagonistic" acts they've done and thinking if they are and have always been a monster because they in their own eyes can't seem to do anything to help people as they just end up hurting someone.
“What if i'm the problem that’s been hiding all along”
- Icarus in “Lady of the world” talking about how corruption has always been there, how whatever they did then was always there they just pushed it back of their mind until corruption made it the forefront of their mind.
“What if i'm the one who killed you”
- Icarus debating if it was Quixis that killed Momboo or themselves.
“What if I’ve been far too kind to foes but a monster to ourselves”
- Foes = Fable, ourselves = everyone else minus the co-workers
- Although Icarus currently wants to fix everything and stay with Fable, i like to see this as Icarus debating if they are on the right side.
The Polyphemus section is Centross, mainly the Violet Reaper
“Or does he end my men, to avenge his friend”
- S1 funeral. 
-“Avenge his friend” is a line you could annotate “friend” to be Enderian
- If you wanted to, you could almost switch into "...,to serve his goddess"
The Circe section is Enderian 
"When the witch turns men to pigs, to protect her nymphs"
- Corruption of Ominus Bane
- You could see this line in my opinion as either to protect her realm or to prove her point about Overworlders and how they are the same, for example, resorting to violent outcomes
The Poseidon section is Fable
- This section is a mix of things, I can see mixes of Fable during the war and Fable currently, and Icarus is like thinking of the similarities and differences between Fable and himself.
The Odysseus section about him during the Trojan War is Icarus and the Wack
“Does a soldier use a wooden horse to kill sleeping Trojans cause he is vile”
- Icarus using the wack to kill Momboo
"Or does he throw away his remorse and save more lives with guile"
- Icarus querying if he should just throw away his regret for any actions he has done and attempt to help people through sly and cunning intelligence (literally the definition of guile)
The section after the Odysseus section is Icarus wondering if they should just become the monster to everyone else but not the co-workers and yk Fable 
“I lost my best friend, I lost my mentor, my mom, 500 men gone…”
- Best Friend is Centross.
- Mentor is a funky one because i could see it be switched into my brother, but at the same time, you could keep it as mentor and annotate it to be Quixis
- Mom is Isla -> "Like King like Prince" : Icarus finding her portrait and realising Fable hasn't told them where she is and that he can't remember her aswell as Rae
- 500 men gone = the people and gods who have died and or been husked
“I must get to see Penelope and Telemachus”
A) remove the context of the names, no wife, no son, none of that
B) This could be annotated into two different ways but i can mainly see it as Momboo and Centross and Icarus’ hope with all this they can come back
“I’ll go where Poseidon wont reach us”
- Poseidon could be annotated into Enderian, but one that I think works well is the faction, mainly Ocie.
“And if got to drop another infant from a wall in an instant so we all don't die”
- Icarus being like if i have to kill another person, fuck it, whatever it is I need to do to prove myself or help in anyway.
The end section with Odysseus choosing to become the monster I could see as Icarus state of mind of their not meant to be helping people as all they have done is hurt people, so that's what their meant to do, it's what they were ment to do from the beginning, so they will.
Thoughts and feelings go bonkers and bit of aaah and bit of RA
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katyawriteswhump · 3 days
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(i'm still) watching you—harringrove microfic
my first attempt at harringrove and probably totally weird like my usual shit, so… yeah, nervous. but I love prompts/challenges too much to resist… Pls be kind 🙂 
WC: 914. For @harringrovemicrofic prompt, green (I also got a passing mention of Jason Carver in for the additional prompt.)
CW: None. Tags: angst, pining, chronic illness (Fibro/Chronic fatigue), enemies to lovers, h/c, no Upside Down AU, slightly soft Billy? Rating: M.
Steve hated sitting in the stands watching the Tigers win without him.
Hargrove rained all over the hoop, right until the full-time whistle ripped through Steve’s skull. Simultaneously, Billy ripped his vest off—shouting, thudding his chest, scanning the crowd.
His crazily soft-blue eyes rested on Steve. That smug grin faltered, and Steve’s heart gave a crazy little squeeze.
Billy’s attention snapped away. His teammates carried him on a lap of victory, and Steve shaded his eyes. Too fucking much. Since he’d got sick, the doctors had droned on about Steve having to pace himself. Today, that’d been a bust—all for the torture of watching Hargrove play.
Even though Steve hated him.
And he’d chew on that image of shirtless Billy for goddamn weeks.
“Stop bawling, Harrington.” Steve startled, squinted into the suddenly too-bright light. Tommy H waggled a stuffed tiger in front of his nose: “You can be team mascot. This one’s got even less backbone than you.”
“Jesus, I’m gonna punch your stupid face in!”
Steve pushed himself up. Despite his dumb threat, it took all his strength to stumble away. Halfway to the exit, he collapsed onto a seat, slumping forward with his head in his hands. The crowd stomped by, sending shockwaves through his aching bones. Nobody offered to help. Probably figured he’d bite their heads off…
A hand landed on his shoulder. “You okay?” asked Billy.
WTF? Steve flinched away. Up close, he couldn’t handle those stupidly long lashes and gorgeous eyes. “M’fine.”
“Want a ride?”
“You leaving already?” Steve gawked at Billy’s pecs. “Guess there’s only so much showboating even your fat ego can take.”
Billy arched his brow. “I’m sick of this shit. Your ex-teammates are fucking losers, you know that?”
Uh… Yeah?
“Whatever, dude. I’m leaving with Nance.” Steve had just spotted her with freshman golden-boy, Jason Carver, scribbling madly in her notebook.
“She’s writing an essay on that asshole. Couldn’t bag me. Seriously, I need space. Figured you might too.”
Space with me? “Jesus, you still never stop talking! You hate me. What’s your game?”
Billy shrugged. “I don’t hate you, man. It genuinely sucks you had to be benched. Don’t have to believe me, but I actually miss you.”
Miss humiliating me? Miss me rubbing my ass against you while you shoved me around!?! Guess I enjoyed touching you as much as I hated you. I mean, uh, I STILL hate you…
“I don’t need your fucking sympathy, Hargrove.”
“Not offering fucking sympathy.”
Steve’s heart repeated that crazy squeeze. He’d grabbed the hem of Billy’s green shorts before he knew it.
Don’t leave. I honestly can’t get up without help right now. Won’t ask for help, either.
Billy harrumphed vaguely, casually offered a hand. Steve clasped it—since when did he dig slippery palms?—let Billy draw him up and sling an arm around him. Even with Billy’s help, the effort of walking consumed Steve completely till he sank into the Camaro.
Billy winked at him from the driver’s seat. “Don’t worry, I’ll go gentle.”
“Jesus, I’m not gonna break.”
“You wanna go home?”
Yeah, I totally should. “No fucking way. Anywhere but this dump.”  
With minimal wheelspin, Billy tore from the school grounds. He didn’t play loud music. They didn’t talk much either. Seemed Billy did occasionally shut up. Only Steve fizzing nerves—WTF AM I DOING?—kept him awake until Billy slammed to a halt.
Steve blinked. “Where are we?”
“One of the few places in this shithole that’s not a shithole.” Billy hurried around and helped Steve from the car.
“I’m not a fucking princess,” Steve bitched.
“Whatever you say, pretty boy.”
“Screw you.” Steve’s glare melted into a laugh that he almost felt.
They’d arrived somewhere in the hills, which smelled of spring grasses. Steve slipped from Billy’s warm grasp—not without a dumbass pang—lay flat on the soft turf. Beyond the trickle of a stream, it was so quiet, he dozed almost instantly.
Then, through the blur of his lashes, he spotted Billy stripping his shorts. Christ, that ass!
Billy headed for the stream. His smirk was as mind-blowing as his body. “I skipped showers.”
“Fucking show-boater.” Steve snickered.
He watched Billy wade thigh deep, splash sparkling droplets over that lick-able, lithely muscled torso. He wished he could watch this a billion times over, ached to join Billy, then his eyelids grew too heavy, his fatigue winning, and… Shit!
Deep inside, something snapped. He slung an arm across his face and cried, drifted, then cried again, shamelessly sniffling. A brush against his arm stirred him. Billy lay stretched beside him, towel around his waist, chin rested on a fist.
“Tears are cathartic, huh?”
Steve rolled to full-on sneer at Billy. Ended up fixed on Billy’s lush mouth, fretting his own lower lip. “Quit mocking me.”
“I’m not. Tears help. Apart from when they’re too damn painful. You don’t have to say which those are.”
Billy reached out, as if to push hair from Steve’s damp eyes, then hesitated. Steve grabbed Billy’s fingers, like he’d grabbed for his shorts. He barely breathed. He clasped Billy’s stream-chilled knuckles to his own burning face, like his life depended on it.
“Meant what I said about missing you,” murmured Billy, as Steve drowned in those adoring eyes. “None of those dicks are half-decent rivals. It sucks we never got a chance to work through that tension and…"
This is a dream, right?
Billy’s fingers slid up through Steve’s hair, gently drawing him closer, and they tumbled into a kiss.
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acewritesfics · 16 hours
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The Clap | Tommy Shelby 
Pairing: Thomas Shelby x Fem!Reader 
Request: No.
Warnings: Swearing. False accusations. People spreading rumours. For the sake of the fic there is some slight Lizzy bashing.
Word Count: 1,325
Tommy Shelby Masterlist | Main Masterlist
Tommy sat enraged as he watches Y/N sitting at a table in the centre of the restaurant, laughing and smiling while having dinner with a man he's never met before. He is having a dinner meeting with a potential ally in an up and coming business deal and couldn't afford for anything to go wrong. But through out the meal he couldn't take his eyes off Y/N. He hasn't seen her since before she left Small Heath a month ago. She looks absolutely beautiful in the royal blue silk and beaded dress she's wearing. It's the same dress she wore when he first took her to the races. It looked so good on her that he spent a majority of the day watching her instead of the horses.  
To say he is jealous of the man in her company would be the understatement of the century. He didn't often get jealous and when he did, he could hide it in his stoic expression and thinly veiled threats. But he couldn't deny his jealousy in this moment. He was jealous that it is no longer him sitting across from her, making her laugh and smile. He was jealous that it wouldn't be him taking her home tonight. 
Before he can stop himself, he's excusing himself from the table, ignoring the confused looks the potential ally was directing towards him, and walked over to the table Y/N was sat at with her date. Her look of shock didn't deter him either. "You don't want this one, mate." 
"Tommy!" she gasps, her eyes filled with confusion, anger and bewilderment.  
"And why's that?" the man replies standing up from his seat, not thinking about who he is standing up to. He's a good few inches taller than Tommy but the Shelby man isn't the slightest bit intimidated. He's dealt with taller and meaner looking blokes than Harold before.  
"She's beautiful to look at, but that's as far as it goes, trust me," Tommy's eyes dart towards her, taking in how beautiful she looks even when she looks like she's about to kill him, before looking back at the man in front of him. "Because she has the clap."  
Y/N's eyes grow wide with shock and rage as the patrons around them start to murmur to each other. Her cheeks heat up with embarrassment as angry tears build up in her eyes. 
"Fuck you, Thomas Shelby!" Y/N shouts at him and storms away from her date and the Peaky Blinder. She walks as hastily as she can away from the restaurant wanting to get as far away from Tommy and the embarrassment she is now feeling.  
But God wasn't on her side tonight because Tommy quickly caught up with the angry woman. "Y/N, wait!"  
"I've had enough of your shit, Thomas!" she growls as she continues walking, "I never want to see or speak to you again!" 
Tommy stops her by grabbing her arm and turning her to face him, his face remaining calm but she could see the agitation in his eyes. He wasn't going to let whatever was bothering him alone. She's going to hear about it, whether she wants to or not. 
"You end our relationship so you can go on dates with other men?" Tommy glares at his former love. 
She glares back, not believing what he was saying. This wasn't like Tommy at all. He's making a fool out of himself as people found what's going on between them more entertaining than what they were doing.  
"You're the one who ended our relationship when you went and fucked Lizzie Stark," she says smacking him in the chest with her handbag, when he wouldn't let go of her arm. "I told you Thomas, the one thing I won't tolerate is you fucking cheating on me!" 
Y/N was born to two parents who didn't love each other. They'd been forced to marry because of an unexpected pregnancy but neither of her parents wanted to end it officially. She watched many women as well as men come into her home as both parents had their fair share of affairs. Y/N didn't want to end up like them, she refused proposals from decent men because she was afraid of becoming her mother and marrying someone like her father. But from the moment she met Thomas Shelby, everything shifted. She fell head over heels for the intelligent and dashing but sometimes stupid Birmingham gangster. She opened up to him more than she did with anyone else. It was the same for him. The two found solace within each other as well as a peace that they never found before.  
And then it all ended a month ago, when she heard rumours that Tommy had spent a few hours in the company of the local whore, Lizzie Stark. When Y/N went to confront Lizzie, the tall woman gave her a triumphant look proud that she had come between Birmingham's most powerful couple. Unable to confront Tommy, her heart too shattered and broken, she went to stay with her sister out in the country for two weeks. It would have been longer but she longed to be back in Small Heath for reasons unknown to her, whether it was with or without Tommy. 
"I never fucked Lizzie fucking Stark!" Tommy yells at her after she manages to yank her arm out of his grip. "You are the only one who I have been with since we got together. I would never do that to you because I love you too much." 
"Then why is every body talking about it?" she yells back at him. "Now they're going to be talking about me having the fucking clap, thanks to you." 
"I'll let every body know it isn't true because it's not," he tells her. "You don't have the clap and I never slept with Lizzie. I went to ask her if she had a client by the name of Andrew Jenkins, that's all. I was with her no longer than a minute."  
She looks into his eyes, seeing no trace of a lie. Despite who he was, Tommy had never lied to her about his feelings or what he's done. "It's been a month, why didn't you say something?"  
"Because I'm a fool," he tells her. "and got inside me own head. Told myself this was your chance to find someone better, someone who doesn't have blood on his hands and someone who can bring you more happiness than heart ache." 
She shakes her head. "I'm sorry, Tommy. I shouldn't have listened to a bunch of rumours and believed Lizzie over you," She apologises. It was her fault they broke up. She should have faced Tommy instead of running away. "I should have stayed, spoken with you and listened." 
"I shouldn't have let you walk away," he begins to apologise also. "I am sorry for saying you have the clap, but I am not sorry for interrupting your dinner," he continues, moving his hands to her hips and pulling her close. "I'm a selfish man. I get what I want and what I want is you. It's always going to be you." 
"I only went on a date with him to shut my sister up," she admits. Her sister was happy when Y/N told her that her and Tommy were no longer together. She didn't wait a day before she was setting Y/N up with one of her friend's brothers. "All the dates I've been on have been to keep her quiet. They have taught me one thing, though." 
"Yeah? What's that, eh?" Tommy asks, cupping her face, his thumb stroking her cheek.  
"No other man could ever compare to you, Mr Shelby," she smiles softly looking into his intense blue eyes. 
"I'm one of a kind, love," he returns her smile, looking back into her eyes as he brings her into a kiss, expressing how much he loves her and missed her. 
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octaviasdread · 9 hours
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Mrs Perry, the 50s Housewife & Neil
This entire post is inspired by a discord discussion so I can't take all the credit, but Mrs Perry gives off alllll the signals of a 50s housewife reliant on emotional suppression and prescription pills to cope with the demands of post-war society.
'They used barbiturates to aid in sleep, minor tranquilizers to ease anxiety, and amphetamines to help lose weight and boost energy. [...] Women’s pill consumption signals their difficulties, at times, before feminism of the era explicitly touched upon them' - Erin Brown, You Go to My Head: Women's Prescription Pill Use in Postwar America
Her smoking while she waits for Neil to return with Mr Perry from the play suggests a habit to cope with stress. It’s also notable that she hurries to put it out. Is this a further sign she’s smoking to relieve anticipation, or is it something she doesn’t want Neil to see?
And Mr Perry? His treatment of her can partly be explained by patriarchal family structure. What Mr Perry wants, Mr Perry gets. He is head of the family, and takes the lead in family communications with Neil, so much that beneath Mr Perry's repeated use of 'we,' it's difficult to discern how Neil's mother feels.
In the scenes set in the Perry house, we mainly see the family in Mr Perry's study. This direct parallel to Nolan's office INSIDE Neil's home emphasises the rule of authority over his life, and the extent of how trapped he is.
The parallel is important because Nolan's office is shown as a place of punishment for the students, and a reinforcement of their lack of agency.
More specifically, the deleted scenes show school clubs being dictated to the boys as they stand in front of Nolan’s desk. This confirms that school annual - and the editorial position that Neil earned - is taken from him on Mr Perry's whim, just as his whole life is ripped away the next time he stands beside a desk in Mr Perry’s office.
The hurt and betrayal Neil feels in these early scenes is hidden from Nolan, and he submits to the authority of his father. But Neil can no longer hide his hurt by the end. He has gained and then lost too much to accept the stricter controls Mr Perry is imposing.
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So what does Mrs Perry do when faced with her son's obvious distress? Almost nothing.
Her worry for her son is real, but she shows no true support that Neil can rely on. He looks to her for help and comfort twice. The first time, she looks down, then back at Neil, and says nothing. The second time is after she begins to speak, but her one attempt fails, and she falls back into passivity.
She stands aside. It's as if Mrs Perry isn't really there, stuck behind an invisible boundary observing the damage as the scene unfolds.
It's only when Mr Perry leaves that she provides some fleeting comfort - but this comfort doesn't feel present to Neil. She doesn't articulate her support, doesn't touch him, or make signs that Neil can grasp without doubting her belief in him.
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Instead of prioritising her son, she follows Mr Perry without complaint, leaving Neil to grieve alone for the loss of everything he holds dear.
This tiny scene says so much about the dysfunctional family dynamic Neil has been raised in. It's impossible to say when it started, or when his mother stopped advocating for Neil's emotional wellbeing, but there's definitely a bond - however strained - between mother and son that isn't shared with Mr Perry.
As @desire-mona has said, Mr Perry uses his wife and possibly her health to guilt and manipulate Neil into following his demands. There's definitely an argument to made for Mrs Perry having fragile health. If this is physical, or a 'nervous' ailment historically diagnosed in housewives, or a combination of the two isn't clear. Whatever it is, she must not be upset.
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This puts a lot of pressure on a child, and Neil (understandably) complies under the threat. As the above scene implies, Neil is blamed, and likely blames himself, if Mrs Perry's symptoms get worse around the time he disobeys, or just fails to please his parents.
The Perrys different reactions to stress are clearest at the discovery of Neil's death. The shock causes Mr Perry to bypass anger (although anger returns in his search for someone - i.e. Keating - to blame) and his care for Neil surfaces. This is the first time his care is shown through sympathetic emotion rather than demands for Neil to succeed.
Mrs Perry hurtles into denial. Her body is reacting to distress, but she can't comprehend reality. 'He's alright,' she repeats, retreating into a fragile imagined safety to cope.
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@pencileraser1 has also linked the parallels between Mrs Perry and Neil smoking to the possibility of an inherited mental illness.
Being raised in an emotionally abusive household, and internalising the shame of not conforming to Mr Perry's ideal would be enough to contribute to depression in Neil. But I think both mother and son could share dissatisfaction and a desire for escapism.
When faced with the constraints of the larger system they live under, their mental illness plays out in different ways.
Neil finds a healthier outlet behind the backs of authority through the club, acting, and finding an adult mentor to support him, while Mrs Perry has little to no opportunities to escape the confines of the home or the scrutiny of her community.
Once these opportunities (and coping mechanisms) are taken from him, Neil doesn't turn to smoking, escapist poetry, or other forms of temporary numbing. He's seen his parents suburban lives, seen the life they want for him, and perhaps he can't and won't live in quiet compliance the way Mrs Perry does.
I wonder how Mrs Perry copes afterwards? Does she see a decent therapist? Separate (but not divorce) from Mr Perry? Does she take pills and numb herself further? I don't think I want to know.
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doks-aux · 1 month
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Canon Jelix is tragically unrequited, but I am all powerful in my realm where Jack is balls-deep and nudging against Felix's cervix and oh-so-sweetly threatening to knock him up.
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jasontoddenthusiastt · 7 months
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Yeah, people like to think that (adult) Jason’s snarky, cutting, and unapologetic post crisis characterization and the (mostly) “watered down”, docile personality he’s had from N52/rebirth onwards are irreconcilable, and that the shift was just an editorial decision with the intent of marketing him as a “likeable” hero.
While that last part might be true, have they considered that textually it makes perfect sense that being consistently in contact with an abuser just does that to a person. Wears them down until they feel like nothing but a husk, without any discernible direction or opinions of their own. If it isn’t completely burnt out yet, they (consciously or unconsciously) suppress that part of themselves that thinks independently either for self-preservation or to keep the peace. Considering anyone, even “mentally strong” people could fall victim to mental abuse, it’s actually pretty realistic imo.
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