#i didn't use a read more

[samcybercat]

2022 Fanfic Meme

I did this meme at the end of 2021 and enjoyed looking at my stats, so I thought I’d do it again for this year. Word count for the year: 229,620 ...Which is actually a lot more than last year, even though I thought that I’d written less. However, some of this isn’t entirely accurate, as I was able to post zine pieces written in 2021 publicly in 2022 and I’m too lazy to subtract them from the total. In 2023 there will also be zine pieces that were written in 2022 being posted (and in one case, 2021, for a zine that keeps getting delayed...) Number of stories posted to Ao3: 20 (two less than the previous year) Pairings written for: Bill/Ford (Gravity Falls) The rest is all Hades Game: Zagreus/Theseus/Asterius Dionysus/Ariadne Theseus/Asterius Zagreus/Momus (OC) Theseus/Zagreus (a lot) Momus/Icarus (both OCs) Charon/Hermes Dionysus/Hypnos Zagreus/Dusa Hades/Persephone Ares/Skelly (the best!) Zagreus/Hypnos/Theseus Artemis/Callisto Nyx/Persephone Nyx/Athena Zagreus/Perilous Foes Fandoms I wrote for: Hades Game Gravity Falls Original Most popular story: I added a one year anniversary bonus chapter to “the prince with specific tastes; the king with specific regrets”, so that continues to be my most popular fic. Story I’m most proud of: Even though it was actually written in 2021 and only posted this year, I feel like it has to be “when ares met skelly” because it all came together so beautifully and was just so punchy and funny. Not to mention it has an amazing podfic based on it. Funniest: Same as above. Kinkiest: Uhhh probably “zagreus learns how to degrade hypnos (with help from theseus)” by virtue of having the most sex in it. The title explains it all, really. Saddest:  Some of the chapters of my original horror short stories, “Road to Longhanglington” are quite sad. But outside of that I didn’t write many sad stories this year compared to last year. Least Popular: “Theseus forgets not to be an asshole” got the least amount of views. It’s a short drabble about Theseus abandoning Ariadne on Naxos, which I guess I’ve just written about enough times before that everyone was bored of me writing it haha. The twist this time is that it was from Theseus’s POV instead of Ariadne’s though. Most Cringe-Worthy: I am cringe and free. Favorite Opening Line(s): “There hadn’t been a Dusa here, or anything remotely like a Dusa, back when Persephone had first lived in the underworld.” Taken from “caretaker of caretakers”. Favorite Closing Line(s): “ Thus, on the beckoning call of Chaos, Zagreus and Theseus jump.” Taken from “zagreus’s zany time travel antics (guest-starring long-haired theseus)” and perhaps my favourite because it is the one I’ve most recently written and was the end of a long and satisfying project. Top Scenes from Anywhere You Would Choose to Have Illustrated: I honestly feel that my answers to this question from last year carry over to this year, but for scenes specifically from fics written this year: From “zagreus’s zany time travel antics (guest-starring long-haired theseus)”: - Zagreus & Theseus diving into the chaos portal together at the end of the fic - Any of the scenes with Momus & Icarus ...And that’s it for specifics. Literally any art at all based on my fics would make me immensely happy. Story I haven’t yet written, but intend to: At the moment, I just intend to wrap up any unfinished Hades Game projects that I have in preparation for Hades II coming out, since I want to have my table cleared and ready for all of the new brainworms that game will surely give me. I’ve actually managed to do do this for the most part, so there are just a few oneshots left (and one larger project that I may just not go ahead with). As a side note, I’m pleased to say that I achieved two of my three writing goals that I set for myself at the end of 2021 and both of them were the bigger ones: I did indeed write that full TheseZag time travel fic this year and I also wrote a bonus anniversary chapter to “specific tastes; specific regrets” to cap off the plot threads about the reunions between Asterius & Ariadne and Theseus & Aegeus. The only one I didn’t get written was the self-indulgent Dionysus/Momus fic, but I suppose self-indulgence should happen when it happens instead of being planned for. Fic-writing goals for 2023: Same as above, again. I know for sure that I have one TheseZag oneshot left to finish writing and several horror short stories that I might pick up again when inspiration strikes. But I don’t want to make too many big plans for myself when Hades II might render all of my fanfics to strictly fanon in the very near future. I’m more excited to wait and see what it gives me to work with. No pressure if you don’t want to do this, but I’m tagging @101flavoursofweird @crownofariadne @sweveris @krokonoko and @pandirpus

[stil-lindigo]

lead balloon (the tumblr post that saved me)

if this comic resonated with you, it would mean the world to me if you donated to this palestinian family's escape fund.

--

no creative notes because this isn't that kind of comic.

I know I don’t owe any of you anything but I still felt compelled to write about my long term absence. And I feel far enough away from the dangerous spot I was in to be able to make this comic. I have a therapist now, and she agreed that making this could be a very cathartic gesture, and the start of properly leaving these thoughts behind me. I am still, at seemingly random times, blindsided by fleeting desires to kill myself. They’re always passing urges, but it’s disarming, and uncomfortable. I worry sometimes that my brain’s spent so long thinking only about suicide that it’s forgotten how to think about anything else. Like, now that I've opened that door for myself, I'll never be able to fully shut it again. But I’m trying my best to encourage my mind in other directions. We'll see how that goes.

I am still donating all proceeds from my store to Palestinian causes. So far, I've donated over $15K, not including donations coming from my own pocket or the fundraising streams which jointly raised around $10K. In the time since I made my initial post about where this money would be going, the focus has shifted from aid organisations to directly donating to escape funds.

If you'd like to do the same, you can look at Operation Olive Branch, which hosts hundreds of Palestinian escape funds or donate to Safebow, which has helped facilitate the safe crossing and securing of important medical procedures for over 150 at-risk palestinians since the beginning of the genocide.

[killjoy-prince]

House M.D. but it's when Wilson says House's name

[nedlittle]

apropos of nothing, here are some gay historical fiction novels that engage with historical queerness in thoughtful, complex, and interesting ways (organized chronologically)

hild by nicola griffith ↪ early 7th century england

a tip for the hangman by alison epstein ↪ 1585-1593 england

confessions of the fox by jordy rosenberg ↪ 1702-1724* england

the confessions of frannie langton by sara collins ↪ 1812-1826 jamaica to england

patience and sarah by isabel miller ↪ 1816 america

devotion by hannah kent ↪ 1830s prussia to australia

the sweetness of water by nathan harris ↪ 1865 america

whiskey when we're dry by john larison ↪ 1885 america

the city of palaces by michael nava ↪ 1897-1913 mexico

tipping the velvet by sarah waters ↪ 1890s england

at swim, two boys by jamie o'neill ↪ 1915-1916 ireland

the gods of tango by caro de robertis ↪ 1913-1920s argentina

uncommon charm by emily bergslien and kat weaver ↪ 1920s america

the book of salt by monique truong ↪ 1930s vietnam to paris

the amazing adventures of kavalier and clay by michael chabon ↪ 1939-1954 america and beyond

the flight portfolio by julie orringer ↪ 1940 france

the savage kind by john copenhaver ↪ 1940s america

a thin bright line by lucy jane bledsoe ↪ 1950s america

*this one has a framing device and footnotes from the present day but the bulk of the story is set in the early 1700s

[skymantle]

what does it all mean.

[aloharyda]

Messing around with my artstyle and ended up with a mean as hell corpse kisser :^)

[d8tl55c]

[twisting-in-wonderland]

let! him! have! his! octopus! plush! >:[

(messy extra stuff----)

meanwhile,back at NRC:

(+ here’s a WIP >:] )

[akiacia]

the psyche/eros parody in hades style!

[fantastic-nonsense]

I love your thoughtful SoC meta! I would love to know your thoughts on Kaz and Jesper’s relationship. Specifically, I adore Kaz but one thing in particular that always seemed so dark to me was that he enabled Jesper’s gambling addiction even though he obviously does care about him. Kaz is obviously willing to do a lot of fucked up things in service of his goals, but this one in particular, toward his own brother figure, I find sad. It’s kind of addressed during their fight at the end of CK but still feels a little unfinished.

I love Kaz and Jesper's relationship. There's sooooo much to dig into there (way too much for a single meta); it's super juicy and complicated, and one of the best complexities of it is that they often enable and feed off of each other's trauma. The pre-canon status quo is a situation where Kaz and Jesper are, in many ways, using and abusing each other as a way of avoiding dealing with their own trauma. It's a fascinating push-and-pull dynamic because neither of them are pushovers and yet neither one is particularly interested in facing their Issues™ head-on, and they both seemingly recognize that in each other and give each other an uncharacteristic amount of grace in helping the other avoid dealing with it.

In Kaz's case, that most often looks like enabling Jesper's gambling addiction and then repeatedly bailing him out of trouble under the justification of "he's loyal and competent, it would be wasteful to let the other gangs kill him." In Jesper's case, this looks like ignoring Kaz's countless and extremely obvious issues in favor of playing the loyal second. Basically, it's not just Kaz enabling Jesper's gambling addiction; it's also Jesper enabling Kaz's unhinged ruthlessness with little pushback other than a few snarky comments.

They also project a lot of their own issues onto each other! Kaz pushes Jesper away in part because he's projecting the grief and blame he feels over Jordie's death onto Jesper, but Jesper is using Kaz's ruthless pragmatism to escape the crippling disappointment of returning home to face his father's judgement for being a college drop-out, gambling addict, and gang member. And Kaz withholds praise and verbal declarations of trust from Jesper because he hates acknowledging that he cares about people, but Jesper uses Kaz's emotional detachment as a crutch to avoid dealing with his own commitment issues by pining after a boy he knows will never reciprocate his advances. This status quo is, of course, insanely unhealthy for both boys long-term, but where would we be if any of the Crows actually dealt with their issues in a healthy way?

That dynamic, imo, is also only possible because Kaz and Jesper have known each other for longer than anyone else in the main crew; Kaz may have let Inej in further, but he let Jesper in first. As far as we know, Jesper is the first person Kaz genuinely lets past his mile-high walls since Jordie died...but he very deliberately holds him at arms' length in a way that he does not with Inej (something that Jesper notices and is jealous about!). Being "the first" in this case unfortunately comes with a lot of baggage, and Kaz and Jesper would both lowkey rather die than talk about how much they care what the other thinks of them.

Kaz clearly didn't recruit Jesper looking for a friend or someone who reminded him of his dead older brother; he recruited him because he saw someone with a useful skillset who he preferred to be at his side rather than in a rival gang or dead in the canals. It's to Jesper's credit that he managed to break through those walls anyway, but there's only so much he can do in the face of Kaz's armor. And like Inej, Kaz's closed-off personality and actions hurt Jesper repeatedly. But he stays anyway, because he (like Inej) sees the boy underneath the mask that Kaz wears and cares a little too much to let him go:

“He wouldn’t—” Jesper stopped short, and then he laughed. “Of course he would.” Jesper flexed his knuckles, concentrated on the lines of his palms. “Kaz is…I don’t know, he’s like nobody else I’ve ever known. He surprises me.” “Yes. Like a hive of bees in your dresser drawer.” Jesper barked a laugh. “Just like that.” “So what are we doing here?” Jesper turned back to the sea, feeling his cheeks heat. “Hoping for honey, I guess. And praying not to get stung.” Inej bumped her shoulder against his. “Then at least we’re both the same kind of stupid.” “I don’t know what your excuse is, Wraith. I’m the one who can never walk away from a bad hand.” She looped her arm in his. “That makes you a rotten gambler, Jesper. But an excellent friend.” “You’re too good for him, you know.” “I know. So are you." -Ch. 17, Six of Crows

Kaz is unused to verbalizing the trust he places in others and actively in denial about how much he cares about them until Crooked Kingdom; he spends his time deliberately being cruel and pushing people away even as he proves over and over again that he doesn't actually want them to leave him. This casual assholery hits those closest to him (Inej and Jesper) the hardest because they are clearly trusted with his life but not with his heart, and that hurts them both.

For Inej, resolving that behavior looks like giving him an ultimatum ("I will have you without armor or I will not have you at all") and telling herself to walk away unless he meets her challenge. For Jesper? That looks like duking it out on top of the Geldrenner when they're both at rock bottom, because of course that's the only way either one of those boys is ever going to verbalize the tension that underlies their relationship. There's just a lot of baggage and mutual toxicity and unsaid words that neither of them are very interested in dealing with until everything comes to a head during the Clocktower fight.

I think we also forget that the Kaz-Jesper dynamic we see in the majority of the duology is not their normal dynamic: it's how they interact when Kaz is mad at Jesper. And a mad Kaz is, within the scope of canon, a pretty cruel Kaz, which is something that I think a good portion of the fandom likes to handwave away in favor of pointing towards Kaz's active attempts to be better in the back half of the duology.

Ultimately we only see the "normal" Kaz-Jesper dynamic for the first 12 or so chapters of Six of Crows (when the Dock Fight/Eyeball Incident happens) and the last few chapters of Crooked Kingdom. Those chapters are a really interesting look into what that relationship looks like when they're on good terms. It's clear that they're good friends, trust each other a hell of a lot, and joke around with each other quite a bit (the "saves ammo" joke in the parley chapter, their interactions during the Hellgate breakout, the "man with a knife!" "man with a gun!" exchange immediately after Kaz throws Oomen overboard, etc), but we also see the stress points: Jesper getting mad at Kaz for not telling him about Big Bolliger's betrayal, Kaz sending Wylan with Jesper during the prep chapters to keep an eye on him, and Jesper's bee and honey conversation with Inej on the Ferolind, for example.

These stress points are what fracture and crack in the aftermath of Jesper accidentally alerting the other gangs that they were headed out on the Ice Court Job and nearly causing Inej's death, and further buckle under the stress and pressure that Kaz and Jesper deal with during the following month and a half: the Ice Court job, Van Eck kidnapping Inej on Vellgeluk, Colm showing up in Ketterdam, and the Sugar Silo/Auction scheme.

In this way, I think Kaz enabling Jesper's gambling addiction is less about Kaz being actively cruel towards someone he sees the ghost of his brother in and punishing Jesper for the sins he percieves Jordie to have made (which is also true, and a meta for a different time!) and more about the weird balance of toxic mutual leniency Kaz and Jesper have allowed the other to provide for them for over two years...and how that leniency breaks down once it's not just Kaz's life or time on the line when Jesper fucks up.

Put more succinctly: for a long time, Kaz and Jesper existed in a toxic balance of enabling each others' worst impulses and behaviors, which was only able to be verbally addressed when they were both at rock bottom, desperate, and seemingly had very little left to lose. This conflict is somewhat addressed and resolved in the conversation where Kaz refuses to give Jesper the last of the parem and offers up a tiny bit of information about Jordie—showcasing his own growth and how he's finally trying to break the cycle by refusing to enable Jesper's self-destructive tendencies—but that level of tension is unable to be properly resolved in one single blowout argument. And I think it's deliberately left a bit unfinished because neither of them are really in a place where they're ready to address everything they've left unsaid for so long, even in the epilogue chapters.

However, we do see the beginnings of that reconcilitaion (Kaz asking Inej to tell Jesper that he's "missed around the Slat") and the story ends on a hopeful note regarding Kaz's commitment to removing his armor, which implies a lot about the resolution of that dangling thread. And of course, we know that by Rule of Wolves they're back to being thick as thieves and fucking around as usual, so clearly they hashed it out at some point in the in-between (and personally? I don't think it took either of them very long after the CK epilogue chapters to do that hashing out).

tl;dr: I love it when two traumatized and emotionally constipated teenage boys use each other to avoid facing their own personal problems and then get into a fistfight to avoid talking about how much they care about each other. Top-tier dynamic. Chef's kiss. I could talk about them for hours.

[necrotic-nephilim]

@sasheneskywalker i love when you enable me to ramble about things because oh my god do i have thoughts.

so recently, i made a post discussing the phenomena of DC x DP and DC x MLB crossovers and why they exist and part of that post was discussing how largely speaking, at least half, if not more of the Batfamily fandom doesn't read the comics. if they interact with canon DC material, it's adaptations that are their own sequestered universes and oftentimes not remotely comic accurate or seeking to be. the most obvious example is the Young Justice cartoon. i'm adding a cut to this post because it just got so long i'm so sorry.

a lot of times, when people are discussing the "why" of this oversaturation of fanon-only fandom, they blame Wayne Family Adventures. and i think, to a point, i agree WFA is responsible for a boom in this fandom. but as someone who's been in the fandom long before we had WFA, to me it's the other way around. WFA was DC's way of meeting the demand for this easy-to-get-into, easy-to-consume content about the Batfamily that predicates itself on the comics just enough to be vaguely the same characters, but has a more sitcom, slice-of-life sort of vibe so DC could profit off of this section of the fanbase that otherwise wasn't consuming its primary material. and well, it's definitely worked. not only that, but i have a weird theory that the decline in the MCU also led to the rise in the Batfamily fandom. when you consider the fan content that made the MCU popular within fandom, it's that 2012 "they all live in Avengers Tower and Thor is eating poptarts and Clint is in the vents and there are movie nights every Friday" sort of vibe. those were the fics that were a hallmark of the fandom. and as the MCU has strayed from well... quality content in general, but specifically well-thought-out crossover content where characters can have their own arcs but also exist in a wider story where they clearly care about each other, that fandom was sort of homeless. so where do you go, if you like a superhero found family where you can have villains for angst but also stick them all in one big family-like home for silly crack and have a plethora of options for gay ships? well. you go to the Batfamily. if you write a crack/fluff Batfamily genfic with silly vibes and low stakes instead of say, a fic about a very specific comic issue even if it's a popular comic, you're *going* to get more traction for the former. because the fanbase largely just isn't reading the comics.

and i feel... complicated about this. because on one hand, Don't Like Don't Read has been a tenet of my fandom experience. i'm very pro-fandom and that includes fandom content i don't like. and to an extent, i do think this sort of should apply to Batfamily fanon. i enjoy having my moments with other comic purists, giggling over exceptionally painful OOC headcanons or even facepalming in pain over some content but it is on me to not interact with that content. you don't make fandom a better place by being hostile to fans who engage with canon in ways you don't approve of. and frankly? we as comic readers are not going to get non-comic fans to read the comics by being asshats to them. no one is going to want to pick up any comic if we get a superiority complex about it. and also, i feel like we're all lying to ourselves a little bit insisting comics are so, so easy to get into. they're not. we can just all agree, they're really not. i've been single-handedly helping my sister get into comics, specifically Wonder Woman and no matter how simple i make it, i watch her get frustrated trying to understand what pre-Crisis and post-Crisis and New-52 and Flashpoint and all these things mean and what a retcon vs a reboot is and what a Crisis Event is and what the hell Diana's current backstory even *is*. sure, you can give someone a beginner list of comics to start with and slowly dip their toes in the water but sooner or later, *something* is going to confuse them. comics as a medium straight up aren't going to be everyone's cup of tea. and if someone *just* wants to read silly fluffy fanfiction about the Batfamily, i can't entirely begrudge them for not wanting to take the hours and hours out of their day to understand this medium. it's not an accessible medium to get into. "read this and this, but this run is out of print and this run wasn't collected in trades at all but also make sure you read that event in order and this is a good comic but the backstory in it is retconned and you *have* to read this it's so important but it's also really bad because the author kind of sucks" sounds. ridiculous for someone who like. just wants to read some stuff about Nightwing. sometimes, we all make reading comics sort of sound like a chore, not a hobby.

so my point is, i do extend some grace to Batfamily fanon for existing. i think my biggest gripe is, as i said in my other post, misuse of tags (if you're not creating content about comics, maybe you don't need the comics fandom tag on Ao3, just the all media types umbrella tag) and my far bigger gripe: when panels are taken out of context to support fanon only headcanons. if i could impart *anything* onto the Batfamily fandom as a comic fan it'd be this: if you haven't *read* the comic, don't spread the panel. if you don't even know what comic it's *from*, don't spread the panel. it's fine to use comic panels to discuss your headcanons, but so often i see someone spreading a comic panel from a comic they haven't read, and when asked where it's from, they can't source it. a silly example that comes to mind is a post going around, taking a panel where Dick, in his internal monologue goes "here comes the sun. do do do do." and the post is claiming it's from him getting buried alive. when that panel comes from Nightwing (1996) #140, and he gets buried alive in Nightwing (1996) #127, two completely different moments frankensteined together. if you're going to not read the comics, that's completely fine, but unless you're sure of the source and the context, panels shouldn't be spread around. i'm sick of this specifically happening to Red Robin (2009), with ppl claiming Tim has totally killed people because he blew up some of Ra's' bases, when those panels within context, make it clear he gave everyone time to escape. and in a later arc in that very comic, Tim grapples with the idea of murdering Captain Boomerang, and *specifically chooses not to*, because he doesn't agree with murder, even against the person who has hurt him the most. if you'd like to write fanfiction where Tim is pro-murder and has done some sketch things, i'm totally on board and would probably like to read it. but there's no need to pretend it's canon from a few panels you saw out of context.

beyond that, i think it's not *entirely* correct to say that fanon is harmless. whenever i see very WFA-positive posts, they often default to the argument that WFA is fun and silly, and comic fans are killjoys for not liking it. which. i think is complicated because the issue is, WFA and fanon don't exist in a vacuum. if you like WFA power to you, i don't think it's the worst thing ever, but i do think it's degrading to these characters because honestly? they feel incompetent in the webtoon. it's one thing if WFA was solely a slice-of-life sort of deal, just having silly episodes where Bruce is taking on a PTA mom or they're all fighting for the last cookie. but when WFA attempts to take on more serious plots with these characters, it *fundamentally* falls flat in understanding them. i get it, Bruce comforting Jason having a panic attack because a noise reminded him of the crowbar felt cute in a microcosm, but i'm so serious when i say that storyline destroyed how like. half of this fandom understands Jason Todd's relationship to his trauma. it doesn't understand how he reacts when he's triggered, what coping mechanisms he seeks out, and how he would handle Bruce comforting him. even if i can believe for a brief moment Jason *would* be triggered by something like that, him running and trying to hide and then getting a hug from Bruce to make it okay is just. painful. WFA needs everything to be wrapped up in a nice, neat little bow. so even when it starts to tackle interesting concepts, it makes them fall flat with its need to be soft, low stakes, hurt/comfort. there was a two-parter episode that dealt with the complicated mutual hatred/jealousy between Tim and Damian that *almost* really interested me because for once, it felt like the webtoon wanted to explore canon messy dynamics. but of course, it had to be fixed with one conversation and a hug. you don't mend the *years* of issues these characters have like that. WFA isn't in character because these characters are hyperbole cartoonified versions of themselves to fit within the medium and be a cute happy family.

because that right there, is the crux of it. the Batfamily fanon seeks to simplify the Batfamily and force them into a nuclear family. there are so many fantastic posts on here discussing how the nuclear family-ification of the Batfam is eroding decades worth of complex histories so i won't go too far into that. but what i will say is that there's this need, in the Batfamily fandom, for the Batfamily to exist as a unit. they are a *family*. (honestly i think calling it the Batfamily is a misnomer and has been for years but we're in too deep now.) they exist to each other first, and any teams or friends they have come secondary to this family unit. you can *specifically* see this demonstrated in what headcanons are becoming popular these days. i have an entire lengthy meta in my drafts about how i *loathe* the "the Batfamily meets the Justice League" genre of fanfic because it makes no *sense*. in order to have this genre of fic exist, you must operate under the assumption that no one in the League, or adjacent to the League, knows the Batfamily exists and are thus utterly shocked to discover Batman has kids. and to make *that* work, you have to strip *every single Batfamily member* of such important dynamics and friendships so you can lock them all in Gotham for their whole lives. Dick can't have the Titans, Tim can't have Young Justice, Duke & Cass can't have the Outsiders, Jason can't have the Outlaws, Damian can't have the Supersons, Babs can't have the Birds of Prey, and so on. because if they had these relationships, they would be known to the League. the Batfamily fandom doesn't care about this, it's just "silly fanfiction", it's not trying to be serious. but how can you say you like Dick Grayson as a character if you don't understand the Titans *are* his family? at some points of his life, moreso than the Batfamily even is. it is constantly repeated to us in most comics with Dick how much the Titans mean to him. he *needs* them to be who he is. the same extends to every other Batfamily member, most of which have been full League members at this point. but in fanon, that doesn't matter. the Batfamily are a sequestered unit first, and all of those side relationships are secondary and easy to toss away, if it makes your fanfic work better.

and because they have to be a unit first, you have these forced relationships that dump years of actual canon material for the sake of making them get along. the Batfamily fandom has its favorites and well. it's no secret it's usually the boys. Jason and Tim by *far* stand out as fandom faves so, their dynamic is a heavily explored one. it does matter that in canon they don't tend to get along and especially don't see each other as family. what matters is that you can push dynamics onto them. and so fanon gets all twisted up about which Robin Tim actually idolized as a kid (Dick) and what member of the Batfamily is pro-murder but still an older sibling figure to him and looks out for him (Helena, or if you want the dynamic of once tried to harm Tim but they've reconciled, Jean-Paul) in favor of who's the most popular. Dick, Jason, Tim, and Damian are always going to be the standouts for popularity, but it's specifically Jason and Tim who are getting fanonized the most. and that's because really, we don't have much canon content of Tim that *isn't* the comics. for Dick you've got Young Justice (tv), for Damian you've got the DCAMU, for Jason you've sort of got the Under The Red Hood movie, but Tim sort of lingers in this limbo. (yes, he's in Young Justce (tv) and Titans (live action) but in neither is he the main character nor given much depth) so, he gets a *lot* projected onto him and has become fanonized. and even with Jason's animated movies, you don't see him interact with Tim, so people build it from the ground up how they want to see it, disregarding of canon comics. i think it's what makes him so popular in the first place- he's malleable into whatever you want or need him to be.

and of course, the fanon ignores other characters in the Batfamily it doesn't know about. i feel like you could create a tier list of Batfamily characters by their popularity, going from the fandom main characters: Tim, Jason, Bruce, Alfred, Dick, Damian. to the underrated: Steph, Duke, Babs, Cass. to the forgotten about unless they're convenient for a story: Kate, the Foxes, Helena Wayne, Carrie, Selina, Harper Row, Maps, Minhkhoa Khan. to the absolutely unknown: Helena Bertinelli, Jean-Paul Valley, Onyx Adams, the Clovers, Julia Pennyworth. it's not lost on me that the ignored characters tend to be women and people of color. which is both a canon and fanon problem, DC will continue adding interesting characters to the Batfamily, play with them for a few years, then drop them to default to the "Batboys" again. and it's a vicious cycle of the fandom only caring about the "Batboys", and thus people entering the fandom via fanon osmosis won't have content about the other characters, therefore, they won't be interested in those characters enough to create it, and it's just this ouroboros consuming itself, no matter how much canon content we have of these other characters. and it's ridiculous just how large the Batfamily is becoming because of this, which is why i'm a pre-Flashpoint fan, because then the Batfamily was contained enough to actually feel like a family with every character having nuances relationships with each other, but i digress because those thoughts could be their own post.

and the thing about fanon is it doesn't exist in a vacuum. DC has started turning the comics to accommodate for what fans are asking for, because fans will beg and beg for content they're not going to consume. Tim Drake: Robin had Tim as a coffee drinker because that's the fanon accepted headcanon. and the resolution of the recent Gotham War arc was for Bruce to buy this new manor for everyone to move in and call him. nevermind that most of these characters have their own homes and have zero reason to be moving in with Bruce. Tim had his marina in Tim Drake: Robin, Dick has Bludhaven, Cass and Steph have their little side of town in Batgirls (2022), and so on. these characters are being forced together as a unit, as one big happy family living together, to appease what non-comic fans want and it's damaging comic relationships. Robin: Knight Terrors saw Jason and Tim team up and working together, which i've seen varying opinions on but i personally despised. their interactions made zero sense for any of their canon history, but it appeases them being this close sibling relationship that fanon acts like they are. also the fears they faced in their respective knight terrors didn't make sense for either character and *only* worked as a moment of bringing them together so they could reassure each other and have this weird dreamscape bonding moment. the canon is bending itself to the will of fanon rather than building on the pre-existing complex relationships. Tim barely even gets along with his most important team in Dark Crisis: Young Justice because it seems the only important relationships the Batfamily can have is with each other. and when we do see them outside of the Batfamily, it only seems to be to relive the glory days like with World's Finest: Teen Titans, instead of developing them as they currently exist. this isn't recent in the comics, it feels like you can trace it back to the New-52, but it does feel a *lot* worse over the recent years. WFA is fine when it exists in its own bubble, but the simple truth is, DC content never exists on its own. the adaptations will reflect back onto the comics. (the damage the Young Justice cartoon has done to some characters should honestly be studied) and so it does frustrate me a bit when fanon-only or adaptation-only fans act like we're being nothing but killjoys for being frustrated with this. since they don't read the comics, they don't see how the comics are suffering as a result of this.

people argue about what's out of character for the comics they don't even read. i'm sorry, but "bad dad Bruce" is consistently canon. that man is just kind of shitty. when you take someone who has the drive he has, who has this need for the Mission first, who needs a teenager in spandex next to him to keep him off the ledge, that guy is sort of going to be a shitty father figure. he just is. not on purpose or with malice, but when you compare him to any other dad in a big DC family, he sure takes the cake. it's why characters like Oliver Queen tend to *really* fucking hate Bruce for how he treats his kids. Bruce loves fiercely, but he doesn't do well with putting that love first. and his love is a controlling one, he is very particular about controlling how others in the Batfamily are "allowed" to operate. it's what drives the wedge between him and Dick, it's why Steph is never a true daughter to him. (besides the reason of her needing to be a love interest to Tim first, anyway-) i've never understood the massive outcry of people reacting to Bruce kinda being shitty in comics they're not reading. there are some moments that get ridiculously OOC with how cartoonishly evil he is (the whole Gotham War arc and that... complicated mess with Jason) but largely if you want sitcom loving nuclear father Bruce, you have to accept that is a fanon thing, not a canon one. the Batfamily being a nuclear family in *general* is fanon. most of the "Batkids" don't actually see Bruce in a particularly fatherly light and begging for moments where he calls them his kids or they call him dad outside of incredibly specific circumstances is just OOC.

it's getting harder and harder to exist peacefully in this fandom it feels like, if you don't comply to the standard fanon has set. i'm happy people are having fun with their blorbos, even if in ways i dislike, but that "harmless fandom fun" does ripple it's way back to canon, eventually. so i end up pretty tangled with my feelings because are fans at fault for DC making these poor decisions? probably not, but it certainly feels like an unfortunate cause-and-effect situation whether at the end of the day, nobody is happy. and of course, i know some fanon-only fans are striving to be more canon accurate and care about canon dynamics more than others, but for them it's always going to be an uphill battle with the above-mentioned out-of-context panels thrown around and ever-pervasive fanon overtaking anything that's truly seeking to be canon compliant. so really, it sometimes feels like we're all losing.

[mogoce-nocoj]

Kris really either goes "freedom to me means no alarm clocks" or "we should eradicate country borders" there's no inbetween

[yardsards]

im like the lorax when it comes to women's body hair. we should let it grow.

[utilitycaster]

just as there's something worth noting about how both D20 and CR have lately had strong messages about how fear and resentment makes you easy to radicalize, I think there's also something for how they've both had cases of mortal politics ultimately affecting the nature of the gods. Not just for an understanding of fictional D&D gods as living entities, though that's also valuable, but for an understanding that ultimately, these are concepts shaped and changed by people; people desired conquest and so made Ankarna into a god that supported that. I've repeatedly said and will continue to maintain that while Brennan does hate capitalism, the theme he consistently returns to is the much deeper one of "the bad people are those who exploit and dehumanize others in the service of their goals" and jokes about capitalism as the BBEG aside, if you destroy any one concept's physical manifestation, you still have to contend with the people who upheld it.

[notahorseindisguise]

for those who don't know: this is the Aboriginal flag.

the black represents the colour of the skin of the people

the red represents the red earth and the spiritual connection to it, as well as the red ochre used in ceremonies

the yellow circle represents the sun, the giver of life

this is the Torres Strait Islander flag, a flag which is just as important, signifying another group of Indigenous australians

the green represents the land, the blue represents the sea

the black lines separating them represents the Torres Strait Islander people

the centre of the flag has a white dhari, a type of headdress

the white star underneath it symbolizes peace, and the 5 points represent the 5 island groups in the Torres Strait

please correct me if you believe any of this information is wrong

[be-right-bach]

can't believe an anime called buddy daddies did not end up being, in fact, just a silly little comedy of two hitmen raising a child together but instead an actual heartwarming, well written show about (re)learning to love and to be loved, about how the meaning of family goes way beyond blood and no matter how unconventional it may be, it's still as perfect and valid because it's yours and you wouldn't trade it for anything else