#i do really have a story idea i'd like to explore and i know it would be enough for 50k... but also lmao writing

[kingdomoftyto]

I never did mention, but I finally beat Vesperia! It was okay--a more than solid rpg, but not one of my personal faves from the series. The plot was pretty standard for a Tales game--maybe slightly more deus ex machina-y in the final act, though I may just be forgetting the most egregious things from some of the other titles. Rita stands out as my single favorite character (to no one's surprise) and honestly probably one of my faves overall for the series. Judith was also pretty fun, and I liked Raven's story arc even if it felt a little clumsy or confusing at times. And obviously the Yuri-Flynn dynamic/relationship/tension pretty much carries the entire game.

Speaking of which, I've already devoured a week's worth of Fluri fanfiction (impeccable ship portmanteau, btw) and have a whole stack of longfics still waiting in my Marked for Laters. They're so stupid and noble and good for each other, I love them a lot. I'll have to rec some of these later if I think about it.

(I also found out yesterday that there's a heckign FEATURE-LENGTH MOVIE about the two of them as knights-in-training, which!!!!!!!! guess what I'm watching tonight)

Anyway. Glad I finally played it! Not sure it quite lived up to my expectations, but then again I think Arise simply raised my standards to an absurd level lol, so it's not entirely Vesperia's fault. It also would've helped if I'd been any good at using Yuri in combat, but alas,

[the-kipsabian]

i love the personal thought that i had that oh yeah i could attempt to do like inktober or something daily this month

and its like 9.30pm and i havent started anything for the first day so like

goodbye to another challenge that im not gonna complete yet again i guess lmao

[blazinghotfoggynights]

Can Team Tuck and Team Buddie please agree that both can exist and serve as positive spaces for queer male representation?

I've been thinking. Let me run something by you.

Oliver says he has always felt Buck was a bi-coded character? Right?

Does that mean when TK thought Buck was hitting on him, he was?

If Buck was always bi, but just didn't know it, are we supposed to believe he never flirted with Eddie just because his first kiss was with Tommy?

Was Tommy his bi awakening or was Tommy the embodiment of the attractive traits he has seen in a man he's been falling for over five seasons?

You can like or even love multiple people. Even at the same time! 😮

Believing that Buddie is or should be the endgame does not negate or disrespect Buck's arc with Tommy in any way. I question if Tommy was just a convenient character. He's a safe guy to explore Buck's evolution with. He has a history with members of the 118, but he is not integral to the cast. If it doesn't work out, he is easily explained away. Remember Natalia?

I think it is possible to have a Buck and Tommy centered arc, focused on Buck becoming comfortable with his sexuality and exploring it in a healthy, positive way and still have Buck and Eddie eventually realize they have been each other's person for years. Having both doesn't make the other any less important. How many people have dated others when their eventual life partner was right there? They had no idea they saw that person in that way.

Now that we know Buck is bi, it could lead to different interpretations of scenes:

Buck is looking at Eddie. Tommy is not there and we don't know for sure who Eddie was speaking to.

2. Look at that smile and his eyes at the end. Buck positively beams and bats his eyes when he realizes Eddie is going to look at him. That's how platonic friends look at each other?

3. But we can take it all the way back if we have to. Look at Buck when Eddie compliments him.

3b. Do you know what that reminds me of?

4. If Buck has subconciously been into guys for a long time, then this scene takes on a whole new context.

Moving closer to the other man? Check.

Eye contact? Check?

Smile and shy head duck? Check.

*I'd like to state that I have no doubt Edmundo Diaz knew Buck was into him. Look at the reaction.

5. When I'm into someone, you know what I don't talk about? Someone else.

6. Wow. Look at how Buck looks at Tommy.

6b. We have never seen that before have we?

Buck x Tommy and Buck x Eddie can coexist in harmony. Life stories are long and have jumpscares, plot twists, plot holes, etc.

Buck being genuinely attracted to Tommy doesn't mean that all the scenes from the past five seasons that made us all side-eye Evan Buckley didn't happen.

If we never get Buddie, let's just take the win. ABC said, "There are queer men in the world who are masculine, hot, and relatively stable. Let's show that."

Do we really need to talk about how the LGBTQ community was represented on their former network? I could stand on that soapbox and go off for days. Let's just say I know others who also felt some way about it, whether they were straight, queer, or allies.

I am just going to enjoy what is shaping up to be an amazing season. Moving to ABC breathed new life into 911 and I am excited. (Season six? Can we just not talk about it?)

[directdogman]

Do you have a favourite piece of lore you've ever made. From anything you've ever made. Or even just the thing you find most interesting or that your proud of.

Mainly I just want to know what lore you like the most.

I'll answer this for both of my series bc my DT answer is a lil underwhelming.

For DSaF: I liked the phone guy lore in 3 a lot. By the time DSaF dropped, people were so used to the setting of FNaF that a new game coming out with at least 3-5 new dead people in the story was basically a given. I felt like fangames had kinda missed out on conveying how incomprehensibly tragic the setting was. For every single dead person, there is an undeniable wave of tragedy and most of the dead human employees were just reduced to names in the main series. 3 successfully humanized the company so much that people even pity/love Harry/Steven (two people undeniably responsible for much of the player's misery in previous games.)

Also liked Henry's research in 3. People talk about the logs in 3 a lot, but I had many more ideas I wound up not including. I basically asked myself: if an amoral scientist wound up discovering that souls could possess animatronics, what would he try to figure out using the phenomenon? I think the writing connected with people because it felt kinda plausible in that way. It was 'real' in a sense.

Someone in a research lab would be hacking away at the same concept tomorrow if they could prove ghosts existed in some empirical way, using the scientific method to figure out as much information about the universe as possible from this newly discovered phenomenon. His deductions were tangible, even if they were unhinged + frightening.

For Dialtown: It pains me to say this, but every answer I have to this question is all stuff people haven't seen or stuff that's only been implied but never outright stated. That sadly includes a lot of character stuff. For the world, there's a lot of stuff that happened in the past that actually connects in pretty interesting ways to stuff that seems really random/unimportant. For character stuff, I'd love to explore the datables' families more and that's something I do plan to do more in future releases (be it DLCs, short stories or even a sequel one day!) A lot of stuff actually recontextualizes their existing scenes and shows where certain traits come from. Particularly for Oliver, Karen + Randy.

[writingquestionsanswered]

I'm tired of my ideas always being big. It's overwhelming. I like seeing others' WIPs and ideas because they're just so simple... Like, that comic about a mermaid living in the ocean in our modern time and dealing with plastic trash. So simple and my own brain is bursting with ideas. But my own WIPs... they just start huge. I'd like something smaller... but I don't know how.

Stories Always Get Too Big

Stories can get out of hand quickly when they sprout too many independent threads. There are three primary culprits that serve as sparks that create these threads:

1 - Setting 2 - Non-Protagonist Characters/Relationships 3 - Back Story

The thing to remember, though, is that no matter how interesting your setting is, no matter how compelling your other characters are, and how fascinating the back story is, those things are not your plot.

Plot is the sequence of events through which the protagonist (and potentially other main characters) attempt to resolve the story's conflict by overcoming obstacles and setbacks in pursuit of a goal.

In other words, focus on this:

the protagonist > their normal world > the event that introduces a problem they must resolve > the goal they formulate in order to resolve that problem > the events that occur as a result of their pursuit of this goal > their attempts to overcome obstacles and setbacks encountered along the way > their attempt to solve the problem once and for all > failure or success > life in a changed situation/world

Anything else doesn't need to be there unless it is critical in order for one of the above steps to make sense.

So, let's take your mermaid example... though I haven't read that comic so I'm winging it here:

the protagonist = mermaid normal world = doing mermaid stuff inciting incident = finding plastic trash in the water goal = clean up/find the culprit and teach them to do better events = cleaning up, learning about humans, tracking down culprit climax = mermaid appeals to humans to do better finale = mermaid is living in a cleaner ocean

Now, let's say your brain starts to go off on a tangent about a deep oceanic rift and an evil merman wizard who lives there... stop right there. It's a fun idea, but what does it have to do with this story? How does it relate to the trash, clean-up, finding the culprit, or appeal to humans to do better? It doesn't. Theoretically, you could make it make sense... like, maybe the merman wizard likes the trash and wants the ocean to be dirty and gross, so maybe he is opposing the mermaid's attempts to clean up and to appeal to the humans. Okay, that works, so you can keep it. But, let's say you also have this idea about these creatures that live around the hydrothermal vents, and the mermaid meets and falls in love with a scientist who's studying them. Okay, again, interesting idea, but this one is much harder to fit in with the rest of the story. Sure, you could say the scientist is studying marine pollution instead... that brings it back around to the main conflict, but still, what does this relationship add to the story? How does it help or harm the mermaid's mission? How does it help to explore the story's themes or help deliver the message? It doesn't really sound like it does, so this would be an example of a thread you can probably snip.

And the thing is, it would be okay to follow a thread like that while you're plotting or writing your first draft, just to see where it goes and see if you can make it work. Part of why we edit and revise is to snip out the threads and elements that aren't pulling their weight. But learning how to curb them as they occur to you will help save you work later on down the line. Try writing those ideas down in an ideas document, and maybe those can be worked into different stories, a sequel, or a companion story.

One final note: I am very much aware that there are some epic writers out there who let wild tangles of threads sprout as they write, and they follow them all without abandon, relevant or not. That's okay, too. These are writers for whom that works, who don't feel overwhelmed by all of those threads, who want to write something bigger and more unwieldy. Maybe in time as you get accustomed to writing smaller, tidier stories, you embrace the bigger stories your brain wants to tell. Or maybe you don't. Whatever works best for you is all that matters. :)

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I’ve been writing seriously for over 30 years and love to share what I’ve learned. Have a writing question? My inbox is always open!

♦ Questions that violate my ask policies will be deleted! ♦ Please see my master list of top posts before asking ♦ Learn more about WQA here

[copperbadge]

I guess you probably get asked why you’re converting a lot but I still want to ask,

I dunno, I don't think I really get asked all that much, to be honest. Usually when I do it's like -- I mention I'm converting to a Jewish person and they'll be like "Getting married?" and I'll explain I'm not, which does necessitate an additional explanation.

It's difficult to vocalize, which is interesting because it has really very little to do with faith, and that's usually the most difficult part of discussing any conversion, I think. Often I'll just say, "I heard a call". Which is actually a rather Christian way of putting it, but I think it's probably the easiest way to explain, especially in a heavily Christian culture.

I had...I don't want to call it religious trauma exactly because compared to most people I know who exited Christianity, it wasn't traumatic -- I was just raised in Christianity and had trouble buying the faith in the various ways it was presented to me, and there's a certain type of ardent Christian who comes at you hard if you're in their church asking awkward questions. A few encounters with some egregious megachurches in my youth left a bad taste in my mouth, so in my twenties I really wanted nothing to do with religion and didn't have the time or energy anyway -- I wasn't actively anti-religion, just disinterested.

But in my thirties I had to ask myself, do I wish to be part of a faith community? And once I'd decided that despite being pretty heavily agnostic I did want that in my life, I had to decide what I wanted it to look like. There are churches within many branches of Christianity that are fine, and there are whole branches that are fine too, but I kept tripping over my disinterest in Jesus. I did almost become a Quaker but although I really like a lot of the Friends' attitudes towards social justice and I enjoyed silent Meeting, it eventually didn't feel quite right for me (the Quakers in my life refer to me as "Friend-ly"). I looked into Zen Buddhism but didn't click with it in quite the way I'd hoped.

Judaism didn't feel perfect, but unlike other faiths, after several years of study I have yet to reach a point where it feels "not for me" in the way the others did after a few months; even when I struggle with some aspects, instead of saying "I don't think this is it" I dig deeper, and Judaism is a place where you can just...keep digging. I like the sense of history, I like the idea that you can argue not only with other Jews but with the divine itself and maybe even win; I don't like arguing but I like that the option is there, which it never was in my Christian confirmation classes. I like the way Judaism frames community and family, I like the emphasis on scholarship and exploration. I've had to unlearn a lot of weird Christian and atheist attitudes about the Torah, but that's been educational too. Ancient cultures have always interested me and Judaism is sometimes the practice of actively conversing with ancient history that has been incredibly preserved but not calcified. I like that I can be an agnostic Jew if I so choose, once I finish conversion.

(Sometimes I joke, "Eh, I'm not really a huge fan of pork, either, so it's an excuse not to eat pork chops," but that's a joke for very specific company. I don't keep kosher or plan to, but I like that there is an option to show one's devotion through acts of nourishment, and that food is always such a huge part of Jewish ritual. And I like Jewish food.)

There is something in me that reacts to Jewish storytelling -- the fear and fasting of Esther, discourse on the sacrifice of Isaac, grumpy Rabban Gamliel from the Talmud, even the history of the Piazza Alla Cinque Schole when I stumbled into it in Rome. I didn't care particularly about the story of Moses when I learned it as a child, but I sniffle at the parting of the Red Sea in Prince of Egypt every damn time. Not even because of the miracle! I'm simply moved by the vision of a people going to freedom, scared but going, protecting each other and singing as they go.

Anyway. I'm in a conversation with Judaism that isn't over yet, and either eventually I'll reach a point where it ends, or I'll convert and be in this conversation the rest of my life. Kind of fun not to know yet which it will be.

[jesncin]

A Failure of Asian Lois Lane: Pt 2: My Adventures with Superman, an honest discussion

If I had to pinpoint the fundamental problem with My Adventures with Superman's depiction of Asian Lois Lane it's in their attempt to subvert the classic two person love triangle: Lois loves Superman but is indifferent to Clark Kent. In MAWS, Lois insta-crushes on Clark Kent and hates Superman. In the show's attempt to make sense of this dynamic, Lois' Asian identity becomes at odds with a story meant to touch on xenophobia and immigrant themes.

Let's have an honest discussion about a show that made fandom cheer as an Asian character removed the one thing that made her most visibly Asian.

Disclaimer: While I am of East Asian descent, I am not Korean. I'll be discussing general Asian diasporic experiences but the specifics of Korean culture are outside of my knowledge (as usual I can't and don't speak for every Asian person ever, I am 1 opinion). Secondly, I'll be pulling from my personal experiences every now and then particularly pertaining to being a butch Asian person watching this show. It'll be a mix of formal analysis and personal anecdotes. Thirdly, this isn't an exhaustive analysis of MAWS Lois' character. We'll be sticking to what I consider is relevant to themes of Asian identity and immigration. Lastly once more, I do not believe the MAWS crew had malicious intent in any (of what I consider) poor writing decisions. We're here to analyze and challenge these writing decisions.

Please read Pt 1 of Asian Lois analysis that covers the comics, as it provides the groundwork for the ideas expanded on in this essay.

We need to talk about Lois' design. In the follow up to MAWS' release, people have been speculating on Lois' ethnicity. CBR writes that the show has "some fans believing that she's at least part Asian" and other articles have the show crew confirm Lois Korean heritage via her hanbok outfit in episode 4. The existence of these articles, my own anecdotal experience of streaming MAWS with Asian friends, and comments I receive from people asserting Lois' Asian identity was never explored in the show ("you'd only know she was Asian if you searched up articles about it"), tells me we have a case of an ambiguously designed Asian woman. Tangentially many people had no idea Livewire, the white haired and blue eyed woman, was meant to be South Asian.

There's a lot to be said about art styles that don't properly stylize ethnic features, but for the purposes of our analysis that means the writing has to deliver the heavy lifting where the design fails. This is the opposite case of American Alien: a comic that relied on the art to portray Asian Lois.

Let's start at episode 3. In it, Lois finally manages to conduct a private interview with the elusive Superman. When she asks where Superman comes from, how his powers work, etc- Superman comes up empty. In this version, Superman can't talk to his Kryptonian father (Jor-El)'s hologram because of a language barrier, so he knows very little about his alien heritage. He leaves Lois, assuring her he's here to help the people of Metropolis. When Clark Kent congratulates her for interviewing Superman, Lois rebuffs him. "Oh, he's [Superman's] a liar." smirking as she says it. This is the start of the Lois Hates Superman For Being a Liar arc.

I'd like you to consider the optics of an Asian American woman interviewing an alien immigrant who honestly told her he doesn't know where he comes from and is still figuring out who he is, only for her to think he's lying. Because she didn't get the answers she wanted. I can't help but think about my own experiences, where I was asked "but where do you really come from?" or "okay but what's your real name?" I think of my Asian American peers who would honestly say they're from Texas or Atlanta and get a vindictive "you're lying" as a response. People want to hear you're from China. They want their biases confirmed. I think about how I honestly can't tell you where my elders hailed from, because of cultural genocide and language barriers. This scene makes me uncomfortable, but let's press on.

Episode 4 is where Lois is most visibly Korean. In this episode the trio of Lois, Clark, and Jimmy are tasked with interviewing rich techbro Prof. Ivo of Amazo tech at an investor event. It's a prom episode. Lois wears a "hanbok inspired gala outfit" designed by Dou Hong and Jane Bak in a deliberate move to showcase Lois' Korean heritage. Bak comments "I remember feeling strongly about wanting to inject some aspect of her Korean heritage without disrupting her characteristic as a spunky and resourceful intern/reporter." while the wording poorly implies that Korean heritage is at odds with Lois' spunky personality- I do want to challenge a couple of the decisions that went into this design.

I want to acknowledge as an Asian butch that there are many ways to sport traditional garments and it's okay to mix and match to figure out what reclaiming culture (and your comfort) mean to you. However we're talking about the opportunity to showcase culture in an episode of a fictional animated show. I also encourage cultural gender expression that thinks outside of western white people's idea of gender (in both fiction and real life).

Whenever artists try to do a non-conforming spin on a cultural outfit, I always have to ask: "what standard of masculinity are we basing this on?" It's clear that MAWS is pushing for a "tomboy" Lois, and this gala outfit is an extension of that. But what's the standards of masculinity in a Korean lens? Men wear hanbok too, so why can't Lois imitate how Korean men wear hanbok, by traditionally accompanying her look with baji (baggy and loose pants)? This design notably has tight pants that hug the form, instead. I know the hanbok look has been modernized in and out of Korea in many ways, but in a show where you have the opportunity to showcase cultural non-conformity, I feel more thought should be put into the outfit outside of a potentially western lens- or the idea that cultural heritage of any sort "disrupts" a character's personality.

Now that we've discussed the design of the outfit, let's look into the narrative role it plays in episode 4. While we can celebrate cultural representation in media, I consider it important to ask "what is this media's relationship with the cultures it represents?" and the answer for Lois' hanbok in this episode is: nothing! It's an aesthetic acknowledgement of culture. "Hanbok" or "Korea" are not terms explicitly mentioned in the show. When Prof Ivo offers beautiful women as compensation for Clark to keep quiet about his company's corruption, Ivo looks over to Lois- who spills food on her clothes, and remarks that she's unclassy. She's not judged for wearing othering cultural clothes- which would have tied nicely into Clark choosing to be silent on issues of Ivo displacing a neighborhood, making Clark realize his complacency actively hurts marginalized people. Despite wearing cultural outfits being a political statement in America, nobody reacts to it. It's clear what the actual goal of this scene is: Clark looks cool for defending his "tomboy" crush.

In a scene blatantly made for fanservice, Lois offers to sew up Clark's ripped tuxedo by undressing her hanbok so she can reach her little sewing kit. Lois never wears her hanbok again afterwards. This scene haunts me. It's a scene that tells you that fanservice is more important than cultural representation. It's a scene meant to set up that Clark gives his tuxedo to Lois later on for warmth. Lois removing her hanbok is meant for not one, but two fanservice scenes.

Lois talks to Clark at the stairwell. She opens up about her estranged relationship with her father, how her mom has passed away, and how she's been an intern at the Daily Planet for a year with no sign of being hired. This makes the narrative decision for Lois to lose her hanbok far more tragic. Lois being a diasporic child with so few familial ties to her culture would mean garments like her hanbok would hold a lot of sentimental value! It's hard enough finding a cultural outfit that fits with your butchess (many of my cultural outfits are hand made to fit my form and gender expression), and yet Lois unceremoniously loses her hanbok. You would think in Lois opening up about being distant from her parents that Clark would be able to culturally relate with the distance he has with his Kryptonian parents. But the narrative opportunity to link their immigrant experiences is not taken, because the show simply doesn't recognize the parallel between the two.

Instead MAWS pushes for the Lois Thinks Superman is A Liar thing again. A far less narratively substantial and fundamentally flawed arc. This episode starts with Lois calling Superman a liar and has Lois ranting about him "dodging her questions" (remember, he was honest with her about not knowing his heritage) thereby rendering her interview unpublishable. She resorts to conspiracy tabloids giddily provided by Jimmy for information. She rather cruelly says "nobody normal believes in aliens". We are uncomfortably seeing the build up of Lois being allegorically xenophobic towards alien immigrants- a Lois on a quest to out an alien before he's ready. This is their justification for flipping the love triangle. Lois loves cuteboy Clark from work, and hates Superman for not confirming her biases that would help her publish an interview that would promote her at work. What a love story.

To wrap this episode up: Prof Ivo ends up challenging Superman to a fight so he can flex his Parasite suit to investors, only for it to backfire, destroy his reputation, and greatly damage the Amazo building (remember this it'll come back later). The episode ends with Lois discovering Superman is Clark Kent. Anecdotally, I was so frustrated with the treatment of Lois' hanbok in this episode, that I went online to search if anyone else felt similarly. All I was met with was fandom thirsting over the stairwell scene where Clark and Lois were undressing. Consider the optics of an Asian character who removed the most visible signifier of her heritage (the outfit far more culturally specific where her character design was racially ambiguous) and how people cheered because that meant they could see her in her undergarments. They can happily thirst over the body they desired now that the othering cultural garment was out of the way. It's just clothes after all. Diversity clothes. This show continues to be very uncomfortable, and a little too real.

In episode 5 Lois is passive aggressive to Clark and Superman, trying to get Clark to admit he's Superman and vice versa. She eventually confronts Clark by jumping off the roof of the Daily Planet, causing Clark to fly down and save her. She proclaims she doesn't want to be friends with him anymore for "lying" to her. This episode caused a huge ruckus online as people were divisive over Lois' actions. Some defended Lois, saying that "women should be messy" and "it's not Lois Lane if she doesn't do something crazy for journalism!". Ignoring that opinion's very flandarized view of Lois' character for a second, let's thoroughly discuss how this relates to themes of immigration and Asian identity.

By this episode, Lois had known Clark for 5 days. In that time she's entitled and angry to the point of friend-breaking-up with him because he wouldn't disclose his marginalized identity to her within less than a week. "A secret is another type of lie!" Lois says, regardless of her lying on sight to both Jimmy and Clark upon meeting them at work, and continued to lie in episode 3 (after promising not to in ep 1) about her intentions to interview Superman. Only Lois gets to lie in this relationship. The hypocrisy of her character is never recognized. Clark calls out Lois for having previously admitted to him that she wanted to dox Superman and "publish all his secrets. MY secrets!". Keep in mind that when Clark brings up Superman feeling uncomfortable about his secrets being published by Lois in episode 3, Lois' response was "yeah, but HE doesn't know that's my plan!". She explicitly admits that she would publish private information about Superman without his permission. But when she's confronted by Clark in episode 5 about that, her response is "I would never do that to you, I didn't know it was you until after the gala. How could you think that?" It's only through conflict of interest that Lois spares Superman of being doxed. He's supposed to magically know this. Extremely cool of Asian American Lois to be entitled to an alien immigrant's identity within four business days.

Episode 6 wraps up the Lois Hates Superman For Being A Liar arc, so let's quickly summarize what happens. Lois and Clark set aside their fight to find Jimmy in an abandoned scientific facility (he's being cared for by Mallah and the Brain). Jimmy admits (very smugly) to having known Clark was Superman all along because he kept breaking stuff. As the trio are chased by killer robots, they emotionally confront Clark for not trusting them with his alien secret- despite neither Lois or Jimmy creating a safe environment for Clark to come out to either of them (Jimmy outed Superman as an alien on his video channel). The moral of the story is Clark should have trusted his friends anyway, because lying is bad. Not once does the narrative hold Jimmy or Lois accountable.

We have Black Jimmy Olsen and Asian American Lois Lane being entitled to their white passing friend Clark Kent's marginalized alien identity. A joke is made at Jimmy's expense that he doesn't understand bigotry, and Lois clearly doesn't understand why an immigrant wouldn't be forthcoming about his identity to his hostile friends at work. This is how that arc ends.

I'd like to quickly compare this Lois Hates Superman For Being A Liar arc to my favorite scene in Superman Smashes the Klan. In this story, Superman debuts as a strongman superhero instead of an alien, suppressing his more othering powers to pass as human. He jumps instead of flying. Roberta, the Chinese American girl targeted by the Klan, calls Superman out for not using his full abilities to save people who could've gotten hurt. Yet, as she's calling him out, Roberta understands Superman's fear of not wanting to be othered. She sees the way her father dresses up to pass as an accomplished scientist, how he tells her mom to speak in English, how her brother makes racist jokes at their family's expense to fit in. She's not mad at Superman, she's mad at the world that would be scared of Superman if he flew.

"I wish it were okay for you to fly!" Roberta yells. This is a beautifully empathetic scene that shows a marginalized person frustrated at a systemic problem, instead of blaming the marginalized for being marginalized. It's the empathy and perspective we're missing from MAWS.

Episode 7 is a metatextual episode where MAWS addresses how their Lois isn't like the other Loises you've seen before. Lois and Jimmy are brought on to a team of alternate dimension Loises to find interdimensional troublemaker Mxy. In seeing the other more accomplished Loises in the multiverses, Lois ends up feeling inadequate about her self worth...in connection to being Superman's girlfriend, of course. Because Superman only loves Lois Lane after she wins a couple of Pulitzers, right?

I'm open to a version of Lois Lane that isn't as accomplished as she's historically known to be. I can like a Lois that's young and idealistic, like in Girl Taking Over. It's hard not to compare this episode to 2022's Everything Everywhere All At Once, another multiverse story about an Asian American woman who is the "greatest failure" version of all the parallel iterations of herself. But while that movie talks in depth about themes of generational trauma, expectations, and self potential within Asian immigrant families, MAWS uses the multiverse to say that while their Lois is less accomplished, she's still a good girlfriend to Superman! Why should I bother giving grace to a different take on Lois only to get such a superficial story out of it. This is metatextual-ly frustrating.

Why is it, the minute we get an adaptation of an Asian Lois in something as prominent as an animated show, we get "the worst Lois in the multiverse"? Lois is historically depicted as excelling in her field. She's an award winning journalist, jaded and mean from having to work her way to the top. She owns her sexuality, she's the experienced city girl. Instead of taking the opportunity to inform Lois' jadedness and excellence with her Asian American identity like in Girl Taking Over, instead we have an Asian Lois that's simply incompetent at her job. Why are we now adapting historically accomplished women into adorkable quirky screw ups? She went from being sexually confident to being insecure over sending a text to Clark. Is it more relateable to see an Asian woman that way? Is it too intimidating to see a butch Asian woman who excels at her job? Who's romantically confident? This is what MAWS would rather do than humanize her excellence or her failures.

Are you tired of an ambiguously designed Asian American woman reporter being xenophobic to Superman in MAWS? Well too bad because episode 8 introduces us to Vicki Vale, voiced by Andromeda Dunker (an Asian actress), with explicit notes in leaked concept art to design this character as "Indian American or Asian American" (as if those are mutually exclusive...) inspired off of real Asian reporter Connie Chung. Vicki wants to write a hit piece on Superman and interviews Prof Ivo's assistant, Alex, for a negative biased opinion on Superman (to Lois and Jimmy's dismay).

This episode is where it's abundantly clear the writers don't know how to talk about xenophobia. They'll make nods to xenophobic rhetoric, but they don't know what the rhetoric means. In response to Alex's derisive opinion on Superman destroying Amazo tower thereby bankrupting the company and putting "thousands out of work", Vicki responds "Superman wiped out good American jobs". This is a misplaced nod to Replacement Theory: the fear white people have over people of color, but particularly immigrants, coming to "their" country to "steal" jobs they're entitled to, ultimately becoming demographically replaced by non-white cultures and people. This rhetoric is also commonly applied to Jewish people.

The problem is, that's not what Superman did in the show. Amazo tech was going to go bankrupt because of Prof Ivo's poor business decisions. Prof Ivo made the mistake of antagonizing Superman and ruining his own image. Superman damaging the building came from his fight with Prof Ivo, not a deliberate attempt to get hired (if anything don't the building repair people have new jobs now?). No one's job is tangibly being taken by Superman. None of this is called out by Lois or Jimmy, who know the full story and were even the ones to attack Alex for helping Prof Ivo (let's be real the writers forgot this happened). In fact, Lois and Jimmy don't react to Vicki's Replacement Theory remark at all! It's like they don't even recognize she said something with racist implications!

Jimmy and Lois meet up with Superman who learns the people of Metropolis are becoming scared of him (from causing some recent property damage in an attempt to hunt a criminal down) and writing mean comments on social media. A user writes "he should go back to where he came from." This is a transparently xenophobic comment. It doesn't work in the context of the show because of a huge plot hole: Superman never publicly came out as an alien to Metropolis. No verified newspaper has explicitly made this fact known. The only source that mentions this is Jimmy's conspiracy channel, which the citizens of Metropolis are apparently treating as fact- therefore (if we're to believe this is how people knew) this means Jimmy absolutely outed Superman as an alien without Clark's consent.

So how does Asian American Lois respond to seeing her alien boyfriend go through xenophobia? She says "Take a break from being Superman and just try being normal." To be fair, the narrative does portray Lois saying the word "normal" as charged (only here at least, not in episode 4), and when she tells Superman to "take a break" it's because he had been overworking himself after suddenly unlocking the ability to hear when someone's in trouble. But was this really the response Asian American Lois thought to say? To her boyfriend going through such explicit xenophobia? At this point it's abundantly clear that racism doesn't exist in the world of MAWS. Being "normal" is to be human. And to be marginalized- or as the show likes to call it "different" is only reserved for white passing alien man Clark (along with gorilla and robot that was once a white man). Any hope of an immigrant parallel between Asian American Lois and Superman should be fully discarded at this point.

After the events of the previous episode where Superman is kidnapped by Task Force X, in episode 9 Lois regrets being allegorically xenophobic to Clark. At least I think that's what's happening. I often describe MAWS as a show that's extremely squeamish with getting political- and I believe the vagueness of Lois' Dark Night of the Soul moment reflects that. "I said awful things to Clark. I doubted him when he needed us most. I was wrong and now he's gone..." Lois says as she cries to Jimmy. Is this dialogue implying she shouldn't have told a sleep deprived Superman to take a break? What did she doubt about him? This dialogue is purposefully vague about Lois being xenophobic. They've universalized Clark's immigrant identity to such a point that they can't keep their argument consistent. Was Lois in the wrong for telling her overworked superhero boyfriend to take a break? Or was she being xenophobic for telling him to lay low for a while? Or is she regretful for hating Superman for Being A Liar? How is that possible when the narrative sided with her and Jimmy in episode 6? It's woefully non-committal. Regardless, the intent of this scene is to pay off in the climax of the episode.

In the end Superman has a showdown with Prof Ivo Parasite, who has grown into a large godzilla-esque kaiju creature. In typical MAWS fashion, the show is more interested in a surface level nod to Asian media instead of engaging with the specific themes of nature and post-war trauma kaijus and godzilla serve in Japanese culture. I digress. Using Jimmy's massive social media platform, Lois delivers a hope speech that instantly heals Metropolis of its xenophobia towards Superman.

Lois says to the people of Metropolis.: "People have told you to fear Superman because he's different from us. But we humans are capable of causing hurt and pain too. [...] Because we want to punish those who don't look or act like us." I mean this in the most polite way possible, but who on Earth thought this line was a good idea for Asian American Lois Lane to deliver when talking about white passing man Superman?? Why did the writers feel the need to specify Superman not looking like us. I simply don't understand how nobody considered the terrible optics of this.

After Superman defeats Parasite, episode 10 is about Clark, Lois, and Jimmy celebrating Thanksgiving at the Kents' house. At the Daily Planet, the trio of interns are promoted to finally being reporters. It only took Clark and Jimmy a few weeks while it took Lois a whole year! Now feels like a good time to remind you that Lois as a character was historically frustrated at sexism in the industry and despised how men were treated better than her (including Clark Kent). Well in MAWS episode 4, Lois has no idea why she isn't getting picked up to be a reporter. According to the narrative, and Perry White's dialogue ("you're terrible interns, so the only thing to do was to make you reporters")- she simply didn't break enough rules yet! Thank goodness she had the help of two men to show her how it's done! This is a pretty clear case of character regression. Keep in mind that in American Alien, at the very least that Asian Lois still underwent sexism, and I gave it the grace that the story could eventually expand to talking about both sexism and racism if it were to continue. But in MAWS? I don't think even sexism exists, let alone racism. Somehow Thanksgiving does, though.

Half the final episode is spent on Thanksgiving shenanigans where everyone's trying to be polite but they dislike Lois' stoic dad (Sam Lane)- who Clark recognizes as the Asian American xenophobic man who tortured him in Task Force X's government bunkers. A parallel is pulled between Sam and Jor-El, two fathers with different ideals when it comes to protecting their kids. There's a huge missed opportunity to have Lois and Sam speak in Korean with each other, to create a parallel in the language barrier between Clark and Jor-El. Maybe Lois isn't as fluent in Korean as Sam is depending on how culturally connected she is. Oh, but the existence of non-English human languages would imply some sort of minority, who would be marginalized, and we can't have anyone outside of aliens and a gorilla be marginalized in MAWS. Non-English languages in America are political, after all. Oh, but they also got a Filipino actor to voice Sam. Generously Lois could be Filipino-Korean but if we're being truly honest it's clear the MAWS crew think Asians are interchangeable.

Let's talk about Sam. In terms of optics, it's already not great that the main villains who represent the face of America's secret government xenophobia are Amanda Waller and Sam Lane- a Black woman and an Asian man. What's doubly notable is that of the antagonistic villains, Sam and Vicki are the most xenophobic. When Sam tortures Superman, he shouts "When is the invasion? How many of your kind will come through this time?" without a hint of irony. Reminder that historically, Asian immigrants were (and still are) considered invaders in America. They are the perpetual foreigner. MAWS loves making nods to Superman being an immigrant allegory, and yet they can't fathom the human beings that allegory is inspired by.

It's not impossible to portray people of color or even Asian American characters specifically being xenophobic. In Superman Smashes the Klan, Dr. Lee is initially antagonistic towards Superman but we understand why. We see him trying desperately to assimilate into whiteness, to the point he rejects assistance from his Black neighbors who help put out a fire in their backyard (that the Klan started as a threat). We understand why he's a character who would turn on fellow people of color, or fellow immigrants, in order to fit in. For MAWS, if we had a flashback scene where Sam was serving in the military and fought against Asian soldiers, showcasing his loyalty to America over his own people- that would narratively explain why an Asian American character would be xenophobic. Writing bigotry from within marginalized communities requires specificity. Otherwise, you've just got a diverse villain. In the end, Lois defends her immigrant alien boyfriend from her xenophobic Asian American dad.

Whenever I bring up how MAWS fails its characters of color but especially Asian Lois, I'm met with people telling me that "hopefully they'll make Lois more Asian in S2" or "they'll just retcon the bad writing in S1" and I hope this thorough analysis on the treatment of Lois' Asian American identity can help enlighten why I personally think that's impossible. The entire concept is flawed from the very beginning. The story MAWS wants to tell is at odds with Lois' Asian identity. In trying to justify an Asian Lois that loves Clark but hates Superman, they never considered what it means to hate Superman. To hate the alien immigrant. The alien other. What it means for an Asian American character to do all that. MAWS is a show that wants to have its cake and eat it too, they want a diverse world without racism or sexism but still want to reap the clout of lightly portraying Superman as "different".

They'll make the most surface level nods to Lois' Korean heritage- but remove all of the cultural context from them. They can't be bothered to acknowledge the inherit political identity being a person of color means in America, they're too busy doing that with Clark. I'm told "MAWS didn't have the time to go over Lois' Asian identity, it's a 10-episode series that focuses on Clark's alienation", and to that I say the potential of an immigrant love story and time frame was there, they simply chose to go another direction.

When I bring up things like Superman Smashes the Klan, Girl Taking Over, and Everything Everywhere All At Once, it's not to say MAWS should have used those stories as reference when crafting their allegory. All of those specific media were released while MAWS was deep in production already. Girl Taking Over was released the same year MAWS premiered. What I am saying is that we, as the audience, should have higher standards. Because better media portraying Asian American characters already exist. Better media portraying Asian characters relating to Superman mythos already exists. What we're doing when we celebrate the breadcrumbs of representation that is MAWS, is allowing mediocrity to exist uncritically.

Shows like Wednesday are known in the discourse for their portrayal of Black characters as being functionally white, yet that kind of scrutiny doesn't seem known for MAWS. The diverse reimagining of Lois and Jimmy is so poorly handled in MAWS that it would honestly make more sense if Jimmy and Lois were white here. The joke made at Jimmy's expense that he doesn't understand bigotry would be actually funny if it was calling out his white privilege. If, for whatever reason, the writers are compelled to write a xenophobic Lois that unlearns her bigotry and falls for Superman, I'd rather she be white for that kind of story. I wouldn't personally root for that kind of couple, but at least it'd make sense. It's a common joke among DCAU fans of color that we like to headcanon Lex Luthor as Black, or Lois Lane and Terry Mcginnis as Asian. It's a cruel irony that the one time we finally have a canonized Asian Lois in an animated show, she honestly feels and acts whiter than actual white Lois ever was.

I mentioned in Pt 1 of my essay that Asian Lois and Superman has the potential to be a definitive love story. One that considers both their backgrounds as immigrants, othered in different ways by American society. The story of a jaded but accomplished Asian city girl who finds hope to be herself again in an alien immigrant superhero. One where she gets the courage to wear traditional clothes again, to practice languages she once suppressed. The story of Superman, an alien immigrant, finding hope in someone with a painfully similar experience.

As of writing, we have yet to see this dynamic in any canon DC media. A second season of MAWS will not give us that story.

[tenelkadjowrites]

i've been putting off making a formal announcement on this blog but i think i've reached a point where i can say the blog as everyone knows it is...done. the hiatus has turned into a retirement of sorts.

basically, going forward, there is no promise of any fics being posted, no more tag lists, no more icon/header changes for a hwa fic, etc. fics can be posted randomly and not just be focused on hwa, it'll be about whatever catches my attention and i want to write a fic on. this could mean months upon months with no update. it could mean i never update again. idk i am not really focusing on it.

so yeah, thats the short version. longer version under the cut.

the thing about running this blog is that over time it ended up being whatever idea i had needed to be tweaked in order to feel comfortable post it here. that could be trying to put smut scenes in, or thinking about the dynamic and how it would come across to an audience, or if i went too long without posting and it would weigh on me.

after my move to toronto, i hit burn out with the blog. i missed writing original works, and i missed the genre exploration i liked to do with original pieces such as horror. i dealt with a sort of nagging guilt if i didn't post on here for long periods of time and i felt like if i kept pushing against how my brain was going, the fics posted here would suffer in quality.

ppl who have read this far know that i don't pay attention to the amount of notes i get on my fics. i write the ideas because i want to write them. that's been my rule and once i got the sense i was writing for the blog and not writing cuz i wanted to, i realized i needed to step away from it.

so going forward, the only time this blog will be updated is if i got a story idea that naturally and organically was planned as a fic in my head. this could mean no more hwa fics ever again. it could mean fics about random video game characters. it could mean more star wars fics. or it could mean i don't update for a really long time. i don't know what form it will take. i'm not really focusing on that.

while this blog was my primary focus, i met a lot of amazing people and ended up meeting people that now mean so much to me. i had tons of nice messages sent to me. i never thought i'd get 3k followers here and that wasn't my goal, it just ended up happening.

if you read all this, thanks, and thank you to everyone who took the time to read anything i posted, it means a lot. i'll be at the toronto ateez show if anyone wants to say hi.

my main blog is @hologramhoneymoon - you can follow me there for a lot of random reblogs from a lot of random things.

[warpcoreweirdness]

just finished season 2 of Lower Decks and i'm SO glad i tried this show again

i actually started the show a while ago, but the constant easter eggs put me off.

(i still don't know how non-Trekkie viewers are meant to get the jokes where the punchline is "reference!! 😂", but lots of people enjoy it so ymmv).

i stopped a few minutes into episode 2 after Rutherford agrees to quit his job as an engineer so he can watch the Trivoli pulsar with Tendi.

i honestly thought it was going to be a storyline about a guy giving up a job he loves and making his boss angry so that he can spend time with a female friend he has a crush on, because that's the plotline i've been conditioned to expect from tv. i wasn't feeling excited about the show, so i put it on pause.

but if i'd watched for about two more seconds before noping out for a few months, i would've seen this:

when i started watching again, i realised that the episodes never bog themselves down in drawn-out, uncomfortable storyline or character staples - they're actually incredibly well-written, tightly paced, and tell their stories in just the right amount of time. Rutherford wants to be Tendi's friend (at least for now), his boss Billups is really supportive, and Tendi brings a PADD into the Jefferies tube so they can both do what they enjoy, separately but together.

another great part about that scene with Rutherford and his boss is something that Lower Decks does a lot, which is make jokes that actually rely on subverting audience expectations. a big example - and a way of referencing other parts of the Star Trek franchise that does work for me - is when the creators gently poke fun at or subvert common story beats, emotional arcs, or dramatic moments from other parts of Trek.

like when Rutherford loses his memory and Tendi is excited to get to know him again, rather than devastated that he doesn't remember her.

or when they save themselves from being smooshed by Dooplers by dramatically ejecting the warp core of their tiny model starship.

or when Tendi goes on an arc of significant personal development over the course of one (1) whole episode.

they're general enough that even people who haven't seen other Star Trek shows (or movies) can still recognise and appreciate them.

beyond this, the show also has great moments where they (lovingly) cast a light on some of the flaws and foibles in the franchise, often in subtle or comedic ways.

like showing people in beep chairs living their best lives (in contrast to TOS and SNW's view of the beep chair as a tragic, doomsday fate for Pike).

or using Tendi to comment on Trek's depiction of Orions specifically as all pirates and slavers, and alien cultures more generally as monocultures.

or even just acknowledging that Trek shows mostly focus on the bridge crew doing heroic first contact-esque adventures, when that can't be all there is to Starfleet.

heck, they even have Rutherford go on a journey of acceptance and self-discovery after a permanent memory wipe (in contrast to Uhura in TOS, where it's never mentioned again).

another reason i really appreciate the show is that the creators have taken the time to think through what a more inclusive future could look like, in ways that are noticeably lacking or absent in many other Trek shows:

beyond exploring diversity through explicit identity representation (which is still very important), it does this through its world building as well.

i love this communal sonic shower scene for what it says about gender and body politics in Trek. in the future, why would we still separate bathrooms and changing rooms by gender? and why would we have the same views and expectations around bodies that we (by "we" i mean Western countries) do now?

this short scene dismantles the idea that nudity is inherently sexual, that gender is binary and biological, that some genders can't be trusted around other genders while naked, and that heterosexuality is the default (and when you bring dozens of alien species into the mix, why wouldn't we have more and newer ways of thinking about gender?). it even has a little mention that Boimler prefers not to shower with others, leaving space for people to act however feels most comfortable for them.

it's such a little thing, but after years spent (lovingly) yelling at the screen during TNG, TOS, DS9, etc saying, "why are they assuming everyone is straight? WHY would people be this sexist?", i noticed it immediately and appreciated it immensely.

(this isn't related to the storytelling, but i also have to say - the animation in Lower Decks is so pretty???):

this isn't a perfect show, but it's funny, has fantastic storytelling, and it loves the source material without worshipping it. (which is not something i expected to say, given how it started).

plus i love these characters SO MUCH.

so far, so very good 🤞.

(image descriptions in alt text)

[rue-dixon]

Bro-in-law Dandan propaganda

Dandan playing both sides for his sister and Chilchuck.

Chilwife venting about Chilchuck to her brother. "He just never listens! He's so stubborn I'm tired of him!" while Dandan's just nodding and agreeing like "mhm yeah he just doesn't understand what you're doing through when he's gone at all."

Turn around now to Chilchuck, venting to his brother in law aka his closest childhood friend about the same argument. "She just doesn't even try understand how hard it is for me too." And Dandan is once again nodding his head agreeing, "of course not, she doesn't understand just how hard those jobs actually are."

Uncle Dandan, but the girls call him Uncle Dan/Danny. Who's also closest with Puckpatti. Meijack's a daddy's girl, Flertom a mamas girls, and Puckpatti's an uncles girl.

Chilwife bugging Dandan about not being married yet. And tires to get Chilchuck to agree with her and talk to him about it too. But Chilchuck is just like "let the kid do what he wants, he'll find someone eventually."

When he first saw his sister and Meijack after she just gave birth (him being a child) he said Meijack looked like a "wrinkly potato".

Dandan became a dungeon adventurer because of Chilchuck, who tired really really hard to talk him out of it. But Dandan said he didn't plan on going very deep and wanted to stick with treasure hunters instead of hardcore explorers so Chilchuck laid off finally.

"Chilchuck's like the older brother I never had!"

"I'd say Dandan is the little brother I never had, but I have two of them and they're both little shits just like him."

Dandan would always ask how his sisters and nieces were doing when him and Chilchuck would be working at the guild together. But always obviously had more interest in Puckpatti.

"How's my sister?

"She's fine"

"... and Puck?"

"She's fine too, as well as my OTHER girls."

"Right right.. I was just gonna ask about them next!"

Chilchuck and Dandan worked together to form the guild. Dandan taking care of things when Chilchuck was away or on very long jobs.

Chilchuck and Dandan poked at each other a lot as children. But became good friends as adults. Especially when Dandan was old enough to start drinking, Chilchuck was happy to have a new dedicated drinking buddy. They even stayed close after his wife left him, "she left me, not him." Little does Chilchuck know, she actually told her brother she was leaving and why she left. But he never told Chilchuck because she asked him not to.

Dandan making fun of his sister's situation, especially when he was younger. Even if he actually didn't care about them having shotgun wedding, he just thought it was funny.

"This wouldn't have happened if you just kept your legs closed."

"Only I get to call my sister a whore because it's funny. Anyone else who tries dies."

Uncle Dandan telling the girls crazy stories about their parents when they were younger. Stories that the two of them never wanted their kids to know.

Dandan: what's that?

Chilchuck: huh? Oh those are the brothels for adventurers.

Dandan: oh... you never used it did you?

Chilchuck: what? No! Why would you think I'd cheat on my wife?!

Dandan: just making sure...

Since Chilchuck wants to hide his family from work. He has to tell Dandan not to tell anyone that they're in laws. That they're just friends and that's it. And he'd prefer if he didn't bring up his sister or nieces in conversations. Dandan thought he was weird and got a little suspicious. But Chilchuck explained his reasoning and Dandan agreed, it didn't affect him much anyways.

Dandan: so, what are you and my sister fighting about now?

Chilchuck: what? Where did you get that idea from??

Dandan: you've been sleeping in the union quarters for three days straight. So what's she mad at you for this time?

Chilchuck: ...

He's a built in babysitter even if he kinda hates it. But he loves his nieces so it's ok.

When they were estranged he fully believed they'd get back together and wasn't worried about them getting an official divorce at all. And just waved it off every time he was asked about it.

"You kidding? They couldn't keep their hands off each other when we were kids. Practically inseparable. I'm sure they'll talk, realize how much they miss each other, have makeup sex and then go on like none of this ever happened."

Anyways why'd they make him so cute in the anime tf

[greenerteacups]

Hi GT. I hope this message finds you well. I am sending all the good vibes and we'll wishes your way! ♥️♥️♥️ I hope you've had a wonderful summer.

I'm such a big fan of your work. Lioneheart is amazing and has stuck with me for such a long time.

I was wondering if you had any other stories you'd like to explore one day (even if you never get the chance to write them.) Whether it be fanfiction or original work, I was just curious because sometimes I feel as if I have hundreds of stories inside that I could tell, and I am not sure how to pick just one and see it to completion.

First of all, thank you! This is a fun one. I have a few enduring ideas for longfics I may or may not ever write (i.e., ideas that would have been projects already if I didn't have an ongoing longfic). I don't get stuck in them mostly because I try to remind myself that the idealized story you imagine when a concept occurs to you will never actually exist as it does when it's unshackled by the constraints of execution. What you'll get if you actually sit down and hack it out is (1) a real and imperfect piece of writing, and (2) the satisfaction of having written it, which is by far the more reliable source of motivation, if we're being honest. That being said, here are some ideas I've always wanted to explore, if and when I finish Lionheart:

I've always wanted to write a longform canon-divergent Tomione fic about Tom Riddle's 7th year at Hogwarts. Big honking political melodrama ft. the original Knights of Walpurgis, a Triwizard Tournament, and realistically functioning time travel (hence why this one's always been kicked down my list of projects, because writing a time-travel plot is like running through a minefield made of trampolines). I've already got character concepts sketched out for the Hogwarts cast — sooooo many fun ideas for the teenage Walburga. But I'd still need about a week of solid fic preproduction on the plot alone before I was ready to boot up and start writing, and it'd take at least 250k words — closer to 300k, if I'm being honest about myself. So this probably won't see the light of day anytime remotely soon, if ever.

A canon-compliant Dramione war fic, diverging from the Malfoy Manor chapters in Book 7, picking up from a speculative thread I read once about what would happen if the war didn't end after Voldemort died at the Battle of Hogwarts. I've always thought it would be fascinating to see who Hermione and Draco would become if they were actual soldiers in the war (and my disappointment with how Book 7 handled the "war" of it all has been established). That being said, Book 7 of Lionheart will probably give me a lot of similar ideas to chew on, so I don't know what my appetite for this one will be once I'm finished with it.

Durmstrang AU. This one's barely a fic concept so much as it is a mental moodboard — I just want to worldbuild the hell out of Durmstrang. And the international wizarding world, generally. It's a delicious sandbox.

A longform canon-compliant fic or series of fics about the previous generation of Blacks (Sirius/Bellatrix/Narcissa, namely). If you look at the books, there's a huge amount we don't know about the fall of the Blacks. I always found it bizarre that the sisters and Sirius seem to be the only ones left by 1995. No one else has a claim? No one else from this all-powerful wizarding family wants to step in and claim this big honking townhouse in the middle of London? Or its attendant fortune? Dude, what happened? Also, we don't see nearly enough of the Black family melodrama in canon. They lose 4/5 children of a generation in the span of almost single decade. And then (presumably) all of their parents die in the span of another. Goddamn. Just imagine the character work you could do there.

A No Chosen One/Voldemort Wins (The First Time) AU where Hermione never gets her letter, and meets Draco much later in life as a self-taught witch. The dynamics I have in my head for this are really enjoyable, and it would be a chance to finally write Hermione POV, plus the Draco I've cooked up for this universe is [chefs kiss]. I also just love the idea of Hermione as a feral witch-child running around muggle London. I love it a lot.

[sapphicwizards]

Writeblr intro

🌿🌿🌿🌿🌿🌿

Hi my name is Lyra. I recently changed my url from bargainbincheese. I'm looking for community on here that can help keep me motivated and inspired to write stories.

I have one active WIP that I aspire to publish and one science fiction worldbuilding project that I write for fun but don't actively intend to publish.

The active WIP is a cool wizards story descended from stories like Earthsea and Name of the Wind. Check out the WIP intro for it here. Or read snippets and thoughts about the worldbuilding in the tag for it here. Witch, Wizard and Weaver has a female protagonist who earns many names over the course of the story. Most importantly it is about cool wizards doing cool wizard shit but it's also about becoming the weirdo you really want to be in the face of immense social pressure to be normal. There is personal transformation as a magic thing and (imo) a cool original magic system + worldbuilding. It's sort of for kids but I'm hoping that it's accessible yet interesting enough for all ages.

My sci-fi worldbuilding project is an exploration of what cultures might look like during the earliest phase of humanity expanding to the stars. I like trying to figure out what life on other planets might be like and what sorts of people would be on the ships that go to them. I haven't posted much about it but if you're interested, read this and let me know what you think!

My favorite authors are N.K Jemisin, Ursula K LeGuin and Kim Stanley Robinson. I'm also a fan of some big fantasy and sci-fi classics like Dune and Lord of the Rings. Oh and Star Trek! I like utopian fiction and I don't feel like there are many popular examples of it. I'd like to write optimistic sci-fi like Star Trek some day.

Anyway, if you're interested in any of my ideas or want to know more about any worldbuilding / characters / WIPs don't be shy! I'm friendly and I love sharing ideas with other writers.

[literaryavenger]

Broken - bonus part

Summary: It's been a year since Bucky moved in and now it's his turn to help you, only problem is you won't let him.

Pairing: Bucky Barnes x Female Reader

Warnings: No use of Y/N. Language. A lot of fluff. Eating disorder. Angst.

Word Count: 7.8K

A/N: I made this bonus part to explore more about the eating disorder that was hinted in the first couple of chapters. I had plans to incorporated in the story when I was planning on making it longer, but with how it went it didn't feel like there was a place for it. I'd like to thank @ordelixx for giving me the idea for this additional part. Hope you enjoy it, I'm always open to more ideas so feel free to spam in my inbox or messages, know I always appreciate it! also sorry it took me so long to finish this but I started it and then kind of lost inspiration :(

Part 1 | Part 2 | Part 3 | Part 4 | Part 5 | Part 6

Masterlist

It’s been a year since Bucky arrived at the tower and about 11 months since his hearing.

As conditioned by his pardon he’s been going to therapy, he’s been training with the team and has been doing more and more missions, on probation, but still he’s been doing better than ever.

Even Tony had to admit that the more time he spent with Bucky the more the super soldier grew on him.

If a few months ago he begrudgingly spent time with the super soldier at your request, if anything to spend time with you too since you’re still inseparable, now Tony actively seeks him out; wanting to study his new vibranium arm, testing his gadgets since he got hurt less easily than the others. Or sometimes simply to talk about things like astronomy after Tony found out about Bucky’s interest in the subject.

They’ve even had a few conversations on Howard and his friendship with the sergeant back in the 40s.

You're proud of all the progress Bucky’s made, and you appreciate the fact that getting more comfortable in the 21st century and becoming more confident didn’t make him pull away from you.

It's a fear you had, that maybe Bucky stuck to you because you were the first person after Steve that made him feel safe, that the more people he got familiar with the more he was gonna pull away from you, not needing you as much anymore.

But, to your delight, Bucky’s still as touchy and clingy towards you as ever, if anything he's grown even more affectionate.

He never lets a day go by without telling you how much he loves you and appreciates you, kissing you any chance he gets and holding you tight every night in the room the two of you have been officially sharing the last few weeks since you’ve all moved to the new Avengers Compound upstate.

You love Bucky’s attention and you’re just as affectionate towards him as he is towards you. Everything was going great.

Until it wasn’t.

You’re on your way to your room, looking forward to seeing Bucky after a full morning of mission reports with Steve and then training with Natasha.

She obviously kicked your ass and you're exhausted, wanting nothing more than to be in his warm embrace for the rest of the day.

Thankfully, it’s friday afternoon and you have no new missions which means your weekend is wide open.

You stop on your tracks when you hear your name being mentioned in a conversation right around the corner.

You recognize one of the voices as Sharon Carter, one of the agents of Shield that lives and works at the compound the Avengers now reside in.

You don’t know why you stop to listen in on the conversation, you’re not really one to eavesdrop, but something about her tone makes your legs refuse to move towards her direction. Which just so happens to be the way towards the Avengers only part of the building.

Your stomach drops when you hear the other girl’s next sentence.

"And can you believe she got Sergeant Barnes to date her?" Sharon groans before answering.

"Of course she did, he was all broken and vulnerable and she was like the first person he met at the tower. He obviously got attached to the first person that was nice to him, otherwise how do you think a girl like her could ever have a chance with him?" she says matter-of-factly. 

"You’re right, I mean he’s probably still with her just out of habit. He’s too nice to hurt her feelings." the other girl says, giggling.

"Exactly." Sharon agrees, laughing with her friend. "I mean, he’d never go for her if he met her today. He’d probably be flirting his way through the actually pretty girls that live around here, like you and me."

You can hear their laughter growing louder as they get closer to where you are frozen on your spot and feel yourself starting to panic.

You can’t face them right now, the only thing on your mind is finding a place to hide in.

You see a door behind you and you sprint to it, reaching it, running inside and closing the door softly in record time. You press your ear up against it and can hear the muffled laughter and some more comments on you and Bucky.

When they’re finally far enough that you can’t hear them, you let yourself relax, pressing your back against the door and looking into the dark closet you’re hiding in while you let their words really sink in, your brain working overtime to make sure you didn’t misheard or misinterpreted anything.

Once you’re sure you indeed heard everything correctly, tears start to form in your eyes.

Is that really what people think? That Bucky’s just with you because he pities you?

You’ve always known Bucky was beautiful, definitely the hottest guy you’ve ever seen in your life, and you’ve always known he was out of your league.

You know you’re by no means thin, but you also don’t consider yourself fat, especially not after all the work that it took you to get to a place where you have a healthy relationship with your body.

Yes, you still have your doubts and insecurities, but that’s just in your head.

Although here you are, hiding in a supply closet, tears streaming down your face, because there are actual people outside of your head that see your flaws too.

One thing is to wonder about this stuff in the middle of the night when you can’t sleep, the voices in your head taking over, but to hear those same thoughts coming out of someone else’s mouth hit you hard.

You don’t even know how long you stay hidden, but at some point you snap out of it and dry your tears, opening the door and making the way to your room.

It feels like only a second passes and then you’re opening the door of yours and Bucky’s room. You make a beeline for the bathroom, barely acknowledging your boyfriend when he greets you as you lock the bathroom door behind you.

Bucky’s eyebrows furrow at your cold shoulder, immediately getting worried. He gets up from the bed and knocks on the door of the bathroom calling out for you. "Everything okay?"

You can hear the concern in his voice and it only makes you feel worse as you find yourself wondering if he’s actually worried or just that good at pretending.

You look at your reflection in the mirror and all of a sudden you feel nauseous but you barely have time to realize it’s not just in your head when you’re suddenly throwing up in the toilet.

Bucky’s more worried than ever as he hears you be sick from the other side of the door. "Doll, I need you to talk to me or I will break down the door."

He knows it may not be the ideal thing to say, but his concern outweighs his rational thinking when you stop making sounds as he still hasn't heard your voice and is worried you might’ve passed out.

"I’m okay." your voice is quiet, but at least you’re conscious. 

"Can you open the door for me, doll?" He can hear you sigh and shuffle a bit, probably getting up. Then he hears the faucet of the sink being turned on as you splash some water on your face.

He’s a little calmer now, patiently waiting for you and he lets out a little breath of relief when he hears the lock click.

You open it reluctantly, trying your best to look normal, but Bucky can see right through you.

"What’s wrong, baby?" he brings his hands to your cheeks and you can’t help but lean into them for a second before you grab his wrists and gently lower his hands, his face more worried than before.

"I’m fine, Bucky." you say, your voice almost emotionless.

"You were just throwing up. You’re not fine." it takes all of him not to reach for you again, not wanting to cross your boundaries.

"It’s nothing. Maybe I’m just sick. I’ll take a shower, it’ll make me feel better." You don’t give him time to respond as you close the door and lock it again, starting the shower.

Bucky feels like he can barely breathe, your behavior making him more worried than he’s been since the 40s and he had to take care of sickly little Steve.

Youìve never acted like this with him, when you were sick or even grumpy from your period you usually became clingy and wanted him around even more than you usually do. But he gives you the benefit of the doubt.

If you were sick this wasn’t the moment to think about himself. He has to take care of you first and he can ask more later you when you're feeling better.

With new resolve he heads towards the kitchen, determined to get everything you might need to make you feel better.

You stay in the shower for over an hour, trying to avoid Bucky as much as you can, but you know you had to get out and face him eventually.

When you come out of the bathroom you find him sitting in the desk chair, the desk full of things you’re pretty sure weren’t there when you entered the room.

Bucky's on his feet and coming towards you in a second, your favorite pair of pajamas in his hand.

"Are you feeling better?" he asks you softly, worry still present on his features.

You can’t bring yourself to look at him, taking the clothes and changing as fast as you can, a small ‘I’m fine’ leaving your lips. 

"What's all of this?" you ask, stepping around him and walking towards the desk.

"Oh, I just brought you some things to make you feel better." He can't help himself as he wraps his arms around you from behind while you look through the things he brought you.

He got you all sorts of pain meds, your favorite snacks and drinks, your heating pad and your favorite comfort book.

You want to cry at the sight, but part of you can't help but doubt Bucky, even with how sweet he’s being.

You snap out of it when you feel Bucky give you a kiss on the shoulder and, suddenly, it all feels fake and it’s too much for you. 

You place your hands on his and move his arms away from you, then start heading towards the bed.

"I’m not hungry. I just want to sleep for a bit." That's all you say as you lay down and turn your back on him, tears threatening to fall down again.

You hear him sigh behind you. Then he moves around and you feel him lay a kiss on your head before he walks out the room shutting the lights on his way, wanting to give you the space you clearly want.

You aren't sure if you're glad you can cry yourself to sleep freely or worried that him walking out solidifies the voices in your head that are telling you that maybe Bucky really doesn’t love you.

When you wake up the next morning Bucky’s arms were wrapped around you from behind.

Usually being in his hold makes you feel safe but right now all you can concentrate on is the feeling of his hands on your belly and how disgusted he would be if he woke up and realized the position you were in, no matter how many times you've been like this.

You slip away from his embrace and go to change into work out clothes. You went to sleep pretty early yesterday so it was still early in the morning when you woke up.

You aren’t expecting to meet anyone yet but, once again, you're proven wrong by the shuffling coming from the kitchen as you make your way to grab a bottle of water.

You approach carefully without making a sound and when you peak around the corner you see Steve, probably back from a morning run, in front of the counter with his back to you and a water bottle in his hand.

You try to move as quietly as possible, even with enhanced hearing your skills have gotten so good you're able to sneak around the super soldiers when needed.

You decide to use the stairs to get to the gym, the door leading to them squeaking lightly. Steve turns around at the sound but seems to decide it was nothing as he shrugs and makes his way to his room.

You’ve been at the gym for a couple of hours, stopping only to grab water from the mini fridge, when the door opens and you hear Bucky’s voice.

"Hey doll, I’ve been looking for you everywhere." His voice sounds genuinely concerned. You have to give him props on his acting skills.

"Yeah, couldn’t sleep." You say without looking at him, barely stopping your punching of the bag in front of you.

"I thought you were sick." he’s slowly getting closer, you’d almost think he was trying to corner a scared animal.

"Clearly I feel better." you shrug, trying to end this conversation as fast as possible.

You feel his hand on your shoulder and finally stop, taking a deep breath before turning to face him.

His face looks more worried than you’ve ever seen it and it almost makes you forget your own concerns about the reality of your relationship.

Almost. 

"Maybe you should go visit Bruce, make sure everything’s okay." his eyes never leave your face and you try your best to hide any emotion but it’s always been too easy for him to read you so you shrug his hand from your shoulder, trying to put a little distance between you.

He looks genuinely hurt, but, again, what would you expect from a trained assassin? Pretending comes as naturally to him as breathing. 

"I’m fine, Bucky." you turn back to the bag and resume your punching. You’re so lost in your own thoughts you don’t even notice him walking out of the gym.

You work out some more before deciding it’s enough and go back to your room, thankful for the first time that Bucky’s not there.

After you shower and change again you find yourself with nothing to do and, for once, you wish you had paperwork to keep you occupied and give you an excuse to avoid everybody.

You grab your purse and make your way out, mumbling something about having errands to run in the city when you come across some people in the living room, basically running out of there so fast you can’t even tell who’s actually there watching tv.

You spend the whole day running around the city, not really having a destination but when the sun starts coming down you decide to head back.

When you enter the living room you can see everyone sitting at the kitchen table.

"Finally, you’re here! We can eat now." Sam shouts happily and you know you can’t escape this.

"Sorry, didn’t realize you were waiting on me." You say quietly while sitting down in the only free chair that’s unfortunately next to Bucky.

"It’s okay, koala bear." Steve smiles from your other side. "Bucky said you weren’t feeling great, so Wanda made your favorite."

You try to look excited while smiling and thanking Wanda as she and Vision place the food on the table. If she notices something is off, she doesn't say anything, just giving you a smile of her own in return.

"Where were you all day?" Tony asks you.

"The city." you simply say, trying to sound as casual as possible while making no attempt to look at him, or make eye contact with anyone else for that matter.

But Tony seems satisfied with your answer, taking your lack of conversation for tiredness and going back to talking to Clint.

You manage to avoid all conversations with nods and hums and you can feel Bucky’s gaze on you almost as it burns but you can’t find it in yourself to look back at him.

When you feel his hand coming to rest on top of yours on the table you feel like something inside you snaps and you get up abruptly, making everybody stop as they give you confused looks.

"Excuse me, I still don’t feel well. I think I’m gonna go to my room and rest." and, without giving anyone the chance to say anything, you walk away.

There’s a second of silence before the team seems to dismiss your behavior as grumpiness from feeling sick, after all the rare times that you do get sick you get very irritable.

Bucky seems to be the only one to notice your untouched food. 

After less than five minutes the door to your room opens and Bucky comes in, finding you sitting on the bed staring at nothing while being clearly lost in your head.

He makes his way to you and kneels down in front of you.

"What’s going on, doll?" He tries his luck again, putting a hand on your knee. He hopes that giving space all day allowed you to come around and now you’ll talk to him.

You prove him wrong by getting up, not even sparing him a glance, and making your way to the closet to try and busy yourself so you won’t have to look at him.

"Nothing." You offer nothing more and Bucky starts getting frustrated with you. 

"What is wrong with you today?" He knows something’s wrong. He knows you better than anyone, and he’s trying to be patient with you but you’ve never acted this cold towards him and it scares him.

"Nothing is wrong." You know you’re pushing it. You know you’re doing nothing to alleviate his worries, but you can’t help the feeling that he’s the one in the wrong.

He’s the one out of line, he’s the one that betrayed your trust and hurt you and toyed with your feelings and lied to you about his own. You had every right to be short with him.

Right?

"Something is obviously wrong, why won’t you just talk to me?!" He almost whines and you roll your eyes, your own unjustified irritation coming out.

"Oh, for the love of God, just give it a rest!" you almost yell, and the surprise you find in yourself is nothing compared to the one on Bucky’s face.

"What?" he’s almost whispering and the hurt in his voice for some reason just infuriates you more.

"Stop treating me like I’m made of glass! Not everyone is as needy as you, you know. I’m a grown ass adult and I don’t need you!" You can’t stop shouting, knowing full well you don’t mean a word you’re saying. But you want to hurt him as much as you’re hurting, as wrong as that is.

"Don’t you think I know that you don’t need me?!" He’s yelling too now, and you know you pushed the right button "I know damn well how strong you are, but that doesn’t mean I can’t still worry about you!"

"I don’t need you to worry about me!"

"Well, that’s too damn bad for you, because I love you and I want you to be okay!" God, even shouting he’s still being nice to you.

"Well, that’s too damn bad for you, because it’s none of your business if I’m okay!" Not the best response, but at this point you honestly have no idea of even control of what’s coming out of your mouth anymore.

"God, why are you being such a child about this?!" Bucky barely understands what’s going on right.

The two of you have never fought before, not so much as an argument, and now here you are in a yelling match that started because he's concerned about you.

"Oh boo freaking hoo, poor Bucky having to deal with a child! If you don’t like me just say so!"

"What the hell are you talking about?!" He’s beyond confused now.

"If you don’t want this," you gesture between the two of you "just leave! Go and find someone you actually like! Don’t stay with me just because you feel like you have to!"

"When did I ever say that? Are you out of your mind?!"

"Yes, I’m crazy! Now just leave me the fuck alone!" you yell at the top of your lungs and Bucky seems to freeze in his spot.

Assuming this is over, you turn around and climb into bed, your back to Bucky once again.

When you hear him sigh and start moving you feel like you’re reliving yesterday, except this time you don’t expect him to kiss you but just leave.

He turns off the lights, but you frown when you don’t hear the door, instead you feel the bed dip behind you. You tense up when Bucky’s arms wrap around you from behind, bringing you closer to him with your back pressed against his chest.

"I will choose you over everyone. Even on the days where we don’t understand each other." He whispers in your ear after a moment of silence and you can’t do anything to stop the tears that start coming out as you feel Bucky holding you tighter without saying another word.

You want to believe him, you really do. But Sharon’s voice in your head is like a net, not allowing you to fall fully into Bucky, not being able to accept that someone like him truly loves you.

So you start spending your days by yourself, avoiding people as much as possible.

Everytime you're in a room with someone all you can think about is how they're probably judging you, making just want to run away and hide.

But isolating yourself does nothing to ease your worries as you now spend all your time overthinking and hating on yourself.

You start pulling away from Bucky too and it's killing him.

You still won't talk to him, everytime you're together you pretend that everything's fine.

You put on a smile he knows is fake, really doing the bare minimum to keep a conversation going and when he touches you he always gets the feeling that you wanted nothing more than to slap his hands away.

But you always try to be discreet as you inch away from him with any excuse that comes to mind.

It's the change in your relationship with Bucky that starts to clue the team in on your behavior.

As much as they have fun giving you shit for it, they all admire your closeness and were happy that you found each other.

So they start paying more attention to you. Everybody can see something's wrong, but if you wouldn’t talk to Bucky about it, really what chance do they have?

It doesn't stop them from worrying though, seeing how you seem to waste away.

You spend too much time in the gym, losing weight at an alarming rate and not getting enough sleep to function, sometimes resulting in you falling asleep during meetings or on the mat at the gym.

But you refuse to let Bruce look at you. You refuse any help really, your temper shorter than ever as you end up snapping at people more often than not.

You try to keep it together, but it's obviously not working. The only thing you manage to do is avoiding meals without anyone noticing.

After weeks on end of this, the team decides to do something to try and cheer you up, taking the opportunity of your birthday coming up.

Steve manages to convince Tony to have a small party, just the team and agents of Shield, instead of one of his big parties full of strangers.

They're careful when they approach you with the subject, having taken to walking on eggshells around you. You can’t help feeling bad for the way you’ve been treating them, so you decide to be cool about the party, even knowing deep down you’ll regret it.

Natasha and Wanda offer to go shopping with you for a new dress for the occasion, but you decline their invitation.

You know they're trying to be nice, but just the thought of going from store to store, seeing all those beautiful, skinny women trying on pretty dresses you’d never be able to fit into, together with the two gorgeous redheads, it sounds like hell to you.

Which is why you ask the team to have a more informal dress code than usual, allowing you to dress as comfortable as you can be at the moment with loose fitting pants and a large hoodie.

You arrive at the party in the ballroom of the compound that Tony just had to have and are thankful to see everyone dress casually, most of the girls not even wearing dresses.

But you still try not to linger too long on their looks, not wanting to feel worse than you already do about your own appearance.

Arms wrap around your body and you hear Bucky wish you a happy birthday.

You give him a few seconds before you wiggle away from the embrace and turn around. You give Bucky your best fake smile and thank him before kissing him quickly on the cheek and walking away towards the bar to get some water.

You don't need to be getting drunk and throwing up more than you already do every time your stomach forces you to eat anything.

You spend the whole night going from person to person, trying not to talk to anyone too long and making sure to always keep moving to avoid too many questions.

You know it's only a matter of time before they start coming. Even Fury is present, worried about you ever since he had to take you off missions for passing out on the field.

Soon came the moment you’d been dreading most: Wanda comes toward you with your favorite cake with candles lit and everybody starts singing.

You know that with being the center of attention you won't be able to get away with not eating and the team would piece things together if you try, having already gone through this years ago.

Honestly, you're a little disappointed nobody had figured it out yet, but not entirely surprised as you told yourself everyone just didn’t care enough.

And why should they when you look the way you do?

Everyone cheers as you blow on the candles, fake smile still going strong. The cake is cut and everyone is enjoying Wanda’s culinary talent. You even manage to eat yours and keep it down without looking disgusted with yourself.

Everything was going great.

You're behind the bar now taking another water bottle from the mini fridge when you accidentally knock over a glass full of straws that was thankfully made of plastic so it didn’t break.

While you're picking up straws you hear footsteps getting close to the bar that hid your kneeling figure and stop what you're doing when you hear Sharon talking about you. Again.

"And did you see how she’s dressed to her own party? No wonder Bucky’s been staying as far away as possible all night." she's basically whispering, but it's still loud enough for you to hear.

"I know, he’s probably ashamed of her. Wouldn’t surprise me if he dumped her tonight." the two girls giggle the sound seems to snap you out of your trance.

You get up so fast you scare Sharon and the other girl, their startled squeals drawing the attention of the rest of the party as everybody prepares for any danger.

But there is no danger, all everybody can see is two mortified looking agents and you with tears in your eyes that you don't even feel starting to fall.

The whole team is worried sick, everybody getting closer to the bar, but Bucky is the one that's at your side before you can even think about blinking the tears away.

"What’s wrong, baby?" he looks so worried, almost like he himself is about to cry at the mere thought of you being in pain.

But that can't be it, that's not what you're seeing.

He's probably just embarrassed you're being overly emotional for no apparent reason, and that look in his eyes is him getting ready to break up with you right here and now.

At that thought you can literally feel the cake you just ate coming back up and all you can do is run as fast as you could towards the nearest bathroom with a very concerned Bucky running after you after silently agreeing with Steve with a single look that he’ll be the one to check on you.

You make it to the toilet just in time to unload, barely registering two hands taking your hair and holding it away from your face.

You finish vomiting and clean your mouth with some toilet paper before throwing it in and flushing it, shuffling your body backwards until your back hits the tub and you close your eyes while resting your head back against it.

You feel your hair falling back down on your shoulders and can make out the sound of the faucet running for a few seconds before you feel a wet towel gently brushing your cheeks and mouth.

You open your eyes and are met with Bucky kneeling in front of you, seemingly examining every inch of your face to try and understand what’s going on.

Before he can ask you for what felt like the thousandth time though, you can't hold yourself back anymore.

"Please don’t leave me." your voice is weak enough already from all the vomiting and the sobs that start coming in certainly don't help.

Tears start to fall like waterfalls but you don't let any of that stop you from going on. "I know I said I didn’t need you, but I do. I need you so much more than you could ever know."

Bucky wraps his arms around you and he's more than relieved when you don't pull away for the first time in weeks.

Instead, you cling to him as you keep pleading with him not to leave you in between broken sobs while he moves you to sit curling on his lap.

Bucky’s heart breaks for you and he wonders if this was how you felt everytime you comforted him, feeling even more in awe of you now that he knows how hard it was to see the person you love like this.

All he wants is to make you feel better and take away all your pain, but he had no idea how.

When you show no signs of calming down after several minutes he decides to try to talk you down, hoping not to make things worse.

"Doll, I need you to calm down." he tries to pull away just enough to look you in the eyes, but you just hug him tighter, almost terrified that he's just gonna get up and leave forever if you let go and you start getting more agitated by the second. 

!Baby, please try to take deep breaths." he's trying really hard not to panic himself now. "I’m not leaving, I promise. I’m staying right here with you, but you need to calm down, please."

Maybe it's because he's basically begging you, maybe it's because of the panic and concern you think you can hear in his voice or maybe it's his grip getting impossibly tight on you that grounds you, but your brain seems to clear just enough to give your body the command and you start trying to take deep breaths.

When you loosen your hold on Bucky he grabs one of your hands and puts it on his chest right over his heart, the steady beating giving you something to concentrate on as you try your best to copy his breathing. 

It takes a few more minutes but you calm down, tears still falling silently down your cheeks while Bucky rubs your back with his metal hand, his other warm hand still over yours on his chest.

"I’m sorry I’m such a mess…" Your voice sounds foreign to your own ears, quiet, full of sadness and desperation.

This isn’t you.

This isn’t the confident, strong woman that kicked ass and defended Bucky even to your own family from day one.

What happened to you?

Unbeknownst to you, Bucky's asking himself the same question.

What happened to the sweet, bright girl that offered him a hug after five seconds of knowing him? The girl that calmed him down from a panic attack and kept him company through the night even after knowing about his past?

The girl that let him hang onto her like a koala and allowed him to let it all out? The girl that was patient with him, understanding and never once judged him, no matter how broken she’d seen him?

He really can't think of anything that could've happened to break you this much, to bring you to basically have a meltdown on a bathroom floor.

But whatever it was he needs to know now, and he's more determined than ever to find out.

"Doll, you’re not a mess. You’re hurting, I can see it. We all can. And I know you’re strong, but everybody needs help once in a while. Whatever’s been happening, you don’t have to go through it alone. Just like you didn’t let me go through anything alone. You were always there for me, you’re always there for everybody." he pauses and you take the moment to spiral further.

This is the only reason why he’s still with you. You were there for him, you cared and comforted him. So he feels the need to stay with you because Bucky’s loyal, no matter what his feelings actually are.

But he’s gonna fall in love one day with someone, and what is that gonna mean for you? He’s gonna leave you to be with the person he actually wants, loyalty or not. Your fall down the rabbit hole is stopped by Bucky’s voice.

"Please let me be there for you. This is killing me, watching you do this to yourself. Please tell me what’s going on, baby, because you’re scaring me so fucking much. Please." he finishes in a whisper.

Before you can even properly process his words, you feel a tear that's not yours fall on your cheek, making your eyes widen and you look up to see Bucky already looking down at you with tears rolling down his cheeks.

Your hand goes up to his face automatically and you feel him lean into it. You sit up straighter on his lap, leaning in to rest your forehead against his and closing your eyes while willing yourself to stop the tears long enough so you can talk.

Bucky doesn't push you, finding comfort in your touch after having missed it for what, in his opinion, is too damn long.

"I’m sorry… I just…" you don't even know how to start to explain it.

Bucky can see you're having a hard time finding the words, so he tries to help by saying "You don’t need to rush it, doll. I don’t want to push you to talk about something you clearly don’t want to... But I’ve just been so worried. You’ve been pushing everyone away, and you don’t sleep and stay at the gym until you almost pass out. You think that I don’t hear you throwing up, but I do. And, even with all your oversized clothes, I can see how much weight you’ve been losing. It’s killing me, baby, I hate to see you like this. I just want to know why." he kisses the side of your head and you're on the verge of tears again.

Trying hard to hold them back, you force yourself to speak. "I heard some people talking about me…" you start, your voice still quiet, and you go on to tell him everything.

The conversation you overheard, the insecurities that it brought to the surface, the issues you had in the past and the struggle you’ve been having the last few weeks.

By the end of it Bucky he doesn't know what to feel. He's enraged, worried sick, sad at how miserable you’ve been. Just to name a few.

But more than anything he's heartbroken at how much you’ve been questioning your relationship with him and his love for you. He's devastated to think that everytime he told you how much he loves you, you doubted him and convinced yourself he was lying.

And the worst part is he has no idea how to change your mind.

Is there anything he can say that you won’t doubt? Anything he can do to show you how much you mean to him? Probably not, but he has to try and make you understand.

Your eyes are still closed, not daring to see the disappointment in Bucky’s face.

"Baby, look at me." he says firmly but gently enough to not make you think he was in any way mad at you.

He waits patiently until you look at him which, after taking a deep breath, you do and only then he continues while taking your face in his hands "There are so many things I want to tell you right now... but I’ll start with I love you, doll. I love you so much it actually hurts. Maybe we got close because you were nice and patient with me, but that’s not why I love you. I love you because you’re kind and smart and strong and dedicated. You can kick ass like no one else and you’re still the sweetest person I’ve ever met. And I’m almost 100, I’ve met a lot of people." he smiles when he finally gets you to giggle, the first real laugh he’s heard from you in weeks.

"You’re compassionate and understanding and loyal and beautiful beyond compare. I fell in love with you because of who you are, not what you look like. But that doesn’t mean I don’t think you’re pretty, I think you’re gorgeous and I love your body. I love everything about you. Every. Single. Thing." he punctuates every word with a kiss to each of your cheeks and then your nose, making you giggle more. "You think I’d ever leave you? I could never even consider being with someone else. God, you were never even supposed to mean this much to me! I was never supposed to fall so hard... But you know what? I did and that’s the truth, and that’s what keeps me holding on because it hurts like hell to let you go."

You're obviously in tears, not being able to look away from Bucky’s eyes even if you wanted because of his hold on your face, not that you're trying that hard to get away.

You have no words to describe the way you feel, not even being sure if you fully believe him. The look on his face, though, makes you want to believe. Makes you want to tell all the voices in your head to fuck off until the only one left is Bucky’s saying all the things he just said, over and over again.

But can you really let go of them that easily?

"You don’t have to carry this by yourself, doll." Bucky can see your internal struggle. "Lean on me. Let me help you make this easier."

There's nothing but sincerity in his eyes, he can't possibly be that good of an actor to be faking it, right?

So you decide to trust him.

You trust him with your life, why can’t you believe that he really loves you? 

You can. You do.

You will...

"Okay…" You’re basically whispering, still a little worried he’s just pretending and is gonna rip the rug from under you any second now. "I love you, so much. And I want to believe you love me… but it may take me a little while to accept that completely. I’m sorry…"

"You don’t need to apologize, baby. It doesn’t matter how much time it takes, I’m here for all of it. I want nothing more than to help you feel better, starting with helping you love yourself as much as I love you." he wipes your tears with his thumbs before he gives you a soft kiss on the lips. "And not worrying what jealous, unimportant, random people think of you. You’re beautiful inside AND out, don’t let anyone ever tell you otherwise. Not even this." He taps the side of your head.

You wrap your arms around his neck and hug him tightly, neither one of you needing to say more at the moment. After a few minutes like this, you’re both done crying and you let go just enough to look at each other.

"Can we go to our room?" you ask him and he nods, letting you get off his lap and then getting up with you.

He doesn’t let you get too far from him while you go to the sink to try and make yourself look decent as he follows you so closely you might think you’re glued to each other.

Your eyes meet in the mirror and he smiles at you, wrapping his arms around your waist, he gives you a kiss on the shoulder before resting his head on it.

You successfully wash off all the makeup you put on for the party, your efforts now ruined by all the crying.

"You’re so pretty." Bucky tells you, his eyes never leaving yours and you smile a real smile this time, turning your head to give him a kiss on the cheek that makes him smile even more.

You get out of the bathroom and you tense up seeing everybody still at the party, your breath hitching in your throat as embarrassment crawls up on you.

You can see the team’s worried looks and the last thing you want right now is to go through the last 40 minutes all over again, in front of everybody.

You just want to go to your room and cuddle up with Bucky, but the super soldier had other plans.

"Can I have everybody’s attention?" you look at him with a frown, but he simply smiled at you and keeps going once the whole room is looking at you two. "It’s been brought to my attention that some of you have some misconceptions about our relationship."

You didn’t tell Bucky who you heard the conversation from, only that it was two agents just in case he might think it was someone on the team, and it almost looks like he's scanning every agent’s face to try and figure out who it was, but he continues nonetheless.

"I’d just like to make it clear for everyone that not only I love this woman more than life itself, but I, and everyone who knows her for that matter, think she’s the best, most caring person I’ve ever met. Not to mention the most attractive, in my ever so humble opinion." he wraps his metal arm around your waist and brings you closer as your face gets redder, and you can see the team chuckling and grinning at Bucky’s possessiveness and your flustered form. "And it’s also absolutely none of your business what happens in our relationship. But, since you’re all here I might as well give you something real to gossip about."

To say you're confused is an understatement. You turn back to him when Bucky’s arm disappear from around you just in time to see him reach into his back pocket, pulling out a ring box and getting down on one knee.

You hear gasps around the room, your own being muffled by your hand in front of your mouth as your eyes grow wide.

"Bucky..." It's barely a whisper to begin with, your hand almost not letting it escape at all.

"Baby, I meant every single thing I’ve said today. I love you so much. I’ve been carrying this around for a couple of months, looking for the right time to do this. But when you started pushing me away I thought maybe you were changing your mind about me. I was terrified and decided to wait, but I realize now if I had done this when I first wanted to, the last few weeks probably wouldn’t have happened. I could’ve saved you so much pain... I don’t know if this is the right time, but I do know that I’ve been ready for a while and right now I honestly can’t think of a better way to show you just how much you really mean to me. So…" he opens the box to reveal a rose gold ring with one big diamond at the center and two smaller ones on each side of it, then he takes your free hand on his. "Doll, will you marry me?"

He can feel you trembling, tears forming in your eyes once more as the whole room seems to hold their breath.

"Yes!" you're finally able to get out and Bucky feels like he can breathe again, happiness spreading throughout his whole body.

You basically throw yourself on him and he catches you with ease, getting up on his feet while you wraps your legs around his waist like a koala.

There's a chorus of cheers, the team immediately gathering around you to congratulate you both.

It feels like too little time when you finally detach from Bucky as he gently put you on the ground before slipping the ring on your finger and kissing it, his eyes never leaving yours, silently telling you he belongs to you and only you.

You’re about to lean in for a kiss when two strong arms pick you up making you squeal, Steve’s laughter in your ear as he says something about finally having a sister-in-law and making everybody laugh.

After a good 15 minutes of hugs left and right, Bucky intervenes.

"Okay, okay, can you please not smother my future wife?" your heart skips a beat when he says that and you're sure you're smiling like an idiot as he makes his way through the team to get to you.

"You know, he actually asked me for my blessing. I told you he cares very much about you." Tony whispers to you while he passes, giving you one last squeeze and a wink before everybody gives you and Bucky a moment.

He wraps his arms around your waist and finally kisses you.

When you pull away you both have big, goofy grins, never wanting this moment to end.

There's no separating you, and now everybody knows it.

Requested taglist: @aesthetic0cherryblossom @buchi91 @sapphirebarnes

[thankskenpenders]

There’s been some discussions on Twitter recently about if Blaze’s dimension is worth keeping around and expanding on or if it should be ignored/merged with Sonic’s world thanks to a Bumblekast clip. What are your thoughts on Blaze’s dimension as a story-telling hurdle/ alternate setting? I personally feel like it wouldn’t make a difference if Blaze was a princess from another dimension or a princess from the other side of the world, it would just be easier for her to show up if she wasn’t from another dimension, but I also think it’s be neat to expand on Blaze’s world as a parallel to Sonic’s.

I think there's a whole cottage industry of Sonic fans who just like to take things Ian says out of context so they can rile people up on Twitter, and the fandom falls for it every time, and it's extremely tiring

But also I think Ian is right

This isn't something I've really shared, but I actually have a document where I've kept ideas for what I would do with a hypothetical modern reboot of Archie Sonic where I'm allowed to start from scratch and change anything I want. (I might share some of this someday, perhaps with some character designs, but for now it's just a thing for me. It's not like I'm gonna do a comic or anything.) For Blaze, I immediately decided that all of the elements from the Sol Dimension should be merged with the regular Mobius. I would just say that Sonic and friends have all their adventures on one hemisphere of the planet, and Blaze is from the other. I mean, the Sol Dimension already has a heavy Australia/Oceania vibe. It'd be really easy. This way, there would still be some level of separation, and Blaze would still have her own territory where she gets to be the main hero, but it'd be WAY easier to actually use those elements. Characters can just show up on whatever part of the planet they need to be on for any given story

For some reason people seem to think that Blaze being from a separate dimension isn't a storytelling hurdle at all, and I really don't know what franchise they're following, because it sure as hell isn't the version of Sonic I know. Yes, in theory it could be as simple as just using a warp ring to hop over to the Sol Dimension whenever. There are ways to write around it. I'd love to see that happen so that we could flesh out Blaze's world some more. Give Blaze some more allies and villains of her own! Give her more to do over there, and more reasons for Sonic and co. to visit! But clearly Sega isn't down with that, considering the Sol Dimension has only ever been in one game and, what, two issues of the IDW comics for maybe ten pages total? Sega's just sitting on it, and it's impossible not to see the fact that it's a whole separate dimension as the reason.

Even if we were getting more stories about traveling to and from the Sol Dimension, it'd still be a hassle. You want to use the Chaotix in a story in the Sol Dimension? Wanna use Marine or Johnny or whoever in a story set on the main world? Well, you'd better think up an airtight excuse for why those characters are traveling between the dimensions and pray that Sega approves of it. And right now that seems to be one hell of an obstacle, given how little we see of the Sol Dimension even though I know damn well Ian and Evan would love to explore it more. It's gotten to the point that Blaze is now on an endless "vacation" on Sonic's Earth so that they can actually use her in stories. People have been acting like merging the worlds would completely take away everything that makes Blaze special as a character, when it would just make all of her personal story stuff infinitely easier to work with than it is right now.

"Oh but what about the Sol Emeralds?" There's no reason the Sol Emeralds couldn't exist on the same planet as the Chaos Emeralds. We've already got other magic rocks like the Time Stones, the Phantom Ruby, and the Warp Topaz. "But what about Eggman Nega?" I could not give less of a shit about what happens to Eggman Nega and Sega doesn't even use him anymore, but also he's already supposed to be from Silver's future, not the Sol Dimension. "But what about the plot of Sonic Rush where the whole point was that they had to stop the worlds from being merged because they thought it was a bad thing?" Yes, because Sonic has always been a series that treated canon as sacred an immutable, and Sega would never do something that contradicted a game from almost 20 years ago

Anyway, all of this is a moot point. It's not like this is going to happen. Ian just brought up the possibility on the BumbleKast as an "if I could change literally anything" type deal. Sega is not going to do this. He is allowed to have his own opinions on Sonic things without fans having to take it personally and scream and cry about it. You don't have to agree with him on everything. I've certainly had points I disagree with him on! It's fine! That's normal! He's only human. Yes, Ian is on the Lore Team, but he's just one voice in the room. He's not even the boss of that team. If Ian could get whatever he wanted, we'd have seen the Freedom Fighters and Sticks by now

[madlori]

I'm asking this to you because you're the only person I know who's been around fandoms for so long — do you find this shipping-situation weird? I've been in many fandoms but I've never really seen this insistence on there being only one acceptable ship for a character and encouraging the idea that anything other than the norm is almost sacrilegious. Almost every big fandom over the years have had multiple conflicting pairings, take for example, Marvel. Even works of media that have a canon romantic pairing have had fans who ship others with the leads (that was what shipping was tbh) and no one has ever shown up to their doorsteps with pitchforks in hand, at least not that I'm aware of. So I guess I'd really like your opinion on why you think this is happening now? Have things always been this way, just not in plain sight? Is this just the new fandom culture that is developing now with the influx of younger people? Or is this fandom an aberration where a group of people are so used to being the majority that they simply aren't taking well to things not going their way?

I've been thinking about this today, and I'm still not sure what I think.

I've been in fandoms with a hugely dominant ship before. I've been in fandoms that had ship wars. I've been in fandoms with a lot of peacefully co-existing ships. I'm not sure this fandom is really all that different. To answer your first question, no, I don't find it all that weird. In fact I sort of expected it.

Let me tell you a story about the Brokeback Mountain fandom, which managed to have a ship war despite having really only one ship, the canon ship. So BBM fic fell into several broad categories, the biggest of which were fix-the-ending/canon divergence fics and the straight-up AU fics (I wrote one of each, lol). Post-canon fics weren't as common, because you had to deal with one half of the canon pairing being...well, dead.

There was a post-canon fic that gained a lot of fans...and when I say "fic" that's really an understatement. It was a SAGA, and I don't use that term lightly. It was a series of like...6 or 7 epic 100K+ word fics and it was over a million words total. The author would put out more than one 5K chapters per DAY. I'm still in awe of this woman's output. But it was the content that created the issue.

(Brief recap for those who have not seen BBM - two ranch hands in the 1960s, Ennis (Heath Ledger) and Jack (Jake Gyllenhaal) spend a season herding sheep together, have sex, form a bond, then separate to go about their expected hetero lives but get together for fishing trips every year or so to have sex and spend time together. Jack wants more, Ennis is terrified. Both marry and have families. Eventually Jack dies in what is implied to be a gay-bashing but who knows, and Ennis makes his peace with the love he'd felt for him)

The saga picked up a couple of years after the film's events. Ennis decides to tentatively explore what being queer means, goes to Laramie, finds a gay bar, and very cautiously enters. Through a Series of Events he gets mixed up in an assault there and befriends a local sheriff's deputy, who is also gay. They begin a relationship.

Now, this series was COMPLEX. A huge cast of characters, a long and thorough evolution of this relationship, a lot of angst over Jack's memory, and it really worked for a LOT of readers. The new love interest she created was a really great character.

For others...it did not work and they hated it.

The animosity between fans who loved this saga and those that did not grew pretty heated. This was like '05 so there was no twitter or tumblr, this was all on LJ and dedicated fandom forums (some of which banned discussion of this fic for this reason), but there was doxxing and namecalling and real vitriol.

I guess my point in all this is that when there's strong feelings, some fans will find a way to be horrible to each other.

I was in the Sherlock fandom, another fandom 98% dominated by one ship. There were other ships, but somehow they seemed to co-exist mostly peacefully barring some snide remarks and rude comments (I could be wrong about this, if you asked someone who shipped a non-Johnlock ship they might have a different answer). No, the insanity in the Sherlock fandom was not ship-war-related.

I was also in the Criminal Minds fandom, which has a whole bunch of disparate ships and no ship wars that I can recall.

Then there are other fandoms, like Avatar, with TERRIBLE ship wars that are still going on.

I don't think the situation in 9-1-1 is as unique or different from other fandom wanks as has sometimes been asserted. I think terrible fandom wars are sort of inevitable, whether they're ship related or not. But for what it's worth, here are some of my thoughts on what's going on here.

A loooooong time (5.5 seasons) with one very dominant non-canonical queer ship. No other ship really ever approached the level of saturation or devotion of Buddie.

A pervasive belief that this ship might possibly become canon. That's a feature a lot of other ships do not have.

A lack of intense devotion to any of the other love interests. BuckTaylor was never a challenger to Buddie. Neither was Eddie and Shannon, or anybody else. It's hard to fight when there's no worthy challenger.

But now? BuckTommy is not only canon, but it has a lot of fans. It's a threat. And it's not only a threat in a feelings kind of way (as in, people like a thing that is not the thing I like and it makes me upset) but there's a perception that it's an ACTUAL threat, as in if people like this ship and promote it, it could cause it to become a permanent relationship (the degree to which fan response actually affects how the show unfolds is...debatable).

I do not personally think this is the case, but some fans strongly believe that Buddie could still happen if it weren't for BuckTommy. So if you're still wanting Buddie and believe it will or could happen, the existence of an alternate love interest represents a direct obstacle to that happening. That's a heck of an incentive to hate that competing ship. I get it.

That...might be a somewhat unique situation. There's a fight now because there's a challenger who might actually stand a chance.

This goes along with what we saw in the immediate aftermath of 7x04. I read someone else say (apologies, I don't know who it was, feel free to @ me if it was you and I'll credit you) that the early post-7x04 enthusiasm and acceptance of Tommy reflected the belief that he was temporary. A lot of folks thought it was just a way for Buck to get with Eddie, like, very soon after that. But the more time went by, the clearer it became that this was not the plan or the intention. So the mood soured for those who were still pulling for Buddie.

Other fandoms I've been in with a hugely dominant ship...Sherlock and X-Files are the two that spring immediately to mind...there was never a challenger with any legs. X-Files fandom wank was between the ship and the...lack of ship, shall we say. But a concrete, tangible "opponent" makes a fight so much more visceral, doesn't it?

I do think there's been a fandom shift towards needing ships to be canon that I don't really get, but it's there. There's been a lot written about fandom culture in the last ten years, the breakdown of boundaries between fans and creators, the access to those creators, a sense of ownership/entitlement, purity culture, obsession with shipping "correctly" (which leads into wanting things to be canon for the validation)...these are all newish features. So pile that on top of 9-1-1 having a longtime single ship that's legitimately threatened for the first time in its existence by a competing canon ship and it's kind of a powderkeg.

No wonder it's caught on fire.

[alexa-fika]

UR WRITING AMAZING MATEE

Pls do more of Rayleigh and shakky those story u posted heal my childhood, they r like the type of parents I wish I had.

Thank you so much for ur work and ofc u don’t gotta do this if u don’t wanna or don’t do requests but thanks have a good one :)

Special Treasure (Rayleigh x gn!child!reader x Shakky)

A/N: YALL I HAVE COME BACK WITH A COOK AM I WRONG OR AM I RIGHT?? Toothroting, cavity inducing heart stopping cuteness ahead

Dividers by @/saradika

“Reader, where were you? Rayleigh questions as he sees his grandchild coming into the bar on top of Millo, their usual Smiledon Companion covered in dirt and grass, his wife in front of him preparing drinks, glancing at the child questioningly

“Outside!”

Rayleigh smiled softly as he approached the child, kneeling down slightly to meet them. Grabbing them from the large feline and putting them on their hip

“What were you doing outside?”

“Causing trouble, I bet?” pipes in Shakky

“We were exploring.”

“Mm, of course,” Rayleigh raises his brow at his wife, who nods along knowingly.

“Exploring, eh?” The white-haired man asks with a sly smirk

“Where were you exploring?”

They stay silent, playing with their grandfathers hair, trying to evade their gaze as they shrug

“Hm,” Rayleigh muttered

He then raises his eyebrows.

“You think I'm going to get mad?” his voice was light yet stern

“Yeah,” they say, hiding their face into their neck and continuing to play with his hair

Rayleigh chuckles, rubbing their head with one hand as he speaks to them.

“Well, I'm not...I know how it is. Being young and curious.”

“But you should never go off without telling someone where you're going.."

“But I went with Millo!” They exclaim, pulling their head out and gesturing at the large feline

“I mean a proper person,” Rayleigh chuckles,

“Millo, doesn’t count”

The toothed cat lets out a small indignant yowl at his comment, Reader reacting similarly with an offended gasp

Rayleigh scoffed at the cat's reaction, finding it amusing.

“There, there, Millo, you'll live.” Shakky Laughs.

“You're lucky you're adorable, isn't that right?” he said, looking at the cat.

“You're being mean to Millo Grandpa!”

“Now, Now both of you know I didn’t mean it like that,” Rayleigh says with a frown,

“but you need to understand it makes your gramps and gran worry, alright? You're our treasure, you know?”

“Im sorry,”

Shakky smiles, opening her arms for Rayleigh to pass them to her, he smiles obliging her silent request

“Come here” she says taking a hold of them

“We’re not mad, As we said, you are really important, and we simply worry, there are dangerous and gross people not far from here.”

“I just wanted to explore a little, but I didn’t mean to go far. “

Rayleigh scoffs and pulls the child into his arms, planting several kisses upon their cheek,

“It's fine... Just let me know next time where you are exploring; I know you're more than capable on your own, but still, I'd like to have an idea of where to look for you."

“Oke”

“Now that we got that out of the way, what were you doing that got you covered in dirt?”

They shuffle in their grandmother's arms, digging something from their small backpack

“I was getting you guys flowers!” They exclaim, pulling said plants out and handing two roughly arrays of flowers

Rayleigh’s face breaks out into a smile,

“For Us, you brought us flowers?”

They nod excitedly handing them the mix-match bouquet of flowers

The elderly couple exchange a look before embracing the child, who is now buried within the confines of their affection.

What do we think? Originally I thought it was missing something but I re-read it and I really like it, what are our thoughts? Im going to try the Dokusha reader for a test run, btw it’s about a certain lazy ice lord 👀. Im editing it right now maybe even a second part today if yall like it?

Taglist:

@imaginarydreams

@amethystviolin

@h0n3y-l3m0n05