#i don't even remember her getting it

[journal-three]

murder drones is good

[claraoswalds]

The sky's a burnt orange, with the Citadel enclosed in a mighty glass dome, shining under the twin suns. Beyond that, the mountains go on forever. Slopes of deep red grass, capped with snow.

The Legend of Ruby Sunday // The Sound of Drums

[dailyloopdeloop]

loop and mirabelle. That's it that's the ask

DAY 84: enrolled in the gossip wars

[ineed-to-sleep]

So I've had this wip sitting in my folders for months now and decided to ressurect it to satiate the urge to draw these two again

[coffeeworldsasaki]

Another thing that makes kaladin so painfully relatable is how much his mental illness hides his personality, because between depressive episodes and trauma he's this sarcastic little shit that smiles a lot at his friends and then the depression gets to him and all that disappears

[feroluce]

Me: I wonder what Hook calls Sampo in the Japanese dub? Probably oji-san, since it's shushu in the original Chinese?

Hook: Sampo-ojichan!!

Oji is "uncle," which is hilarious because Hook calls Natasha by "older sister" when she wants something. So Hook either just really wants to get on Natasha's good side, or she takes Sampo at face value when he refers to himself as an old man. She trusts him a lot and takes him at his word and she calls him as such!

And Sampo calls Hook either ojou-san or oujo-san (I can't find the Japanese sub to see the spelling, and I can't tell them apart by ear)!

One spelling, oujo, means "princess," it's how you would refer to royalty. The other, ojou, (which I assume is what he's actually saying) is something you call the young lady of a high-class family with a high social standing. In Genshin Impact, the intro scene for a popular ship, chilumi, shows Childe calling Lumine ojou-chan, which the English dub translated as "girlie." Since Sampo uses -san instead of -chan, his is more formal and respectful, it's more like "young lady."

...It's also how you would refer to the daughter of a yakuza leader, which I love, since Hook leads her own little gang (the Moles) skzhkskdkd

But it really gets me in the heart, because! Hook is generally looked at as a delinquent by most adults. Which I mean. Not without good reason, she

calls Natasha an old witch

frequently sneaks out into the Fragmentum

has left graffiti all over the side of the orphanage

was constantly picking fights with other kids

beat a man unconscious for stealing from her dad

and has already picked up on how business gets done in the Underworld, and uses/actively participates in it to get what she wants- she basically acts an information broker

like Hook earns her reputation haha. The Underground is lucky that what Hook wants is just like. Candy and toys and to play hide-and-seek. I'm sure she'll have the capability to raise all kinds of hell and be more like an actual gang leader when she's older, even if she chooses not to act on it.

So Sampo calling her so politely and respectfully is really sweet and cute! Yes, he's polite and respectful with everyone, but that's just it- he treats Hook much like he does everyone else. He doesn't tell her to buzz off because she's a kid. He doesn't lie or try to cheat her or assume she's naive because of her age. He never talks down to her. He really does just treat her like a respected business partner and he takes her seriously, which Hook really seems to appreciate. And even when Sampo does treat her like a kid, it's not in a negative way; he guides her on little adventures and chats with her and takes her for joy rides on his moped. All of which Hook also really appreciates, since everyone else is too busy trying to get by to make time to play with her. She absolutely adores him.

I hope they officially join forces someday and terrorize all of Belobog with their shenanigans JSKJZNDKSJ

So Hook calls Sampo "Uncle Sampo" in a particularly affectionate/endeared tone, and Sampo calls Hook "Young Miss Hook" in a very respectful tone! And to reiterate:

[wonder-worker]

Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.

[flickeringflame216]

blessings roll call!!!

[ambrosiagourmet]

I haven't thought about pacific rim for so very long but drift compatible Laios & Marcille is gonna make me lose it

[moonlit-orchid]

These two lines in the movie make me the most mentally unwell.

"I should have been the one to go. You needed your mother more than you needed me."

The amount of layers to this, oh my god. He's blaming himself for being alive. He probably wants to die. He genuinely thinks Adrian needs Emilie more.

And it's been YEARS since Emilie's passed away. Look how tiny Adrian is over there, he only just about comes about the bedpost. Gabriel still looks like he did in the pictures of when Adrian was little. It's been literal years. It could have literally been a full decade ago.

And Gabriel breaks the narrative here. He's supposed to be telling a story, he's supposed to be saying what happened in the past. But at this point, he doesn't say "your mother was taken from us" or anything like that referencing Emilie's passing. The story breaks, he's using a statement. I should have been the one to go. It's completely out of the story, because he isn't saying what he felt then, there's no "I felt like I should have been the one to go". It's just "I should have been."

Because he still thinks this. It's been about a decade, and his opinion, his feelings about this, is still "I should have died". It interrupts his storytelling because of how strongly he feels this way, almost like it's a fact to him.

And then he follows it with "You needed your mother more than you needed me." Again, he says this like it's a fact, like Adrian actually did need his mother more. Because he believes it himself. And this could be because of so many things. It could be because of the way people consider the mother to be the one supposed to care for the children much more than the father, or it could be that Gabriel himself didn't see how much Adrian needed him, or even that Gabriel didn't see himself as useful to Adrian. Especially because he said he should have been the one to die. He's essentially saying he was useless. That he was expendable but Emilie wasn't. He literally is implying he doesn't see any worth in himself regarding being a father.

And then it's not just his grief, it's Adrian's grief that has him desperate to bring Emilie back. He literally doesn't care about himself, he wants his son to be happy and doesn't see himself as able to do that. He loves him to the point of being suicidal and self-sacrificing if it would give Adrian what he need, all while simultaneously not seeing himself as what Adrian needs because he doesn't think he has that much worth regarding him.

[thepoisonroom]

'I flirted with the idea that instead of being trans that I was just a cross-dresser (a quirk, I thought, that could be quietly folded into an otherwise average life) and that my dysphoria was sexual in nature, and sexual only. And if my feelings were only sexual, then, I wondered, perhaps I wasn’t actually trans.

I had read about a book called The Man Who Would Be Queen, by a Northwestern University professor who believed that transwomen who were attracted to women were really confused fetishists, they wanted to be women to satisfy an autogynephilia. And though I first read about this book in the context of its debunkment and disparagement, I thought about the electricity of slipping on those tights, zipping up those boots, and a stream of guilt followed. Maybe this professor was right, and maybe I was only a fetishist. Not trans, just a misguided boy.

About a year later, on the Internet, I come across a transwoman who added a unique message to the crowd refuting this professor. Oh, I wish I remember who this woman was, and I wish even more that I could do better than paraphrase her, but I remember her saying something like this: “Well, of course I feel sexy putting on women’s clothing and having a woman’s body. If you feel comfortable in your body for the first time, won’t that probably mean it’ll be the first time you feel comfortable, too, with delighting in your body as a sexual thing?”'

-Casey Plett, Consciousness

[starry-bi-sky]

i have... ✨Danyal Al Ghul Headcanons✨ but specifically for my yaelokre danyal oneshot

There's also the tumblr post here but I recommend the link in the title because its the ao3 version, and that one is edited and has some stuff in it that's not in the tumblr post, and will be the version I'm using.

So for summary: this Danyal is also from a Demon Siblings Au where Danny is five years older than Damian. However, things turned out a bit differently, and Danny and Damian had a fantastic relationship with one another. Danny loved music and regularly came up with songs to sing to Damian with. Specifically the folk band Yaelokre's EP "Hayfields" (seriously go fucking listen to it its sooo good. Harpy Hare is the second song but its my favorite. Special shoutout to @gascansposts for introducing the band to me)

He falls off a train when he's twelve and Damian is seven while the two of them and Talia are on mission. He ends up with magically induced amnesia and wakes up in Arkansas while the Fentons are on their yearly Divorce-iversary visit to Aunt Alica, and since he can only remember his name, he ends up being taken into their care.

---------------

Yaelokre Danny has the same facial scar as Things in Threes Danyal, since he was initially another version of him where things turned out better. I'm debating on whether or not I should take it away however, and give him a different scar (maybe from when he fell off the train?), just because the scar is a pretty key identifier for Ti3 Danyal.

-----------------

Danny frequently visits Aunt Alicia in Arkansas! Well, only after he gets settled in and stuff. He doesn't really like the city that much and prefers the countryside where Alicia lives. I know she lives in a cabin but I'm changing it to a farm, so she puts Danny to work and gets him to help her.

I don't want to confine his hobbies to only being star stuff, because people tend to have more than one hobby and I feel like it reduces him to one-dimensionality, so he likes to garden, and learns guitar. His room becomes filled with plants, and he turns their roof into a rooftop greenhouse right below to OPS Center.

He has a complex relationship with the weapons from his past, but he's not... like... appalled by it? When he finds his weapons in the Fenton attic all he thinks is that they're his weapons, and he starts carrying a knife on him afterwards. Essentially he becomes fascinated with weaponry because its one of the few physical ties he has to his past, and while he's not training like he is in the League, he allows his strong muscle memory to guide him through his katas.

Danny likes climbing things. This causes Problems For Everyone Else.

----------------

Danny was not the "kinder Al Ghul" in the League. His kindness extended to his brother and family, and that's it. To everyone else he had high expectations out of them, and the pride you'd expect from the grandson of Ra's Al Ghul and trained by its top members. While he wasn't like, unnecessarily cruel or anything, he wasn't merciful either.

This transfers post-train fall as him coming off as no-nonsense and unforgiving. He's not fond of the idea of giving people second chances, and is skeptical of the idea. He's disgusted by incompetency and views it as an unforgivable offense, especially if he thinks that the person should know better, although he's not sure why. Some egocentrism for the soul.

He doesn't like being touched by anyone who isn't family, and gets irritated when anyone grabs him or holds onto him for extended amounts of time. Dash has gotten hit so many times. With Jack Fenton's tendency for abrupt physical affection, it doesn't make it any better. I'd argue it'd make it worse because Danny doesn't want to be touched more often than not.

------------------

Danyal had a red scarf in the League that he wore on his last mission, it came off before he fell off and caught itself on the roof. Damian still has it and took it with him to Wayne Manor. He's got it locked in his room and takes it out when he's alone and missing Danny the most. One time he forgot to put it away before leaving his room, and Dick was visiting the manor for something and found it. Damian found him holding it and freaked out.

Dick could only say "I've never seen you wear this, Damian, this is really pretty--" before Damian shoved him to the floor and stole it out of his hands, before screaming at him; "Don't touch this! You don't ever touch this! This is mine! You hear me!?"

It caused such a commotion that the rest of the family present came to see what the fuss was about, and Damian kicked them all out of his room. Dick is the one brother Damian's the closest with, so the fact he reacted so strongly shocked them all.

This is likely what leads to the "Danyal" conversation.

[b4kuch1n]

yay! I drew these quite literally three years ago. dragonheart!milo and raihan! a knight on a doomed dragon hunt being lifted out of his station by a small village medicine man. together they become magic lawyers and overthrow the government

the main details in these do survive into the iterations I’ve drawn (instead of these actual designs I spent time to make el oh el): the “leaf” diamond quilt/gambeson and the plaited coattail for milo, the “atypical” weapons, long coat, and large number of scattered fake gold trims and accessories for raihan. I think I lost raihan the hat and added a cape for milo further down the line because like this their general silhouettes are too similar for my liking lol

[hydrachea]

Yknow I was also thinking... if Neuvi were to ask Furina to become immortal again for his sake, she might actually say yes. Which is exactly WHY he'd never ask her to do so, because as much as he dreads her inevitable absence, he won't condemn her to that fate again

You got it. Because when she took on that curse half a millennium ago, it was also a request she agreed to. For the sake of all of Fontaine and not just the sake of Focalors, but it's still all too similar. Even if she said yes to him because she actually wants it then, who's to say she'll always want it? Who's to say the decades, the centuries won't weigh heavier and heavier as they pass, just like before? Who's to say she won't have to ask him to make her mortal again? And that would be even more painful than simply letting her go when she's meant to. So instead he'll treasure the time she has, that she's more than earned, and he'll do everything he can for her to treasure it too.

[s-aint-elmo]

no thoughts head empty the oppressive stagnancy of legacy in ever after high dragging me round the block yet again

it's such a shame that we get so little explanation about the actual mechanics of destiny, which is the entire premise of the show, bc it's so juicy. like what power does destiny hold when you rip away milton's lies and centuries of assumptions and traditions. esp bc despite raven signing herself as the evil queen in the real storybook of legends, when the snow white fairytale actually happens in dragon games she's playing one of the seven dwarves and her mother has reprised her role. like how much of that was because of the characters' actions and how much was destiny pulling on old, familiar threads. keeps me up at night.

a lot of this is probably just like, plot holes and writer hot potato but i like making it that deep, that's half of the fun. my personal interpretation is that fate is a wild thing that desires repetition and they developed the system of fairytale legacy bloodlines to keep those repetitions predictable and contained, instead of wreaking havoc whenever and wherever they please. 

which lends itself to some really juicy exploration of how legacy is a duty as much as it is a privilege, and how to be a princess or a witch or a hero or a dragon is to be the same thing in the end: the lamb destiny slaughters on the altar to sate the ever-ravenous narrative. to keep the flock safe. keep the unknown that prowls beyond the beaten path at bay. because if a there is always a mother who will be cruel, or a maiden who will fall into a sleep like death, or a child who will become a bird, isn’t it better to know who, and how, and when? isn’t better if it’s you, who has known your whole life that you must be eaten, be poisoned, be stripped of your humanity, rather than anybody else, who wasn’t raised to see it as an honour instead of a great and terrible injustice?

[chiropteracupola]

Nuestra señora.