#i don't know it's hard to put into words

[sankatsuka]

Backlit Lens Flare and CYBERPUNK DEAD BOY Discussion - Reigniting The Passion Lost to Peer Pressure

Everyone wants to have a place to belong, where the hard work we pour into the things we love will be seen and appreciated by people. But what happens when you decide you will never find this place and resign yourself to a life of solitude, only to be proven wrong by a group of people who insist on your wholehearted hard work? And it only later dawns on you that you will someday have to part ways and you will lose the miraculous place you finally found.

This is what I like to think Rui Kamishiro encapsulates - the battle between being yourself and wanting a place to belong. How easy it is to get swayed from what you love when you think you've found this place and start to subconsciously dedicate your passion to this place instead, to the point that if you're not aware enough, you can forget the feelings in your original passion (resulting in the hesitation and doubt in Curtain Call). After all, nobody is the same, and if you focus too much of your passion on them, that passion becomes about them and not yourself. Ultimately, it is how not acknowledging a healthy boundary with people who are different from you can affect your passion (Shiho as a character is very integral to this).

Warnings:

I believe the entire WxS plot is meant to be misdirection.

Personal interpretation of Rui and several characters by inferring from text.

I believe Rui is a flawed person with no bad intentions, so there will be criticism of his character here. I really suggest turning away if it upsets you.

Spoilers for all WxS unit stories up till Backlit Lens Flare (as well as for Saki, Shiho, Akito, Mafuyu and Mizuki's characters up to their most recent stories)

Edit (11/2/2024): Made multiple edits as always, but biggest change is talking more about the foils in CYBERPUNK DEAD BOY and Kitty's message. Edit (12/2/2024): Compulsory mention of Rui's mom and how he was set up for failure from way back then. Edit (12/2/2024): Expansion on the parallels between Rui and Mafuyu - what it is that makes them the CYBERPUNK DEAD BOY and Jackpot Sad Girl. And a summary on how three commission parallels supports this interpretation of CYBERPUNK DEAD BOY about Rui's characters. Edit (13/2/2024): Lets add a bit more about how Resonate with You criticizes Rui's actions in Curtain Call. AND MANJI ALSO BEING A SLANG MEANING EXCITEMENT, STILL APPLIES TO TSUKASA IDC!!

Rui's character in the story starts off as someone who has thrown the part of himself who wants to have fun making things with people after being repeatedly let down by them. The early times with Wonderlands x Showtime helped him remember that desire from childhood to find a place that accepts that desire, that he criticizes Tsukasa for not appreciating WxS - for not realizing the best shows can't be accomplished without friends.

"--The best shows can't be done alone."

Following the fallout, Tsukasa and WxS' continued insistence and appreciation of him makes him start to see them as a place he can finally belong to. The place he's searched for for so long since childhood. That when he saw Tsukasa get hurt, he became swayed from doing the things he wanted to do for the first time and he hadn't even noticed it - because Tsukasa might leave him like his classmates had, so he has to hold back so as to not disappoint him further. This resulted in Tsukasa and Ruis second argument, with Tsukasa being angry at Rui for lying and holding back - which I later argue is the exact same feelings in his FUZAKERUNA in CYBERPUNK DEAD BOY.

"This is surprising. I didn't think I'd ever feel this way." "Being afraid of losing your place, and then being unable to face the actors who seriously respond to you - this is a failing as a director."

However, this entire ordeal ended in Rui acknowledging his weakness, putting the whole deal behind them and moving on with the show, as KAITO advised. (Spoiler: it isn't weird at all to say that this happens again, with how he deals with it so indifferently like this.)

And then in Curtain Call, he becomes painfully aware that everyone may leave someday for their dreams--

"Someday, the day we will have to depart will come... For both me, and everyone."

Doesn't this just seem like a repeat of Halloween in a different way? He's scared they'll all leave him alone. One can say that Curtain Call ignited the exact same fear of being left alone and losing your place that Rui felt in Halloween - and his reaction feels exactly the same too: acknowledge it, put it behind you and move on to doing what is best for the best shows. After all, Rui lives for the best shows, because it is what makes him most happy - albeit Backlit Lens Flare suggests how he doesn't actually fully remember the joy and passion for shows he had as a child (discussed later). The best way to put it is - Rui feels like a walking corpse of his childhood.

Normally, when you realize this possibility of parting in the future, you talk to your friends about this (see: Saki Focus 3, Get Over It). But Rui refrains from talking to the people he should be talking to (WxS) and proceeds to go for the most obvious decision for his dream by joining Arklands. Only after Asahi turns him away does he go for the next obvious option he sees - the reckless decision that he would do everything in his power to achieve everyone's dreams together. And he can so confidently chase it because he's smart, only to be put down in Backlit Lens Flare lol.

Rui has really just been powering his way through the things he finds unpleasant, as KAITO had told him to in Halloween, ignoring the bad parts and doing everything for the sake for the best shows. You can really, really argue that KAITO's advice in Halloween seems very, very morally ambiguous now lol. He doesn't think ahead of what is the best choice and what would make him happiest - it's as if he's avoiding the very line of thought of how he would do post-WxS. Compared to Shiho in Focus 1, 'Resonate With You', who shows how she has thought it through and is happy enough just spending time with Leo/need for leisure - Rui doesn't even reach this line of thought of what happens next.

I think that he avoids thinking properly about these stuff because he wouldn't have a proper answer to it. Can he really trust Asahi when many other people have disappointed him after showing some interest before this? On the other hand, he's argued with Tsukasa twice and everyone is still enthusiastic - WxS is the only place he's ever felt secure.

"There were a few people who saw my ideas and said, 'it would be interesting if we could do it'." "But even those people gradually became reluctant with the more new ideas I brought to them."

It may generally be underestimated in the story just how much Rui doesn't inherently trust people and actors.

Even CYBERPUNK DEAD BOY begins with 'Nobody's listening anyway. Music's all just fashion, players leaving the field after devouring dead sounds one night.' which can be interpreted as people who became reluctant after they spent too long around Rui as he says to KAITO above, innit.

And then, Backlit Lens Flare happens and Rui encounters ??? (Sakaki). Sakaki immediately identifies the problem with Bakuno's acting, pinpointing it to the directors instead of the actor. Rui was not able to.

Remember, the freelance option isn't permanent - there's the possibility someone may be recruited away (It's a story for another day that he is only really worried about Tsukasa instead of the whole WxS but doesn't realize this). Rui paying attention to their growths first of all before his own is testament to how he's trying to make sure they quickly grow so they can achieve their dreams together:

"...It seems it became good stimulation for both of them right away." "...I also need to more proactively study from this opportunity."

So even now, Rui is more worried about WxS over himself. He prioritizes making sure they are getting something out of the freelancing gig over himself. Only after watching them was he stimulated to do his best too - and here comes the question, where did his drive to be proactive for his own passion go to?

Sakaki's ingenuity finally pops this question to Rui's mind. Had Rui's brain not been filled with the worry of losing his place, he may have been able to think more clearly and just as quickly reach the same conclusion as Sakaki. If he had been filled with thoughts of what was satisfying for himself instead of how he could stay with everyone, he may have been able to create a much better film (see: Shiho Focus 3, Stick to Your Faith). In fact, why is he even so bothered about falling behind Sakaki, when Rui isn't even an adult or a professional director himself?

It's not normal to be bothered about that: Nene was never hard on herself for not being as good as Kazamatsuri, because it's a given she's far away. But she does get upset with herself when she realizes she had looked down on Sakurako and naively seen her as an equal. You only react that way with people you see as equals if you're secure.

Perhaps, the passionate person Rui used to be would have admired Sakaki and want to learn from him out of a pure love for shows instead. And not be so bothered about how he was falling behind professionals.

We see Rui fail twice in the story: not figuring out the problem with the scene, and not thinking ahead of personalizing the script like Ohara had. (There is a third time too: how Tsukasa and WxS seem so moved by Bakuno's performance that Rui played no part in - meaning there are others who could easily replace him - if the emotions in this discussion hold true). And it's no wonder it would have him start questioning and blaming his obsession with WxS for it - if he had not been preoccupied with them, he may have avoided his failures altogether, and even if he did, he wouldn't have been this upset.

It's like a hit to his ego. Is how he's acting and behaving really the same boy who loved shows and would do anything for a show that would satisfy him?

Right now, it's as if Rui is trying hard to protect his position as a talented genius that surpasses everyone so WxS will need him for their dreams and want him around. No one can replace him; only he can achieve their dreams for them.

But Sakaki and Ohara prove him wrong.

The closing lines of Backlit Lens Flare, where he focuses on his own feelings towards directing instead of anything WxS learned, implies this self-realization of how he had been behaving. Rui is finally focused on himself.

"I'm disappointed that I didnt come up with this method, but strangely enough, I feel refreshed." "Directing... really is interesting."

FIRST UP. WHY DID YOU NEED TO COME UP WITH THE METHOD. SECONDLY, WHY ARE YOU REFRESHED. It makes sense to me as someone who's been carried away a lot: when you realize you lost sight of your original intentions and began worrying more about so many unnecessary things, you feel bitter at your mistake but relieved and refreshed you've finally been woken up.

To me, all of these feel like they're pointing to Rui being afraid of losing his place in WxS. So he has to be capable of solving everything, achieving everyone's dreams, so they will need him for it and they can keep staying this way. Before this, it seemed like a normal human emotion he had just never experienced before, but now, it's starting to show it's actually detrimenting his passion.

This is what I believe the theme of trends are playing into in CYBERPUNK DEAD BOY - doing anything you can to make sure there will be people to hear and appreciate your music, and the spite in realizing you've lost yourself in that pursuit. Money is the artificial love you receive by catering to people so they would stay and listen to you. It's heartless, but following his character, it seems the crowd he's referring to is WxS. Because they have their strong individualistic dreams and just won't simply stay with him as he wants them to, he has to keep worrying about keeping up with them (Tsukasa mainly):

But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.

Loners=Rui Manji (a sign of good things to come)=Tsukasa (being surrounded by good luck charms; kanji 天 being associated with heaven; inviting Rui to WxS) (edit: manji is also a slang for excitement, which Tsukasa literally is for Rui) Gen Z=Nene (digital age, playing video games) Monkey=Emu (in Rui's picnic card and Emu in Sky's Edge)

(In NY2, Emu ended up drawing tons of big luck omikuji, and Tsukasa is surrounded by monkeys in Island Panic - so you can suggest their roles are reversed. But the robot monkey Tsukasa in picnic suggests Tsukasa isn't a real monkey.)

Curtain Call and Backlit Lens Flare together show how not addressing and expressing fears properly and simply moving on changes nothing. Self-awareness and powering through is useless advice - anyone who's had troubles with lovers, friends and family know you need to talk and accomodate each other. Or not, is it even feeling loved and cared anymore, isn't it just about control then?

In Resonate with You, Shiho makes Leo/need think through their choice to join her into becoming a professional, rather than accepting them right off the bat. She knows from her prior experience working with people that half-hearted musicians would only fail, suffer and drop out. It is only by Leo/need wholeheartedly declaring their intentions of facing music sincerely and seriously that Shiho is convinced that they can all do it together for sure. This is such a contrast to Rui in Curtain Call where he decides on his own that he will find a way for WxS to achieve their dream together, while barely thinking at all. And he winds up focusing so much on making sure WxS stays together. You need to think it through, face the future seriously and talk properly. NOT JUST LEAVE IT THERE!!

Or else you'll lose sight of your original motivation from focusing too much on things that don't really matter as much to you: you'll just end up half-hearted.

Further proof that Backlit Lens Flare is Rui's realization of his half-heartedness since Curtain Call, is that Tsukasa gets angry at him in CYBERPUNK DEAD BOY like he does in Halloween. It isn't even a desperate shout to save someone - it's like a look of pure judgmental disappointment, as if they've been through this already. Stop lying.

He already shouted in anger in Halloween. If that didn't reach Rui, then there was no point in being all angry anymore.

Rui was repeating Halloween, trying so hard to protect the place he belongs to and forgot what he himself truly wants. From there, the lyrics in the entire CYBERPUNK DEAD BOY are self-explanatory: what happened to the things you wanted to sing? (I was so happy with the lyrics because it was exactly what I was thinking in Curtain Call but no one seemed to care).

One thing you can never take away from Rui is that he is a very, very passionate guy. He loves what he does that he would spend every waking hour of his day working on it. Even if he's become a shell of his former self, his body is still naturally drawn to shows (Samsa Kanade reference heh). And Rui himself believes himself to be purely passionate too. So when he realizes that passion has been thoroughly dirtied, it makes sense he's as angry as he is in CYBERPUNK DEAD BOY.

In Anni 2, Rui says he didn't know what he wanted to do like Mafuyu, but then he corrects himself to say he THOUGHT he knew.

"Actually, in the past, I didn't know what I wanted to do." "No... I should say that I thought I knew, but I actually didn't know at all."

For a brief moment, Rui thought he was just like Mafuyu with nothing to call his own. Until he quickly remembers that he did indeed have something he wanted to do, but claims to have been mistaken.

Why did you briefly relate to a girl who felt like she had nothing she wanted to do like everyone else, if that isn't a sign of his current state of mind - feeling like he has no dreams like WxS, and having to keep up with them so that he can feel like he belongs (discussed later in the parallels with Cinema). His lost passion became more evident at this point of the story.

If you 'thought you knew', then that means it was once a genuine feeling too. Even if you're alone, doing what you love is still fun - Shiho in her Focus 3, 'That Day, The Sky Was Far Away' demonstrates this. Although she had been let down by the bandmates, she was still fine alone because music made her feel better. And she even inspired Mihane because of her enthusiasm. After all, what you love to do should make you happy to some extent.

In comparison, Rui seems to have forgotten that shows were actually fun in middle school (probably because Stick to Your Faith never happened for him). When he approached Mizuki, he was standoffish and didn't think to introduce Mizuki to the fun of shows even when they expressed some interest in it. Probably because he couldn't even remember it himself. But being able to make that decision suggests he did still have some semblance of emotions that felt like shows were fun. Once again, a walking corpse of his chiildhood.

In the end, it's like he already lost this original joy for shows since middle school, and then grew even more confused about what made him happiest with the new joy he experienced after finding a place in WxS. He hasn't been able to wholeheartedly enjoy his passion because he's been continuously rejected, and he thought he was having fun when WxS accepted him - but in the end, that fun was from finally finding a place.

Update: Tetrad gives more implications of how Rui had gone astray post-Curtain Call. Tsukasa and Rui sing together, "We're facing the same direction", but Rui appears troubled. It's like Rui can't declare that he is chasing his dreams as confidently as the rest of WxS. Deep down, a part of him probably knew this even before Backlit Lens Flare happened but was afraid of facing it.

I would further go on to associate CYBERPUNK DEAD BOY to both Kitty and Cinema which its imagery resembles. The card set takes place in Shibuya where Kitty takes place in, and Cinema uses the same director's cut + Tsukasa's trained card directly mentions Cinema on the billboard.

There's also the naming that is clearly based on Jackpot Sad Girl - which I think just goes to highlight how both Rui and Mafuyu have the power through it mindset that it lands them dead and sad respectively: people need to reconcile their differences with others to truly love and feel alive (Rui) and people can't endure stress for too long without getting depressed (Mafuyu). Both ignored their human needs and thus this is where they wound up.

The parallel with Kitty feels like it's also within the overall messaging - how facing things can lead to losing yourself even more when you aren't mentally prepared and have no clear-cut answer (sounds similar to what Rui carelessly did in Curtain Call, doesn't it?). In Mafuyu's case, she seemed about ready to change herself again to please her mother, and in Mizuki's case, opening up to Niigo would make them more sensitive to what they say and probably even change themselves so as to not be left alone. Mizuki has even expressed this sentiment once by dressing as a boy in middle school, when they already knew they loved cute things since childhood and was even reaffirmed by their sister.

In Our Survival and Escape, the point is made that it's BECAUSE Mizuki never opened up to Niigo that they were able to protect their heart. Compare this to Rui, who bore everything about himself to WxS by not holding back with his performances and past and thus gained their unconditional acceptance. As a result, he becomes swayed by them when he realizes that things would come to an end and becomes preoccupied with stopping it even at the cost of himself - his passion. If Mizuki had similarly put their utmost trust in Niigo like this, it wouldn't be surprising either if they quickly get swayed to stop expressing themselves too if one of them ever expressed dismay (hinting that they would leave).

Thus, in order to find the answer to real love, you have to protect your heart first, even if it means running away and distancing yourself from others (Kitty). But unlike Mizuki, Rui was taught from childhood to simply not care about what people say, so he has never been aware of just how much words can affect you (compare the advice Mizuki's sister and Rui's mom gave them: completely different). This winds him up in CYBERPUNK DEAD BOY, where he's unknowingly adjusting himself for WxS to not leave him.

As for Cinema, both songs capture how Akito and Rui's struggles and fears at the time feel like the exact same - being left behind and losing your place because you weren't enough, to the point of losing who you really are (Akito pushing himself to be passionate to match everyone else, Rui falling into the trap of peer pressure to match everyone else. What they envy in 'everyone else' is how they want things that Akito and Rui don't feel like they really care about and view as meaningless. But in truth, they don't care about it only because they're more concerned about belonging - they've always had it deep down in them.).

But in Akito's case, VIVID BAD SQUAD directly reaches out for him when he pushes himself far too much and forces himself to suffer to make up for his lack of talent. That's why Akito is reassured that even at his weakest and most pathetic, there will be people there who refuse to leave him alone. So Cinema feels like Akito freely lamenting on how he's different from the people, that he can't keep up with them, but with VBS by his side, he feels like it's fine to find and pursue who he truly is.

On the other hand, CYBERPUNK DEAD BOY feels like Rui's suppressed spite from having to keep up with WxS in order to not be left alone. Because everyone else will betray him, it has to be and can only be WxS who've endured him until now. It's the first time he found people who would stay, so he's desperate not to lose them that he would subconsciously change himself so he can keep matching their needs. And the realization makes him spiteful, because he's lost what was fun for him from that need to change for others to stay. And he's left to stay lost to the very end, because the only way right now for him to be himself and stop worrying is by others matching him instead, but there is no way to 100% control people - compared to Akito who found his answer by coming to terms with the impossibility to control yourself to be someone else. Because VBS was there to accept him as he was when he was trying so hard to be someone else.

Rui will probably eventually realize he has to just accept he's lost his passion from the fear of being alone and stop lamenting controlling everything around him, once he gets tired of it and reaches his limit like Akito in Stray Bad Dogs.

Suddenly everyone started up onto a nonsense scenario (Whatever you do, wherever you look, there's a traffic of influencers.)

It's just like a movie, exactly like a movie. (But still, here, there, everywhere, loners, manji, Gen Z, even monkeys want it.)

No matter where you go, there's a story. (Just give me a punchline, its meaning can be whatever.)

Cinema and CYBERPUNK DEAD BOY are like the perspectives of two boys who feel like outsiders to the world, but one is actively trying change himself to belong somewhere and the other finds himself suddenly facing peer pressure when he used to not care about belonging somewhere. It's even contrasted in Akito's customer service front and Rui's indifference to school terrorism that they are foils of one another in a society. And probably why Akito hates Rui too - for taking any means necessary to achieve what he wants without a care for people, when Akito has spent his life working hard to be equals to people in order to belong.

[More similarities in lyrics, in no particular order (CYBERPUNK DEAD BOY in brackets):

Traffic’s already jammed up now. Oh well, nothing I can do about that anyway (Whatever you do, wherever you look, there's a traffic of influencers.)

“It wasn’t supposed to be like this.” "What was it supposed to be like then?" (What happened to things you wanted to sing about?)

Back then I'm sure it was there. The thing that I envisioned was there. When was it that I... (There must have been something you wanted to sing about.)

What are you playing at? Who are you trying to be? There's no way you could be that, right? (At this rate this will never end. What you want definitely isn't money.)]

Maybe it's coincidence, but the lyrics in Cinema also reference Curtain Call very early on:

Someday it'll be bye-bye when the end comes, so Smile for the curtain call and applause.

Cinema is accepting of it and faces it head-on. Rui still avoids it.

And Cinema also captured what happened in Backlit Lens Flare with Bakuno. Something Rui couldn't figure out on his own without Sakaki and Emu:

If you're not suited for the role, Then just rewrite the script!

This is as if implying Akito realizes early on that people are all different, and there may come a time you have to part because of your differences. So you don't have to keep worrying about fitting in - try your best to be yourself instead and smile when it all ends.

This is something that Rui hasn't faced at all, so it's pretty meta that he hadn't thought of matching the actor's individualities. It seems he's lived with the belief that directors have to adjust themselves according to the level they believe the actors are on and actors have to work their hardest to live up to the director's wishes at all times - because the director knows best. Instead of truly understanding their actors for who they are as individuals and what they individually need.

"I always try to cast actors in a way that brings out their strengths." "That's why I always get you to play the role of a type that is easiest for you to match."

And this becomes a regret for Rui in the same story - realizing that he hadn't thought enough about what Tsukasa really wanted and needed.

"...I feel a little regretful that I hadn't thought that far."

Nene's surprise at Rui's words further imply that this isn't how he normally is. That he wouldn't be thinking so much about people and their personal needs.

It isn't therefore surprising that he agrees with and commits to the mindset that he has to power through his emotions without speaking to anyone. He expects that from his actors, and applying it to real life, it means that your role and scenario have already been decided from birth and what was left was living up to it. It's frighteningly similar to the lyrics in Engeki, which I wasn't even thinking about. Except it wasn't forced on him but rather something Rui decided on his own, with no harmful intent from the people who fed that mindset. Even before KAITO - it was his mother who unknowingly instilled this in him:

"People are people, I am myself. If you take care of what you like, someday you'll be able to make friends too. Like how I met your dad." (i.e. don't bother with the painful things around you, just keep doing what you do and keep going until you get there.)

And hence why this commission is full of firey anger. The story tramples on the way Rui has lived until now, proving him wrong when he thought he finally found his answer by powering through his fear of losing WxS. How it made him realize that he had at some point been driven by something petty like being with friends forever and lost the passionate part of him, the one who would do anything to satisfy himself. He's realized he's no longer having fun like the child he used to be, evident from the lyrics that start off with how he no longer has anything he wants to convey.

"Now let's all laugh. Aren't views more important than art? A terrible price for the virus. So what will you do? Is that really fine?" The lyrics are as if Rui is finally realizing that everything he's been doing, making people smile up until now, has been just for views (for WxS to stay around), and it finally makes him question, is this what he really wants??? Where did all the passion, fun and self-satisfaction that he thought he was making shows for went to???

(This is a more literal translation, the popular TL translates it as Then what do we do? Was that how it was supposed to go?)

I don't know if it's clear now - but in conclusion, CYBERPUNK DEAD BOY feels very much like Rui realizing how he was more focused on protecting his place over enjoying what he does. The first lines of the song do seem to be screaming a spitefulness in not being able to just do what you enjoy: "No one wants to listen (...), I don't have anything I want to convey (...)"

That's why CYBERPUNK DEAD BOY is an ironic name, appearing on the director's cut to imply they're filming a movie of Rui's life. How Rui had been living dead against his own self - falling victim to peer pressure (trends) to protect his place in WxS. Until Sakaki reminds him of the heights his true self wanted to reach and reignites the passionate fire for theatre inside him.

In summary, to simplify it, CYBERPUNK DEAD BOY's parallels come together to tell a complete story about Rui Kamishiro (biased but idc): 1) Jackpot Sad Girl: The unhealthiness of Rui and Mafuyu's mindset of powering through what they think they want without properly talking to people. 2) Kitty: How putting your trust in people can sway your heart and steer you away from what you truly want, something Mizuki knows and thus avoids but not Rui. 3) Cinema: A combination of Jackpot Sad Girl and Kitty - how a person with Rui's mindset is left feeling angry and confused when realizing he has lost himself from having his heart unexpectedly swayed by people. This is foiled by a complete opposite like Akito who has lived a life with no reason to truly call his own and is bitterly aware of how it is all because his life has always been completely defined by other people.

(Man, I LOVE the Cinema foils so much. Akito and Rui are such perfect opposites I LOVE THEM.)

And finally, from the end of CYBERPUNK DEAD BOY:

Devoid of soul, music remains silent Unheard lyrics conceal their essence; without playback, music loses its meaning. Thus, modern music is pronounced deceased.

YES. YES. DEVOID OF SOUL AS I SAID, HOW RUI KAMISHIRO FEELS LIKE A WALKING CORPSE OF HIS CHILDHOOD. PLAYBACK!!! LOOK BACK AT YOUR PAST AND FIND YOURSELF!!! REMEMBER THE JOY AND PASSION YOU CAN'T GIVE UP RUI-KUN!!! Stop trying to keep people around, face solitude and be brave: what's most important is to be yourself!

Backlit Lens Flare felt like a reawakening for Rui, and it's why it's one of the best stories alongside Pandemonium for me. If Tsukasa is completely avoidant, then Rui is full of blatant lies. But of course because the writers will never clearly describe the emotions in WxS stories, I can't confirm this is the intended interpretation. It's just my own personal interpretation that I enjoy best and makes most emotional sense to my personal experiences.

But my opinions are bound to change because there are soooo many ways of seeing things. For now, this is what I think of Rui Kamishiro in Backlit Lens Flare and CYBERPUNK DEAD BOY.

[fyodcrs]

can I ask why you ship dazai x fyodor? just curious! I feel like not a lot of people do

Hi, anon! Not enough people ship fyozai, that's for sure :/

Why do I ship them? Because of this:

And this:

And this:

And they're canon, actually:

And just, like, whatever they had going on in Dead Apple:

They are just so interesting together. I went into depth on my view of the two of them in this post (an older post now, but it still sums it up pretty well), but it really comes down to how fascinating it is how their characters play off of one another. They are the perfect enemies-to-lovers ship, if you ask me.

They can predict what moves the other one will make and they can predict that the other one will predict that they’re predicting each other, and they can predict that the other one will predict that the other one will predict - on and on into infinity sdfghjghj (although according to the anime Fyodor couldn't predict that Dazai would stick Chuuya in a Halloween costume...but I'm not going to rant about The Season Finale That Shall Not Be Acknowledged here). They're ridiculous. Completely and utterly ridiculous. They play mental chess together.

THEY HAVE THEIR OWN SECRET LANGUAGE.

THEY ARE SOULMATES.

I love their dynamic and how they stand opposed to each other. It's not that one of them is "good" and the other is "evil." Dazai is not good. Fyodor believes that humanity is sinful and foolish. Dazai does not disagree with him. He does not think humanity is good or that the world is a good place. Dazai is amoral; he is not Kunikida, an idealist pursuing justice, and he is not kind-hearted Atsushi.

Really the difference between Dazai and Fyodor is their opposing views of how the world works and should work. Fyodor wants order, perfect justice. Dazai does not believe such a thing exists. It's not that Dazai has hope where Fyodor does not; it's just that Dazai has accepted the world for all its darkness, and Fyodor has not.

And Fyodor does not believe there is any value to life. Dazai is starting to believe there is.

That's such an interesting and multilayered conflict that could be explored in so many different ways...especially if you do what I do and headcanon a redemption arc for Fyodor, haha. They are a lot of fun to write fics of! 😆

Two superhuman geniuses that are so evenly matched they could rule the world together if they wanted. What's not to love about that? I absolutely adore them 😌💖💖

Honestly, I've been a lot more into fyosig lately (talk about a rarepair SDFGHFGH), but fyozai is still my main otp. It's a shame more people don't ship them! I just think they're neat (´꒳`)♡

Thanks a lot for asking, anon! Do you ship Dazai and/or Fyodor with anyone? If you don't mind me asking :3

[canisalbus]

just a quick ask to tell u it makes me super happy seeing the detail u go into when pointing out stuff u like about other people's art of ur ocs :3 it's so rare to see but it's so so motivating!! <3

Thank you! I don't take any interest for my art for granted, and if someone goes through the trouble of drawing my characters for me, I feel like trying to write a proper response is the least I can do. For a visually oriented person, receiving gift/fan art is a huge deal, it means someone considered my goobers worth their time and effort, they've probably been thinking about them more than a little and found them inspiring in a way or another, and I find that terribly flattering. It's extremely fun and interesting to see other people's takes on them. And I've drawn stuff for people as well, I know how nice and rewarding it feels to receive a response that is longer than a word or two. Positive comments like that can linger in people's minds for a long time, at least for me they do.

[skunkes]

doing figure drawing studies because i know thats what i should be doing right now but also ive been in a very insane deranged state for the past 2 months that leaves me like this whenever i look at a man for too long

[jonathanbiers]

Argyle never gets frustrated with Steve when he doesn’t understand something. He doesn’t roll his eyes, or give That Sigh. He explains things patiently, if a bit abstractly, and when Steve is way off base Argyle runs with it. Is Vecna a vampire? Whoa that would be wild, man! Do you think he can’t have garlic? We could just take him out with a gnarly garlic pie, my dude!

the way you're seeing into my mind.... argyle being really soft with steve and taking the time to make sure he doesn't feel stupid when he's confused is something i've considered AT LENGTH (specifically in dms with @himbohohoharringtxn who has the unfortunate luck of being on the receiving end of Most of my argyle thoughts fdjghkdfj)

i would like to preface this by saying that i am firmly in "argyle and steve are both genuinely smart" territory. i think steve is very neurodivergent coded (i see the arguments for adhd/autism/dyslexia/ocd and as someone who might be autistic but is diagnosed with the other three....i see these arguments and i agree on all fronts) and there's also the head trauma of it all, though that's not what this is about. he's not fucking dumb, he just needs things broken down and explained to him in a very specific way. nothing wrong with that!

as far as argyle is concerned - we've literally seen him in action noticing small details no one else has(one of my fav parallels between them), which ends up being the reason the cali group finds nina and el. he's not fucking dumb either, just delivered to us as a comic relief stoner character with little dimension because the duffers need to be fucking stopped

BUT ANYWAY! you're so right! argyle would see the way steve sometimes gets brushed off and spoken over. the rest don't mean it to be hurtful and steve tries not to show that it does sometimes sting (because it's really not that big of a deal to him and it's not like they're being outright mean) but he would ABSOLUTELY "yes and-" whatever steve's off the wall question or idea was, if anything just to make him laugh, relieve some of the tension. AND IT WORKS is the thing.

it's not just, "duuuude, what if we just lure vecna into the sun? he'll be TOAST in five seconds flat, no fighting necessary. nancy, you can put the gun down, we're gonna hurl garlic cloves at him with a slingshot!" in one fell swoop, argyle is 1. making sure steve feels heard and not spoken over; 2. acknowledging steve's input and effort in a way that, let's be honest, the others don't do very often; 3. putting a smile on the group's faces for a while because fuck they're kids in a stressful situation and need a laugh; 4. putting himself in the line of fire so the others can rag on him instead.

argyle would do this when they aren't even dating yet and steve definitely would not be normal about it, he'd be smiling so big and soft and then argyle would catch his eye and smile back and they'd have this little quiet moment between them amidst all the chaos and dread.

after they're dating though? oh, they'd be INSUFFERABLE. they'd be such a pda couple, with the ridiculous pet names("what the fuck did you just call me?" "don't worry about it, my lil sweet potato pie."), and the open flirting until their friends are fake-retching, the whole nine yards. argyle is hanging off of steve's back with his arms around his waist and not even acknowledging it as he makes his argument to the rest of the group that, "no, no, listen. steve is onto something here, i just know. what if-"

and when they're alone, it'd be less of the theatrics and silliness and more of the gentle patience. they're both smart in really different ways and when argyle gets something steve doesn't and steve is getting a little frustrated about it, he'd take his hand or pull him close and just distract him with a little bit of affection to get him to cool down because he knows being frustrated isn't going to help steve figure out whatever it is. conversely, steve does the same when he's trying to explain something to argyle - though he's less likely to get as frustrated when confused, and more likely to pretend to take longer to get it than he actually does because listening to steve explain a subject he's knowledgeable about is fucking hot, can you blame him? they're just soft with each other, okay

[campbyler]

nobody read too closely when mike is teaching will how to drive. thanks !

[awkward-teabag]

I have to wonder how many people celebrating AI translation also complain about "broken English" and how obvious it is something was Google translated from another language without a fluent English speaker involved to properly clean up the translation/grammar.

Because I bet it's a lot.

I know why execs are all for it—AI is the new buzzword and it lets them cut jobs thus "save" money and not have to worry about pesky labour laws when one employs humans—but everyone else?

There was some outcry when Crunchyroll fired many of their translators in favour of AI translation (with some people to "clean up the AI's work") but I can't help but think that was in part because it was Japanese-to-English and personally affected them. Same when Duolingo fired many of their translators in favour of LLM translation. Meanwhile companies are firing staff when it's English to another language and there's this idea that that's fine or not as big a deal because English is "easy" to translate and/or because people don't think of how it will impact people in non-English countries.

Also it doesn't affect native English speakers so it doesn't get much headway in the news cycle or online anyway because so much of the dominant media is from English-speaking countries and English-speakers dominate social media.

But different languages have different grammar structures that LLMs don't do, and I grew up on "jokes" about people speaking in "broken English" and mocking people who use the wrong word when it was clearly a literal translation but the meaning was obvious long before LLMs were a thing, too. In fact, the specific way a character spoke broken English has been a way to denote their native tongue for decades, usually in a racist way.

Then Google translate came out and "Google-translated English" became an insult for people and criticism of companies because it was clearly wonky to native speakers. Even now, LLMs—which are heavily trained on English compared to other languages—don't have a natural output so native English speakers can clock LLM-generated text if it's longer than a sentence or two.

But, for whatever reason, it's not seen as a problem when it goes the other way because fuck non-English readers or people who want to read in their native tongue I guess.

[hjemne]

Babygirl I have 38 thousand words of incomplete trigun fic spread across 8 wips and have no idea how to even start dealing with it

[violetdisasterzone]

it's kind of sad to say but sometimes I think I'm not cut out for fandom. I've always been more of a lurker than a contributor anyway, but even then I feel like I might just be too much of a canon purist to really be part of them. so much of being on the internet is about curating your own experience, but fanon (mis)interpretations/characterizations are so rampant in some spaces, treated as canon to such an extent that some people literally believe they ARE, that they're often hard to avoid completely.

the point of fandom isn't supposed to be nitpicking every little thing for accuracy, obviously. I like talking with people about my favorite things, and seeing how my thoughts and interpretations match up with theirs. I don't expect everyone's experience with whatever media to be the same. but I think a lot of people view canon as something separate, as something they get to play around with and take the parts they like and change what they don't. and that's fine, but I don't really get it, not entirely. I like playing around with hypotheticals and what-ifs and stuff, but to me canon is always going to be superior/unchangeable. and it's even worse when people will try to use canon to explain that their blatantly fanon-based interpretations are, in fact, canon somehow. and it gets even WORSE when it turns into actual discourse, and suddenly people are claiming that not following their fanon interpretation means something about your real-life values.

it's just kind of exhausting sometimes. I love a lot of y'all on here and it can be so fun to be a part of things, even mostly from the sidelines. but sometimes all I want is to close social media forever and reread my novels in peace

[cerise-on-top]

do you have any rudy hcs lying around? asking for a friend 👀

Hey, there! Yeah, I was able to come up with some!

Rodolfo HCs

He actually prefers men over women. He will still date women, he has had crushes on them, after all, but he more often than not dreams about being with another man. This has caused him some distress in the past. Considering he realized he liked men very early on, he thought he was gay back then. However, later on he developed a crush on a girl and so he thought he was straight after all. The realization that he might be straight broke his heart because he really wanted to be into men back then. Yes, he was unaware that you can like more than one gender, so he felt bad when he had that crush on that girl. It took him another few years until he realized he could be bisexual. He met another guy who was quite the flirt, having flirted with men and women alike. Rodolfo didn’t mind that, but did question that guy about it. Once he had the answer of simple bisexuality, it clicked and he felt absolutely stupid for not having realized it sooner. To this day he’s friends with that person and sometimes still meets up with him.

Although he’s severely touch starved, he’d rather die than admit to that. No amount of touch could ever satisfy him. Besides, he believes that, just because he’s a man, he shouldn’t really be held in a comforting way, especially not by a woman. He’s a strong, protective guy, he has to be the one doing the protecting, and that includes doing the holding during cuddling as well. Sometimes he might be a bit grumpy because he just really wants to be held, especially when his stress levels are at an all time high. However, he can’t really swallow his pride and outright ask for it either, his partner would have to be the one to come up to him and make the suggestion. Fairly early on, he might refuse such advances from a female partner, but once he knows she won’t think any less of him for that, he’s more willing. If his partner is a man, however, then he’d be honored. Rodolfo genuinely believes that every man out there believes the same thing that he does in that regard, so he can appreciate a guy “willing to swallow his pride”. He doesn’t outright ask for cuddles, he will only hint at the fact he wants some with him. He could literally have a sleepless night, with being held being the only remedy out there, and he’d still not ask for any.

He’s not at all an outgoing person anymore. He used to be when he was a child, making friends left and right with just about any kid he ever found, but he outgrew that phase. No one knows why, not even he does, but he sometimes does miss being a people person, it would make some things a lot easier. However, he does have Alejandro in his life, who is an outgoing person that knows lots and lots of people. Whenever Rodolfo needs anything he doesn’t need to look for too long, Alejandro is usually right there. The two go way back with each other, having known one another for almost 20 years now. Whenever Rodolfo needs anything, Alejandro is the first person to know since he knows he can count on him. Although he usually asks Alejandro for someone who might be doing this specific thing or knows how to do it well, it’s usually Alejandro who helps Rodolfo regardless. Those two have grown very close with each other and can tell what the other needs without them even saying anything. Rodolfo does truly appreciate Alejandro for that, he’s never had a better friend than him. When Rodolfo moved, all Alejandro asked for was some beer and watching some movies together. Rodolfo would literally and figuratively die for Alejandro, but the latter usually tells him there’s no need for that. He’d much rather have Rodolfo take a break.

[ibrokeeverything]

The sibling dynamics for Kai and Nya and the full RGB trio are absolutely immaculate! Peak vibes! Probably the best in the entire series!

[mctwinkdom]

Maybe I should have stuck to writing in French

[anisohtropy]

kaveh’s really pulling the words out of my brain. this wip was supposed to be just quick practice writing kavetham before I start on my howl’s au for them, but it’s not done and it’s like 13.5k? what’s going on? how did I get here? this isn’t even a complicated wip it’s just my take on kaveh’s participation in the championship event 

idk something about depressed blonde man is making my brain go whrrr and kick out bangers like “guilt is as natural to him as breathing” and “the difference between martyrdom and surrender is nothing on the scale of the universe” like who comes up with that? not anyone who isn’t still unstable from finals that’s for sure anyway I’m almost done with it so watch out

[hydrachea]

Oberon & Guda & Castoria, hand in unlovable hand and hand in beloved hand all at once.

[sleepyseals]

[Image Description: A digital painting depicting Feldspar standing to the right of a campfire, facing away from the viewer and upwards. They are holding an arm outstretched above them and the other gesticulates as if they were telling a story. Several fireflies surround them and their shadow falls to their right. Wreathed in the smoke of the campfire is a scene of their campsite in Dark Bramble. Three large twisting brambles, the anglerfish fossil’s teeth, and three pine trees are suspended upside down, stretching downwards toward Feldspar and the campfire. A plume of stylized curling smoke stretches across the top of the scene from Feldspar’s ship in the top right corner. The ship is sparking with electrical failure. End Image Description.]

my piece for the @travelers-encore-zine !!!  I think this came out a bit more conceptual than I wanted but I still like it!

Thank you to the mods for making this happen, putting everything together and being an amazing support team!!! Thank you to my fellow contributors for being so lovely and making such amazing things and sharing this project with me, I'm really happy I got to be a part of it!!

[dimensionweirdo]

Mild ruin dlc spoilers

I KNEW IT. I knew it I knew it I knew it! Eclipse is a softie! (Still love the evil interpretations ofc, they're amazing)

Bro, I can't even put into words how happy I am. But also, DUDE, SUN AND MOON I CAAAAN'T

Sun's little thank you I'm gonna cry. Also I watched a walktrough of the daycare part and Sun was singing a naptime song(???) and please I just wanna hug him (Didn't get to hear it completely and I still haven't found the complete ver)

And Moon, my man, I hope you're better after the reboot because damn

I don't care if they're dangerous, I'm hugging them and that's final