#i don't know any other way to describe it

[always-just-red]

Hii! I've seen some Pregnancy scenario with LaD's men, but I have this HC-- personally for Sylus. That when fem!reader got pregnant, he didn't really understand how the Pregnancy hormones work, until he experienced one and he got confused how he should act or react because it's feels like he's walking on landime, one wrong move/word, she'd throwing tantrum or being sulky at him

I've heard from my Friend who got pregnant before, when she craving something and her Husband showing any form that he can't fulfill what she's craves, she felt her heart broken, and she'd sulk and acted as if he just cheated on her. The problem is, she always craved something that didn't even exist at that moment😂, she's craving certain type of Mango while it's not even that Mango season, so nobody selling it. He literally being desperate to negotiate with her cravings

So... Can I request a scenario smiliar like that? It doesn't have to be mango, or any foods. Just... how Pregnancy hormones or Cravings could make Sylus got frustated lol

Aaaaa anon this is adorable, thank you! We love making Sylus suffer in cute and harmless ways. He's always asking for trouble, so let's give him some! 😌💅

Something Sweet

Sylus x Reader 🩸

Summary: Sylus knows how to get what he wants. Getting what you want might be a little more tricky...

Genre: fluff!

Warnings/Additional tags: female!reader, IMPLIED pregnant!reader (pregnancy not actually mentioned or described- just hormones being hormones ✌), established relationship, canon pet names, a lil bit of roleplay because Sylus refuses to leave his Mystic Adventure era

| Word count: 2.1k | Masterlist |

Disclaimer: Characters belong to Love and Deepspace. All work is my own, so please don't repost or plagiarise!

“Sy, d’you know what I’m craving right now?”

“Always, sweetie.” Sylus doesn’t look up from his book. “Not now, though. I’m tired.”

Morning sunlight streams through the gaps in your living room curtains, casting pale yellow shapes over the floor. A shard of it has been inching over the sofa towards Sylus, the sharp edge now grazing the side of his face. He shifts, ever so slightly, away from its touch. His eyes are open but heavy.

“No,” you scold, leaning forwards to swat at him with your book. “That’s not what I meant, you narcissist.”

He chuckles with his usual low timbre— his gaze still not lifting— and the sound is deeper for how close he is to sleep. He wants to give in to it, you can tell. When he turns a page, the movement is languid, soft. You’re losing him.

“Sy,” you say again, then with more of a whine: “Sylus.”

His eyes flutter closed as he draws in a deep breath. His hand raises, his fingers stretching to pull his reading glasses from his face. They’re set down on the arm of the chair beside him, along with the book, and he turns to you with a smile. “What are you craving, sweetie?”

You rest your book on your stomach. Your legs are stretched out over Sylus’s lap, and his hand finds one of your feet, massaging an ache from it as you begin your speech. “Do you remember that café we used to go to? The one we found when it started raining in the park that day? We didn’t think it was open, but then the owner knocked on the window and said we could—”

“Yeah?” His hand moves to your other foot.

“Well, they make these—”

“Macarons.”

“You remember?”

His smile widens like he remembers vividly. “Kitten, how could I forget? I’m still jealous of that sweet little treat. You’ve never made that face for me, and believe me—” he wiggles one of your toes— “I’ve tried.”

That had been one of the only times you’d truly caught him off-guard, back when your feelings for one another were unnamed and uncharted. The rain had been drumming against the café window, and you’d heaved Sylus’s damp coat from your shoulders— giggled at the raised eyebrow and the sarcastic ‘…thanks’ he’d given in turn. One hot drink later, you were lifting a pastel pink macaron to your lips, taking a delicate bite and failing to stifle a tiny, almost euphoric moan.

You remember realising yourself: blushing profusely and expecting some remark, some ridicule, but none ever came. Sylus’s eyes were wide, dark, fixed upon your still parted mouth.

After a few of the longest seconds of your life, he’d dragged the plate with the rest of the macarons away from you and muttered something about how you had better not do that again.

“They’re still the sweetest things I’ve ever tasted,” you tease now, just as you’d wrestled him for that plate back then, set on eating every last macaron.

He makes a hmph as he idly runs a finger over the part of your foot he knows is ticklish. His expression is distinctly grumpy, but it falters as you laugh and try to writhe away from him.

You’re quickly out of breath. “Sylus?”

“Mmm?”

He glances up at you and you smile sweetly, head tilting. “Please?”

His coat on a rainy day. The entire plate of macarons in the end; he’s never been very good at denying you anything. For the first time since you’d stirred him from his book, however, he appears genuinely regretful. “You’re forgetting something, sweetie,” he murmurs gently. “Why did we stop going to that café, hmm?”

You shrug.

“It closed, kitten,” he sighs. “Months ago.”

“What?”

Not only did you already know that— you actually visited the café on its final day. The owner was telling you stories: he was moving somewhere warmer, closer to family, and he needed all the funds he could get. Sylus had snuck an obscene amount of money into the man’s tip jar whilst you acted as a distraction. You both had fond memories of that place; it was nice to make one more.   

It's all coming back to you and you’re struck by a wave of nostalgia. You want to go back there. You can’t go back there. It doesn’t exist anymore, and you’ll never taste sweetness like that again.

Your mouth has gone dry.

“Sweetie?” Sylus prompts, because he notices you’re far away. “Are you alright?”

“Yeah,” your voice wobbles, “I just really wanted… I mean, I really needed one of those—”

“… Macarons?” he finishes for you.

You burst into tears, and one day, you’ll tally this as another time you took the man by surprise. His face drops instantly— lost, for a moment— before he slides your legs from his lap, allowing him to lean closer. “No, no, no,” he coos, “don’t cry, kitten, please. I didn’t mean to… well, I didn’t realise…”

He doesn’t know what to say, and he always knows what to say. He set you off with a single word and now he’s stuttering like sentences are all possible landmines. He tries his luck again, putting a foot forward: “Listen to me. I’ll go to the store. Would that be alright? Or perhaps there’s another café that could—”

You explode: sobbing even more viscerally. Your whole body shakes with it.

Sylus has frozen. He watches on helplessly as you cry, blabbering about the macarons you can’t have and the café you can’t return to. Across the room, even Mephisto has hunched down on his perch, though he issues a few, spirited squawks, maybe in solidarity with your breakdown, or maybe in protest of it.

It’s like a catalyst. You cry more: burying your face in your hands because what the hell is wrong with you? It’s not a big deal. It’s not a big deal, so why do you feel sick? And then there’s Sylus— your Sylus, devoted and adoring— and here you are, punishing him for something beyond his control.

You look up from your hands, desperate to apologise, but he’s gone. More shards of sunlight paint his empty seat and catch all that’s left of him: a few crow feathers, glistening like onyx. Mephisto is gone too, and the room is quiet, save for you snivelling and feeling sorry for yourself.

“Sylus?” you call out into the empty morning.

It isn’t his fault, not really. You wouldn’t want to be around you, either.

…

Something brushes over your cheek, and your tired eyes open.

The sun has ebbed back behind the curtains and the ceiling light has taken its place, casting artificial highlights over everything in reach: the coffee table, the closed-up flowers at its centre and a mug of tea that’s gone cold. Sylus is in front of you too, backlit and soft like a daydream, and he—

He left you.

“Sy?” you whisper warily, because the context is coming back to you slowly, piece by piece.

“Hey,” he coaxes, voice as honeyed as whatever’s turned the air sweet.

You blink, rubbing sleep from your eyes and relishing the warmth of his hand on your face. Then you slap his shoulder. “Hey, really? That’s all you’ve got— hey?”

He’s kneeling for you— on the floor, beside the couch— so you can meet his eyes. He settles his chin thoughtfully on the edge of the seat, his nose almost touching yours. “What would you prefer, sweetie?” His lips are close to yours too. “Good evening, my beloved? Greetings, my queen?”

“How about sorry?” you snap, because he isn’t cute and he isn’t charming.

He pouts. “Why sorry?”

“Because you left, Sylus!��� You sit up straighter, and your phone tumbles out of your lap. Its screen is still lit-up from a few hours ago, showcasing a very one-sided conversation and a rant you never actually sent, because it’s still in the text box.

You vaguely recall writing it, so you try to snatch the phone from Sylus’s hand as he plucks it from the floor. He’s more alert than you. More co-ordinated. He keeps it out of your grasp as he reads the unsent message, an eyebrow raising.

It was a lot of things— colourful, creative— not entirely tasteful. “My, my, your highness,” he tuts, “so this is the treatment your valiant knight receives for undertaking your quest?”

“You’re not valiant,” you rebuke, and you manage to wrestle your phone from him. “You’re—”

“A heartless prick,” he finishes casually, quoting your message with a chuckle. He takes your free hand and kisses the back of it, refusing to let you pull away. “And whose fault is that, I wonder?”

“You can have your heart back.”

“Nope. You’re stuck with it, sweetie. With me, too. Now—” he sits back on his knees— “would you please ask me about my quest?”

The analogy is lost on you. You sit fully up, looking down at him. “What quest, oh valiant knight?”

His lips form a smirk; he just loves when you play along. “Close your eyes.”

You do— whether you’re queen or not. You hear him shifting aside, and then there’s a snap of his fingers. The air changes, warping like thick, liquid smoke, and you know he’s using his Evol. “Open,” he commands.

And there on the coffee table, freshly teleported, is a plate of macarons the colour of cherry blossoms. As if anticipating the comparison, Sylus pulls a handful of pink petals from his pocket and blows them up into the air so they can spiral down on the scene. He watches them. Then you. “Ta-da,” he proclaims, his tone dry but full of humour.

You’re prone to hyperbole nowadays, but this is without a doubt the best thing you have ever seen.

“Sylus,” you gasp in disbelief, “how did you—”

“It doesn’t matter,” he says; the story isn’t for today, and he’s very, very tired. A few weeks from now he’ll tell you about how he tracked down the contact information of the owner of the old café. How he spent an hour on the phone bargaining for a certain macaron recipe, and several more hours in the kitchen, trying to get them perfect. “Now, they might not be exactly the same, sweetie. But I did try to—”

You surge forwards, capturing his lips in a kiss. It’s so impulsive— so reckless— that you almost tumble down from the couch, but he catches you, steadies you, and your hand is gripping the soft of his hair as he kisses you back. Slowly, his mouth not leaving yours, he lifts you back into your seat.

“Easy, sweetie.” His voice is low as he pulls away, and though he turns his face from you, you can make out the blush on his cheeks. He settles back into his kneeling position on the floor. “I have one more surprise for you. Do try to control yourself.”

He retrieves a small, complete flower from his pocket, albeit one a little dreary from its journey. Sylus smiles triumphantly as he holds it out to you, and he was right; you do want to throw yourself at him. Instead, you take the flower and lean forwards, tucking it behind his ear before he can protest. He’d tilted closer to help you, and he sits back with an exasperated tsk when you’re done.

“It suits you,” you grin.

He yawns. “Everything does.”

You don’t want to get into trouble, so you shimmy to the very edge of your seat and carefully— showing tremendous restraint— reach out to take his face in your hands. “You’re amazing, Sy. Thank you for doing all of this for me, but…”

“But…?”

“I missed you. I like macarons, yeah,” you smile, “but I’d much rather have you.”

This time, he can’t hide his face and the way it goes pink, like the blossom behind his ear. His cheeks are warm beneath your palms. “You couldn’t have said that before I spent the whole day—”

His voice is strangled as you keel towards him— slow and deliberate— to thread your arms around him and pull him into a hug. He tenses for a moment, then wraps his arms around you too: holding you tightly, keeping you from falling any further. You can feel his hand stroking your back and he hums as you give him a gentle squeeze.

“Such a lovely moment, kitten,” he muses, your head on his shoulder. “I do hope it’s sincere, and not— say— an excuse for someone to get her paws on the macarons behind me.”

There’s another moment of quiet.

“Don’t be silly, Sy,” you retort, but your mouth is full, your cheeks are stuffed, and not a single word of it is intelligible.

[dunmeshistash]

Hello Dr Meshi!

Ive been scouring the manga and adventurers bible myself to see if we have any information on what Elvish cuisine is like but I havent really found anything. Do you know of any information on that?

One info we have is the elf cake which is described as dry crumbly and made with candied fruits and nuts

Here's me going in a downwards spiral trying to figure out what the fruitcake elfcake nutcake is along with other people I doubt that helps but it was a fun day

The other hint we have from their cuisine is from lyrikmumare, which isn't really described they don't even say what they taste like so it's hard to guess, I tried to google and saw @room-surprise theorized it might be marzipan and in the notes someone says it might be wagashi

Marcilles mom says the (probably italian) food of where they lived tasted better than regional elf food

The other times I remember seeing elves talking about food or eating elf stuff is Milsiril giving elf cake to Kabru, the canaries talking about their dry rations, and this one where Kabru goes visit Milsiril's family, there's a lot of food on the table but I can't tell what any of it is other than cake and maybe jello?

He's also taking some home, is this fruit? Bread? Many things? Milsiril also has a bag that's kinda cute, so they're the type that give you food to take home after a party (they only had Milsiril's luggage when arriving)

I saw someone mentioning it before how elves seem to offer food as a way of affection/being kind. How they're always offering (people they perceive as) kids elf cake.

We really don't get a lot of info, that's all I remember

[wheelie-sick]

going to just... dissect the whole "glasses make me disabled" thing as someone who is moderately disabled and mildly visually impaired because it annoys me to death. I know this is going to be controversial but if you have vision that is fully corrected by glasses then you are not disabled by your vision nor are you visually impaired.

Visual impairment

let's begin with the definition of visual impairment according to several universities

"Vision impairment means that a person’s eyesight cannot be corrected to a “normal” level." - University of Pittsburgh Department of Opthamology

"‘Visual impairment’ (VI) is a term used to describe a loss of sight that cannot be corrected using lenses." - University of Oxford

the US EEOC also answers the question of whether all people who wear glasses are disabled:

"No, not everyone who wears glasses is an individual with a disability under the ADA. When deciding if an individual with a vision impairment who uses (or used, in the case of a past impairment) “ordinary eyeglasses or contact lenses” is an individual with an “actual” or “record of” a disability, the ADA directs that their impairment should be assessed as it is corrected by the lenses." - US Equal Employment Opportunity Commission

visual impairment exists as a category for people with uncorrectable vision loss or other vision related conditions. most definitions of visual impairment also include eye movement disorders (e.g nystagmus) and other eye conditions that are not correctable but do not necessarily cause traditional vision loss. these are exceptions, but again, are not correctable with glasses.

if your vision is correctable with glasses it is not visual impairment. period. full stop.

Disability

there are two different ways you can look at disability and fully corrected vision fits neither:

the social model

the social model of disability looks at disability as it is caused by society's lack of access. let's start with a fact: 81% of adults wear some sort of corrective eyewear! that is the vast majority of people. people who wear glasses are just simply not facing structural barriers in the world because the world is built for people who wear glasses by people who wear glasses.

and, no, being bullied in the playground is not a form of structural disadvantage. children bully each other for any and every reason.

"but I can't drive without my glasses!"

I can't walk in hot concrete without shoes. that doesn't make shoes a disability aid nor does it make needing shoes a disability. plenty of things require something else to allow you to do something, that doesn't make needing those things a disability. not all forms of support for an action are disability aids.

the medical model

the medical model looks at disability through the lens of impairment. wearing glasses with fully corrected vision is not an impairment.

people often point to hearing aids and say "well deaf/hard of hearing people are disabled despite hearing aids!" and it makes it clear you have never worn hearing aids. disability aids do not correct they accommodate. glasses mean you get to see at 20/20 vision. hearing aids are imperfect accommodations. wheelchairs are imperfect accommodations. feeding tubes are imperfect accommodations. the list goes on.

glasses mean you get to live your life exactly how someone who doesn't wear glasses would. someone wearing hearing aids does not get that. a wheelchair user does not get that. etc. because those disability aids are something you have to live your life around. they define your day to day routine. the day to day routine with glasses is 1. wake up in the morning 2. put them on 3. take them off at night 4. possibly clean them somewhere in there. you get to forget about glasses. I do not get to forget about my hearing aids or FM system or crutches or wheelchair because they are ever present in my life.

* just a note: this post is not referring to people who wear glasses and don't have fully correctable vision

** OP wears glasses with a high prescription, his vision is just not fully correctable

[caitlinsgirl]

Locked Eyes

- summary: first person perspective of a sports journalist who is failing miserably at her job.

- warnings: implied d*rty thought, minors dni

- word count; 771

- songs

softly by clairo

i think he knows by taylor swift

- note: i don't know shit about sports, so please feel free to correct any technical details i got wrong. i hope you enjoy!

              

               God is playing a joke on me. God is playing a sick, cruel joke on me. I am going to get fired from my job for this. My amazing, dream, well-paying job with amazing PTO and retirement benefits.

            Just for a short, close glimpse of her… and it might be worth it.

            I have been sitting at this courtside seat for over an hour. The players have started to warm up, but the plastic under my legs feels cold. The pencil in my hand is covered in nail marks from my grip, as if it could provide the mercy that I desperately need right now. A writer with nothing to write. Nothing but, God she's so beautiful, and, Is she making eye contact with me? Fuck, no, that's crazy, wait, did she just do it again?

            Otherworldly is an understatement. Beautiful is an understatement. Hot is closer to the truth. Stunning, breathtaking, striking… I cannot seem to find the words to describe the way Caitlin Clark's magnetism binds me helpless, speechless, and spineless. Each glance from her feels like an attempt to stop my heart from performing its function. Against my will, but with my delight, my eyes follow her tall figure as she runs up and down the court. How long are basketball games, again? Did a sports journalist just forget that minor detail?

            It was one thing to attend her games in person from a further seat in the arena. Now, sitting this close to her, it feels like I could reach out my hand and run my fingers through her sweaty pin-straight hair.

            The noise of the cheering crowd drowns into muffled white noise with every charming move. How hot it is when she gets upset with an opposing team member. The upset look on her face is unapologetic and confident. My heart beats faster at the sight of it, and I cannot help but to wonder what it would be like to be protected by her the way she protects herself, her team. Just a few feet away.

            God, it is almost annoying. Her unwavering resilience, her iron focus, her muscular arms and shoulders… I did not even know it was possible for a woman in this cruel world to be that comfortable in her own skin. Come to think of it, comfortable would be an insulting understatement. She is demanding the room and the thousands of people in it. I want to get up from my seat and run into her strong arms.

            My haze is interrupted by the sudden flurry of extra-loud cheers from the crowd. One of the Indiana Fever's players scored, and I was too preoccupied with player 22 to notice. Caitlin was not the one to advance the scoreboard, but her infectious satisfaction and desire to win lights up the room. She moved her arms upwards, hyping up the crowd’s collective energy in the reveling of victory. Thank you, God, for allowing my eyes adjust the scene to slow motion; her strong shoulders, her long muscular arms, leading up to her pale long fingers… I watch her hands in the air and my lungs give up when I see the way that her middle two fingers stick to each other. Could that be muscle memory?

            Then, she remembers. I see it on her face the millisecond before she turns her head to look at me, again. Look at me, again. Look at me, look at me, no one else me. She remembers I exist, and it matters enough to break her concentration of the game onto me.

            I wonder what she sees when she catches my view. Does she see the way my cheeks have been flushed in amazement this entire game? How stupid I look with my lips slightly parted with desire? How my ankles cross over each other with school-girl hesitation? She holds our eye contact for a few seconds, and they feel like blissful eternity. It was like the crowd, players, and professionals melted into the floor. The roof sinks upwards to reveal a Paris starry night, and she is the angel standing across the street, manifested just for me.

            My girlish desire paints itself over my face and my lips melt into a smile, a smile that says I adore you. My writing hand, pencil still in hand, reaches up to my hair to fidget with the ends. In an instant, our moment is interrupted by her game. She focuses again, but with a lingering and flattered smile. Could it be the adrenaline, could it be all that running? Her cheeks are flushed the same color as her uniform.

[saintsenara]

Why Harry being short and frail (or even petite and delicate) past puberty is such a popular take these days? Sure, he is not bulky, but don't we know from Voldemort himself that James was tall and don't we know that Harry was exactly the same height as James during the final battle? Don't we know that Harry works out 3 times a week and is generally athletic? Is it the same thing that is happening with fanon Sirius or is it something different? Is it because he was short as a child and grew up in a cupboard, thus unlikely to end up like he did at the end of the series? What do you think about it? How likely is it? I keep seeing it in many slash ships and I am genuinely baffled. Is it me who has it backwards? Please solve this mystery, dear Asenora!

thank you very much for the ask, anon!

i think several things are at play, tbh - some of which are more understandable than others.

the first is that daniel radcliffe genuinely is short [for a british man, at least] - his height is given online as 165cm [or 5'5], but looking at pictures of him leads me to suspect that's an exaggeration - and was, unsurprisingly, even shorter when he was a teenager. many of the other actors in the films are much, much taller than him - especially people like alan rickman and david thewlis, both of whom were over six foot - and since the films inevitably influence how people picture the characters physically, the height differences we see on screen end up becoming part of that.

the second is that, while harry is described as "tall" in canon, that term appears to be doing a fair amount of heavy-lifting. numerous male characters are described as taller than him in both half-blood prince and deathly hallows - with the example which always stands out to me being the fact that fred and george weasley are said to "shrink" when they polyjuice into harry before the seven potters chase. fred and george - like charlie - are described in canon as being noticeably shorter and stockier in build than bill, percy, and ron. unless ron et al. are so tall that it would be thought of as really unusual - let's say above 6'6/198cm - harry probably isn't over 6'0/182cm tall.

thirdly, it's worth saying that what is meant by "tall" is culturally contingent. i've said that daniel radcliffe is shorter than average for a british man - and that's true - but his height isn't going to be thought of in that way in different parts of the world. similarly, there are parts of the world where describing a man who was, say, 5'10/178cm as "tall" would be considered quite strange - but i don't think the uk [where the average male height in 1998 was just over 5'8/174cm] is one of them. certainly, i picture harry as around that height [allowing characters like ron, sirius, dumbledore, and voldemort - who are all described as such - to be noticeably taller than him, but not so tall that their height would be considered abnormal], and i don't think it precludes him still being thought of as "tall" within the context in which he lives. but an author from, for example, the netherlands - where the average male height is 6'0.5/183cm - would probably think differently.

[there's a point about cultural contingency in the quip he makes about being short because of the cupboard too: i would read that as a dark joke which he doesn't actually think has any truth behind it specifically when it comes to his height, but which nonetheless expresses that the dursleys abuse him generally and this abuse has had a long-term impact upon him; readers from other parts of the world take it more literally.]

and finally, harry is definitely physically fit and - of course - works out a lot as part of playing quidditch, but both he and james are emphasised in canon as having slender builds - and it's also implied in the text that seekers are generally slim. harry doesn't need to be seen as any less sporty if we presume that he has the physique of a distance runner or triathlete rather than that of a sprinter.

however, there are definitely some aspects to the tendency for harry to be written as short and slender which do bother me a fair amount - and i do think that these have something in common with what we see with fanon sirius.

that is, that harry and sirius aren't written as short and slender because the author wants them to just happen to be short and slender. they're written as short and slender because the author wants them to be passive. their height/build is emphasised in the story in order to hammer this home - and it's often accompanied by them being assigned other aspects of physical appearance, personality, dress, or manner [especially ones which might be considered as "effeminate"] which, once again, aren't intended to communicate anything other than this passivity.

and - of course - in the writing of vast amounts of slash, any indication of passivity, submissiveness, or femininity - and the physical traits which end up equated with them - is taken as an indication that the character in question would be an exclusive - and submissive - bottom, who defers to the whims of their partner, an exclusive - and dominant - top.

and - unsurprisingly - topping ends up being associated with masculinity - and the personality traits and physical characteristics - above all a tall, muscular build - which are equated with that.

frail!harry seems to be most prominent - in my experience - in ships like tomarrymort, not so much because people really care about the implications of harry's characterisation, but because they're hugely opposed to the suggestion that characters like tom riddle would ever bottom [since - of course - they associate the act of being penetrated with femininity and femininity with weakness...]. great lengths have to be gone to, then, to emphasise that voldemort - or whoever else - is powerful and proud and authoritative and masculine and tall. and, for some reason, this is apparently incompatible with the idea that he might also like to get railed... which means that harry has to make sure nobody is in any doubt about who's the woman bottom by becoming as teeny tiny as he possibly can...

[revolu]

I'm dropping (a bit old) john laurens yap here. Please correct anything you must + provide the source.

and we know very limited about John but whatever !!

Laurens was described by Hamilton to have honey blonde hair when clean. His hair was generally said to be light brown/blonde. As seen on portraits, he had soft features, blue eyes, and a big nose. He was described to be very handsome, and IMO I agree!! We don't know exactly how tall he was, but he was most likely over 6 feet. One day before Laurens' 15th birthday, his father wrote to James Grant; ''my Little Jack, now as big as I am...'' (Jack being John's nickname). We don't know Henry Laurens' height, but if he was as tall as Henry at 15, he certainly grew to be taller. In 1778, Henry wrote to John ''A Taylor has cut off as much of your Scarlet as will make he says a Wascoat for 6 feet 3 inches...'' which suggests that John could have been 6'3. It's not clear what exactly Henry means in the letter but as said, John was probably over 6 feet. Laurens was one of the strongest abolitionists of the time despite coming from one of the bigger slave plantations and growing up where slavery was normal. John could speak English, French, Italian, Greek, Spanish and Latin. We know that he was fluent in English and French but we don't know about his fluency in the other languages.

Laurens got Martha Manning pregnant and ended up marrying her out of pity (supposedly to protect her reputation too and to keep illegitimacy of their child.) He wrote to his uncle ''...Pity has obliged me to marry...'', When Laurens left for war, he left his pregnant wife in another country. When John was chosen by congress to be a special minister to France and had him travel there, Martha traveled with their daughter to reconnect with him upon hearing about his arrival in France. But John supposedly made no effort whatsoever to visit them; he completed his mission and went back to America. Martha later died during the trip and their daughter, Frances, was sent to live with her aunt.

John Laurens is believed to have been gay... The man didn't seem to express any attraction towards women, though I think his sexist beliefs played a role in this, as well as his lack of effort to humble his wife. His letters to Alexander Hamilton, and Francis Kinloch also suggest he had an eye for men... ESPECIALLY Kinloch's and his correspondence.

Henry Laurens wrote ''Master Jack is too closely wedded to his studies to think about any of the Miss Nanny's''. But it's important to note that he was a teenager at that time and not every teen develops those feelings at the same time. But I would imagine that since he was as tall as his father at 15, he was early in puberty... Romantic/sexual feelings usually come with puberty, but what do we know? Anyways. John expressed a lot of sexist opinions, even towards his own sisters, which can be read in letters. Most men were sexist, but John seemed to be more ''strict'' on the subject... This definitely plays a part in his supposed ''homosexuality''.

John hid the fact that he had a wife and child from Hamilton for nearly two years. Why? The reason is unknown. It's only up to debate. My guess is that he just wanted to try to ''forget'' them in some way, seeing as he literally left them... Why would you bring up that you have a family that you abandoned? But maybe it was because he never found the right time to tell him, or was it to get a better chance with Hamilton? We will never know, sadly. But what we DO know, is that Laurens referred to his wife as ''dear girl'', and Hamilton, and supposedly ONLY Hamilton, as ''Dear boy''. We know for a fact that Hamilton was close to Laurens and was special to him, but why did he call his wife that? Out of pity? He didn't necessarily show any real attraction towards her... But whatever the reason is, it's kinda cute.

We know that Henry Laurens was emotionally manipulative of John, which is like read in letters... So there is no denying that, really. BUT John was close to his father, attachment issues tsk, tsk tsk... But jokes aside, when John told his father that he wasn't super interested in becoming a lawyer or merchant like his father wanted, Henry wrote this to his brother; ''if he enters upon the plan of Life which he Seemed to pant for when he wrote the 5th. July, I Shall give him up for lost & he will very Soon reproach himSelf for his want of Duty & affection towards me, for abandoning his Brothers & Sisters, for disregarding the Council of his Uncle, & for his deficiency of common understanding, in making Such a choice_ if these reflections prevail not over him, nothing will_ he must have his own way & I must be content with the remembrance, that I had a Son.'' Basically, Henry said he would disown John if he pursued his interests in medicine. So, John ended up becoming a lawyer/statesman to please his father. There are more examples of John trying to please his father, but let's not take that now... HOWEVER, after John had died, Henry wrote of him in response to John Adams' letter; ''Thank God I had a Son who dared to die in defence of his Country'' ... We get a lot of mixed signals from Henry... Though I do believe he loved him, at least somewhat.., even if he was controlling/manipulative. Henry wasn't too nice to his other children either, but since this is about John I'm not gonna talk about that.

John's brother James died at the age of 9-10 (1765-1775)

James, or Jemmy, was supposedly scaling the outside of their house and tried to jump to the landing outside of John’s window but fell. He received life threatening injuries and cracked his skull. The doctors had figured that the injuries were too severe to save him and John described it to his uncle four days later; "At some Intervals he had his senses, so far as to be able to answer single Questions, to beckon to me, and to form his Lips to kiss me, but for the most part he was delirious, and frequently unable to articulate. Puking, Convulsions never very violent, and latterly so gentle as scarcely to be perceived, or deserve the Name, ensued, and Nature yielded."

Since John was supposed to watch over James during this time, John felt guilty and as if it was his fault. James' death was very difficult for John, and it weighed heavily on him.

Henry did little to alleviate those feelings of guilt, which suggests that he either didn't care enough, or that a part of him also blamed John. (I am not saying he 100% did, but it would not be surprising if he so did, considering how he treated John.)

He could also have been in too much grief to console John... Which, as said, would not be too surprising considering his treatment of John. But nevertheless, he did not do much to help John and John's guilt.

TW: mentions of suicide.

It is highly speculated that John was suicidal. We have a couple of written exchanges where John discusses suicide with friends and family. In February 1774, John wrote to Henry Laurens about two men who had attempted suicide. We don't have the whole letter, but here is a part of Henry's response; ''...But, my Dear Son, I trust that your opinion on that Question is So firm, that you are armed with Such irrefragable proofs of the Impiety as well as Cowardice of Self Murther, as puts you out of danger of being made a Convert to Error...'' (Not gonna put all of it). Another time, when John was a prisoner of war and didn't handle imprisonment well, Hamilton wrote to John ''For your own sake, for my sake, for the public sake, I shall pray for the success of the attempt (of being exchanged) you mention; that you may have it in your power to act with us. But if you should be disappointed, bear it like a man; have recourse, neither to the dagger, nor to the poisoned bowl, nor to the rope.'' It is clear that Hamilton (and Henry, despite how he treated John) were worried about John's thoughts of suicide. John's last letter to Hamilton was probably one of the, if not the, most emotional. He wrote ''Adieu, my dear friend; while circumstances place so great distance between us, I entreat you not to withdraw the consolation of your letters. You know the unalterable sentiments of your affectionate Laurens.'' John died about a month later. On the day of his death, John and his men surprised a troop of British soldiers that outnumbered them. Instead of retreating, John chose to immediately attack. He did not really actively end his own life, though it seems as if it was planned or that he was trying. Which is just sad. Also, it's not sure that Hamilton's last letter to Laurens ever got to him before he died. (In that letter he tells John to quit his sword and come to congress with Hamilton)

I don't know what else to add actually but here you have it!! This is as accurate as I can get it, especially cause it's like mostly based on letters... Uhm. But yay!

[lurkingshan]

Japanese QL Corner

We are heading into a bit of a quieter period for QL corner, with two shows ending now and another next week. At least we still have a true banger airing to sustain us through the drought. Smells Like Green Spirit is also now airing in Japan but has not yet been picked up for international distribution (pray for it to get to us soon). These shows are available for weekly streaming on Gaga unless otherwise noted.

Happy of the End

CWs: Blood and gore, child abandonment, child molestation, childhood sexual slavery, death, family rejection, heavy scarring, human trafficking, rape, sexual coercion and exploitation, suicidal ideation, suicide mention

This week was relatively lighter compared to last week's very rough episodes, but still so laced with sadness even in its happy moments. Haoren mourned his mother, and finally admitted to himself, and to Chihiro, that she was never protecting him. The show dug deeper into how this bond between them is giving them both a reason to shake off their apathy about survival, though that is definitely touch and go for both of them. The way Haoren experienced a few moments of happiness and immediately jumped to the conclusion that he would like to die now because he'll never top this feeling was telling, as was Chihiro casually laying down in the street and not moving until Haoren dragged him away. They don't have any real hope for a better life, but they each seem more invested in the other's survival than their own, and that is giving them something to cling to. It was nice to see them have some moments of trust and connection between them, and for Haoren to finally feel safe enough to strip himself bare, physically and emotionally. I'm bracing for a rough final week, with Haoren's former enslaver coming after Chihiro in a bid to destroy the source of Haoren's new happiness. I don't really know what to hope for in terms of an ending for these characters; I just hope the show can leave us with the sense that their relationship mattered and gave them something they can each hold onto.

Love is Like a Poison

This episode had me screaming with laughter and delight. Haruto can read his Ryo-kun like a book, and Shiba can't seem to figure out which way is up. I don't even want to describe all the hilarious gags and sexy tension and extremely unsubtle metaphors in this episode; I don't want to ruin it for anyone. Go watch!

Chaser Game W 2

Of all the great JQL we've gotten in the last year, why this one got picked up for a second season I could not tell you. I was less than impressed with season 1, and I don't have high hopes this next go round will be any better. Especially after watching the first ep of this new season, in which they unceremoniously undid the ending of the last in a laughably silly way only to introduce a new, more annoying conflict. They could have made something of a story about Fuyu trying to work out a way to manage her family life to be with Itsuki, but they'd rather hand wave that away via gay penguins in favor of a new love triangle. Whatever, show. Here we go again, I guess! I’ll be watching this one mostly to support the ratings.

Tagging @bengiyo to do our last anime update for the next little while, as Twilight Out of Focus has officially ended its run and there is no new animated ql on the horizon.

[thebramblewood]

Apologies if you've answered this before, but I was looking through your asks and couldn't find anything.

Do you have any advice on how you take such good screenshots of your game? You have such a knack for lighting, having variety of shots, and making them immersive.

This is so sweet. Thank you! 🥰

If I'm being honest, it's 90% vibes and gut feelings for me. I don’t have any formal background in filmmaking or photography, and everything I know is by sheer osmosis. There’s a lot of fancy terminology to describe why certain image compositions look better than others. I admire and respect anyone who purposefully keeps that in mind. But I am definitely not that person. I think I’ve watched enough film and TV, though, to subconsciously be doing the "right thing" - or at least what looks right to me.

That being said, I think the best way to improve is practice. If you spend enough time doing something you'll obviously get better at it, even if you don't realize it at first. So the most important thing is to give yourself the patience to grow and the freedom to experiment! At any rate, here are some things I've learned that will maybe be helpful to others.

Camera Tricks: We all know the camera in TS4 can be a little wonky at times. I use Buckley's camera mod. It hasn't been updated in eons but still works as far as I can tell. It gives you more freedom with movement, and I've found it especially helpful for getting shots that are lower to the ground.

Now that I've realized how sneakily useful first person camera can be, I also take advantage of that all the time. There's the trick of making your Sim look in a specific direction. (This works with poses and gameplay actions, by the way! For example, I used it to turn Caleb's head toward Lilith while he was trimming the bonsai tree.) There's the Dutch angle trick explained in this video. This is great for moments of disorientation and unease. I also just straight-up used first person camera to convey Helena's confusion upon waking after being turned.

Also, saved camera positions are your best friends. You can save up to five positions using CTRL+5-9. Then you just click the corresponding number to return to that position. I've used these for so many reasons. By taking two shots in the same position and Photoshopping them together, I've been able to edit Sims in (like Vlad below), fix accessory clashes (the book was in the hat category, so Lilith couldn't actually wear it at the same time as the towel on her head), and to pose Sims in open doorways (Helena had to walk through the door to open it for the Vatores, so I shot both halves separately).

Zoom: I love smashing that zoom button, whether it's zooming way in or way out. Zoomed out shots are perfect for establishing setting or as interstitial shots during a long conversation when you don't want to always focus on Sims' faces. They're also great for the draaama. Extreme close-ups are great for emphasizing emotion or a tiny but significant detail. Playing around with the extremes of zoom is one of the best ways to achieve shot variety!

Focus: I don't think Reshade is a necessity for good visual storytelling, but it does make certain things easier. I rely a lot on depth of field shaders to pull focus in shots. I like using cinematic depth of field especially in conversations to blur some characters while emphasizing others. I feel like this helps ground conversations because it reminds us there are multiple participants instead of always zeroing in on the speaker alone. Another way to play with focus is to allow the angle to mirror the emotions of the conversation. It's an older shot, but I always liked how Caleb seems to cower beneath Lilith's bat form here even though she's technically smaller. And in the recent conversation between Lilith and Helena, I kept the camera to Lilith's back to emphasize her vulnerability and discomfort and put the focus on Helena's reaction to it.

Framing/Angles: I do this by pure instinct, honestly, and have gotten better at getting it right on the first shot over time. I used to take half a dozen shots of the same pose from different angles and choose the best one. Nowadays, I'm quicker to commit and often take only one shot. I've learned that if something immediately tickles my brain, it's usually the way to go. I usually angle shots so that the characters aren't looking directly at camera, as it seems more natural that way. On the other hand, sometimes the direct to camera look can actually work in more confrontational or unsettling moments.

Environment: If I can help it, I don't do my own builds. In some ways, this is a disadvantage because I have to set up the scene within a space that wasn't specifically catered to it. On the other hand, it makes for fun little surprises, like the ability to peek in through a skylight or frame two characters within perfectly placed archways. I like using objects and structures to create interest when I can. I often don't discover things like this until I'm pulling the camera around and randomly happen upon them. I definitely recommend navigating all around to see what you've got to work with before committing to any specific angle. You might find one you didn't even think of!

Lighting: I do what I can with the game's lighting. I avoid placing ceiling lamps or at least turn the brightness down much lower, and I don't usually turn all the lights on in a room at once. I tend to change the color to one of the warmer golden hues to avoid a stark white that washes everything out. I always like when I can get some sources of light into frame because it adds a lot to the ambience. But I've also been using Relight on all of my posts lately. It's an addiction, and it truly makes all the difference. I'll use it to give light sources a stronger glow so they stand out more and also to create shadows on Sims' faces. It's also very good for flashlights and computer screen glow!

After having self-indulgently written all this, I'm not sure how much is usable advice versus rambling musings. I find it hard to give storytelling "tips" because so much of it feels innate and personal and hard to put into generalized terms. I also don't want to imply that every one of my shots is perfect or that there aren't a million other ways to go about achieving good results. But thank you to anyone who's made it this far, and I hope you found it worthwhile. 💕

[purpurussy]

I feel like the "dan is bi" anon is trolling but just in case they're genuinely confused: yes dan said in BIG that he loved and felt attracted to his high school gf (although he also made it pretty clear that they did not have sex so idk where anon is getting the idea that he has slept with "multiple women" 💀), and he alluded to his attraction not being confined to a specific gender in the part where he talked about labels, but you're completely taking all of that wildly out of context and missing the point of the whole video by calling him bi. I feel like this is probably the part that's frying their brain:

(shoutout to the legend @goldenpinof for this transcript!)

But firstly, imo it was very clear from BIG, as well as other stuff he's said over the years, that he just doesn't like labels. Which I find very valid, it took me a long time to figure out how to label myself. I still don't know what my gender is lmao but I started saying "bi" for my sexuality because it's a widely-used term that gets the point across. And I think that's the thing here: he came to the conclusion that the labels "gay" and "queer" are the best descriptors of his identity, which do the most accurate job of approximating something extremely psychologically complex and multilayered and nuanced in a simple everyday term that gets the point across to other people.

Obviously words mean things and it doesn't make sense to just pick a label at random (like for example it wouldn't make sense for me to identify as a lesbian, since I definitely feel attraction to men as well as women and everything outside the binary, and am interested in acting on that attraction at times, so I wouldn't be conveying accurate information to other people if I used the label lesbian for myself) but a label is just supposed to serve the task of conveying relevant information to other people (if a lesbian feels some kind of abstract attraction to dan and phil, that doesn't mean that the alphabet council needs to immediately revoke their lesbian card!! Since the word "lesbian" still does a perfectly good job of conveying relevant information to other people. Likewise if a straight dude has a fun little gay dalliance with his college roommate, but has absolutely 0 interest in men beyond that incident, it wouldn't be remotely necessary for him to start calling himself bi if he didn't want to, because what would be the point in that if he's only interested in women? Like if he told a gay dude who found him attractive that he's bi, only to backtrack... Do you see what I'm saying here?). It's perfectly valid for Dan to use "gay" and "queer" as umbrella terms that in his opinion do the best job of describing him, out of the language that's available. If he's like essentially a kinsey >5 and decided to just round it off to a 6 at this point, who are you to tell him he can't lmao

(shoutout to the legend @goldenpinof for this transcript!

Human sexuality is often way too complicated to boil it down to a single label in a way that doesn't erase any of its nuance, and I feel like this is something he's struggled with in the past, especially with him being a public figure. He's mentioned multiple times that feeling like he had to choose a label was a factor that prolonged his decision to come out.

And this is not even getting into the impact that his trauma from his childhood and also from spending a chunk of his formative years in the public eye probably had on the way he identifies or the way he chooses to label himself. It clearly took so much courage and strength for him to finally be able to call himself gay/queer please have some respect for our brave troops

Ultimately the point is that he uses the labels "gay" and "queer", not "bi", and it really shouldn't be difficult to respect that. It's also not biphobic for him to choose not use the label "bi" (again speaking as someone who uses that label). It's just that he feels "gay"/"queer" are better descriptors for him and nobody gets to determine that except him!! :) He wants people to know he's gay so he calls himself gay and that's that on that.

There are definitely people on here who are way smarter and more well-educated than me who would've done a much better job eloquently discussing this topic without rambling all over the place but that's my take (if anyone would like to add to this please do so, I'm always open to learn more about topics like this. And I'm also not saying that the way I see it is the only objectively correct opinion, but anon is definitely wrong so 💀). Thank you for coming to my ted talk

[jewish-vents]

I wish goyim on the left would stop pretending they care about Palestinians. If you're willing to let Trump, who has said he wants to bomb Palestine so hard it turns to rubble and pave over it to make it into a parking lot, take control of the White House, you're not pro-Palestine. Your refusal to vote for someone who won't slaughter every single Palestinian happily allows someone who will to take power, meaning you've effectively just said "fuck it, I'm cool with genocide, actually" with more steps. And if you're that kind of evil, I think it's a bit late to pretend you care about anyone but yourself.

This isn't remotely related to caring about others. This is about feeling good and hating Jewish people, often to the point of not using the word 'people' to describe us, ever, under any circumstances. You're willing to let thousands of people be bombed to death if it lets you hate (((the Jews))) openly without repercussions. I get that. Hatred is a helleva drug and overdosing is easier than sobriety. But just say it. Just stop pretending altruism is a part of this and say it with your whole chest. You're not convincing anyone.

As someone with diagnosed lack of empathy, I can spot fake empathy a mile off. I know what it's like to have to feign empathy in order to avoid being viewed poorly by others. This is not that. This is feigning it on a grand scale by people whose actions will actively lead to the wholesale slaughter of the ones they're pretending to care about.

And then they want me to feel guilty for being Jewish. No. Firstly, I don't feel guilt. Secondly, I am not going to feel bad about harmless things. It's particularly egregious when I, someone with Anti-Social Personality Disorder, can logic my way to "we need a solution where neither side gets wiped out of existence" while people who don't even have a diagnosed problem earnestly go, "I'm not voting for Kamala because I'm such a good person! All Palestinians dying horribly is a totally acceptable price to pay for me feeling good and getting to hate Jews!"

Seeing them call themselves caring is like seeing people in fandom argue that Johnny the Homicidal Maniac is a nice guy - no, you're wrong, and also, are you fucking kidding me? Really?

.

[maudlin-scribbler]

Update: still feeling lovedick or whatever, which I am not used to. But I dunno if it makes sense, but I am not necessarily lovesick for romance, just love in general. I am love-struck but not necessarily romantically, I have a strange relationship with love and stuff due to being on the aromantic spectrum, I think.

[birbtails]

.

[shopcat]

i think in the hamster wheel of my mind a big part of where people go wrong with eddie and his shitty garage band as an extension is that they for some bizarre reason think he's gene simmons metal when he's jack black metal. heavy metal. he's tenacious d metal. he's school of rock. he's stoner lord of the rings metal he nearly wore blue jeans and plaid. jack black literally in real life once said eddie was the best character bc he's heavy metal like him. LOOK AT THIS

[ialwaysknewyouwerepunk]

the loneliness and sadness that creeps into you in a way that only growing up queer can cause. your parents can accept you and still make you feel like an outsider. your parents can love you and still reject parts of you. that old-fashioned kind of love where they think trying to mold you, make you tough, is better for you. or that quiet status quo where you just don't talk. and where everyone is accepted, though some are more than others. generations and generations it's just been easier to let it slide. to let it be. not cause a fuss. but then we sit there with a knot in our chests all our lives wondering how it got there

[triglycercule]

so there's been versions of horror that don't talk. versions of dust that don't say a word. but what about killer man. what if he didn't speak???

i need this man to do the most outrageous crazy and unhinged things while saying not a single word. i need killer sans to stand in corners and not say anything while observing other people (just like how some people depicts horror/dust,,,,) with the most expressionless face ever. the guy cannot feel i want his face to show that. he will murder he will steal he will bother every living being around him while not saying a goddamn thing. ACTUALLY i want his face not to move at ALL!!! this killer's face looks like the 😐 emoji but it has tears. idk maybe it's because if he opens his mouth he'll start leaking dt and he wont even be able to talk so its not worth it. or maybe a certain red eyed child or oily king ordered him never to speak unless they tell him to and now killer just doesn't speak. he doesn't even learn sign language or body language or does any physical cues (voluntarily) because that's considering "speaking". idk just ideas but i like the idea of the guy that does arguably the craziest shit to just. not speak. or have any sort of body language ever. he stands and walks like a robot only sort of personality that shines through is in fights. but even if killer doesn't talk and have any sort of physical presence people will still be able to tell what hes like based on his actions

anyways maybe i just need ALL of the mtt not to speak. yeah that seems cool. none of them speak they just silently beat each other up (killer is dead silent dust is violently signing and horror is making several indescribable noises. this is the most intense fight they will ever have)

[scribefindegil]

I mean this in the ace-est possible way but Dimple-in-Reigen's-body is really hot. sorry.