OK I promise to stop sharing all of my writing praaahcess, but I did figure out the other day that one other reason this Broadchurch fic is giving me trouble is because I haven't written a ball/dance into the story anywhere and that's frankly shocking
She's sweating a bit, her bloody awful hoodie tied loosely around her waist and revealing a monstrously pink top underneath. Her hair's been shaken loose from its ponytail and the curls are everywhere, spilling over her shoulders and sticking to her neck; even as he watches her she blows a strand out of her face. It immediately falls back to where it was.
"I haven't done that that in ages," she says, still breathless. "Didn't think people still played Tubthumping in clubs."
"It's not a club, it's a school dance," Hardy contradicts, because if he doesn't, he's going to reach out and tuck that strand of hair behind her ear or something equally horrific.
She rolls her eyes. "We're supposed to be chaperones, not pedants." Whatever the new song is, it's at least less frenetic, and those who aren't singing along are sorting themselves out into pairs. He's about to suggest they extricate themselves from the throng of adolescent hormones when she holds out her hand. "When in Rome, I suppose."
He takes it, but he's got no idea what comes next — not until Miller puts her other hand on his shoulder and like that, it's decided; his free hand lands gently at her waist, just above the belted sleeve of her hoodie. He swallows and keeps his eyes fixed on the top of her head.
"Were you and Maggie worried about me spilling my guts to Olly?" Miller asks, as if they're bickering in the car instead of… whatever this is. "Is that why you braved the sea of youths to cut in?"
"Not at all," he says, leaning out of the way of someone behind him, enthusiastically singing about laying down his weapons. It moves them closer together, and he curls their clasped hands in to rest on his heart.
"So Maggie wasn't, but you were," she deduces, infuriatingly; her fingers on his shoulder drum in irritation. "I do know how to keep my gob shut about an investigation, you know. I've had practice."
"I think Maggie just wanted to — what's the phrase?" He nods in their general direction. "Take a turn about the room, sort of thing."
"So she asked you to dance?" Miller scrunches her nose up at him. "Did you tell her you were in no mood to give consequence to ladies slighted by other men?"
"Am I Mr. Darcy now?" he asks, looking down at her. A mistake; her top isn't particularly low-cut, but from this angle he's got more of an eyeful than he ought to have.
Not only that, but she's looking up at him, smiling, and that's far more dangerous. "You'd be an absolutely rubbish Mr. Darcy," she says.
"How d'you mean? I'd be outstanding. I don't like anyone, nor does he."
Miller nods, thoughtful. "That's true. You're broody, so is he."
"And I make even more than ten thousand a year."
"Wa-hey, we've got an eligible bachelor here, lads," she laughs. "Or whatever the line is, a single man of good fortune, in want of a wife."
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Episode 4 of Dead Boy Detectives (Lighthouse Leapers) doesn't quite reach the heights of last episode, but it was still good. I really appreciate the way this show is able to blend comedy and darkness. I love its oddball sense of humour and I often catch myself laughing out loud, particularly at Niko, and it never clashes with the dark storylines running alongside it, which takes a lot of skill.
I would be surprised if that's the last we see of the Night Nurse. Although Charles' defeat of her was brutal, or 'extreme' to quote Edwin, it was satisfying to see him get to fight back against someone hurting him, especially after seeing his father's abuse and his death at the hands of his "friends". I also want to know more about him stopping his friends from beating someone up.
This thought is slightly out of left field, but I find it interesting that seeing a male hero hitting a female character, even a villainous one, might have been impossible to include a while ago. It is a very unusual sight and people have pointed out before that usually, when a woman needs to be physically fought in an action scene, she is often only allowed to be hit by a female hero. While obviously I don't mean that it's actually fine to hit women, I do like that maybe we're moving beyond this reductive 'don't hit girls' narrative (combined with the 'it's fine and dandy for a woman to slap a man for comedy' one). Sometimes a woman is in a position of violent authority and is using that power to hurt a man (or boy, technically, in this case) and it's cathartic to see him get to retaliate.
Again, there's a rift forming between Edwin and Charles as they struggle to be honest with one another. Interestingly, they both seem able to talk to one of the others. Charles opens up to Crystal about his father and feeling angry, while Edwin (although still not saying much) seems able to be honest with Niko in a way he can't be with anyone else. Niko is perhaps becoming my second favourite character, and something about her brand of upfront quirkiness (read: autism) breaks through a lot of Edwin's defences. Their talk on the sea shore was my favourite part of the episode, with them watching scooby doo together at the end maybe a close second.
There have been hints since the beginning of Edwin maybe having feelings for Charles, and this is dealt with somewhat directly for the first time with the Cat King shapeshifting into him, and then that little lingering shot later that Edwin has to shake himself out of. I don't have much to say about it other than that I love that Edwin, who has even admitted now that he doesn't know whether he wants to kiss Monty, has enough love interests - none of whom are ideal in one way or another - to make his sexuality journey, much like this sentence, as confusing and complicated as possible.
Small things:
The washer woman is a cool concept well-executed.
I want to know more about Asha.
I love the Walrus man and am glad he seems to have his own running subplot.
Jenny's "love letters" are giving me huge creepy vibes, but I'm also intrigued.
I missed Esther this episode. Even when she only appears for 30 seconds, it really brightens the whole thing.
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help me find it?
does anyone remember that animated movie that was circulating on tumblr for a while -- it looked like an old rankin and bass style film, like the last unicorn, and the focus of the clip was i think a jester/harlequin/masquerade type guy with a lute, and he was very pathetic but also kind of quippy and funny? i realize this is not a lot to go on but it has been driving me crazy and i want to find it!
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