hey, Leverage peeps, I've got a thought. I've seen a lot of posts and memes joking about Nate's inability to understand that his clients do not want money, they want revenge. I also find this funny. but I was thinking about it and I realized something: there's a personal reason behind it. there is a very, very good reason why Nate doesn't get that.
Nate's drive to lead Leverage, outside of the crew, originated from his son's death due to his insurance company's refusal to cover the bill for the required treatment. we all know this. if his company had paid for Sam's treatment, everything would've been fine.
…or, if Nate had been a little wealthier, had a little more change to spend… maybe he could've paid for it. maybe Blackpool never would've had a say in any of it. maybe Nate would've had everything under control from the start.
we've discussed at length in the fandom how money equals safety for some of the others in the crew (Parker and Hardison grew up with little to none and know its importance to survival, Eliot needs it to stay ahead of his old enemies, etc.), but I don't know that I've seen any discussion on how it's relevant to Nate. for him, however, money equals security in healthcare and in housing (he lost the house, remember?). Nate's older than the others. he remained in the same place for much longer, and he had a stable life for a while. the others haven't been in that position before. many of their clients, however, are at that place in life.
yes, for the others, money keeps them ahead of the game and it keeps them secure. but none of them ever lost a kid because they couldn't pay for healthcare. none of them risk losing the life of someone who is completely dependent on them when they don't have enough.
(Hardison, perhaps, has the closest understanding, considering he hacked a bank to pay for his Nana's healthcare. but he never lost her.)
Nate thinks ahead, you know? he has a long-term view of things. I imagine that for him, when clients refuse the money, they're not just refusing a month's worth of groceries, or a place to stay the night, or the ability to keep running. for him, they're refusing control over their hard-earned, stable, long-term living situation. they're refusing the potential to save a family member's life.
I dunno, guys. I think that's a pretty good reason to not understand why people don't want the money.
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thinking about Eddie, who because of the upsidedown was in a coma for effectively the rest of '86. When he woke up he had to re-learn a lot of shit, since even after he could open his eyes and sit up, moving was still hard.
Steve and Robin go with him to all of his PT appointments as he works on moving and standing up, but not walking yet. The therapist overhears him complaining to Steve about how he misses writing, since his hands are too shaky for the words to be legible.
She tells him that if he wants to write better he should practice more, and maybe pick something else up that requires small, repetitive movements, like sewing or crocheting.
Eddie is about to open his mouth to say that sewing might be a good idea, because he can work on putting his old patches onto the new vest that the kids bought him as a "we're glad you're not dead present", when Robin comes back from the bathroom and pipes up that she has some crocheting stuff from when she and Steve tried to learn together a few years back, and that's the end of that conversation.
crocheting is his least favorite part of the night, even if Robin and Steve are patient and let him pick the movie in the background and don't get frustrated when he drops the hook between the couch cushions for the thirtieth time in an hour.
Eventually he gets the hang of it, but--out of spite--refuses to make anything other than a very long line with his yarn, telling Steve and Robin he's going to strangle them with it when he's done, because crocheting "is literally the least metal thing in the world."
He stops threatening to strangle Robin after she makes him a little bat.
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I'm aware many people (including myself) are uncomfortable with this framing, but I can't help but love the "sometimes, a little girl grows up to be a man, and sometimes, a little boy grows up to be a woman"
How eloquent, how beautiful is it to describe the growing-up of a trans youth? Something about it feels soft and so unabashedly human.
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