Chapters: 9/?
Fandom: Gravity Falls
Rating: General Audiences
Warnings: No Archive Warnings Apply
Relationships: Stanford Pines & Stanley Pines, Dipper Pines & Mabel Pines & Stanford Pines & Stanley Pines, Wendy Corduroy & The Author | Original Stanford Pines, Jesus "Soos" Alzamirano Ramirez & Dipper Pines & Mabel Pines & Grunkle Stan, abuelita ramirez & stanford pines
Characters: The Author | Original Stanford Pines, Grunkle Stan | Stanley "Stanford" Pines, Dipper Pines, Mabel Pines, Jesus "Soos" Alzamirano Ramirez, Wendy Corduroy, Bill Cipher, random hospital people who are never named
Additional Tags: Hurt/Comfort, Eventual Fluff, mental manipulation, Family Bonding, Hurt Grunkle Stan, Protective Grunkle Ford, Sad Mabel Pines, Sad Dipper Pines, sad soos, wendy gets mad at ford, but he deserved it at the time, Grunkle Ford Is A Jerk, a little bit, Everyone Needs A Hug, especially stan and ford, Bill Cipher Being Bill Cipher, Self-Esteem Issues, The Mindscape, Canon Divergence - The Stanchurian Candidate
Summary:
Stan didn't hesitate to throw the election to save Dipper and Mabel. The Pines thought it was over when he pulled the kids to safety, but Gideon had other plans. Now, Ford has to step up, take care of his niece and nephew, and deal with his own feelings about his brother, and what will happen to them all now. Meanwhile, Bill isn't letting an opportunity like this go by without taking advantage of it.
...
CHAP 9 IS OUT
after like five years
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The Mario movie thing is so funny to me. Here, look at this:
Sonic movies (1, 2, & w/ 3 on the way) come out, does INCREDIBLE in box office, decimates Marvel films, who previously had a stranglehold
Nintendo sees this, wants a piece of that pie, buckles down to make a Mario movie Incorrect order of events, as pointed out here! Mario movie announced before the public knew about Sonic movie.
(Potentially because the previous Mario movie was so out there, did poorly, & was disliked by fans & then promptly forgotten,) they pair with Illumination, a studio that is largely known for making very sterile films
Btw, is it just me that finds it weird that there is no mention from Nintendo or online of the previous movie, in all this? Maybe I'm the only one who remembers this film idk
They announce casting. Everyone immediately boos because they cast Chris Pratt as Mario.
Immediate outrage, as Charles Martinet, the voice of Mario for DECADES, was not cast in his claim to fame roll
There is a (unsourced) rumor that a test screening for the film was met with disappointment, making Nintendo unhappy
Slightly corroborating this, Nintendo buys Dynamo Pictures, to make Nintendo Pictures, with the intent to make future movies in-house
Anticipation for the movie likens it to other sterile animated movies of the last 10 years, like the Minions movies
Trailer comes out.
People continue to boo Chris Pratt, a bad cast for a beloved character who is putting 0 effort into his voice, in comparison to all other VAs putting in 110%
Chris Pratt goes to bed "depressed," at seeing the response I was incorrect, that is an older article, about when he was thanking his wife for providing a healthy child, to which people drew immediate parallels to his ex-wife's son, who has many health complications & needed many surgeries.
But with your help, we can make him being depressed after media backlash reality!
Lol, &, may I say, lmao.
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Michael, the Ruined Prince
Michael, having used all of his power to seek out God, had failed as the Prince of Heaven. He had abandoned his people, absent for centuries on a fruitless search filled with unheard, increasingly desperate prayers and an unrelenting, bone-deep exhaustion that is now permanent. His grief grew day by day, and an angel in isolation begins to wither, to warp – they must be with one another lest they twist into their extremes, retreating into their divine purpose until it becomes self-destructive parody. And Michael had already been scarred long ago by his role in banishing Lucifer, by God’s own ever-mounting wrath that ate away at the mercy he was meant to feel alongside it. Michael had already been insular, something had already pulled at the seams of his soul, and now centuries of failure consume him. He would return to Heaven with nothing for his people. Nothing for the siblings he swore to protect.
So his final thought in a deeply troubled mind urged him to try one last time. That if he could not find God, then he must bring God to himself. He must sin, he must beg for punishment, and then God will come to deliver it onto him. Just as He once did to Lucifer. It disgusted him, to think he had to debase himself to be as the sinners he held nothing but vile contempt for ever since he couldn’t cope with the guilt of the first fallen angels. But his prayers have failed, his days of weeping have failed, he moved Heaven, Earth, and all of Hell to come up with empty hands. Less than that. Not even a feeling. So Michael, even as a Cherub who could not, did everything he could to replicate his memories of when he had witnessed God Himself tear the light from His angels. Michael had seen it every time, it was he that had to bind any fallen angel that survived it to their place in Hell. He knew, implicitly, what the ritual was even if God seemed to enact it in one beautiful, elegant motion. And he did just that. Imperfect pantomiming, flawed execution, but the same ritual as best as Michael could copy it. All to himself.
But only God and the high Seraphim can sever an angel from their light.
His soul was rent from his body. His light was torn to shreds by his inexperienced hands. The agony that it screeched resounded all the way back to Heaven in unintelligible, muted whispers of nauseous grief no one could understand. Michael felt himself die, but it was incomplete. He was left in a corpse, a body destroyed and succumbing to all it meant but with him still inside of it. God did not come, and Michael was trapped a ruined body, bereft of a soul, of his light, giving way to rot and deterioration yet fully functional. He could do nothing but take this as a sign from God, one that he will not be punished no matter his crime for being such a loyal servant. Even as his body falls apart, as plants begin to burst from his remains, he believes himself to be blessed – see how he grows God’s garden. See how his crown remains pristine. He adorns his exposed bones with gems and finery, ostensibly as thanks to God for keeping him alive, keeping him sinless when he had so despised his impending fall from grace. But. Michael is, in the back of his mind, highly aware of what he’s become. He knows he is rotting, he knows he is in a dead body, he knows, somewhere, God had nothing to do with it. It was just a mistake, it was just his own foolishness with catastrophic consequence. He is more noxious than a fallen angel now, a botch job shambling numbly back to Heaven when he feels the death of Gabriel.
Upon his return, he largely attempts to hide the rot of his body, at least from the citizenry – he cannot hide it from Raphael or Uriel, nor does he try. To Michael, it proves his devotion, it shows God’s still present love for him, and it is a testimony to how he cannot fall, that he can never lose his place in Heaven. Raphael begs for him to be healed, Uriel pleads reason to him, but neither had ever been as strong as Michael and ultimately, he is their leader. No matter the state he returns in, he is the Prince of the Archangels and truthfully...they both fear him now. He is not the Michael they loved, not the one that had been quiet and stoic yet still loving in return. The Michael that would have done anything for them, that never wanted to lose another like he lost Lucifer. He commands them now to join him in binding Gabriel, his tangible grief the only thing that seems to be left of who he had once been.
Internally, Michael sees their fear, he feels the crushing guilt of Gabriel’s fall, he is violently ill with one true look at himself. He had gone wrong a long, long time ago, when he lost Lucifer, and now all of that was being made manifest, but he can’t face it. As flesh falls away, he covers it more and more with jewels as if that could hide the decay he can feel spreading night and day, the only thing he feels now. He must retreat into his purpose, he must not allow such devastating failure to be his legacy. So he turns on Gabriel. Gabriel, whose light had been severed. Who walks freely in an abandoned Hell. Who still has a living, breathing body. Michael’s vitriol toward the damned hones in on Gabriel, consumed with being sure he is left nailed to the lowest pit in Hell for his treachery. All the love he once had turns to hatred and in it, the other three can see that Michael has been left shattered, that nothing in him truly believes God made him this way. God’s most loyal, left to rot.
Additional information:
Michael now always exudes the Odor of Sanctity, but there is a distinct undertone of mold to it
The opalescent webbing that runs through his body is the angelic brain - normally it is iridescent and transparent with a strange glow, but Michael's is opaque and dull
Michael now prefers walking, something noted as unusual when he returned to Heaven, but it's simply due to the fact that his body has been left entirely numb and so it's difficult to maneuver in the air properly
He is very protective of his crown and dragon-skin bag, as they seem to be the only things left uncorrupted on him
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Rem Saverem was a real one. Imagine being like between 28 and 30 and witnessing your crewmates torture a little girl to death, unable to stop them or rescue her. She’s not human but she looks and acts like a suffering child. She dies, horrifically and incompletely (frozen, status: alive). Your crewmates aren’t done with her even when she’s in pieces, and they put her in a jar to save for later. You keep her resting place clean and leave her flowers, knowing she never once got to see the miraculous geo-dome where you grow those flowers. Her siblings(?) or aunts(?) or mothers(?) support that geo-dome, each in a jar of their own, a torture and exploitation even slower than hers. You’re giving her little bits of them, but there’s nothing on the ship that isn’t created or maintained by slavery. There is no viable alternative you can come up with that doesn’t involve an overhaul of everything currently keeping humanity alive in suspended animation without waking up everyone and having a UN-floor-style shitshow of a discussion. You’re not an ethicist or a politician or even a community leader or systems engineer. You’re a navigator with a good head on your shoulders and an unequivocal stance on torturing children: it’s the worst kind of wrong. You don’t really know enough about Plants to understand what the alternatives to their exploitation are, if there are any. You just know it’s wrong, and the complicity eats at your bones and at your sanity via your conscience. How did you ever think that this expedition was the best use of your blank ticket? What would Alex say? (He would hold you and remind you that you are one human woman, and that you protested as much as you could, made your moral stand as best you could, and pushing harder might have resulted in your enforced return to cryo-sleep until the ships reached their destination, and then who would leave the poor child flowers? Who would think of her kindly? Who would be awake instead of you now, continuing to ruin her even after death?)
Then, the universe coughs up two more Independent Plants, and you know exactly why you’re on this expedition and how to make the best possible use of your blank ticket. Never again. You name the children, you treat them like people, you love them - and you’re barely 30 and traumatized as hell and you know you’re fucking things up, but there’s no one else and you cannot allow there to be anyone else, or everything goes back to square one and the twins go to the dissection table. You hide them in plain sight. They love you. You’re happier for their company, less lonely, and you never expected to have children. (You were planning, with Alex. If those plans had worked out, you would not be here to do your flawed best for these twins.) They are so smart, and you cannot bring yourself to tell them anything about the girl who came before them. You can barely put that experience into words for yourself, much less communicate the scope of it to two children. (They are so smart, growing inhumanly fast, and they are still less than a year old. You really should have fucking tried anyway.)
They discover their sister. They’re about one year old, and they fall away from you and from each other and from hope. One-year-olds shouldn’t be actively suicidal. You feel just like you did when you dragged yourself back to your room after screaming at your crewmates decades ago. You still think it was pure cowardice that you volunteered to go back into cryo-sleep so you could wake up years later and avoid spending time with mutilators and murderers. If you checked out, chose to sleep, volunteered for a solo navigation shift, how could you blame Knives for pushing everything down and ignoring it? After your own sick depression, feeling so powerless, how could you blame Vash for wanting to be done with everything?
But they’re barely over a year old. All you really know is that dead people don’t get to make decisions for themselves, death is the end of change for a person. (Alex will always be 27, love you more than anything, and will never meet the children who have become your family.) Things don’t get better for dead people. You want so, so much for things to get better for the twins.
One of them kills you, driving everything into the ground, humanity and Plants alike, because living means change means uncertainty means fear, and he is so afraid and humanity taught him his life was cheap, so why should he value theirs? The other plays the letter but not the spirit of your hopes; he lives for other people and never for himself, internalizes your insistence on the value of life and pays flesh by the pound to preserve it. He won’t follow you into death because your purchased his life (and so many other lives) with yours (he won’t squander that), but in a way he will never forgive you for choosing to die for others, and he’ll take that anger out on himself. You save lives and you doom Plants and you doom humanity trying to save humanity and Plants from their doom. Everyone’s on a rock again, back to where it all started on an inhospitable world, just a new one. But you kept things from ending. It all could have ended.
And you were like 30 and clinging to an imperfect but determined philosophy that kept you from flinging yourself into the grave after Alex, and you weren’t a mother or an educator or a spiritual guide or even particularly suited to raise children, and you fucked these kids up irreparably, but you were all they had and you were better than anyone who would have made them into tissue samples. You tried so hard, and both twins will carry you like a millstone and like a talisman for the rest of their very, very long lives.
And you named one of them Knives. What the fuck, Rem. Knives??
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i have a headcanon that susie has a secret death wish to be with her father again, so instead of getting surgical robotic implants to live longer, she chooses the route of living a healthy lifestyle
& through that, she ends up living a pretty fulfilling life up to the age of 109 years old, which is really long for her species, especially as an individual without robotic implants
she's self destructive, but in a way you can't really tell unless you go full detective on her or she spells it out to you herself
i've always preferred the idea of her not actually being a robot or cyborg but instead a human battery (or a battery completely made out of flesh if you really want me to get to into the nitty gritty)
& man if i could bring up metasusie for just a bit, knowledge of her eventual death tortures meta to no end as over time, he becomes more obsessive with the idea of physically aging by slightly altering his appearance in different ways, gaslighting himself under the notion that susie must secretly feel ostracized that her partner isn't aging similarly to her, when in actuality, this obviously unhealthy behavior deeply worries her
"until death do us part" really hurts the guy, even after watching multiple people of differing relations pass on in his life
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