I love Chiyo- and I kind of headcanon her as a Witch of the Woods (Sands???) archetype- a bitter old woman who has sacrificed too much, experienced and committed more atrocities than anyone can imagine, and who knows the truth about what lies in the hearts of men to live among the villages anymore.
In my AU she's got a pretty dark backstory. Back in time when Villages were just getting established, women weren't allowed to be shinobi in the same capacity as men. There was too much warring and death among the clans to risk women, so they were only ever allowed to serve as spies or medics. (Chiyo started off as a medic).
And like any military/fascist dictatorship, serving the state was more important than anything else- so women who were kunoichi were given missions to steal and return with powerful bloodlines. Even before villages, this was a common fear among clans (which is why so many of them have protective measures and inbreed/arrange matches very carefully).
Chiyo was one such woman, who took a X-rated mission in her youth because she was told it would 'serve her nation'. There was a powerful bloodline whose Kekkei Genkai could harden sand to something akin to Steel- something Suna very desperately wanted.
Chiyo succeeded in her mission, but despite the veneer of 'serving your nation', when she returned, she was considered, in her words, "Just another whore."
Then when her son didn't manifest the bloodline- it was worse, but Chiyo was happy because that meant her son was HERS. (This is when she met Enji, and he saved her son's life at great cost- so Chiyo owes him a blood/life debt.)
Then the war came, and they needed women to fight so now serving the nation meant something different, and Chiyo became a full fledged 'shinobi' and turned her healing towards poison and death- especially when she had to fight the Salamander.
Then she sealed Gaara and that was the atrocity straw that broke the camel's back and she dipped out Suna and retired to an oasis. She's still a healer, but adamantly refuses to serve shinobi.
Once again, thank you so much for these asks and all the support for this AU?
@youngpeacearbiter
417 notes
·
View notes
Still emotional about Fy'ra Rai and Opal, actually. Thought dump time bc i. dont have the energy to cut this down effectively.
Because at that point in the episode, Opal is doomed. Not in the fun little "oh things are getting worse ;)" kind of way we'd been experiencing leading up to the fight, or even IN the fight. At that point in the fight, Cyrus is dead. Dorian and Dariax have their minds twisted, bodies clambering away from the fight. Morrighan has felt, firsthand, just how far gone Opal is, holes in her mind, her friend broken. The heartbreaking sentence of. "You can always come back." understands that she is gone already. She's lost already. Opal has forgotten Ted. Opal has forgotten herself.
So at that point in the fight, we know Opal is doomed. Us as the audience, the cast, the characters. Aabria is running through each of the other crownkeepers and it is more of a goodbye than a round of combat. Defying the Spider Queen invites death, with zero hesitation- Cyrus's body as physical evidence of that. The terms were very clearly set: You leave Opal, you let her be lost. Or you die. (Leaving Opal anyway).
and Fy'ra Rai then. Grasps the crown, understands intimately that she can break it off and it will kill Opal. (I will free you, if you want me to. We would lose you but you would not be taken). And asks, what do you want me to do. What do you want.
and Opal says, I want you to leave. (I want you to live.) and Fy'ra Rai functionally says. No. Sorry. That's not one of the options.
If you wanted to go. I will do that (your blood on my hands). If you want me to stay, I will. But I'm not going to leave you.
There was the point where Fy'ra Rai broke into the communication and I felt my insides sink because. Look. Lets be real, Aabria had already demonstrated the stakes here. The gesture would not be rewarded for the gesture alone. The Spider Queen's terms were: You leave Opal. Or you die.
And Fy'ra Rai said: no.
I don't think I'm overstepping to assume that if Fy'ra Rai had failed the intimidation check, she would have died. This entire thing hits me so hard because I think Anjali knew that too. I think Fy'ra Rai knew that too. Yes, Fy'ra Rai convinced a Betrayer God to negotiate. She carved a third option out of a non-negotiable situation. She knew what would happen if she failed and did it anyway, with no fear, no regret, no waver in her resolve. She had lost enough sisters. She wasn't going to lose anymore, no matter the personal cost. That's part of why it succeeded, I'm sure, but.
Just. Fuck me. The amount of resolve. The amount of love. The amount of conviction. "I am. A protector." You know your friend- your sister- is doomed. So no more negotiating away from that. You step to her side and you grasp her hand and say- doom me with her.
And in some, sideways way, this saves you both, at least for a little while.
Because this story is a tragedy. This ending is a sad one. We know this already. But think about- Opal, under Lolth's bidding, alone in the dark. Think about Fy'ra Rai, alive, intimately aware that she had failed to protect yet another sister.
And think about what we got, instead: the two of them, in deep darkness, danger encroaching- holding hands. Someone they love at their side. A champion. And her champion.
This is still a sad story. But it's not the same one. Fy'ra Rai stared down a Betrayer God and made her change her mind. She stared down a Betrayer God, and her love and conviction changed the nature of the story. It shouldn't have been able to. But she did.
Fy'ra Rai chose to doom 2 people instead of one, and the sheer strength of her love and will managed to save them both, at least for a little while. Isn't it funny how that works? Isn't it devastating? Isn't it. fucking incredible?
515 notes
·
View notes
100 days of art, 86/100 - Tali, ME2 DLC Outfit Edition, mostly because that was the only thing I had a screenshot of, but also because I like the way Mass Effect does gold-toned metallics.
Which is probably why I had a screenshot of that.
idk, once again I'm kind of ambivalent towards this drawing, but I am patting my own back about some of those folds.
104 notes
·
View notes
So in fancontent (idk how based it is in canon) you often see robin!jason era bruce&dick constantly arguing and getting into screaming matches, or rh!jason commenting on how they always used to do that.
So I really wish there wss more actual exploration on the effect that would have on him. It's always just quick throwaway lines or jokes, but never does anything really explore how it fucks up your relationships to always be expectinf another fight, to always be a bystander, to try and get along with each person independently and yet being scared to be around them bc you know at some point the yelling will come back. And the worst is when it's about you. It's not fun or comforting to know something you did or said caused an argument like that.
I just. More acknowledgment on the ways this could fuck up Jason's homelife and sense of safety please.
90 notes
·
View notes
those poorly written tacked-on het crushes are sooo much nicer when you read them in a dykebreaking/acebreaking perspective.
oh, that girl had so much chemistry with the other female lead, but got a cookie-cutter boyfriend at the last minute to enforce heteronormative standards? noo, don't worry! that boyfriend just taught her the joys of Men, and fixed her silly delusions <3
that girl could be easily read as aro/ace and the presence of a male love interest only seems to invalidate her whole arc and make her seem kind of bland? don't be silly! he just taught her that she needs a Man to survive, and helped her overcome her fear of real love.
that girl who loses all her personality and development to become the male lead's side piece should be a role model! who needs representation when you can have inspiration like this?
328 notes
·
View notes