#i had it written but i forgot. to post it

[allatariel]

WIP Wednesday!

@gordopickett tagged me earlier this week—thank you <3—and I planned to do it today and then of course forgot until the evening. I should have just done it and scheduled it to post today, but I had hoped to work more on Love at the Drafting Table and post that. Alas—I talk about a project and then life conspires to keep me from working on it!

Instead, below is an older, very rough snippet from another languishing, unfinished WIP, The Calculus of Grief, written at the end of April.

Tagging: @madamairlock, @littlelindentree, @caitylove, @shu-of-the-wind, @fireandsoup

More tags (split to work around broken tumblr tagging): @imsfire2, @cryscal, @air-mechanical, @youreorangeyoumoron, @wanderleave

And anyone else who might want to <3

Though the school year had barely just begun, it was actually still a month out from the second anniversary of Sergei’s first day teaching at Spiro T. Agnew High School. October 1, 1995 felt like a lifetime ago. To be honest, he tried to think about the time before as little as possible. But today was a different anniversary: September 4. Today it was harder than most days to ignore the gaping hole in the center of his life. Two years ago today he and his family had landed in Germany. After an hour of debriefing and setting the wheels in motion, of letting hope run wild and selecting a name to bear during their transition, he had called Margo from his hotel room. He had been overjoyed to see her, and when he hung up, his mother had joined him from the adjoining room where his father slept, with his sisters and their families resting safely down the hall. She had asked him about this woman who had saved him, who so clearly held the heart of her firstborn, her only son. So, Sergei had told her their story. For the first time in his life, he was free to tell his mother about the woman he had been in love with for well over ten years. Hours later, when the news reached them, she had pulled him sobbing into her arms as she had when he was small, before the births of his sisters. That was the only time he had given into the despair of losing her. He was trying to live, to stay safe as she had told him. To keep his family safe. And the only way he could manage to do that, to go on, was to leave it all behind. But then just last night he had seen on the news that the Sojourner 1 astronauts and Mars-94 cosmonauts had finally returned to Earth. After their nearly two year ordeal, the world joined in their joy and relief as the survivors were reunited with their loved ones. Sergei had watched Rolan Baranov, the cosmonaut turned astronaut—a defector like himself—be reunited with his American wife and son. His wife who had survived the bombing of JSC. Unlike Margo. Sergei honestly wasn’t sure how he’d made it into work at all. “Mr. Bezukhov?” Principal Alice Nikolsky—not Nikolskaya—called as she knocked on the door of the classroom. “We have a new student for your homeroom. She’s just transferred up from Huntsville, Alabama.” A young girl stepped into the doorway, her pale orange hair falling around wire rim glasses and shadowing her pale freckled face. She looked up, her blue eyes so like his mother’s, his own catching him already off guard as Alice introduced her, “Madison Morgan.”  Seryozha, if you do not let yourself mourn her, she will haunt you forever. His mother’s plea rose in his mind as he took in this child, bouncing nervously on balls of her feet. In another life they could have had a daughter who looked like this girl.

[royalarmyofoz]

love the change from "i hope you're happy"(derogitory) to "i hope you're happy"(affectionate) in defying gravity

[samepictureofsnufkin]

Happy March 15th 💚

I just know that he would stab a certain someone on March 15th…

[eggdoodles]

More Saiyan HC time-

I believe in giving Saiyan stomachs the most cracked out stomach acids in the universe akjdkd

[thrilling-oneway]

Tsukasa Tenma

3.5k

I've mentioned it before but WxS is the group I would consider to be the least close on a personal level. It's complicated to put into words. They clearly love and treasure each other dearly and Our Happy Ending really works to show us just how much their friendship means to them and how broken they would be without it. But despite that there's still barriers. I come back to what Rui said in KAITO's initial card about how he and Tsukasa aren't the kind of close friends who talk about their childhood memories. Like... how to put this. WonderlandsxShowtime is an incredibly tight-knit and valued circle of friendship, but Tsukasa in particular very rarely divulges information about his past. Mainly in regards as to how he came to be like this, like Tsukasa. They know about the shows and that he wanted to make Saki smile but there's those small personal details that are only known because of Toya telling Rui about them.

WxS is incredibly important to Tsukasa, Our Happy Ending is evidence enough of that in that he actually broke down crying for the 3 whole seconds they were disbanded. I think it's more obvious that they're important on a professional level (thanking Emu for hiring him in OHE, thanking Rui for being their director in the connect live), but he does care about them on a personal level he's just less vocal about that part. It's still very obviously there but just not explicitly in the words "I love my friends thank you for being with me", and by no means does it need to be. Maybe the audience interpretation is not helped by the fact that Tsukasa is somewhat single-minded about theatre. He throws himself all into that - theatre comes first, evidenced by Phoenix where he neglects his health for the sake of a role and his development. As well as this there's the fact he tries to tackle most of his challenges alone, rather than asking for help. He goes into tunnel vision when theatre is concerned, although it has been stated a few times that his childhood experiences very much did shape who he is, and I do wonder if having to take care of himself so often from such a young age plays into his mindset of having to do things on his own, even when he encourages his friends to do the opposite. However, over time he is gradually learning to, well, learn from other people. He's got WxS and he's got other actors around him to help him, and he is learning that he can rely on them when he hits roadblocks. A star shines brighter because of those around him, a lesson he learnt well in the main story.

And while there isn't really anything to confirm this, I get the feeling that part of the reason he never got an event covering his feelings over the disbandment and overall seemed to be far more ok with the idea is maybe because he's a realist in some ways. As I said, nothing to actually suggest this, mainly just thinking what would make sense given his childhood where he was constantly exposed to the harsher things in life through Saki being in hospital for a lot of it. That said, he kinda just doesn't like to think about negative things. We see him faced with the possibility of the group disbanding a few times, but his reaction is always to worry about it later, and enjoy it now. Or something along those lines. Like think about in Dazzling Light where it takes him a while to realise that actually he used the piano when he was lonely the same way Torpe used the stars. Or in Phoenix at the Sky's Edge where he has to force himself to break down in defeat and accept that he isn't as good as his peers.

As I said, WxS are important friends to him, even if he usually only vocalises this on a professional level. Like even if it isn't said it's obvious by his actions that they mean something personally. He respects Emu's wishes to make people smile over everything because they align with his own. Both of their dreams were sparked by a loved one that they treasure dearly and with their whole heart. He wants Emu to be happy as well, and wants her to be more open with the troupe (Smile of Dreamer), and in Wonder Magical Showtime, he put the competition that could get him a head start in his career aside for Emu's dreams to uphold her grandfather's legacy, knowing full well that he was giving up an opportunity for himself. It was a completely selfless act for her benefit.

He respects Nene's talent and aspirations, and again they align with his own, to be able to be good enough to see stages worldwide. Even if they bicker, he does care about her, checking in on her at school to see how she's doing in her new class (Hello Good Day), and encouraging her as she improves her singing and works towards her dreams. He gets genuinely worried for her and not just the show in Holy Night when she hits a roadblock with her singing. Admittedly I think their relationship is a little less defined that Tsukasa's relationships with Emu and Rui, but also I am going off memory on this one so it might just be that I remember Nene events less. Nonetheless, they have a lot of respect for each other, despite their bickering and Nene usually acting annoyed at him, they are still close friends who are important to each other both personally and professionally. Due to them being the main actors of the group as well, they naturally fall into that respectful and friendly rivalry. Both of them are incredibly talented and can see each other's abilities as a goal to work towards, though this is more defined from Nene's side, given she's slightly more focused on the singing side of things over acting.

Skipping over the relationships that don’t involve Tsukasa and going straight to Rui because, well, this is an analysis of Tsukasa. But, how to put it, it feels like Tsukasa and Rui’s relationship might be one of the most misunderstood within WxS? Like maybe it’s because they’re the designated comedy duo as Oddball 1-2, but also there’s like 2 and a bit events dedicated to it so I dunno. Anyway.

Tsukasa dislikes the Oddball 1-2 bit because he doesn’t like getting in trouble at school. In 2nd year he was the class president and in 3rd year he joined the disciplinary committee because he didn’t like the fact he had a bad reputation and was supposedly (definitely) considered a problem child. He adamantly refuses that he is a problem child and wants to be a responsible model student. That's the issue he has with it. He actually doesn't actually mind doing all of Rui's stunts even if he does complain sometimes, because he knows even if they sound dangerous Rui wouldn't do something that would get him hurt (Wonder Halloween).

Tsukasa's relationship with Rui is built on a mutual trust, because obviously as an actor and director they have to be able to understand and work with each other (Curtain Call). Tsukasa trusts that Rui will help him to shine, Rui trusts that Tsukasa will perform under his direction to 12000%, and they trust each other to put on the greatest show together. And again respect comes into play because of their aligned goals. That said their relationship isn't strictly limited to the professional side and Pandemonium is definitely the biggest game changer in that aspect. Actually while everyone talks about the end there's actually a couple earlier scenes that are needed to add the full context of it, even if the event is mostly from Rui's POV. Actually the most important scene is probably the part where Shizuku tells an anecdote about her and Tsukasa as kids and then mentions that Tsukasa is the kind of person who really loves his friends, and then Rui realises that Tsukasa had been looking out for him the entire trip and making sure he was getting along with his classmates. So even if it's not from the POV of Tsukasa himself, it's very clear that Tsukasa does care about Rui a lot and values him as both a good friend and a director. They actually become significantly closer after this event if recent interactions are anything to go by (Tsukasa's new 2* has them going shopping together, something Emu and Nene do often who were always closer friends than the boys were).

I don't think the scene at the end was one-sided either. Even though Rui says that he was able to change because of Tsukasa, what Tsukasa said in response isn't wrong. He accepted Rui's thanks, but he still turns it back on him because it's true that even if Tsukasa gave him the chance to stand on stage, Rui never would've actually changed if he didn't take his hand. Tsukasa's pretty selfless when it comes to the people in his life. While yes, he can be selfish sometimes about his dreams, but that's just what you have to do when you're passionate about something. With people it's different. He does the same thing with Saki, and a few other characters. Tsukasa has positively impacted the lives of multiple characters but when it's pointed out to him he will find a way to turn the situation on its head and find how those people took what he gave them and helped themself with it because that's just who he is. He's happy to see his friends happy and will point out their good points that they fail to notice. Tsukasa didn't need to talk about his own experiences then either. That would be very out-of-character for him. It wasn't his moment to share, not to mention he doesn't talk about that sort of stuff to anyone but his family. It was Rui's moment to express his gratitude and Tsukasa's moment to accept it, not unload his trauma (also, it was a Rui event).

I think part of the reason Tsukasa's events are heavily focused on him and only him when the others get events that are more tied to their relationships with the unit is simply because his arc is more closely linked to his personal growth in regards to acting. While Emu had plenty of friends, she didn't have anyone at Wonder Stage with her, she needed people to take her dream seriously. Rui had been outcast by everyone around him and just needed friends to accept him for who he was. Nene was shy and needed an outlet to rediscover her passion for theatre and people to encourage her to push through the past trauma holding her back. WxS obviously was what set off Tsukasa becoming a better person, but he always has dealt with everything personal alone. Even in the main story after WxS split, he went to the SEKAI and had to unpack his childhood memories by himself (I guess a plushie did help him out actually), and he had to get Emu back by himself.

Rui and Emu's events are especially slightly more focused on their relationships with the unit, because they're the ones who have always been pretty satisfied with where they are. They have their dreams, and they're working towards them. But what has always been the most important for them has always been having friends who truly accept them and take them seriously. That's why they were the ones who got the events focused on the possibility of the unit disbanding. Because WxS is especially dear to them.

On the other hand, Nene and Tsukasa are the ones with huge dreams of a worldwide stage. It's clear Nene wants to go to Broadway (fes card), and Tsukasa mentions wanting to go abroad multiple times. Their events are always focused on them honing their talents and skills to get closer to that dream. However there is a stark difference in how they do it. While Nene still often works on her own, she's always been pushed forwards by the others, she knows she can rely on them, and she even got to meet her idol and be mentored by her. She's got a stable (professional) support system and knows that there's people to help her out even if the work is something only she can do.

Tsukasa is the opposite - he tries to deal with problems alone. He doesn't take help until he's pushed himself as far as he can alone, he lies to Saki when she's worried about him. As I said earlier, it genuinely does seem like he feels he cannot accept help, that he has to work alone. Because the game makes it very clear that Saki is massively important to him, she is literally what sparked his dream in the first place, him lying to her is a big out of character moment for him. Phoenix makes it very clear that his craft comes first, but he also has a very unhealthy mindset when it comes to some of the roadblocks he faces in said craft.

The thing you have to remember is that all of this comes from Saki. Specifically, the situation she and her family were in way back when. Saki was chronically ill, and she had to be away all the time. It was all completely out of her control. However, in one instance of her being home, Tsukasa saw how happy she was at a play, and he built his entire life around that. And obviously as Saki's illness worsened, he started to develop a persona to make himself more confident and mature. He had to take care of himself even when he was a kid because of how often he was left in the house alone. Not to stray too far into speculation, but the thing is when these sorts of things happen at such a young age they will start to mesh with who you are. Because you are growing and if you're having to be completely independent and put on a persona to act in an ideal way, that is going to grow into you. And it very clearly did, just read the main story and it's clear that persona and idea of being independent got to his head. It's also clear that he pushed a lot of what actually caused those things to happen to the back of his mind, the SEKAI existing is proof he never really forgot, but he pushed it away for some reason, presumably because it isn't a nice thing to think about. It's never outright confirmed, but to me it seems pretty clear that the things that happened in his childhood shaped how he acts now.

Actually, a lot of his arc outside of him improving as an actor is about learning the lesson that he cannot do everything alone, and that there are people here to support him. It's what Rui teaches him in the main story when he leaves: Tsukasa cannot become a star on his own. When Tsukasa runs into roadblocks he usually will try to deal with them on his own at first, which is what most people would do, of course. However he tends to really push his limits before he accepts help, because he's stubborn, and it's frustrating that he can't work out how to get into character for certain roles. But there's a very clear development in how he accepts help. Compare the main story, where he only cared about himself and couldn't work well with other people, to Phoenix, where he's surrounded by people to support him and is able to openly show his insecurity to them. However, there's a certain disconnect between his personal and professional sides; even as he learns to open up about his problems, they're specifically his professional ones.

I think the reason his relationship with WxS is less obviously important, with you instead having to read a bit between the lines to see it does go deeper than just coworkers, is simply because Tsukasa isn't good at dealing with his emotions, mainly regarding his past (also, as I've said, he just never really vocalises it). He was worried for Saki but he had to be brave for her, he had to be happy so she could be happy, he couldn't be vulnerable because a good big brother isn't vulnerable, so he created a persona for himself. He had to take care of himself and was lonely so often, but Saki had it worse, so he would play the piano and then he pushed the experience aside when it was all over. Even if Saki had it worse, Tsukasa didn't have it good. And as I said, he pushes it aside. He rarely talks about his childhood. Saki and Toya obviously know, and Rui knows what Toya told him, but Tsukasa just never brings it up to anyone outside of his family. He's not great at processing his emotions. I think all of that sort of builds up an emotional wall between him and WxS that just makes him seem less close in a way. It's there, the closeness is there but it's limited by the fact he holds so much back compared to everyone else. There's a lot of things they don't know about him that so far has had to come from a third person (that being Toya in a couple area conversations and Never Give Up Cooking).

And, of course, it does make sense that he was able to grow closer to WxS through theatre, considering just how much of his life it takes up. Theatre is so so much to him, so it's no wonder that as he learns to open up about how he feels, the feelings that he opens up about connect to his craft. But it's that, the fact that it's all theatre. It takes up so much of who he is, which is by no means whatsoever a bad thing, but there's still a lack of his life beyond that. The phrasing there is a bit misleading, so let's put it this way: obviously WxS and we as the audience know he's an excellent older brother, he's incredibly kind and loves and cares for his friends so much, he gets pretty good grades in school but he does cram, he's loud and bombastic and loves being in the limelight, and most importantly he loves theatre, and wants to make people smile just like his sister did way back when. But then only his family and we as the audience know about the other things from his past, like how much of a toll Saki being in hospital took on him, how he was lonely, the extent to what the piano means to him. Pretty much all of what WxS knows about him is about him now. They don't know much about his past outside what they've been told by other people. You don't have to know about someone's past to be their friend, but knowing about their past can help you to understand them better, their inner workings and how their past shaped them into who they are now. It can help you to develop a deeper personal connection. Even if they don't get a whole event and it's only mentioned in passing, like Kohane for example (though it's plot relevant for her), every other character has discussed their past with their unit, be it their childhood or only a year before the game is set. Tsukasa is the only character who has his past shown and talked about who doesn't ever talk about it with his unit (outside the basics of Saki and shows). We're shown more than quite a few characters get but these scenes are only for the audience and his family to know about, not his friends.

Come Our Happy Ending, Tsukasa's relationships with the others is clearly an important one. There's a reason he's broken up by the very real possibility of the group splitting up. As I said, he tends not to dwell on the negatives, he always pushes those aside unless he has no choice but to face them, and this was one of those times he had no choice. WxS has given him so many opportunities as both a craftsman and as a person. He's a better person because of them, he's changed because of them, he's closer to his dream than ever before because of them. Even if he doesn't always vocalise this, even if he still puts up walls and limits how close their relationships can be, those relationships are still nonetheless valuable to him. As said by Shizuku, Tsukasa is someone who really loves and treasures his friends, his friends and family are the most important people to him. Despite how bombastic of a character he is, he's extremely nuanced and there's a lot of subtlety when it comes to how his experiences and the people in his life affect him. He just needs to be a bit more open to talk.

[red-might-be-dead]

they did my top Surgery with a Straw. yeah, they Just sucked it all up And out. kinda Crazy i know? right! they just Stuck it right in there and - Slurp!

[buccellato]

I know it's supposed to be a very serious point of contention between Vash and Wolfwood but the way Wolfwood just continues to fill him with lead after already taking him out makes me snort

He's not getting back up! Just one bullet would've sufficed! Now you're just wasting money!!

[didderd]

Whats your sona and baggs' dynamic like?

(sorry it took so long. tbh i had this written out a while ago but forgot/didn't get around to posting it.) ERM. so. i kinda got carried away n wrote them a whole backstory instead. this does answer ur question. but yeah. one thought lead to another n this happened.

(referring to my sona as Alex here, bc that's what it goes by for the most part. also using a situation where it was recruited by Nightmare in R&R (by @/wishing-stones))

For a time, Alex was afraid of him. They first met with Alex in a cell, and Baggs on the other side of the bars getting a look at the new recruit Nightmare brought in, that apparently was a shapeshifter. Which very much piqued his interest. He hadn't been able to learn much about them, due to the information being hard to find, so the opportunity to study one was very tempting to him.

Dust, when leaving to go back upstairs, had made an ominous remark about "the doctor" visiting, and after hearing that, the visit went just about how Alex expected. Baggs wasn't subtle about wanting to study them. His grin never faltered, and eyelights never left them, less to write something down.

He asked a lot of questions, and Alex answered the simple ones, but refused to answer anything further, or act out any of his requests. With their first refusal to do something, Baggs' grin stretched wider, and he gave them a long, intense stare. They'd only learned later what that stare was contemplating.

Alex isn't one to trust easily, being a Fell monster, but eventually his captures made it very clear that he wasn't brought here with intent to harm. Only to recruit him. Which he still wasn't happy about at the time, but he didn't have much choice.

Once he'd realized this, and it was obvious he wasn't going to fight it, he was let out of his cell and given a room.

By then, it had started to feel more comfortable around everyone, even Baggs, tho it warmed up to him a lot slower than the others.

The more comfort they felt tho, the more they started to feel their fear of him mix confusingly with attraction. He's a dangerous man, with a ridiculously attractive face, and voice. The way he looks at them at first just unsettled them, but at this point had started to fluster them. Where before, they would try to keep eye contact to not miss any signs of a threat, and not show weakness, they had stopped being able to look him in the eyelights for more than a short moment.

For a short time, Baggs had thought they took a step back, seeing how Alex avoided him more, and was slightly colder with him, but it didn't take long for him to catch on to the magic that would seep into their face. The realization that "oh. so they're just a tsundere" was an amusing development to say the least.

The moment he'd recognized this minor oversite, he opted to have fun with it, and promptly made it much worse.

He's careful to not overwhelm them too much, but he has fun messing with them. Their reactions are very cute, and he does find their glowing freckles and blush quite beautiful. He ofc still wants to study them in depth, but he won't push their boundaries. He does get to observe their training, and as they grow to trust him more, they do end up letting him study them to some extent.

Alex has grown a lot more comfortable with him. Even doesn't mind his magic, and enjoys it at times. As long as he doesn't cross its specific boundaries about it. Which he doesn't. He helps it a lot with its anxiety and episodes, and it's started seeing him for proper therapy sessions. He's still intimidating, but... in a good way.

[echinoderma]

TEN YEARS (and one day) ago 1) i turned 20 years old and 2) i signed up for flight rising. and im still fucking here baby!!!!!!!!!!!

[rosyjuly]

polite company

seb/mats/mick, seb/mick | 8k, E rated | ao3 locked

Mick hadn’t thought anything of it, weeks ago, when Mats made the group chat and sent a PDF with two tickets for a Dortmund game. Now that he’s been watching Mats shift closer and closer to Seb on the couch, it’s dawning on him that he should have.

this could not exist without @andreagrimes who is also deeply unwell about our favorite almost 2m tall bumblebee. special thank you to @janinaduszejko and @prettydangrotten for betaing and fixing the plot and encouraging me to let that [redacted] [redacted] that old man (men).

[themandylion]

Chapters: 7/9 Fandom: Batman - All Media Types, DCU (Comics) Rating: Teen And Up Audiences Warnings: No Archive Warnings Apply Relationships: Tim Drake/Jason Todd Characters: Tim Drake, Jason Todd, Barbara Gordon, Bruce Wayne, Colin Wilkes, Background & Cameo Characters Additional Tags: Alternate Universe - Canon Divergence, Tim Drake is Not a Batfamily Member, Civilian Tim Drake, Jason Todd is Red Hood, Fake/Pretend Relationship, Scars, Roommates, Notfic, Not Beta Read, Other Additional Tags to Be Added, Orphaned Tim Drake, Marriage of Convenience Summary:

Tim gives him an incredulous look. "Is this really the way you guys do things? I'm sorry, but do you really think it's okay to marry someone you barely know and create an entire person—a baby, one that's going to need someone to look after it for 18 years or longer—just for money?!"

"That's not…" Jason makes a frustrated sound. "Look, you're 19, right? We can talk about the intentional baby acquisition when you're legally old enough to drink. By then we'll know if our marriage can sustain a child. But I think it's worth a try."

-

After civilian Tim Drake gets trapped in the Bat Cave following multiverse shenanigans, he enters an arrangement with the crime lord Red Hood in an effort to gain access to a trust fund with some very particular requirements.

-

In this chapter: Gotham being Gotham, of course there are some hiccups. (Or: Tim faces his biggest fear.)

Chapter: 1 | 2 | 3 | 4 | 5 | 6 | 7 | all

[houseofscribbles]

Some visual notes on the robotics of ISO! Also, an extra mess notes about them under the read more :]

[dr-george-ordell]

Page 91 of "For Your Own Good Hidden Cruelty in Child-Rearing and the Roots of Violence." by Alice Miller, 1980 - (Am Anfang war Erziehung, 1980) / Chapter 7 of "Another Time" by @imadewritingmyjob on Ao3.

Theres so much I can analyse from chapter seven in regards of Julius, and the interesting language he uses which was highlighted in this post. It's clear in Julius' speech highlighted in the post that he is both parroting his own fears about what he could be himself, a "pansy" or "weak", descriptors that Julius despises in others, and most certainly fears to be true about himself.

Alongside the quote "The child's plasticity, flexibility, defenselessness and avaliablity make it the ideal object for this projection," particularly stuck out in regards to Aaron, since in AT as a child he has a heightened sensitivity to his surrounding, compared to Franklin due to being a much younger child and also autistic, and Julius definitely did not like to deal with that further vulnerability of his younger son, hence treated him much much worse as a result of that fear and disgust Julius holds.

It also implies failure on his part to "toughen" Aaron up as well, and in his mind he is too perfect to "fail" to parent the desirable son. Instead in Julius' own mind, its soley the child's (Aaron's) fault for his own flaws, as it is believed and stated in the practice of poisonous pedagogy Miller speaks about.

And so punishment and retribution is the only way Julius expresses his negative feelings of that failure and percived disobedience/disrespect from Aaron, in the form of those training sessions, not to truly prepare Aaron from the horror's he'd seen at war, but rather punish and also discipline what Julius sees as a part of himself which is wholly unprepared, something which the older man cannot allow, lest he allow an extention of himself and also his property to be harmed in the process.

[nullapophenia]

goodnight sweet prince

[watercolor-hearts]

.

[floydsteeth]

into post how i dunno what to put aaaaahhhhhhhhhhhhh

im having fun i swear i just also have the creativity and thinking comprehension of an ant