#i hate them as a ship like i loathe so much about them as a romantic ship

[bougiebutchbitch]

I'm not in the ofmd fandom but I am intrigued by the drama. spill the tea?

OH GOD OKAY

Where do I begin lksdlgkfds

Okay so

There’s this nasty little gremlin-man in ofmd called Izzy Hands. He’s a sour, mean, skrunkly, disabled little cunt who is a firm believer in Respect and Discipline (in a very queer subby way).

This is to say: he is. Explicitly. Queer. He does drag on the show, and has a whole coming-out scene. He is a kinky masochist. He confesses his love for another man, and basically ruins his own life & everyone else's, because he is sooooo pathetically jealous about this man (his captain!) falling for some milquetoast loser white rich guy, when Izzy, a badass leather-wearing working-class sword-swinging swashbuckler, is right there making puppy-eyes at him.

He's wrong! He's horrid! He's a bastard, pickled in piss and vinegar! He's five-foot-nothing of spite and gay self-loathing! He's very fun to watch, and very, very queer.

People still insist that he’s straight. And racist. Despite there being 0 textural evidence to support this, and the creators of the show repeatedly saying that this is absolutely not what they wrote.

Why do people hate him so much? Simple! Because he ‘got in the way’ of the main ship.

Yup. It’s basically ‘bash the girl who gets in the way of our m/m otp’ only the girl is a grizzled 50-something year old pirate.

The main ship, btw, is between Ed Teach, an awesome complex flawed hopeful beautiful character of colour; and Stede Bonnet, another awesome complex flawed character. Who is a white guy. And who happens to be a rich plantation owner from the 1700s. Based on A LITERAL SLAVE OWNER. Who is explicitly shown to be a Problematic White Guy with fucked-up racist views.

Like. He’s not a perfect guy. The show makes this very, very clear - to the point where Stede pushes Ed into sex super-fast immediately after Ed says he wants to go slow, and this makes Ed run away and freak out.

But somehow, Certain Fans still insist that Izzy is to blame because :checks notes: he makes one cheeky, friendly joke about them finally getting together that is clearly given & received in good spirits.

Yeah.

There's a lot of this cognitive dissonance going on. And it's very, very wilful.

Basically: a certain subset of people who ship Ed and Stede refuse to exercise the slightest bit of critical thought of Stede’s views and actions (which are a representation of the white landed gentry!) but insist on maliciously twisting literally everything Izzy says or does to cast him as The Ultimate Villain. Whereas anyone watching the show can tell that he starts off as an antagonist-with-a-deeply-hidden-heart-of-gold, whose entire arc is about growth and redemption.

I think 99% of this is projection. Stede and Ed are not perfect by any means, but these people are so dead-set on shipping a Cute Fluffy Romance (when that. Really isn’t what the show gave us) that they have to create a villain out of Izzy and blame all of Stede and Ed’s fucked-up choices and actions on him, in the most contrived ways. Which has the added bonus of them deciding that Izzy, a white guy, is somehow responsible for literally ALL of Ed’s genuinely awful, abusive, and interesting choices in S2, where he went on his villain arc. Even though Izzy was the main victim of this villain arc. Rather than, y’know, giving Ed the agency to make his own damn decisions and acknowledging that he is a flawed and fascinating character who Hurts People but still deserves a happy ending, like literally every other main character on ofmd. Nope. Gotta infantalise that man of colour and pretend he has no control over his own life and his morality is goverened by the white men around him!

Then, they get to portray Stede as his white saviourTM who swoops in and saves Ed from ‘his own darkness’ with the power of love. 😊 because that’s not Problematique in the slightest 😊

It’s… fucked up, to put it plainly. But honestly, as much as there is a problem with their dogged insistence that Izzy is the root of all iniquity on the show, and that Ed and Stede are pure perfect angels who never did any wrong... what was worse was the relentless harassment enacted by that side of the fandom against anyone who dared show a liking for Izzy’s character. Like, it’s not the worst fandom out there by any means, but it really did make the fandom feel hostile to anyone who didn’t ship the main ship.

SO - yeah. That's the tea! OFMD was a fun show with lots of cool flawed characters. But the fandom was a cesspit, fuelled mostly by a Certain Group Of Fans' desperation to make their ship Perfect and Morally Pure - which resulted in them throwing an interesting, well-rounded, morally grey queer disabled character under the bus, and harrassing anyone who enjoyed him.

[aerticent]

Mareven is so weird cause FAWK THAT SHIP but also their relationship in canon is so special to me cause my god she loves him so much and he loves her just not enough to value her over his need to live up to Elara’s (and Tibe’s) expectations and his need to be better this is so sick

[kavehater]

Pls nilou come home don’t betray me like your husband that good for nothing L 🙄

[shy-writer-999]

hey friend! can i request a capital F FILTHY zoro x f!reader where they two of them are rivals/borderline enemies who fight all the time but after they both get a lil tipsy they end up hate fucking in the roughest most desperate way possible…

Ohhhh yes yes yes. YOUR WISH IS MY COMMAND, ANON. anything filthy and with zoro i’m down. brace yourself because this is nasty. you told me capital F FILTHY and i gave you FILTHIER. this turned into a ~2.9k word monstrosity. i read it through like twice so plz excuse any overused words or typos...

everyone say it with me, now: "hate sex! hate sex! hate sex!!!!"

---

You and Zoro butted heads since the day you got on the ship. Zoro thought his tiffs with Sanji were super fucking annoying—but Sanji had nothing on you. Not only did you have an annoying quip in response to everything he said, but he heard you actively shit talking him in front of his face multiple times. He despised you—everything about you. He hated how you mocked him, hated how cocky you were around him, hated the way you fought, your morals, the way you spoke to everyone BUT him; he couldn’t stand you.

The pair of you had almost gotten to blows multiple times, but he just couldn’t bring himself to hit you. He’d threaten you with his sword but never use it, even though he thought about it more than he would like to admit.

Your asinine remarks would replay in his head sometimes. “Zoro, the amount of effort you put into working out and being stoic is fucking pathetic. Lighten up for once. You’re fucking draining to be around.” Your tone was vile and pitiful. He saw red any time you said stuff like that.

“Zoro, another bottle of sake? Like you haven’t had enough to drink for a whole year? Fucking alcoholic.” You would smirk and condescend, and he’d try to send it back your way but he felt like the couldn’t twist the dagger the same way that you could.

“Shut up,” he would respond, agitated and cold. “Mind your fucking business and go nag someone else, woman. You’re insufferable.”

What was the most agitating thing about you being an asshole to him was that you did it while looking so good. He hated that. He would actively mull the fact over—you were gorgeous, but you had such a rotten personality, it couldn’t be helped. You fought like shit, treated him like a child, mocked him, derided him… And he did the same to you. But he felt his cock twinge any time you got close and nasty with him.

“Yeah, Zoro? Going to go sneak back to your hideout and drown yourself with sake before swinging your swords around? Fucking weirdo.”

Sometimes he would get really intense about it. He’d seethe with hatred and respond with such loathing that it was a wonder he didn’t do anything about it. “If you don’t leave me alone, I swear I’ll slit your throat.”

“Yeah, jackass? I’m sure you like to dream about that, but you’ll never be able to do it because you’re 1: a pussy and 2: I’m your crewmate, idiot.” Sometimes you’d tease him for having the hots for you (which you thought was false), and he’d get so flushed and angry that you thought he would light on fire.

One night, a group of the crew was drinking on deck. You, Zoro, Sanji, Nami, Robin, and Usopp. Everyone was a few cups (or bottles) deep, and what started in raucous laughter ended with people splitting up into small groups or going inside for some snacks.

You and Zoro were unfortunately sitting next to each other, much to your mutual dislike. An offhand comment from Zoro (he was speaking to Usopp) vaguely alluded to you being bad at wielding a sword. It set you off. Your head whipped in his direction. He must have been sitting a few feet away.

“What the fuck did you just say, Zoro?”

He rolled his eyes and waved his hand. “What’s it to you? Can’t you mind your own damn business?”

You bit your lip and shoved the crude and despicable rebuttal back in your throat—it wasn’t worth fighting with him again. You already had a spat earlier that day, which left you both livid. Sometimes you’d goad him into it for fun and games. The added benefit was that he would get even hotter when he was angry. Sure, his personality was shit, but when he sneered and snarled at you he looked damn good. You were in denial about how much his scowls turned you on, but you ignored it because you couldn’t stand the man. He was just an atrocious person all around, and you let him know that every second that you could.

After you heard the comment, you huffed, snatched your bottle up and stormed inside. You were about to smack the shit out of him. When you stood up, the alcohol hit you—you were definitely tipsy, perhaps that was contributing to how enraged you were.

You went into the galley and you were about to grab another bottle when the door opened. Those familiar, maddeningly heavy, swaggering footsteps padded towards you. Presumably, Zoro was coming to grab another bottle of sake. Like he fucking needs one, you scoffed to yourself.

“Oh, great.” He was scornful and sarcastic. “You gettin’ more? Can’t wait to see how annoying you get after this bottle.”

“Zoro, you’re on my last fucking nerve.” You turned around and he was a couple feet away, arms crossed. Something in his eyes looked different.

“Is that so? When am I not on your last nerve? You’re so fuckin’ sensitive, get a grip.”

You bit your tongue, trying to not say something foul. You failed.

“Zoro, I’m so sick of you. Your presence is literally unbearable. I can’t stand you, seriously, not right now. And oh, by the way, you’re a shit swordsman.”

You knew that last part would infuriate him. You wanted to get him riled up. It was a sick form of entertainment for you. And anytime you told him he was a shit swordsman he went ballistic.

“Do you ever shut your damn mouth!?” He stepped forward, his voice angry. He was uncomfortably close. You were leaning back on the counter, trying to create any distance you could between your face and his, but he had you caged in. He put a hand on the counter behind you.

“Always looking to start a fight, huh?” His tone was contemptuous and belittling. “You’re about to bite off more than you can chew.”

The closer he got, the hotter he looked. You hated him, but fuck, he was a sight for sore eyes. When he was up this close, you felt even more intoxicated than you already were.

“And what would that mean?” You stared into his eyes, deadpan and annoyed. You placed it now, you could see what about his eyes looked different—his eyes were ravenous. He looked like he was starving for something. More liquor? You hoped he was hungry for something else.

“You’ve got such a big mouth and you never stop running it.” He was practically growling.

Your heartbeat grew faster, and heat started to bloom between your legs. He was so hot when he was angry. That was part of the fun. Especially when his voice got like that.

“And what are you going to do about it?” You raised an eyebrow at him, and your eyes were deadly.

“Might have to shut you up somehow. Maybe you’ll shut the fuck up if my cock is shoved down your throat.”

You actually laughed. “Oh, what is it? Like three inches?”

He drew his face closer to yours. The hand that wasn’t bracing himself on the counter came to squeeze one of your hips so hard that it hurt.

“I’m about to fuck you so hard I break you. You’d like that, wouldn’t you? Fucking slut.” He murmured, his voice deep and hushed.

Your eyes were locked, eye contact blistering. He was staring into you so hard you thought he’d leave a burn mark on your irises.

“You’re an idiot, Zoro. Are you being serious? You’d cum all over yourself before you even got close to fucking me.”

“Mmmm, we’ll see about that.” He purred. You were speechless, your brain trying and failing to come up with something to throw back at him. It was short circuiting because he just said he wanted to fuck you.

In the moment that you were searching for an answer, his lips crashed into yours. His grip on your hip tightened; it was going to leave a bruise. As your bodies pressed together, you noticed his hard on rutting into you slowly.

The kisses were haphazard and sloppy, teeth knocking. He bit your lip so hard you almost yelped. A hand snuck up to grab a fistful of your hair and he pulled it so tight it’s a wonder he didn’t rip out a huge clump of it.

“You’re fucking useless.” He pulled away from you, murmuring in a husky tone centimeters away from your lips. “You talk all that shit but I know you want me to fuck you. Probably wanted it the whole time.”

“Shut up, Zoro.” You would have enjoyed every second of this if he just shut his trap.

He pushed you up so you were sitting on the counter. Sucking harshly on your neck, he bit it so hard you thought it would bleed. You let out a muffled whine in surprise.

“Are you already getting worked up and I’ve barely touched you?” His voice was poisonous.

“Holy shit, shut up, Zoro.”

“Say that one more time and I’ll put my cock in you.”

You doubled down. You hoped he was serious. “I said, shut the fuck up, Zoro.”

He let go of your hair and hips and proceeded to rip your pants and panties off in one go. He almost shredded the seams. He took in the sight for a moment.

Your eyes were bathed in lust, your breaths shallow and quick already. Your shirt rode up and your nipples were hard.

His fingers wandered to your now bare cunt and he let out a chuckle.

“You’re so fucking wet already. I know you’re going to take it all for me because you’re fucking desperate. Is that right?”

Your mouth went dry and you did the most miniscule of nods. You didn’t want him to know how badly you needed him.

He slid two thick fingers into your entrance then started to finger fuck you. Your walls tightened and pulsed around him, getting adjusted. Pushing them apart, his fingers roamed and prodded. It felt so good that you had to bite your lip to keep the moans back. You didn’t want to give him the satisfaction.

“You’ve been craving my cock this whole time like a depraved, touch-starved slut, haven’t you?”

His other hand grabbed a painful fist of your ass and then crept up to squeeze your throat. You let out a barely audible whimper and he felt his cock twitch.

You tried to squeak out words and you were barely successful. “You’re—the one—who’s hard—right now, Zoro.”

It was a lame comeback, but it drove him crazy. “Use your fucking mouth one more time and I’m going to stuff you so full you can’t talk.”

His fingers found your g-spot and pressed on it forcefully. You choked out a breathy “fuck you, Zoro,” and he went still.

“What was that?” His hand around your throat tightened. “Did you not hear what I just said, or are you fucking stupid?”

His fingers started to move twice as fast, and you squirmed. When he could tell you were about to orgasm, he pulled them out.  

He freed his cock from his pants and fisted it lazily for a moment before lining it up with your entrance. “You want this, don’t you? You ran your fat mouth too much, now I’m going to fuck the attitude out of you. Say I’m a shit swordsman one more time and I’ll choke the air out of you until you see stars, then I’ll stuff you full of my cock. But you’d probably like that. Fucking slut.”

“You’re—a fucking—shit—swordsman” you tried to get the words out as his fist squeezed your throat. You couldn’t breathe and you were so aroused that it was hard to focus.

He pushed his cock into your folds and through your slit, entering you inches at a time. You started seeing stars, as promised, and you could only focus on his vice grip around your throat and the sensation of his huge girthy cock stretching you out. He let go of your throat for a moment before bottoming out, and when his tip kissed your cervix he groaned.

“Just look at you. Drooling for my cock, you’re worthless.”

He leaned in so your foreheads touched and pulled out of you agonizingly slow.

“You want more? You want me to fuck you?”

You just looked at him, pouting. You didn’t want to admit it. But you wanted it, and you wanted it BAD. You nodded again and he plunged back into you forcefully. A wet squelching noise sounded into the room when he bottomed out again.

Zoro grinded his hips just enough so he could fuck you deep inside.

“What, the back talk stops the second I put my cock in you?”

You hissed air in through your teeth. “Fuck you, Zoro.”

His jaw dropped for a second and he lost composure, but he kept moving his hips all the same. “What was that?”

“I said fuck you.” You were glaring up at him petulantly.

He pulled his cock out completely and you gasped at the feeling of emptiness.

“Okay, if you hate me so much then I’ll just stop. Is that what you want?”

You could only shit talk for so long before the pleasure started to take over your mind in a haze. All that you knew now was that Zoro was saying dirty things to you and he just took his cock out. That was unacceptable, at this point.

“Zoro.” You whined. “Put it back.”

“Awh, you want me to put it back in?” He feigned pity while you nodded eagerly, throwing all dignity out of the window.

“If you want it that bad, then you need to beg for it like the pathetic little slut you are.”

Your cheeks smarted with blush. You couldn’t believe that you were about to beg for his dick, but you needed it so fucking bad you couldn’t hold back.

“Fuck. Please Zoro. Please keep fucking me.”

Now that he was getting carried away, he wanted to be cruel. You did have a habit of running your mouth, and he wanted to punish you for it.

“Hmm. That’s not quite good enough. If you really want it, say my name. Say my name and I’ll fuck you.”

“Zoro.” You pleaded, your voice strained. He snuck a hand back in your hair and pulled your hair so hard it hurt.

“No. I said, say my name.”

“Roronoa Zoro. Please. I need it.”

“Louder.”

“Roronoa Zoro. P-please.”

“That’s what I thought.”

He pressed his cock into you again with a groan. One hand was gripping your hip, and he moved the other down to rub circles over your clit. Your hips bucked.

You started to let out moans with reckless abandon—you needed it harder, faster, deeper, anything that he could possibly do with his cock, you needed it. The noises melted in his ear, but he was worried that someone would hear, so he kissed you. It actually felt tender at times—if you weren’t lost in pleasure, you’d have been able to feel his thumb rubbing a circle on your cheek. What was up with that?

Between his kisses, he said something filthier with each thrust. “Tell me how good it feels.”

“Fuck, Zoro. Feels so good. Your cock—feels so fucking good.”

His shaft and tip dragged over your g-spot countless times. Each time your moans got louder and the mess you were making on Zoro’s cock got juicier.

“Zoro, ‘m gonna cum.” You were at your wits end.

“That’s it, baby, cum on my cock. Cum for me. Just for me.”

That was all you needed to hear before you started to squirm and writhe with pleasure. Your fingers dug into his shoulders and your eyes rolled back in your head—it was that good. He fucked you through your orgasm and then pulled out to cum on your stomach. He wanted to cum inside, but he figured he’d save that for next time (if you were nice enough to let him).

Moments later, while he got you cleaned up, he admired how flushed you were and how lidded your eyes were with satisfaction.

“Baby, huh?” You giggled.

“What?” Zoro was puzzled.

“You called me baby.”

He turned crimson. “You heard me wrong, blockhead.”

“Mmmhmmm, sure. Now help me put my pants on. There’s no way I can walk after that, baby.”

He was speechless. He knew you were teasing him, but he liked it. Enemies to lovers, much?

You found out later that no one walked into the kitchen while you were fucking because Sanji almost went inside and got quite the eyeful through the mini window on the door. He almost puked at the sight then promptly told everyone “no one go in the galley because the two boneheads are doing something disgusting.”

[froggiewrites]

i read every single one of your works in one sitting and oh my god. your mind. your words. you're easily one of the best writers on this hellsite. it should be a crime you don't have more followers because your writing is criminally underrated

i saw you were taking requests and i don't want anything too specific but there isn't that much ace content and i really miss my man. a bit of hurt/comfort bc i love pain and then kissing it better

i was thinking something along the line of your Follow Through work (sorry if it feels repetitive but i live for this type ace content) but really I'll be happy with whatever you put out just have fun and go to town with it <3

Ahhh thank you so much this is so sweet 😭😭 I only started posting really recently so receiving sweet messages like this feels so unreal honestly, it just makes my heart so full. I loved writing this, I always love writing sweet stuff for Ace, so thank you for giving me an excuse to write something in this vein again! I hope you like it 💙

Blinders On

Pairing: Ace x Reader

SFW

Summary: You're in love with Ace. Everybody seems to know this but him. Warnings: Fluff, Miscommunication, A Little Self Loathing, Very Little Hurt/Lots of Comfort Word Count: 2.2k

You really can’t tell if Ace is politely rejecting you, or if he simply doesn’t understand your advances. You’re being terribly obvious, enough so that the rest of the ship (and probably the entire rest of the fleet) are well aware, teasing you for it at any given opportunity. If you have to hear one more man making obnoxious smooching noises whenever you two walk past you’re going to throttle someone.

“It’s honestly getting pathetic at this point.”

“Yeah, it hurts to see someone put their pride on the line like this with no reward in sight. Bring a tear to my eye, really.”

Their voices are teasing, not cruel, but your shoulders tense anyway. You hate feeling pathetic. If he just turned you down, you would be more than willing to just lick your wounds and move on, no matter how hard it hurt. But he never did. He never pulled away, or pushed you further from him. He just never pulled you closer, either. You were left in limbo, treading the line between friend and lover, never crossing to either side.

“What’s got you frowning like that?” You jump when you feel two fingers at the edges of your lips, gently forcing them into a smile. Ace is in front of you, nearly nose to nose, and you can see the candlelight dancing in his eyes and painting his cheeks a gentle orange. He looks beautiful, as always, as he grins at you. “That’s better. Now you try again without my help.”

You force your mouth into a smile despite yourself.

“There we go.” He laughs quietly, and you can feel his warm breath on your face. He’s horribly, unbearably close, close enough that you would barely have to move to feel his lips against yours. The urge is overwhelming, but you can’t let yourself, so you scoot back slightly, smile growing a bit shakier.

He frowns a bit, something unnamed flashing in his eyes, before he leans a little further back as well. “Care to share what made you so upset? You were glaring a hole into the table.”

“Oh it’s…it’s nothing big. Don’t worry about it.” You frankly would rather throw yourself overboard than look Ace in the eye that you were sitting here pathetically pining over him.

He frowns deeper. “You know you can always share with me, right? I’m a good listener, I swear.” A mocking laugh explodes behind him from a nearby eavesdropper, and he leans forward before muttering, “I’m good at listening to you, at least.”

Your cheeks heat. You don’t want to embarrass yourself like this, but he’s looking at you with those sweet puppy dog eyes, and maybe this could be a chance for you to finally figure out how he feels about you. “Well…it’s just…” your eyes slide to the several crewmates visibly listening in. “Can we talk in private?”

“Of course!” He’s on his feet instantly, offering you his hand to help you up. He pulls you up as though you weigh nothing, and while that makes your stomach flutter a bit, it’s nothing compared to the way he keeps a hold on your hand while leading you away. You can feel the heat radiating from him, every callus on his hand, the way his fingers lightly rub against the back of your hand. It takes all of your self control not to melt.

He leads you to his room, leading to wolf whistles from some passersby, and you internally groan at all of the comments you’re going to get after this. But he gently sets you on his bed before kicking off his boots and sitting next to you, on his knees, looking at you expectantly. “Is this good?”

“Yeah, thanks, Ace.” He gives a blinding smile at that, terribly pleased to have helped. “So I’ve been dealing with…an issue, lately.”

He nods, urging you onward.

“So there’s this guy…”

He winces, the expression so quick you almost miss it. 

“And I’ve been trying to figure out how he feels about me.” You curl in on yourself a little tighter. “But I genuinely can’t tell if he’s noticed how I feel and he just doesn’t…feel the same, or if he somehow doesn’t know.” This is terrifying, laying it all bare, but if it leaves a chance for something else, something better, isn’t it worth it to be brave?

But Ace remains silent. His face is frozen halfway between shock and despair, staring at you with wide eyes. You blink at him, confused, and gently reach forward to take his hand. “Ace?”

He flinches when you touch him. “Ah! Um, sorry. Advice. You wanted advice.”

“If you’re willing? You don’t have to.”

“No, I–I can.” He seems flustered, but you can’t really tell which part of this shook him. You try to brace yourself for oncoming rejection, just in case. “...You really don’t know if he feels the same?”

“I have absolutely no idea. And nobody else I’ve asked does, either.”

Another flash of hurt, the frown of a kicked puppy. “You went to other people before me?”

You rush to correct. “They came to me. I think they felt bad for me, honestly. The entire ship has noticed and they can’t tell if he likes me either, and a lot of people have been making fun of me about it. So a few people asked me if I was alright.”

He furrows his brow. “People have been making fun of you? Who?”

“Almost everyone, really. You didn’t notice?”

“No, I didn’t.” His expression shifts to something close to guilt. “How long has this been going on?”

“About…a year or so?”

“You only joined the crew a little more than a year ago.”

“Yeah.”

“Oh.”

“Yeah.” You can’t keep the exhaustion from your tone. You want to say it hasn’t taken a toll on you, that you let it roll off your back, but the weight has been resting on your shoulders, dragging you further and further down. It’s only a matter of time before you snap entirely. “It’s…it’s a bit much, sometimes. But the only way to get them to stop is to stop trying to get him to notice me, and if I stop that he never will. And I think he’s worth all of it, really.”

“Hm. I’m…sure he is.” You can hear the sting in his voice, like cold water on an open wound. “He has to be, for you to want him so badly.”

“He’s the best man I’ve ever met.” You can’t keep the affection from your voice, or the warmth from your cheeks as you shyly peer at Ace through your lashes. You can’t place the faraway look in his eyes, hazy and unfocused.

“He better be.” He clenches his jaw briefly before relaxing it, closing his eyes and shutting you out. You see his fingers digging into his thighs as he turns away from you and takes a deep breath. “You should just tell him, I’m sure he’ll reciprocate. He’d be an idiot if he didn’t.” His voice is strained, sounding like there’s an unshakable weight on his chest.

“Are you okay?”

“I’m fine, sweetheart. Don’t worry about it. You should tell that bastard how you feel.”

“Bastard?”

You can see every muscle in his back tense as he continues to face away from you. “Did I say bastard? I meant lucky bastard.”

“It…doesn’t sound like you did.”

“How could he be anything less than lucky, to have someone like you?”

He really isn’t getting it. Even now, he just doesn’t fucking get it. “Are you mad at me, Ace? Or him, I guess?”

“I’m not mad,” he snaps, unconvincingly. “I’m not…I’m not upset. It would be ridiculous for me to be upset, I have no reason to be. Not with you, or with whoever it is. That would be silly. And I’m not. Silly.”

“...Right.”

Are you going to have to spell this out for him?

“And since I’m so definitely not-at-all mad, can I know who it is? So I know who to congratulate later.”

You sigh. “You really have no idea?”

“...I think I might have one.”

You lean forward a bit, trying to angle around him to look him in the eye, but you accidentally brush your chest with his back and he jumps, scrambling away before turning around to face you. “Who do you think it is, Ace?”

“Is it Marco?”

What?

“What?”

“Is it…is it not Marco?” He furrows his brow.

“I–no. It’s not Marco.”

“Thatch then?”

“No! Oh my god.”

“Izou? Or–”

“It’s you, Ace!”

His eyes go wide and he freezes. “It’s…me?”

“Yes.”

He absolutely lights up like a firework with the biggest, most sincere grin you’ve ever seen. “It’s me?” He leans forward, close enough that you can see every fleck of color in his dark eyes. “It’s me? Really? You mean it?”

“Who else could it possibly be?” You can’t keep the hint of laughter out of your voice at the idea you could love anybody but Ace, as though any man you had ever met could beat him for best. 

Before you know it, his arms are around you, his comforting weight pressing you into the bed beneath you. “I didn’t think it could ever be me.”

Your arms wrap around him in turn, pulling his head into your neck as he presses his nose into you. “Why couldn’t it be you? You’re amazing, Ace.”

“I can’t believe you believe that.” His voice is soft as he pulls himself apart for a second, allows himself to fall into your embrace and forget the world. “I didn’t think you could want me. I already didn’t get how you could like me, let alone more. You’re so…everything and I’m so…me.”

“I don’t think there’s anything in the world better to be than you.”

There’s a wetness pressing into your neck, but you don’t comment. “No one has ever said that to me before. I don’t…I don’t understand how I tricked you, but–”

“Portgas D Ace. You didn’t trick me. I just saw you for who you were, and I loved you because of it. Not in spite of it, not because I somehow didn’t see it. Because you’re you, and I don’t know what could be better than that.”

“Almost anything else?” He mutters it weakly. “I really hoped you would…would think about me like I think about you. I just didn’t think it was possible. Was it really that obvious?”

“Every single person on this ship knew before you did. Someone was making fun of me for it at breakfast, directly in front of you, and you still didn’t notice. It was really just because you didn’t think I could like you?”

“It genuinely didn’t seem like a possibility to me. I figured I was just going to be pining after you for the rest of my life, y’know? Have to see you find someone else as wonderful as you are and run off together, and pretend I was happy for you. Which I sort of would be, I guess. I want you to be happy. And I didn’t think I could do that for you.” He pulls out of your neck, and you can see his eyes are glistening, a few stray tears making their way down his freckled cheeks. He looks you in the eye, while his own filled with a strange mix of affection and self loathing. “Still don’t, really. But I’ll try.”

You cup his cheeks in your hands, gently brushing away his tears. “No one else could make me happier than you, Ace. I know that for sure. You are the kindest, brightest, most wonderful man I know. You have no idea how amazing you are, how you inspire the people around you. You’re so loved, and it’s not because you managed to pull the wool over everybody’s eyes, or anything silly like that. It’s because you deserve it.” You lean up, lips brushing softly against his before you pull back again to speak. His lips chase yours, making you giggle. “You deserve every bit of it, Ace. And if you don’t believe me I’ll just have to show you. Every day, until it sticks.”

“And if it does?” His voice is nothing but a whisper as he stares at you like you’re the greatest treasure on the seas. “Will you stop if it sticks?”

“No way in hell. I’ll double down. Triple down, even.”

He gives you a shy grin. “Guess I’ll have to figure out the truth pretty fast, then. I’d like to see what double this looks like.

“I guess you will.”

The next kiss takes your breath away. It makes the teasing you and Ace are sure to receive when you leave the cabin worth it a million times over. But right now there isn’t a crew jeering at you. The only thing in the world right now is Ace, on top of you, his warmth enveloping you as he kisses you like he’s been waiting a thousand years to do it.

[blue-sadie]

Blinded By Feelings

Armitage Hux, Cal Kestis, Poe Dameron, Din Djarin, Anakin Skywalker

They have feelings for you their enemy

Armitage Hux

He hated you even through he's never met you, he loathed your very being and it only increased when he met you, you were another general that to fought to be the best.

And when you two were together in a meeting or just in passing in the corridors you two would bicker like children over plans or random things that was annoying one of you that day.

He would only realize his feelings when a storm trooper would ask him but he would tell them to shut up and threaten them saying he would throw him into space if he ever spoke something so ridiculous again, but it would cloud his mind days after that.

He would feel disgusted by himself and avoid you by all cost but his efforts went to waste when you come back injured from a mission and he would make it his personal mission to take you to the med bay and scold you at the same time.

"You are stupid as the rebellion if you think you would not get scolded for your actions you could've gotten yourself killed next time at least tell me first so I can get you better storm troopers"

Cal Kestis

You joined the crew way before he did and had a stronger bond with greez and cere he was kinda jealous it wasn't much of a hatred thing he just found you kinda annoying to be around and would avoid being with you.

Every time you tried talking to him he would ignore you or when you saved him countless times he would just give you a forced thank you but nothing more.

The thing that made him notice is that you would start showing up in his dreams more or when he meditates, he'd find it annoying at first but he'd start thinking about you more and more.

He'd start listening and paying more attention to you which not only freaked you out but the other crew members to, during one of the missions he'd actually listen to your ideas instead of shutting you up.

"You have some really good ideas I should've started listening to you sooner, I'm sorry about that by the way I guess I was just jealous of you"

Poe Dameron

You were the rebellions best mechanic and the person that would work on his x-wing without his consent he'd hate it even though it needed to be done, he hates it more when you'd leave sticky notes telling him about the up grades you've done to his ship.

He would complain to Leia about you but she'd just laugh and tell him off because your just doing your job so then he'd come complain directly to you but you'd just ignore him continuing on his next up grade.

He'd have a few people tell him that he probably has a crush on you because of him talking about you so much but what really makes him realize is when he sees you talking to others guys and the jealousy he feels.

When returning from one of his missions his x-wing battered and needing repairs he'd actually come straight to you to ask you to repair it for him.

"I know I found it annoying but I've come to realize your up grades are kinda.... helpful after saving me a few times so what I'm trying to say is I'd like you to continue working on my ship"

Din Djarin

Your were an assassin, killing off the high end people most bounty hunters were afraid to kill, you've also killed a few of his bountys making him pissed.

He's only ever layed eyes on you a few times in crowed bars or a desolate street he doesn't really care about knowing you because why would he get to know his enemy a thief.

He'd only start looking out for you more when you saved him from an ambush you shot his captures in the head and threw him a gun before disappearing again.

He'd be against the idea of ever actually falling for you because of his past experiences but after some more encounters with you he'd would stop you before you vanish again.

"You can reject this offer but I'm still putting it out there, I want you to join me us, it would be alot easier we work together then you stealing my bountys so what do you say"

Anakin Skywalker

You are master windus padowan and the person he's always compared to why can't you be like yn why can't you take after her, it was something he heard almost everyday which makes him hate you.

He hates how kind you are even through his hateful words he spits your way or when you'd sometimes take the fall for one of his stupid plans he never even thanks you.

He like hux only got the realization when you got hurt, you'd taken a hit that was ment for him, the panic he felt as he watched you fall made him snap and kill whoever did it.

He'd spend day and night by your bedside in the medbay pacing back and forth as he tried thinking about his feelings, they'd only calm down when he sees you awake.

"Don't do that ever again do you hear me, you don't deserve to be here especially because of me I should be in this bed instead of you, do you know what you put me through I thought I lost you"

[gyuswhore]

Never Shall We Die [teaser]

«« Nothing is too outlandish when it’s a life of liberty on the line »» 

PAIRING: kwon soonyoung x reader

PLAYLIST: right here!

SYNOPSIS: Deadliest pirate on the high seas or a damn fool?

The stupid King and his men have snatched Hoshi's precious pirate ship with their too clean, too soft hands; grounds to question his own vices. Except, when he and his crew land in the quarters of a navy ship, revenge on their roster, they stumble across a princess in its gallows.

Hoshi wonders if he's just struck gold, or if you'd become the final tread to his downfall.

GENRES: pirate!au, enemies to lovers, slowburn, angst, fluff, smut [minor dni], some pirates of the carribean vibes but ? idk

WORD COUNT [full fic]: est. 30k | [teaser]: ~1k

RELEASE DATE: est. May 19th, 2024 - may change

‼️PLEASE SEND AN ASK OR REPLY TO THIS POST TO BE ADDED TO THE TAGLIST (ageless blogs WILL NOT BE ADDED)‼️

masterlist

WARNINGS [!is subject to change upon publishing of the full fic!]: slowburn, being taken hostage, knives, bombs, and guns, mentions of blood, mentions of SA (does not happen and it is not explicitly mentioned), alcohol, mentions of death (patricide), hoshi is ✨selectively moral✨but kind of moral nonetheless, smut tags to be added in the full fic

[AN]: hai i am back with another monstrosity 😃 biggest thank you to @highvern for brainstorming with me and beta-ing for me, this fic would not exist without her!!!!! im super excited for this to come out, its my best work yet and i hope you all like it too!!!!

teaser under the cut!

“Did your stupid father drop you on your head as a baby?” 

Hoshi stands before you under the light of the midnight moon, an incredulous expression on his face. You try to keep the scowl off your own but it proves difficult when his voice pierces your skull. 

You ignore him from your position on the floor, “I know my father, and I know he loathes you enough to finally want you and your incompetent crew gone for good.”

He scratches his chin, “Can’t be that incompetent if he hates us so much.”

“I can help you.”

“You were ready to die than to be on the same ship as us a few hours ago. What’s changed?”

“Perspective,” you shrug in an attempt to remain nonchalant. 

“Are you gonna go back to wailing in the morning then?” 

God, this was going to be the hardest thing you’ve ever had to do. 

“You want your ship back and you were hoping for someone less important to exchange it for. But you’re stuck with me and you know it’s not going to end well for you. You need my help.” 

“Why so merciful, miss princess? Are you not on your father’s side?” 

You gulp as discreetly as possible.

“I want something in exchange.”

He raises his eyebrows, staring at you to continue. 

“I want you to kill my father.”

If his eyebrows were raised before, they’ve broken for the skies now. He leans his head back, eyes closing for a moment before reopening, reigning back to you before asking very gracefully; “What?” 

“I want you to kill my father.”

“No, I got that bit,” he snaps. “Your father as in, the King?”

“Yes, as you’ve pointed out far more times than anyone else.” You can’t help but roll your eyes despite the weight of the situation and the hammering in your chest. 

He stares at you in an expression you can’t quite read, and it unsettles you deeply. For a moment, you wonder if you’ve gravely miscalculated, watching as he moves around the mast you’re tied to. Out of the corner of your eye you see the metal glint of a dagger, and you nearly short circuit. 

Is he about to cut my hands off?

You feel a distinct tug at your wrists, the sound of slicing, and the voice in your head asking why it didn’t hurt. 

Suddenly your hands are free, intact and free as you achingly bring them in front of you, wincing audibly at the pain of moving them after so long. 

“You can jump into the water if you’d like, I won’t stop you.” He walks back over, sitting cross legged opposite you, at eye level. 

“What?”

“You’ve clearly gone mad, I’ll find another way to get my ship back.”

“I’m being serious.”

“Of course, and I utterly enjoy having a kingdom’s worth of blood on my hands. Shall I take the entirety of the court down while we’re at it?”

“Why are you acting like you’re above murder? Another part of your strange moral code?” 

“No, no, not above it at all. But I like my head and rather not have it guillotined. They might skim over the death of some too-nosy soldier but I doubt they’d leave me be after I put a bullet between the King’s eyes.”

“I’ll protect you.”

He looks at you for a moment, “Quite reassuring.” 

You sit up straighter, licking your lips as you prepare yourself. “My father isn’t a good man.”

The pirate captain snorts, “Oh, I’m well aware.”

You try not to stare too hard at the still unsheathed dagger that he digs into the floorboards, knifing out splinters in disregard. 

“My father doesn’t want me home, he wants the crown home. He wants me to be a carbon copy of himself, he wants to be in control long after he’s gone.” You try not to grind your teeth too hard but it’s difficult when your father’s face burns behind your eyelids. “I want control over the throne, full control.”

“And your conclusion is to eliminate him.”

“I don’t have another choice.”

“Then what? You’ll pardon me and my crew after we get our hands dirty for you?” he asks, eyes wide in mock hope. 

“Yes. You can do whatever it is that you sail about doing and no one will be of bother. I might ask you for sparing favours. For a wage of course. But other than that, you can live as lawlessly as you wish.”

“You’re asking me to become your personal lackey?”

“Having a queen’s favour is no small feat I hope you’re aware. Besides, it's a leap better than the hoops you’ve been jumping through during my father’s reign.” 

You realised his face had been shrouded by the dark between your negotiating and the clouds that had veiled the moon. Every moment that was supposed to strengthen your understanding of the man that sat across from you only brought you more confusion. 

“You want your ship and freedom of land and sea,” you continue when it’s silent for a beat too long. “I only ask for a small favour in return.”

“I’d argue the miniscule nature of what you’re asking from me,” he scoffs.

“Nothing is too outlandish when it’s a life of liberty on the line.” 

There crawls in the silence once again, the same one that seems to grab you by the throat for every moment that ticks past undisturbed. 

“We’ll have to see to that,” he says, huffing as he gets back on his boot clad feet. You follow him with your eyes as he walks towards the creaky stairs that lead to the lower deck, utterly confused. 

“Where are you going?” you ask, bewildered at his strange behaviour. 

Turning around, just as he had a mere day ago in your quarters and you feel yourself suppressing a shudder. “I have a crew to consult.”

So he was considering it. 

“But you’re the captain.”

“And?”

[bettyfrommars]

I need to know what you think about finding a dark siren Eddie Munson. Maybe he got hurt and washed up on the shore? You’re immediately his mate and he loves you very much even though he’s never been near a human. Very much I hate everyone but you vibes for our bloodthirsty friend.

Boyfriend From the Deep

darkSiren!Eddie x Reader

darkSiren!Eddie art here and here

Blurb 1

Blurb 2

18+ONLY, smut, some monsterfuqqing, mention of gore, mention of throwing up, visit from Murray & Hopper, mention of reader's life not going well, AFAB Reader, love at first sight, soulmates, merman!Eddie. wc: 3k

A/N: Another request I was really excited to sink my teeth into. My hope is to continue this eventually, taking inspiration from the 1984 film Splash. Looking forward to what y'all think of darkSiren!Eddie, thank you for indulging me.

---------

Eddie choked and coughed as the wave crashed over him, forcing his eyes open with a gargled gasp.  He was pinned up against a rocky ledge, half of his body on the sand and the other half in the frigid water.  All of a sudden, he felt sick, and began retching clear bile into the sea.  He didn’t like breathing the air, he wasn’t used to it, and it caught in his throat like a feather–tickling—until he coughed and retched again.  The gills on the sides of his neck sputtered, flapping open like vents, drying out, trying to conform to the new way of breathing.

It was then that he became aware of the dull ache at the back of his head, and with trembling fingers, he reached back to test the spot with a cringe and a hiss.  He checked to find that his fingertips were bloody; he must’ve knocked his head on one of the sharp rocks during the transformation.  How badly was he wounded? Would be a shame to survive the journey to human form only to die on the beach and rot like a bloated fish.  

He braced his hand, fingers digging into the sand, and flicked his hips to swish his tail to get him unstuck, but then two legs kicked out from his hips, stuck in a fisherman’s net, and it startled him, making him slam his head into the rock again.  He winced, eyes squeezing shut, whimpering a bit at the sting of the impact as the saltwater splashed up to his knees and misted his face.  

This was Eddie’s first time back to land in over a decade.  Mostly because he loathed humans.  He loved to lure them to their deaths, he loved to watch from under the water as their ships sank so that he could feed on their fear, curling the sound waves of their screams into his belly like sweet nectar. 

He twisted, trying to be free of the rough ropes that cut into his skin, but he was weak, and he wasn’t sure how much blood he’d lost.  He was stuck there now, for 7 days and 7 nights, and he thought maybe he’d just find a way to stay hidden…

….until he saw you.

It was rare for you to be up at the crack of dawn, unless it was due to the fact that you hadn’t slept at all, which was a regular occurrence.  Long, restful sleeps that lasted hours were just a myth to you, ever since you’d watched your life go down the toilet.  A breakup, a death in the family, getting fired from your job; all of it happened all at once, and you were still reeling, teetering at the edge of the abyss.

You were all alone in the world, but for your dog, Louie, and the modest cottage you were renting for a week off the Oregon coast.  The beach house was tucked back in the woods, and it didn’t even have a TV, so flipping it on to watch the early morning broadcast or some cartoons to relax your brain was not an option. The radio would have to do, and the first song that came on when you flipped the dial was Brandy by Looking Glass.  You hummed along to it as you plucked Louie’s leash off the sofa and attached it to his collar.  He was a medium, handsome, mixed-breed boy that you’d rescued from the side of the road as a puppy.  Part corgi, part border collie, part…dalmatian? You weren’t entirely sure.  

“He came on a summer's day

Bringin' gifts from far away

But he made it clear he couldn't stay

No harbor was his home

The sailor said, ‘Brandy, you're a fine girl 

What a good wife you would be 

But my life, my love, and my lady is the sea”

It was exceptionally chilly for an August morning, making you bundle in a hoodie and boots for the trek out to the beach.  Louie was practically foaming at the mouth to get out there for his run, and since your area of the beach was fairly secluded at that time of morning, you unhooked his leash where the dirt path met with the sand, and he bolted into the fog toward the ocean like a shot.  There was a wet mist lingering in the air, like salty, seaweed-scented kisses that made you squint against the bright gray hues turning blue with the rise of the sun.  A few seagulls squawked and swooshed overhead, diving down to perch on a large piece of driftwood, and you waved to them, as if they’d showed up just to say hello to you.

You faced the vast expanse of ocean and crashing waves with a mix of awe and defiance, challenging it silently with a lift of your chin.  Your reverie was rudely interrupted by Louie’s alarm bark, somewhere deep in the mist. 

You followed the sound, walking blind until you caught sight of the jutting rocks at the base of a cliff, and the shrill of Louie’s distress signal was getting further away.  Your feet picked up speed, stumbling for purchase in the soft, wet ground as you called for him, a bit of panic stroking your heart.  Why did it feel like you were about to start crying? An avalanche of unfelt emotions gathered in your throat as you called for your loyal companion.  

But there he was, finally, sitting facing the rocks, tail wagging side to side, making a fan-shape in the sand, basically ignoring you as you collapsed to one knee, cursing, clutching your chest.  

You mumbled a whole conversation to him as you snapped the leash back in place and got to your feet.  You tried to guide him in the other direction, but Louie was transfixed on something a few yards ahead, and it took your eyes a moment to adjust—but then you saw it.  A hand, slightly webbed between the fingers, appeared from around the black rock, digging into the sand, and then another hand gripped the tan earth further along, as if someone were trying to pull themself along by their arm strength alone.  The wrists were covered in jewelry that looked like they were made of shell and bone; the forearms tattooed in dotted, swirling black ink patterns.  

You were too stunned to scream, mouth hanging agape.  You urged Louie back to shield him with your legs.  You saw the long, dark hair next, pooling over bare, tattooed shoulders; it was messy and unkempt, littered in bits of fauna and a few empty clam shells, one side matted with blood.  

Before your brain could throw the alarm that this might be dangerous, you were already speaking.  “A-are you alright? Do you need me to get help?”

That was when his head snapped up, and wide, all-white eyes regarded you with malice, lips curling back to expose a mouth full of pointed teeth.  He growled at you, and Louie growled back, but then, after a second, the monster's face softened.  The milk white eyes behind tendrils of hair shifted to brown, human irises, and he cocked his head a few times at you, as if trying to understand what you had just said.

You should have fainted.

You should have turned and run screaming in the other direction.

But, for some reason, neither one of those even occurred to you.  

You came around to get a better look at him, down along where the water lapped at your boots, and took in the rest of his body; he was tangled up in a crude net from the waist down.  He wore a necklace that appeared to be made of intricate fish bones and coral, and shark tooth earring dangled from his ear.  The tattoo patterns ran all along his chest, stomach, and legs.  You released Louie’s leash, and he sat right where he was told, while you crouched down to meet Eddie’s curious gaze that never strayed from you.

“Will you let me help you?” You asked.

Eddie was in love.

He never believed the stories he’d been told about the imprinting and immediate bonding that happened when you met your mate.  He wasn’t just any Merman, he was a Siren, and as a soldier of the dark forces of the sea, he figured he didn’t have time for frivolous things like romance.

But this took no time at all.

You were meant to be his, and he didn’t care who he had to kill to keep you.  

He studied your face as you worked to free the wet knot of seaweed tangles on the net, freeing his thighs from the heavyweight, gasping and averting your eyes at the way your touch made his cock twitch and swell.  You helped him to sit up, noticing what appeared to be gills on his throat and sides along his ribs.  His flesh was similar to that of a human, but also not.  It had a thick, rippled texture, like the belly of a snake, and it seemed to glow with a soft blue fluorescence.  His muscles were tight and lean, and he didn’t even bother to shiver as a cold wind made your teeth chatter. 

You told him your name as another seagull cawed overhead, and asked what you should call him.  

His eyebrows clenched together, tilting his head a few times, watching your mouth as you spoke.

“Do you speak English?”  You asked it in a cringe way, with a loud voice, as if a higher volume could break any language barrier.  

He brought his webbed hand up to touch your face, and you jerked away at first, but then you let his scaled knuckles graze your cheek, the legs of your jeans soaking wet now as you knelt there with what could only be described as a figment of your imagination. 

He spoke a word in foreign language, his voice a deep whisper.  You remembered how solid white his eyes had been before when he thought you were a threat, but now they were honey brown, almost cat-like in nature as they softly adored you. 

“I-I don’t understand,” you breathed, unable to comprehend the time it took for his mouth to find yours, to plant wholesome kisses, to taste you.

You might’ve been in love with him at that moment too, but your jaded heart refused to let yourself believe it.  

You did, however, feel the arousal blossom at your core as his tongue fluttered against yours, whimpering with a little click in his throat like a sea lion at the way you returned his kiss.

The urge to mate you, to officially make you his, was too strong for Eddie to take into regard any of the formalities of courtship.  Once your hand found his generous girth and began to stroke, encouragingly, that was all it took.

You skittered backwards up onto the semi-dry sand, unzipping your jeans and pushing them down to your ankles as you went, and Eddie followed, bracing himself on top so he wouldn’t crush you, desperate to find your mouth again. His powerful hips bucked against you, and you held him by the neck, begging for more while he spoke to you in that foreign tongue, staring into your eyes, willing you to understand him.  

Wanting you to know that no one would ever love you as much as he did; that he would be your one and only mate until the darkness took you both.  

The position felt awkward, but there was no time to take your boots off as your hole clenched the air, desperate to be filled.  You spun around to get on your hands and knees, and Eddie buried his cock in your wet heat with one swish of his muscular thighs, throwing his head back in a bark of triumph.  

You pushed back against him, needing him to move, to stretch you and own you with each push, your fingers clawing into the sand as you whined.  

Nearby, Louie cocked his head and tried to lift one floppy ear, but then he turned his face to the sea, trying to give you some privacy.

You’d never been fucked by someone as strong as this sea monster, and your whole body jerked and vibrated under the impact of his deep thrusts.  “Yesyesyes…oh fuck!”

It wasn’t long before Eddie clapped his pelvis flush to your ass and spilled inside of you, chanting foreign words, tilting his head to the sky, worshiping you with his offering.  He stayed locked there for a while, working his seed deeper with every stroke.  When he was done, he flipped you over with a feral urgency that sent sand into your eyes and nose, but you didn’t care, because now his mouth was on you.  

Your fingers sank into his matted hair, and that was when you felt the viscous patch and remembered he was bleeding.  His big, strong legs were a bit wobbly, and the thought occurred to you, for whatever reason, that he wasn’t accustomed to using them.  

But then Louie was barking in the other direction, and you both turned your attention to see a figure appearing from out of the mist.   A middle-aged man in a pageboy cap and a trench coat; he was already too close before you knew he was there, and he dropped the walking stick in his hand, his face frozen in shock and terror.  

Eddie smelled the foul human approaching and the familiar bloodlust roared in his veins. The fin on Eddie’s back bristled as he rose to a crouch with a ferocious growl.  You shuffled as far as you could against the rock, trying to pull your jeans up and cover yourself, not sure what to think of Eddie’s reaction.

Eddie bared his mouth full of sharp teeth in a sneer at the man, his eyes going completely white again.  A storm seemed to hit the beach all of a sudden at Eddie’s command, dropping down a gust of wind that rocked the waves and sent the man stumbling off his feet as if the world tilted on its axis, trying to hold his hat on against the force of it.  A low, rumbling wail came from somewhere deep in Eddie’s chest as you tried to shield your face from the whips of sand stabbing like tiny daggers in your flesh.  Eddie appeared to be sucking the life out of the man from his distance; the human’s body lifted up in the air and bent back.  You thought you heard something crack.  

It was only a matter of seconds before the man crumpled to the ground, unresponsive, and then Eddie settled, and so did the air around him.  After a few heartbeats, there were only the crashing waves and the birds once again, and Eddie’s head snapped to you, searching, making sure you were okay.

He held his arms out and you scrambled over, burying your head in the crook of his neck, letting him cage you, letting him have you.

Louie went over to sniff around at the man on the ground, wondering if he had any treats, and then he lifted his leg and let go of a stream of urine onto his shoe.

—-----

Murray Bauman slammed the paper onto Hopper’s desk, forcing a gust of wind into his face and a couple of yellow sticky notes to go flying.

Murray waited, hands on his hips, the door to the office wide open behind him.  Hopper took a deep inhale and flicked a few bored glances from the cover of the Seaside Review back up to Murray’s severe expression.

“Is this your way of telling me you're taking a vacation?” He guessed, shifting back in his squeaky chair.

“This,” Murray jabbed his finger in the direction of the paper.  “Is what I’ve been trying to tell you about.”

In the mood to humor his old friend, Hopper bent forward, furrowing his brow, taking a closer look at the headlines.  

Murray continued, pacing in front of the desk as he did so.  “Merpeople don’t exist? Well then, explain that to me.”

To the right, at the top of a long column and a sketch, was the headline: Reclusive artist survives a Siren attack on the beach and lives to tell: Merfolk exist.

Hopper cleared his throat.  “This is a drawing, Murray.”

Murray stopped his pacing, inclining his head, adopting a sarcastic tone.  “Notice anything familiar about that likeness, Jim? Does any part of it ring a bell? The white eyes, maybe? The teeth?”

“Sure,” Hopper picked the paper up and plopped it down, further away from him.  “It looks like Elvis.  Call The Inquirer.” 

Murray flopped in a chair facing the Chief’s desk with a huff.  He’d keep talking about it even if it fell on deaf ears because he knew he was right.  “The migration of the Sirens.  Enki, Poseidon, Amphitrite, the legend of the skin-shedding Merfolk who can walk on land for 7 days during a blood moon.  Humanoids.  Cannibals of the sea—-”

“Stop,” Hopper put his hand up palm out. “Just, stop. Is any of this supposed to make any sense to me? Why are you here? What have I done to deserve this?”

Murray rested his elbows on the arms of the chair, intertwining his fingers.  “The drawing should look familiar to you, Jim, because it’s just like the one I saw when I was a teenager, and three summers ago when I was on that death-trap Alaskan cruise.  I told you all about it.  I told you that I was—-”

“Yeah, yeah,” Hopper interrupted.  “But again, I’ll ask—why are you coming to me with this? You think I’m going to arrest a fish?”

Murray rounded his shoulders.  "I know that Sirens exist, Jim.  There’s more than enough evidence out there, and I’m going to prove it to you, if not the world.” 

[sky-scribbles]

Shepard holds a funeral for her clone.

The paperwork is almost harder than the ceremony. Turns out it’s tricky to register the death of someone whose birth - creation? Decanting-from-vat? - was never recorded to begin with. Then there’s some kind of question about whether the clone needs to be retroactively registered as a Council space citizen to have her death put on the official record, and if so, whether she counts as a member of the Systems Alliance or as an ‘undocumented alien’. Which is pretty fucking ironic, considering how utterly she’d have loathed having the word alien attached to her.

And once Shepard’s ground her teeth through a dozen calls and bludgeoned through the first layer of formwork - a death certificate still needs a name.

‘I have to put something,’ she says. She’s aware that her voice is ragged, and that Kaidan is watching her as he brews her fourth coffee of the evening with concern heavy on his face. She must look barely alive, up near midnight in a kitchen that was Anderson’s and still feels nothing like hers, hair falling forward, eyes shadowed grey. Datapads and empty mugs strewn around her. Fine. She’s felt barely alive ever since she woke up in a Cerberus lab.

‘You could choose one for her,’ Kaidan says gently. A lot of people speak to her gently, these days.

‘She’d hate that. A name makes you individual. She didn’t want to be an individual; she wanted to be me.’

The cofee machine whirrs softly, sounding louder than it is in the open space of the apartment. It still doesn’t feel right, all this space for one person. Someone could drown in this much space.

‘She didn’t want to be you, though. Not really.’ Kaidan pours out the coffee, his eyes only leaving her face for a moment. ‘What she wanted was to be the symbol. The face on the vids.’

He carries the mug over and sets it down beside her hand. Shepard grips it tight. The unfinished form blinks up at her from the datapad screen, and she looks away.

‘I’m not asking this because I don’t support you doing it, or to judge you for it, or anything,’ Kaidan says, after a moment. ‘I just want to understand. Can you tell me why this is so important to you? I mean - I get that you were trying to save her, and she... she let go. But...’

He hesitates, and in his silence Shepard hears, she tried to kill you. She tried to take you away from me, and everyone who cares about you, for a second time - because she was jealous.

Shepard sips her coffee. It hasn’t had time to cool down, and her lips smart. She ignores it. She thinks.

‘What you said about... being the symbol,’ she says at last. ‘I get why she wanted it, or thought she did. I understand feeling that Commander Shepard is someone bigger than you are.’

Kaidan breathes out slowly, and takes a seat beside her.

‘I get feeling that you’re so small, so nothing, next to everyone’s idea of what Commander Shepard is. And when I fall short -’ She sees him prepare to protest, and cuts across him. ‘I do, I do all the time - I feel like it’d be easier if I were the symbol. Not...’ She waves a hand, indicating all the sleep-starved mess of her. ‘This. I don’t even know when what would Shepard do and what will I do stopped feeling like the same question.’

She lets her hand fall back onto the table. Kaidan takes it and holds it tight.

‘And I think of her, the clone, waking up in some Cerberus med bay. Confused. And Brooks - Brooks was there, feeding her things to believe, manipulating her, turning her into the symbol she wanted. And I get it.’ Shepard bites her burned lip. ‘Because I woke up in a Cerberus lab. And I was scared. And they used me, and I let them.’

What she does not add is, and sometimes I don’t feel any more real than her. I don’t have any way to prove that I’m the woman who died in the wreckage of her broken ship. They wiped away that woman’s scars. There could be all kinds of tech in my head, feeding me a lie, telling me I’m real.

She swallows. Her throat feels raw. ‘And now the clone’s dead, and no one cares. We’re planning a fucking party. If I don’t push for a funeral, she’ll just go unregistered and undocumented and everyone will keep joking about how crazy this whole mess has been, how I fell through a fish tank and a mad clone tried to steal my life, and it’d be like she never existed at all. I don’t have to fill in these forms. I could take the easy road and let her be a ghost. But I can’t do that, Kaidan. I can’t.’

He looks at her, his eyes steady and patient and full of worry. Then he slips an arm over her shoulder and pulls her in, and Shepard leans into him, needing the surety of his touch, his warmth. Anything that tells her she’s something more than a force piloting a set of N7 armour.

Kaidan presses a slow kiss to the top of her head. He holds her until she stops feeling ready to howl. Then he sits with her and helps her fill in the forms, helps her choose a name for the clone, one that fits. When morning comes, he calls C-Sec and stays on the line until they agree to release the body to the Normandy, into the custody of the only person who could be considered the dead woman’s relative. 

He doesn’t ask Shepard any more questions as to why she needs this done.

In the end, they bury her in space, as Shepard would a crewmate. And no one has stories to tell of what she meant to them. They have nothing to say about the achievements of her angry little life. But they wear their dress blues, and speak softly, and they turn the lights down low.

Shepard doesn’t know if this is what her clone would have wanted. Maybe she never learned to want anything for herself at all. It doesn’t matter. A funeral doesn’t help her clone; it helps her.

They lift the casket into the airlock. EDI opens the outer door. And the casket leaps away into space in a blur of silver-grey, like the body within is hungry for the stars.

[honeycreammilkshake]

"you are me."

i have a lot of thoughts on this whole scene, both shipping and non-shipping ones. the relationship between yuuji and sukuna is honestly the most fascinating and complex one that i have seen in anime, and one of the reasons for that is just how much these two actually understand each other, which i don't think a lot of people realize. yuuji and sukuna see right through each other, more than anyone else does, and i think that's why their bond is far more personal than it seems to be.

yuuji and sukuna are enemies. they hate each other for their opposing ideals and characteristics. yuuji is caring, empathetic, protective, kind, and willing to put his life on the line for both friends and strangers. sukuna is narcissistic, self-absorbed, indifferent to suffering, murderous, unfeeling, and unconcerned with any life other than his own. they seem to be polar opposites in every way, so why would yuuji say something as contradicting as "you are me" to sukuna?

i think it's widely overlooked just how complex yuuji's character is. he's overall a "sweet" person, but he isn't very stable (he has been described by quite a few characters as being a bit "crazy"), he has a high tolerance for disturbing or gory things (he took learning about curses and fighting them very easily), he doesn't question the danger he's been put into (he actually runs headfirst into it), and he can be really violent and vengeful as well.

this is all explored very well in his confrontation with mahito, where he also says "i am to you" to the curse.

why are these scenes so different? mahito and sukuna both killed people yuuji knew and cared about as well as strangers that yuuji would die to protect. shouldn't yuuji be approaching sukuna with the same hate, disgust, and vengeance that he shows to mahito? shouldn't he be lashing out and making sukuna pay for all that he did?

why is he showing his "crazy side" to mahito but not to sukuna?

to give some context to this scene with mahito, the curse wanted yuuji to accept their similarities. and, in the end, yuuji did.

yuuji is acknowledging that he serves as nothing more than a weapon to keep killing the curses of the world, perhaps with no other deeper purpose than that. just like curses only exist to bring misery and prey on humans, yuuji's sole existence at this point is just to act on the orders of sorcerers: to keep eradicating curses and eventually help kill sukuna by dying with him. he doesn't need more meaning or roles than that.

but sukuna doesn't see yuuji as just another cog. he doesn't respect yuuji, true, and he loathes to give the brat any kind of credit. but he knows yuuji is the only one who really, truly cares about sukuna's devastating impact. the death of innocent strangers doesn't affect others quite as much as it does yuuji (even nanami in the vs mahito arc noted how much yuuji cared about the suffering of others).

and many of the other sorcerers are also not as horrified or repulsed by sukuna's actions as yuuji is. in fact, sorcerers and curses alike look up to sukuna. gojo actually seems to respect the king of curse's lifestyle. it feels like yuuji is really the only one to truly despise sukuna for his actions and ideals.

and sukuna knows this. sukuna knows how much the suffering of others gets to yuuji. which is why he gives yuuji such special treatment: he saves a unique brand of torment just for yuuji that he doesn't really give to anyone else.

sukuna intentionally returned control to yuuji's body just for yuuji to witness the massive damage and death that sukuna's domain expansion caused. it killed thousands of people, innocent strangers included.

it led to yuuji breaking down, even wishing for his own death. but yuuji is strong and, deep down, sukuna knows this. yuuji doesn't give up and instead uses his rage to fuel his fight with mahito, where he snaps and shows us his vengeful side. he doesn't need any other reason than mahito being a curse to want to kill him, over and over. that is yuuji's purpose. which seems like an uninteresting and boring one to someone like sukuna.

but for all that sukuna keeps calling yuuji uninteresting and boring, he shows a lot of investment in yuuji's growth and in their fights.

he's even invested enough to show disappointment when yuuji lost to choso. (if he thought yuuji was so weak, why did he seem so bothered by yuuji's loss here?)

and then sukuna looked surprised and curious when choso got hit with some kind of false memory empathetic attack that included yuuji in it. he's having a lot of strong reactions to someone he claims isn't interesting enough for him.

sukuna also loves to aggravate yuuji, somehow knowing how to provoke a strong reaction from him.

there's a lot of interesting things about this scene, one of them being that yuuji refers to sukuna as a "curse" which is technically untrue. sukuna is a sorcerer who used a set of cursed objects to send his soul into the future, but he isn't a curse himself.

but to yuuji, sukuna is nothing more than a curse because he doesn't show any sort of positive traits. sukuna's mindset reflects that of a curse since he only exists to please himself and loves to cultivate the kind of negative emotions curses are born of (fear, hate, jealousy, selfishness, etc).

there's also a clever reference to sukuna being a cannibal through yuuji saying "let's see if you can chew up me and my suffering." yet what we've seen throughout this story is yuuji essentially cannibalizing sukuna by eating his cursed fingers, which he calls the taste really gross. so i wonder... what would yuuji taste like to sukuna?

every human has a unique taste but all of them are fleeting to sukuna. there's no actual meaning or savoring to it. it's just a way for him to pass the time until death.

both yuuji and sukuna are cannibalizing as a form of destruction. but while yuuji is eating the cursed fingers so that he can hold all of sukuna inside of him for them to be exorcised together, sukuna was eating humans simply because he wanted to. he ate whatever he wanted because he was at the top. he is an apex predator with no real rivals or threats. it was for a completely self-absorbed and depraved indulgence while yuuji is giving up his life on this plan to save others.

yuuji and his suffering is the complete antithesis to how sukuna's eating only serves himself. which is very interesting to see when yuuji challenges sukuna to "chew him up." yuuji is proving to be more predator than prey and is far more of a challenge than sukuna wants to admit.

but maybe something about yuuji's resilience does please sukuna? maybe he actually finds worth in yuuji never giving up?

though he still underestimates and discredits yuuji's strength, he actually looks impressed with yuuji and seems even a bit eager to take him on again.

for someone who claims to find yuuji not worth his time, sukuna is showing yuuji far too much special treatment that he doesn't give to anyone else. he even calls yuuji a specific name (kozou) that he doesn't use with anyone else. others are just various offensive terms, but only yuuji seems to have a name just for himself.

sukuna is a really contradicting and complex character, and his relationship with yuuji really shows that.

i've seen a lot of anti-sukuna sentiment after his death, and i understand why a lot of fans hate him and celebrated when he died. however, i think a lot of fans have this somewhat inaccurate view of him being nothing more than a static villain with zero complexities and no chance of any kind of character development.

some of sukuna's most underrated and interesting traits are that he is actually pretty smart (he has an overall plan and is making all the right moves to get there), he's cultured (a poetry snob who hired a chef just to cook him humans instead of eating them raw, and perhaps he even knows more about flowers than he lets on), he shows respect to those he deems worthy and even seeks to learn from them, and he might not actually be the most "evil" person in jjk (which I consider to be kenjaku, but that warrants another post).

overall, sukuna is and has always been more than what he first seems, but a lot of fans don't want to see this or they overlook it.

after sukuna reveals he was an unwanted curse of a child, there was pushback against fans who interpreted this line as sukuna having a tragic backstory that explained his current self.

i understand why these fans don't want sukuna to be a sympathetic villain and i've read posts on how gege writes his villains to be intentionally unsympathetic.

from here (https://x.com/soukatsu_/status/1520796590612566022)

sukuna is the perfect example of a villain that is unsympathetic. he is horrifyingly strong, lives as he pleases, murders people for fun, is a literal cannibal, acts and appears monstrous, and makes our protagonist yuuji suffer over and over again. he represents exactly all the ideals and traits yuuji despises and the two of them are fighting each other because of this.

however, one thing i want to point out is just because sukuna is completely unsympathetic now doesn't mean he couldn't have had an actually tragic past that made him into this.

i believe that sukuna was seen as a curse from his birth on. much like how jogo wanted curses to be the true humans (sukuna calls this jogo essentially wanting to become human) sukuna became purely curse-like to escape being human. whether or not you empathize with him is irrelevant, because after he became the king of curses, sukuna has committed countless irredeemable horrors that even i, as a sukuna fan, don't ever want him to be forgiven or easily justified for doing.

having a tragic past doesn't justify his crimes, it only provides a catalyst for them. it explains why he, who was born human, became more of a curse than some curses are. you don't need to have sympathy for him after that. just like he has no sympathy for those he considers weak and inferior, he has no more reason to be a tragic character.

a lot of people acted like sukuna potentially having a tragic past that turned him into the monster he is now makes him "uncool" or "uncharacteristic" of himself but, to me, it makes his character all the more detailed without changing the fact that he is still purely "evil" and irredeemable.

but does this all make him incapable of character development?

i personally believe that yuuji has been affecting sukuna throughout the whole series, especially in these last few chapters.

i recently came across a post on reddit on why sukuna could never be more than a static villain character. one of the arguments was that gege never intended for sukuna to have any kind of redemption arc.

(https://www.reddit.com/r/Jujutsufolk/comments/16vphxl/sukuna_is_different_from_other_strongest/?rdt=36326)

(now, i couldn't find the original source where this interview came from, and it's not worded very well so i'm thinking it's been quickly translated. and there's always missed meanings and alterations to the original message when translations have been made, especially with japanese. i'm also not sure if the "him" being referred to is mahito or sukuna, but i'm assuming it can apply to both of them.)

this post was made about a year ago, so i assume this interview with gege is also a bit dated now. i think gege is intentionally vague in their interviews because they don't want to reveal too much, but my own interpretation of this post is that gege never intended for sukuna to get any sort of redemption because he is incapable of being redeemed through any kind of love.

and i agree with that. i don't want sukuna to get redemption. what he has done is unforgivable and i don't want him to get off easy for it. but him showing character development is not the same as him getting redemption. and him being affected by love isn't the same as him fully accepting it either.

in these last few chapters, yuuji has offered mercy to sukuna multiple times, despite how even he himself considered it to be a lost cause.

as i wrote earlier, yuuji is the only character who really understands how terrible and curse-like sukuna is. he hates sukuna on this fact alone. yuuji told mahito that his purpose is to kill curses, and sukuna - in the end - is nothing more than just another curse.

so why did yuuji suddenly change all that up and show empathy and genuine concern for sukuna in these last few chapters? why was he trying so hard to convince sukuna that they can co-exist?

one of my sukuita-cult friends (flight-of-death) pointed out that during his fight with yuuji, sukuna explicitly recalled his conversation with kashimo about not needing another person to fulfill him.

while sukuna saying he didn't anyone else to fulfill him was relevant during his discussion with kashimo, it's very interesting that he was remembering his own exact words about it while facing down yuuji, who was making sukuna doubt some of his previous statements.

my friend has convinced me that sukuna and yuuji have found a "reluctant fulfillment" in each other. and i think this is proving to be very much possible.

yuuji was alone most of his life. without wasuke there for him, he could have turned into a ruthless monster like sukuna. yuuji has so much physical and emotional strength, but it was the catalyst of wasuke's death that motivated yuuji to use that strength for good. he might have chosen to be selfish and only concerned with his own wants and needs like sukuna did, but wasuke provided the role yuuji needed to be the selfless person he is now.

i think that yuuji, in all his loneliness, found a kind of closeness to sukuna, even if it was unwanted. and sukuna has definitely been affected by yuuji, too.

as sukuna is dying, megumi finally regains control. he notices how sukuna seems to be scared of death.

sukuna genuinely does look concerned about dying. his mouths are in the shape of a grin but are turned upside down and look more like actual dread. for someone who claimed that eating people was only a way to pass the time until death, sukuna now looks unwilling to die.

i think that this shows that sukuna gained some sort of respect for life, even if it was only in his will to keep living. he does seem to want to keep existing, and it's interesting that it's what yuuji offered him.

yuuji was created by kenjaku to be sukuna's vessel. the sorcerers wanted to use yuuji as a vessel to hunt down all the cursed fingers so that yuuji and sukuna would die together. no matter how you see it, sukuna and yuuji were bound to end up either living or dying together. that is their fate. but now that he has more power in making his own choices, yuuji seems to genuinely want to share the kinder fate with sukuna: to live together. and if you think about it, them coexisting makes a lot of sense.

sukuna has been described as a natural disaster, so how can yuuji have any kind of empathy for something as devastating and unfeeling as an earthquake or a tsunami? in truth, the human race has been coexisting with natural disasters since the beginning - especially japan, which has weathered many terrible calamities. yuuji is a lot like the embodiment of the resilience and strength needed to survive such disasters, so i think he's more than capable of handling a life with sukuna, especially if sukuna is far more subdued.

and sukuna being allowed to live isn't redemption at all. though it would be a form of character development for him, it would still be one of the most selfish things he could do, as it would mean condemning yuuji to an indefinite amount of time with sukuna.

but yuuji seems to want that. he is willingly offering up the rest of his life to sukuna, for them to live together.

personally, i don't consider this to be a form of redemption in any way. he is proving sukuna's mindset wrong, not forgiving him. just accepting his nature and still offering a way to coexist.

i think that by offering this to sukuna, yuuji would essentially become that person that sukuna claims he doesn't need to feel fulfillment. but it's clear to me sukuna wasn't satisfied with his life in the past, since he couldn't offer an explanation to kashimo about why he chose to cross the ages as cursed objects. he is obviously lying or beginning to doubt his own words.

and i think that's why he chose death.

accepting yuuji's mercy, finding that fulfillment sukuna denies needing, would be very un-curselike of him and he can't have that. he would rather be seen as an inhuman monster than something capable of accepting love.

so in the end, sukuna is doing exactly what gege said he would: rejecting love and rejecting anything that makes him less of a curse.

but yuuji isn't easily pushed away. he kept coming back for wasuke and i think that if he really does care that much about sukuna, that if he's wiling to live with him even if no one else accepts it, he won't let sukuna go without more of a fight either.

they can still find fulfilment in each other. they are capable of coexisting. and if sukuna decides to make that change, it doesn't necessarily mean he's completely broken character. and if they don't get to survive together in this lifetime, there's still a good chance for change if they're reincarnated.

[izzabela]

Kinda started out as a crack idea, But Bi-Han x reader, in which the reader is a pretty peaceful monk that is the wing of Liu Kang for the most part, and despite never been seen actually fighting, seems to be pretty respectable among the monks. Bi-Han really doubts there is much to them and kinda seems to dislike the reader until they are sent on a mission together for whatever reason and they end up meeting a group like the black dragon or Shao’s forces or whatever, and Bi-Han goes down, the reader ends up having to protect and Bi-Han still doubting them ends being really suprised when the reader just starts being their asses, and turns out they used to be part of that group that was attacking them

Sleeper Build - Bi Han x fem!reader

in which Bi Han doesn't know you're built like that

a/n: bi han would actually do this for sure

ship[s]: bi han x fem!monk!reader

warning(s): none, crack fic, fluff? bi han hates you at first, mid-kanon

[tf is this idiot doing all alone-]

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Bi Han doesn't really do "nice".

With the pressure of his ancestors on his shoulders, the expectation his brothers have of him, it's hard for him to do "nice" at all. Especially when it comes to power and strength.

Which is why it is no surprise that he doesn't understand why you're Liu Kang's wing. A person at that level should have the power to defend the Protector of Earthrealm.

So why in the elder gods' names are you in that position. Why you, a little woman with nothing but smiles and a backlog of kind answers, are you his wing?

Bi Han stars at you with judgement and loathing, eyes thin as he scrutinizes everything about you.

Lord Liu Kang is talking about some joint mission, but it's lost to him as he judges you.

Your gentle eyes, your relaxed (yet confident) posture. How can such a person like you, someone without grit, be placed at the right hand of the father.

"...And I will be sending both Bi Han and (y/n) for this mission," he finishes.

Bi Han's eyes snapped to his handler.

"My lord... come again?" he asks. Liu Kang simply repeats himself, both hands on the battle map.

"You and (y/n) will be tasked with this mission against the Black Dragon," he repeats again. "Was something lost?"

Bi Han shakes his head, and you lock eyes with him as he stares you down with that prideful- borderline angry- look.

You don't let it get to you though, and you smile kindly at him. His brothers return the sentiment, but Bi Han is apprehensive.

He bows, then takes his leave quickly, vacating the room before anyone can say anything.

"What a bundle of joy..." Johnny says sourly.

You also take your leave, but not without reminding your friend about humility.

"Be calm, you have your moments as well," and Johnny just nudges your shoulder playfully.

As you take your leave, the chatter of your friends behind you and left in that room, your mind wanders to Bi Han.

That man, as much as he masks it, struggles. His eyes are tired, and the lines and bags are proof of that alone. If that wasn't enough, his voice is rough from the years of leading, and his arms seem to be more rigid than relaxed.

The weight of his responsibilities, perhaps more, have him in a balancing act- be good for everyone.

It's a shame it clouds his judgement, especially since you've done nothing but try and be kind to him.

Let's hope he doesn't skin you alive during this mission.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

The mission to uncover the Black Dragon's reasons in being in Outworld went sour very quickly. That is something no one should be saying, especially as skilled as Bi Han.

The plan (after Bi Han reluctantly asked his brothers to relay it to him) was to rendezvous at a warehouse with Umgadi and Sun Do police in tow. The Black Dragon had a meeting in said warehouse, and the reason you guys were jumping him was because of a mole.

Well, the mole was a double agent, and the rendezvous point became an ambush. With twice the amount of Black Dragon, Umgadi and Sun Do forces were overwhelmed fast, and downed faster.

It left you all no choice but to split up, praying to any higher being for safe travels and a hopeful return.

You got paired with Bi Han in the midst of the chaos, and the Grandmaster sustained serious injuries in his leg and abdomen area. A semi-deep scar in his abdomen and a stab wound in his thigh. You had carried him from the scene, finally resting in an abandoned shack in the outskirts of the city.

Yes. Bi Han was carried by you, the little firecracker. Effortlessly, you had calmed him down and swiftly took him away from the danger. I mean, it's not like he needed calming down, he's the grandmaster for crying out loud.

Continuing, you set him down carefully on some raggedy cloths found in the shack. It's not much, but at least it isn't lying on the ground and getting infected immediately.

Bi Han groans as you rip open his pants leg and lift his shirt up, the semi-cool air hitting his exposed skin. Or maybe it's the fact blood is actively leaking out of his body, who knows. Point is, he's uncomfortable and about to tweak for sure.

"Unhand me!" you growls, hands hovering his wounds and emitting a soft glow of blue. His powers are at a minimum, and it looks like the cooling he's providing to his leg is working.

He hisses at the chill, then relaxes. You quirk a brow at him, and he scowls behind his mask (the giveaway was how downturned his brows were).

"I need a bandage of sorts," Bi Han commands you. "Anything will do." You cross your arms, denying his request.

"'Anything'," you gently mock with air quotes, "Will give you an infection. A rip from my shirt is fine." Bi Han stops you by grabbing your hand.

"You will do nothing of the sort," his gruff voice echoes from behind his mask. "Keep yourself respectable."

Stay clothed is what he said. Defiantly, you rip your hem wide and clean, supplying him with a decent bandage until backup came. It's a game of push and pull for you two before he concedes, allowing you to wrap around his waist.

Well-built, wonderfully toned waist.

But the danger isn't over yet, and you put the dream on the back burner. You can hear voices echo past the shack, the faintest cries and commands from a hoard of voices. Your eyes narrow, and you begin to ready yourself for the biggest defensive play of your life.

"You cannot do this alone," Bi Han huffs, shakily getting up (and failing). He stumbles a bit, back hitting the creaky wood before you catch his arm. You throw it over your shoulder before helping him sit down.

"Just sit tight, grandmaster," you tell him with an assured smile. "Leave it to me. All you need to do is breathe quieter and no one will hear you."

Bi Han scoffs, and you walk out the shack door to begin your stalking of the Black Dragon members after you.

It should be noted that this abandoned shack has been weathered and beaten by mother nature. Some planks of wood have expanded, leaving a couple holes and places of vulnerability for enemies.

There's also a couple of holes in the wood, most likely from termites that made their home here before.

Bi Han, as quietly and quickly as he can, shifts to a nearby hole in the wall. With nothing to do, and the wait for enemies being tedious, he might as well watch you to get an idea what he'll be facing.

Whatever goal he had in mind: counting enemies, devising an escape, healing, was gone as Bi Han watched you go berserk on the initiates of the evil clan.

You were covered in blood, your face littered with spatters of red around your nose, cheeks, and eyes. Your uniform, the pristine orange kept in a time-honored fashion, became even more ripped, and was covered in blood.

That usual smile on your face was gone, and your eyes remain in a state of neutrality as you bashed two head of some of the members together, their skin bruised and skulls busted wide open.

It's electrifying, but the shock lingers over the fact you have to kill someone just to survive. How the cycle of life and death seems to be fueled by the need to endure, the need to continue living.

Bi Han watches through the hole, how you easily rip someone's head and spine out of their skin, how you break a man's arm clean in a ninety-degree angle.

How you twist someone's head past the regular "snap" noise of death.

You clear these thugs out like a bull in a rodeo, hastily and messily. Still, it buys you two enough time before Bi Han hears the door rattling and some voices behind it.

"Breaking and entering!" an oddly energetic voice screeches, before the door splits into different pieces and splinters.

Johnny Cage, the illustrious actor, stands before Bi Han with an unamused look. He can't help but roll his eyes, but he stills comes to his side to pick him up carefully.

"Man, you look like hell," Johnny unceremoniously points out. "Did Cerberus take a bite out of you?" Bi Han hums lowly and angrily.

"Apologies, grandmaster," Kenshi apologizes for him. "He's.. dense."

As he's carried out, he finds you wiping sweat and blood off your face. Your orange uniform is doing a half-in-half-out look: where half of your shirt is still tucked in, and your upper portion is down and out of your arms.

Water is also getting poured all over you by Kung Lao, and you happily wash your face of all the dirt and germs from the lowlifes you just pummeled.

"Grandmaster!" you exclaim, waving and running up to him.

Bi Han bows, "You fight." You look at him with an incredulous look, but smile still as it is polite.

"Yes. I do. I would not be Lord Liu Kang's wing if I was not capable."

Bi Han nods, and you nod again before walking away and back to Kung Lao.

The scene cleans up well by itself. The Umgadi imprison the ring leader to be brought to trial, while the Sun Do police catch the lackeys for questions and info on more Black Dragon in the city.

You Earthrealmers finally go back home, and you accompany Bi Han to receive his treatment. The sterile infirmary, the only color being the red-dyed wood and the naturally deep brown wood, remained cold as you helped Bi Han with his bandages.

"You did... well," Bi Han reluctantly praises you. "But you are a monk- monk's do not fight like that..."

You chuckle before answering.

"I, uh, used to be part of the Black Dragon," you admit rather easily, still wrapping him with new wraps.

"I left a long time ago, when they were still in their growing phase. I didn't like it, hated the vileness and pure evil that sat in the room with those men," you grow quiet, disassociating as Bi Han patiently waits for the life to come back in your eyes.

"You've done well," Bi Han praises again, this time more thoroughly. "What you did back then, that is strength- loyalty is true strength."

You snap out of it, eyes meeting his for a bit before you look down and focus on wrapping him. The tips of your ears feel warm, though.

Something shifts in Bi Han's heart as he's left alone for the rest of the night. He has to stay in the infirmary for a couple more days, but that's enough time to think.

He didn't know you were built like that, but he'd like to see how far the limit goes with you.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

it's 1AM and i'm eepy

see yall in the next fic!

[foxconfessorandthewolf]

Okay, so I’m a bit wine drunk but I don’t think I’ve ever really articulated why I love Snarry together and I’m currently trying to finish a fic after taking a three-year-hiatus from writing these two, so this is probably a good exercise!

I’m a bit on the older side of fandom, having been a fanartist and fervent reader since 2003, so my connection was really sparked during that time between OOTP and HBP when Snape and Harry were at some of their most clashing and deeply vitriolic, forced together into hateful vulnerability by Occulmency lessons. Every scene between them was electric, laced with tension as we truly did not know how things would go, or even where Snape’s true loyalties lay. He was an unknown, tied up with Harry’s own family’s mysterious past, connected to Harry in a myriad of odd ways that few other characters were, and - as a rivals-to-lovers lover - I was fascinated by him. From that first moment when they lock eyes in the Great Hall and that frisson of pain shoots through Harry’s scar, I desperately wanted to know who the hell this man was and his story. I think a lot of Snarry shippers come to the ship with a special appreciation for Severus Snape’s character himself. He’s such an incredibly drawn character, rich with complexity, complicated and pretty fucked up, with clearly-held passions, hatreds, weaknesses, and motivations. He’s emotional in a way a lot of other characters aren’t, though I think he’d loathe to hear that. And his character voice! It’s unique and pitch-perfect. You always know exactly who is speaking with his lines. Honestly, the way he evolved from a spy/traitor stock character to become so multifaceted and enigmatic is a masterpiece of characterization, and it’s an aspect of why I’m drawn to him - there’s still so much about his origins and well, what his damage was, that we don’t know. Because of this, I especially love Snarry fics that delve into character studies of him, trying to explore all the shadows left behind. I also admit I have a preference for interpreting Snape as morally grey. I like him petty, sharp-tongued, ambitious, with an incredibly liquid definition of what is right and wrong. He’s self-interested, dripping with disdain, and really doesn’t see that as a problem. What happens to him when he deeply falls in love?

I love a ship that makes me work for it. There’s no obvious line of how Snape and Harry might wind up together, so each fic is a wealth of possibilities of bringing these two together despite their roadblocks. As I mentioned, I’m big fan of animosity in a ship. Give me rivals, give me enemies, give me the sparking passions, the sharp fury, the way they stoke each others’ emotions and seek to hurt, the racing hearts, the raised hackles, the intense emotional reaction to another person. Just throw it at me. I devour that shit. I love the messy and taboo nature of their relationship, the complications raising from their age difference, temperaments, and largely similar and shared traumas. There’s an interesting element of Snape being a foil to James Potter, and how that relates to Harry and their past. Basically, this shit is really good potting soil for incredible fucking fics, packed with nutrients.

The shared natures of their traumas, like Voldemort and each being forgotten and abused as children and how they might be able to understand each other and bond from it is also something that’s fascinating to explore. I love when a writer pushes on Snape’s bruises, looking to make them hurt, cracking his sardonic brain open and rooting around in there, and I love when they compare and contrast to Harry’s. There’s a seductiveness to how Snape is so obsessed with Harry, fixated on his Boy Who Lived heroic reputation, clearly dripping with envy. What, beyond jealousy, might draw Snape to Harry and what, other than hatred, might draw Harry to Snape?

It’s all this, the passionate, electric, dangerous nature of their relationship; the way their characters contrast each other yet have surprising connections; and the question of finding solace that keeps me here, 21 years later. I’ve had wines less complex than this ship. They’re fascinating. They’re messy. They’re everything.

[crossposted from a reddit comment I just left, and wanted to share with y’all]

[iamnmbr3]

Can we do multiples for this? If so, #8 and #12 for Drarry please 🥺👉🏻👈🏻

Sure!

8. Unpopular opinion about them

I am not a fan of drarry being depicted in canon universes as either 'cool masculine action hero harry'/'damsel in distress fragile draco' or 'sweet but kinda dumb and blundering harry'/'calm cool and collected ice prince draco' or 'enemies who still loathe and distrust each other postwar to very reluctant openly hostile allies to lovers.' All these dynamics are fine if you want to read/write them but the thing is...at least to me...they aren't drarry. And by reducing the characters to those dynamics you end up missing out on a lot of the nuance that makes the characters special and the ship interesting and you kinda flatten them into something pretty generic.

Contrary to popular fanon Harry is not dumb. He was supposed to be in Slytherin for a reason. He's very clever and observant and resourceful. And while he can be very kind and compassionate he also can be deadly when he needs to be and has a real temper that many people, even those close to him (though interestingly not Draco), can find intimidating at times. Draco also is a very good Occlumens and definitely matures a lot, but he's also not someone who is innately cold and dignified, much as he might wish to be. He's hot and firey and emotional too - just like Harry - but presents that in different ways. And yes in later books Draco often overcomes and masters his fears and emotions - because he has to - but it's not easy for him, and sometimes it all comes bursting out. And that makes him interesting and complex and human.

However Draco is also not a fragile damsel in distress. By the end of the series he is no longer the sheltered boy who once dramatically claimed to be "dying" because Buckbeak scratched him. He's been branded with the Dark Mark, been tortured by Voldemort himself, and used Unforgivables on others in turn - even if under duress. He's had to survive living with Voldemort and his followers in his house while he and his family were out of favor and virtually defenseless. He showed himself to be far more clever and resourceful than many would have given him credit for during book 6. In book 7 despite knowing intimately the terrible fate he was likely condemning himself and his family to if Harry & Co escaped, he didn't reveal the fact that he saw Ron & Harry had freed themselves from their bonds in the cell and didn't identify Harry and his friends, which bought them the time they needed to get away. He also held his own in a duel against Harry - who is extremely skilled - due to his quick reflexes, powerful magic, and strong ability to use nonverbal spells. Draco is tough and powerful in his own right, especially after the war and wouldn't just collapse into frightened hysterics at the slightest danger or find himself unable to fend off an angry group of younger students during 8th year.

He and Harry are equals and foils and parallels and opposites all at once. That's what makes their dynamic so interesting. They can stand up to each other and they never are afraid of each other - even when logic says they should be - and their skills and abilities and temperaments are extremely complimentary.

Also I love a good 'toxic dark bitterest of foes to lovers' fic but again, that doesn't feel like postwar drarry. They couldn't bring themselves to hate each other at the height of the war. Harry spent most of book 7 worrying about Draco. Draco risked everything for Harry at the Manor. They're not going to suddenly start a bitter feud after all the pressures pitting them against each other are gone. Postwar Draco would feel guilt and regret over his actions. And Harry, who lied for Draco after the Astronomy Tower Incident in book 6, is unlikely to suddenly decide he's angry Draco didn't end up in Azkaban. (Which is not to say he might not be suspicious of or curious about Draco's activities - but it wouldn't come from a place of hatred or openly vicious aggression.)

What's so fascinating and unique about this ship is that for all they are rivals and later enemies on the opposite sides of a war they don't hate and distrust each other the way you'd expect. Yes there's enmity and hostility. Yes they have to fight each other sometimes. But they also understand each other so deeply. And whenever one of them is actually in danger they always, always save each other.

It is this complex and contradictory relationship that makes them so interesting to me. And so unique compared to a lot of other ships and ship dynamics.

(I also wrote about an unpopular opinion for Draco here.)

12. Crack headcanon

There was a 7 year long 'will they or won't they' betting pool among an ever widening circle of students traumatized by having been subjected to their shenanigans.

Send me a character/ship from any fandom and a number.

[theminecraftbee]

Just out of curiosity, do you know any alternative ways of showing types of relationships that could be used on ao3? I find the & and / method to be very constraining, especially with ambiguous or multi-dimensional relationships. & for platonic and / for romantic does not allow for a proper representation of nonstandard relationships, for example an enemy/loathing or polyamorous relationship. (Homestuck quadrants are their own thing and are not what I am asking for/about.)

answer that answers your question:

yes and no. if you just want another category of markers to exist, i know you said no homestuck quadrants, but those are probably most commonly used, although they're all synned to the / tag. i've seen some exchanges that want to differentiate use /& together, i've seen ? be used, and i've seen some invent their own tag (largely exchanges use these for matching purposes and it's rare but i HAVE seen it). however, there's no unifying convention, and ao3 will eventually syn all of these to either the / or & tag (usually the / unless the wranglers have a very good reason to think it's the & tbh). so know that even if you use your own symbol, it will show up in the relationship tag it ends up synned to.

one of the most common solutions to this is to use the symbol closest to what you want--personally i tend to just use the & unless there's fic content i think gen fans would really hate, since & is the tag that covers the much wider spectrum of relationships in my head, although some people will differ--and use freeform tags to disambiguate. for example, last days has the & tag for joe and cleo, along with a "queerplatonic relationships" tag! i believe "ambiguous relationships" is also a canonical tag, and you don't have to use canonicals if you can't find the one you like! the world is your oyster.

(here i'll also note: the & doesn't require them be like... friends. it just requires the fic be about their relationship in some way, and for this relationship to not be romantic or sexual. enemies is absolutely covered here, as is like, weird coworkers, or even tags like "hero & the public".)

(similarly, the / tag doesn't require they like each other, it just requires it to be a "ship"; enemies who have a ton of sexual tension goes under this, as do things like abusive romantic or sexual relationships; just make sure you're using your warnings and additional tags appropriately!)

the other most common solution is to tag both the / and & tag and use a tag like the "ambiguous relationships" or "this can be read as either" or "queerplatonic relationships" or whatever other disambiguating tag you think it needs. this is less common in the mcyt fandom because of the mcyt fandom's history of being SUPER WEIRD about shipping, but it's often the most common solution in fandoms that aren't this one.

"i want ao3 to have a ship tag that is neither & nor /, and is not considered synonymous with either" unfortunately this doesn't exist and isn't going to. like i'd love to say there's a way to make it exist but it Won't because of how ao3 was designed to work on a backend level and also ao3 does NOT change quickly, for better or for worse. you're going to have to pick between "make up a symbol and it will probably be synned to /", "use the tag you think you like best", or "use both". i wish there was another option too, if it helps, but the additional tags are really useful here!

"use no relationship tag" is also always an option; the relationship tag is not a required tag!

answer that answers your two examples, neither of which really fit the question as i understand it, hence me separating them out:

a fic about the relationship between two enemies is either the & tag if you just want the one that is actually meant to be used or the / tag if you mean for it to be like, the kind of enemies that have sexual tension. use additional tags to additionally disambiguate (example: just put in the tags the canonical tag "enemies" and you're good to go). the & tag is for ANY kind of platonic relationship, it does not require the two characters like each other, only that the fic is about their relationship! you can use the homestuck <3< if you REALLY wanna make it clear but that's synned to /, so like, up to you. if you're super worried someone will misunderstand the & tag you can also just not tag a relationship, relationships aren't mandatory tags.

i have no idea why you're asking about polyamory because that has a solution that's entirely unrelated to the problem you propose: you just tag the ship. ship tags with more than two names in them are legal tags, as long as it doesn't go over ao3's tag character limit you're good. if you do hit the limit, just use more than one tag! this is totally fine and follows ao3 conventions, don't worry. if it's the kind of polyamorous relationship with metamours, where not everyone is dating everyone, this is where more than one overlapping relationship tag REALLY helps. plus: you can mix / and & tags! not all of them will be canonical yet, but that's true of ANY ship tag you're originating! i have seen the form of "character/character & character" in many fandoms before, it's totally valid and will disambiguate! (also, the ensemble tags may help you here if you're doing like, a polyhermits thing; "hermitcraft ensemble/hermitcraft ensemble" is a legal tag and i think what polyhermits is probably synned to.)

so yeah, hopefully this helps some! good luck out there!

[carrymelikeimcute]

Lets talk about Izzy and why being in drag is (potentially) huge for his arc.

The verdict on Izzy in S1 seems to be either 1. he's an angry, repressed queer guy with internalised homophobia or 2. he's an angry guy with homophobia. I would like to present to you - secret option number 3. Neither of the above (but a bit of 1).

I think he's an angry queer guy, who's terrified of the danger that lurks outside of appearing constantly masc and strong, and seeing other people apparently not realise or care how vulnerable they are, drives him absolutely spare. It's more complicated than simply internalising homophobia, it's misogyny and self-loathing and a response to being at sea for his entire life and struggling to survive - and we see what just a few months of that does to Lucius.

This is reflected in his talks with Ed in S1 - Ed's whimsy in the face of the approaching Spanish ship might get them all killed. Ed's public breakdown, if it got out, would destroy the reputation that protects Ed, Izzy and their entire crew. Stede is a pet, he's a weakness, and so he needs to be eliminated. That's how Izzy functions - he has like two bits of exposed skin, one outward emotion and he's lived for a long time like that - it works. It's the kind of strength he understands. He's convinced that him reining Ed in is what's keeping them alive.

BUT in S1 he sees that being open, being yourself, isn't a death sentence - and he HATES it. Because if that's true, look how much time he's wasted.

Ed and Stede's very whimsical lighthouse fuckery WORKS. Stede, in his frilly suits with his rec room and his fucking library, skates past death over and over again like he's scotch guarded from consequences. Ed and Stede make moon-eyes at each other and no one uses that against them - until Izzy does, because it's going to happen sometime (he thinks) so it's better it's him, because at least then Ed will survive.

Lucius is just hooking up with Pete in the galley while Wee John is right there - this is something that's an unspoken part of ship life, a shameful thing, and Izzy's the only one it bothers. Lucius uses flirtation to get out of scraping barnacles under armed guard, and uses it again to shut Izzy down. Lucius isn't ashamed of being flirtatious, seductive and femme - and Izzy loses to that tactic. He can't beat it with yelling and anger. It's a sort of strength he doesn't expect or understand - the strength that comes from knowing who you are. Of 'carrying yourself like you're cute' - because if you're confident, it'll work.

But he still has a huge amount of resentment for anyone who is allowed to be themselves - because he can't be. Especially in Ed's case - one of them has to be 'the strong one' and he thinks that's him.

Then, Season 2 happens.

In the space of a few episodes, Izzy learned that sharing your feelings is fucking difficult, painful and takes a lot of courage. He's had no choice but to be weak, spilling out all these ugly emotions and being physically dependant on others and in that weakness he wasn't destroyed - he was rebuilt. A little bit of that guard comes down and it doesn't kill him. So, he takes his shirt off and no one stabs him in the back. He's got a gold unicorn leg and he still absolutely wrecks shit up on a raid. He does something a little arty, opens up a tiny bit to Lucius, and he still doesn't die. It doesn't make things worse, it makes them better.

Enter, the drag episode. Suddenly, we've got Izzy in drag. A masculine style of drag, but still, drag. All that internal change, the shifting meaning of strength and masculinity, is externalised, but he's still himself - his face tattoo is redrawn as part of the makeup because it's still his face, if anything, it's MORE his than ever - AND THEN THE SHIP GETS ATTACKED, his worst nightmare - he's as far from hyper-masc as he can be, and now he's in danger.

BUT

In the teaser, we see Izzy telling people who are, presumably there to torture him and the crew, that it's just going to turn him on. He's using Lucius' technique of disarming people with flirty banter. I can't see S1 Izzy being able to do that.

He gets to dress in drag, be sassy and still win a fight because he's strong as shit and that doesn't go away just because he allows himself to be other things too.

[rosaq]

how I see pearlrose (it's one of my favorite ships and I promise this isn't hate):

rose and pearl were in love with each other but pearl wasn't in love with pink diamond, she was only in love with rose quartz. so pearl was in love with the parts of pink diamond that became more predominant when she turned into rose + that fed into the fantasy they created for themselves

see how in the gif below pearl sings "we became our fantasy" when pink turns into rose quartz? and her demeanor immediately changes when pink turns into rose. her smile widens and both of them hug each other and start holding hands + pearl starts blushing

I think this is intentional — just like in "a single pale rose" pearl and rose hug and hold hands but when rose turns into pink diamond, the physical intimacy stops. that's not to say they're uncomfortable with each other, only that rose quartz and pearl seem far closer and intimate. the very first time we see pearl talk to pink she still calls her "my diamond" (which is a title used with superiors) even though this scene takes place near the end of the war and pearl has been a rebel for more than one thousand years

now let's get into the batman and alfred/robin allegory:

Rebecca and Ian, while discussing Rose’s “Batcave,” brought up the scene when Pearl couldn’t talk about Rose’s full details during “Rose’s Scabbard.” Incidentally, yes, Pearl is Alfred if Alfred was in love with Batman. It’s very important to note that we’re talking about Batman here, NOT Bruce Wayne. She loves BATMAN. 

— Steven Universe Podcast, Volume 3, Episode 1

Rose plays Batman on the ground. Pearl is Robin (and Alfred).

— Steven Universe: End of an Era, page 77

so pink diamond = bruce wayne and rose quartz = batman; pearl = alfred and rebel pearl = robin. rebecca and ian seem to want to make it clear that pearl was only in love with rose (batman). and pearl also seems to see herself as two separate people: the servant and the rebel

it makes a lot of sense for pearl and rose to create an escapist fantasy for themselves on earth as a way to get away from their awful realities. the idea that their lives on homeworld were someone else's lives was something they both took comfort in

But I've been... imagining things, even when you haven't asked me to. I imagined that I ran away and met you here on Earth, a Rose Quartz. And I'm not yours, but, I make you so happy anyway! Isn't that ridiculous?! Tell me to stop! 

Rose: Please don't ever stop! 

—Pearl, Now We’re Only Falling Apart

and that was the fantasy: pearl was a rebel who ran away and met rose on earth. rose was made on earth. pearl's presence makes rose happy even though she doesn't belong to rose.

rose is delighted when pearl shares this with her bc she loves this fantasy just as much as pearl does (and also bc it made her realize that other gems, like pearl and garnet, want to escape homeworld. she realizes that she wants to fight for them). but obviously this fantasy is incompatible with their actual lives

later on pearl would also get caught up in the idea of being rose's knight. she romanticized the idea of putting rose above all else, even herself; she romanticized the idea of having a princess to save. so she put rose on a pedestal, not because rose was a diamond, but because of this fantasy she created for their relationship

This is an Ancient Sky Arena, Connie, where some of the first battles for Earth took place. It was here that I became familiar with the human concept of being a knight, completely dedicated to a person and a cause.

—Pearl, Sworn to the Sword

in this fantasy rose quartz can't be pink diamond. rose loathed herself so this suited her just fine: she wanted to be the rose quartz from this fantasy, the gem who was made on earth and was a compassionate leader and healed instead of destroying. she thinks pearl is right to love only rose quartz bc she thinks pink diamond is unlovable

let's take a look at the movie: at first amethyst and steven think rose quartz is the solution to getting pearl's memories back. so amethyst shape shifts into rose and sings for pearl, but pearl won't stop looking at greg throughout the entire scene. then they understand that they don't need rose to be around, they need greg to disappear. so steven fuses with greg and greg disappears into the fusion, allowing pearl to finally get her memories back. greg is pink and steg is rose. when greg (pink) disappears, pearl manages to look beyond her assigned duty

it's also worth noting that pearl wasn't the only one putting rose on a pedestal. rose put everyone around her on a pedestal, including pearl, because she thought they were all so much better than she could ever be. so while pearl saw rose as a sort of princess to be saved/protected, rose saw pearl as a superior and as someone who was so much better than herself

The fact that Rose says "my Pearl" to Pearl... A lot of people wonder, "oh, she belonged to Rose". No one calls their Pearl my Pearl, people only say that to their superiors. So there's actually a lot more going on in that scene.

—Rebecca Sugar, The Truth About Rose Quartz

but this whole fantasy thing was very unhealthy and meant they never dealt with how their actual roles in gem society affected their relationship. they wanted to sweep all the ugly parts under the rug and pretend it didn't exist—and it was so easy because only the two of them knew the truth and they were all too happy to feed into each other's fantasies. it created a communication barrier between them that made it extremely difficult for them to communicate and understand each other's low self worth and insecurities. pink's final order to pearl was a way to keep the fantasy going post-war which pretty much doomed them bc pearl was unable to talk about anything she went through and rose never opened up to anyone about her past. but they needed to talk about it to heal and move forward

I believe pearlrose is supposed to parallel rupphire in this sense: both are interclass gem relationships, but rupphire never ignored how their roles in gem society affected their relationship; so much so that by the end of the show garnet's main theme becomes "the truth" while pearlrose's main theme remains "the fantasy"

this fantasy only starts to fall apart when pearl manages to tell steven the truth about pink diamond: pearl finally has to confront the fact that rose quartz and pink diamond were the same person. by letting the fantasy go, pearl was able to address the unhealthy aspects of their relationship and understand her own repressed feelings + rose's struggles. only then is pearl able to start healing from everything that happened