Would kill to read animal POV fiction that has the animal POV’s interaction with humans be like, semi realistic to the level of caution most predators take with large prey and/or competitors (including humans).
Like instead of the usual - “the human is such a weak, pathetic creature... so slow, no claws, blunt teeth… completely helpless without its 'Fire Sticks'. how is it the master of the earth?” type crap it’s like, the bear protagonist or whatever approaches some dude who spreads their arms and yells and the bear is like “FUUUUUUUUCK THAT THING JUST GOT HUGE. IT'S LARGE AND MAKING NOISES. HOLY FUCK.”
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Broke (2016): BBC Sherlock is a phenomenal piece of media and anything that seems like a flaw just hasn't been fully explored yet
Woke (2020): BBC Sherlock is an incredibly flawed series run by an egotistical writer, it never deserved the hype and is actively bad on so many fronts (especially representation)
Bespoke (2024): BBC Sherlock is flawed and bogged down by increasingly poor writing, which many fans refused to see while it was airing, leading to hugely misplaced expectations (particularly for the final series), AND it has the seeds of some compelling characterizations and portrayals, some genuinely solid performances, and touches--albeit imperfectly--on complexities that are still being discussed today (particularly as it relates to the relationship between Sherlock and John). The huge cultural impact of the show has created a massive pendulum effect in its public perception, leading to most people today remembering a caricature of the show (whether positive or negative) rather than appreciating its nuanced merits and failings...that being said Season 4 sucked
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Okay it's two am here (happy pride everyone lol) but I just finished rewatching the new doctor who episode and I'm still blown away by how well done the "his last name is coombs" scene is. Like before that it was a kind of generic episode where there's a bad situation and people are escaping it and the main character seems kind of dickish and incompetent but presumably their arc is to grow and improve over the course of the episode and there might be a moment where this more capable person who's helping them sacrifices themselves to save them and—
And then we get the first big subversion and when I tell you that hit me like a fucking truck and the whole perspective shifts and you realize that this is not the story you thought it was
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”Hey look Uriel I have wings now too”
“[(Mandatory Eden censor)] I was hoping it wouldn’t be this way.”
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I'm so sorry I can't take the Dudley-breaks-the-news-of-Eve's-supposed-death scene seriously AT ALL. It's hilarious! It's the reason why I'm a Dudley/Eve conspiracy nut, for fun, but let me explain the reasons this scene leaves me with no sanity.
First, it's important to know that the Qattara Depression, where Dudley says Eve's plane went down, is WEST of Alexandria (off to the left, on a map). Cairo is to the east/right of Alexandria. There is no way a plane headed from Alexandria to Cairo would go west.
So, from west (left) to east (right) we have: the Qattara Depression - Alexandria - the sandstorm Dudley says happened - Cairo.
Now, this is in a show that's playing fancy-dress-up-costume with history, and moved Kabrit from where it actually is (east of the Nile, by the Suez Canal) to a few hundred miles into the desert west of the Nile. Option one in the Eve plane story mystery is that the showrunners just didn't give a shit about where a place was, they simply slapped a name in there because they'd read/heard about it, and figured no one would know or bother to check. That would be on par for the show. (And the racist assumption that no one's going to know/care/bother to check where these places are - I very much doubt we're going to find them playing fast and loose with the location of European places.)
Anyway, leaving aside the option that makes me spit incredulous venom, I have a far more amusing second option to put forward:
Dudley was making shit up.
Which is extra fucking funny because Stirling, having been out in the desert, should very much know where the Qattara Depresison is. Dudley would know that Stirling should know. He'd be cackling internally at Stirling falling for it.
I don't know if I believe a word of what Dudley said, it makes no sense, but David not noticing the inconsistency means either anyone watching the show who knows vaugely where places in Egypt are just have to shriek in intense discomfort, or David is a complete and utter dumbass when it comes to remembering where places are.
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