#i have more but only for specific characters

[genshin-scenarios]

spiderverse —!

Summary: Spider-verse AUs with the genshin guys! Each features a reader in a different role. There will be references to ‘Into the Spiderverse’ and other renditions of spiderman (vaguely).

Characters: Kinich, Heizou, Tighnari-Cyno, Venti, Wriothesley, Lyney

Kinich

By day, Kinich is a recluse who spends the better half of his free time volunteering at the local animal reserve. It’s also where he got bitten by a radioactive spider, and you can probably guess what happened next.

Ajaw is a unique phenomenon — a ‘Venom-like’ symbiote who latches specifically to technology. After Kinich managed to seal him away in a random cell phone, Ajaw has made a deal with the hero to become an assistant of sorts. If you listen carefully, you almost always hear a second voice coming out of Spiderman’s mask — Ajaw, trying to get Kinich to choose violence, while Kinich kicks him off the server for being a distraction.

However, times when they do work together are one of the most terrifying things anyone can see. Kinich’s spidersuit is engulfed in Ajaw’s power, and every lunge and strike is more destructive than the last. Often, Ajaw tries to overpower Kinich and take over his vessel, but Kinich has more than a few safety precautions to prevent the symbiote from possessing him fully. 

You’re a spiderhero from another universe, much like the situation in ITSV (except it’s only the two of you)! Some sort of interdimensional portal has stranded you in Kinich’s world, and you were quick to track him down when he was on shift at the animal reserve one day, appearing out of nowhere and gaining his suspicion. The night ended swiftly, with you escaping and leaving a thousand questions in his head, while the building’s alarms blared deafeningly, trying and failing to locate the intruder that has since disappeared into the shadows.

It’s a shortlived game of cat and mouse, considering how you wanted to get Kinich’s help in figuring out how to get home. One thing leads to another, and your secretive interactions admittedly become a large part of Kinich’s daily life. When he realises that you’re destined to leave his world to protect your own one day, Kinich is left with a feeling that’s foreign to him: gaping loneliness, sitting next to an empty spot on the rooftop that used to be yours. 

It’s not just the fact that you understand him on a level that most others never would — but having something to look forward to when he was Spiderman was such a saving grace. Swooping past skyscrapers alongside you, going on impromptu missions (dates), and revelling at how normal you look without your mask on. He recognises the lilt in your voice, the scrunch of your brow, and knows deep down that there's no way to undo how your existence has been engraved into him. 

…And deep down, he already feels the stab of how hollow it will feel, when those who’ve seen you two hanging out together inevitably ask where you’ve gone. And all he can say is that you’ve moved back to your city with your family, knowing there was no way for any of them to find you. 

Heizou

Shikanoin Heizou is a talented detective in Inazuma’s capital city, while Spiderman is a local hero. One works with the law while the other is sometimes considered a vigilante, but as far as Heizou is concerned, there was nothing wrong with using different methods to solve a case. So long as the outcome was the ideal, or best possible, he didn’t have the luxury of beating himself up over other ‘what ifs’ and ‘what can I do better’s.

Besides, Shikanoin Heizou was a genius detective, and with that came a high amount of success rates in his civilian profile. Spiderman, on the other hand, represents the parts of justice that sometimes can never be controlled — a criminal who was about to surrender, only to have been attacked by a third-party cop. A villain who realised the error of his ways and ended his life to spare the city, and the family Heizou reminded him still lived within it. 

…A friend who was stealing for the wrong reasons, and reached a tragic end. There are many ugly conclusions to the cases Heizou tackles, but all he can do is push on. While being Spiderman places more responsibility in his hands, it was better than not being able to do anything.

And even at times where Heizou’s morale is at an all time low, he can at least rely on your presence to make his days brighter. You’re a reporter who likes to visit him for psychological support and gossip — and while he’d never say it aloud, everyone with eyes can tell that you’re his favourite media staff. He gives you more intel and hints to your own cases than he does with anyone else, and even assists you as Spiderman from time to time.

Heizou isn’t one to place his trust in others easily, but when you defended ‘the detective Heizou’ during a run-in with ‘Spiderman’, who’d criticised the police’s slow progress on a large case, it was a little hard not to feel endeared. Heizou still remembers the frown etched into your face as you told him that the detectives were doing all they could. And to cooperate with them himself if he was so confident.

It’s an odd situation for sure, to see you acting wary with his hero-persona yet so warm and caring towards his civilian self. Regardless, Heizou’s main worry now is keeping you safe within a climate of risky investigations and volatile third-parties. So long as you place your faith in him, he’ll do everything he can to defend you in turn.

Tighnari-Cyno

Yes, this is a Tighnari x Reader x Cyno situation! 

Tighnari and Cyno are the two spidermen of Sumeru — they work together on a reluctant basis, since they are unaware of each other’s real identities. Not to mention that Tighnari (Vulpes) is more outspoken and sharp-tongued in his hero persona, while Cyno (Lupus) is endlessly talkative and fond of bad science jokes even at really bad times. 

It’s a little similar to their regular selves, but dialed up within the drama of their hero work. While they get along well enough, Tighnari is endlessly exasperated about Lupus, while Cyno thinks that Vulpes needs to lighten up. (You could say that they aggravate one-another).

It does kill Cyno to not tell his best friends about his secret identity, but he is more than aware of the danger it’ll bring to them all. Besides, it’s not like he’s working alone against these villains, so it’s fine! In fact, this would be a very cool thing to reveal decades into the future, once the danger has passed onto other heroes who adopt the mantel 

This is where you come in as their best friend in school! You can generally be found as a trio, and while everyone’s been ‘busier’ since the year started, you still make time to catch up with one-another about things going on in your lives.

…But, seeing as both Cyno and Tighnari are keeping their spider-selves a secret, they’ve developed different systems to make convincing stories about how they spend their weekend. Tighnari rambles something about collecting new plants to add to his collection, and then has to rush to the florist after he agrees to let you see them after this (he had to jump in through his room window to put everything into place.)

Meanwhile, Cyno keeps droning about some Dungeon and Dragon’s campaign he’s developing for your larger friendgroup to try, when in reality he has nothing written down. It’s mostly just inspired from his daydreaming during patrols as Lupus, which Vulpes always snaps him out of with a whack to the head. 

The kicker, however, is when you become a bystander to a large villain attack one day, and upon the conclusion of it, Tighnari may have accepted a thank-you kiss from you (on the cheek) as Vulpes. It was a stupid decision, seeing as you didn’t even know it was him. But Tighnari was too busy trying to hide his own flushing ears when you were retelling this, to notice the way Cyno’s expression blanked out (he is planning a confrontation with Vulpes as you speak). 

Said confrontation will be one of the few times he sees Vulpes looking uncertain, or embarrassed, which immediately throws Cyno off his initial anger. It makes Cyno question if Vulpes knew who you were in real life, but Cyno forces himself to stamp that curiosity away in favour of their secret identities.

Venti

You and Venti were close friends in Mondstadt, before you had to move to Liyue for family reasons. In reality, you were getting dragged into a different sort of superhero business, within a universe where many other heroes exist (like the MCU with the Avengers and etc).

As such, this AU takes on a more casual route! You’re thankfully not too far away, so Venti can visit you via a train or bus ride. But it’s never the same as when he’d knock on your window after a rough day, not able to tell you it was because of a mission as Barbatos (Spiderman), but you always accepted him with open arms anyways. Him visiting you like that was nothing new, even before he’d become a superhero. And Venti never intended to cut off that connection with you.

But, you never told him about your hero-business either. Which is why when Venti tries to visit your apartment on a whim (just to see how you were doing, and then leaving back to Mondstadt immediately since he was in the area after chasing a villain) — he can’t resist the urge to enter through the window when he sees that no one is there. 

He just wanted to see how different things might be, compared to your old place. He’s getting hit by a web-block of all things at this time, and god, he can’t bring himself to call you up just to listen to his woes, but he misses you.

After what only felt like a few seconds, he hears footsteps at the door. Venti panics, praying to all radioactive spiders in the world that his web-block is not active now and sticks to the ceiling as your parents come in to look for you, only to leave after realising you aren’t there.

He lets out a sigh of relief, soundlessly steps back onto the floor. Only to hear the sound of something charging up to shoot behind his back.

‘Hands on your head. Turn around.’ 

The last thing you thought you’d see as the suited-infiltrator followed your instructions, was to see your best friend’s face. Eyes widened in just as much surprise as you were feeling, before he breaks into a sheepish smile.

‘Venti?’ ‘...Can I put my hands down now?’ ‘What are you doing here?’

And so, Venti ends up staying the night. He hides while you grab two portions of dinner and set it on the desk. Explanations float into the air. You tell him that your family only moved because of a project from Morax Companies. One employing your parents, while another recruited you for a certain task force. 

Lore exchanges were quick to follow. Venti tries to defend his honour when you snort, asking him to reiterate that he was bitten by a radioactive spider. ‘So you can, like—stick to the wall and stuff? Like what I saw in the news?’ 

To make a point, Venti shoots a web to wrap around your wrist, using it to tug you forward towards him. You lose your balance and end up closer than he intended, forcing the room to fall into embarrassed silence. 

This was certainly going to be a long night.

Wriothesley

As the owner of an underground boxing ring, it was safe to say that Wriothesley’s origins as Spiderman was an incredibly tragic, and dramatic one. Forced into a corner as thugs attempted to take over his underground settlement, Wriothesley almost thought he wasn’t going to make it out alive when a stinging pain bit into the back of his neck.

Minutes later, the floor was cleared of hostiles, and order was restored. No one knows who Spiderman is until this day, other than you — the detective who’s always worked with Wriothesley for tough cases and invited him to casual teatime chats.

In his defence, working with you was a matter of course. You helped cover his tracks as Spiderman and the owner of an illegal business. …And you also came from the same orphanage as him. If there’s anyone who understands the need for an anchor within this world of muddled morals and false promises, it was you.

What he doesn’t appreciate, however, is the way you always find yourself in the middle of trouble. It comes with the territory of being the city’s best detective, but sometimes Wriothesley swears you have more enemies than him. More than a few times, he finds himself carrying you in his arms after a rather precarious mission, and you have the cheek to thank him and place a kiss on his lips, blocked by his mask. 

His fighting style does leave him with more injuries than not. Despite how most spiderheroes tend to use agility over strength, Wriothesley never shook off the habit of using punches and brute strength, in order to physically reorient his opponents. It’s less city damage, but the result is more strain on his body, and a silver lining of you exasperatedly scolding him as you treat his wounds. 

‘At this rate, I’m going to have to replace you as Spiderman if you ever get so injured you can’t continue.’

As if he’d ever let that happen. The last thing that’ll ever happen is him leaving your side, after all the hell you’ve been through together. If there was ever a world where you were separated, he knows that every version of himself would cross the multiverse for you.

Lyney

As a reverse, you are the Spiderman while Lyney, Lynette and Freminet are part of the Fatui — not necessarily just a villain organisation, but an antagonistic force with a dangerous set of special agents nevertheless.

You first meet when you’re fighting Lyney and Lynette, in an attempt to put a stop to the Fatui’s nefarious plans. They’re known as the Phantom Twins but are otherwise unnamed — but it's clear from that one interaction that one of said twins were incredibly talkative and taunting, aggravatingly so, whilst the other was a silent blade.

Next, you meet as your civilian selves in school. Neither party suspects anything of the other, but the main attraction comes in the form of Lyney developing a hopeless crush on you. He admires you from afar, and all you know about him is that he’s a friendly, charming classmate. 

Then, by night: chasing the twins across the city’s rooftops, attempting to get back an artefact they stole from the museum. If you don’t get it back soon, that one reporter that hates Spiderman’s guts is going to imply that you were in on the heist too, for sure.

In that moment of distracted thought, Lyney sneaks up from behind you and holds a weapon to your neck. Silently threatening to use it if you muse, and it takes all the self control in your body to not act out when you hear the smirk in his voice. 

‘A little distracted today, are we? While I can empathise with having something on one’s mind, it really shouldn’t interrupt our dance. Unless you were thinking of another partner?’

It’s clear from his tone that his words were meant to purely taunt you. His false sympathy dripped like honey, making you see red.

If you ever got a chance to unmask these two, you already know who you’re going to get revenge on first. (Let’s just hope that this dance of double-lives doesn't interrupt each other too much, at the end of this saga. Perhaps Lyney will find out your secret identity first, and begin to sympathise with you — between his loyalty to the Fatui and his love for you, he surely will be put into a tough spot. And if he doesn’t play his cards right, he might just have to sacrifice himself to the fire to preserve your light.)

[the-one-and-only-elita]

One thing that I absolutely love about TFOne's writing is that it manages to avoid a lot of the heavier criticism I've seen regarding MegOp's hero/villain dynamic over the years (trust me, the mid-2010s TF discourse was crazy)

*Spoilers Below*

First of all, the narrative benefits so much from the main 4 cast members all being a part of the same exploited mining class. So many takes on MegOp have Orion being of a higher status (an archivist, a cop, etc) while Megatron is much lower down on the social latter (a miner, a gladiator, often in the context of being a slave).

I've seen many people be put off by this, because it feels as if Megs is being villianized for being rightfully angry at the system that deeply harmed and exploited him, while Orion/Optimus is praised for taking a more pacifistic stance despite him not suffering as much from or in some ways even benefiting from the system he claims to oppose. I don't find their dynamic to be as simple as that, and I do find these takes to be a bit reductive, but I do very much see where they are coming from.

I am definitely one of those people who's very frustrated with the way pacifism is hailed as the one true path of morality, and the inherent implication that taking any sort of revenge on the people who abused/exploited you makes you just as bad as them. Also, Marvel's particular brand of demonizing any form of radical political action, despite the system clearly being broken and corrupt, but being completely unwilling to offer any other alternatives to meaningfully change things for the better.

When looking at what I described above its pretty easy to see how a lot of versions of MegOp's hero/villain dynamic unfortunately fits into that trope. Bringing it back to TFOne, you can see how Op and Meg coming from the same political/social status subverts this. The existence of Elita and Bee only further illustrates that out of the 4 people of the mining class who were all deceived, exploited, and literally mutilated in the same way it is only D-16 that completely loses himself to his rage, even to the point where he loses compassion for his own companions and disregarding the safety of the other miners (when he decides to "tears everything down" and Elita exclaims he's going to "kill everyone").

What I think I love most about the characterization in TFOne is that Orion is the radical one. Not only that, but he is praised by Elita and by extension the narrative for it. He is constantly challenging authority, and is the first to have the suspicion that their society is structured in an unjust way.

Meanwhile D-16, to be frank, is kind of a bootlicker. He fully believed in the system and that Sentinal Prime, as someone with power, had the right to decided "what was best" for those who are weaker/lesser (I wish I had the specific quote from D-16 to support this, but the movie's still in theaters). It illustrate that D-16 already held certain fascistic ideals, and that he and Orion already have fundamentally opposing moral/political values, it simply hasn't been of any consequence yet. It shows that their eventual falling out was inevitable, even if they had decided to rebuild Cybertron together.

It should also be noted that D-16's feelings of anger and betrayal do not necessarily have anything to do with the unjust system itself, but that said unjust system was predicated on a lie. Hence his fixation on deception in the post-credits scene and him naming his faction the Decepticons. Meanwhile, when Orion learns the truth he's just sort of like "yeah, I always kinda knew something was up" because again, he understood on some level that their system was predicated on injustice.

Even D-16's obsession with Megatronus Prime, while initially an endearing aspect of his character, is also an indicator of the questionably large amount of value he puts on one's strength. It foreshadows the "might makes right" ideology that the decepticons follow, and is a key part of their ideological characterization across continuities.

Instead of the narrative we often see in Transformers media were Optimus is idolized by the narrative for being more moderate and Megatron is villiainized for being radical (or so people often claim), it is instead Optimus who is rewarded and praised by the narrative for being radical, and Megatron who is villainized and punished by the narrative for holding potentially fascistic values.

I do agree with some criticism I've seen that the whole thing with killing Sentinel and D-16's final turn into villainy felt a bit rushed and more than a little cliche, but I also understand it both had a limited runtime and that it is ultimately a family film meant to be accessible to children. More importantly though, I think the movie set the groundwork early on that, no matter how this final act played out, D-16 was always going to turn to darkness, and Orion would not have been able to stop him.

Its perfectly tragic, the way all MegOp should be, while also feeling really well thought out from a thematic standpoint. I love it.

[choslut]

˖ ࣪ ، ◞ せ⌇ INKED. featuring s. geto.

↻ geto enjoys his job for this exact reason… he gets to give pretty girls like you your first ever tattoo.

tags : tattoos, slight masochism, dirty thoughts, suggestive actions, possessive behaviour, tattoo artist x florist trope, voice kink, dirty talk, praise kink, latex kink (if you squint), implied fingering, marking (literally and figuratively), implied virgin!reader, slight dubcon // wc. 1.1k

author's note : the longest one of the series… and possibly the longest author’s note too. i want to thank everyone who’s supported me throughout this event from the day i released the masterlist all the way up until the last work today!! i know i’ve said that every one of these have been my favourite but why not save the best ‘til last… this very specific image of geto haunts my (wet) dreams 🤤🤤 thank you again for all the support, because of you guys, i managed to go from 200 to over 900 followers !! 💓💓 i can’t thank you more, and i hope you enjoy this last work. this has been luna, and thank you for reading!!

pspsps …. you might want to stick around for my upcoming kinktober. it’s going to be a thriller…

“i would’ve never striked you as the type to want a tattoo, sweetie.” GETO looks at you over the frame of his glasses, eyebrow quirked as he confirms your appointment on his laptop. “and especially not one of this… calibre. is it your first time?”

you nod shyly, eyes averting from his gaze. he looks at the sheet of paper with your desired design on it, and the corners of his lips quirk upwards. a tramp stamp. totally not your type upon first glance. 

he’s looking forward to this. 

you’re a sweet enough girl. you wear denim miniskirts and baggy floral t-shirts, and your face is almost always bare, save for a few coats of mascara on your eyelashes and the occasional touch of lip gloss to make your features pop. you work in the flower shop across the street, and the only way geto can describe you is cute, and definitely not the type to want such a striking design tattooed on your lower back. it’s in such an intimate position, and he can’t help but feel a tiny bit jealous for the lucky fucker who gets to run their hands all over it whilst he-

“it’s not too… extreme, is it?” you bite your lip nervously. “my friends told me that i should do something out of my comfort zone, so��”

he tears his eyes away from the sheet of paper to look up at you kindly. “it’s beautiful. come this way, we’ll get started now.”

“since it’s your first time, i’ll try to take things slow.” you’re lying flat on your front on the table, skirt pulled down an inch and shirt riding up your stomach. geto stands beside you, rolling up his sleeves and donning his latex gloves before prepping the stencil. 

you have such pretty skin, he notes. beautiful and untouched, with such a pretty arch in your spine. he would’ve loved to imagine you positioned like this in different circumstances, but for now, he’s your tattoo artist and you’re his client, so his job is to make you feel as comfortable as possible. 

so, to soothe your nerves, he runs his latex-clad fingers along the arch in your spine, splaying his hands across your lower back and smiling when he feels you shiver as a disinfectant wipe comes into contact with your skin. 

“i’m just prepping the skin, and then i’ll transfer the stencil. it’ll feel a little cold at first, but hopefully it’ll help calm all those pesky nerves. does that sound alright?” you nod. “good girl.”

shit. it just slipped out, the praise, but then he notices that your muscles start to relax. you like praise. good to know, for next time. 

time seems to pass slowly as geto works his magic, plastering the stencil onto your lower back. it’s affecting him, your reactions, and when he finally reveals the potential placement of your totally out-of-character tramp stamp, he has to physically restrain himself from groaning out loud. 

the placement — it’s fucking dirty. 

geto decides to check up with you before finally starting to prep his equipment. “are you sure about this? it’s your first time, so it might hurt.” he chuckles lightly. “scrap that. it will hurt, but i’ll try to make it quick so that you feel the least amount of pain as possible.”

“i…” your voice dies in your throat when you feel his fingers trace the outline of your preeminent tattoo. “ ‘m a bit nervous. never done this before.”

“mm, i know, angel. you have such a beautiful body… i’d be honoured to mark it up some more next time.”

oh. you know (read: think) there’s no underlying intent to his words, but the way his honeyed voice purrs behind you has a stream of wetness start to build inside of you, and you try to discreetly clench your thighs to quell the dull ache in between your legs, praying that geto doesn’t notice. 

he does. if he wasn’t mistaken, this might just be your kink: being left merciless whilst someone toys with your body. he doesn’t overstep though, just teases, running his hands along your bare legs. “how about here next time? i could ink a pretty little flower on your ankle, or maybe some initials… yours, of course.”

geto rathers he mark his initials on your ankle, but again, boundaries. to stop himself from saying anything that’ll have you bolting out of the studio in a millisecond, he finally sits in his chair, picking up the needle and scooting towards you. “are you ready, sweetheart? this is going to hurt, so tell me if you want me to let up at any time.”

you won’t. he knows you won’t, because the feeling of his fingers on your skin is intoxicating for you given the way your toes begin to curl in your flats as he steadies his hands on your lower back. “relax, love. it’ll hurt less.”

the needle pierces your skin, ink blooming as geto begins his work. the feeling… it’s strange, given the fact that it’s quite literally repeated pinpricks on your back. but it feels strangely good paired with geto’s hands on your back, and his smooth voice praising you all the way through. 

“oh, you’re doing such a good job for your first time, love. i’ve never seen anyone react so well.”

“does it feel alright? wouldn’t want to cause any harm to this precious body of yours.”

“i’m almost finished. you’ve been such a good client, i wouldn’t mind inking you again.”

all of it goes straight to your head, and the pain of the needle is replaced with instant euphoria as your mind fills with lewd images of geto fucking you in this exact position, hands on your lower back in the same way as he eases inside of you. and his voice, good lord, his voice… he would totally talk you through it, his rich grumble echoing in your ear as he guides you to orgasm. 

“you’re taking it so well, aren’t you, baby? that’s my good girl.”

“fuck yes, angel, just like that… oh, you’re so damn perfect.”

“you’re close? cum for me, baby. need to feel you, atta girl…”

before you know it, a moan slips from your lips, and you immediately dread geto’s reaction. 

“did you just…?”

your cheeks are on fire. “n-no! sorry, it hurt a little bit there. i should be fine though, you can keep going.” 

he quirks an eyebrow. “well then, the fault is mine entirely. allow me to make it up to you? i’d feel horrible for hurting you, after all.”

your slight nod is all he needs and suddenly he’s finishing up and wrapping your tramp stamp before prying your thighs apart and slipping his latex-clad fingers into your dripping panties. 

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[zevrra]

Hii, i saw u were looking for requests and I was wondering if u could do a jjk x reader (any character is fine) where they get body swapped by a curse and decide to get freaky

[BODY?¿SWAP]

tags: 18(+) only!!, suggestive content, semi-nsfw, some dirty talk, gojo x fem!reader, nanami x fem!reader, one-shot, anon request

creator notes: thank you so much for the request anon! i couldn’t decide which pov i liked the most so i wrote both of them kshsjs. hope you enjoy! ♡

It was all Gojo’s fault. You were cautious and always careful when on missions. Yet somehow, this one time he distracted you a little too much with his constant flirting and now you’re stuck in his body while he was stuck inside of yours. It was obviously strange. His long arms and legs. The muscles underlying his skin. And the most obvious, different genitalia.

And it was still all Gojo’s fault what you two were doing right now. He insisted he wanted to know what it was like, doing it, in your body. Said he wanted to know how good he made you feel and what he could do differently to make you feel even better. And seeing as how you two were body swapped for the moment, it was the perfect time for a little experiment.

“God,” Gojo groans. Using your body to fuck himself on his own dick.

You can barely keep your eyes open. Out of embarrassment of watching your body move so erotically but also the fact it felt…good. Really good. It was a completely different pleasure than you were used to. Pleasure that was white hot to the point it made even your soul tingle.

“No wonder you’re always a mess when I fuck you.” Gojo pridefully says.

Of course he was thinking so highly of himself. You both knew your sex life was fantastic and this little ‘experiment’ was just further proving his point. But now he’d never shut up about it. You could already see him bringing it up every chance he gets. How your stomach tightens with every thrust of his cock. He’ll speak of how your pussy was made specifically to take the shape of him. Any time he wants to tease you, to make your face flush, he’ll just speak of how many times you cum with him deep inside.

You whine, moving your hands to hide your, his, drastically red face. “Shut up, please.”

Gojo laughs wickedly. Even as he pants heavily with each roll of the hips that he controls. His, your, hands run up the front of his chest. Feeling every detail he can while he is stuck inside your body.

“Mhm, at least I know—fuck—that I fuck you good. Your body is damn sensitive.” He teases, making it a point to grind himself down. The motion causes you to groan.

“Well, I must make you feel real good too cause your body is just as hot.” You shoot back. A broken up moan tumbling from your lips.

He chuckles at your remark. Biting at his bottom lip as he clenches around the dick you currently have deep inside of him. “You’re right,” He smirks. You can tell from the sound of his voice he’s up to no good. “Just makes me wanna fuck ya some more.”

It was going to be a very long night.

It was your idea. Body swapped by some cursed technique, hours later, and you wanted to show the love of your life how good he was to you. How amazing he made you feel every time you two lay together. Suggesting a more physical example to show him in a way words could not describe.

“Nanami,” You hum softly. Standing tall inside of his body. Watching as you move his cock inside of your body. Slowly slipping every inch in and out. Making sure he felt the pleasure he gives you. “Can you feel it? This is what I feel every time we make love.” You whisper.

Nanami lies beneath you. His, well really your, legs are wrapped around the waist you currently inhabit. You can feel him tremble at the words you speak. Watching your own face twist in pleasure and concentration. Makes you smile as you know he’s feeling good. Nanami may not be able to confirm your thoughts for the moment but you know he’s getting a nice grasp of what you go through every time he fucks you.

Doesn’t stop you from teasing him a little.

“I usually feel it really deep right here,” You hum. Moving one of his large hands across your body’s abdomen. Pressing ever so slightly in an area on your lower tummy where you know it’s sensitive.

Nanami gasps at the sensation. Fingers gripping the sheets beneath him so hard that you’re afraid he might tear the fabric. His mouth falls open as he cries out in pleasure. “Fuck!” He gasps, sucking in whatever air he could through his teeth. You knew what he was feeling all too well. The countless times he had fucked you senseless into the mattress, leaving you just as speechless as he was now.

“F-fuck,” He whimpers again. Muttering something about slowing down but you can’t. Not yet. You needed him to keep feeling good. Needed him to reach his climax and see the stars you’re so use to seeing on the other end.

After all of this, you only hope he realizes how good of a man he truly is. “Mmm, I love you.” You say with a chuckle. Watching as Nanami struggles beneath you, making your body shudder in pleasure. Wondering how many times had he watched you from this exact position and thought how pretty you must’ve looked.

Now at least both of you got to see each other from the other point of view. Maybe body swapping wasn’t so bad after all.

[ineffectualdemon]

Here's the thing

Shen Qingqiu is weird about pretty men and Liu Qingge in particular

And I think it's linked to his own issues with his Shen Yuan identity

Shen Yuan is described by Shen Qingqiu repeatedly as "a useless pretty boy"

And that's very telling. The only positive quality he gives himself as Shen Yuan is his looks as a 'pretty boy' and while he's pleased with his looks as Shen Qingqiu as a good looking man there is also a sense imo that he's glad he's "Lofty Immortal" handsome but not outstandingly beautiful compared to his peers or Luo Binghe

His looks give off "Scholar" and therefore intelligence as well as being good looking.

Shen Qingqiu is good looking but not too good looking if you understand

And that's why I think Liu Qingge was such a shock

Because Liu Qingge is "pretty"

He's outstandingly beautiful

But it's not commented on anywhere in the books. And Shen Qingqiu gets thrown by that specifically. The fact that the War God is known for something other then his looks, for his prowess and skills. Makes Shen Qingqiu kinda angry

Now this is me reading too much into it and is almost certainly a headcanon

But I can imagine a 3rd son who is very pretty being treated like his accomplishments don't matter because he was pretty

That his looks were the first things people said about him and maybe the only thing people praised him for

No it didn't matter that he didn't get top grade on that test. He still has his looks doesn't he?

It probably wasn't even done maliciously

But I can see it wearing down his self worth and sense of self

So Liu Qingge being so beautiful and it not even being commented on in canon must have been infuriating both because that didn't happen irl to him and because it would have been nice to have a character who was beautiful but acknowledged first as a fighter

For definite headcanon: Shen Yuan is actively more beautiful and pretty then Shen Qingqiu

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[bogleech]

A Teletoon attempt to capture the rick & morty audience sounds like an unwatchable combination and the animation is a little cheaper than it looks in the promo art but I watched half of this series on youtube and I thought it was fun honestly, some episodes are better than others and sometimes there's a hackneyed attempt at a more "adult joke" that feels kind of out of place, but I like the wackiness of its apocalypse, which is the result of an alien spaceship's exhaust fumes randomly warping reality and fusing living things and/or objects together all over the world. It doesn't really make a big difference because you could just as easily chalk everything you see up to typical Radioactive Mutation cartoon logic, but I appreciate the more original background worldbuilding there, more like the novel Roadside Picnic.

I also like the ongoing B-plot of the two main guy's mom, who's some sort of engineer or programmer (I missed the specifics) trapped by one of those classic overprotective AI characters that sort of evolved from hal 9000, except with this being an edgy comedy cartoon they get sillier with that trope. She's trying to outsmart him but also dependent on him as her only friend. Or more than that in at least one episode. The two brothers are supposed to be out searching for her but most episodes kinda forget about that. Is the computer just gonna be their new dad by the time they find her? I haven't seen all the episodes. I don't think that happens. That's what I'd have written though. Of course I might be biased in this show's favor because some of the minor mutants are so good.

Look at this guy!!

[throwawayasoiafaccount]

‘the black bastard of the wall’ moniker is the exact opposite of the ‘white wolf’ moniker and this perfectly highlights the irreconcilable differences between book Jon and show Jon

[i-love-ptv]

You Know Me..𐙚⭑

Pairing: Steve Harrington x Fem!Reader

Based on the prompt: “no, i’m not going to give you a bite because i know you’re not going to like it. then you’re going to ask me how the hell i like it, and i don’t want to listen to that right now.”

Wc: 915

No warnings! Just fluff tbh! :]

An: This is a random blurb I made today at 6am lololol

buttttt NEW CHARACTER UNLOCKED!!! It’s fall, and i’m missing stranger things rn 😣

ALSO!! I don’t know who made the prompt, since I got it from Pinterest, but if y’all know, tell me!!

Not proofread, i’m tired

feedback is ALWAYS appreciated mls <333

You truly think that you’re being discreet. Taking subtle glances at your boyfriend, and more specifically, what he’s eating.

Steve’s mom has this special tuna casserole recipe, and she made it on the off-chance she’s actually home.

Just looking at it makes your stomach turn a bit, it takes you back to the dinner you had at Steve’s house when he first introduced you to his parents.

You can’t remember what his mother made, but what you do remember is how after Steve dropped you off at your house with a kiss, you were in and out of the bathroom all night.

You blame it on the fact that you may have a sensitive stomach, it’s not uncommon!

But, a part of you felt bad, she put her time and effort into making a meal for you. She doesn’t even really do that for Steve himself.

So you couldn’t just reject it, besides, your mother always told you to ‘try everything first!’.

So now, that’s exactly what you were going to do.

Steve had only come back to your shared home with one plate, so you had to think strategically.

Maybe you could distract him, tell him something’s wrong with the bathroom sink. Yeah! That’ll work!

“No, I’m not going to give you a bite because I know you’re not going to like it. Then you’re going to ask me how the hell I like it, and I don’t want to listen to that right now.” Steve’s sentence catches you off guard.

You whip your head towards him, staring at him like a deer in headlights.

“..What do’ya mean, honey?”

“No, don’t give me that look. Baby, I know you, and I know you aren’t the biggest fan of my mom’s cooking. I’m not either.”

You jump up at this, nearly falling off the couch, which makes Steve grab your waist with his free hand. He tries to get you to sit back down, rather than kneel on the couch.

“What? I love your mom’s food!” You practically yelled, your voice picking up in pitch.

Steve gives you a look, in both disbelief and amusement.

“Sweetheart, you don’t have to lie to me. D’you remember the 4th of July?”

You cringe at the memory of that day.

Steve’s family, meaning his parents, two aunts, an uncle, his grand-parents, and like four cousins - two of which, were kids - had came together for the 4th of July.

Steve, of course, invited you. He figured it would be better for him to bring you so you could meet his family, and so that he didn’t have to be alone.

The company was great, you loved talking and getting to know everyone, especially his grandmother.

But when it was time to eat, you were a bit….Hesitant, to say the least.

Steve’s dad worked the grill, and to be honest, you didn’t think it was going to be all that good, but it was!

But your dinner was spoiled by Steve’s mom’s watery macaroni and cheese, her oddly sweet potato salad, and her rock-hard rolls of bread.

But you refused to cause a scene, so you shoved all your thoughts down, and ate.

…Which resulted in you barking at Steve, telling him to drive home faster so you could use the bathroom.

You shiver at the thought of how you spent the rest of the night, in and out of the bathroom.

“Yeah, but, I think it was cause I ate too much!” You stammer, before continuing. “I’m all good now, though! Let me try some!”

You try to reach over to the plate, which is being tilted away from you by Steve’s right hand.

Your hands are resting on the brunette’s shoulders, while your body leans in the direction of the food.

“Baby, please. You don’t have to eat my mom’s cooking, I know it’s not good. Please save us both the trouble.” Steve sighs, you know he’s not mad at you.

He’s actually anything but.

He admires how you’re pushing down your feelings, only to uplift his and his mother’s. But he doesn’t want you to think that you’re required to do so.

After another 5-ish minutes of you blabbering on about how you ‘want to try her hard work’ and Steve arguing back, you slouch back onto the couch with a huff.

“I know y’wanna be nice, baby. But you don’t have to.” Steve softy coos, while rubbing your stomach.

“I know I don’t have to, but I want to Steve.”

Steve hums at you, and moves your legs from his lap as he stands up.

You track his body, as he walks into the kitchen, scrapes his plate, then sits it in the sink.

Steve goes back to the couch, picks you up, and then lays you on top of him once he’s comfortable laying down. He puts a blanket onto the two of you, and then rubs your back.

Steve leaves a firm, but sweet kiss on your forehead. “My sweet girl, always so nice to everyone, huh?”

You giggle softly, your eyes growing heavy at the feeling of him drawing shapes on your back.

The last thing you remember is him briefly reaching over you, and using the tv remote to turn down the volume.

Steve doesn’t know how he got so lucky with you, but he’ll spend the rest of his life thanking any, and every god for you.

And you’ll never be able to lie to him.

Cause he knows you.

────♡────

[yazthebookish]

Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.

I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.

First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.

This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.

Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.

I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.

One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.

First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:

Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.

1. The Valkyries are not yet a unit.

2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.

With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.

I'll be back to the Valkyries but let's just talk about Azriel for a bit.

It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.

That is a big deal for an Illyrian like Azriel.

And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.

And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.

If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.

Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.

Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).

All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.

If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.

The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.

Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.

You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.

Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.

And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.

There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.

"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.

"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.

Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.

In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.

To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.

[signanothername]

penny for your thoughts on dadmare and more fandom takes??

🪙

Tbh Anon you have to be a bit more specific with what fandom takes you want my opinion on cause I genuinely can’t think of any shshhshshs

But for dadmare… hmmmmmmm

It’s… I have complicated feelings about this trope

Like on one hand, I love the exploration of dadmare as a concept and would genuinely love for it to be explored in a deep meaningful way

On the other hand… the fandom never actually explores it in a deep meaningful way so everytime I come across dadmare a part of me dies inside

Like the fandom immediately settles for “tired generic dad trying to control his rowdy kids” and i’m here like :’)

Like i’d love for dadmare to actually be explored in depth, like the shift for Nightmare from being a bitch to being “dadmare” how does Nightmare deal with MTT in a dadmare way while staying true to his character

How did Nightmare develop and change and how does he feel about being “dadmare”, does he struggle to face the consequences of the abuse he put MTT through and how does he make it up to them? but like also for the love of god you can explore this trope without having MTT act like children, they’re literally +30 old men and you don’t have to infantilize them for the trope to work

Also hot take but everytime MTT call Nightmare “dad” unironically an angel loses its wings, it just ruins the vibes for me, like dadmare is a trope yet people genuinely take it too literally, which again just plays into the infantilization of adult characters

Hell, relationships aren’t one sided, how does MTT feel about Nightmare’s shift, do they trust him or do they take it as an opportunity to escape, do they hate Nightmare but warm up to him or do they not care for his change of heart

Like here’s an example, when people write dadmare, they write his ability to absorb MTT’s negativity to relieve them of their pain right? Ok cool, I LOVE THAT! What I hate tho is the fact every single person in the gang seems to “trust” Nightmare with their life and how all of them react the same way

Basically the MTT are reduced to cardboard cutouts that are literally just duplicates of each other, they all have the exact same reaction to anything Nightmare does, like you’re actually gonna sit here and tell me that Killer trusts Nightmare with his soul????? What did Nightmare do to earn that trust, and Killer isn’t a trusting person to begin with

Hell what did Nightmare do in the first place? Even when the interpretation of Nightmare is that he’s kind from the beginning and that he “saved them”, do you honestly believe that Murder would genuinely feel saved? Are you gonna tell me Horror is gonna stay and live with Nightmare by his own volition and abandon his brother where he only goes back to “visit” him? Since when has Nightmare become more important to Horror than Papyrus?

Hell since when can Murder, Killer and Horror communicate well?? Since when were they super close to each other and since when was Murder ok with Killer’s existence considering his very dangerous Determination and Chara-like nature?

Since when was Killer super emotional in stage 2 and since when was his other stages completely forgotten to fit the perfectly happy and healthy family that the fandom is trying to force onto these obviously unhealthy characters with unhealthy relationships and destructive behaviors

Like don’t get me wrong, people are obviously allowed to explore their fave characters however they like, but my point is, I can’t enjoy the trope of Dadmare even tho i want to, cause the fandom just settles for very straight forward answers to every problem, every little problem is immediately resolved with a snap of a finger

Everything is happy and rainbows and roses and any problems the MTT have they just go to dadmare and suddenly they’re no longer self destructive cause dadmare immediately saves them cause he always has the answer!!!

And i’m here still waiting for an interpretation of dadmare that actually pulls me in and actually interests me like

[halla-hunts-the-wolf]

Veilguard Spoilers @ The Inquisitor:

How do we feel about our three choices in the Veilguard character creator? I won't lie; this is the first thing I've heard about the game that's taken some of the wind out of my sails. I understand that keeping the choices as simple as possible was probably easier for making a new story and that most of what occurred in Inquisition only impacted southern Thedas, but at the same time -

If our Rooks can speak with the Inquisitor, they can't ask detailed questions about specific events, like what happened at the Winter Palace, without the Inquisitor having vague answers. It's not a big deal, but the Inquisitor went through some stuff, and even though ten years have passed, I hope those events still feel like they shaped and impacted the character.

I would have liked to receive a letter or a codex about my Hawke's whereabouts or for Varric to mention how Cole is, as I made him more human, and other nit-picky things like that. Still, even faint mentions of their characters, especially when their fates were player-dependent, would be hard to implement without a system similar to DA Keep.

I don't want to be overly critical. I'm excited for Veilguard; I know this is Rook's story, and I don't expect the Inquisitor to play a monumental role, but I do hope they receive a satisfying ending, whatever that may be.

[year2000electronics]

What is your take on Relativity Falls Fiddleford?

SO. UH. i very much still do not have any sort of concrete, finalized take on relativity falls (there are just so many possibilities to do) but i think fiddleford specifically i always like to highlight in that au when im talking about it because to me he can kinda start one of my favourite conversations, which is "just what are the 'swapping' rules when you make a 'swap au'?" when do you break those rules, if there even is the point of making rules in general, and is there swap aus where you only swap one thing and so everything follows that change in tandem?

and i bring this up specifically because a lot of the time, in relativity falls, fiddleford's role i'd specifically classify as just

"isnt he a stand-in for candy/grenda when he's the stan twins' friend?" NOT NECESSARILY. because even when they play it the most straight and have fiddleford swap with, like, candy. right. everybody really likes fiddleford! most of the time, relativity falls fans and old mystery trio fans DIRECTLY overlap. so fiddleford isnt just candy or grenda, because he is implied to have so much more screentime/serious moments than candy and grenda do. because we like fiddleford and want to see more of him!

but that begs the question, do you just pretend really hard that fiddleford is just a direct stand-in for candy & grenda, or do you acknowledge that when one cast of characters swaps ages with another cast, and by extension, swaps stories, it's not going to be an exact even split?

and once you get over THAT, you can REALLY start having fun with aus like this. because if youre like "well fiddleford doesnt necessarily have to be a direct parallel to candy and grenda, it doesnt always have to be an exact 'character swap'"! you end up going from this sort of uphill battle of having to do things like making dipper and candy be portal partners to something like, i dont know, PACIFICA filling in fiddleford's role while she also takes on a bit of a lazy susan role! and fiddleford can just be the kid friend of the stans' since YOU CAN JUST DO THAT!

...but if you asked ME, what i would do with fiddleford? well, i would make him the stans' friend, obviously, but i think i would make him the handyman of the mystery shack. ...yes, taking soos' role.

why? well, soos is the best tritagonist for dipper and mabel, usually! he's also someone who tinkers with stuff, just like fidds! it feels like a natural fit for mystery trio-esque shenanigans, no?

but of course, that begs the question "mothra, fiddleford is 12, mabel couldnt legally HIRE him, right??" great point! fiddleford basically begged mabel to let him work there so he could have access to power tools. you wanna know how they cover up the fact that mabel is kinda letting a kid work at the mystery shack?

yeah. thats what i would do.

so where does that lead soos in "portal incident" story? is he the equivalent to mcgucket? i dont really know. he doesnt necessarily have to be. he could be anything. maybe hes the mayor. i dont know

[diamondcitydarlin]

'wow beetlebabes shippers have NO media literacy didn't they see how TRAUMATIZED Lydia was by her past with Beetlejuice????!? she's literally TERRIFIED OF HIm omg yall are SO DUMB'

I mean...she literally summoned him again to get his help and then brought up marriage within 10 secs of doing that and, at worst, just seemed mildly annoyed by the idea/him. See, I think if you actually have unbiased media literacy, you can recognize that Lydia's issues don't stem from Beetlejuice specifically, she isn't inherently frightened of him (and to suggest so is to completely misunderstand and infantilize her character imo, she never was frightened of him give me a fucking break lol) so much as she is by the reminder of her inherent connection to the afterlife, which ironically she's trying to fight against despite having a successful show about it. Like, again yall, it's fine if you don't like the pairing. It's fine if it grosses you out. What is wholly unnecessary is the suggestion that people who do like it are somehow media illiterate or just 'not as smart as you' or just not getting some elusive concept that only super intelligent moral people can for not also thinking it's gross. You aren't smarter, you just have a different preference for interpreting and enjoying the story. There was a time more people understood that concept.

And not for nothing, but despite your HIGH INTELLIGENCE some of yall still don't know how to tag your anti posts so they don't show up in the shipping tag- though I kind of suspect that's on purpose to try to start shit where there doesn't need to be any, but still, show me how so much smarter you are than me by censoring beetlebabes in a hater post just once challenge (level: impossible)

[drbased]

Does anyone know why the official term is now 'child sexual abuse material' and not 'child pornography'? Because on the one hand, 'pornography' is such a visceral terminology with vivid imagery and I can imaging a victim would not want to be using that word to describe what they went through. However....

The cynic in me suspects that this is to distance the public consciousness away from associations between pornography and violence. Under feminist analysis, pornography is the technical term, with the violence inherent to the production of the medium, the character of the medium, and more fundamentally the ideology of the medium. Therefore it seems to me that 'child pornography' would be a perfectly reasonable term to a feminist: media that contains an ideology of sexualised violence against children.

Perhaps the mainstream feels that 'pornography' brings to mind a certain level of explicitness, therefore seemingly innocent photos of children in swimwear wouldn't count - but once again, under a feminist lens, the ideology of violence is what defines the nature of pornography, therefore the explicitness is irrelevant.

The even deeper cynic in me sees that society feels a sense of cognitive dissonance in trying to score a neat line between 'good and harmless pornography' and 'bad and violent pornography'. People want to believe the line is consent, but unfortunately it's hard to apply a good model of consent onto pornography. Rape is, in theory, easier, because there is direct contact between the assailant(s) and the victim. But under pornography, that woman cannot possibly consent to you, specifically, seeing her in that context. Society wants to believe that the very existence of said material is consent in-and-of itself, but I think deep down people aren't really convinced. The very existence of there being a line between 'good pornogaphy' and 'bad pornography' at all brings up all this cognitive dissonance on the nature of what harm in pornography actually is - and the only real way to deal with this cognitive dissonance is to slap a blanket label of 'good' onto all pornography. So if there is a known 'harmful pornography' then it must be renamed into 'sexual abuse material'.

But I could be wrong, of course. There are people who actually work with victims of CSA and the victims themselves who have their reasons. I still believe I have made a good case for my cynicism, however; their reasons and mine do not have to be mutually exclusive.

[steviebbboi]

Stevie BB 200 Followers Celebration Writing Challenge!

Howdy lads~ exciting news to share:

I just reached a 200 follower count on Tumblr 🎉🎉🎉

I kinda can't believe it? Writing is indeed good for my soul. Interacting with y'all on here has helped me with my mental and emotional wellness due to just finding such great community on here. Thank you for giving me the space to write and for following along/supporting in my writing journey 💖

With that spiel spoken, I wanted to host a writing challenge in celebration of this milestone! *squealing because i'm so excited to host*

You could participate by sending in either:

✨ writing request via my Asks (💙)

and/or

✨ writing submissions (💥).

General Rules:

the challenge will start October 1st until the end of November (flexible on late entries for submissions only💥; let's say till mid-December or so).

I'll read/write for Chris Evans characters, Henry Cavill Characters, and Charlie Hunnam characters [and Bucky Barnes specifically lol] (these are my preferences but if there are other characters that you'd like to bring in, just ask me)!

for writing requests 💙, i will only be accepting requests (2 max/person; pls do not send more than 2 asks!) until the end of November.

for writing submissions 💥, go wild! submit as many as you like!

you can do both (send in a writing request 💙 AND send in a writing submission(s)💥) if you want to; rules still apply for the requests though.

use at least one prompt within your request 💙/submissions💥 from the lists below (but def. go crazy if you wanna use more than one! you don't have to claim any prompts).

works can be inclusive! poc, gender neutral, neurodivergencies, mid size/plus size/curvy readers are encouraged!

No word limits but please use a 'read more' after 200 words

Works can be part of an existing series but must be able to stand on their own

tag me @steviebbboi and use the tags #bbboi200celebration and #steviebbboiwritingchallenge in your entry so i can read/reblog your work! (If I somehow lose sight of your submission, please remind me and I'll take a look at it right away ☺️)

Most important one: Have fun!

How To Play:

✨ You must be 18+ to participate in this challenge!

✨ Choose one (or multiple 😏) BB's:

Chris Evans Characters

Steve Rogers/Captain America

Ransom Drysdale

Ari Levinson

Frank Adler

Curtis Everett

Andy Barber

Hayden/Harvard Hottie

Nick Gant

Jake Jensen

Johnny Storm

Lloyd Hansen

Henry Cavill Characters

Clark Kent

Napoleon Solo

Geralt of Rivia

August Walker

Charlie Hunnam Characters

Jax Teller

Raymond Smith *extra brownie pts if you write about him omg*

King Arthur

Sebastian Stan

Bucky Barnes [he's all by himself im so sorry lmfao 🥹]

✨ Choose one (or more) of the following prompts:

*if you don't want to write smut, you don't have to choose anything from the kinks prompt! feel free to only use the following two prompts :)

soft dom!BB

clothes/naked ratio

size kink

slow and deep 👀

breeding kink (non-pregnancy version)

somnophilia

free use

cockwarming

belly bulge

Squirting

consensual non-con

consensual dub-con

cumeating

creampie

anal/or dp

possessive/or protective manhandling!BB

oral sex

orgasm delay

dumbification

daddy/princess kink

overstimulation

sex pollen

prone bone

cockdrunk

threesome (BB/Reader/BB)

ass/pussy spanking

mild degradation

body worshipping

quickie/don't get caught (public sex, threats of exhibitionism, etc.) 😏

Grouchybb! who is only soft with you

Married and loyal!spouse

A/B/O

lumberjack!bb who is a teddy bear on the inside tho

mob AU

biker AU

soulmate AU

mutual pining/idiots in love

childhood besties to lovers

reformed playboy

professor AU

supernatural/mythical (gods, sirens, werewolves, witches, vampires, ghosts, oh my!)

frenemies to lovers

fwb to lovers

locked in AU/forced proximity

medieval AU

fake dating/relationship

sharing one bed

polar opposites attract

break up and make up

spy AU

meet cute

cowboy AU

gentle recluse!BB

brothers best friend!BB

"Are you fucking kidding me?"

"Yes, take it, slut"

"It's not that big of a deal."

"God, why do you always do this"

"You're impossible."

"Then I guess we gotta be quiet, huh?"

"We're trapped."

"Shh, you wouldn't want anyone to hear, or do you?"

"You're taking me so well, baby"

"Good girl" *for fem readers; adjust accordingly!*

"Tsk, uh-uh, c'mere, honey"

"You always feel so good around me, baby"

"What do you think you're doing?"

"Here, let me help you."

"Yeah, are you a cockhungry slut, now?"

"I hardly think that that's necessary."

"Don't be a brat, baby."

"Aw, does it feel good right there?"

"I'm sorry!"

"What do you want from me?!"

"I didn't mean to!"

"What do you think you're doing here?"

"Nope. Again."

"Don't worry, I got you."

"Just stay still, there you go."

"Just one more, I promise."

"C'mon, don't you wanna be good?"

"Stay over there!"

"You better hurry up, baby."

"Thaaaat's it, you're doing so well, honey."

"Uhm, I'm not sure that's going to work."

"Please, I'll beg, please!"

"Be honest."

"Be careful there, darlin'."

"Are you okay?"

"Are you sure you wanna go there?"

Scenarios? Any! Go. Wild.

✨ I love reading/writing angst w/HEA, soft dark (nothing too dark though), fluff and SMUT (as you can see w/the many many kinks).

no incest (stepcest is ok if tasteful lol), no infidelity, no watersports, no murder, no gore. if you're unsure if a trope is appropriate, ask me!

if im ever uncomfy with writing something, i will lyk and we can talk more about it to see if we could work with it!

feel free to ask any questions!

i think i got everything!

Have the best time, laddies~ thanks for celebrating with me!

All are welcome to join in the fun! ❣️

Tagging a few mutuals who may be interested but no pressure bbs:

@bigtreefest @mercurial-chuckles @stargazingfangirl18 @yenzys-lucky-charm

@sweater-daddiesdumbdork @buckets-and-trees @hotdamnhunnam @laurfilijames

@autumnrose40 @eloquentlytired @misscherry-26 @stellar-solar-flare

@darsynia @navybrat817