#i have no idea when I wrote this

[tazmiilly]

obsessed with this draft I never finished. where the hell was I going with this

[sophsicle]

the thing is. the minute I start to think about things i panic.

[dyrewrites]

Spring brings rain,

Spring brings sun

Spring brings hours of anxious fun

Hectic thoughts

Numbing grin

Still the brain

Dull the pain

Spring brings it round again

[basslinegrave]

pin-up

b&w originals

[sykloni]

Dannymay 2023

15. Full Hazmat AU & 23. Rogue Gallery

[girl-bateman]

I guess that this is as good of a time as any to remind people that WRITERS MAKE THE STORY!!!! I cannot count how many times I see posts praising tv directors for things that are simply not their doing. That iconic line of dialogue? Yeah a screenwriter wrote that. The characters you love? Screenwriter. The places, the plot lines, the developments? Writers.

A show CANNOT happen without a script because a script is necessary for EVERYONE to do their job right. It dictates what set to look for/create, the filming schedule, the casting calls, the costumes and so on. It's not just words on a paper, its the backbone for all of production and it deserves to get recognised as the integral part of tv and film as it is.

[that1notetaker]

DADS DADS DADS DADS. (Read below for a short written scene to add context)

Lucifer purses his lips, echoes of his daughter's words jarring daggers from behind his mind's eye. 

“They’re our people too, dad. People with—with hopes and dreams, and—and fears. Like you, and me. I have to do something."

That had been months ago. Same day she left home, along with most things in her room and the knickknacks that had innocently scattered around the house. Once overlooked, now the fractures that chiselled the crack in the wall.

From the corner of his eye, the man’s brow tightens. Lucifer watches shoulders stiffening under a black suit, a red beak pulling into a frown. The imp's eyes remain cemented in the same spot of the table, however, an empty murkiness tredging the edges. Too recognizeable. Too familiar.

Lucifer closes his eyes. Fine. Okay. Okay.

“Uh.” He clears his throat. “Hard day?” Perfect.

[theeretblr]

Why did I leave these in my drafts?

[makemeimmortalwithahug]

payneland modern no-one died au in which charles and edwin meet during summer holidays on vacation and spend all the time sneaking away from their families to be together. Sitting at night with thin blankets at a bonfire that's slowly burning down, telling jokes and feeling warmed by the company. exploring nearby woods and charles climbing trees and silently waiting for some birds to come out and he can take close-up photos for edwin. edwin reading to charles from detective stories and non-fiction books he's interested in and charles telling edwin about his favourite comics. edwin and charles sharing a pair of headphones to listen to their favourite music. charles and edwin dancing on a balcony.

charles and edwin hugging for a small eternity when summer ends and fades into autumn. charles saving edwin's phone number on his phone and frantically writing it with sharpie on his arm and the back of his hand for good measure. edwin doing the same and charles writing him a small note with his number and a message that edwin can use as a bookmark ("promise me you won't read that until you're home, yeah?" "I promise, charles")

[after-witch]

With Your Heartbeat Next to Mine [Yandere Mahito x Reader]

Title: With Your Heartbeat Next to Mine [Yandere Mahito x Reader]

Synopsis: You were lying to yourself if you claimed to think Mahito would be satisfied with kisses and late-night snuggles on the couch.

Word count: 1220ish

Notes: yandere, possessiveness, implied dubcon, talks of virginity, self-blame for unwanted advances, Mahito in general

Mahito steps forward, and you’re trapped between the unusual coolness of his body and your bedroom wall. One of your posters--some sun-faded thing leftover from your school years--crinkles against your back. You hope it doesn’t rip, and then you’re back to worrying about more important things.

Like the fact that Mahito wants you to have sex. Tonight. Today. Right now. 

“It’s just--I’m not ready,” you say, lips dry, stammering stupidly. “I’m a--I mean, I’ve never… I haven’t…”

Mahito quirks his head, and then grins, all teeth and salaciousness. “Oh-hh. You’re a virgin, then?” When you don’t answer, he pokes the end of your nose with a finger. “I read about it. It doesn’t matter to me. Humans attach importance to silly things, don’t they?”

Something like humiliation and hurt puffs up in you. He doesn’t take anything seriously, at least not when it comes to you. It’s never bothered you too much. It was part of the charm, the game, of being with someone like him.

But this is… different. Isn’t it? And it bothers you, deep down, even though you really forfeited all rights to any sort of normal relationship expectations the moment you willingly kissed a literal curse. 

“It’s not silly.” 

Your eyebrows furrow and you think back to fumbled romances from before Mahito. Awkward make-out sessions on the couch that always ended in you telling your dates that you weren’t ready to go that far, and they either smoothly accepted it and got their time’s worth with sloppy kisses and gropes or got the hell out of dodge, and you’re not sure which was more hurtful in the end. 

And then came Mahito. And he was different.  And a curse. And you were in something-like-a-relationship with him, but you didn’t know what to call it when the person you were seeing couldn’t be seen by anyone around you and he tortured people (to death, or not, and you definitely knew which one was worse in that case) for fun and “science” and you, sick and selfish thing, still loved the way he pressed kisses up your neck to feel your heartbeat or yanked your bottoms down to taste what was underneath or simply held you all night while you watched movies. 

And now he wants to push you down onto your bed and fuck you, and you don’t know what to do or say.  You don’t want it, but you knew it was coming, like it always does in any relationship. Was it any wonder that it came, too, in this one? 

Mahito puffs air in your face and you flinch, startled out of your thoughts. 

“Where’d you go, hmm?” You feel his fingers on your chin and you know what’s coming when one of them slides along your lips.  One of Mahito’s fingers hooks onto the side of your mouth, and if you weren’t used to him playing around with your body like it was a lump of clay, it would have bothered you. Instead you wonder when he last washed his hands, even as he stretches your lip upward, a mockery of a half-smile.

“Humans are silly. You’re silly,” he says, all matter-of-fact. Then he sighs, put-off or tired or just pretending to be in order to make himself more palatable, more humanesque, to you. You can never tell with him, and that’s part of the thrill. “Is it because you…” 

He releases your lips and taps his chin, putting on a show as he thinks for a moment, digging out information from whatever well of knowledge he stores things in. He normally pulls out trivia about humanity that would be better suited to some sort of criminology class. But today it’s something far less morbid, though hardly any less anxiety-inducing.

“Are you saving yourself for marriage? Is that why you don’t want to have sex?”

Your cheeks feel impossibly hot. 

You shake your head, looking down, unable to look at him. He never has a problem staring at you for what always feels like a terribly long time. Sometimes he does it so you’ll give him the answer he wants. Other times, it’s to study you--or that’s what you think, anyway. 

Mahito pouts. “Oh. Darn. I was thinking we might have a wedding, if that was the case. I’ve always admired those pretty dresses in the windows.” He sighs again. “Probably couldn’t invite him, though, anyway. He wouldn’t approve.” He smiles again, bright and peppy, all imitations of tiredness tossed aside like an old coat. “Did you know he wanted me to kill you the first time I brought you up?” 

You nod, because Mahito has had no problem telling you that his companions think he should have killed you a long time ago, and sometimes he thinks about it. But then he remembers how much fun you have together, so he puts it off for another day.

And the thought hits you like lead: If you won’t have sex with him, will he kill you? Will refusing make you too annoying or boring to put up with? Or is it better to say no and keep up the chase, make him fight for you? It was almost dizzying, the way relationship games became serious with Mahito around. A regular guy might just break up with you. Mahito might just break your neck.  

“Then… oh!” His expression brightens and he looks so sweet like this that you can almost forget what he is and what you’re doing with him. Almost. “You’re worried about the pain.” He nods, a mockery of sage wisdom. “I’ve read about that, too. He tilts his head back a little. “In novels. It’s cute…”

“You’re cute,” he says, and that’s a good sign--right?--because it means he still wants you. And you’re at least another step farther from being turned into some awful experiment in a sewer. 

His lips press against your ear, and his voice is too close and he’s too close, but you signed up for this when you let him in your life, didn’t you? You let him hold you and kiss you and if you didn’t think he’d eventually want more,  you were lying to yourself. 

“Don’t worry,” he murmurs, and it does nothing but make you worry more. “I’ll be gentle.”

The most awful thing of all is that you can't tell if he's being genuine or not.

He grins, a sticky smile that oozes an awful dark pressure that makes your stomach clench. It would be better, you think, to do what he wants. Since he seems to want it so much. And… you should be flattered, if anything. Right? Be flattered. Be grateful. Appreciate that some all-powerful curse wants to press you into a mattress and have sex with your body and pull out your mewls and moans like he’s done before, albeit in a far less intimidating fashion. 

Mahito presses a chaste kiss to the end of your nose, then pulls back to examine your expression. 

“That’s what I’m supposed to say, isn’t it?” His fingers card through your hair up your scalp, scratching just a little too hard to feel nice. “So you don’t fight as much?”

You swallow, and your throat is so tight that your spit might as well be needles. 

Mahito, not wanting for an answer, presses his hands against your shoulder and pushes you harder against the wall as he moves in for a hungry kiss. Behind you, the poster rips. 

[10yrratiolover]

giving my thoughts and ideas on Ratio's character stories

I wouldn't call this much of an analysis but we'll see how it goes

Starting out with his first character story, most of it is Professor Rond's recommendation letter.

I'd like to start by sharing my thoughts about Ratio and Rond first before actually getting into dissecting the letter itself.

So, firstly, I'd like to mention that (to my knowledge) we have never heard of or from Ratio's parents. I find that ironic considering what a big shot he is, I doubt that his parents would ever willingly shut up about their son.

Reading that Rond had a 'significant influence on Ratio's upbringing' particularly stands out to me because, at least at the time of the original letter being written, Ratio was in secondary school (Grade 9-12, though some of the wording in the letter lead me to believe he was likely on the lower end of that range).

Now, a high school teacher having a 'significant influence' on someone's upbringing isn't necessarily uncommon, nor are old teachers proud of their past students becoming extremely successful. However these points, alongside the fact that Ratio's parents are nowhere to be seen in canon, lead me to believe that there was some sort of familial relationship between them, especially seeing Rond's reaction to being asked about Ratio as well as how he had kept the original letter.

Moving on to the actual letter.

Grade skipping is a pretty common practice where I'm from, as it allows learning at the appropriate/needed level (ignoring the fact that the school system is in shambles).

However, the way this is phrased is as if Rond were trying to convince him to be able to skip grades. If he were in grade 11 or 12 I feel like it would not have been phrased this way, which is what leads me to believe he was likely younger, possibly fresh out of middle school.

The highlight on creativity is just because it makes me smile honestly, also it ties into one of my earlier posts about how I think Ratio would adore the subject of art.

I would like to return to my point of Rond being a potential parental figure to Ratio, seeing as he seems to know his daily routine well enough to confidently write about it in his letter of recommendation.

On to his second character story, which is mostly online posts in a thread-like format.

It wasn't until his eighth doctoral degree that he was awarded with First Class Honors, also since he is the first person to receive such in two amber eras it means he was likely the only one on stage at that time.

It also states that at the time he was already a prominent figure in society, which doesn't surprise me given the accomplishments listed by Rond in the letter despite him being in high school at the time it was written. However, he would most likely be an adult by the time he finished his eighth doctorate.

No real comment on this I found it funny that they put etc instead of continuing to list fields.

I also just find these funny and wanted to share them, but the disagreement on the last comment shows how much people admire him. I feel like that's a topic that's rather watered down in the fandom, but people genuinely admire Ratio a lot and there's plenty of reason for them to.

full-time university teachers tend to teach about 5 courses per academic year, meaning Ratio has been teaching for about 10 years.

Moving onto the third story, which is a statement from a former assistant of his about his desire to join the genius society.

I find this to be an interesting point, it seems like joining the Genius Society would be an obvious next step for a man with so many accomplishments but it's stated not once, but twice that he has never spoken about the subject (to the public at least).

I am a believer in the theory that Ratio hasn't been allowed into the Genius Society due to his humanity/compassion and his desire to spread knowledge to everyone, and I feel like this specification that he's never spoken about the topic could add to this theory.

This paragraph never fails to break my heart, but I do want to talk about the mention of an anti-planetary weapon. I feel like this Anti-planetary weapon that he spent years perfecting was a final attempt at proving to Nous that he wasn't too compassionate or too humane to receive their gaze. I remember reading about this idea more in detail elsewhere and if I can find the analyzation then I'll link it here.

Also, I feel like deep down he always knew that he wouldn't be accepted into the Genius Society, but this day, as Margaret states, was the day he finally realized it, or, fully swallowed that pill.

I find these comments to be interesting as well since they specify the narrow-mindedness of the society however, there is this comment from the Data Bank;

This comment I admittedly stumbled across when looking for something else, but I feel like it perfectly encapsulates Ratio's entire dilemma with the Genius Society, maybe not to Ratio himself but it certainly applies to everyone who comments on his achievements being worthy of Nous' approval.

I am also quite curious about who exactly wrote the 'Decoding Dr. Ratio' that we have read from in all of his character stories. They seem to have a lot of connections for someone who would typically be seen as just another paparazzi or media interviewer, I'm surprised the people listed in his stories would agree to an interview.

Onto his final story, which is about his personality and methods of sharing knowledge.

I mentioned this comment in my character notes post but I find it extremely charming that Ratio remains the same and refuses to change himself or his personality to satisfy those around him.

It is also commented in his second character story by a previous professor of his that his honesty and straightforwardness were a 'Breath of fresh air' at the University.

I love the implication that either; nobody in the entire room had any questions (unlikely), or that they were simply too scared to ask them.

I also find the comment that 'Whenever someone agrees with me, I feel like I must be wrong.' Perhaps he's gotten used to being the only one thinking the way he is or the possibility that people only agree with him so they sound intelligent themselves and weren't truly listening or understanding.

I find these comments interesting as well, a majority of the fandom mischaracterizes Ratio as mean or rude although he literally explains his viewpoints where anyone can access it (which does honestly prove his point about how knowledge is not for everyone.)

[saeyoungchoismaid]

Kaeya presses up close behind you, bringing his arms up to place them under yours. “Hold it steady…” he says softly into your ear. You feel a shiver go down your spine, your eyes rolling back the tiniest bit. “That’s it…” he purrs.

“Bang,” he whispers into the shell of your ear as you pretend to shoot your target, your gun jumping in your hand a bit as it fires nothing out.

His hands go light as you pull the gun back to cock it, reloading the weapon with an imaginary bullet before going back into your original state. “Well done,” he mumbles—in what you swear is a sensual tone—right below your ear against your jawline. “You’re such a fast learner,” he praises.

[carnivalcarriondiscarded]

happy mother's day lmfao

bonus (the girls are fightiiing):

[fishsticksart]

Francesca - Hozier

If someone asked me at the end, I'll tell them put me back in it

[Francesca, Hozier // The Ghosts of Paolo and Francesca Appear to Dante and Virgil, Ary Scheffer // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Francesca (Official Video), Hozier // Francesca, Hozier // Ship on Stormy Seas, Ivan Aivazovsky // Francesca, Hozier // Canto V, Inferno, Dante Alighieri // Paolo and Francesca, Mosè Bianchi // Francesca, Hozier // Paolo and Francesca da Rimini, Gustave Doré // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca, Frank Dicksee // Francesca i Paolo, Ludwik Wiesiołowski // Before Romeo and Juliet, Paolo and Francesca Were Literature’s Star-Crossed Lovers, John-Paul Heil // Paolo and Francesca da Rimini, Dante Gabriel Rossetti // Francesca, Hozier // Francesca (Later with Jools Holland), Hozier on BBC Music // Canto V, Inferno, Dante Alighieri // tumblr user @handgf // The Kiss, Auguste Rodin // Paolo e Francesca, or Morte di Paolo e Francesca, Gaetano Previati // Hozier // Hozier // Hozier]

[crabsnpersimmons]

I’m curious about the onesie now

also @pizzaplex-stargazer cuz you noticed too!

here's what Moon was rocking before Clip started making clothes:

after their PizzaPlex went under, the DCA bois had to figure out a lot of things, one being: clothes. unfortunately, Moon's really big, so he struggled to find things that fit him and were comfortable. the onesie is the first thing he found that fit him and made him feel really cozy. so he still wears it at home (he prefers comfy clothes at home anyways) when he needs a pick-me-up.

of course, he can't work at the salon in a bunny onesie, so here's what Clip made him (under Sundrop's direction):

Moon does prefer comfy clothes, but he has to admit, sometimes he likes the attention these clothes get him. he's iffy about them though, he feels that they show too much of him and he prefers the specific kind of comfort that comes from being an amorphous bundle of coziness.

[bixels]

What did/do you like about Pharah?

Uh, gameplay-wise, I really love characters in shooters who rely on three-dimensional movement techs. Chaining together hover and jump to stay in the air for as long as possible and keep momentum is so satisfying, and picking enemies off from the sky made me feel like a bird of prey. I was a good Pharah main.

Story-wise, there unfortunately isn't much to canonically go off because Pharah is so underutilized and neglected. Her personality's pretty boilerplate "heroic hero" (she's literally inspired by Captain America).

But it's the crumbs/bits and pieces that I really latched onto. Pharah's a confirmed lesbian; her short story with Baptiste implies she harbors a crush on Mercy (fucking thank you.). She's biracial Egyptian/First Nations. She has major mommy issues, having grown up both admiring and resenting Ana. She's the bridge between Old Overwatch, inspired by the idealized heroes who surrounded her childhood, and New Overwatch. She's one of the only inter-generational characters in the cast; someone whose experiences span the gap, which is why I seriously believe Pharah would make a great main character.

There isn't much to go off of, though; she's a very uncomplicated character (she's a soldier for a private military corporation, lol.). But that just means she's a blank slate character, so I've seen fanfic writers run wild and create some really interesting takes on her. My favorite interpretation of her's a dense, herbo gym-bro type (a lot of her liens are about work outs, exercising, and playing sports) who's easily excitable under her seemingly self-serious, armored visage. We see how she tends to gloat and hype herself up when she's on a streak too, so Pharah definitely has a competitive and boastful side under her more professional and militant performance.

Now Mercy? Mercy is a real complex character.