Imagine Gale as a talented and impressive young man, able to compose the Weave at will, skilled in a way that few can match, and favored by the Goddess of Magic herself. Imagine that because of these accomplishments, he’s caught the eye of a few up-and-coming magic adepts, and he falls in love with one of them—his first real love. Gale isn’t one to toss the ‘L’ word around lightly, so when he tells them he loves them, he means it; he gives himself over to them completely.
And in return, they love him for his potential. For his status. For the magic he can command. They love the wizard they see on the surface, but not the man underneath. They are attracted to his power, but not to him.
So of course the relationship fails, after the thrill of his magic wears off. But because Gale is a resilient young man and he’s caught the eye of so many, he soon falls in love with another.
And then it happens again. And again.
And each time Gale’s heart is ravaged, his ambition to become a better wizard grows, because he’s being shown time and time again that his magic ability is all that matters.
So much so that, by the time Mystra decides to elevate him from Favored to Chosen to Lover, he welcomes her with eager, desperate arms. Because if all his worth is in his magic, and that’s all he has to offer, and that’s all anyone wants from him, who better to love him than the Goddess of Magic herself?
Except…there’s a nagging voice in the back of his head that whispers she doesn’t really love him. There’s anxiety in his heart as time passes, and he reaches both the limit of what his talents can do and what Mystra will allow him to do. And most troubling of all: a growing panic that, just like his other lovers, she will soon grow tired of him and discard him if he can’t improve his magic any further.
He tries pouting, and pleading, and begging her to let him take more power, to let him be more for her, but she refuses. Smiles patronizingly. Tells him to be patient. But Gale can’t be patient when his power is tied so closely to his self-worth; he can’t be patient when doing so in the past has only ever lead to heartache.
So he does what he believes will be a Grand Romantic Gesture, one that will finally put him on equal footing with the woman he loves. Instead, it turns out to be a folly that dooms him and destroys his talents. And just as he’d always feared, Mystra tosses him aside the moment his magical gifts are gone—because what’s left of him holds no value for her.
————
Imagine Gale in his tower, alone, afraid, the ever-hungry orb in his chest, with only his tressym there to help him. No other friends to speak of. His colleagues forced to keep away for their own safety. His magical talents utterly stripped down, so that even when he does try and distract himself with illusions, he’s bitterly reminded of what he used to be capable of. Waking every morning wondering if it will be his last, ending every day full of loneliness and disappointment.
…and then he meets Tav.
At the lowest point in his life, at his most vulnerable, when he knows he’s going to be considered a burden, he meets this stranger and their group. So he does what he can to be useful—assigning himself to be camp cook, offering up his (now meager) magic skills, turning the charm up to 11—as he desperately hopes this will somehow work out. He’s pleasantly surprised when, after providing only minor details of his condition, Tav agrees to help him. He’s even more surprised when they actually follow through.
Imagine how Gale feels as Tav treats him kindly. As he grows to trust Tav, and then grows to like them. Imagine his surprise as he opens up and shows them more and more of himself, and they don’t turn him away.
But then his condition worsens. And he has to reveal everything: the foolish mistakes he’s made, and how dangerous he is as a result. He clings to Tav’s hand as he shows them his folly. He’s at their mercy now, and he knows this might be the last time he’ll ever feel the touch of another being, if they decide—and Gods, why wouldn’t they decide?—to cast him out.
…but they don’t. They don’t. Instead, they tell him to stay.
Imagine the relief Gale feels. The gratitude. And perhaps…just a hint of something more. Something that he dare not name, but that flares to life every time he thinks of how warm their hand was in his. Something that feels dangerously close to jealousy, when he’s had too much to drink and sees Tav smiling at another…
But he knows these are all foolish thoughts, because he has nothing to offer Tav. They are wonderful just as they are, but he…he is an empty shell of a man, a discarded husk of a wizard, and while they might tolerate him, he could never believe they might actually want him.
And besides, he still thinks of Mystra. He still longs for Mystra. She who cast him out, but to whom he still feels tethered. Sometimes he needs to cocoon himself in the weave, just to try and calm his fears and bring some joy back to his life, because magic is his life. And sometimes he just needs to see her face, even though that hurts as much as it heals.
One night he’s lost in thought, having conjured Mysta’s image after settling down at camp. Thinking that even if she hadn’t ‘loved’ him—certainly not in the way he’d loved her—she’d given him enough otherwise, hadn’t she? She’d amused him and been amused by him, they’d shared countless pleasures, why hadn’t he been satisfied with that?
Gale is so lost in thought he doesn’t realize Tav has come up behind him. Until they ask a question, startling him out of his trance. He’s a bit shaken, so he tries to turn the conversation from Mystra to the weave itself. And then a wonderful idea occurs to him, something that he’d been toying with already: what if they were to conjure the weave together?
He can show Tav how important magic is to him, let them experience what he does, perhaps even impress them a bit. But most importantly, share a moment with them. As friends would do…
He’s elated when Tav agrees. He leads them through the steps effortlessly, and they’re a surprisingly good student, following his instructions correctly (if a bit clumsily). He’s as excited as they are—perhaps even more so!—when they succeed in channeling the weave.
It’s such a pleasant, familiar feeling for him, like coming home to his tower in Waterdeep. Even as the weave connects him with Tav and makes them one, he’s easily able to hide his innermost thoughts, because he’s done it so many times before.
…but he’s forgotten that Tav has not.
————
Imagine Gale knowing every romantic partner he ever had only wanted him because of how he could raise their status, or how he could amuse them, or how he could command magic for them. And, each time, he was happy to oblige them, even desperate to oblige them, because if that was the price of their love, then he was sure it would be worth it.
But it still all came to nothing.
Now imagine Gale connected in an intimate way with someone he likes very, very much—while being what he considers his lowest, most worthless, and most humbled self. As far from the powerful, impressive wizard he once was as he could ever be. And suddenly a vision enters his mind from the lovely creature standing next to him. Only, to his complete and utter shock, it isn’t one where he is providing them with a service, or wowing them with his magical ability, or granting them some kind of power from one of the spells he commands.
Instead, when he sees their desire laid bare before him, it’s a vision of kissing him. Of holding his hand. The two most basic forms of affection and physical connection. The two things that he would still be able to offer them even if every last ounce of his remaining magical abilities were stripped from him. The two things he could share with them even if he was no longer Gale of Waterdeep, and just plain old Gale Dekarios instead.
Imagine the embarrassment and trepidation he feels at first, because surely he is mistaken?…and then the elation when he realizes that he is not. So much elation that his concentration is broken, the weave dissipating as he forgets about channeling it, as he forgets about Mystra. Because all that matters to him now is the image before him—the most pleasant and welcome image he’s seen in a very, very long time.
Imagine how that would feel…and how besotted, enamored and completely devoted he’d be to Tav afterwards. To know that someone finally—finally—just wants him.
Just imagine.
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people bitching and moaning about fob "turning mainstream" as if that was never the entire point of fall out boy. that's In the goddamn dna of the band, it's baked into the ethos of why the band started in the first damn place. to be accessible to kids and especially to girls, who were often ridiculed and shunted out of the hardcore community. to be a gateway to bands that aren't as mainstream. to comment on the society they live in, as they live in it. people act like fall out boy "turning mainstream" was some kind of "betrayal" when from the start they were seizing on the trends of the time, putting their unique, unhinged fall out boy spin on them, and shooting them back out as a funhouse mirror. take this to your grave capitalized on the pop-punk zeitgeist that was big in the late 90s and early aughts and put their own spin on it: enmeshed catchy choruses with high-dexterity lyrical & linguistic skewerwork. infinity on high was basically a massive critique of the scene they were in - this ain't a scene it's a goddamn arm's race is a fucking thesis statement on what it is to be catapulted into fame in an industry that wants nothing more than a thousand cookie-cutter copycat acts of a successful formula, and fall out boy WAS the formula everyone desperately wanted to emulate. american beauty / american psycho blended sampling and modern hip-hop stylings with polished pop-rock and pointed those songs back at the snapshot of the 2010s we all lived in: commenting on racial injustice and the freeze-frame nature of relevancy. but even then they weren't doing it quite right - because fall out boy never does things quite right, they're never quite conventional, whether it's wentz's darkly confessional lyrics double-bagged in metaphor or stump's distinctive clear tenor or trohman's inescapable rock 'n roll edge or hurley's thunderous hardcore-punk-rock soul.
this band has always been too clever for its own critics, is the thing. but then, they always knew that. they knew they had a thriving fanbase of largely female fans so they were going to be mocked and belittled and ridiculed. they weren't quite right. they weren't quite so easy to market. pete wentz had to have all his hard edges filed off and cut down to size, skin lightened, literally whitewashed ("i feel like a photo that's been overexposed") to hell and back, even as he was marketed as the pretty boy of the band. and the other three members never even bothered with the spotlight: the soft-spoken vegan straightedge anarchist drummer and the wry, wisecracking, whip-clever guitarist who was more concerned with being the connective tissue than anything and the reticent vocalist who sang the words and wrote an awful lot of music but wasn't really the guy fronting the band. wentz's charisma carried the band, because the rest of them were really just some guys and never aspired to be anything else.
fall out boy is too pop. fall out boy is too mainstream. fall out boy isn't the real poster child of the emo movement. other bands are better. even within fall out boy's own narrative, they are repeatedly ignored, sidelined, and belittled, as though they weren't one of the only acts from the big 00s emo-pop movement to successfully not just survive the transition from the aughts to the '10s, and then later from the '10s to the '20s, but to thrive in it without banking on nostalgia. this band was supposed to be a flash in the pan. they weren't supposed to last and they weren't supposed to get big. they started off in joe's parents' attic because joe and pete were sick of how exclusionary and homophobic the hardcore scene was.
i think it's high time that people acknowledge how fall out boy has repeatedly succeeded where most of their other peers failed. cunning, clever, capable, and hyper-aware of the space they occupy in the culture surrounding them. that they are just as powerful, important, and artistic as any of the other bands in the scene that others might deify at their expense. that they deserve a hell of a lot more respect than they get from critics or hardcore punks who think they sold out. i hope one day they get that recognition. because they've earned it, time and time again, and the more i see people pushing back against that, the more certain i become of its inevitability.
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some thoughts about astarion because i'm tired of the internet reducing him to one thing
when bg3 came out in early access, astarion was always seen as the extremely flirty, confident guy who enjoyed sex (or so we thought) and spoke about it like it was his favourite thing. he was also kinda marketed as the “sexy vampire”, so you can understand why many people saw him that way based on the little amount of content we had. even while playing act 1 and act 2, many players still might think of him like that because he does have a very charismatic personality and he asks to sleep with you very early on, so it just automatically makes you think he’s genuinely happy doing that and being totally serious.
BUT!!!!!!! we end up finding out later on that’s NOT the case and it was all part of a plan to seduce us in order for him to gain protection. he opens up about his past and his trauma and how he was forced to use his body to lure people back to cazador. he struggles with intimacy and relationships in general because of this. that’s why i really hope that people stop reducing him to “hot sexy vampire that loves flirting and having sex with everyone” when that is not who he is, he’s literally traumatised because of sex due to being forced into it and he’s slowly trying to heal. he’s also so much more than just “the hot vampire”, ya know? if you actually put in the effort to get to know him, you will see who he truly is underneath and he has many loveable traits to appreciate.
you may not see the “soft” side of him very often because he hides it, but it’s there!! one thing i noticed that really stood out to me was that when i gave food to an orphan in act 3 and he approved. back when you first met him, he probably would’ve done the opposite or had no reaction at all. i also saw a clip of someone trying to romance karlach and astarion and he literally told tav to choose karlach over him because he can see that karlach loves her. he said normally an arrangement would work for him but after everything karlach has been through, he doesn’t want to get in the way or see her hurt. letting tav go is also hard for him as well but he still thought about someone else. he could’ve whined or been possessive or jealous but he didn’t do that at all. where are all those people who reduce astarion to “the guy that flirts and sleeps with everyone” now? seriously. that’s not what he does, and when he was forced into it by cazador, he was trying to survive, he didn’t do it for his own pleasure. it’s not a “hot” personality trait of his, it’s literally trauma. and because he did it so much, he got used to it, and that resulted in him disassociating and feeling empty.
apparently if you ask him to join you and sleep with the drows at the brothel (something i will never make him do in my playthroughs), he only says yes because he struggles to say no. but he disassociates. and if you’re in a high approval relationship with him and he loves you, he will feel safe enough to express his feelings and say he’s not comfortable. this happens before you fight cazador. i’m not sure if he gives the same response after, but either way, if he joins in, he will always disassociate and it’s not something he wants to do despite what he may say.
that being said, it’s obviously still okay to appreciate his beauty and attractiveness, because he is very beautiful. he appreciates it and even likes being called beautiful. calling him “hot” and “sexy” isn’t a bad thing either, we know he can be and i'm sure he knows it too! it’s just annoying when people act like that’s ALL he is and they don’t even mention anything else about his character. the love scenes are beautifully done too (i personally prefer the second one after you’ve stopped him from doing the ritual, because that’s the one where he decided he truly wanted it and felt safe and comfortable because he genuinely loves you), and i actually would’ve been fine if they didn’t have any scenes like that at all because it’s totally understandable and valid if he didn’t feel comfortable, but i just hope that people don’t take things too far and over-sexualise him just because of how he appeared to be in the first half of the game and the way he’s often marketed on social media. and yes i know he’s fictional and nothing on the internet is going to hurt his feelings!!!! it’s more about the fact that he canonically has sexual trauma and many people still say really disturbing stuff even AFTER they find out about that, and it just makes me uncomfortable to think that people are okay with treating someone like a sexual object especially when they've said they're traumatised and it makes them uncomfortable. idk if this makes sense 😭
but yeah he doesn't want to flirt and sleep with everyone as i've seen people claim. and if in an alternate universe he did, and he did it on his OWN terms, and the other people he had relationships with enjoyed it too, then good for them! absolutely nothing wrong with that if there's consent, respect and honesty. however, that's not the case with what happened with astarion, because 1. he was forced into using his body WHEN HE DID NOT WANT TO and 2. he misled people and lured them to a miserable fate. it's so horrible and devastating for everyone involved. sex was never something fun for him, and it certainly isn't a "personality trait" of his. it was a survival tactic. he was forced to. he didn’t want to.
obviously when he becomes more comfortable, then it's totally understandable to get excited when he flirts and shows physical affection. he can be so charming, funny, sweet and romantic and i love that. it’s so beautiful to see him heal, genuinely find comfort in someone for the first time and experience intimacy that he feels ready and comfortable for. he deserves to love and be loved on his own terms instead of being forced. but again, he is so much more than the guy we were introduced to at the beginning. the internet just sees one thing and sticks with it but i really hope people start to actually appreciate him for who he is and the complexity of his character.
aaaaand i just had to leave this here <3
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