#i hope this is helpful for some people!

[critterbitter]

Language divides and building bridges.

Elesa’s feeling homesick. Emmet, bless his heart, tries to help by infodumping while Ingo frantically runs off to find water (crying is a very dehydrating experience).

((Would you look at that! The kids are picking up kantonese and galarian from each other!))

BONUS:

Heh. Callback.

Want to see more? Here’s the masterpost for submas!

[stil-lindigo]

the machine.

a comic about being a 'creator' online.

creative notes:

[corviiids]

in the one (1) month since i watched death note for the first time i sure have been doing a fucking posting

bonus:

[bluerosefox]

Good Doggos Give Hope!

Cujo was, is a good boy both in life and in death.

He knows this. Everyone knows this.

So when Cujo notices his favorite half boy seemed more hurt than normal when he goes to see him, notices how stressed and on the verge of tears, notices the strain in his voice as he pretends to be okay as he pets Cujo's head. Cujo knows his favorite boy needs help.

Cujo is a good boy, and as he listens to his favorite boy and his friends talk about the GIW getting more deadly, how his parents inventions are becoming to much, how Vlad circling around his favorite boy even more often, how he's failing more classes again. Cujo decides his favorite boy needs helps.

But first Cujo needs to figure out how.

He needs help.

He needs... hope.

Hope to find help for his favorite boy.

'Everything will be okay!' A voice spoke to him, Cujo spooked yelped and flew higher than he already was and he boofed when he realized he was no longer alone... or on earth anymore, turns out he started floating up and away from earth when he started thinking of how to help his favorite boy.

Cujo, floating from both him being a ghost and from space, turned around to see... Oh! A fellow dog! Who glows blue! It has been a while since played with another dog!

He barked, tail wagging in greeting at the idea of meeting a new and fellow floating friend.

'You new friend. Need hope? I help!' The other dog voice echoed out as their tail wagged as well 'We play soon but first hope! I knows many who can help!'

Cujo barked back in excitement, yes, hope for his favorite boy is here!

[age-of-moonknight]

“Systemic Approach (Part Two),” Avengers Unlimited (Vol. 1/2022), Infinity Comic, #64.

Writer: Mat Groom; Penciler and Inker: Caio Majado; Colorist: Pete Pantazis; Letterer: Joe Sabino

[theramblingvoid]

Low level/continuous pain tips for writing

Want to avoid the action movie effect and make your character's injuries have realistic lasting impacts? Have a sick character you're using as hurt/comfort fodder? Everyone has tips for how to write Dramatic Intense Agony, but the smaller human details of lasting or low-level discomfort are rarely written in. Here are a few pain mannerisms I like to use as reference:

General

Continuously gritted teeth (may cause headaches or additional jaw pain over time)

Irritability, increased sensitivity to lights, sounds, etc

Repetitive movements (fidgeting, unable to sit still, slight rocking or other habitual movement to self-soothe)

Soft groaning or whimpering, when pain increases or when others aren't around

Heavier breathing, panting, may be deeper or shallower than normal

Moving less quickly, resistant to unnecessary movement

Itching in the case of healing wounds

Subconsciously hunching around the pain (eg. slumped shoulders or bad posture for gut pain)

Using a hand to steady themself when walking past walls, counters, etc (also applies to illness)

Narration-wise: may not notice the pain was there until it's gone because they got so used to it, or may not realize how bad it was until it gets better

May stop mentioning it outright to other people unless they specifically ask or the pain increases

Limb pain

Subtly leaning on surfaces whenever possible to take weight off foot/leg pain

Rubbing sore spots while thinking or resting

Wincing and switching to using other limb frequently (new/forgettable pain) or developed habit of using non dominant limb for tasks (constant/long term pain)

Propping leg up when sitting to reduce inflammation

Holding arm closer to body/moving it less

Moving differently to avoid bending joints (eg. bending at the waist instead of the knees to pick something up)

Nausea/fever/non-pain discomfort

Many of the same things as above (groaning, leaning, differences in movement)

May avoid sudden movements or turning head for nausea

Urge to press up against cold surfaces for fever

Glazed eyes, fixed stare, may take longer to process words or get their attention

Shivering, shaking, loss of fine motor control

If you have any more details that you personally use to bring characters to life in these situations, I'd love to hear them! I'm always looking for ways to make my guys suffer more write people with more realism :)

[butchthirteen]

okay the other thing is like. can we think about why, in-universe and out, one might choose to have the doctor return to a fan favorite regeneration and a regeneration where both the character and actor were reluctant to move on? and (especially in the context of new who being about the doctor's trauma) can we think about why one might then bring in the new exciting regeneration and have that regeneration extend comfort to the prior one?

like people keep treating it like tennant and gatwa are like. competing. but it's not a competition, it's a collaboration. it's a meeting of old and new, it's a passing of the torch. and it's honestly really really beautiful to me.

[dykealloy]

the catholic rejection of it all

[poorly-drawn-mdzs]

ORV is about enduring the horrors in real time.

(for @everyonesfavoritebastard)

[fauxyz]

every time andrew and neil touch, in order

i wanted to make this list for a while to help me with fic writing, and then once i did, i figured i should share it in case anyone else found it interesting!

for each touch, i've included the book and chapter, a little bit of context, and the quote describing the touch. (a note because this is so long: when the quotes/scenes are long, i cut some pieces out to focus on just the moments where they touch, so these are not always complete quotes.)

first touch moment is below, and the rest are under a cut because this list got LONG. enjoy! :)

--

1. the foxhole court, chapter 2, when leaving wymack's office to head to the foxhole court for the first time:

"I don't need to be persuasive," Andrew said, putting a hand to Neil's chest as the elevator slowed to a stop. "You'll just learn to do what I say." The doors slid open behind Neil. As soon as they'd parted enough Andrew gave Neil a small push. Neil tripped backward into the lobby. Andrew shoved past him, bumping him from shoulder to hip, and headed for the door.

2. the foxhole court, chapter 3, when andrew sneaks up on neil while neil is looking at the single-stall showers in the locker room:

Lashing out was instinctive, but Andrew caught the elbow Neil would have slammed into his ribs. Andrew laughed and retreated a couple steps.

3. the foxhole court, chapter 7, before leaving for eden's twilight, when andrew sees neil without his contacts:

Neil couldn't leave with Andrew in the way, so he stopped as close to Andrew as he dared and waited for Andrew to move. Andrew did, but only to reach out for Neil with one hand. Neil tensed as Andrew's fingers wrapped around the back of his neck, but Andrew only wanted to pull Neil's head down. Neil focused on Andrew's cheekbone so as not to go cross-eyed and let Andrew study his eyes.

4. the foxhole court, chapter 7, on the way to columbia, when aaron wakes andrew in the backseat:

Andrew's elbow slammed into his diaphragm hard enough to double Neil up over his knees. Aaron, completely unsympathetic, snapped his fingers over Neil's head at Andrew. "Exit," he said. Andrew braced himself on Neil's back and leveraged himself between the front seats.

5. the foxhole court, chapter 7, when neil realizes his drinks were drugged:

Neil lurched to his feet, but Andrew grabbed him by his hair and slammed him back into his seat. A cruel twist pulled his head back at a dangerous angle, and Andrew slammed Neil's hand flat against the tabletop. Neil lifted his other hand to pry Andrew's fingers off, but Nicky caught his wrist. [...] Neil wrenched his hand out from under Andrew's, but Andrew gave his head a warning yank. A bolt of heat went down Neil's neck. Neil hissed in pain and went still. Andrew slid out of his chair and leaned against Neil, letting Neil take his weight while he checked Neil's eyes.

6. the foxhole court, chapter 7, when neil is wandering through the crowd at eden's twilight:

A hand came up against the small of his back and shoved. The push got him free of the crowd and sent him crashing into the back wall.

7. the foxhole court, chapter 8, when neil told andrew the first bit of truth about being nothing and wanting what kevin has:

Andrew reached up and forcibly uncurled Neil's fingers from his mouth. He pushed Neil's hand out of the way and stared Neil down with nothing between them.

8. the foxhole court, chapter 13, after neil protected kevin from riko on kathy's show:

"It's fine, Coach," Andrew said, catching up to them. He touched Neil's back on his way by, fingers light enough to give Neil goose bumps, but didn't slow on his way to Kevin's side.

9. the foxhole court, chapter 13, when talking to andrew after andrew punched the window in his down, and when neil wanted to run after realizing riko was coming after him:

Neil turned away, but Andrew was faster. He rocked forward and grabbed Neil's collar, dragging him to a halt before he could leave. He left sticky blood on the back of Neil's neck from his messy fingers. Neil reached back and tried to pry him off, but Andrew refused to let go.

10. the foxhole court, chapter 14, when neil decided not to run and to come with andrew to eden's instead:

He pressed two fingers to Neil's throat, checking his pulse. When Neil tried to bat him away, Andrew caught his wrist with his free hand. His smile was small and fierce as he leaned forward into Neil's space. "Remember this feeling. This is the moment you stop being the rabbit." Neil was too startled to answer, but Andrew didn't wait. He slid past Neil, using the weight of his body and his grip on Neil's wrist to pull Neil with him out of the way of the door. He let go in the middle of the hallway and slipped his hands in his pockets to wait.

11. the foxhole court, chapter 14, at eden's twilight that night:

A group of people shouldered their way up to the bar counter at Neil's back, pushing him into Andrew. Andrew didn't budge beneath his weight. He was something solid to lean against, something violent and fierce and unmoving.

12. the foxhole court, chapter 14, after finding out about seth's death, when neil asks andrew if he drinks so he doesn't have to feel anything for a while:

Andrew turned to face him. Neil wasn't expecting it and almost ran into him. Andrew dug his fingertip into the hollow of Neil's throat in warning.

13. the foxhole court, chapter 14, when neil says he won't bargain with the foxes' lives against riko, and andrew says he'll handle it:

Neil said nothing. Andrew hooked his fingers in the collar of Neil's shirt and tugged just enough for Neil to feel it. [...] Andrew didn't let go until Neil nodded, and then he reached for Neil's hand. He took his cigarette back, put it between his lips, and pressed a warm key into Neil's empty palm.

14. the raven king, chapter 5, when andrew calls neil's phone and convinces him to keep it:

"I don't care if you use this phone tomorrow. I don't care if you never use it again. But you are going to keep it on you because one day you might need it." Andrew put a finger to the underside of Neil's chin and forced Neil's head up until they were looking at each other.

15. the raven king, chapter 9, when neil asks if the other foxes can come with them on halloween and andrew tells neil to ask matt what happened the previous year:

When Neil started to argue, Andrew hooked a finger under his chin and forced his mouth closed again with an easy jerk of his hand.

16. the raven king, chapter 10, when neil asks andrew to come with nicky to see his parents, and andrew tells neil about cass:

Andrew rocked onto the balls of his feet and reached for Neil. It was all Neil could do to not tense up when Andrew's hands wrapped around his neck. Andrew didn't hold tight enough to cut off his air but tapped his thumbs against Neil's throat in time to Neil's pulse. [...] Andrew tapped his fingers a little faster, an agitated rhythm completely at odds with the mocking smile on his lips. [...] Finally Andrew reached for him again. This time he hooked his fingers in Neil's shirt collar instead of going for his throat.

17. the raven king, chapter 11, when andrew takes off his wristbands and neil sees his scars for the first time:

Neil grabbed hold of Andrew's wrist. He started to turn Andrew's arm over, sure he'd imagined things, but Andrew clamped his free hand down on Neil's forearm. [...] The iron in his grip was at complete odds with the drugged smile on his face. Andrew wasn't bluffing. If Neil didn't let go fast enough Andrew would break his arm. Neil loosened his grip but spread his fingers as he did so. He felt the slight dip and bump of destroyed skin beneath his fingertips and felt his stomach drop. Andrew wrenched Neil's hand off his arm, but he did it in a way that kept his bared forearm turned toward himself.

18. the raven king, chapter 12, when neil and andrew speak on the porch of nicky's house, and neil tries to get an emotional response from him:

Andrew laughed and pulled a hand free of his pocket. He wrapped his fingers around Neil's throat, not tight enough to cut off Neil's air but snug enough to be a warning. [...] Neil reached up and took hold of Andrew's wrist. He couldn't feel the scars through the cotton sleeve but he didn't need to. He knew they were there. [...] Andrew's fingers slowly tightened until Neil couldn't breathe anymore. He refused to shake Andrew off. The tightness in his chest started as simple discomfort but spread until it felt like every bone in his chest would break beneath the pressure. Neil's control started to crumble, no matter how fiercely he clung to it, and he'd just shifted to throw Andrew back when Andrew finally loosened his grip. Instead of letting go, Andrew slid his hand around back of Neil's neck and pulled him in close. He put his mouth at Neil's ear and lowered his voice, but Neil didn't have to see his face to know Andrew was still smiling.

19. the raven king, chapter 13, when neil says he'll watch kevin while andrew is in the hospital:

Andrew took a couple quick steps his direction and shoved Neil as hard as he could. Neil knew it was coming and tried to brace for it, but he still stumbled back a couple steps. [...] When Andrew pushed him again Neil caught hold of his arms and pulled Andrew with him. [...] He laughed, curled his fingers tight around Neil's chin.

20. the raven king, chapter 13, when neil lets andrew feel his scars as part of his truth on credit to earn andrew's trust:

Neil waited, but Andrew didn't let go. With so many people watching them Neil couldn't lift his shirt. He did the next best thing and dragged one of Andrew's hands under the hem. He pressed Andrew's palm to the ugly scarring across his abdomen. Andrew's eyes dropped to Neil's shirt like he could see Neil's marred skin through the dark cotton. [...] Andrew's fingers twitched against Neil's skin.

21. the king's men, chapter 1, when they get back to psu after picking andrew up from easthaven:

Neil was the first out and he caught Andrew's door before Andrew could close it. Andrew didn't move, but there was just enough room for Neil to lean in and get his binder. He straightened and turned to find Andrew had shifted closer. There was nowhere for Neil to stand except up against Andrew, but somehow Neil didn't mind.

22. the king's men, chapter 1, when neil gave his armbands back:

His gaze dropped immediately to the dark cloth in Neil's outstretched hand and he took them without a word.

23. the king's men, chapter 1, when andrew found out neil went to the ravens over the winter break and realized about the tattoo:

He scratched up a corner of the tape and ripped the bandage off like he wanted to take Neil's face with it.

24. the king's men, chapter 1, when neil said he went to the ravens to protect andrew:

Andrew clapped a hand over his mouth, smothering the rest of his words, and Neil knew he'd failed.

25. the king's men, chapter 2, when andrew goes to get neil from the library:

Fingers digging into the back of his skull startled him awake. He grabbed for a gun, for a knife, for anything close enough to buy him room to flee, and sent the computer mouse skidding across the table. Neil stared blankly at it, then at the screen in front of him. Fingers clenched into a fist in his hair and Neil didn't resist as Andrew forcibly tilted his head back.

26. the king's men, chapter 2, when neil got between matt and andrew when andrew went after matt for hitting kevin:

He used his body and momentum to shove Andrew back. He expected Andrew to hold his ground, but Andrew let himself get pushed and flicked Neil an unconcerned look.

27. the king's men, chapter 2, when neil protested that he could still walk when wymack says he doesn't want neil to move too much because of his injuries:

Andrew dug a fingernail into the hollow of Neil's throat until he had Neil's undivided attention. "Sit down and be still." Neil batted Andrew's hand away and turned back to the couch.

28. the king's men, chapter 2, when neil protested that wymack was benching him because of his injuries:

Neil forgot the rest of his argument when Andrew pinched his wrist. A bolt of fire popped through his fingers and he snatched his hand away as fast as he could.

29. the king's men, chapter 3, when andrew sees neil's scars for the first time (lots of touches here):

He got his shirt over his head and to his elbows before Andrew got tired of watching him struggle and tugged the shirt loose. [...] Andrew reached for the bandages on Neil's wrists, and Neil let him rip tape and gauze off. [...] On Neil's right shoulder was a burn scar, courtesy of getting smacked by a hot iron. Andrew put his left hand to it, fingertips lining up perfectly with the raised bumps the iron's holes had left behind. His right thumb found the puckered flesh from a bullet. [...] "This," Andrew dug his fingers harder into the iron mark, "is not from a life on the run." [...] Andrew was quiet a long time, then dropped his hand to the slashes across Neil's gut.

30. the king's men, chapter 9, when they talk on the roof and andrew gives neil a key to his new car:

Andrew dug a finger in Neil's cheek and forcibly turned his head away. "Don't look at me like that. I am not your answer, and you sure as fuck aren't mine."

31. the king's men, chapter 9, when andrew kisses him for the first time:

With that, Andrew caught Neil's face in his hands and leaned in. [...] Andrew kissed him like this was a fight with their lives on the line, like his world stopped and started with Neil's mouth. Neil's heart stuttered to a stop at the first hard press of lips against his and he reached up without thinking. His hand made it as far as Andrew's jaw before he remembered Andrew didn't like to be touched. Neil caught hold of Andrew's coat sleeve instead and knotted his fingers in the heavy wool. The touch was a trigger. Andrew leaned back just enough to say, "Tell me no."

32. the king's men, chapter 9, when neil doesn't say no to the kiss:

He practically shoved Neil's arm away from him and leaned back out of Neil's space.

33. the king's men, chapter 10, when they kiss back in the dorm (cut some of the end of this scene for length):

Neil took the pint from Andrew's unresisting fingers, stacked it on top of his, and leaned in. He stopped shy of actually kissing Andrew, not daring to touch him until Andrew gave him a green light. Andrew's expression didn't change but there was a subtle shift in his body's tension that told Neil he'd gotten Andrew's attention. Neil lifted a hand but stopped it a safe difference from Andrew's face. Andrew caught hold of his wrist and squeezed in warning. [...] For a second Neil thought Andrew would push him away and be done with this. Andrew did push, but he followed Neil down. The short carpet was rough against Neil's knuckles where Andrew pinned his hand over his head. Neil couldn't complain when Andrew was an unyielding weight on top of him. He started to reach for Andrew again but stopped himself halfway there. Andrew snagged that hand too and held it down out of the way. "Stay," Andrew said, and leaned down to kiss him.

34. the king's men, chapter 10, when neil asks andrew to let something in after the foxes win and move onto round three of finals:

Andrew pushed Neil out of the way and slid off the car.

35. the king's men, chapter 11, when neil and andrew are alone in the dorm again, after andrew talks about how he hasn't figured out which neil is the lesser of two evils:

His fingers were cold from the can when he curled them around Neil's chin. [...] Andrew waited until he'd gone still before kissing him. [...] He was cotton-headed and unsteady by the time Andrew pressed his other hand flat against Neil's abdomen. Every nerve ending from his chest down seemed to twitch in response. Neil clenched his hands into fists like that would keep them where they were and let Andrew back him into the wall.

36. the king's men, chapter 11, after neil's phone goes off with his countdown text while they're kissing:

Neil kissed his neck, hoping to distract him, and was rewarded with a startled jolt. That was enough reason to do it again. Andrew pushed his face away, but they were standing too close together for Neil to miss the way he shivered. Andrew kissed him before Neil could say anything about it. Andrew pushed him harder into the wall, mapping him out through his shirt from shoulders to waist and back again. He'd had his hands on Neil's bare skin just a couple weeks ago when he saw Neil's scars, but this felt completely different. This was Andrew learning every inch and edge of him. His hands had never felt this heavy or hot before. Every press and demanding slide of his fingers sent heat curling through Neil's veins.

37. the king's men, chapter 11, when andrew moves neil's hands to touch him while they're kissing:

He hadn't said that aloud, but as if on cue Andrew followed Neil's arms down to his wrists and poked his fingers into Neil's pockets. He was making sure Neil's hands were still there, Neil guessed, so Neil twisted his hands deeper in response. Andrew caught hold of his wrists and squeezed to stop him. After a moment's consideration he pulled Neil's hands free and held them up by his head. He kissed Neil like he wanted to bruise his lips and leaned back to fix Neil with an intense stare. "Just here." "Okay," Neil said, and dug his fingers into Andrew's hair as soon as Andrew's grip went slack. [...] All that mattered now was how easy it was to pull Andrew in for another kiss. Andrew slowly let go of his wrists and placed a hand flat on Neil's chest. They stood like that an age, Andrew testing Neil's control and Neil content to kiss their mouths numb.

38. the king's men, chapter 11, andrew getting neil off for the first time (some of this quote is cut because this scene was too long):

Andrew's hand between his legs was an unexpected weight. Neil didn't realize how tight he twisted his fingers in Andrew's hair until Andrew bit his lower lip in warning. Neil grumbled something incoherent and forcibly loosened his death grip. He thought he tasted blood, but it was a fleeting tang quickly forgotten as Andrew got his button and zipper undone. Andrew wasn't gentle, but Neil didn't want him to be. [...] They stood cheek-to-cheek a minute, an hour, a day, Neil's heart pounding in his temples and overloaded nerves shuddering. Coherent thought came back in lazy, fractured pieces and the first thing Neil was really aware of was how tight Andrew's fingers were digging into his chest. Neil tried to look down, but Andrew gave him a short shove in response. [...] Neil flexed his fingers in Andrew's hair, fixing his grip so he could tug Andrew into a short kiss. Andrew tolerated it for only a moment before leaning back. He wiped his hand on Neil's shirt before tugging at Neil's wrists. Neil obediently let go of him and didn't miss the way Andrew watched him lower his hands.

39. the king's men, chapter 11, when they start kissing more often:

Andrew pinned him against chilly concrete and worked hot hands under his shirt.

40. the king's men, chapter 11, when they're chatting on the roof and neil takes andrew's cigarette:

Andrew pinched his wrist and took the stick back.

41. the king's men, chapter 11, after neil shuts andrew up by saying he is nothing and andrew wants nothing:

"Stop talking," Andrew said, and kissed him.

42. the king's men, chapter 12, on the bus alone before the game on his last countdown day when neil says he still doesn't swing because all he wants is andrew:

He buried his hands in Andrew's hair and tugged him in for a kiss. It was easy to forget this endless ride and tonight's game with Andrew's hand on his thigh and teeth on his lip.

43. the king's men, chapter 14, in the hotel meeting for the first time after neil was taken:

The weight of a hand on the back of his neck said he'd bought Andrew enough time to reach him. Nathaniel didn't remember closing his eyes, but he forced them open again. He tried straightening, but Andrew caught his shoulder and shoved him to his knees.

44. the king's men, chapter 14, andrew kneeling in front of neil to look at him in the hotel:

Andrew's expression was deceptively calm, but there was iron in his grip when he seized Nathaniel's chin.

45. the king's men, chapter 14, andrew looking over neil's injuries:

Andrew let go of him so he could tug Nathaniel's hood out of the way. He dragged a finger along the lines of tape keeping the myriad of bandages in place as if looking for the best place to start. He tore the gauze off Nathaniel's right cheek first, exposing the striped lines left by Lola's knife. He favored the stitches with a cursory glance before moving on. The tape on Nathaniel's other cheek hurt like hell coming off, since it pulled the skin around his burns, and Andrew froze with his hand a few scant inches from Nathaniel's face.

46. the king's men, chapter 14, andrew looking at the burns and injuries on neil's face:

Andrew pressed two fingers to the underside of Nathaniel's chin to turn his head. Nathaniel let himself be guided and said nothing while Andrew looked his fill. When Andrew dropped his hand and clenched it in Nathaniel's hoodie, Nathaniel risked looking back at him. There was violence in Andrew's eyes, but at least he hadn't shoved Nathaniel away yet.

47. the king's men, chapter 14, when neil tells andrew why he didn't say anything about his father's men to protect the foxes and that he didn't know they'd already planned a riot:

Nathaniel still had his hands up by Andrew's face, so he lightly tapped a thumb against the bruise at Andrew's eye.

48. the king's men, chapter 14, when abby tries to approach when she sees neil's face:

He caught hold of Nathaniel to turn his face forward again and shot Abby a look so vicious she stopped in her tracks.

49. the king's men, chapter 14, when neil tries to get andrew to focus on him and not abby:

Nathaniel gave Andrew's hair a cautious tug. Andrew resisted the first two attempts but finally let Nathaniel drag his attention back where it needed to be.

50. the king's men, chapter 14, when abby backs off:

He didn't hear her step back but he knew she did by the way Andrew's death grip on his skull relaxed. Nathaniel kept one hand buried in Andrew's hair but finally lowered the other.

51. the king's men, chapter 14, when neil tells andrew what happened to his father:

He crossed a precarious line and pressed two fingers to Andrew's chest over his heart.

52. the king's men, chapter 14, when neil says he'll leave if andrew doesn't want him:

Andrew hooked his fingers in the collar of Nathaniel's sweatshirt and tugged just enough for him to feel it.

53. the king's men, chapter 14, when browning keeps interrupting their time with neil:

Andrew tugged Nathaniel's hoodie and said in German, "Get rid of them before I kill them."

54. the king's men, chapter 14, on the car ride back from the interrogation:

Neil sat in the backseat with Andrew and toyed with the bandages on his face. Andrew popped the back of his head when he realized what Neil was doing and ignored Neil's scowl.

55. the king's men, chapter 14, when neil starts panicking when he sees his injuries when abby changes his bandages:

Neil didn't know what sound he made but Andrew's fingers were a sudden and unforgiving weight on the back of his neck. Andrew pushed him forward and held him down. Neil tried to breathe but his chest was as tight as a rubber band ready to snap.

56. the king's men, chapter 14, after andrew gets neil to calm down:

He went limp and let Andrew pull him back upright.

57. the king's men, chapter 15, when andrew is trying to get neil ready for a shower while matt is still in the room:

Andrew waited until he was seated before lifting the bottom edge of Neil's hoodie. He raised it an inch or two, then checked another spot, and finally poked his hand up under the edge.

58. the king's men, chapter 15, when neil struggles getting undressed for a shower:

Andrew gave him only a second before peeling the sleeves off his arms one at a time.

59. the king's men, chapter 15, andrew putting the bags over his bandages and injuries:

Andrew pulled a garbage bag over each arm, tore the excess edges off, and taped the jagged ends to Neil's biceps. He tugged at both bags to check for any give and added another layer of tape to be sure. When Neil's arms were good, Andrew started on his face. He picked up one of the plastic ends he'd torn off, folded it over and over in on itself, and taped it over one of Neil's cheeks like a shiny black bandage. Neil was pretty sure Andrew put more tape than plastic on Neil's face, but Neil wasn't going to complain. Andrew finished his other cheek and inspected his handiwork. Neil guessed he was satisfied with the end result because Andrew tossed the scissors and roll of tape off to one side.

60. the king's men, chapter 15, when neil tries to secure the blanket around his shoulders but can't because of the bags on his hands: 

Andrew watched him try twice, then pushed his hands aside and did it for him.

61. the king's men, chapter 15, when getting into the shower:

Andrew studied his chest with a bored look, but the fingers he pressed to Neil's scars were a heavy and lingering weight.

62. the king's men, chapter 15, in the bathroom before the shower:

Neil leaned in to kiss him, needing to know if Andrew would lean away or push him back. Instead Andrew opened his mouth to Neil without hesitation and slid his hand up Neil's chest to his throat. Kissing hurt his injured cheeks but Neil fought to ignore that twinging pain. It'd only been a couple days since those kisses on the bus but right now it felt like forever.

63. the king's men, chapter 15, after kissing, before showering:

"You are a mess," Andrew said against Neil's lips.

64. the king's men, chapter 15, getting in the shower:

Neil stepped on the hems of his pants to get them started in coming off, but Andrew did most of the work stripping him. It was awkward being naked in front of someone else, his scars and bruises on full display, but the uncomfortable curl in Neil's gut was eased somewhat by the detached way Andrew handled him.

65. the king's men, chapter 15, hair washing: 

A hand in his hair jarred him from his thoughts and he cracked his eyes open to see Andrew standing in front of him. Andrew hadn't bothered to get undressed aside from stripping his bands and shoes off. Water plastered his black shirt to him, and small streams raced down his temples and over his cheeks to drip off his chin. Neil reached for his face, remembered the bags just in time, and frowned a bit in annoyance. Andrew pushed his hand aside and yanked the shower curtain closed.

66. the king's men, chapter 15, not washing anymore (ended this quote early but we all know what happens next): 

Andrew got Neil's hair washed efficiently, if not gently, but by the time he moved on to Neil's body there was more kissing than cleaning. Andrew made the mistake of turning his face away at one point, so Neil chased water down the side of Andrew's neck. Andrew's fingers clenched convulsively on Neil's sides as a shudder wracked Andrew's frame. [...]

67. the king's men, chapter 15, after the shower: 

Andrew scrubbed him dry, careful around his injuries and too-vigorous everywhere else, and peeled the dripping bags from Neil's arms and face. Andrew ran a considering finger along the bandages on Neil's left arm before helping Neil into the loosest clothes he owned.

68. the king's men, chapter 15, first night on vacation with the foxes:

Andrew wasn't far behind him, and together they got Neil changed out for bed. [...] Despite his reservations, there was something painfully familiar about the weight of another body in his bed. Less familiar was the way it felt being pushed deeper into the mattress, Andrew's hands on his shoulders and tongue in his mouth, but that was something Neil could definitely get used to. [...] He buried his unease and confusion deep and worked bandaged fingers into Andrew's hair. He didn't care how much it hurt so long as he could pull Andrew's elbow. Andrew wrenched out of his grip but stopped moving.

69. the king's men, chapter 15 (the second one), after andrew confronts katelyn in the library:

Neil let him get to the railing overlooking the campus pond before catching hold of Andrew's elbow. Andrew wrenched out of his grip but stopped moving.

70. the king's men, chapter 15 (the second one), after asking how andrew can stand to be with neil after everything he'd been through:

Then Andrew was back, as calm and uncaring as always, and he caught Neil's wrist to push his hand to his side. He dug his fingers in before letting go, not quite hard enough to hurt, and said, "That's why."

71. the king's men, chapter 15 (the second one), when they're alone after winning a game and the rest of the team celebrated:

Andrew was ready when Neil turned back to him, and he caught Neil's collar to pull him down. Neil planted one hand against the rough carpet to keep himself leveraged off Andrew's body. The other he buried in the beanbag near Andrew's head. Andrew dragged a hand down Neil's arm from his shoulder to his wrist.

72. the king's men, chapter 15 (the second one), when neil told andrew he's not a pipe-dream:

Neil ignored that dismissal because Andrew was already pulling him down again. They kissed until Neil felt dizzy, until he wasn't sure he could hold himself up anymore, and then Andrew pulled Neil's hand off the beanbag chair. He held it up away from them for an eternity, then slowly pressed it flat against his chest and let go. Andrew tensed up underneath Neil's hand but relaxed before Neil could pull away.

73. the king's men, chapter 16, at eden's twilight:

The club was too loud for Neil to hear Andrew's approach, but suddenly Andrew was pressed into his side by the crowd.

74. the king's men, epilogue, when neil realizes he has everything he wants:

Now he couldn't help but smile and pull Andrew in.

[ladyofthenoodle]

“adrien wasn’t bothered by chloe’s behavior until it affected him” okay first of all it’s literally affected him since origins because it impacted the assumptions his classmates made about him but okay. i’ll grant that his disapproval of her has gotten harsher as it has hit him closer to the heart.

BUT i would like to offer an alternative perspective: this is the first time that adrien has seen chloe’s actions cause long term damage. while hawkmoth is at large, chloe’s actions usually lead to someone being akumatized - a big consequence, yes, but one where the damage is fixed with the toss of a lucky charm and some catharsis or opportunity for growth for the victim. yes, chloe hurts people and she’s mean and it’s wrong, and adrien never approves of how she treats people, but at the end of the day he’s willing to give her another chance after the day is saved. tomorrow is a new day full of possibilities and chloe can try again to be a good person, because the mess she made today was cleaned up.

this is the first time adrien has seen the way chloe’s actions continue to cause harm, months and years after the fact. this is the first chance he’s had to condemn her not for the abstract idea of how one should treat other people or the short term consequence of an akuma, but for causing lasting psychological harm to someone that doesn’t go away even after the akuma is defeated or they learn something about themselves or they get support and love from their friends. because even after all that, marinette still can’t take adrien’s hand. what chloe and kim did is burned into her psyche in a way she can’t easily heal from. and this is the first time adrien has really seen that, has seen that chloe isn’t just mean but causes lasting damage to people’s spirits. so i think yes, he reacts this way because it’s his girlfriend and it’s impacting his relationship with her, but he also reacts this way because he’s finally able to see the long term consequences of her actions in a concrete way.

[royalarchivist]

I love the QSMP. Not only has it introduced me to many amazing international creators, it's also introduced me to the French and Brazilian community, who are so sweet, funny, and chaotic in their own unique ways. I love seeing fans sharing their culture and learning from one another, and I myself have learned a lot this past year. I think it's incredible how QSMP brings so many different people together – all of us united in our love and passion for this project and its goals.

But passion can often evoke strong emotions, and these strong emotions aren't always positive.

The past few months, I have seen multiple waves of hate, bad-faith generalizations of communities, and racist remarks directed at fellow fans – especially those who are part of the French / Brazilian community. This kind of behavior is inexcusable, and is in direct conflict with the mission of QSMP, which is to break language barriers and unite communities.

We are a global community with a variety of people from different backgrounds. Miscommunications may occasionally occur because of cultural differences and/or language barriers, but we should use these moments as opportunities to learn and engage with other people rather than assuming the worst about them and starting fights.

Although certain issues can be resolved with communication, sometimes it’s better to block and move on. Avoid spreading negativity or hate, and save yourself the headache of interacting with people who are just looking for someone to argue with.

No matter what community we're a part of or what languages we speak, we're all here to have fun. Please remember to be kind to each other. We have more in common than we have in conflict.

[firebound-press]

Todays bind! Fools Gold, by @tigers1o1 !!

Personally, I absolutely adore the paper and bookcloth combination on this bind. I got the cloth a while back for free and I’ve been waiting for a chance to use it, and then my friend Cam got me this paper as a gift! It seemed way too perfect to not use!

This was a very exciting bind, because it gave me the opportunity to try something completely new, gilded edges!!

Although it didn’t turn out perfect, I’m still super proud of how clean it ended up. Plus, I personally think the flaws make it better :D

The typesetting here was very exciting for me. A few months ago Ty held a tattoo contest for the fic, and I couldn’t not use them when I saw the two finalist designs. So I went ahead and contacted the artists, and they both said I could use them!!

Title page design: @eldrigeonsss

Chapter header design: @sheeeeeeeepherd

Thank you both again for letting me use your beautiful work!

You can read the fic here: https://archiveofourown.org/works/42798252/chapters/107512251

[marukane]

if anybody is still into bmc in this good year of 2024 please interact with this post in some way i need mutuals who share my hyperfixation of getting back into it

[selfshipseaside]

♡ Imagine your f/o logically reassuring you of their love for you!

Do you have an f/o that is rather logical in nature? You might see a lot of imagines that cater to a more soft, and coddled approach to being reassured, but sometimes you might want to hear the logical side of things from your f/o! They'll be calm and soft spoken, listing things off they adore about you, how they don't want to live without you, they want to build a whole life with you and more. They could never leave you because you both genuinely are a good match, and that's something they can see and appreciate. They admire your traits, the good ones, the not so good ones, even the neutral ones! They won't up and leave you ever, because that doesn't make any sense to them, they love you and will always communicate anything that comes your way. No matter what your mind tells you, they'll be there to reason with it and though communication hopefully sweep away the insecurities. They understand it's an uphill battle when it comes to mental illness, but that alone they understand perfectly well and will accommodate in a manner that is healthy and constructive for both of you! But, if you ever do need it, yes, they will coddle you however much you need, because they too understand sometimes situations defy logic, and comfort might be needed before those kinds of thoughts can help.

[wellfine]

HII I love your art so much it's so expressive and it feels like theres so much movement in it! I was wondering if u had any tips or advice to help with that? I practice anatomy and expression so much but it seems like everything I draw on my own is so stiff!! Anyway I hope you have a great week :)) <3

Hi there! Firstly, thank you so much for the kind words, it means a lot that you would take the time to tell me!

Second- my advice is to take everything you've learned about anatomy and THROW IT OUT THE WINDOW!!!!!!!

... For now. Just into the front yard so you can keep an eye on it. But I have seen many artists concentrate chiefly on studying anatomy only to feel like their art ends up too stiff. My own experience has been to treat anatomy as a tool best used to correct an image in the later stages of construction rather than as your driving foundation.

If "correct" anatomy (however you choose to define that) is the priority of your undersketches, I find that you end up with a sort of Skeleton Song approach to drawing - y'know, the knee bone's connected to the thigh bone, etc etc. Whatever energy, emotion, or intent you wanted your drawing to convey is getting lost each time you split it into another anatomical segment. By over-focusing on individual parts, you lose sight of your image as a whole.

The key to conveying dynamic movement in motionless art is to ensure every element of your image agrees on and communicates the same action, the key to which is something called the line of action.

A line of action is simply that - an implied "line" with wich you lead the viewer's eye and communicate movement. Think of it as the core of your figure's action, simplified to its rawest form. By knowing this, you know what to emphasise and what to de-emphasise.

Well, art is a visual medium and I am better explaining with drawings than words or I'd never have picked up a pen in the first place, so:

Images can have multiple lines of action, lines of action can complement and contrast each other, and a line of action isn't always as obvious as something like running. Imagine you're tring to make your art more "aerodynamic" to the eye. Since I draw a lot of One Piece fanart, I assume you're also familiar with it, and you can probably imagine how Oda uses "lines of action" when composing panels of Luffy punching something, Zoro slicing something, Sanji kicking something- etc etc. He's really good at selling the "oomph" of action shots by reducing visual clutter so that the impact of the action is greater.

(The Monster Trio's abilities are all designed in such a way that allow for REALLY striking lines of action... you can tell Oda loves studying manga fight scenes and wanted to create a world where he could push these concepts to the limit, and it's no wonder One Piece caught the eye of animators even before it was serialised by Toei)

You're probably already noticing how line of action also feeds into composition and silhouette when it comes to conveying movement in an image. Basically put, once you've isolated whatever action it is that you want to convey, the more visual clutter you can streamline away from that action, the stronger an impact that will have on the viewer. A firm line of action, an uncomplicated silhouette for your figure, and a readable overall composition of your image/panel are all ways to minimise visual clutter.

You can also use this information to achieve the opposite effect! Sometimes the ideal action you want to convey is not fast, or powerful, or confident, and you can use the same principles.

In fact, you can apply line of action to images that don't have any "action" in them at all. You can make a drawing of someone simply standing there feel more lively by applying these same principles to their body language:

You can develop an eye for how to simplify movement down to its "lines of action" by studying real photos and other people's art. Try simplifying a figure to its silhouette, and then simplify that silhouette further to a stick figure. And honestly, a lot of this could be boiled down to "see your image as a whole and not just a collection of individual pieces". Set anatomy aside during the composition stage and bring it back in when you start building up the sketch.

Moving away from the line of action, my second piece of broad advice is simply to exaggerate more. Lots of artists subconsciously hold themselves back from pushing motion, expression, etc. out of concern that it will look "too much". Well, maybe it will- but you won't know that unless you try! You can always walk it back if you think you took it too far, but I think you'll be surprised by how far you can push your art before you hit that point.

My final piece of advice is to work on line confidence. Even if you follow the rest of this advice, if you have hesitant and scratchy lines, you're undermining the flow and punch of your art. The best way to improve line confidence is simply by practicing! Do a lot of quick, timed studies, and use a permanent medium like a ballpoint pen or marker. Focus on unbroken lines wherever possible even if it makes your studies look like garbo. I find traditional studies are best for improving line confidence, but if you'd really rather stick with digital then just don't let yourself use the eraser tool, and try using a chunky brush with limited pressure sensitivity.

And that's it! Don't stress about it too much though. Loosen up with your art and, like any other skill, you'll improve with practice, time, and analysing what you like about other people's art. Good luck!