Hey, if you have speech impediments, you are so amazing.
If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.
Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.
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Explain what you said on Twitter
assuming that you're talking about when i said that imo the conversations around "scully, you're making this personal" aren't aligned with the intent/impact of the scene (actually i think what i said was that the scene is very serious but y'all never talk about what's serious about it so you loop back around to being unserious) and tbh i can do a post on my own feelings about the scene sometime when i'm feeling more with it if y'all want but i just meant that people bitch about that line every single day talking about how it's hypocritical and how infuriating it is and how much you hate mulder in s6 etc etc but i literally never see anyone even think about like...the actual meaning of the scene and implications of the line and the context and where they're each coming from. it's all just a very shallow and reactionary discussion in my experience
(i ended up talking more in the tags lol i never shut up in the tags)
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Ziva, how well do you think Toastymarshmellow (who sang in this song as Amanda) would fit Ravin as her voice?
I actually imagine Ravin having an autotune natural voice like Guy Diamond. 😅 But her autotune doesn't sound like his that's... I dunno what to call it — stereotypical autotune? skjdjdj — and is more like just high pitched vocals (especially when Ravin gets loud or excited). I don't know the proper words to describe it so I looked up a few happy hardcore songs for help.. I imagine her sounding a lot like the singer (and the autotune/distortion) in this song:
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a bit obsessed with the idea of kusakabe dying as a form of sacrifice to specifically protect/save somebody else. it's consistent enough with the theme of the past generation achieving no meaningful feats against significant threats but it's also ironic enough that someone without a technique and who claims their philosophy is primarily self-sacrificial - although he tends to stay from his own ideals in critical moments, proving he's not only brave when necessary but he does have a sense of responsabilty and guilt - ultimately redeems themselves through death resulting in the achievement of something his colleagues have failed to do. not that i'm wishing for him to die, i hope he doesn't. but it would also make a clear-cut distinction between him and a character like mei mei, who narratively serves a very similar purpose (besides her being a foil to nanami). to have someone be awarded by their selfishness just for it to not be worth much within a world and system that runs and sustains itself due to the sorcerer's labour power, whose only means of subsistence is to sell themselves away. a class of people who is doomed no matter what path they choose to take, as long as they do not break free from their duties and as long as the system doesn't collapse. a death that could serve as a symbol of punishment towards solidarity and altruism but a win for revolution.
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