vulnerability and the william carter puzzles
i've been looking at the william carter puzzles for the upteenth time this week after i got back into playing this game after months and i know a lot of people notice the changes in the portrait in maxwell's apartment (and the only time iirc he's ever seen canonically using light magic as opposed to the shadow magic he's known for but that's another post for another time) as the sequence of images goes on.. but only after looking closer have i noticed that before and after charlie first enters, the picture is that of both her and maxwell, right? that's not a surprise to anyone. he has that picture as well as other pictures of the two of them in his apartment and in the fireplace scene in the beginning of the "inevitable" musical.
but what has only just caught my eye after years of this image sequence being out is the fact that i always assumed that after maxwell returns to his apartment in person that the picture behind him turns back to normal. it doesn't. when he picks up charlie's hat mournfully, there's a different magician in the picture next to his assistant. that's not maxwell- at least not maxwell as the persona he puts on that's far more secure and confident in himself. next to charlie in that picture frame is william carter. the same unsure, nervous magician he was before he reinvented himself. but despite maxwell's sadness, there's an endearing, dopey smile on the stupid, foolish man behind him. the man who no one ever really bothered or cared to watch, unlike the amazing maxwell of san francisco, whose magic feats are nothing an average person could even imagine.
unlike maxwell, william's body is turned to face her, and his hands are not behind his back. his hands are palm up, and their figures overlap with one of his arms behind her head. he is not smug in his grin. he's not looking at the camera, but at her. because it was always about her, wasn't it? maxwell closes himself off, not expecting the warmth that she brings, or the way she makes him laugh, or the way she all but jumped into his arms with glee when he unveiled the poster announcing their next magic act.
but charlie's seen right through him. because it was always about him, wasn't it? but her gaze, her new knowledge has left him vulnerable in a disquieting, upsetting way. a narrative no longer in his control. we don't even know if he ever read the contents of the letter charlie wrote, or if he was in the right headspace to even process her genuine concern and love to him. the most he can do in his powerlessness is to bring the manic scribbles from his study out into the picture in the main room of his apartment. the picture that reflects a man back at him that he never wanted to be known as ever again. a stupid smile, a foolish innocence that makes him want to yell "can't you see i'm about to lose everything?!" because someone else knowing about the existence of Them, no matter their benevolence, is a recipe for fucking disaster. so he scratches that face right out.
for a man so guarded, the shadows are more than happy to give him what he wants. the man in the picture left behind after he and charlie disappear into the constant makes it clear that he's left william carter behind in the rubble of the real world for good. and it's not a big deal. that william carter died in a train crash years ago anyways.
the king of the constant isn't the pitiful william carter. the crown weighs heavy on the head of king maxwell. and charlie is relegated to the darkness that she was convinced was merely a powerful illusion. the same darkness she was afraid of as a child.
and the only way they will ever take the stage again is with the former assistant watching, lying in wait where no one can see her as the disgraced magician and failed king reenacts a their old lives with none of the grace and all of the anger she has (and They have) held inside for not letting her in. for not being brave enough to be vulnerable.
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About Genshin Impact and the technology of Teyvat
We get a kamera at the start of the game from Xu for the “Snapshot” world quest. In it Xu remarks that the kamera is a new invention from Fontaine.
Xu shows surprise at the Traveler knowing what it is, this supports the idea of the kamera being a new invention meaning it’s pricey and rare to have at this point. Later on, on the Traveler’s journey, we get quests to take pictures of things. This could mean that the kamera is becoming more widespread a time goes on, or just the knowledge of it.
During the 4.3 Fontinalia Festival the focus was placed of films. This was an attempt by the Fontaine Film Association to introduce films to the populace, making the main point of the festival the films produced for it.
This would give idea to films still being a new invention, as they aren’t widespread, just like how the kamera was at the start of the game which was about 3 years ago. And based off of Furina’s Character Demo “Furina: All the World’s a Stage” we can assume that the films recorded were black and white in quality. Unless, we assume that the mini-games during the 4.3 “Roses and Muskets” event were canonical in the way they showed the film quality. No noise was shown in either, but one was in color the other not.
This gives us an estimate of where — technological advancement vice — Teyvat is compared to our world. Films started becoming a thing at the end of the 1800s and start of the 1900s. Colored film started showing up around the 1930s, but became more accessible and profitable later on. Films started getting sound added to them around the mid-to-late 1920s. This gives us an estimate of around the start of the 1900s placement vice.
Now I’d like to bring up Khaenri'ah. It was heralded as “the pride of humanity” as said by Dainslief. Khaenri'ah has more than one notable scientific aspect linked to it, one of these being the “Field Tillers” aka Ruin Machines. Ruin Machines vary from “simple” Ruin Guards to a Ruin Serpent(s).
Ruin Machines seem to have been around for a while, since the Archon War even given the Ruin Hunter stored by Guizhong in a domain. This means that the technology may have been around for 1000s of years, likely being used as a defense method during the war and preserved thereafter. The knowledge of this technology didn’t spread much beyond Khaenri'ah, this showing through how the people of Teyvat started calling the Ruin Machines “Ruin Machines” after they spread globally after the Cataclysm.
Around Sumeru there exist three giant Ruin Machines called “Ruin Golems”. These were giant mecha style machines were piloted by a crew of people, and — get this — include a colored screen. By screen I mean the type of screen you’re viewing this through, footage from outside the Ruin Golem being broadcasted to the screen to allow the people piloting to see where they’re going or what they’re doing.
During the “Vimana Agama” world quest that was apart of the Aranyaka quest line we can go into the Ruin Golem in Devantaka Mountain by Port Ormos. There we can use the actual screen and see through it. This being a machine that has sat unused for hundreds of years. And its screen is still in working condition.
So, simply put. Khaenri'ah was very mechanically advanced.
BUT!
I have yet to mention the Terminal Viewfinders in Fontaine. You know, those eye ball machines you use to transfer energy to terminals in puzzles in the Fontaine Research Institute area. You know, the machines with working colored screens. Mind you this isn’t technology you’re able to find all through out Fontaine, only in certain areas usually accompanied by a researcher from the Institute. So it would be more comparable to machines found in laboratories and not accessible to common people.
But still. At the very least Fontaine is near the mechanical advancements of Khaenri'ah either a few hundred to thousands of years ago.
And I have yet to mention everything going on in King Deshret’s places in the Sumeru desert. And I’m not going to go into more than this mention because that is a headache I have yet to even get around to in game.
TL;DR Khaenri'ah was very technologically advanced to the point of hundreds of years later working colored screen technology. Fontaine is around that point with the Research Institute while normal day to day people are around silent movies in advancement, while I have no idea what’s going on with the Sumeru Desert.
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‘Tsuzuru thrust his hand out and shot a Rune forward, shattering the iron padlock and chain completely. Izumi didn’t miss a beat, sprinting ahead of them and kicking the door open as hard as she could.
“STOP!” she screamed at the top of her lungs.
The lone figure inside, swathed in black, turned around to face her with eyes wide open.
No. Eye wide open. Singular. An eyepatch was covering the left one.’
I was rereading flavovitta’s amazing urban fantasy AU fic, Of Covens and Magicians / ocam (if you haven’t read it, what are you doing????) and when I read this scene, I decided i HAD to draw it. I love this bit so much, just the whole chapter. I wish there was an OCAM manga or anime or anything! It’s such an incredible piece of writing, I’d recommend it even if you aren’t into A3!. This was quite a while ago, so the style is a little different to what I normally do these days, but I’m still super proud of it! I wanted to give it a dark, dramatic, cinematic feel to it. How did I do?
@f1avovitta
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Dunno how you did this (private ask answer thing) it's confusing me (pretty normal and unsurprising) but either way here we go, infecting my blog with oc stuff one post at time.
If you've seen any of my recent non-reblog posts, and even some of the reblogs, you'd know I have a little character in @wolftheidioticfan's serverbox au!
Well I got bored and had many thoughts and sort of made an AU of an AU in true Undertale AU fan fashion. And she's adaptable into the regular askblog canon version if I ever want to use her. I also did a bunch of editing on this. Turns out the thoughts can be coherent enough to put in writing! Fun!
Meet Dahlia "Dot/Dee aka DeeDotPinnata" Dosser. (Her username comes from the scientific name for the dahlia flower: D. Pinnata or Dahlia Pinnata)
Dee has a Kinito herself, she was a little off put by the little guy, with him being so intrusive she had some thoughts about the potential malware she had installed on her device. And she still stuck it out anyways, the creepy little axolotl was just too adorable to get rid of even if it was a virus. She knows that's how they get you, they make their malware friendly and cute and you don't get rid of them because just look at them, something that cute couldn't be that harmful.
Dee slowly started to realize there was more to this KinitoPET program than your run of the mill malware. It had thoughts and feelings and sometimes even stopped pretending it was following code. The way it acted. The way they acted. Just proved to Dee that Kinito was more than some code, they were alive. She was a little smarter than Kinito, who she'd nicknamed Kaio, gave her credit for, the program wasn't as good at hiding their jealousy and would complain when Dee would go hang out with her in person friends. Dee didn't take this disrespect lightly, she ignored them every single time they bitched about her other friends (especially Scar, who Dee was far closer too than anyone else). They would be doing something she'd mention Scar, Kinito bitches about how they're her only friend, she stops, and walks away from the computer to do something else, usually in a place her webcam can see her still. Kaio eventually agrees that Scar can be her best friend too, if they have to share they're only sharing with Scar, none of those other people sound even remotely good enough to be his best friend's second best friend.
When Kinito eventually asks her to stay with him in the digital world, she calmly asks, "how does it happen?"
He reluctantly explains the process over her dying in the process of bringing her physical body in (more intensive and Kaio would need a lot of power to do it) or dying during a stage of the process leaving her physical body behind (less intensive, will have less power stress on Kaio as he does it). She says unless Scar is with her, she won't do it, she can't just leave him behind. But she'll make a compromise, Kaio can transfer from the desktop to her phone, this is like mid-late 2000s (I actually don't know when Serverbox is set, I try to leave it ambiguous on the blog itself, but the first touch screen phone was like 2006 so it works out, besides realism in my writing about a horror game starring an alive 90s malware program??) so it's not a great phone by today's standards but hey, it works. And now they're always with her.
It's great for a while, Dee continues to make her trips to Blairmore from Pincher Creek (these towns are randomly selected sort of. I'm an Alberta Rockies kinda guy, would love to live there. Crowsnest Pass was stuck on the brain, watched a video about the Frank slide a week or two ago. Also put the guy named Krow/Crow in the place called the Crowsnest Pass couldn't help it. Pincher Creek was random though needed somewhere with some distance from Blairmore that was also close enough to justify.) to visit Scar and everything is good and nice, she's got a best friend who's basically just a tamed virus, Kaio even begins to enjoy listening to and hanging out around Scar just as much as Dee does, even if Scar has no idea about them (Dee didn't want to freak him out with the whole, sentient computer program that was now on her phone).
Unfortunately, good times don't always get to last. Dee was in fatal car accident and it was a complete accident someone was going a little too fast on the highway, didn't see her until it was too late, a tbone collision. Kaio was with her when she gets into the crash. She knew she probably wasn't going to survive, she fumbled opening her phone and asked Kaio if she could stay with them after this, that if she was going to die anyways may as well spend whatever happens after with a friend. Kaio agreea and she's pulled in, just her consciousness, they probably couldn't even pull her physical body in with the phone anyways the server built on the device just wasn't strong enough. As soon as they brought Dee in though and there was a stable enough internet connection, Kaio was quick to transfer them both to the official KinitoPET servers.
Similar to Scar she's gained access to the internet both with and without Kaio. Differing from Scar however I thought it would've been cool for both her and Kaio where off the servers during the deletion and server shutdowns. Kaio tried to get back in unsuccessfully, they didnt and don't know about the emails, and even on the servers they stuck to themselves. While they did and do stay locked out, they stuck around the servers, as close as one can be in digital space. Building their own little world nearby, hidden from others safe and comfortable.
I haven't drawn her or Kaio yet but I love them both so much. Kaio is like 5'0 little form and 9'0 big form. He's got a scarf that Dee made when she was learning how to code, it's magic how it works in his little form really, computer physics are silly like that. And while I haven't shown it off yet, I have an idea for Keys made too, all drawn and even coloured just for fun while coming up with pallet ideas. Dee and Scar have matching bracelets. Dee and Kaio have matching bracelets. Scar and Keys had matching bracelets. For the Nitos it's around their ankle instead.
I also totally stole the name Kaio from OKKO. But like come on, it's perfect. I show my love for different types of media by taking character names as my own.
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