It's so funny to me that the fandom has come to see Hirano as a Sasamiya promoter of sorts because while he is, it took him some time to get accustomed to the idea of them together. And while he was never a hater Sasaki's actions towards Miyano certainly used to get on his nerves.
At first he was so worried and probably even felt a little guilty because (as mentioned in the following screenshot) because the only reason why Sasaki knows which class Miya is in, is thanks to him.
But like, that's not the face of a friend that's happy to play cupid and get their two acquaintances together. Not at all, that's the face of someone who puts his sempai-kouhai relationship with Miyano over his (pseudo) friendship with Sasaki.
Hirano from the first chapters would have jailed Sasaki if he were allowed to. (And he has his reasons, Sasaki has been something since the first chapters)
Anyway, the progression of events is really interesting.
He started, quite literally, shielding Miyano from Sasaki.
Then, he came to accept their relationship.
And at the end he really was rooting for them, to the point he ended up outright lying just so Miyano could meet Sasaki and they could talk it out and confess.
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Ulysses obsession with the Courier is a special type of sad to me cause the Courier’s part was so important but so unwitting. They had no idea what was in the package they delivered and neither did he. Neither had an idea of what it could’ve done and the Courier was only caring out their job (mind you the Courier could be killed via notes in the express contract if they don’t). To them it was just another regular delivery to the divide and one that they likely thought would help, just like all the ones before.
It’s so tragic for Ulysses to hold so much ire to the Courier when it really was the case of it could’ve been anyone. Anyone could have delivered that package but they did and so he focused the blame on them and it destroys what he is trying to instill in the courier on a fundamental level.
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writing raine and eda fighting is fascinating thus far because they are both people who are trying So Hard to keep their composure (raine bc they simply dont want to lose control and eda because she..... doesnt want to be the only person yelling), and yet. it's at a point where it's like. this argument would actually be more functional if you guys just gave in and shouted at each other. right now you're both pretending you're therapy-speak protags except neither of you has ever gone to therapy and neither of you will admit you have issues. like. good god could you just try to kill each other......
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0610 is so funny because mahiru is determined to be a housewife/maternal figure and kotoko is determined to parallel all the other prisoners' shitty fathers. both of them having the traits of "parental figures" that is a mold/box to be shoved into in and of itself which shows the traditional/black and white aspects of their own families. mahiru is determined to be full of love and give others that same love and kotoko pretends she doesn't love at all and bares her teeth whenever you show her love. mahiru has sun symbolism and kotoko has moon symbolism.
and then instead of ever acknowledging the absolutely insane character foil toxic yuri between those two at all, milgram refuses to let them interact ever again except for one interaction from four years ago at the very beginning and kotoko beating the shit out of mahiru. like. thanks milgram. if YOU wont do anything with your very interesting character foils that can also fall into classic "romance tropes" (which mahiru is obsessed with, cough) with their personalities/stories i guess ill do it myself.
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