#i just don't know how to flesh them out

[sunny-daysss]

Ugh, I feel like no matter what I do I’m just not Good At Anything™

[iwoulddieforienzo]

Something really great about the persona 2 cast is that they all individually fucking SUCK to talk to casually. Every single one of them. They are all infuriating. We have:

Tatsuya, who will stare at you blankly if you try to initiate conversation (IS) and will dip without saying a word afterward (EP)

Batsuya, who will scoff and brush you off/otherwise act dismissive

Eikichi, who might honestly be the best to talk to in the IS crew and that is not saying much, who WILL talk extremely loudly over you (probably not on purpose?) and will not be paying particularly close attention to the conversation beyond whatever he wants to say (gets points for talking about his gf. gets points taken away for constantly talking about his gf)

Lisa, who will automatically assume bad faith and will be rude to you the entire conversation unless you manage to defuse her temper (good luck)

Jun, who is uncommunicative at BEST and requires an encyclopedic knowledge of flowers, metaphor and body language just to get a HINT on what he’s thinking, and who will be extremely polite but completely unhelpful. If you tried asking him what he wants for dinner I guarantee it will be the longest 30 minutes of your life as he goes “oh I have no opinion :) whatever you want. :))” EXCEPT HE DOES HAVE OPINIONS. He has SO MANY OPINIONS. He is Expecting you to be able to pick up on his “obvious” clues. He will be passive aggressive if you don’t. (Jun babygirl you suck so bad I love u)

Maya, who is a delight but will very quickly become grating if you try to talk to her about anything serious as she hits you with the white suburban mom's "how to live a happy, healthy life" lifecoach slogans. You can’t even mention, like, stepping in a puddle or something without her hitting you with the positivity beam.

Yukino is great actually. 10/10. She’s fabulous we love her. Incredible conversationalist, chill and fun and easy to get along with. But she’s from Persona One, she doesn’t Count.

Ulala, who WILL bring up her relationship problems in every conversation within 10 minutes at least once. Any longer and she will start talking about Maya.

Do I even need to explain Baofu. Have you seen him.

And finally, Katsuya, who is a cop and a kiss ass and Very Obvious about these things. Also he can't talk to women. He can barely talk to men. Help Him.

And yet they all work wonderfully as a group. They are so annoying I love them

[lale-txt]

your average Y/N on a casual Wednesday

[sciderman]

You have the astounding ability to make me consider liking things that I previously did not. Cable and Wade. Shiklah and Wade. Johnny and Peter. I’m a stubborn Spideypool obsessor, I’m sure I’ve mentioned, so pat yourself on the head for being SUCH a stan that you’ve broken through my OTP walls and gotten me to glance at other ways for Wade and Peter to he happy and loved.

i think if you truly love a character then you want them to get some no matter where it comes from

[froschli96]

you know, i always find it really funny when dudebros complain about syndicate and odyssey being too "jokey" or not "taking its characters seriously" or whatever…

like, did y'all collectively sleep through "it's-a me, mario!", "i meant besides vaginas", ezio inventing the latte, bartolomeo's... just... *gestures vaguely* entire character, etc?

like, it's fine to have preferences of course, i myself prefer a more serious and grounded tone, but these are usually the same people who tout the ezio trilogy as "peak assassin's creed", call ac1 a glorified tech demo and hate on connor for being "too serious and boring", like? make it make sense!

[lala-blahblah]

I will never make this because it would be for an audience of one (me) but ever since reading "If we Were Villains" (story about serious drama kids in college who perform shakespeare and deal with a murder) I have been entertaining the thought of a crack fic crossover with High School Musical The Musical The Series where the staff decides they will no longer put on shakespeare after the tragic accident that happened at Thanksgiving, because Shakespeare plays would only increase the tension and drama. So they hire Ms. Jen who decides their spring play will actually be High School Musical (which exists in the 90s in this universe) and it ruins the vibe so much that everyone gives up on being dark and mysterious because they're universally pissed at Ms Jen for making them learn choreoraphed basketball dancing.

[arttsuka]

post oc lore king/queen !!

😭 I don't really have lore tbh, mostly vibes. Everything is too underdeveloped for lore

I have vague ideas of what I want my ocs to be.

For example, I want to put these guys in a 'time travel' kinda situation, where a murder takes place (that phone guy, who was the only one who knew how to help them get back in their time).

The only thing worse than their designs are the names

[longagoitwastuesday]

I am liking Jujutsu Kaisen, way more than I imagined I would, but I foresee it will let me down and it's keeping me from enjoying this as much as I could haha

I think the characters and dynamics are well set, and I think many of them have an incredibly good and deep potential, but I would be willing to bet they'll not get a proper development, enough for them to really hit. A well assembled set of gears is not enough to make the movement go, you have to wind the clockwork.

I think Gojo and Megumi have a fascinating and very complex dynamic, but I doubt it will be given the time and care that imo it needs to actually work. And it is going well enough for now! One could see the intimacy between them was deeper than the one Gojo had with, say, Yuji and Nobara ever since the very first few episodes despite the fact Fushiguro too was a first year. But the pieces forming what they have are extremely complex, and it just wouldn't be realistic if it doesn't show, even if in a not showing way, or if it doesn't have consequences or implications.

It's one of those dynamics that shape one's life, the way one regards the world, the way one establishes or not relationships with other people. It's one of those dynamics that could be full of fondness, gratitude, resentment, admiration, trust, and that imply intimacy, the good kind or the bad, even if in just the knowledge of someone who's been a constant through your life. It could, and would, imply a myriad of feelings, and probably in such a mix it could imply contradictory feelings too. Even the nothingness would weight, even the nothingness would be significant and meaningful.

Gojo took Megumi and his sister under his wing, the son of a man who murdered him, because of both selfish and selfless reasons. Megumi looks like Toji. What does Gojo feel about this? How does Gojo deal with this? How does Gojo go about taking care of Megumi? Would he walk him to school? Make him breakfast? Celebrate his birthdays making him blow candles? Did he take him to the zoo? Does the relationship between them feel professional or is it something more? Gojo appreciates his students, but is Megumi to him just another student? When Gojo faces Sukuna in Megumi's body, did he see the kid he raised, or does he just see Sukuna in one of his students' body? Did he have one faint wavering instant? And how does Megumi feel about this? Is he resentful of him? Resentful of the situation? Of the selfishness behind his actions? Does he feel like a pawn? Is he grateful? Does he resent feeling grateful? Would he rather not? Does he love Gojo? Does he feel nothing about him other than what he could feel about a teacher that sort of annoys him but knows he's reliable in his strength? Does he think it unfair, cruel or unfeeling that Gojo is close, closer perhaps, with Yuuji or Yuta, considering their story? When Sukuna slices Gojo in two, does the remnants of Megumi's soul tremble?

And not just Megumi and Gojo. Yuuji and Nanami, Gojo and Nanami, Yuuji and Fushiguro, Nobara and the boys, or Nobara and Maki, Todo and Yuuji or Yuta, Gojo and Yuta, Megumi and his sister. Gojo and Geto, even! If the pieces are well set, the dynamics are intriguing, interesting, and have potential to be deep, but then the characters have like two plot relevant scenes that punch you hard, but little more, it's not nearly enough. Especially not nearly enough for the enormity that is shonen dynamics and situations. And the potential existing at all, and then not delivering, makes it all the more frustrating when you're left with something mediocre that could have been so good.

The development of dynamics through not only a few plot relevant gut wrenching moving scenes, but also the smallness of life, is important. The friend who recommended this to me said that those things were just unnecessary filler, but I disagree. I think there's a big difference between a large amount of anime-only filler episodes whose existence is based on the fact they had run out of manga chapters to animate, and moments of quietness. The low stakes character-driven moments of quietness can be so telling and so insightful, and they are so satisfactory when brought back later in higher stakes situations. My friend teased me there was no scene of Gojo making breakfast to Megumi, that it would be an idiotic idea, but it would be so telling. How he makes breakfast, what they eat, if he tries hard or if it's all mechanised, if they have personal bowls or if they use whatever, if he just buys them some pastry on the way to school, if the way they have breakfast changes through the years, or if he doesn't make them breakfast at all! All that would be very insightful on their dynamic and its evolution. All that would give a glimpse on how they regard each other and why, even in the present. All that could become meaningful in tense situations and high stakes scenes.

These moments also let the plot breath; if a lot is happening all the time, if every character is always experiencing trauma after trauma, the entire story is so emotionally draining that at some point you don't even care all that much. Besides, these nothing moments or low stakes plot arcs, besides deepening and developing dynamics, also let some in-world time pass, which would make the intimacy and bond between characters more believable imo; between Yuuji eating Sukuna's finger and their last confrontation in December how much time has passed? A few months? Am I truly to believe these characters are so everything to each other in only a few months?

Without some smallness, some repetition, some daily life, some low stakes not plot-centric development, the dynamics don't hit, they don't truly feel fleshed out, and dynamics as complex as the ones Megumi and Gojo have, or as supposedly meaningful as the one Megumi has with Yuuji or his sister, should be fleshed out if they're going to exist at all. Otherwise they'd risk making the writing feel awkward and fake. Besides, if the dynamics felt well fleshed out and realistic, they would shape the way the characters interact and act, and how they deal with situations, thus being plot relevant.

The shonen genre has so much happening all the time, the stakes are so high, the dynamics are so rooted in big events and the relationships carry enormous weight and implications. Yet they barely get developed, and it feels so stupid, so plain, the absence of something so important noticeable like a constant void, a shapeless nothingness present in every scene. It makes the characters feel like cardboard figures. Jujutsu Kaisen is already getting a better job than many, but I doubt it will do enough for what I've heard, and I fear I am bound to feel let down, and bound to feel unmoved.

After all, if not enough time and care has been given to develop a dynamic, I am not going to feel pressured by the high stakes; if not enough time and care has been given to develop the dynamic between Megumi and Yuuji, as good potential as it has I am bound to feel little for this last confrontation between Sukuna and Itadori, and his effort in getting Megumi back.

[ninjas-and-coffee]

Current Ninjago *wip* Projects List

Ninjago Arena: Ninjago but a Mortal Kombat game animation project

NRB: Ninjago but i wrote a bad rap battle or like 3

Darkleys Graduation: I made darkleys more serious and whatnot

Animatics: Dont be Sad -Tate McRae (Morro) Rockstar - CallmeKarizma(Jay) Thot -Tokyo's revenge(Llorumi critical/joke)

Art Projects that will take me 20+ hours to finish feat: Overjay au, Overlord Possesion type study??, Post-Possesion au(art and writing) Ninjago: WhatIf (art+writing). Other long ass art starts

For all the people who didn't ask why i keep disappearing or why i mention a project you've never heard of. There's a lot. And I'm not even including the 17fic backlog. Ufkbfkabfakb.

Feel free to ask about any of these, I just answer asks slowly because of anxiety around disappointing people or just not having an immediate response. Or if they're compliments i just save them for encouragement.

[icewindandboringhorror]

Lineup of all of the characters that appear long enough to need a visual representation of them in the game lol

[bumblingbabooshka]

Tuvok says that Vulcan children are very well behaved and have a lot of emotional control by the time they’re ~elementary school aged which makes sense but also makes me want to see what a Vulcan toddler or kindergartener acts like since they can’t be reasoned with as well (can’t really meditate) + are babies and also brimming with near irrepressible violence/emotions.

Vulcan toddler is just quietly accompanying their parent along on an errand. They stop and point to a toy of some sort and ask politely if they can have it. Their parent explains that they have enough toys at home. The toddler immediately throws the tantrum of the century. Just turns into an absolute wild animal in their rage. Other Vulcans are just like “aaa I remember when my children were that age” but any aliens around are like “oh my god is that thing OK??” I imagine even older Vulcan children would have issues with emotional control given that they’re also children! Though they’d of course know they needed to control themselves and behave...sometimes you just slip up. Vulcan children are playing together harmoniously. Then one breaks the established rules of the game. “I made contact with your arm. You are now the chaser.” “You did not make contact with my arm. I dodged your attempt.” “You dodged unsuccessfully. I made contact with your arm.” “I did not.” “You are cheating.” “I believe you are the one cheating.” And an adult has to rush over as one pounces on the other and they both begin screaming and clawing at each other’s eyes. The rest of the children are watching with interest or perhaps grabbing implements to assist their friend.  Little lapses in emotional control would probably be common until they reached like....highschool age. I can imagine an eleven year old Vulcan hearing they can’t sleepover a friend’s home and immediately shattering a vase before apologizing and cleaning it up.  It also seems like bullying would be very prevalent on Vulcan. Spock is canonically bullied frequently and it seems natural that Violent, Extreme Emotions in teenagers would lead to that kind of behavior which isn’t outwardly unacceptable (like crying, laughing, etc) but still satisfies an illogical desire towards cruelty and establishing dominance.  Vulcans schools probably have so many ‘Bullying Is Illogical’ seminars that do nothing and everyone makes fun of behind their teacher’s backs. Two Vulcan teenagers bullying each other, trying to see who has the more emotional reaction. If you cry or get mad you lose. Only babies cry and get mad...seems pretty illogical(cringe).  Vulcans seem to be very focused on respectability so I’m sure that as bloodthirsty teens there would be a lot of accusations and rules...if you hang out with X then Z,H and Y won’t talk to you. If you apologize too soon then they might accuse you of behaving too emotionally and gossip about you...if you don’t apologize at all they might accuse you of behaving too emotionally and gossip about you. It’s very stressful. Tuvok also said when he was a teenager in that one flashback that he was ready to fight over the girl he had a crush on (saying he’d “issue a challenge” or something) so I’m implementing that into my personal understanding of Vulcans...like adults do NOT want these kids to fight but amongst other teens they’re like:  “Seynar is my boyfriend.” “I disagree. He sat next to me during meditation three times this week.” “Only because I was absent.” “Then he is fickle and will be mine soon enough.” And then they challenge one another to a secret duel after school. Dueling to the death is very cool and grownup v_v (teens rarely die from such duels though bc either the other teen stops or someone told an adult). It makes sense to me that teenagers with violent urges would fight one another in a way that they consider acceptably adult. (mimicking the marriage ritual thing or even pon farr...romantic and cool.) Imagine being a teen Vulcan and your crush starts hinting that they have another person who might be interested in them....hmmm.....and you know you’re gonna have to duel for them or lose em. Such is life. Vulcan teens seem like they’d either date a lot (emotional whims) very non seriously (because they’re all betrothed) or date not at all because they’re gonna get married to their betrothed anyway. Loving someone other than your fated match is probably a pretty big trope in Vulcan romance stories...or maybe the opposite? Like someone bad tries to steal your heart but you remain resolute and return to your fated match as is logical. Anyway all this to say that I think Vulcan children and emotional control is something that’s fun to think about. Especially regarding how Vulcan children would act around adults vs other children. Vulcan child to adult: I will do my best to get along with my sibling. (2 seconds later once mother has left)  Vulcan child: You may play with the red toy. If you play with the blue toy I will harm you. Bodily. Meanwhile their older sibling is rolling their eyes like ugh....threatening violence is for babies....now to prepare for my logical and very adult duel for the love of my life whom I have known for three months. v_v

[iwritenarrativesandstuff]

sighhh. 14 characters is too much for a main group isn't it. it's not that they're all there at once; like you meet them over time and stuff, but yeah... that's still too many, isn't it?

[fluffle-writes]

I wanna. Pick them up in my mouth and shake 'em around like a dog obliterating a squeaky toy

[hyptanyl]

strung up by metal strings

[bearsinpotatosacks]

Update on my Whumptober thoughts: Not all the prompts will be posted, I have all 31 planned out but I found out that you don't have to post all 31. If a fic is finished, I'll post it but there's some big beasts that I want to write properly instead of rush. Also, I might not even write all 31. I want the completionist title but I don't have the time nor energy to force myself to write all the prompts and I did it last year and it wasn't like life-changing. I like Whumptober because the prompts help my creativity, spark some inspiration (talking about my Delancey Brothers Fic) but the perfectionist in me just beats myself up about not getting enough fics done before October or not writing enough each day to get them finished and then writing fics that all sound the same or the ideas being kind of shitty because I'm forcing them. I want to do my ideas justice rather than mass produce shit I don't like because I feel I need to, it's a constant line I walk between "I want to write something well and that I'm proud of so might be inactive for a while on AO3" and "I want to get this idea out there so need to post a bunch of stuff now"

[lesbianmaxevans]

literally just putting some pieces together since I feel like a lot of ppl are overlooking things re: lestat

when armand gives his background with lestat, he quite literally says that théâtre des vampires was lestat's idea, but then lestat vanished weeks later. what would make lestat flee from the coven when he is literally responsible for the idea of it?

the horrific fight in 1.05 happens because he's afraid louis and claudia are going to leave. claudia has just mentioned that she wants to find other vampires. lestat warned her prior to the first time she left that the other vampires are "vicious" and "will tear [her] to shreds". if this doesn't make your mind return to the first bullet point, idk what to tell you.

lestat is deeply uncomfortable with being at the trial. compare his performance when armand first finds him in 2.03 to his body language here. he's a lot more restrained with his movements, there are multiple moments where he clearly hesitates to say what's in the coven's script, he has trouble looking at louis throughout the entire thing, and there are times where he looks mad or repulsed with the audience for falling in line with the narrative the coven has created. the first time louis tries to say that lestat is lying, lestat looks shaken and santiago has to telepathically urge him to continue. we see lestat repeatedly going off script -- santiago states it's a story of butchery (the butchery being lestat's "murder") and lestat corrects him, "it's a story of love, not butchery." he chastises an audience member. he steals santiago's line. after telling how he turned claudia, he says that he should also be on trial. after santiago discloses the drop, lestat takes accountability and insists that it was completely his fault and that he was purposefully trying to hurt louis. and lestat's face as he admits this demonstrates that he finds the act repulsive now.

after the coven calls to lestat, let's go through his "options" -- was lestat supposed to find louis + claudia and warn them about the trial? why would they ever listen to his warnings after the abuse he subjected them to? was he supposed to force louis + claudia to leave paris with him? was lestat supposed to hear that they're on trial and be like "no, I am not getting involved in this, I know the trial ends in their execution, and I'm just going to leave them to die"?