#i just feel this deeply

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[chloesimaginationthings]

Never thought i'd see or hear the day where movie Mike would say "Ight bet"

I love making Mike talk like this

[bivampir]

it's SO funny that when asked what he had to do to prepare for his role in IWTV Sam Reid says he had to learn how to play the piano, learn to speak French, Italian, and English with a French accent. Bailey read IWTV religiously and added her own comments, and kept an actual fucking journal she wrote entirely as Claudia. meanwhile Jacob Anderson, when asked the same question, just responds with “oh nothing, i was already emo”. icons and legends only

[shorthaltsjester]

watching the sdcc panel and i am just very :) about how sweet their answers to “what are some of the micro moments from the game that have stuck with you the most over the years?” are. taliesin saying what the fuck is up with that which was the first like The Party Gets To Know Each Other moments of c3. travis saying asking his wife if he could kiss her in campaign. marisha going way back to the cannonball competition in campaign one. ashley choosing the beauyasha date but also just the silly goat noise matt made. liam adding onto that to compliment matt roleplaying grass so well and then saying his favourite moment was writing a story for laura and reading it to her as caleb for jester. and then matt saying that was his answer, and that his favourite moments of the game are when they find ways to give gifts to each other whether tangible or not. and sam saying his favourite moments have less to do with the story and is more so when he can just. see his friends across the table from him. when marisha perches and when laura and ashley are (badly) drawing dicks and liam saying he loves when sam sneezes and ashley tells him to stop it and just. yeah. they Are an extremely popular online powerhouse, but i’m so happy that they’re also friends building a world together out of gifts to and love for one another.

like i Am so enamoured with the characters and the world of exandria but the moments when you can feel the love that those people have for each other reach out from behind the stained glass of their performances (to steal a metaphor from brennan lee mulligan) are so extremely special and i am endlessly grateful that they decided to share their silly little home game with the world.

[ewwww-what]

friendship so strong it grants you a sixth level spell slot. I have words to say.

[sivsii]

I sincerely hope every artist gets to have the experience of falling in love with their art someday. even if you have to fight for it. i think we all deserve to look at the result of our creativity all giddy and go holy shit, I loved making this! I love the lines I put down and the colors I used and the indulgences I’ve taken. I love seeing things I liked and taking it for my own, pushing and molding and playing. I can’t wait to do it again

[stilitrash]

Fionna was so damn h0rny in this episode and I completely support her <3

[whitehairedanimeboyfriend]

"If this sort of genocide happened in somewhere like America people wouldn't be ignoring it."

*stares at the camera in Native American*

this isn't to downsize the the slaughter of Palestinians but to point out that America is more than comfortable with slaughter not only overseas but on its own soil so long as it secures their efforts in colonization. If you call me a Zionist for this post I'm taking your bones.

[poorly-drawn-mdzs]

Words Collide

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[junotter]

All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.

Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.

In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.

[queerasian]

nothing you ever see about succession will prepare you for the way jeremy strong’s acting will gradually then irrevocably grab hold of your heart and soul and evoke emotions in you that you didn’t even know were there

[anistarrose]

the thing I keep coming back to about TAZ Balance, I think, is that there's heroes — lots of them, even — but there's not really a hero, not a singular one. when our characters try to save the world all on their own, and oh, do they try, their arcs — while eventually culminating in happy endings, for the most part — are, at the time, cast as tragedies. lone heroes, in TAZ Balance, are invariably tragic heroes.

Lucretia can't gather all the Grand Relics and defeat the Hunger on her own. Barry can't find Lup, much less sway Lucretia from her plan, on his own. Lup, crushed by guilt, sets off to neutralize her greatest mistake without even facing her family as she leaves, and that decision sets the story into motion in the first place. their intent to spare their family, to shoulder the burden alone so no one else will have to, fixes little and leaves them isolated. lonely. trapped.

even Magnus, rustic Folk Hero of Raven's Roost, fails to avenge the community that took him in. he sets off on a solitary mission to do so, never opening up about his pain to even his closest friends, but he never sees Kalen again. yet, maybe not too late, he learns, or rather, remembers — the strength to protect and avenge others comes from the strength to ask for help. the last thing helping anyone is trying to do this alone.

Lucretia assembles the Bureau, and as soon as she sees a way, brings Tres Horny Boys back under her wing. Barry, the very same day that Lucretia recruits them, sees the Phoenix Fire Gauntlet surface, and realizes it's time to put his trust in his family again — he shows himself to them soon after, and even with him putting up a facade, that's progress. and Lup, with endless time to reflect, is possibly the first of all of them to see where she went wrong. she won't be making that mistake again.

there's not a singular hero of the story, because taking on the burden of saving everyone is no task meant for one person. there's "our heroes," Tres Horny Boys, and there's the secondary, "secret," but no less important heroes who complete the ranks of the IPRE, but none can defeat the Hunger — nor reunite their family, nor vanquish an old foe — without leaning on each other, and on the new bonds they forged on this cycle. leaning on Johann, Kravitz, Team Sweet Flips, and the whole ensemble; every single connection that convinced them not to flee but to fight.

accepting that none of them can, that none of them should, be the hero alone — that's what averts the tragic end. the Hunger, terrible as it is, is wholly united, sharing and amplifying each other's despair. the only way to victory is to rely on each other, to care for each other, to learn how to be cared for, and to let your loved ones grant you hope.

[the-magpie-archives]

One of the weirdest things I love about TMA is how embarrassing it all is. Like, romanticism is fun sometimes, but embarrassment equally so.

If you've ever meaningfully interacted with the supernatural, you know that shit can be awkward. If you've ever had an office job, you know how embarrassing it can be! Pretty much if you've ever experienced any form of life, you know how embarrassing a day of existence is.

And my god Jon's life is embarrassing! He can't stop getting kidnapped, he doesn't have any friends, he can't even get his job done due to infinite supernatural interruptions. That's really embarrassing.

He's an adult who effectively has to relive being a child because he's thrust into a world that no longer makes sense, and that vulnerability is so real!

But Jon's not the only one who's going through embarrassing stuff, oh no! Martin is hopelessly in love with his cruel boss who barely looks at him; Tim and Sasha hooked up only for Sasha to break it off against Tim's wishes; and hell, Melanie literally got laughed off of YouTube and BECAME A MEME.

These people are going through awful, otherworldly terrors, but not once is it ignored that they must still suffer through painstakingly awkward everyday moments too.

I suppose it comes down to realism. Understanding that the supernatural can become just another part of life in an annoying way, and letting the characters be normal fumbling people makes it hit so much closer to home.

I think all this is why The Magnus Archives is popular not only as horror, but as an explanation of human relationships; the everyday realism is so deeply entwined with the otherworldly but both exist in their own right. And this in itself is realistic, as how far away is horror from your daily life, really? And how different is fear to embarrassment?

[prince-peachie]

Sleepy boys

[5-pp-man]

my new favourite genre of guys is when they're cute but only in deeply neurodivergent ways.

[thronealigned]

no it's fine this mind flayer is totally my friend and 100% honest with me all the time it's ok it likes me everything's so normal