#i just like animal people like that

[lofthousezzz]

playing skyrim (ACTUALLY playing not just downloading mods are you proud of me) for 2024. awesome.

[bixels]

I watched Starship Troopers tonight.

[beif0ngs]

The passing down of the Straw Hat from the legendary Oda Eiichiro (Creator of One Piece) and the one & only Tanaka Mayumi (Luffy's Japanese Voice Actress)

[pcktknife]

og dungeon meshi readers are so serious about this shit. thistles name was announced as sissel and 100 people fell to their knees in anguish. the anime marcille eyebag diminishment event sent people to the hospital. when they cut the scene of her taking her hair down? oh it was bad for us.

[alpacacare-archive]

day twoe ah haha

[egophiliac]

just thinking about hair and faces

[catmask]

okay. say i were to have a hand drawn frame animation. and a background i wanted to animate via tweening. and i wanted to composite that all together into one scene on one program. i already have the assets drawn but i need to put it all together in a very specific what.

What Fucking Program is that because ive been crashing my photoshop trying to do it in there and i KNOW i can make smoother animations than what its tweening feature allows. also it doesnt have timeline layers which is annoying asfuck

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[teaboot]

Today in another lesson on why it is important to be calm and patient and kind, I met a very large and scary looking angry pierced and tattooed man who I thought was trying to pick a fight until I though "oh, you're probably just being extra defensive because you're used to people looking at you, seeing that you're a large and scary pierced and tattooed man, assuming you're an agressive criminal, and treating you like the enemy" and you know what once we talked things out he was a really cool and chill guy

[creekfiend]

While I'm talking about social stuff I had to learn as an autistic person

There's a LOT of social interactions between human beings whose purpose really boils down to being like that thing dogs do where they go "omg YOU'RE a dog??? I'M a dog!!!!!" And that's not a bad thing. Highly ritualized "meaningless" displays of human connection like friendly greetings and talking about things like weather actually do serve a purpose which is like idk ritualized displays birds do. YOU'RE a human? Omg I'M a human!!!! Wow!!!

And they don't have to be your favorite flavor of interaction. You can even think they're silly. But they DO serve a purpose or else they wouldn't be a thing.

[taohs]

(some) Balalaika moments that lives in my head rent free

[thomas-the-goat-of-satan]

one of the funniest things about Light Yagami is that he is So aware of himself and So invested in Not Being Perceived As Strange that he has no real grasp on what an actual human interaction should look like. he knows what a Perfect interaction should look like, sure; he knows how to appear effortlessly charming and how to assuage suspicion, but the issue with that is that he reacts to really stressful and bizarre situations in an unnaturally prim and proper way, and then somehow can't understand why that makes him look even weirder. like. okay. this man with the darkest eyebags you've Ever seen and ever Will see walks up to you during your college entrance ceremony and says, "yeah, I'm L. best detective in the world." and Light goes through seven Completely Understandable And Normal Reactions in his head before he settles on, "y'know what would be the normal thing to do here? to completely fabricate my reaction so that I seem as disengeuous at possible! I can't have this guy think that I learned how to interact with other human beings from anywhere else but PBS KIDS! I have to react like Chief Yagami's totally normal son would!!" and like, that's all good and well, but if you were Actually Normal and not the weirdest person on planet earth, you'd have probably looked at the little cryptid and said, "uhm, actually I think that you're a filthy liar and also you dress stupid. why do you exist in greyscale."

[deelovesbooks]

ko-fi

[beif0ngs]

everyone on tumblr @Buggy the 🤡 right now 

[oifaaa]

As I begin my umpteenth rewatch of fullmetal alchemist brotherhood I am once again reminded about how amazing it is that this show actually exists in the form that it does like can you imagine if a show like fmab was released today an almost 100% faithful adaptation of the source material not squeezed into 8 or 10 or 12 episode blocks so it can fit a season but given just the right amount of episodes needed to tell the complete story start to end

[chellychuu]

Mew Mint doodle 🤍