#i just liked paneling this hehe ^_^

[maskedchip]

night ramblings

[jeonsupershy]

1 year with FML Thank you for reminding us that we are worthy of fighting for the life we desire🤍

[glass-noodle]

tfw you meet a guy who’s half fish and you fall for his weird ass charms and big stupid eyes and you bust him out of the lab that’s been keeping him imprisoned like you’re in a goddamn action movie

[niinnyu]

Here's why I think jjk 261 is bad writing and wasted potential.

I've tried to separate more objective stuff and my opinions so I've made them into separate sections.

1. Jjk 260: I've already stated my issues with how jjk 260 ended and this applies tenfold now with this chapter. Buildup to sidestep to something completely different nullifies your buildup and is jarring to read. You also cannot blame villains in the story for undermining a character if you, as the author, keep doing it.

2. Okkotsu Yuuta's character: Yuuta's plan and willingness to use Gojo's body if he dies feels incredibly ooc and very uncompelling.

Yuuta is one of the few characters who's been able to see glimpses of the slightly more human side of Gojo "The Strongest" Satoru (he was my one and only/love is the most twisted curse of all). He has *just* seen the catastrophic consequences of a body used by someone else as a weapon. He was willing to go against a villain purely so that Gojo wouldn't have to.

You're telling me the same Yuuta was that ready to use his sensei's body and brought to anger when someone questioned the ethics of it?

Yuuta saying 'if no one else has the guts to then I will' means nothing becauseif his idea of becoming a monster includes using Gojo's body then he is the only one who can do it. All while implying cowardice of the others for "not having the guts to do so" (while being in Maki's presence and with Yuuji's absence, both of whom have been not self described as monsters).

Yes this is him stepping up to the task of being the strongest. But it doesn't feel like the big sacrifice of his humanity he says he doesn't care it being, if he's okay with it the moment the possibility of having to do so comes into light.

It just comes off as cocky and inhumane. And if that *is* Yuuta's character now, show me reason to believe this shift in personality in him specifically.

Also if Yuuta gets so mad at Gojo for being the "monster alone", why is his solution to do exactly that.

The easiest way to have the same events play out, but keep characters intact and have it be much more compelling would be:

Yuuta is presented with the plan of using Gojo's body. Have Meimei or Kusakabe, who've never really interacted with Gojo in any meaningful way to see him as more than his power, bring it up. Or maybe while brainstorming with everyone he comes to theconclusion himself with a lot of dread.

Yuuta immediately rejects the plan because he wouldn't do that to his sensei. Him having to throw his humanity away isn't his issue. He won't allow something like this happen again. And especially not to Gojo whom this was used against firsthand. He plans to kill Kenjaku himself.

Yuuta is reminded that if push comes to shove they still might have to if Sukuna continues to pose a large threat, but since he's the only one who can, it'll finally be only his decision. A panel of internal dialogue shows that Yuuta knows this is true.

Yuuta gets the formality "permission" from Gojo. Gojo says "who cares what happens to my body once I'm dead" and Yuuta *then* gets angry because Gojo of all people knows that he should care. Yuuta notices how Gojo also sees himself only as a weapon for others and calls him out on taking the burden all by himself (being a monster alone).

Fast forward to when Yuuta is dying and being kept alive by Shoko, Nitta, and Amai, Yuuta knows that Sukuna is still going strong and he has no choice but to use Kenjaku's CT against all his hopes because he knows he needs to.

Not only does this align with Yuuta's character a bit more, as someone who cares a lot for the people in his life including Gojo, and abides by his concern people at large, it also gives us a moment to see how heavy an ask it is of Yuuta, and forces the reader to be much more sympathetic of the choice he's had to make. How he'd rather not have done this and only went through because he's desperate.

3. Gojo's influence: This chapter essentially disregards any influence Gojo has had thoughout the story outside of having physical.

The main reason he'd not killed the higher ups waaay before now was because he knew the people who'd take their place would continue to pull the same shit.

Gojo ideology and the reason he went into teaching was to bring about a new generation of sorcerors who would know better. To dismantle the system that doesn't see sorcerors as more than dispensable tools for their power balance purposes, from the inside out.

I've seen people talk about how this ending for Gojo is significant because he isn't an exception to the cruel jujutsu system. Yes! True! He's been facing that his whole life! And that is exactly what he'd hoped to change through his students!

Yuuta using Gojo's body for his power feels like something the higher ups would not think twice about ordering. This was the perfect opportunity to show that the kids Gojo brought up *despite* this system are better than what the higher ups were.

And although throughout his life he too was not exempt as a jujutsu sorceror of being seen as solely his power (he'd also never allow anyone to see him otherwise). He sees, right at the end, these kids that he's helped train, and grow, and keep alive, know just a little better. Know *of* the human behind the power even if they don't *know* him.

OR! If you wanna stay grim about it, show that Gojo failed in this endevour. That the system still continues. Yuuta has made himself a weapon that is used because of his CT and Rika. That Yuuji has only ever been seen as a vessel, he'l he was created solely as one. That Yuuta goes to great lengths to keep his friends safe and Yuuji does so because he's already (kinda) lost them. Show that *they* still hold onto the parts that make them more than tools even if the system still doesn't.

And acknowledge the failure that it is on his part.

Because with this chapter Gojo, even just narratively, continues to be just a weapon.

Below the cut are my pretty coloured opinions about the chapter.

1. Payoff followed by setup and why Shibuya is still some of Gege's best writing: (ended up being long and not specific to this chapter so I'll make it it's own post lol)

2. Okkotsu Yuuta: I am frankly tired by the amount of importance Yuuta has been getting since the culling games ended. The only real narrative significance he has is being a student of and related to Gojo and the previous protagonist. He has no arc, no narrative weight, no personal stakes that other don't have.

He was an interesting character back when he was first reintroduced into the main story. As an unbiased executioner who would be there to kill Yuuji if Sukuna took over, both a threat but also an ally until then. The framing also made him more of a threat against Yuuji than a threat against Sukuna. Interesting!

He also has no personal conflict with the villains. The closest he got was wanting to kill Kenjaku because 'he won't let his sensei kill his Best Friend again', which is personal once removed since it's more for Gojo. Which was also a nullified sentiment because Gojo died before facing Kenjaku anyway.

He is just an overpowered character with no developmental backing. I still won't believe that Yuuta using Gojo's body is stronger than Gojo, because it is still Gojo who had had to condition and train his body to be able to handle the power he wielded. Yuuta has had a lot of groundwork already done for him in Gojo's body so even if he's able to do more damage than Gojo, it's still only because he's standing on Gojo's shoulders. People talking about "are you Gojo Satoru because you're the strongest or you the the strongest because you're Gojo Satoru" will be answered here need to remember this.

And since when has either of them cared about the Gojo clan looking bad to mention this lmaao what?

3. Kenjaku's relevance: Yuuta copying Kenjaku's CT being such a flippant discussion made me so mad lol. Your telling me they were seeing killing Kenjaku as a minor stepping stone to a bigger plan. When Kenjaku has been alive for yeaaarrrs on end pulling who knows what all shit that got all these balls rolling in the first place?

I know it easy to do in retrospect with Kenjaku already dead in current time and Sukuna being the current threat. But that's just undermining the threat Kenjaku posed and the "victory" that killing them was (even as anticlimactic as it was).

Seems like Gege had to do his best to brush off Kenjaku since they was proving to be a much more interesting villain than the Big Bad Sukuna, but man way to make your own rather well written character feel lame.

4. Gojo killing the higher ups: While the panels of Gojo wanting to shield his students from the bloodshed he was about to cause was sweet, I still wish the second years had siccesfully forced themselves in and joined him. It's another place where they could've shown Gojo fostering a generation that follows through with his ideology and plans because they get how messed up the system is.

When the higher ups were initially shown to be killed before Gojo vs Sukuna, the chapter had Inumaki and Yuuta talking in the hallways of the higher ups' hq. The implication that they'd also done it in the month of preparation made it feel like everyone was joining in and getting shit done. Yes it's satisfying knowing that Gojo got to go through with something he's wanted to do for a long time, but almost everyone has the same beef with the higher ups. Give everyone or a representation of everyone a slice of the action.

5: Shoko hate: Completely unfounded. People expecting her to suddenly have so much more agency than Gege has ever given her just because they're sad about their fav is stupid. And if you need to be angry direct it at Gege's writing that chose to use her opinion for comedic purposes.

Also question why you care about her ability to do something only when it comes to your fav male characters are facing difficult situations. Remind yourself she's the only overworked bloody doctor/ healer assisted by only a 15/16 yo underskilled underprepared child (Nitta) in a society that is still facing the effects of Shibuya. Also go away stop pretending you care.

I have more issues but whatever. Jjk fans who's favs are dead and never mentioned again be glad!! They're safe!!

[good-beanswrites]

My thoughts on how the Milgram mv machine works based on the evidence we have:

(I know there’s been discussion about where exactly the interrogations take place, but wherever they are,) the prisoners are made to sit in a specific chair near the wall that houses the machine.

It’s ordinarily hidden, but the wall panels shift aside to reveal it when the mechanical sounds play in the dramas. As well as the walls moving, the chair transforms to restrain the prisoner and attach whatever it takes to access their brain. The fact that none of the more frightened prisoners try to run or break it makes it seem like they physically cannot. This is why Fuuta sounds so panicked, and why Amane is suddenly helpless in front of Es in their T1 vds.

(My mind conjures very classic sci-fi mad scientist machines with wires, pipes, lights, nodes, needles, etc, but I’d love to hear how other people visualize it.)

In some vds (maybe all? I’d need to check,) you can hear Es take some steps right before their iconic line -- it would make sense that for safety reasons, the power mechanism is placed across the room. Once again it could be anything, but the sound effect makes me think of one of those giant wall-mounted levers you have to pull down.

The voice dramas don’t really provide the type of crime details that an actual interrogation would reveal, and it’s odd that they’re placed before the extraction rather than after Es gets to see the new details. This leads me to believe the machine functions with priming. All Es needs to do is get them talking about their murder, so it’s on their mind.

The video produced is much like a (non-lucid) dream. Even if the prisoners figure out that this is how it works, they can’t control it just by thinking really hard about something else. The murders produce the strongest emotional affect, and that’s what it picks up on. If someone else used the machine, it would default to whatever gave them the strongest emotional reaction in the ~15 minutes beforehand, hence why Es’ video focuses on their daunting task ahead. (The Undercover theory is still a bit loose, though, given the private shots that Es wouldn't have known about). It’s why the videos are usually closely linked to the vd topics/beats. I also like to think that the reason their prisoner colors appear so much is because they’re looking at those colors on their uniform 24/7.

The bell rings to inform Es that it’s the optimal time to use the machine -- the prisoner has been thinking about things for long enough that the video will be about their crime, and if the conversation lasts much longer they’ll start thinking of other things. It’s at a different time for each prisoner because it’s based on the specific conversation. I guess Jackalope is listening in to the interrogation, timing it perfectly. (The only one that kind of messes with this theory is Yonah, because they just keep talking afterwards lol, but it could just show that the interrogation is still in Es’ control.)

Their “Sing your sins” is the final priming nudge to get them to think of their actions as a sin, revealing their guilt.

Once activated, the prisoner enters a sort of trance/sleeping state. It’s very much like REM sleep, with the machine forcibly activating neurons and recording the output. The prisoners have asked Es what they saw, meaning they don’t remember the mvs. I like to think the prisoners do experience the mv in real time, acting as the major version of themself that appears, but can’t remember it afterwards. It’s when you experience a dream, but as soon as you wake up you’re just left with fleeting emotions and memories right on the tip of your tongue.

The video plays immediately upon extraction -- whether on a huge projection or little screen depends on which room it’s in. It simultaneously saves the memory so that Es can rewatch it later (on those old TVs in the jailbreak mix). The machine downloads the song and video together, but requires special parts to retrieve them. The technology is pretty new and fragile, so if one is broken, there might be a delay between when Es can hear the extracted song and see it with the video. (That’s my justification for Kotoko’s delays -- after 9 prisoners the parts wear out, or maybe Mikoto himself overheats it with his complex situation.)

Based on the lack of conversation we get afterwards, I picture Es leaving before the prisoner wakes from the trance. The machine adjusts their brain back to normal before they awaken, restraints freed and able to return to the rest of the prison.

It’s very much like a dream, so it’s not harmful despite the amnesia/head injuries the prisoners have. It does, however, exhaust them. Brain activity alone takes a lot of energy, so forced brain activity with added emotional strain would cause them to feel pretty drained the rest of the day.

[f0xgl0v3]

I did something again guys.

Uh, that’s Camp Half-Blood Mercury (uh, Mercury lore- she is technically a Greek demigod and cannonically does have curls. The magical world where she doesn’t straighten them to hades and back lol-) and @percexe’s really silly oc, Sawyer. They live in my head now, they are so silly.

Uh- it’s too late for me to re-line this and uh, finalize it and colors (I have school tomorrow) but, here’s some warm up I did to try and get used to drawing Sawyer for consolation :3

(It is also, sadly unfinished)

[sysig]

Betty’s Wish (1/?) (Patreon)

It’s definitely weird that Betty, with all her Magical abilities, never met a Wishmaster, right? I think so

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[madderruz]

[abombihoney]

ok been thinking abt time travel au where snakemouth gets rubber banded into their younger bodies. anyway how hard do u think it is to wake up from a decades long nap

[vargaslovinghours]

The unusual but no less hard-hitting 10½! (1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9)

So as it turns out, I did so many Blank Slate/Have you lost your mind? doodles that I ComPletely broke the last sketchdump lol, so it gets it’s own! Who could’ve figured that making basically a full comic of Chapters 2 and 3 would’ve made just a few too many sketches lol

Because of that, I’d strongly recommend reading what I've posted of Have you lost your mind? so far before this! Spoilers and author’s notes/behind the scenes warnings and all that haha

Concept sketch for Scriabin - I always love having visual signifiers to denote timeline/AU/etc. differences so you can tell at a glance where you are :) His silhouette gets to be correct! The details, well, sorry we forgot those ♪

And concepts for Edgar! I've drawn him in different glasses before so it was a bit of an excuse, using these new/old glasses to do so again haha

But in the end I went for a reference! Remember when I drew Edgar's glasses tiny?

And I mean, if he hadn't worn them in a while, maybe they're just a bit small on him! Lol

Poor memory-less Edgar's musings, it's not just sad to be forgotten, it's sad to forget :(

Early concept of Scriabin freaking out by himself in the bedroom. I'm glad I got to keep it :D

Always gotta draw 'em reacting to something just out of frame

Poor Scriabin, he wants to be close despite knowing Edgar doesn't remember him. He has to face this whole Being Human thing completely alone! Edgar just doesn't understand!

He doesn't know how good he's got it haha, if I was really mean I'd have let him keep his glasses instead. There's a bunch of fun themes either way, but stealing from Edgar while hiding in his own hair is as good as any hehe <3

Blank-faced Edgar, I ended up with a lot of these, unsurprisingly. Doesn't help that he's cute haha

As usual, starting from the middle - it's just easier to get ideas flowing around a core! Also that note pointing at Edgar of "Put Todd to bed" was all the everything of the prep work I did for writing that little section, but the rest Absolutely Needed storyboarding lol

He might come to resent you if you manhandle so much right after meeting for the "first" time

Scriabin actually touches him in the original draft, but after I thought about it, it'd probably take a bit to cross the touch barrier comfortably again! Scriabin's still weird about Edgar but Edgar is wary, it's an interesting dynamic

I won't show off every panel, but panels like these where I think they turned out especially cute Have to be included haha <3 I dunno what it is but Scriabin pouting always turns out adorable ♥

Floof harder! Edgar's innocent expressions ahh <3

Starting to lay the groundwork, but still a bit nervously! It is quite fun how they skirt each other, not quite sure what the other knows - how many lies can Scriabin get away with before he gets caught!

Scriabin using some informed guesswork in conjunction with what he definitely knows, he is rather intelligent :) You can also see Edgar's unfocused eyes well in this one, I tried to draw them fuzzy behind those glasses hehe

These are all lined up like this on the page :D Really happy with his hand expressions here, and his face haha

This was one of my favourite lines - he keeps making excuses for Nny! Edgar no! - I fully admit that it's also partially influenced by how cute Edgar turned out haha, the poor thing - but he's so wonderfully fluffy!

I love this line as well, Scriabin utterly convinced that all his hard work must have gotten through to Edgar somewhere in there, he said it often enough, he must have listened to him at least once-!

And then Edgar completely cuts him off and redirects him haha, they’re both hopeless <3

So mad at himself and Edgar, comedy = pain + time, but this is still fresh! Give yourself some time!

That last line in particular is so insidious because he did that, Scriabin was the one who put him in that situation, and now he’s trying to turn it back around on him! He's the worst ♪

Guilty Edgar <3 Still pressing on (changing the subject so he doesn't have to linger on the feeling hehe), he does have his own questions

These kinds of exchanges were especially fun to look back on from their individual perspectives since I only drew it once, starting with Edgar. How honest can Scriabin really be? He can't explain everything and not be kicked out for being a potential danger to Todd or Edgar! He's gotta play his cards Just So

Edgar is also quite intelligent! Catching Scriabin out in a lie, even when he's trying so hard to skirt the truth!

Scriabin so mad about being called out, gotta rub it in just a little bit that he's Totally Right lol, what a brat <3

Scriabin is legally and morally and emotionally and spiritually obligated to mess with Edgar sexually in literally every iteration of his existence, it is a core tenant of his being and also he really really wants to (lol) ♪ Drawing Edgar all blushed up is just a bonus, who does this stranger think he is! What has he forgotten! He's not some easy man! Haha, if you only (still) knew, Edgar

Whatever he was going to say would just hurt Scriabin's feelings, better to just cut him off before another reminder gets laid out

Probably my least favourite dialogue that I had to change was making "?" into something that flowed better in just-text, it's not the same! Lots of little notes about word choice actually haha. Love them reaching for each other even like this <3

Edgar has all these feelings to contend with! My favourite shot is easily the last one, Scriabin's relaxed mouth while Edgar's heart is beating out of his veins right into his ear ♥

Pls o////ò;

Existence is exhausting

Even without knowing him, he's just a cautious guy :) And he wants to be gentle with him! He doesn't realize what he's doing, what his actions would mean to Scriabin if he could see them, and he does them all the same 💕

Pretty lad <3

Technically backtracking, to Ch. 3! POV shifts are fun lol

Zarla mentioned Scriabin curling up into a ball in the blankets and I thought it was a cute visual haha ♪ Haven't had a use for it yet but never say never hehe

I wanted to go for some high perspective shots to drive home the uncanny feeling of being really truly alone for the first time ever. That, and he's dramatic anyhow haha

His posing was very important to me! Since Edgar knocks on the door while he's still leaned against it, the contact points would Feel a specific way

Scriabin got a lot of「bracket notes」for his section, usually as digs lol, where does Scriabin get off saying that Edgar has no tact haha

More blank-faced Edgar! These were actually drawn separately - could be chalked up to how each of them remember the event! Edgar sees himself as more put-together and Scriabin as more foolish haha ♪

That horrible sinking feeling

I pick on him a lot but this really would be incredibly scary and sad! He's alone, expelled, and the only person who Knows him now doesn't even recognize him! This was probably the one scene I wanted to be just a bit longer, really feel the weight, hmm

But he's also quite resilient haha, he has to be <3 He has enough tenacity, thank goodness haha

One of those examples of panels basically repeating lol, I can only fit so much text per pose! Plus it's fun to see the little body language differences :)

Another bracket note lol, Scriabin has to be the best at everything!

And another, have I mentioned that Kaggie is my favourite of the two? ✨ I'd still like to give both K and D a more sizeable reference sometime! Scriabin continues to be the cutest when he pouts, agh <3

Touchy touchy touch ♥

I do love the phrase "feeling himself" right after the last panel lol - it can be both literal and metaphorical! And that's what you get for not cleaning up after yourself! I swear that lightswitch panel confused me so many times on reviewing notes lol

He's not even careful pfft. Then again if he was, he wouldn't have a mess to grumble about in the first place!

A familiar face while Scriabin's already feeling small on his lonesome, ~it's symbolic~

Ough, it hurts to think that Edgar might actually be able to watch Zeitgeist, not knowing the deeper implications. The thought of him inviting Scriabin to see it! 💔

The most important question, and he hasn't come to a conclusion yet :) I wonder what his answer will be once he stops hiding from it!

Hhhh this has been a really fun AU to write for, I'm glad that I finally put it to words since it had been rolling around in my head since early 2021 - there are so many fun and insidious things to explore! Especially on Scriabin's side, though I still think it's the most fun to be stuck behind Edgar's eyes, an aware audience knowing what Scriabin is up to while Edgar doesn't hehe ♪ Hopefully I'll have some time to return to it after a bit! :D

[sallymew4]

i read chaps one and two of The Listless by @mtndw-whteout and absolutely HAD to draw out what has to be the funniest exchange so far

i hope to do more (legit) drawings of this au eventually !! :)

vv little extra sillies vv

[frankenbridez]

my kids TT_TT

[aquapolis]

certified hashtag win for bisexuality

[the-squeege]

another one

[dirt-str1der]

This whole chapter with knives is still funny because in the finale he at least had pants but he was straight naked here. Like it was swinging , his millionth knife

[niinnyu]

Using your own art as reference feels silly lol