#i just love exploring their relationship!

[gyuuberryy]

a love affair in colour

pairing: art tutor!jay x princess!reader

synopsis: as a princess exploring her artistic passions, you’re drawn to jay, your mesmerising art teacher whose lessons stir more than just creativity. what begins as a quest to master your craft quickly becomes a whirlwind of tension and forbidden desire. with every brushstroke and shared moment, the line between teacher and lover blurs. but when societal barriers and personal doubts threaten your connection, will you both find a way to embrace a future together, or will your love remain a beautiful but fleeting masterpiece?

genre: strangers to lovers, forbidden relationship, comfort

warnings: kissing, lots of tension, mentions of status difference, angst, a little suggestive

note: i used my experience in art to detail all the content related to it so bear with me if it seems a little modern, i don't know much about how they did art in the olden times. also jay just constantly raises my standards??? i love that man so much he's so husband material it hurts TT enjoy reading!

word count : 11.1k

royally yours masterlist | prev:heeseung | next: jake

if you liked it please reblog or comment to give me your feedback! <3

you’ve always been drawn to art. as a child, while other princesses were learning courtly etiquette or practising diplomacy, you were sneaking into the gardens to sketch the trees or hiding in your chambers, fingers stained with ink as you copied paintings from the castle’s grand halls. but those were mere indulgences, fleeting escapes from the rigid structure of royal life.

when your parents noticed your growing talent, they encouraged it—as a hobby, of course. something to amuse yourself with between diplomatic meetings, public appearances, and the pressures of royal expectations. but for you, art was never just a pastime. it was a passion. an escape. a way to express the parts of you that didn’t fit into the carefully curated image of a princess.

so, when you told your parents you wanted to pursue art seriously, it was met with initial resistance. a princess has duties, obligations, responsibilities. but you persisted, and eventually, they relented. if you were going to study art, they wanted the best for you. that’s how jay came to the palace—an accomplished artist in his own right, though he came from modest beginnings. he was hired to help you master the craft before your trip to paris, where you’d study under the finest artists in the world.

jay’s reputation preceded him. he was known not only for his skill but for his ability to bring out the best in his students. when he arrived at the palace, you were both eager and nervous, unsure of what to expect.

your first meeting was in the grand studio, a room that had once been your sanctuary. now, as you stand by the window, gazing out over the palace grounds, you feel the weight of what’s to come. you’re no longer a novice; this isn’t just a casual hobby. this is the beginning of something serious, something real. and the thought of it is both exhilarating and terrifying.

the door creaks open behind you, and you turn to see him—jay. he’s younger than you expected, though older than you by a few years. his clothes are simple, a stark contrast to the luxury of your surroundings, yet he wears them with a quiet confidence. his dark hair is tousled, as though he’s just come from a long day at work, and there’s a certain intensity in his eyes, a focus that makes your stomach flip.

“your highness,” he greets, bowing low.

“please, just my name,” you say quickly, hoping to dispel some of the formality that hangs between you. “if we’re to work together, there’s no need for titles.”

he straightens, and for a moment, you think you see a flicker of something—surprise? amusement?—in his expression, but it’s gone as quickly as it came. “very well,” he says simply. “shall we begin?”

you nod, feeling a mix of anticipation and nerves as you lead him to the easel set up near the window. it’s been prepared for your first lesson, a blank canvas stretched taut, waiting for the first stroke of charcoal or paint. you’ve done this before, hundreds of times, but never under the watchful eye of a teacher like jay.

“before we begin,” he says, setting his bag down on the table, “tell me why you want to do this. not because you have to—because you want to.”

his question catches you off guard. you’d expected him to dive straight into the technical aspects of drawing or painting, not to ask about your motivations. but there’s a seriousness in his tone that tells you he’s not just asking out of curiosity. he wants to understand. he wants to know you.

“i’ve always loved art,” you admit, folding your hands in front of you, feeling a little exposed. “it’s the one thing that’s mine. in a world where so much is decided for me, art is where i get to choose. it’s... freedom.”

jay nods slowly, as if weighing your words. “art is freedom,” he agrees quietly. “it’s expression. it’s telling the world who you are without saying a word. but it’s also discipline. and commitment. if you’re serious about this, i’ll push you. i’ll make sure you’re challenged. does that sound like something you’re ready for?”

your heart beats faster. his intensity is palpable, and it’s hard not to be swept up in it. “yes,” you say, though the word comes out softer than you intended. “i’m ready.”

he regards you for a moment longer, then reaches into his bag, pulling out a small sketchbook and a piece of charcoal. “we’ll start with something simple,” he says, handing you the charcoal. “i want you to draw me.”

you blink, surprised. “draw you?”

“it’s a good exercise,” he explains, moving to stand a little distance away. “if you can capture the essence of a person, you can draw anything.”

your fingers tighten around the charcoal as you sit at the easel, facing him. it feels strange, having him as the subject. his features are sharp, defined, but there’s something else—an intensity in his gaze that makes it hard to concentrate. you take a deep breath and begin to sketch, the sound of the charcoal scratching against the canvas the only sound in the room.

it’s not easy. his face is a study in contrasts—strong jawline, soft eyes, dark brows furrowed in concentration as he watches you work. you find yourself getting lost in the details, trying to capture the exact curve of his lips, the shadow beneath his cheekbone. but the more you focus, the more elusive it becomes.

“you’re overthinking it,” jay says suddenly, breaking the silence. he moves behind you, close enough that you can feel the warmth of his body, though he doesn’t touch you. “you’re focusing on the parts, not the whole. step back. see the bigger picture.”

you try to follow his advice, but his presence behind you is distracting, and the scent of him—earthy, with a hint of something fresh—fills your senses. your heart beats faster, though you try to ignore it.

jay steps closer, his breath warm against your ear. “here,” he says softly, reaching out to guide your hand. his fingers brush yours, sending a jolt through your body, and you almost drop the charcoal. “loosen your grip. let the lines flow.”

you do as he says, though your heart races at his nearness. his hand lingers over yours for a moment too long before he pulls away, but the connection between you doesn’t fade. the air feels charged, as if something unsaid hangs between you.

when you finish the sketch, it’s rough, imperfect, but there’s something there—a spark of life, of emotion. jay leans over your shoulder to examine it, his expression unreadable.

“better,” he says after a moment, his voice low and approving. “you’ve captured something real here.”

you look at the drawing again, trying to see what he sees, but all you can think about is the way his hand felt over yours, the way his voice seemed to wrap around you like a secret.

as he moves to gather his things, you realise that this is just the beginning. the first lesson. but already, something has shifted between you. something neither of you can name yet, but it’s there—in the shared glances, the lingering touches, the unspoken connection.

and as jay turns to leave, promising to return for your next lesson, you can’t help but wonder if this is really just about art—or if something far more dangerous has already begun.

the days following your first lesson with jay felt like a strange new rhythm. art had always been a deeply personal escape for you, something that existed in the quiet moments between royal duties, but now it had become something more. each session with jay stirred something inside you—not just the desire to improve, but a spark of something you couldn't quite name.

jay had been nothing but professional, his focus always on your craft. but beneath his calm demeanour, there was an undercurrent, a kind of intensity in the way he looked at you during your lessons. it was subtle, barely noticeable, but it was there, like the brushstrokes of a painting hidden beneath layers of paint.

today, as you enter the studio, you feel it more than ever. the room is bathed in soft light, the kind of glow that makes everything seem warmer, softer. jay is already there, setting up supplies on the table, his back to you. you watch him for a moment, your eyes tracing the broad lines of his shoulders, the way his hands move with such precision and care.

“good morning,” you say, finally breaking the silence. your voice comes out softer than you intended, the room swallowing the sound.

he turns, a brief smile crossing his face. “good morning.” there’s a hint of warmth in his tone, but as always, it’s controlled, measured. jay has never been one to show too much emotion, though lately, you’ve caught glimpses of something more.

“i thought we’d try something different today,” he says, gesturing to the large canvas in the corner of the room. “i want to work on your observation skills.”

you nod, intrigued. “what do you have in mind?”

instead of answering immediately, jay picks up a chair and places it in the centre of the room, angled toward the sunlight. he then takes his sketchbook and charcoal, positioning himself in front of the chair but far enough away that there’s space between you.

“i want you to sit,” he says simply, his eyes meeting yours for a moment before flickering away. “i’m going to sketch you.”

the request catches you off guard. “me? but... shouldn’t i be the one practising sketching?”

he smiles faintly, shaking his head. “today, i want you to feel what it’s like to be the subject. to understand how the artist sees you.” he glances at the canvas, and then back at you. “it’ll help you observe the world around you with more empathy, more connection.”

the thought of jay watching you, studying you so closely, makes your heart race. you’ve always been behind the canvas, never in front of it. to have his eyes on you, not just in passing but with the intention of capturing every detail—it feels strangely vulnerable.

but you trust him. there’s something about jay that puts you at ease, even when you’re unsure of yourself. so, you sit in the chair, adjusting your posture slightly, your hands resting in your lap.

“relax,” he says softly, his voice gentle. “you don’t have to pose. just be yourself.”

you try to do as he says, leaning back into the chair, though your heart is beating a little faster now. the room is quiet except for the faint scratch of his charcoal on the page, and you’re acutely aware of his gaze as it moves over you—your face, your hands, the way the light falls on your hair.

he works silently, his brow furrowed in concentration, and you find yourself watching him, trying to read the expression on his face. there’s a softness there that you hadn’t noticed before, a kind of careful attention that feels almost… tender.

for a while, neither of you speaks. you’re not sure how long has passed—minutes? hours? time seems to lose its meaning in this space, as if the world outside the studio doesn’t exist.

“so you want to pursue art huh?” jay’s voice breaks the silence, and you blink, surprised by the question.

“yes” you reply, shifting slightly in the chair.

he doesn’t look up from his sketch. “why did you choose art? out of everything you could have pursued?”

the question is one you’ve asked yourself many times. you think back to your childhood, to the afternoons spent sneaking away from your tutors to draw in the gardens, the way art always felt like a safe space in a world full of expectations.

“i think… it’s because art lets me be free,” you say slowly, choosing your words carefully. “in everything else, i’m the princess. i have to be perfect, poised, controlled. but with art, i can be messy. i can make mistakes. it’s mine.”

jay pauses, his hand hovering over the sketchbook for a moment before he continues. “freedom is important,” he says quietly. “especially for someone like you.”

there’s something in his tone, a weight to his words, and you wonder what he means by that. does he understand what it’s like to feel trapped by expectations? to want something more, something beyond the roles you’ve been given?

before you can ask, jay looks up, his eyes meeting yours for the first time since he started sketching. his gaze is intense, but not in a way that makes you uncomfortable. it’s more like he’s seeing you, really seeing you, in a way that no one else ever has.

“you have a natural grace,” he says softly, almost as if speaking to himself. “but it’s more than that. there’s something… untamed about you.”

your breath catches in your throat. no one has ever spoken to you like that before. not with such quiet certainty, as if they’ve seen beyond the surface of who you are.

you don’t know what to say. the air in the room feels heavier now, charged with something you can’t quite name. you shift in your seat, suddenly self-conscious under his gaze, but jay’s expression remains calm, thoughtful.

he tilts his head slightly, observing you with the same intensity he’s had since the beginning of the lesson. “there’s more to art than technique,” he says, his voice low. “it’s about connection. about understanding the person you’re drawing, not just how they look, but who they are.”

his words stir something inside you—a sense of being understood in a way you’ve never experienced before. you’re not just a princess in this room, not just another student. you’re you, with all your complexities and contradictions, and somehow, jay has seen that.

it makes you feel exposed in a way you hadn’t anticipated, and yet there’s a comfort in it, too. you’ve spent your whole life hiding parts of yourself, but with jay, it feels like you don’t have to.

finally, he sets the sketchbook aside, standing up and crossing the room to where you’re seated. he doesn’t hand you the sketch immediately, and for a moment, you wonder if he’s unsure about showing it to you.

“you can tell a lot about a person by how they draw,” he says quietly, standing in front of you now, his gaze unwavering. “but you can tell even more by how they let themselves be seen.”

your pulse quickens, the weight of his words settling deep within you. it’s not just about the sketch anymore—it’s about everything. the way you’ve been navigating these lessons, the way you’ve been letting him into your world, piece by piece.

he holds out the sketch to you, and when you take it, your fingers brush against his, a fleeting touch that lingers in your mind longer than it should.

the drawing is beautiful. he’s captured you in a way that feels both familiar and unfamiliar at the same time. there’s a softness to your expression, a quiet strength in the lines of your face, and yet… there’s something else. something deeper.

“it’s beautiful,” you whisper, tracing the lines with your fingertips. “i’ve never seen myself like this before.”

jay watches you carefully, his expression unreadable. “that’s because no one’s ever looked at you like this before.”

the words hit you like a gentle wave, their meaning sinking in slowly. you glance up at him, unsure of how to respond. there’s a new tension between you now, but it’s not the kind that comes from desire or rushed feelings. it’s deeper than that—a connection, a shared understanding that goes beyond mere attraction.

for a moment, you sit in silence, the sketch resting in your lap as the light from the window shifts slightly, casting long shadows across the room. you can feel the change in the air, but neither of you moves to break it.

and as jay steps back, giving you space, you realise that this—whatever it is—will take time to fully unfold. you’re not rushing toward anything, but there’s something between you now, something real and undeniable.

but for now, you’ll let it simmer. there’s no need to rush. not yet.

the days have passed like pages in a book, each art lesson with jay slowly building a tension that you feel in the very air of the studio. his presence is constant but controlled, his touch fleeting yet always careful. you’ve found yourself looking forward to these lessons more than you’d ever anticipated, though not only for the sake of art. something else draws you here each time, something that’s harder to admit even to yourself.

when you arrive at the studio today, the familiar scent of paint and canvas greets you, mingling with the crisp morning air. jay is there, of course, already preparing the materials, his back to you as he arranges brushes and bottles of linseed oil. the sun filters in through the tall windows, casting long beams across the room, turning everything into shades of gold. today feels different, though you can’t quite pinpoint why.

he turns as you approach, offering you a brief smile that doesn’t quite reach his eyes. "good morning," he says, his voice as calm and composed as ever, though you think you detect a slight hesitancy behind his words.

"good morning," you reply, your heart already beating a little faster. the last few lessons have been charged with a new energy, a subtle yet undeniable pull between the two of you. you've tried to keep your thoughts focused on the art, but with each session, it’s become harder.

jay steps over to the large canvas he’s set up for today’s lesson. "we’re going to work on technique," he explains, holding up a palette of mixed colours, the vibrant hues blending like a sunset in his hands. "i want you to feel the texture of the paint, how the brush moves against the canvas. it’s all about control and release."

you nod, though the concept seems easier said than done. painting has always been more of a challenge for you, especially when it comes to finding that balance. jay, however, has a way of guiding you through each step without ever making you feel inadequate.

"let’s start with the basics," he says, handing you a brush. his fingers brush against yours for the briefest moment, and you feel a spark travel up your arm, though you’re sure he doesn’t notice.

you position yourself in front of the canvas, trying to steady your breathing as you dip the brush into the paint. the first few strokes are tentative, careful. you focus on the movement of your hand, but your mind is distracted by the weight of jay’s presence behind you. it’s as if the air in the room has thickened, every sound, every movement, magnified.

jay watches in silence for a few moments, then steps closer, so close that you can feel the warmth of his body behind you. "here," he murmurs softly, his voice right beside your ear. "let me show you."

before you can respond, he places his hands lightly on your waist, adjusting your stance. the touch is firm but gentle, and it sends a shockwave through your body. your breath catches in your throat, and for a moment, you’re hyper-aware of every point of contact—his hands on your hips, the warmth of his chest just inches from your back.

"relax," he whispers, his voice low and calming, though you can hear a slight strain in it, like he’s carefully keeping something in check. "you’re too tense."

easier said than done. you can barely think straight with him so close, let alone concentrate on the canvas. but you try, forcing yourself to take a breath, to focus on the task at hand. jay doesn’t move away. instead, he steps even closer, his chest nearly brushing your back as he moves his hands from your waist to your arm, guiding your wrist as you hold the brush.

"feel the paint," he says, his breath warm against your ear. "don’t fight it. let it flow."

his hand wraps around yours, firm but careful, and he moves your arm in a slow, fluid motion. the brush glides across the canvas with ease, the paint spreading in smooth, even strokes. his touch is light but deliberate, and you find yourself following his lead, your body responding to the way he directs the movement.

"you’re doing well," he murmurs, and you can feel his breath against your neck, sending shivers down your spine. "just like that."

the room feels smaller, the air thicker, as if the space between you is shrinking with each passing second. you try to focus on the canvas, but it’s impossible with jay so close. his presence is overwhelming, consuming, and you’re acutely aware of every shift, every movement.

"you don’t need to force it," he continues, his voice barely above a whisper now, his lips dangerously close to your ear. "let the brush move with you."

you nod, though your throat is too dry to speak. the closeness between you is intoxicating, and you can feel the tension building with each breath you take. jay’s hand tightens slightly around yours, and for a moment, you wonder if he feels it too—the pull, the unspoken connection that seems to have grown stronger with each lesson.

he guides your hand in another slow stroke across the canvas, but this time, the brush slips slightly, leaving a streak of paint that’s a little too heavy. you let out a soft, frustrated sigh, but jay only chuckles, the sound low and warm.

"don’t worry about perfection," he says, his voice rumbling in your ear. "art isn’t about being perfect. it’s about feeling."

his hand lingers on yours a moment longer before he lets go, stepping back slightly. the sudden absence of his touch leaves you feeling off-balance, as if the ground beneath you has shifted. you exhale a breath you didn’t realise you were holding and lower the brush, your heart still racing.

"good," jay says, his voice a little more distant now as he moves back to the table. "you’re getting better. it’s all about control and release, but it takes time to find that balance."

you nod, though your mind is still reeling from the intensity of the moment. you’ve never felt so aware of your body, of your own reactions, as you do when jay is close like that. it’s as though he knows exactly how to touch you, how to guide you, without ever crossing the line—but just barely.

you place the brush down on the easel, turning to face him. jay is busy cleaning the palette, his face unreadable as he focuses on the task. but there’s something different about the way he holds himself, a tension in his posture that wasn’t there before.

"thank you," you say softly, breaking the silence that has settled between you. your voice sounds a little shaky, but you hope he doesn’t notice.

he glances up at you, his eyes meeting yours for a brief moment before flickering away. "it’s my job," he replies, but there’s something in his tone—something almost… uncertain.

the silence that follows is heavy, filled with the unspoken tension that has been growing between you for weeks. you can feel it in the way he looks at you, in the way his hands linger just a little too long when he helps you. it’s as though you’re both standing at the edge of something, but neither of you knows how to take the next step.

finally, jay sets the palette down and steps back, putting a little more distance between you. "we’ll keep working on this," he says, his voice returning to its usual composed tone. "you’re improving, but there’s still more to learn."

you nod, feeling a little breathless, though you’re not sure if it’s from the painting or from the closeness you just shared. "i’ll keep practising," you say, though the words feel almost trivial in the weight of the moment.

jay gives you a small smile, but it doesn’t quite reach his eyes. "good," he says softly, before turning back to his brushes. "we’ll pick up again tomorrow."

you linger for a moment, watching him as he carefully cleans the paint from his hands, his movements precise and controlled. and as you leave the studio, you can’t shake the feeling that something has changed between you, something that neither of you can ignore for much longer.

the pottery studio feels different today. the atmosphere is heavy, thick with anticipation, but you try to ignore it as you sit at the wheel, your hands already messy with clay. the wheel spins slowly beneath your fingers, but no matter how many times you’ve tried, the clay refuses to cooperate, collapsing into a lump before you can give it any real shape. you groan in frustration, watching another failed attempt crumble under your touch.

“take your time. it’s all about feeling the clay, not controlling it,” jay says softly from behind you, his voice calm but carrying that familiar undercurrent of something unspoken. he’s watching closely, his presence as steady as always, but today it feels more intense—like a subtle hum in the air that makes the space between you vibrate with tension.

you sigh, wiping your hands on your apron. "i don’t think i’m getting this at all," you mutter, staring down at the shapeless mound on the wheel. pottery has proven to be a far bigger challenge than painting—there’s something about the unpredictability of the clay that throws you off balance.

jay steps closer, his footsteps almost silent on the studio floor. "you’re too tense," he observes, his voice low and measured. "let me show you."

before you can respond, he’s already moving behind you. the air shifts as his body nears, and suddenly, you can feel the heat of him pressing close. he slides onto the bench behind you, his legs on either side of yours. the intimate position makes your heart race instantly, your pulse quickening in response to his proximity. his chest brushes your back, his breath warm on the side of your neck, and suddenly it’s hard to focus on anything other than how close he is.

he pauses his movements. “is it okay if i sit behind you like this? i may need to touch your hands as well.”

you nod at his soft words, “yes that’s alright.”

the studio feels smaller, the world outside forgotten as you’re enveloped by his presence. you can feel the solid warmth of his chest against your spine, the way his thighs gently cage yours. every point of contact feels electric, the tension simmering between you palpable.

“relax,” he murmurs, his voice almost a whisper, low and soothing. his breath brushes the shell of your ear, sending a shiver down your spine. “you’re trying too hard to control it. you have to let the clay respond to your touch.”

his hands move to cover yours, his fingers sliding over your clay-streaked knuckles. his touch is firm but gentle, guiding your hands to the wheel as it starts spinning once again. the sensation of his fingers wrapping around yours sends a ripple of awareness through your body, and for a moment, all you can focus on is the warmth of his skin, the weight of his hands over yours.

"feel the clay," jay instructs, his voice quiet but filled with intent. his breath is warm against your ear, and the proximity, the intimacy of the moment, makes it nearly impossible to concentrate. "it moves with you. let it guide you."

his hands press lightly against yours, directing your fingers as they glide over the surface of the clay. the wheel turns slowly beneath your palms, the soft texture of the clay smoothing out under the pressure. you try to focus on the task at hand, but the sensation of his body against yours—the gentle weight of his chest pressed to your back, his legs framing yours—is overwhelming. the world narrows down to the feel of his touch, the sound of his steady breath so close to your ear.

"you need to feel the shape," jay continues, his voice lower now, more intimate. his hands move with yours, guiding your fingers as they dip into the soft clay. his touch is deliberate, patient, and it feels like he’s not just teaching you pottery, but something deeper, something far more personal.

your hands move together as you both shape the clay, your fingers sliding inside the hollow of the vase. the action is slow, almost sensual, and the suggestiveness of the movement doesn’t escape you. the pressure of his fingers over yours, the way his hands direct yours in shaping the delicate interior, feels too intimate, too deliberate. the tension that has been building for weeks now feels almost unbearable.

your breath quickens, your heart hammering in your chest, and you can feel the heat rising to your cheeks. jay’s chest presses more firmly against your back as his hands guide you deeper into the clay, shaping it from within. his fingers dip, mirroring yours, and the act of molding the vase becomes something far more intimate than you could have ever anticipated.

"just like that," jay whispers, his voice huskier than before, his breath hot against your ear. his hands slow, his fingers lingering on yours as you move together. the wheel spins quietly, the clay yielding to your touch, but it’s hard to focus on the art when the closeness between you feels like it’s about to explode into something more.

you can feel every movement of his chest against your back, the rise and fall of his breath growing uneven. the heat of his body is overwhelming, making it nearly impossible to concentrate on the clay. your pulse is racing, and you’re certain he can feel the way your body trembles slightly under his touch.

suddenly, you realise you can feel his heart. it’s beating erratically against your spine, matching the rapid rhythm of your own. the awareness crashes over you like a wave—he’s feeling it too. the tension, the pull between you, it’s not just in your head. his hands tighten slightly over yours, his chest pressing more firmly against your back, and for a fleeting moment, it feels like the world is tilting.

you bite your lip, trying to keep your breathing steady, but it’s impossible with him so close, with the weight of his body grounding you while simultaneously setting you on fire. your fingers dip into the clay once more, but all you can feel is the warmth of his hands over yours, the way his presence fills every corner of your mind.

jay’s breath hitches, barely audible, but you hear it. you feel it. the tension between you has been simmering for weeks, and now it’s at a boiling point, undeniable and heavy.

after what feels like an eternity, jay finally pulls his hands away, the absence of his touch leaving you cold and disoriented. his chest moves away from your back, and he stands slowly, as if he, too, is struggling to shake off the intensity of the moment.

"good work," he says, his voice quieter than usual, almost strained. he steps away from the wheel, his hands clenching and unclenching as though he’s trying to regain his composure.

you remain seated, your hands still coated in clay, your heart still racing. the silence between you is thick with everything unsaid. you can still feel the echo of his hands on yours, the warmth of his body lingering against your skin.

finally, you glance over your shoulder, your eyes searching his face for some kind of answer, some indication of what he’s thinking. but jay’s expression is unreadable, his gaze fixed on the now-complete vase on the wheel.

"you did well," he repeats, though his tone is quieter, almost distant. there’s something unresolved in the air, something that neither of you dares to acknowledge aloud.

as you stand, your legs unsteady, you can’t help but feel that something between you has shifted irreversibly. the line you’ve both been walking for weeks feels dangerously close to being crossed, and the question now is whether either of you is ready to take that step.

the last day of your art lessons starts with a sense of melancholy that you try to push away. you know that this will be your final session with jay, and although you’ve learned more than you could have imagined, the thought of no longer spending time with him feels like a loss. he greets you at the studio with his usual warm smile, but there’s something different about him today—a lightness that wasn’t there before.

“we’re not staying inside today,” jay says, a mischievous glint in his eyes. “i figured we’ve done enough of that. you’ve been using my supplies, so i thought it’s time you get your own.”

you blink, surprised by the suggestion. “you mean we’re going shopping?”

he nods, a small smile playing on his lips. “you deserve your own tools. besides, i want to show you my favourite spots.”

the idea excites you more than you’d expected. it feels intimate, personal—like he’s sharing a part of himself with you outside the confines of the studio. and so, you follow him out into the bustling streets, the city alive with activity as you walk side by side, the sky overhead a muted grey that promises rain.

the first shop is a small, unassuming place tucked between two larger storefronts, and you wouldn’t have noticed it if jay hadn’t pointed it out. inside, it’s a treasure trove of art supplies—shelves stacked high with paints, brushes, and sketchpads of every kind. the scent of paper and wood fills the air, and you can’t help but feel a little like a child in a candy store, overwhelmed by the endless possibilities.

jay moves through the aisles with ease, clearly at home here. he picks up brushes, testing their weight in his hand before handing them to you to feel. “this one’s perfect for detail work,” he says, holding up a fine-tipped brush. “and this,” he adds, pulling out a thicker, more rugged one, “is for broader strokes, more expression.”

you watch him as he speaks, his voice low and sure, and you find yourself more captivated by him than the tools he’s showing you. there’s something about the way his hands move with such confidence, the way he seems to understand the soul of each item, that draws you in. it’s a side of him you haven’t seen before, one that’s less restrained, more passionate.

he catches you staring, and a small smile tugs at the corners of his mouth. “what?”

you quickly look away, feeling heat rise to your cheeks. “nothing,” you mumble, pretending to examine the brushes in front of you.

but you can’t hide your growing admiration for him, and you suspect he knows it. he moves closer, his arm brushing lightly against yours as he reaches for a set of soft pastels. “try these,” he says, handing them to you. “i think they’ll suit your style.”

you take the pastels from him, your fingers brushing against his in the exchange, and for a moment, the air between you feels charged. you swallow hard, trying to focus on the colours in your hand rather than the way his touch lingers in your mind.

from there, you move to the next shop, a slightly larger one filled with canvases of all sizes and shapes. jay pulls you toward a display of stretched canvas frames, explaining the difference between cotton and linen, the various textures and how they interact with different mediums. he talks with such enthusiasm that you can’t help but smile, his passion contagious.

“pick a few,” he says, gesturing to the rows of canvases. “you’re going to need a variety if you want to keep experimenting.”

you nod, feeling a sense of freedom in the choice. as you select your canvases, jay hovers nearby, occasionally offering suggestions but mostly watching with a quiet intensity that makes your skin prickle. you wonder what he’s thinking, whether he’s just as aware of the subtle tension that’s been growing between you over the weeks.

the third shop is more modern, filled with high-end supplies—gorgeous palettes of oil paints in jewel tones, sleek metal easels, and handcrafted wooden boxes for storing brushes. it’s clear jay has saved the best for last, and as you wander the aisles together, he shows you some of his favourites, his voice soft and reverent as he talks about the craftsmanship behind each item.

“i’ve always wanted one of these,” you say, running your fingers over a beautiful wooden palette, its smooth surface gleaming under the soft light. “it’s almost too nice to use.”

jay grins, standing beside you as he watches you admire it. “you should get it,” he says, his voice warm. “every artist needs something that feels special, something that inspires them to create.”

his words send a shiver through you, and you glance at him, the closeness between you suddenly palpable. the quiet intimacy of the moment, standing together in the softly lit store, surrounded by the tools of your shared passion, feels heavy with something unspoken. you nod, slipping the palette into your basket, trying to shake the fluttering in your chest.

as you leave the last shop, your arms full of bags and supplies, the sky opens up, releasing a sudden torrent of rain. the drops fall fast and heavy, soaking you within moments. you yelp in surprise, pulling your hood over your head, but it’s no use—you’re drenched almost immediately.

jay laughs, a rich sound that cuts through the noise of the rain. “looks like we’re in for it!” he shouts over the downpour, his hair already dripping wet as he holds a hand out to catch the rain.

you can’t help but laugh, your spirits lifting despite the sudden storm. the two of you stand in the rain for a moment, looking at each other, before jay suddenly grabs your hand.

“come on!” he says, pulling you into a run.

you follow him, laughing breathlessly as you race through the rain-soaked streets, splashing through puddles and dodging other passersby who huddle under umbrellas and awnings. the bags of art supplies jostle against your sides, but you barely notice, too caught up in the exhilaration of running with him through the storm.

the rain comes down harder, drenching you completely, your clothes clinging to your body and your hair sticking to your face. but none of it matters—you’re both laughing, the world around you a blur as you sprint through the narrow streets, your hand still held tightly in his.

jay pulls you into a narrow alleyway, ducking under a stone archway for shelter. it’s barely enough to shield you from the rain, but you’re both out of breath, giggling uncontrollably as you lean against the cold stone walls.

you’re both soaked, your clothes dripping water onto the ground, but the warmth between you is undeniable. jay’s hair is plastered to his forehead, droplets sliding down his face as he looks at you, his chest rising and falling with each breath.

you can feel the heat radiating from his body, even through the dampness of your clothes. you’re pressed so close to him in the narrow space that you can feel the tension building, the awareness of every inch of space between you—or rather, the lack of it.

jay’s laughter fades as his eyes meet yours, and for a moment, the air between you shifts. his gaze softens, his usual playful demeanour replaced by something more serious, more intense. you’re both still, the rain beating down around you, but inside this tiny archway, it feels like time has slowed.

he reaches up, his fingers brushing a strand of wet hair from your face, and the simple gesture sends a shiver down your spine. his hand lingers by your cheek, and you can feel the warmth of his touch even through the coolness of the rain.

for a moment, neither of you say anything, the space between you heavy with everything that’s gone unsaid. you can feel your heart racing, your breath catching in your throat as his eyes drop to your lips for just a second, but it’s enough to make your pulse quicken.

then, without thinking, without hesitation, he leans in.

the kiss is slow at first—tentative, as though he’s testing the waters. his lips brush against yours softly, almost delicately, and for a moment, it feels like the world stops. the rain, the city, everything fades away, and all that exists is the warmth of his mouth on yours, the softness of his kiss.

your heart stutters, your body frozen for a split second before you kiss him back, your hands finding their way to his chest. the kiss deepens, and the tension that’s been building between you for weeks unravels in a rush of heat and longing. his hands slide to your waist, pulling you closer, and you respond in kind, pressing into him as though you can’t get close enough.

the rain falls around you, forgotten, as you lose yourself in the kiss. there’s a desperation to it, like neither of you knows when—or if—you’ll ever get this chance again. it’s intoxicating, overwhelming, and everything you’ve been holding back spills out in that single kiss.

when you finally pull away, breathless, jay rests his forehead against yours, his hands still holding you close as though he’s afraid to let go. you’re both panting, your chest heaving as you try to catch your breath, but you can’t seem to move, can’t seem to break the connection between you.

the kiss lingers in the air, an invisible thread still tying you to jay even as the rain continues to fall. his forehead rests against yours, his breath shallow and quick, matching the erratic rhythm of your heart. for a moment, everything feels right, the world outside forgotten, the storm cocooning you in your own little universe.

but then something shifts. you feel it in the way his grip on your waist tightens briefly before loosening, in the way his eyes darken, filled with a sorrow that cuts through the joy of the moment.

he pulls back, just a fraction, enough to put space between you but not enough to break the connection entirely. his gaze drops to the ground, as though he can’t bear to meet your eyes.

“we… we can’t,” jay whispers, his voice heavy with regret.

the words hit you like cold water, the warmth of the kiss suddenly feeling distant. “what do you mean?” your voice is soft, confused, almost pleading. you take a step closer, unwilling to let him slip away. “jay, what are you saying?”

he sighs, running a hand through his damp hair, his shoulders tense. “you know what i mean,” he says quietly. “you’re a princess. you belong to a world of crowns and thrones, and i… i’m just your art teacher.”

you shake your head, the rain beginning to soak through your clothes, but you hardly notice. “i don’t care about that! my parents wouldn’t either. jay, this—this connection we have, it’s real. you can’t just pretend it isn’t.”

his eyes finally meet yours, and for a moment, you see the same longing reflected in them. but then he looks away again, his jaw tightening. “maybe your parents wouldn’t care, but i do. i won’t let you throw away your life for me. you have responsibilities, a future. i can’t be the reason you turn your back on all of that.”

your heart aches at his words, at the way he’s trying to protect you even as it tears you both apart. you reach for his hand, holding it tightly. “you’re not asking me to give anything up. i’m telling you what i want. you. you’re what i want, jay.”

he looks at your hand in his, and for a second, he doesn’t move, as though he’s frozen between what he wants and what he believes is right. “you don’t understand,” he says quietly. “you’re used to a life of luxury. i can’t give you that. i won’t let you settle for less.”

the frustration bubbles up inside you, mixing with the hurt. “it’s not about that. it never was. do you really think any of that matters to me if i’m not happy?”

jay’s gaze softens, but the doubt lingers in his eyes, a shadow of the barriers between you. “i need time,” he says, his voice pained. “i need to think about this.”

you bite your lip, the tears you’ve been holding back threatening to spill. “take all the time you need. just… don’t take too long. please.”

he nods, his face filled with a mix of guilt and sorrow. then, like the gentleman he is, he steps closer, offering you his arm. “let me take you home,” he says softly, his voice carrying a tenderness that only deepens the ache in your chest.

the walk back to the palace is quiet, both of you wrapped in your own thoughts, the sound of the rain the only noise between you. his arm around yours feels protective, grounding, but it’s bittersweet knowing that he’s still holding a part of himself back.

when you finally reach the palace gates, jay pauses, turning to face you. the light from the lanterns casts a soft glow over his features, and for a moment, it feels like time stands still.

“goodnight, princess,” he says, his voice gentle, though there’s an unmistakable distance in his tone now.

you look up at him, wanting to say something—anything—to make him stay, to convince him that this is worth fighting for. but the words stick in your throat. instead, you nod, forcing a small smile despite the heaviness in your heart.

“goodnight, jay.”

he gives you a final, lingering glance before turning and walking away, the rain continuing to fall as his figure disappears into the night. you stand there for a long time, watching him go, your heart aching with every step he takes.

as you finally turn and walk inside, the warmth of the palace feels stifling compared to the cool rain outside. the emptiness left in jay’s wake presses down on you, and the realisation that you might not see him again for a while hits you like a blow.

in the days that follow, the quiet is suffocating. you try to fill your time with painting, with other lessons and royal duties, but nothing seems to lift the weight pressing on your chest. each moment stretches on, and the palace, usually filled with the comfort of familiarity, now feels hollow without him.

your parents notice your change in mood but don’t pry, their knowing glances suggesting they’re aware that something more than art is on your mind. still, you keep jay’s name on the tip of your tongue, unable to speak it without feeling the ache of uncertainty.

and so, you wait. you wait for a letter, for a word from him—anything to tell you that he hasn’t let go, that he’s still thinking about you as much as you are about him. but with each passing day, the silence only grows louder, the doubt harder to ignore.

what if he doesn’t come back? what if he decides you aren’t worth the risk?

the thought makes your heart tighten painfully. you sit in your art studio, staring at an unfinished painting, the brush limp in your hand, as you wonder if jay is fighting the same battle within himself.

it feels like an eternity has passed since that rainy day, since that kiss that felt like the world shifted. and now, all you can do is hope that he finds his way back to you before it’s too late.

the days stretch long and quiet after that night in the rain, and the distance between you and jay feels more unbearable with each passing moment. you keep replaying his words, the look in his eyes, the way he had kissed you—like he wanted to hold on forever but didn’t know if he should.

you throw yourself into your art, hoping the colours and brushstrokes will distract you from the weight of his absence. but the empty space he’s left behind is hard to ignore, especially as you finish the final piece you’d been working on for weeks—a vibrant painting of a parisian street, your future awaiting you there.

paris. the word itself sounds like a dream. the trip is supposed to happen soon—your long-awaited opportunity to study art in the heart of a city known for its creativity and beauty. it’s everything you’ve worked toward, yet now the thought of leaving without jay feels hollow.

what was once the pinnacle of your aspirations now feels incomplete. you had imagined this adventure, this new chapter of your life, and pictured jay being a part of it. but now, with his silence lingering between you, you’re uncertain of whether he’ll still be there when it begins.

sitting at your desk, you stare down at the blank parchment, the quill hovering in your hand. you haven’t spoken to jay since he walked away that night, but you can’t bear to leave for paris without reaching out, without giving him one last chance to understand how much he means to you.

the words come slowly at first, but then they start to pour out, your emotions and thoughts spilling onto the page.

dear jay, it feels strange writing to you after all this time—after all the moments we shared that now seem so far away. i’ve been thinking about what you said that night, about how we come from different worlds, about the future you think i deserve. but you need to know that none of it matters to me if you’re not a part of it. i’ve wanted this trip to paris for as long as i can remember, to learn from the best, to immerse myself in art and culture. it’s something i’ve dreamed about for years. and yet, now, as the day of my departure gets closer, all i can think about is you. i don’t want to go to paris and leave you behind, wondering what could have been. you’re as much a part of my passion for art as any paintbrush or canvas. you’ve shown me new ways to see the world, to express myself, and i’ll always be grateful for that. but more than that, you’ve become someone i can’t imagine my life without. i know you think i’m giving up too much, that i’m risking my future. but my future isn’t just about royal duties or titles. it’s about choosing the life i want—and i choose you, jay. i wish you could see that. paris is calling, but so are you. i can only hope that when you think of me, it’s with the same longing that fills every moment of my days without you. i hope that when you think of our time together, you’ll realise that this isn’t about status or sacrifice—it’s about love. i’ll be leaving soon after my birthday, but before i go, i need to know: will you come with me? or will i have to leave you behind? with love, [your name]

after sealing the letter, your heart is heavy with both hope and fear. you send it to jay, knowing that the next move is his. each day that passes without a response stretches the wait longer, the ache of uncertainty growing.

you try to stay busy with preparations for your trip, packing supplies and finishing your artwork. your parents notice the change in you—the excitement for paris dimmed by something you can’t quite bring yourself to share with them yet. they ask if you’re nervous, if you’re ready for the adventure, and you smile, telling them what they want to hear. but deep down, all you want is to hear from jay.

paris is just around the corner, but so is the decision you’re waiting for—the choice that could change everything.

the ballroom is a swirl of colour and laughter, filled with nobles, artists, and well-wishers all gathered to celebrate your birthday. the chandeliers above glitter like stars, casting a golden glow over the elegant space, and the music weaves through the conversations like a living thing, light and joyous. your parents spared no expense for this occasion, not only to mark your birthday but also to celebrate the upcoming adventure to paris.

it’s your birthday ball, but your mind is elsewhere, your heart tugged toward a memory that refuses to leave. you stand in front of your painting, the centrepiece of the night, hanging proudly on display for all to see. nobles and artists alike gather around it, marvelling at the vivid colours and delicate brushstrokes. you nod and smile politely as they offer praise, but inside, your thoughts are distant, wandering to a day not long ago when everything felt simpler.

the painting is of the marketplace—a bustling, lively scene full of energy and warmth. it’s the day you and jay had gone shopping together for art supplies, the day you let yourselves be ordinary, blending in with the crowds. the colours are bright and rich, capturing the vibrant chaos of the market: vendors calling out, the smell of freshly baked bread, the sound of coins clinking and people bartering for goods. in the corner of the canvas, nestled in the shadows of an alley, is a small, quiet space. it’s where you and jay had shared a moment away from the crowd, a stolen minute of peace amidst the noise, where the world had seemed to slow just for the two of you.

every brushstroke is infused with that memory—the warmth of the sun on your skin, the soft brush of his hand as he reached for yours, the unspoken connection that had blossomed between you in that hidden corner of the market. it was a day that felt like freedom, a glimpse of something more, something forbidden but undeniably real.

“your highness, it’s simply breathtaking,” someone says beside you, pulling you momentarily back to the present. a noblewoman in an exquisite gown stands at your side, her eyes wide with admiration as she gazes at the painting. “the light, the detail… it feels as though i’m standing there in the market myself.”

you nod and smile, offering a polite thank you, but her words barely register. all you can think about is him.

the weight of his absence has been heavy, pulling at your heart with every passing day, each one more difficult than the last. and now, on the night of your birthday, as you prepare to embark on a new chapter, all you can think about is the chapter you left unfinished.

you glance at the painting again, tracing the familiar lines of the marketplace, the hidden alley. that was the moment you knew there was something between you and jay, something more than just student and teacher, more than just friendship. it was the moment you allowed yourself to hope. but now, standing here alone, you wonder if that hope was misplaced.

and then, through the hum of voices and the soft strains of music, you hear it—a voice that sends a jolt through your entire body.

“you captured it perfectly.”

the sound of his voice makes the air around you seem to freeze. your heart skips a beat, your breath catching in your throat. slowly, you turn toward the source, and there he is—jay, standing just a few steps away, his eyes locked on the painting, his expression a mixture of awe and something deeper, something raw.

for a moment, you’re not sure if you’re dreaming. after weeks of waiting, of wondering, here he is, standing before you, his presence filling the space that had felt so empty without him. he looks different tonight—still himself, but dressed in a way that blends with the formality of the event. yet, there’s something in his posture, in the way his dark eyes flicker between you and the painting, that betrays the turmoil he’s been carrying.

“jay,” you whisper, your voice barely audible. but he hears you, as he always does.

he takes a step closer, his gaze shifting to meet yours, and for a moment, the world around you disappears. the ballroom, the guests, the music—it all fades into the background, leaving only the two of you in this fragile, suspended moment.

his eyes soften as they take you in, and there’s a vulnerability in his expression that you hadn’t seen before, something that makes your heart ache even more. “you remembered,” he says quietly, gesturing toward the painting. “the marketplace. that day.”

you nod, your throat tightening. “how could i forget? it was…” you pause, searching for the right words, but nothing seems adequate. “it was perfect.”

jay’s gaze lingers on the painting, as though seeing the memory play out all over again. his lips part, but no words come. instead, he takes another step toward you, his presence so close now that you can feel the pull between you—the unspoken tension that had simmered just beneath the surface for so long.

“i’ve been thinking about that day,” he says, his voice low and rough. “about us.”

your heart hammers in your chest. “and?”

his eyes flicker with a mix of emotions—regret, longing, and something you can’t quite place. “i thought i could stay away. that it would be easier, safer, for both of us. but i couldn’t.” his voice wavers, just slightly, and the vulnerability in it makes your pulse race. “not tonight.”

you swallow, your chest tight with the weight of everything left unsaid. the distance between you feels unbearably small, but also impossibly vast. he’s here. after all this time, he’s finally here. but the question still lingers, heavy in the air between you: what happens now?

just as you open your mouth to speak, to ask the questions that have been burning inside you for weeks, jay steps closer, his eyes locked on yours. the noise of the ballroom fades even further into the background, until all that’s left is him. and in that moment, with his gaze so full of emotion, you know that nothing has been forgotten. every stolen glance, every brush of hands, every whispered word—it’s all still there, between you, as real and undeniable as ever.

the night may be full of celebrations, but the only thing that matters is this: jay is here, and nothing will ever be the same again.

the grand ballroom continues to pulse with life around you, but the world feels quiet in the cocoon of jay’s presence. you haven’t even fully processed the fact that he’s here, standing in front of you after weeks of silence. his eyes—deep and full of an emotion you’ve longed to see—are fixed on you, as though he’s drinking in the sight of you, afraid to blink in case you disappear.

the weight of his absence, the unanswered letter, the uncertainty—it all rushes to the surface, but you force yourself to stay grounded in the moment. you open your mouth to speak, to ask the questions burning in your chest, but before you can, jay takes a step closer.

“you never stopped painting,” he says quietly, nodding toward the marketplace painting, his voice filled with a mix of awe and relief. “you’ve grown even more since i left.”

his words are a gentle balm to the ache in your heart, but they only skim the surface of what you truly want to know. you swallow hard, the emotions too thick in your throat to speak.

your breath hitches. “why didn’t you respond to my letter, jay?”

there’s a beat of silence before he looks away, the rawness of his feelings flickering across his face. “because i didn’t know if i was strong enough to walk away again,” he admits. “and i wasn’t sure if i could give you the life you deserve.”

“after everything we’ve been through, you still think i care about that?” you whisper, your voice trembling with the weight of all the unspoken words. “i just wanted you, jay. that’s all i’ve ever wanted.”

his jaw tightens, and he takes another step forward, closing the distance between you until his presence is overwhelming. “i couldn’t respond, because i knew that if i did, i wouldn’t be able to stop myself from coming back to you. and once i did, i’d never want to leave. but you… you have paris, you have a future.”

“and i want you to be part of that future,” you say, your voice stronger now. “i’ve had weeks to think about this, jay. i’m leaving soon, and i need to know where we stand before i go. please, just tell me how you feel.”

jay’s eyes flash with a storm of emotions—hesitation, fear, and something deeper, something that has been bubbling just beneath the surface. he reaches out slowly, his fingers brushing yours, the touch sending warmth rushing up your arm. “i’m terrified,” he admits in a voice so soft it makes your heart ache. “i’ve never felt like this about anyone before, and i don’t want to ruin it.”

“you won’t,” you say, stepping closer until your hands are fully entwined, your pulse quickening as his warmth floods your senses. “i don’t care about titles, status, or what anyone else thinks. you make me feel alive, jay. that’s all i need.”

his grip tightens on your hand, and for a moment, it seems like he’s grappling with the depth of what you’re offering. his breath comes in shallow, uneven bursts, as though he’s trying to hold himself together.

“i don’t want you to sacrifice everything for me,” he says, his voice thick with emotion. “you’re a princess, destined for greatness, for a life most people can only dream of. i’m just... a man who paints.”

you step even closer, until there’s barely any space between you. “and that’s enough for me. more than enough.”

for a split second, he looks at you as though he can’t believe you’re real. but then, before you can say anything more, he steps forward, pulling you into his arms in one swift motion. the warmth of his body against yours is overwhelming, but in the best way, and as his arms wrap around you, holding you tightly, you feel the tension that’s been building between you melt away.

“i’m so sorry,” he whispers, his breath warm against your ear as he holds you close. “for leaving. for making you wait.”

you close your eyes, leaning into him, your heart swelling with the relief of finally having him here. “you’re here now,” you murmur against his shoulder. “that’s all that matters.”

he pulls back just enough to look at you, his hands resting gently on your arms as his dark eyes meet yours. and in them, you see everything—the love he’s been holding back, the fear, the hope. “i love you,” he says, his voice thick with emotion. “i’ve loved you since the first day we met, and i’ve been fighting it ever since. but i don’t want to fight it anymore.”

your heart swells at his words, the weight of them settling deep in your chest. “i love you, too,” you whisper, feeling a rush of warmth spread through you as you say the words out loud for the first time. “i always have.”

the smile that spreads across jay’s face is like sunlight breaking through clouds, and before you know it, he’s lifting you off the ground, spinning you around in a burst of joy and laughter. the world around you spins with him, but you don’t care—because for the first time in what feels like forever, everything is right. everything is exactly how it’s supposed to be.

when he finally sets you back down, your feet touching the ground once more, his hands stay on your waist, grounding you in the moment. his eyes, full of love and warmth, search yours, and for a second, neither of you speak. you don’t need to. the silence is filled with everything you’ve both been waiting for.

“i want to be with you,” he says softly, brushing a strand of hair behind your ear. “but i don’t want you to lose yourself for me.”

you smile, shaking your head. “i’m not losing anything. i’m gaining everything i’ve ever wanted.”

jay’s hand finds yours, his thumb brushing over your knuckles as he looks at you, his gaze full of the future. “paris,” he says, a small smile tugging at the corner of his lips. “you’re still going?”

you nod, your heart racing at the thought of what’s to come. “i am. and i want you to come with me.”

he hesitates, just for a moment, as though the reality of what you’re asking is still sinking in. but then, his smile grows, and he nods, his grip on your hand tightening just slightly. “i’ll come with you. we’ll go together.”

your heart leaps at his words, the hope you’d been holding onto finally blossoming into something real. paris—together. it’s everything you’d dreamed of, everything you hadn’t dared to believe could happen. but now, standing here with jay, it’s all within reach.

“we’ll see the world,” he says, his voice soft but filled with excitement. “we’ll paint, we’ll live, we’ll—”

“we’ll be happy,” you finish for him, your smile widening as you lean into his touch.

he nods, his forehead resting gently against yours. “yes. we’ll be happy.”

and in that moment, as the ballroom buzzes with life around you, as the painting of your shared memory hangs on the wall behind you, you know it’s true. you and jay—together, free, and full of love. the world is yours, waiting to be explored. and with him by your side, you know that this is only the beginning.

as you stand there, wrapped in each other’s arms, the future stretches out before you like a blank canvas, waiting for you to fill it with all the colours of your love, your passion, and the adventures you’ll share. together, you’ll paint a life full of beauty, one brushstroke at a time.

and as the night fades and the dawn of a new chapter begins, you know—this is your happily ever after.

𝗰𝗼𝗽𝘆𝗿𝗶𝗴𝗵𝘁 ©𝗴𝘆𝘂𝘂𝗯𝗲𝗿𝗿𝘆𝘆 on Tumblr

˚ · .𝗮𝗹𝗹 𝗿𝗶𝗴𝗵𝘁𝘀 𝗿𝗲𝘀𝗲𝗿𝘃𝗲𝗱

taglist: @punchbug9-blog @firstclassjaylee @capri-cuntz @addictedtohobi @jaysfavoritegirl @yuniesluv @isa942572 @academiq @missychief1404 //the ones in bold could not be tagged for some reason. im so sorry guys tumblr is acting up :(

[tarotwithavi]

What is coming into your life?

+ some messages that you need to hear

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚*•̩̩͙✩•̩̩͙*˚＊*•̩̩͙✩•̩̩͙*˚˚*•̩̩͙✩•̩̩͙*˚＊

How to choose a pile?

Close your eyes and take a deep breath and ask the angels to show you the right pile for you and open your eyes. The first pile that catches your attention is the right pile for you.

This is a general reading so take what resonates and leave the rest.

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Pile 1

The first thing I’m getting is that many of you have been focusing on personal growth, and it’s paying off. I see a lot of you realizing that you’re truly capable of achieving anything you set your mind to. You’re stepping into a powerful energy of self-confidence and self-love, and this shift is going to attract a lot of good things into your life.

Keep your eyes open for new ideas, projects, or invitations that come your way. Whether it’s a sudden thought or an offer to attend an event, these opportunities could be really beneficial for you. Trust your instincts.

Some of you might be considering doing something that no one in your family has done before. This could be a bold move or a unique choice. I want to encourage you to take that leap. By doing so, you will break a cycle of family patterns, especially around standing up for yourself and your dreams. It’s a brave step, but it’s one that will bring healing and growth.

I’m also picking up that some of you will soon spend quality time with an important male figure in your life. This could be your father, grandfather, or someone you look up to with strong masculine energy. This time together will feel meaningful and may even strengthen your relationship. Some of you are thinking about having an important conversation with your parents. This could be about expressing gratitude for everything they’ve done for you, or it could be about something else on your mind. Either way, I see this discussion changing perspectives in a positive way, bringing deeper understanding.

I also sense that many of you will receive a new opportunity related to making more money. This might come through a job offer, a project, or a chance to use your talents in a way that allows you to earn from them. This is a great time to explore how your skills can be turned into something valuable.

However, I do feel that some of you are worried or stressed about something, particularly when it comes to the outcome of an exam, test, or project. Let me reassure you—you don’t need to worry. The results will be positive, and you’ll feel satisfied with how things turn out.

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Pile 2

You need to stop giving your time and energy to people who don’t appreciate or value you. If you are in a position where you can protect and care for the people you love, then do so without overthinking the outcome. However, if you’re not in a place to make decisions for them, it’s important not to try and control everything. Remember, before you can protect or help others, you need to protect yourself first. Secure your own place, take care of your own well-being, and then you can support those around you.

It’s also important to understand that you don’t always have to be strong. It’s okay to just be yourself. You don’t need to carry the weight of everyone else’s problems. Be honest about how you feel, and don’t be afraid to show vulnerability.

I see that many of you are incredibly talented, with unique skills and gifts. But what’s holding you back is your own self-doubt. You might feel like your talents won’t be appreciated or recognized, so you keep them hidden. But how will you ever find people who truly appreciate you if you don’t share what makes you special? Take this as a sign to put yourself out there. Show your talents to the world so you can connect with those who truly see your worth and value your skills.

For some of you, there’s a big change coming. You may be pushed in a new direction or forced to change the path you’re currently on because it’s no longer good for you. Don’t see this as a bad thing; instead, view it as an opportunity for growth and self-improvement. This change could lead you to a better version of yourself.

I also sense that some of you are stuck in a confusing or unstable relationship. The person you’re talking to or have feelings for might be giving you mixed signals , one moment they seem totally in love with you, and the next, they act like you don’t matter to them. If this is the case, it’s important to recognize that this is not a healthy situation. When someone’s actions make you doubt yourself, it’s a clear sign that something isn’t right. It’s better to walk away now, before it hurts you more in the long run.

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Pile 3

I see that in the coming weeks, you’re going to need to work very hard on something important. This could be related to a project, job, or personal goal you’ve been focused on. However, all this hard work might take a toll on your health, so it’s important to be extra careful and take good care of yourself. Don’t push yourself too hard. If you feel stressed or overwhelmed, make sure to take small breaks when needed. Remember, it’s okay to slow down sometimes.

The good news is that what you’re working on ; whether it’s something you’re involved with now or something you’ll start soon , is something you’ve been wanting for a long time. You’ve probably dreamed about this moment, so stay positive and trust the process.

I feel the need to remind you that you are deeply loved by the higher power, whether you believe in God, the universe, or Mother Nature. No matter how many mistakes you make or how unworthy you may feel at times, you are always loved and supported. You are part of something greater, and that love is unconditional.

Now, take a moment to think of a yes-or-no question that’s been on your mind. The answer to that question is “no.” This might be the guidance you need to help you move forward.

Back to the main message, something significant is going to happen within the next few weeks. I would say by the end of this month or the first week of October, you’ll experience an event that will bring up strong emotions. It could be overwhelming happiness or sadness, but either way, the feelings will be intense. Be prepared, and try not to let the situation control how you react. Stay calm and centered, no matter what comes your way.

Also, a little advice: some of you need to wear more yellow or add yellow to your wardrobe. This color might bring positive energy into your life. If you’ve been feeling unwell, like having a fever or headache, I see that it will likely pass within 48 hours. But if you’ve been having constant headaches, don’t ignore them ,it might be time to see a doctor just to be safe.

Lastly, angel wings and a purple or pink dress will be meaningful symbols for you, so keep an eye out for them. They might show up in your life in some special way.

I also feel like adding this

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[thepersonperson]

Gege is doing to his characters what they did to jfk there's so much character assassination happening djsjdsnsdjn

This ask was sent to me shortly after I complained about JJK 269 leaks. (Aka before JJK 270's release so be nice to them.) And while I still agree that chapter contained character assassinations, JJK 270 has given me a good reason for them. 

Since my other post related to this topic was trimmed down by Tumblr’s 30 image limit, I’m going to use this ask as an excuse to this burning question...

Why does everyone feel so out of character in JJK 268–270?

Notes before we start.

1) Read the light novels. They are the equivalent of Bleach's CFYOW for JJK. There is a fan translation (Book 1 & Book 2), but I will be citing the official translation from my own copies.

2) I will be mainly using the TCB scans for the manga because of their accessibility. 

4) Written as of JJK 270.

5) Read the light novels.

(Another extremely 'hear me out' discussion under the cut. Click pictures for captions/citations.)

Preface

This post is banking on the framework I set up in the previous related post so please read/skim over it. (If you don't? Just hear me out!)

Short Summary of the Previous Related Post:

Yuji is projecting a massive delusion onto Megumi that gives him a happy ending. JJK 268–270 is a mesh of Yuji and Megumi’s memories and dreams that serve to rationalize all that’s happened to them in a way that allows them to forgive themselves. Sukuna’s vessel memories are probably mixed in too.

Because of this I’m assuming the following:

>The battle recollection in JJK 269 is Yuji constructing explanations from his, Megumi, and Sukuna’s memories during their battle. Neither of these 3 ever knew the plan in full. This can explain why so much of the battle recollection is wrong.

>The characters we see outside of Yuji and Megumi are constructs based on their memories of these people. They’re more like representations than the actual characters.

I don’t know if it means they’re dead or not, but that doesn’t matter. I want to explore the way the characters feel off can be explained by them being memory constructs.

In the previous post, I used "Without love it cannot be seen." from Umineko to give my best faith reading of these past 3 chapters I've hated so much. This time the tool I'll be using is:

"Flipping over the chessboard."

This refers to how one should try to see things from a different perspective.

Memory in JJK

A neat touch that has always been around in JJK is characters remembering others as they last saw them. When Gojo recalls his best students, Hakari has a very different hair style from when we meet him. His recollection of Yuta's is accurate though. When Panda recalls Yuta, the hairstyle differs from what Gojo recalls. And when he recalls Kiara, he mistakenly refers to her as a guy.

This all can be explained by considering when Gojo and Panda last saw these characters. Gojo last saw Yuta in Kenya with Miguel where he changed his hairstyle. Panda hasn't seen Yuta since he's left the country. Neither Gojo or Panda have seen Hakari and Kiara for a very long time.

Their memories reflect how they last knew them. Kiara is a whole girl now and Hakari is blond. But if Panda and Gojo never saw them again? Those memories would be true to them, even if it’s no longer accurate.

And sometimes the memories aren’t accurate. See this side by side recollection of Gojo meeting Megumi from both of their perspectives.

I believe Gojo’s memory of this event is the accurate one because he’s 19 when it happens, not under distress when he recalls it, and has the Six Eyes which act like a supercomputer. Megumi’s memory is iffy because he’s 6 when it happens, has a head injury that knocks him out when he recalls this, and doesn’t have perception enhancing abilities. And though Megumi can’t recall the memory in its truest form, what he does remember still tells us a lot about his feelings towards the event and his relationship with Gojo.

The emotions child Megumi felt at the time distort what Gojo was actually like back then. Instead of a benefactor, he’s a suspicious weirdo with a funny face. The heart behind Gojo crouching down to his level, being way too honest with him, trying to give him options, patting him on the head—it’s all missing.

With all this in mind, I don’t think it’s unreasonable to assume Megumi and Yuji’s impressions of other characters via memory would influence how they appear in these delusions too. Yuji’s impressions probably take the most precedence since I think his will is shaping the delusions the most.

Recalling Incomplete Information 

Yuji is very good at understanding people. He can intuit their feelings and sync up with them easily. (I go over this in greater detail in this post.) But that doesn’t mean he fully understands their hearts. He gets close enough to their core to bond with them, but the little details aren’t quite right. 

If all the characters (save Megumi) we’ve been seeing in JJK 268–270 are constructs based on Yuji’s perception of them, I think this can explain everything off about them.

What made me consider this possibility was JJK 270. There’s this pattern I keep seeing... Characters’ motivations being misunderstood and being resolved by scenarios that aren’t quite right. Every time I try to explain what exactly is wrong with them, assuming their inconsistencies align with Yuji’s perception of them solves the problem.

Amai Rin

Rin is introduced as a coward. He’s unable to fight and goes along with the whims of those stronger than him to avoid getting hurt. This is why he keeps his head low as his friend is being harassed by bullies during his Jr. High days. Still, he tries to help. Just not at a risk to himself.

When Yuji saves his friend and beats all the bullies up, he turns to Rin and assumes he was part of the bully group. This simply isn’t true. He was a bystander. That’s why it’s weird for him to apologize like he was the one who beat the guy up.

Yuji’s false impression of Rin, one where he’s a bully that feels guilt over his actions, explains this. Rin’s actual guilt comes from him being a bystander—someone who doesn’t take action for others when something is wrong. He dealt with that in the Culling Games by helping Yuji and risking his life to save Angel. And he really stepped out of his comfort zone to join the medical team for the Sukuna battle. He might be the reason Yuta survived. (Yuji doesn’t know about that though.)

And what’s this? Here Yuji outright admits he doesn’t fully understand what kind of person Rin is. All he knows is that he did some good things and is trying to become a better person. So now we’ve got this other Rin that’s apologizing for something he didn’t do for the redemption he’s already earned.

(And that’s the pattern! Rin’s motivation is misunderstood by Yuji so he’s doing something that seems out of character to us readers, but is perfectly in character for Yuji’s perception of him. When I apply it to everyone else. Everything makes sense.)

Takaba Fumihiko

What Yuji knows about Takaba is pre-Kenjaku development. Yuji knows the Takaba that speaks over others, rejects their criticisms, and insists he’s funny. That’s kind of what he’s doing to Totally Not Kenjaku. In reality, Kenjaku caused Takaba to reflect on his approach to comedy and they are nearly in perfect sync by the end of it. Kenjaku satisfied Takaba.

Yuji didn’t see that battle and he hasn’t spoken to Takaba since. So he’s constructed a happy ending where Takaba has found his partner and is working towards the show of his dreams that already happened.

I also want to note that Takaba is 100% ok with sex jokes. Kenjaku makes one and he doesn’t object to it. This is just another little detail that makes everything so slightly off.

Higuruma Hiromi

Yuji knows that Higurama wants to go back to his roots. He knows that he feels guilt over killing people.

What he doesn’t know is that Higurama’s roots are him being a defense lawyer that cherishes the flaws of humanity. He doesn't want to ever look away from the impurities that even Yuji has. That’s why I think Yuji resolves his problems with him becoming a sorcerer who saves lives.

Yuji seems to think that Higuruma is like him. He’ll make up for the lives he’s taken via sorcery by saving more. That’s something he could assume from their convo, but that’s not actually what Higuruma wants. He wants to fundamentally change Japan’s legal system for the better in his own way.

Kurusu Hana

She’s the most in character of the bunch. In fact, there’s nothing out of character about her interaction with Megumi. What she represents is Yuji misunderstanding Megumi’s desires.

Yuji understands that Megumi’s type is someone with an unwavering humanity (literally the definition of Yuji’s name) via access to his memories. But for some reason (he’s kind of dumb academically), he thinks this means Hana is perfect for him. 

I think this is because Hana meets Yuji’s definition of a good person. She’s just like Megumi. She saves others for a selfish purpose. And that means…Hana does not meet Megumi’s definition of a good person. Not once has he considered her saving others as selfless. (...But Yuji has.)

And that’s just facts. Hana is kind of unhinged. She’s extremely possessive of Megumi and saves others solely to win him over. Yuji saves others because it’s the right thing to do.

Megumi’s preferences are Yuji, not Hana. Which has led to the most awkward confession and rejection scene. That might have clued Yuji in to construct an alternative. In the memory Yuji is probably recalling, Todo does clock Megumi as someone into dudes.  …The very next scene is Yuji hitting on a dude in front of his gf in a way that causes him to blush. (Yuji has not once complimented someone’s body up to this point if I recall correctly. And he’s been around some beefy dudes.)

(Yeah Nobara me too. Second most leftfield possible bisexual confirmation I’ve read in a manga. The first will always be from Baki the Grappler.)

Is this Yuji letting Megumi know it’s ok to come onto him? Is he not initiating because Hana’s forwardness freaked Megumi out? It’s possible. 

What this suggests is that Yuji is kind of fine tuning this whole delusion to make Megumi as content as possible. It’s telling that the moment Megumi starts getting super uncomfortable the scene jumps to something else.

It happens at the beginning of the chapter too. Gojo is mentioned by Shoko in a way that causes Megumi to pause. And Bam! Change scene.

Anyways, I hope this demonstrates that Yuji working with the limited information from memories is most likely the reason for everything being so funky. It’s character assassination by accident.

Why make these happy endings when this is all for Megumi?

Two reasons as to why I think Yuji is trying to give everyone a plausible happy ending.

1) He genuinely wants them to live good lives.

2) It has to be believable for Megumi to accept them as real and forgive himself.

This line may have been about Yuji, but Megumi’s not any different. He blames himself in the exact same way Yuji blames himself.

I also think there's something to be said about Yuji crafting a dream that resembles the perfect cookie cutter Shonen ending. The guy gets with girl he has no chemistry with. All these complicated plot lines are wrapped up with a neat little bow. Everyone lives and goes on like nothing traumatic happened.

Yuji is a big fan of Shonen. Straight up his final move against Sukuna is a Hunter X Hunter reference. That's not just Gege doing a reference as a fan, Yuji himself is a fan of that manga.

I think Yuji is trying to make this fiction a reality because it's the only way he knows how to cope with his trauma.

JJK 269’s Character “Assassinations”

I promise I still hate this chapter. But I won’t deny how fun it is to pretend these are all delusions Yuji created for Megumi’s sake. I went over Kusakabe to cut him some slack in the previous post, so let’s do everyone else.

(The chapter’s formatting as one long unending nightmare makes it hard to separate this stuff out by the character. I’m just going to do groups this time.)

The 2nd Years

The most common complaint from readers outside of Kusakabe telling Yuji he should’ve died is Maki being really fudging mean to Yuta. Maki is mean, but she’s not that mean. You could assume this is her showing Yuta she cares and that her anger scales with worry but… Here’s a side by side comparison of her getting angry over Yuta risking his life in Vol 0 vs JJK 269.

Pretty big difference I think. Here is a Maki with a Yuta she thinks is about to die vs a Maki with a Yuta who is 100% ok. And the only reason she even gets mad in Vol 0 is because she had no idea Yuta did something that risky. Maki already knew Yuta was going to body hop if all else failed, so her reaction here is disproportionate, especially since he survived.

Speaking of survival, the first thing Maki, Panda, and Inumaki do when Yuta survives in Vol 0 is ask if he’s ok and thank him for saving them. This doesn’t happen in JJK 269. They're all very protective of Yuta after the events of Vol 0. We see them defend him from Gojo for being a little mean about his training. They’re all against the plan because of how much they value him. The 3 of them not checking in on Yuta immediately after the fact is wildly OOC.

The explanation I have? This version of Maki is based on Yuji and Megumi’s memories of her. (And let’s remember that Megumi claims he can’t openly respect her and the other 2nd years outside of Yuta.) When Megumi and Nobara mourn Yuji’s “death”, Maki does this to them.

Maki also intimidated Yuji pretty bad when they first met. Her, Panda, and Inumaki went along with bullying Yuji after he came back to life. It makes sense that Yuji would up Maki’s meanness. He’s not been around her long enough to know she’s not like this when it comes to people she cares about. 

I do think it is weird Maki is pre-awakening levels of mean. This could also be Yuji trying to return to the time before everything went to absolute hell. Or...because she’s Yuji’s construct, this could be him expressing his anger at Yuta for defiling Gojo’s body in a very roundabout way. From both Yuji and Megumi’s perspective, Yuta didn’t discuss this beforehand and used it as a last second plan. And that’s kind of how the conversation goes. Everyone talks about Yuta’s Yujo plan like he didn’t clear it with them first.

It’s also telling that they harp on Yuta over Miguel and Larue. Miguel said no help unless Sukuna’s domain was down. Everyone except Yuji knew that. There was never a scenario where they’d help from the start. But to Yuji who only heard they might show up? It’s a missed opportunity.

Say if you were, trying to find a reason for such a horrific defiling of a loved one’s body. Wouldn’t you try to reconstruct the crime by considering the motives and methods? That would help give you some closure, right?

I think that’s what Yuji is doing for himself and Megumi. Yuji is trying to figure out why things went the way they did through a blend of what Sukuna intuited and what makes the most sense to someone who never had full knowledge of the plan. 

And if you think about it, this is still a happy ending for them. They’re all absolved of their guilt surrounding the outcome of the battle. Even if they screwed up, they’re all still alive and able to move forward in a better world. They did the best they could, so it’s time to move on from what happened to Gojo. Thinking about that too much would break someone.

Mei Mei and Ui Ui

Mei Mei is out of character in a way that’s unique compared to everyone else. She’s still herself, but with less…yikes. It’s odd since Yuji has seen how awful Mei Mei can be and is deeply uncomfortable with how she treats Ui Ui. He’s not missing information about her motives so why have we gone from this to this?

I propose this is an extension of Yuji’s denialism. (We’ve seen how avoidant he is with Gojo’s death.) Mei Mei is grooming Ui Ui and has made it clear this is all for money. Ui Ui is being abused, but he’s so attached to his abuser that separation would break him. How do you make a happy ending out of that?

Well, you can soften those edges. Spin a tale where Mei Mei is an over-doting sister who would kill for her cute little brother. She doesn’t touch him inappropriately, she just plays with him. She loves money as much as him! No abuse here! She’s not someone who would kill a child for cash.

And in a weird way this whole Simple Domain debacle mirrors Gojo killing the higher ups. If Maki is Yuji's rage towards the Yujo plan, then this could be him trying to process his mentor slaughtering a bunch of old people in mass for his sake.

It probably helps that Yuji wasn’t there to see Mei Mei tell Ui Ui to die for her. There’s no way he knows she was paid to help kill him either.

Mei Mei doesn’t care about the well-being of other people. She’s just a hardcore capitalist who loves money and will do anything for it. But this version of her can be less terrible to Ui Ui while still getting her cash and that’s sort of ok I guess? Yuji has moved on from this and so will I.

The Megumi & Nobara Problem

The 1st years going on like nothing happened after Sukuna has made readers feel betrayed. It flies in the face of everything that’s been established for them when it comes to mourning.

As stated in CFYOW, JJK Thorny Road at Dawn, Chapter 5: At the End of a Sidewalk, this is how the trio deals with grief.

Despite knowing Yuji for only 2 weeks his death screws with Megumi and Nobara pretty badly. In the manga, it looks like Nobara is more upset because she’s visibly in pain, but I think the light novels show they’re equally shaken. 

This is why the non-reaction to Gojo’s death makes no sense. Megumi has known Gojo for a decade. He’s 6 when he first meets him and 16 when he dies because Sukuna used his Cursed Technique (CT). Nobara knew Yuji for 2 weeks, and didn’t see him for another 3 months. In all that time, Gojo was her teacher. She knew him longer than Yuji. When she “dies” Gojo is on the same tier as Yuji and Megumi to her.

So why is it that in JJK 268, Nobara thinks of Gojo as a creep? Why did she toss his letter despite him being one of the people she thought of in death? 

Well… When Yuji came back from the dead via Gojo’s prank he heard Nobara say this.

Nobara is prone to saying out of pocket nonsense to people. If she thinks it, she says it. Yuji also doesn’t understand Nobara’s thought processes (Just like Amai Rin he admits it too!). Nobara tries to hide her feelings to appear tougher than she is sometimes. So I think Yuji has done to Nobara what he has done to Maki—upped the meanness and neglected the heart.

And though Nobara being a construct can explain her behavior, this still leaves us with Megumi who is definitely not one. Why is he acting like Gojo meant nothing to him?

Megumi in particular is super fragile when it comes to his feelings. This is how stressed he gets when he learns exactly why Tsumiki is in a coma.

She’s not even dead and he’s halfway to a mental breakdown. The idea that he can just look at her grave once after having a hand in her murder and move on this quickly makes no sense. Inadvertently killing his defacto guardian he’s been raised by for 10 years should be upsetting him to a similar degree. (Maki said Gojo treated him like a precious treasure!)

When Megumi is on the verge of death he thinks of Tsumiki, Yuji, and or Gojo. It’s always at least 1 of those 3. There’s no way Gojo dying and having his corpse reanimated for reasons Megumi might feel responsible for isn’t screwing him up.

Unless…Yuji is suppressing his memory on purpose. He can’t even cope with what happened to Gojo, how is Megumi supposed to? How can either of them forgive themselves for that if they acknowledge it in full?

When Sukuna tries to tell Megumi to give up, he looks miserable. Every time Sukuna has verbally kicked Yuji while he’s down, he’s done it with a big old smile and laugh. He doesn’t hold back and goes for the throat.

Sukuna is being very nice to Megumi here when he doesn’t mention Gojo at all. The only death he blames on Megumi is Tsumiki. Everyone else? Nothing. That’s weird given that Sukuna will pass the blame of his kills onto Yuji to torment him.

Is this Sukuna a construct or is he playing nice because he respects Megumi? Who knows. Whatever happened here seems to point to Gojo’s memory being suppressed for Megumi’s sake. 

And why might Megumi accept this suppression? Why does he seem to be going along with Yuji’s delusions? The Unlimited Void brain fog. Megumi brings attention to it after he wakes up. 

If Sukuna can’t think straight after Gojo brain damage, neither is Megumi. Still Yuji has to be careful. If Megumi thinks too much, the illusion will be broken. 

What does this mean for them?

Well, the character assassination isn’t real (probably) which is a good thing! Other than that? Not a clue. We’ve got a real catbox situation here. I can’t tell who is dead anymore.

Sukuna projects delusions when someone he’s connected with is dying. Yuji projects delusions when he’s dying. Both of them are kind towards the people they’re interacting with in this space between dreams and reality. They try to give people endings that leave them satisfied.

JJK 270 ends with the hunt for a curse user who can distort perceptions of reality. This curse user is initially mistaken as a cursed spirit. That sounds like Sukuna I think.

I’m pretty confident this happy ending illusion will be shattered, that's for sure.

My Final Answer

I'm betting it all on this being a delusion. This is a kind of prediction that will either age well, very badly, or interestingly. I don't know what's in store for the final chapter...but I do have some ideas I'd like to speculate with.

"Without love it cannot be seen."

This time I'm going to use this phrase very literally. I'm going to make one final gamble on the assumption that love is the answer. So let's go back to Love itself—one of those reoccurring themes in JJK.

Love is a curse in JJK. It has the power to distort reality and transform loved ones horribly. Desperation to save a loved one from death over and over has resulted in extremely traumatic things. Yuta turned his childhood crush into monster that caused havoc for years. You can pin blame everything that has happened in JJK on Gojo being unable to get over the loss of his loved one, Geto.

Hana could've vanquished Sukuna on the spot, but she didn't because she loves Megumi. It's something a lot of people blame her for. If she had just killed him there, the Sukuna battle wouldn't have happened. But that's not really the truth. The only reason Sukuna even got his powerful is because Megumi refused to let Yuji die.

Megumi and Yuji going back and forth trying to save each other have been acts of love driving the plot of JJK since the beginning of this manga. If Megumi actually died on Yuji? Who knows what would happen.

...

A lot of readers have been on a very funny copium because of these last 3 chapters. Some of them joke that they are just one massive Takaba-induced hallucination. This theory has some merit to it! After all, his CT does two things:

1) It distorts reality.

2) By sheer force of will it bends people's souls to his whims.

One of the biggest complaints about the past 3 chapters has been the Merger plot ending abruptly. As of JJK 270 Tengen and Sukuna's remains have been mixed into the barrier around Japan and everything is just fine according to Gakuganji.

People wanted to see what the Merger would do, just like Kenjaku. In universe, Tengen made a prediction. They guessed that the impurity from humans would dominate and consume everything. The impurity that Higuruma wants to protect. The impurity that Higuruma sees in Yuji.

Would Sukuna activate the merger and kill Megumi to spite Yuji? Absolutely.

Would Yuji do or become anything to save Megumi's life? Absolutely.

Do whatever you want with this information.

[momotonescreaming]

All the things I would do

Rating: M | WC: 5.5k | Evan Buckley/Tommy Kinard Relationship Study, Kissing, Mild Smut [Read on AO3]

Buck loved having sex in the loft. He loved having sex with Tommy in the loft.

The way he could drag Tommy upstairs by his hand, fingers entwined, no walls or doors in the way to slow them down. The way he could fall backwards onto his mattress, sending Tommy tumbling on top of him with a playful tug of his hand, falling into place easily. Large thighs bracketing his hips, keeping him pinned, held in place — not that Buck wants to leave when Tommy has him like that.

Hand curling around Tommy’s waist, around his neck, pulling him even closer as Buck smiles into a kiss. His boyfriend (boyfriend!) falling into it naturally, almost entirely in sync. Letting himself be pulled, pinning Buck where he wants him. Bracing himself on the mattress to kiss and kiss and kiss Buck.

Buck’s had sex in the loft before, it’s a fact, logically he knows that it’s technically no different than when he was with Ali or Taylor or Natalia. That Buck and Taylor would hurry upstairs with the same desire and rush to have sex that he and Tommy do.

But it feels different. More. Better. Unlike anything else he’s experienced before.

Like he’s a giddy teenager experiencing dating for the first time combined with the freedom and experience of an adult. Maybe it’s just better with Tommy.

Tommy, who was better than Buck could have possibly dreamed.

Who took his whole world and flipped it upside down. Opened his eyes. He was free and he was Tommy’s. He had a boyfriend who was cool with this being his first relationship with a man (once he had gotten over the initial hurdle and panic, which, fair, Buck felt terrible about it too) because they both knew he was in this with Tommy. He wasn’t one hundred percent sure of what he was ready for — he told Tommy as much — but he meant it when he said he was ready for something with Tommy. He liked Tommy, he wanted to be around him, he wanted to explore what dating this incredible man meant.

This incredible man who was cool with whatever pace Buck wanted or needed to set — whether he wanted to slow down or speed up. Buck wanted to explore it all with Tommy.

Who’s always checking in, making sure Buck’s alright, and it never feels condescending. Partly because Buck actually really appreciates a partner doing that for him, showing that they care and don’t want to pressure him into something he’s maybe not ready for just yet. But also partly because he now knows that Tommy needs it as well. To be the partner he never had when he first came out. Not to say that he doesn’t listen to Buck when he says yes, he’s sure. He wants this. He’s ready. Because Tommy listens when he talks, really listens, and takes him at his word when he says he wants more, they can progress.

So they were taking it at Buck’s pace, and Buck couldn’t be happier. So was Tommy, if what he was telling Buck was any indication. The way he looked at him. And why wouldn’t it be. Tommy kept looking at him with happy, crinkly smiles that took over his whole face. With soft, tender gazes that made Buck feel like he was about to melt on the spot.

When Buck said that all he wanted to do was make out like teenagers, groping on his couch with no intention of going any further — Tommy said of course. And he was a very willing participant. Letting Buck explore his lips, his tongue, the way that he kissed him. Kissing him back. Feeling Tommy’s 5 o’clock shadow against his chin, stubble scratching against stubble. Resisting the urge to lick a hot, wet line in the cleft of Tommy’s chin. Muscled shoulders underneath his grasping hands. Sighing and moaning into Tommy’s mouth at every little reminder about just how masculine Tommy is. And just how into it Buck is. A part of Buck wonders why it took him so long to realise that this was something he was into.

Sharp cheekbones and a jaw so chiselled it was like he was made from marble. Short hair and muscles bigger than his. Buck finds himself moaning the first time he gets pinned underneath his boyfriend and realises that if anything, he’s the smaller one in the relationship. They’re the same height, both muscled, but Tommy’s just slightly broader, with a thick chest and biceps as big as his head. He kind of wants to bite him about it.

It feels easy with Tommy, natural, but not like he’s just falling into it with him like when Buck was in his other relationships. Less like he’s being whisked away in someone else’s current and more like he’s going with the flow. Together. He was choosing Tommy and Tommy was choosing him back. It was an easy decision to make. Like he was talking about with Eddie — they just clicked.

He wants to explore everything with him.

Tommy sent him his first ever dick pic, and it was kind of insane how good it was. Blew his fucking mind. He felt like a teenager again with how horny it made him. He remembers it vividly, Buck lounging on his brand new couch, flipping through channels for something to watch, texting Tommy. His boyfriend recently back from shift in his own house and starting to unwind. Took a shower to clean off the day, got changed, and so Buck flirted a little. Maybe asked for a picture. He felt all giddy and little ridiculous as he did it, excitement bubbling up in his chest as Tommy actually sent a photo back.

Reclined into his mattress, one arm resting above his head, gently flexing. Hair all tousled and curling at the nape of his neck where it was still damp from his shower. He was shirtless, because of course he was, camera angled to show off the full expanse of his torso. Showing off his abs, his scar, his pecs, that Buck definitely wanted to bite. Tommy knows what he’s doing, all casual and cool and Buck really can’t get enough of it. He also kind of wanted to make it the lockscreen on his phone, if he wasn’t sure Eddie and Hen and the rest of the 118 would tease him for it as soon as they caught sight of it.

So, biting lip, Buck sent a photo back. Tried to pose in such a way that was flirty, fun and sexy without him looking like a total fuckboy. Although, Buck thought — Tommy would probably like it if he flexed his bicep or lifted his shirt to show off his abs. Posed like a frat boy, just a little. Because he knows that Tommy’s into him. Doesn’t have to worry about sending a photo that’s too much too fast.

It was exciting, exchanging those photos that got sexier and sexier with each click. Buck unbuttoning his shirt, his jeans. While Tommy tugged at the waistband of his sweatpants. Shucking his pants down his thighs as Tommy sent a photo of him palming himself through the thin fabric of his grey sweats, dick tenting the fabric. And fuck, what Buck wouldn’t give to see that in person. He’d seen people online talk about hot guys in grey sweats before, not thinking much about it, but he gets it now. Slowly starting to forget about angles and flexing his muscles, trying to take the best possible photo for Tommy and focusing on just how fucking hot he felt. Pulse racing, breath coming heavier, excitement running through him. How he wanted to show Tommy just how much he was effecting him.

He was sexting a guy. His boyfriend, even. It was fucking exciting. Invigorating.

And then Buck got his first ever dick pic, and he shamelessly jacked off to thoughts of Tommy in the middle of his living room couch. Didn’t even make it upstairs. Didn’t even think about the possibility of anyone barging into his apartment. Was so caught up in the sight of Tommy — all of him, and damn there was a lot— in the thought of what his dick might feel like in his hands, heavy and warm and velvety skin. What sounds Tommy would be making — moaning like he did in the hospital lobby, gasping and grunting as he got off to thoughts of Buck.

Shirt falling off his shoulders, unbuttoned and baring his naked chest. Pinned on only from the couch underneath him, fabric wrinkling. He didn’t care. Jeans stretched around his thighs, straining as he adjusted himself. Underwear pulled down just enough to expose himself, tucked under his cock, fabric damp with precome. He sent Tommy a photo of that too.

Things progressed easily from there. Buck was all in, no hesitation.

It was like that photo finally broke through the final wall of nerves sitting in Buck’s head — the one of Tommy fisting his hard cock, pretty and pink and leaking, just for Buck. Head thrown back on his bed, exposing the long lines of his neck. That while he was in this, and knew Tommy was hot, had been shamelessly jerking off to thoughts of Tommy — the reality of seeing a cock like that had him a little nervous. It was first. Having a photo made it easier, Buck thought afterwards, breaking through the anxiety of a first time and the what ifs swimming around in Buck’s head.

Tommy was hot. Buck was horny. And he had nothing to be worried about. The heat and the lust and the want rushed through Buck and swept all the anxiety away like a wave.

He wanted phone sex and to come in his pants dry humping with Tommy on the couch. Wanted to drag Tommy into the shower together and get his hands on him. Maybe drop to his knees and ask Tommy to teach him how to suck cock.

And Tommy was there every step of the way.

Dirty talking on the other side of the phone, voice deep and smooth and sending a shiver down Buck’s spine. Relationship still so new but Tommy still somehow knowing exactly what to say to make him groan. To feel the heat pooling inside him as Tommy tells him exactly how he’s going to take him apart. To tell Tommy how good he is at this, how perfect. Tell him about all the things he does to Buck — his racing heart, his stuttering words, wanton moaning into the phone.

Ready and willing to rut against Buck like a teenager, sloppily making out in the living room of Tommy’s house. Never once complaining about the denim of his jeans straining against him as they fuck fully clothed. Pinning Buck to his couch, sinking into the cushions, grinding their clothed cocks together. One hand in Tommy’s hair, mussing up his curls; the other raking down his back. Grasping at fabric, feeling the heat of him, the shifting lines of his muscles. Creeping lower to grab at his ass and swallowing Tommy’s moan as he does so. Writhing and rutting against each other until they came in their pants, and Buck was kind of obsessed of the feeling of Tommy pulsing against him, hot and sticky. It was so hot, they’ll definitely be doing that again if Buck has anything to say about it.

Not to say that’s all their relationship is — sex.

Buck finally got to go on that go karting date — at that track out in the desert he’d been talking about — where he had a lot of fun discovering that Tommy was very good at it, actually. Made sense, since he was very much a car guy. It was kind of a perfect date. Out in the sun, clear skies, doing something exciting with Tommy. Racing around the track, calling out and teasing everytime they passed each other. They made a day of it, going for a drive, Buck holding Tommy’s hand over the Jeep’s gear stick. His boyfriend’s large, calloused hand entwined with his, warm and comforting. He felt lighter on the way home, that now achingly familiar giddy-happiness sitting in his chest like honey. Buck drove home with a grin on his face, hand resting on Tommy’s thigh.

There were other dates of course, where they tried a mini golfing place down by the beach and quickly discovered that they were both sort of terrible at it. Spending hours walking through the park together, just talking and enjoying the fact that he was allowed to hold Tommy’s hand. They re-did their dinner date and actually made it to the movie, sneaking glances at each other in the dark of the theatre.

Tommy was taking him on hikes — at some local trails he frequented, where they were surrounded by nothing but nature and the cloudless sky. In a muscle tee with the sleeves cut off, and his familiar blue gym shorts, Tommy led them up the trail with a grin on his face and a backpack strapped to his back. Water bottle, bug spray, sunscreen, emergency first aid kit. It was nice to date someone who got it, another first responder, someone who was just as prepared as he was. The sun beat down on them as they hiked the trail, sun warming his skin until he felt like liquid gold. Talking about everything and nothing, about calls and documentaries Buck had watched. About what work Tommy was doing on his car and a little more about Harbour Station.

His muscles were warm and he was sweaty by the time they finished the trail, Tommy much the same as he drove them both back to Buck’s loft. Safe to say he was distracted on the ride home. He was sun warmed and sated, watching a bead of sweat drip Tommy’s neck as he sighed into the cool air of the Jeep’s AC. Licking his lips, trying very hard not to think about leaning over the centre console and licking it up. Feeling the saltiness on his tongue, the warmth of Tommy’s skin radiating out, the way his breath would hitch.

But Buck really doesn’t want to risk a car accident and have to call 911 — they’ll never hear the end of it. So he lets Tommy drive, watching him navigate the roads of LA with ease. One hand on the wheel, and the other burning hot as it rests on Buck’s thigh. And then, he invites Tommy back up to his loft with a flirty gaze and a coy tilt to his head. He really doesn’t want this date to end. Buck thinks he could spend hours with Tommy and never grow sick of it, never feel the itch that he needs space.

Tommy agrees.

So Buck spent the elevator ride up to his loft bouncing on the balls of his feet, biting his lip and trying to keep his hands to himself. He won’t be able to restrain himself otherwise, and he really doesn’t want to piss off his neighbours. Tommy gives him a knowing glance out of the corner of his eye, gaze raking over Buck’s body. That familiar smirk on his face. He doesn’t feel objectified, like Tommy’s just in it for his body, he feels wanted. Desired.

It feels like the beginning of something.

Sex might not be the only thing their relationship is — but it is an important part. Hell, Buck was a self proclaimed sex addict for a time. It took a lot of reflection, and a lot of talking through it in therapy, but Buck was now comfortable with the fact that him desiring sex, desiring that intimacy — isn’t necessarily a bad thing. Having a high sex drive isn’t a bad thing. There’s nothing wrong with needing that connection to another person. Unabashed and unashamed. And he wanted that with Tommy.

Buck wanted that connection, that closeness. He wanted to explore sex, explore his bisexuality — with Tommy. Whether it was hard and fast, hot and steamy, or slow and exploring. He wanted it all.

So as soon as they shut the front door to Buck’s loft behind them — they were on each other. Reaching for each other in tandem. Hands grasping at waists and sweaty shirts, Tommy throwing his backpack onto the floor and kissing Buck as soon as he’s free of it. Buck pulling Tommy towards him by his waist, wrinkling the fabric of his sweaty shirt — sending them slamming into the door behind him with the force of it.

He smiles into Tommy’s mouth as his boyfriend brings an arm up to brace himself on the door — using the leverage to slow their descent into the door, just slightly. His heart jumps as he realises what Tommy did — trying to stop Buck from slamming his head into the door — taking care of him, even now. Even still.

Buck slides his hands up Tommy’s shirt, feeling the heat of his skin pressing into the palms of his hands. Burning hot, it’s not enough. Skating along the hardened muscle, the sweat pooling on his lower back. He wraps an arm around him, pulling him closer, closer.

Closing his eyes as Tommy kisses him back. Leaving his arm braced on the door above them, bracketing Buck in, the other burning a hole in his side. All he can smell is sweat and salt and Tommy. There’s nowhere he’d rather be. Kissing him, and kissing him, and kissing him. Prying Tommy’s mouth open with his tongue, wet and hot. Dripping spit down his chin as he sucks on his tongue.

Tommy groans into his mouth, a low rumble, and he can feel every shake of it where their chests press together. Sticking together with sweat. If Buck was less horny, he’d maybe think about how gross they both were, sticky from hours in the sun. But he is, and Tommy is so fucking hot like this. Sweaty and gross and masculine. He grips the fabric of his shirt, and uses the leverage to pull Tommy’s hips into his. Thin fabric of their gym shorts leaving nothing to the imagination. Feeling every inch of him, the thick hard line of his cock.

Then it’s Buck’s turn to moan unabashedly as Tommy starts to gently rut against him. Mouth dropping to his neck as Buck tilts his gaze towards the roof of the loft. Eyes fluttering open, gasping for air, letting his gasps and moans filter out into the open air.

A giggle escapes him. They’re still pressed to his front door.

Tommy slows, pressing wet kisses down his neck. Along the curve and lines of his jaw. Taking his time with each one, deep but not enough to leave marks. Buck finds himself pushing up Tommy’s shirt, exposing his bare chest as he ruts against him.

“Tommy,” he moans, the word shuddering as he exhales, and there must be something in his voice because Tommy pauses. Pulls away from Buck’s neck, leaving behind a hot wet mark that cools in the open air. Buck would pout at the loss of contact if they weren’t pressed together as close as they are.

Tilting his head, raising an eyebrow in that way he does, Tommy looks at him. Mouth twitching up at the corners. He can see how spit-slick and pink they are. He really wants to kiss him again. “Evan.”

“Why’d you stop?” Buck says, smiling. Panting through the words, heat of his skin cooling in the summer air. Running his hands up Tommy’s sides, along the lines and curves of his muscles. Dipping lower, enjoying every inch of their clothed cocks pressing together. Tilting his head to catch Tommy’s gaze, eyes shining. He still feels all giddy and bubbly inside. The heat and desire boiling up with this undercurrent of sheer joy. “I thought we had something good going.”

“We do.” Tommy says simply, smoothly, smiling softly back at Buck as if he has no idea what he’s doing to him. Bringing his hand down from the door above them, dropping to cradle Buck’s face. Hold his haw in his hand, thumb running in gentle circles. Calloused thumb scratching against his stubble. It’s a good sound. “But I was just wondering if we’d be more comfortable in that big fancy shower of yours. There’s room for two, isn’t there?”

“There is now,” Buck says giddily, the smooth tone of Tommy’s voice washing over him, rolling through him. Sending a shiver down his spine, straight to his thickening cock. He’s sure Tommy can feel it. Good. He loves it when Tommy puts the moves on him, and loves being able to show him exactly how much.

He grabs Tommy’s hand, laughing giddily as he pulls them both into the bathroom. Tommy’s chucking behind him, fingers entwined with his. Kicking the door behind them, slamming shut, but neither flinch at the sound.

Tugging gently on their entwined hands, Tommy pulls Buck back into his orbit, reaching out with his other hand to rest on his hip. Steadying them. Bodies pressed together, still warm and sweaty, but the red-hot urgency is cooling.

Buck can go at Tommy’s pace, too. It’s nice, when Tommy lets himself set the lead like this, when he knows it’s something Buck’s into and comfortable with. He bites his bottom lip, plush and pink, drawing Tommy’s eyes down as he gently brings their hips together again. Not moving, not writhing and grinding like he wants to, just pressing the lengths of them together. “Hi.”

“Hi, yourself.” Tommy says back, voice just on the edge of teasing. Buck kind of really wants to keep kissing him. So he does. Eyes fluttering shut as he brings their lips together again, hand resting on the back of Tommy’s head, tangling through his sweat-damp curls. He moans into Tommy’s mouth, deepening the kiss, when Tommy pulls back.

Buck chases his lips with his, almost subconsciously, already so caught up in the feeling of Tommy’s kisses. He’s sort of addicted already, ever since that fateful day in the middle of the loft. What can he say, Tommy’s a good kisser. Good enough to flip his whole world on his head. Open his eyes. Tommy chuckles gently at Buck chasing his lips, gently rubbing his thumb in circles at Buck’s waist.

“Wanna get the shower going for us, baby?” Tommy says, voice deepening as his eyes lock with Buck’s. Squeezing their entwined hands as he takes a step back, increasing the space in between them. Hands anchoring them together, even still, and Buck appreciates it. His heart jumps in his chest as he squeezes back.

“Oh yeah?” Buck flirts, eyes shining as he looks over at Tommy, shining under the overhead lights of the bathroom. “And what are you gonna do?”

“Well I don’t know about you,” Tommy teases, releasing Buck’s hand and smiling. A coy little tilt to his mouth, shining eyes. “But I figured I’d start here.”

And then he’s locking eyes with Buck, gaze darkening, as he reaches an arm behind his head to grip at his shirt and pull it over his head. Buck watches the shifting his muscles as he rolls out his shoulders, the grin on Tommy’s face as he shakes out his hair. As he puts on a little show knowing that Buck is watching.

Trailing down the length of his body, his pecs — shining with sweat, his abs, the trail of hair that dips below his shorts. Buck licks his lips, smirking back at his boyfriend.

“You sure I can’t just stay right here?” Buck teases with a tilt of his head. Angles his body, flexes his restless hands. “Keep watch. Make sure you don’t hurt yourself. I-I’m a firefighter, you know?”

Tommy huffs out a laugh, face crinkling up in that now achingly familiar way as he throws his damp shirt to the ground. Neither of them watch to see where it lands. “I’ll be fine. You can look all you want later.”

“You promise?” Buck flirts, deepening his voice and eyes darkening as he roams his gaze over Tommy’s naked torso.

"I promise," he says, smirking back over at his boyfriend. Teasing. Flirting. Just the way Buck likes.

"I'm gonna hold you to to that," Buck teases back, delaying the inevitable moment where he rips his gaze away from Tommy. From his now exposed chest, the sweaty tanned planes of his skin. Exposed and tempting. He bites his lip, eyes wandering over Tommy one last time. Drinks in the sight of him, the feel of his gaze locked with his.

He eventually gives in and turns to the shower. Opens the door and turns the water on, fidgeting with the controls. Trying to find the sweet pot between too hot and too cold.

Tommy, Buck was learning, was almost always cold. Always wearing an undershirt, or had a jacket thrown over his outfit. Always had a throw blanket draped over the back of his couch, or pulled over his legs. Thrived in the hot summer sun, and loved his showers scorching hot.

Buck was fine with the cold. If anything, the LA sun was an adjustment for him. Was walking around in shirts when everyone else was donning long sleeves. Layers. Found there was nothing wrong with a cool refreshing shower.

Hence, the need to find the sweet spot between not too hot, and not too cold. Logically Buck knew as soon as they were both in the shower together their attention would be drawn away from as something as simple as temperature. Towards sweat and skin and the heat of their bodies pressed together. But he couldn't help but try. Try and make it good for Tommy, for himself, for the both of them together. Find the sweet spot that worked for the both of them.

He wanted to make it work.

Logically he knows that it’s just a shower, that they’ll be distracted soon anyway, but he can’t help but want to make it good for Tommy. Make the water a little hotter than normal, just for him. Show Tommy that he wants to take care of him too, that he’s learning things about Tommy and he wants to keep learning.

There’s a rustle of clothes behind him, a squeak of shoes against tiled floors, barely audible over the sound of the now running shower. Buck bites his lip, barely holding back a grin, as he dutifully continues adjusting the water. Arm reaching in, feeling the water run over his hand. Wet and heating up quickly.

He’s barely focusing on the water. Letting the rush of water splashing against tile wash over him like white noise, absently adjusting the temperature and pressure of the water as he focuses on the sounds behind him. Of Tommy toeing off his shoes and peeling off his socks, placing them in a pile by the door. In that way Buck is noticing he almost always does. His stomach swoops at the thought — that Tommy’s been around enough for Buck to start to notice more of his habits.

Then Buck swears he hears the sound of Tommy’s gym shorts hitting the floor, and he can’t hold back the sharp inhale of air. Warm and cloying with steam, holding in his lungs.

Buck makes himself keep looking at the shower.

Hair at the back of his neck standing on end, goosebumps rolling down his arm as he feels Tommy’s presence behind him. Sweaty, naked, so fucking hot — and Buck’s not looking at him. The unspoken rule that they’ve created, when Tommy took the lead and told him to turn around. Start the shower.

Heat pooling low in his gut, that familiar itch burning underneath his skin, Buck’s in the middle of giving in and turning around anyway when he feels it. His hands on his waist, thick and calloused and burning into his side through the thin fabric of his shirt. Breath hitching as he feels the sheer presence of Tommy behind him.

Tilting his head to try and get a look at his boyfriend behind him, holding in place as Tommy slowly presses closer to him. He catches a glimpse of him smirking, face crinkling up in that way it does, before Tommy squeezes his waist and closes the distance between them.

Buck gasps as he feels Tommy press up behind him, all hard muscles and sweaty skin. Calloused hands holding him tight as Tommy’s cock presses up against his ass. One hand still braced in the shower, feeling the rush of water; the other reaching backwards to try and get a hold of any part of Tommy. To press him even closer, to feel his skin burning into his.

Now that he has this, now that he knows this about himself, Buck really doesn’t know how he didn’t realise this earlier. His attraction to men, and masculinity, and the way it made him feel. Broad shoulders and hands larger than his. Hard muscles and hairy bodies.

But a part of him actually really likes that Tommy was the one who helped him realise. That he’s not just attracted to men, he’s attracted to Tommy. He likes Tommy’s broad shoulders and mechanics hands. His muscles and the snail trail that leads down his abdomen. He likes his short hair and 5 o’clock shadow. He likes the way Tommy makes him feel. He likes the way Tommy shows up for him. To dinner, and to the café, and to hopefully many more.

He really likes the way Tommy is now kissing down his throat, leaving wet marks in his wake. Hands still on his waist, body pressed against him, enveloping his. Buck groans, tilts his head to give Tommy more room, and starts to rut backwards.

“I can’t help but feel,” Buck gasps, as Tommy nips at his skin and quickly soothes the mark with his tongue. “That I’m overdressed.”

“Oh you are, are you?” Tommy murmurs into his skin, and he can feel the sounds vibrating through them, rumbling his chest. “I can fix that.”

And the his hands are dipping lower, skating along his sides before pushing up the hem of his shirt. Achingly slow at first, skin on skin contact sending a shiver down Buck’s spine. Calloused hands sending out sparks. That itch under his skin building again, rising and burning with each inch of skin Tommy touches.

His boyfriend laughs behind him, calls him impatient, before kissing his neck again. And then they’re stripping him down, faster now, hands on waists and chests and grasping at fabric. Tommy pulling off his shirt and Buck kicks off his shoes, not caring where they land. He thinks he absently hears them thump on the wall before Tommy gets his hands on his shorts and all of a sudden Buck is very distracted.

He absently thinks how hot it would be if Tommy just ripped his shorts right off his body, as he grips onto the shower while Tommy slides his shorts and his underwear down his legs in one fell swoop. Hands gripping the waistbands, fingers curled under the elastic, pressed into his bare skin.

As soon as he’s free he grabs Tommy’s wrist and pulls, sending the two of them tumbling into the shower. Water burning hot, soothing worn out muscles and sweaty skin. Tommy dutifully following behind, closing the door behind him.

They instantly forget about the water. Focusing on sweat and skin and soap and their two bodies pressing together. Water soaked kisses where their spit mixes with the spray of the shower. Slick bodies moving in tandem, and yet rooted to the spot.

Tommy’s planting his feet and bracing an arm on the wall behind Buck. He’s making sure they don’t slip, that Buck’s safe in his arms. And if anything, that’s what drives Buck to determination. To grasp their cocks in one hand, to want to make Tommy gasp and moan and grunt as he comes apart.

He loves the noises Tommy makes. Cataloguing them in his head, making note of what he can do to pull a noise out of Tommy. Figuring out what he likes and what he loves. The exploration, the figuring things out has always been a favourite part of sex for Buck. He’s a good fuck, he knows this, but it’s the exploring what his partners like and wants is what really drives him. It’s not enough to be a good fuck in general, he wants to be a good fuck to them.

To Tommy.

He wants to be good for Tommy. To hear him groan and moan Buck’s name. To hear him say perfect, and right there, just like that, and you’re so good to me Evan.

There’s going to be a lot of soft, tender sex in their future, Buck knows this for certain. Doesn’t even have to ask. Tommy will pick him up and carry him upstairs like he weighs nothing, gently lowering him down onto his bed, gaze soft and loving. They’re going to fuck face to face, so Buck can hold Tommy’s hand and they can kiss each other senseless. Slow and sensual, the two of them sinking into the moment as they sink into each other. Kissing all the words that are too soon to say into each other’s mouths.

Buck can’t fucking wait.

[glisten-inthedark]

You wanna know what gives me confidence for Byler? The show.

That's it.

Because I promise you, if you watch the show objectively everything is there. You don't even have to look at camera angles, lighting, or signs that point towards closets, the information you need is there.

And it isn't even shit people made up (****** I'm looking at you, even though I ship it). It's there, I fucking saw it before even shipping it.

And at first, I assumed I was seeing shit. To be honest I mostly brushed it off, but when we found out that Will was gay and in love with Mike, it clicked.

My favorite mental exercise is: If Will was a girl, how would you perceive their scenes? All you have to do it's switch up their genders and it's not even up for debate because we all know everyone would eat that shit up.

I mean, a boy relentlessly looks for a girl in the woods, stays by this girl' side, tells her they'll go crazy together while touching her hand, tells her that asking her to be his his friend was the best thing he's ever done, fights with her but actually tries to apologize, then we find that said girl has been in love with her friend but it's lying so that this friend could be happy. Tell me that if this was the case there wouldn't be like 30000 fics of that couple on Ao3 and millions of people begging the showrunners to make them canon? Tell me, I fucking dare you.

And at this point I'm like a broken record but I am going to repeat myself.

WILL BYERS BEING IN LOVE WITH MIKE WHEELER does not make a difference to the plot. It doesn't.

He could have been gay and not be in love. If the life lesson was: "Will has to learn to accept himself as gay, and to love himself and understand he isn't a mistake" they could've done without the love. They could've given him exploring that part of himself in California, they could've presented another gay character that taught him that.

They could've fixed El and Mike's relationship without Will's love. We've seen them doing it before. Will could've helped by just being Mike's friend.

So can we ask ourselves this itsy bitsy question: Why make Will in love with Mike in the first place? Why make him say not once, but twice, that he and Mike could play DnD together for the rest of their lives which, if you're not good at subtext, means he sees himself with Mike by his side as long as he lives if all they're going to do is bring him more misery?

Because I'm going to be honest, with the way they wrote this love Will has, they literally didn't gave themselves a easy way out. They made sure we knew it was real, it was unconditional and that it would never change. We didn't make it up, they gave us that information with their writing.

So again, ask yourselves why that is.

Because whatever non Byler explanation I try to come up with doesn't make sense.

Queerbaiting? More like Bylerbaiting at this point considering Will is gay and again, he could've been in love with anyone else or not be a queer character experiencing love at all.

Make Mil*even stronger? It literally did the opposite, the ship is going down in flames and we all know it. Their relationship isn't healthy, El's arc isn't about romantic love and the painting which was the only reason Mike proclaimed the romantic love he doesn't feel literally came from Will.

So... Again. Why?

[fawnduu]

What was the moment when you was like "I wanna draw NSFW (Or more poetic: what was it like when you realized the beauty of lewd Art)

I discovered my love for drawing nude figures when I was 16 and my art teacher had recommended I go to live figure drawing sessions. The first session I was obviously very embarrassed but the nudity was so normalized in that space it felt super liberating and I just loved studying and drawing the nude models.

The desire to draw NSFW art came as soon as I was making my own romance comics. It was just a natural step in wanting to explore their character dynamics through how they like to have sex. Its really fun for me and I hate how taboo it is to depict it. Also the assumptions that can come with it.

I know some people do it as a "get rich quick scheme" like when people say "im gonna draw furry art so i can make money". I genuinely draw it because i love to do it. When I start a romance story one of the first things i start thinking about is "how would these two fuck?" its important to their relationship and also the ways in which they have sex and the character development happening within that. Like for instance sex plays such a integral role in Tys character. She uses casual sex as a way to feel like she has control and bury her vulnerablity and trauma. Ty needs therapy so badly but instead she goes into town and has sex with married women to get an ego stroke and steal from their husbands.

[bucked-it-up]

i wanted to ramble about where I think Buck and Tommy will be going into season 8 and what I think could possibly happen.

With the gap between S7 and S8 looking to be a shorter time skip and there not much development in the relationship, I’m quite excited to see what milestones they have passed together and which ones we will look forward to seeing.

This quote from Oliver interests me a lot “They’re still learning and figuring things out about each other and what a relationship might or could look like.” I feel like this could mean a few things, one being they are both firefighters and this is something new for Buck to navigate and also possibly new for Tommy as well. Both of them will have to get used to seeing the other leave for long shifts that mean they may not come home completely safe and sound. That will mean navigating the emotions that come with this, learning how to let one another go knowing that they will worry but they have to trust one another and having to live with the feeling that the other could get hurt without them being able to help/ get there as quick as they wish they could.

This is also the first relationship Buck has been in with a man and that will come with many obstacles, these could arise from being something that Buck hasn’t done before. A queer relationship come with pressures and negativity that straight relationships do not. Especially being in a queer relationship for the first time while having a boss like Gerrard and being separated from Bobby, someone he goes to advice and is a major part of Buck’s support network.

Another thing I get from this quote is they are working out how to be around each other and what they want their future to be like. This could include moving in which is something I would love to see but after this quote I am curious if it will be early season 8 or further down the line as a conversation talking about living situations could definitely come under what Oliver said.

I think as well the choice to bring back Gerrard will make things interesting for Buck and Tommy. I think it will give a good look at how they work through problems together and how they come to solutions. It will also show us more about how their relationship works, how they communicate and how they support each other. I hope that their relationship is explored in this arc because personally I think it would be a missed opportunity to not show how a newly out Bi character deals with a homophobic boss and how he communicates this with his boyfriend who has gone through it before.

Furthermore in S8 I really do hope we see many happy moments from them and we get to see ‘I love yous’ and milestones from them, I also hope we get to see some adversity. Preferably from outside sources rather than coming from within the relationship, such as one of them getting injured and having to navigate what that means for them and if they can cope. I would like to see them go through something like this and come out the other side even stronger.

As I have already said I would love to see them move in together and see Tommy’s house. To me this would signal that they (and the show) plan to stay with each other for a while and I would love to see Buck choose to live with his partner not because it just kinda happened like with Abby or out of some kind of guilt like with Taylor. I want him to make the choice and it be a deliberate and loving choice that allows him to spend more time with Tommy and increases their strength within the relatiionship.

To focus a little more on Tommy, I do hope he is featured in the opening arc in some way or another. I will be happy with any scenes he gets but i would love if he got a prominent role and we got to see his skills as a firefighter. I think having a pilot as a character is a good addition to the line up and allows for interplay between firefighters on the ground and in air support and means he can be included in more scenes as it has been shown he also does groundwork.

To end this ramble I hope that we get to see them happy and healthy. I hope the show explores their relationship and how different aspects of their life affect what they do and say. I truly hope that Buck is now off the hamster wheel and we don’t have to see him get back on it. I want to see Buck grow more within his professional life and outside of what he is like in relationships.

[yeopoet]

MEET ME IN THE HALLWAY

`౨ৎ~ pairing: ateez x gn!reader genre: forbidden romance, fluff, kinda suggestive if you read between the lines ౿ ׂ ִ warnings: kissing (?) word count: 2k.

author's note: highly inspired by this post. ps: the divider does not belong to me.

﹒ ◠ ✩ hongjoong ⊹ ﹒

Two powerful families competing fiercely in the construction industry, locked in a never-ending battle over urban development projects: his family prioritizes large, luxurious complexes, while yours is dedicated to eco-friendly, sustainable initiatives. The differences between you go beyond business, turning what should have remained professional into something personal and deeply entrenched. Your parents have made it clear—they never want you anywhere near the Kims, and his parents share the same sentiment. But Hongjoong couldn’t care less about the rules. He sneaks to your bedroom window in the dead of night, not with malice, but driven by an irresistible urge to explore what he’s been told is forbidden. You’ve tried pushing him away, again and again, but nothing works. He’s relentless, and despite all the barriers that should keep you apart, to him, you’re the only thing that matters.

“You can’t just show up here like it’s no big deal,” you whisper-yell as you open your window. “They’ll find out, and that’ll be the end of both of us.”

“I’ve tried to forget about you, but it’s impossible.” Hongjoong exhales deeply, slipping through the window with ease, like sneaking into your room is something he’s mastered. “I missed our midnight talks.”

You raise an eyebrow, crossing your arms, your voice dripping with sarcasm. “What? Are you in love with me or something?”

He smiles, stepping closer until he’s near enough that you can feel his warm breath on your face. “And what if I am? Would that be so bad?”

﹒ ◠ ✩ seonghwa ⊹ ﹒

Someone born into a life of luxury, with a future carved out by endless wealth, isn’t supposed to waste his time with people of "lower status." As the heir to a well-established hospital chain, Seonghwa has never had to worry about anything—not even the clothes on his back. His sole purpose in life, as dictated by his family, is to follow the path toward taking his father’s place. But with dreams of his own, he somehow ended up in your studio, signing up for a beginner's sewing class. It wasn’t exactly the best first encounter, especially since your classes weren’t designed for heirs of empires, but over time, Seonghwa managed to capture your attention. He now pays for private lessons, driven by his passion to become a fashion designer. He shares sketches of outfits with you, designs he’s never dared to show anyone else. What was supposed to be a professional relationship between teacher and student gradually became something more. And honestly, how could he not fall for you?

“I know I shouldn’t be here, but I couldn’t stay away.” His words spill out the moment you open the door, sadness pouring at your feet. “Please, just give me a chance to fix all of this.”

“You’ve already caused enough damage.” You take a deep breath, holding back tears. Watching him beg for something you both know he can’t change feels like a knife to the heart, and if you’re not careful, you might cave. He steps closer, and you know this is the moment to slam the door in his face—before his father shows up again, threatening to destroy everything you've built if you don’t leave Seonghwa alone. But your heart wavers, seeing the redness in his eyes. “Don’t make this harder than it already is, Hwa. We can’t be together. If anyone sees us, it’ll be the end for both of-”

“Just one last time.” He’s crying now, his hand gently cradling the back of your neck like he's afraid you’ll disappear. “Let me be with you one last time.”

﹒ ◠ ✩ yunho ⊹ ﹒

It’s not easy having parents who watch your every move as if you’re incapable of taking care of yourself. But if it weren’t for their overbearing protectiveness, you never would’ve met Jeong Yunho, your bodyguard—the one who pulled you out of your monotonous life and gave you a taste of freedom. He sneaks you out for daring, late-night adventures, always careful not to push things too far and jeopardize both your lives. Yunho tried to keep his distance; he was never the kind of employee to cross the line. But avoiding his inevitable downfall with you was impossible.

“They warned me about you,” he says softly, tucking a loose strand of hair behind your ear, his hand gently cradling one side of your face. “But I didn’t listen.”

“And I’m glad you didn’t.” You smile openly, wrapping your arms around his waist before pressing your lips to his with intensity.

﹒ ◠ ✩ yeosang ⊹ ﹒

When the extravagance of your world becomes overwhelming, you find yourself seeking a place to breathe. Conveniently, that place always ends up being in the arms of Yeosang, the butler of your household. You've known each other since childhood, long before he took over his father’s role and before you were promised to marry someone you don’t love. The quiet meetings behind the tallest hedges in the garden offer you a peace you’ve never experienced around your family. The love that has never faded grows more painful as your wedding day draws near, and no matter how much you both long to escape, you know you've been condemned since the day you were born.

“This is the last time,” you whisper, casting a sorrowful glance at the man lying beside you. “We can’t keep doing this.”

Yeosang doesn’t respond right away but holds your gaze with a quiet tenderness. Then, after a few torturous seconds of silence, he presses a kiss to the back of your hand. “We said the same thing the last time we met,” he murmurs, leaning in to kiss you slowly, lingering. “The truth is, I’d have to move to another continent to ever be able to stay away from you.”

﹒ ◠ ✩ san ⊹ ﹒

He fought hard to get where he is. It wasn’t easy landing a job at one of the most prestigious networks in the country, and once inside, he quickly realized why the selection process was so difficult. His bosses are strict; they don’t tolerate irresponsibility and push him to the brink of exhaustion. Still, the salary makes it all worth it. San is building his life, shaping his dream career as a reporter, doing everything he can to avoid trouble. That is, until you, the boss’s daughter, showed up and threw all his plans into chaos. It wasn’t your intention to disrupt anyone. You’ve always kept a distance from the company’s employees, taking your duties as an heiress seriously. But who could have predicted that at a party with over 100 people, you’d end up kissing the newest intern?

“No one can know about this, promise me,” he whispers, gripping your elbow as he keeps the two of you dangerously close. “That was a mistake, and it won’t happen again.”

“As if I wanted it to,” you fire back, your breath mingling with his as your gaze locks onto his—eyes that are saying something completely different. “But if you keep pulling me into closed-off spaces out of nowhere, people are going to get suspicious, and it won’t be my fault.”

“Right, we should keep our distance,” he says, yet doesn’t move an inch. “I just wanted to make things clear.”

“I got the message loud and clear.” With every passing second, your faces inch closer. San tightens his grip on your arm, though not enough to hurt. He tilts his head, muttering a soft “good” against your lips before making the mistake of kissing you again.

﹒ ◠ ✩ mingi ⊹ ﹒

A friendship that has lasted for years could never be shaken by something trivial—or so you thought. But could your feelings for her brother be enough to ruin everything? She’s always made it clear that Mingi is off-limits. He constantly breaks her friends’ hearts, and they always end up drifting away. So, to keep the friendship intact, she put up a wall between the two of you. Too bad it only makes things more exciting from his perspective. You try your best to resist Mingi’s advances, but he makes it nearly impossible when he walks around the house shirtless after training, or when he finds lame excuses to touch you at random moments—like holding your waist to squeeze past you when there’s clearly plenty of space. It’s ridiculous.

“You really need to stop doing that,” you say, crossing your arms like you’re throwing a tantrum. Mingi looks at you, eyebrows raised, with that same clueless expression that drives you insane. “I’m serious, Mingi.”

“I have no idea what you’re talking about,” he shrugs, leaning forward to reach something in the back of the fridge.

“There are literally two other ways to get to the fridge, and you chose the tightest spot—right where I’m standing.” You stomp your foot. “And not only that, you—”

Your sentence is cut off by the sound of the fridge door closing. Mingi steps closer, and you hold your breath. “And I what?” he asks, leaning against the counter without breaking eye contact. “Last I checked, this is my house, and I can walk wherever I want.”

“You know exactly what I mean,” you mutter, avoiding his gaze and staring at your toes. Mingi gently lifts your chin, forcing you to look at him again.

“I thought you liked it when I touched you.” He tucks a loose strand of hair behind your ear, his hand slowly trailing down your shoulder, along your arm, until his fingers entwine with yours.

“We shouldn’t…” your voice falters. “Yena is—”

“I know, but I can’t help it sometimes.”

﹒ ◠ ✩ wooyoung ⊹ ﹒

He’s never been the type of guy to care about his friend’s girlfriend. It’s one of the most disloyal things you could do to a friendship. But when it comes to you, Wooyoung loses every last shred of honesty within himself. Falling for you was never part of his plan, and he tried everything he could to push those feelings away. If he had known that taking care of you when his friend messed up would spark such a dangerous affection, he would have let you handle your problems on your own. You, on the other hand, are deeply grateful for the countless times Wooyoung has saved you, and for showing you that love isn’t what you thought it was. All the lingering hugs, unfinished sentences, and the longing to give in to something forbidden have made you both question how much you're willing to sacrifice for each other.

“Every time I see you, I have to remind myself that you’re not mine,” he says, standing just far enough away to keep himself from giving in to his darker desires. He’s held back all this time, never crossing the line—but here you are, at his doorstep on a Saturday night, minutes after his best friend just left your house.

“So please, don’t make this harder than it already is.”

“And you think it’s easy for me?!” you explode, pushing his chest hard enough to make him stumble back a couple of steps. “You decide one night that you’re going to cut me out of your life, and you expect me not to react?”

Wooyoung grabs your arms, stopping you from hitting him again. “I’m trying to make things easier,” his eyes fill with tears, or maybe it’s yours—both of you just staring at each other, struggling not to sob out loud. You finally weaken, collapsing against his chest, muffling the sound of your pain as Wooyoung holds you tight, the way he always does.

“There’s no easy way out of this. No matter what we decide, someone’s going to end up hurt.”

﹒ ◠ ✩ jongho ⊹ ﹒

The life of a celebrity isn’t always glamorous. The fear of appearing in the tabloids caught in a dating scandal can feel more terrifying than the fear of death itself. After appearing on a variety show with you, Jongho developed a silly crush that, over time—fueled by risky texts during award shows and innocent meetups while everyone else was asleep—grew into something much bigger. To keep things discreet, you both decided to act indifferent toward each other, even though it’s become nearly impossible for him.

“Every moment we spend together is a risk, but I just can’t stay away,” Jongho says as he plants a flurry of kisses across your face. He made sure to clear out everyone from the dressing room just to have a few minutes alone with you before the show.

You laugh, trying to pull away from his eager touch to keep him from messing up your appearance. “Jongho! I have a performance in half an hour. You can’t mess up my makeup!”

He immediately steps back, placing his hands behind his back in an exaggerated effort to keep them off you. “You’re right. Sorry.”

“We’ll see each other later, okay?” You give him a playful, reassuring smile.

“Okay, I’ll try not to die until then.”

© yeopoet.

[devinox-art]

My MC!Detective I've made for the @sanguinesky-if , Darcy Rowe. Her first outfit is definitely more of a "what she really wants to wear". Her second outfit is what she usually wears (jewlery, shirt styled in some way). The third outfit is how she ends up dressing during the events of the story (no jewlery, less styled, more stressed). Her hair is usually up while she's at work, I just couldn't resist drawing it down. A couple things:

- Yes she has black wavy hair + micro bangs, and black eyes.

- Her twin's name is Lorelei and not only is her hair longer, but she has light brown eyes and curtain bangs.

- Yes she has chronic closed-eyes-always-smiling anime trope syndrome.

- Yes this means Kyle managed to bag a goth baddie (and is fumbling her so, so hard).

- She fancies herself as a composed person who can not only handle her own emotions and emergencies, but other people's emotions and emergencies as well (which is why I always have fun pairing her with the hotheads). This has yet to be challenged.

- I like to headcannon that the rest of the precinct finds her to be cold hearted since she's continuing to act as if her mentor and father figure hasn't just died.

- (As if little things are starting to slip out behind closed doors, like how she fought against the feds taking over her case).

- Klemmens is just the dad from Full Metal Alchemist.

- If she can't hold someone at gun point and look hot doing so then what is the point™️

- If looks could cut...

Personality wise:

She's blunt, reserved, and distant except with her sister and Lexie (these scenes mess up her stats so I don't regard anything in the stat page as "canon"). Her sense of her humor can be dry and usually taunting, often leaving people who don't know her well to question if she's even joking in the first place.

Her relationships currently:

Lexie: Her good friend and someone whom she absolutely adores (but is completely friend-zoned; Darcy might be bi, but I was never really fond of the friends-to-lovers trope).

Kyle: The guy she hates to love. He's more than proven himself to be capable and reliable. In certain situations she even finds his temperamental nature enduring. But the way he seems to be satisfied with leading her on is leaving quite the bitter taste in her mouth. More than once she has concidered outright rejecting him and putting an end to what she keeps thinking is mutual attraction, but something always has her hesitating to do so...

Morgan: They call her by her title. They work well together, but not knowing them outside of work has always left a divide between the two. Their relationship is mostly professional, but after learning their actually a CID agent she is left her unsure on how to handle their relationship going forward.

CID: Initial encounter aside, she's chosen to be dismissive of them. She doesn't feel the need to respond to them unless it directly involves work. (She actively ignores R and has taken more of an action speaks louder than words approach).

Side Note: Kyle is her cannon route but I've been exploring the CID's routes with her with a "Kyle won't fucking do anything but the new arrivals seem to be interested" mindset, which is really fun. They are all so interesting ✨️

S: She keeps at a distance but can't help but to want know what he knows... as long as it's during office hours.

Definitely drawing more for this IF eventually!

[wilcze-kudly]

Using the Avatar state scenes as an example and saying this is katara relationship with aang is so vile 🤦‍♂️

https://www.tumblr.com/sunandmoongobrrr/662596151677190144?source=share

Ugh this take again. It honestly always exhausts me to see this because the thing about Aang going into the Avatar state is that it is, at it's core, a defence mechanism. Aang goes into it in life threatening situations, or otherwise, incredibly distressing situations. I've even pointed out its similarities to panic attacks:

Katara is an incredibly empathetic person, and she is able to emphasise with Aang's pain. Because a) she's just that type of person and b) her and Aang share the trauma of genocide and loss.

Katara's interactions with Aang when he is in the Avatar's state aren't based around tempering his anger, but providing comfort and reassurance. It almost seems that Katara just reminding Aang that she is there and that she cares is usually enough to calm him which makes sense. Because, at the core of it, Aang's greatest pain, likely the root of most of his nrgative emotions is that he is the last airbender. His people are dead, have been dead for ages. He is alone, the last of his kind, and it destroys him.

Aang: [To the winged-lemur.] You, me and Appa; we're all that's left of this place. [Looks at the lemur.] We have to stick together.

Enter Katara, who reassures Aang that she is with him, that she cares, that she won't leave him. Because she sees that he is hurting. She hugs him as normal people hug their friend when they are upset, and later, when their relationship is more established, it's just enough for her to make eye contact with him and remind him that she's there.

Katara : Aang! I know you're upset and I know how hard it is to lose the people you love. I went through the same thing when I lost my mom. Monk Gyatso and the other airbenders may be gone, but you still have a family. Sokka and I! We're your family now!

And I truly don't think Katara does this out of a sense of obligation or fear. She does this because she sees her friend, and later, romantic partner, is hurting. And she knows that pain intimately. So she offers her comfort. Of her own free will, because she cares.

Katara : Do you remember when we were at the air temple and you found Monk Gyatso's skeleton? It must have been so horrible and traumatic for you. I saw you get so upset that you weren't even you anymore. I'm not saying the Avatar State doesn't have incredible and helpful power ... but you have to understand ... for the people who love you, watching you be in that much rage and pain is really scary.

I think the emphasis on "the people who love you" is important here. Katara isn't afraid of the Avatar state itself. She is saddened and scared for Aang, because she knows he is in pain. And he is someone she loves, be that platonically, or romantically.

Side note; I always found it so cool that when Aang went into the Avatar State in the Avatar State episode and wreaked havoc on general Fong's base, Katara, who was literally in the middle of it, remained completely unharmed.

See, the theme with Avatar is that holding onto anger and pain can be incredibly self destructive. We see this, of course, with Zuko, but also with Aang and Katara.

Of course, we're shown how one's anger affects others, but we also see how painful it can be on oneself. Which is a very poignant theme that isn't often explored.

This is what Aang was trying to communicate to Katara in The Southern Raiders. And this is what people like this, who commented under OP's post don't get.

Oh, something crazy? Like for example going against her entire morality and do something she might regret for the rest of her life? That type of crazy? Hell, look at how strongly "The Southern Raiders" ties back to "The Puppetmaster", an episode about a victimised Southern Waterbender driven to near madness by her grief pain, and rage.

Aang isn't stopping Katara from feeling anger, he's trying to make sure she doesn't do something that will weigh on her and compromise her morals and ideals, because he knows how important they are to her.

Aang: The monks used to say that revenge is like a two-headed rat viper. While you watch your enemy go down, you're being poisoned yourself.

Hell, he even supports and believes in her, letting her take Appa and believing she would make the choice right for her. Which she did, in the end.

Aang: I wasn't planning to. This is a journey you need to take. You need to face this man. But when you do, please don't choose revenge. Let your anger out, and then let it go. Forgive him.

And no, I don't think he was trying to save face, since he has never had a problem disagreeing with Katara before, for example in the Avatar State episode, where he followed his sense of duty as the Avatar, despite acknowledging and valuing her criticisms of the matter.

Aang and Katara's relationship is one of mutual support, particularly in helping alleviate each others pain, since they are both genocide survivours, both lost a parental figure to the fire nation, both value their cultures and desperately try to perserve them etc.

I think some excellent aymbolism of this can be in how Aang tries to help Katara with her dismay and discomfort around losing her mother's necklace, something she's expressed was very valuable to her due to her loss. First by making a symbollic replacement, and then risking himself by retrieving the necklace from Zuko.

I also genuinely enjoy that in both of these instances, Katara put the necklace on herself? Like it would be so easy to just make a cliche meaningful scene where Aang puts it on her and "proposes" but theres almost something more appealing to me of Katara taking the necklace from Aang and putting it on completely on her own.

Katara does not need Aang to calm her down when she's angry, because, with the exception of the Southern Raiders, her anger is usually benign squabbling which is completely normal 14 year old behaviour. Wheras for Aang, his anger usually rears its head on rare occasions when he's in deep distress.

But Aang is there to comfort Katara, to bolster her confidence, to support her, make sure she's having fun almost whenever she needs it.

These are just a few examples of Aang providing comfort to Katara.

These actions may not be as bombastic and awe worthy as Katara ripping Aang out of a state of deity like power, but they are nonetheless important to Katara and make a big difference.

Aang and Katara's live language with each other is providing comfort, in any way they can. Be it by alleviating anger and pain, making the other feel good about themself, or connecting over the horrific genocides that brutally deprived them of their loved ones. You know, just normal couple things 💗

And this is where I could slander Zutara, but I'll simply tactfully say that Zuko... prioritised things other than Katara's comfort and happiness.

Also, incredibly rich that one of OP's examples of Aang going into the Avatar state out of anger was in the comics. OP neglected, however, to include the scene leading up to this where Aang is extremely calm and nonconfrontational until Zuko grabs Katara and refuses to let go of her despite both Aang and Katara telling him he's hurting her and then attacking Aang after Aang knocks him away from Katara.

Like hun this is not a good look.

And another point I'd like to raise is this persob in the comments who apparently watched the show blindfolded.

why are we still here just to suffer etc etc. Like have you folks even watched the show why do you have beef with a twelve year old who commited the crime of loving a girl his age. If you're that fucking upset about it you can just not have him do that in your mind palace you don't have to pick violence.

Aang is a genuinely amazing character who deserves so much more than what his haters say. It's fine if he's not your fave character I just don't understand why people have to be dicks about it.

Genuinely the only good thing I get from examining this type of bullshit rethoric is that it lets me inspect Kataang more closely and find new things I genuinely love about it.

[sepublic]

Hunter is NOT Luz’s brother, he’s not a Noceda, he’s not even that important to her compared to many other relationships Luz has and vice-versa. Like genuinely, go rewatch the show with this consideration in mind, cleanse the fanon for a fresh slate.

People just latched onto them as siblings because they found their Hunting Palismen dynamic funny, but also because they wanted to ward off Lunter. And they couldn’t articulate their dislike for Lunter as stemming from Luz’s longstanding dynamic with another female character being immediately replaced by fans for some white boy who just showed up, so they said they’re actually more siblings. It wasn’t an issue of biphobia it’s just people being tired of fandom inserting white boys into everything.

And FTR I hate Lunter, for the same reason I now hate the Luz & Hunter as Siblings take; It’s the fandom’s obsession with making Hunter more important than he actually is, to the point of replacing Luz’s actual important relationships with him. And hell even replacing Luz herself in her dynamics with her loved ones, because people portray Hunter as more Camila’s child than Luz when Darius is right there.

This fandom has a massive White Favoritism problem with Hunter, and he’s not even a female character he’s another White Boy, the most bland and milquetoast choice to raise as the fandom darling. He’s not THAT interesting and while him and Luz have their parallels and shared trauma and are still friends, what about Hunter and Gus? Or Luz and King, the latter explicitly calls Luz his sister but Hunter sure as hell didn’t! What about explicit on-screen dynamics huh???

ISTFG this fandom is overrun by Hunter content everywhere, he drowns out everyone except the literal main character and even she struggles sometimes! It’s because he’s a White Boy, that’s it. It’s not illegal to like Hunter, but you need to actually appreciate and engage with other characters accordingly instead of acting like that’s illegal. Hunter does the bare minimum and is lauded meanwhile everyone else goes above and beyond and is still overlooked for him.

Stop inserting him into everything we do not need Luz and Hunter angst we can just settle for Luz angst. She has other relationships and priorities you know and there’s so much more to this show than Hunter suffering. Sometimes you’ll even take Luz’s canon angst and give it to Hunter even! And try to make him more of a main character by inserting him into everything but he’s a side character.

So yes, your AU where Hunter is the main protagonist is racist. Especially if it doesn’t even explore Darius as his mentor, and has Eda take his place despite her barely interacting with him. And constantly praising Hunter for being a weird passionate nerd gets aggravating when Luz does the exact same thing but with greater emphasis, but gets ignored in favor of Hunter as she’s relegated to just Lumity.

And all of her additional depth and angst is just ignored for Hunter’s instead, sometimes they’ll even make up angst for him when other characters actually have it; I’ve seen popular fanart of a Luz moment where Hunter is in her place. Because fandom will sooner micro-analyze Hunter’s hands for nothing, than Luz going on a suicidal rant.

They’ll cradle Hunter’s trauma and suffering in their hands as a sacred and delicate subject, gnash at Darius for not being nice; But then sweep over Luz’s trauma and not realize how much certain things affected her, and why it’s fucked up to just ignore that in favor of bad AUs where Luz is a friend to Belos, who prompted a lot of her suicidal depression and scarred her face too.

They’ll insist Hunter should’ve been a bigger part of the finale and that Luz’s nightmare should’ve been her guilt for hurting him, as if it wasn’t already about Flapjack’s death and just her guilt towards ALL of her friends. So you know what, in addition to Hunter not even needing to kill Belos, I’m glad he wasn’t in that final battle and that the show reminded fandom who the actual main characters are (Luz, Eda, and King), which obviously pissed off a lotta people. Because it’s not like Hunter didn’t have major focus in the last two specials and S2B!!!!!!

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You and I, We’ve Grown Comfortable Here

Pairing: Lee x Reader

Summary: Two outcasts with nowhere to go decides to go nowhere together. In each other they find shelter, acceptance, intrigue and a bond neither expected to go as deep as it does.

Words: 13.6k

Warnings: not proofread, basically five fics in one (a year of their relationship developing), assault, hints at sexual assault, implied attempted rape, death, murder, cannibalism (bones&all hello), make-out sessions, blood, implied smut(?), panic attacks, implied abusive parents, kicked out of home, living in a car, crying, angst, slow burn, cannibals in love, hurt/much comfort, happy ending, lee's truck being a character in and of itself

A/N: i am so unwell, i wrote this whole thing in the span of ONE day. this man makes me unwell. anyway, if i ever write any other fics or drabbles for lee, unless otherwise specified, presume it is based on this background because i am obsessed with these two.

***

When you saw the headlights, your heart caught in your throat just a little. It was late, too late to be out walking down a relatively abandoned countryroad, too late to even be awake. With only the stars for company, you were dragging your feet as you were walking in the hopes of hitting a camping site soon. You had heard good rumours of one not far away from the town you are putting in your rearview mirror. Metaphorically of course, with no driving liscense or car, all you had to get from one place to another were your shoes and your bravery.

It had been a couple of months since you left home. Whenever you had the opportunity to sleep, you could still hear the shouting and the slamming of doors when your father finally threw you out for good. The home in question had never felt safe for you anyway, you had never fit into the small town cookie cutter they tried to press you into, even when it drew blood.

After all that, you might be best off alone you concluded, and have stuck to that as you made your way through the US. There was nowhere in particular you wanted to go, you just did not want to be tied down anywhere. You wanted to see, explore and feel.

You had been dabbling in hitchhiking over the months, always sending a silent prayer to gods you did not believe in before getting into the strange cars. With a knife always in the pocket of your hoodie, you felt relatively secure that you could defend yourself if worse comes to worse. Yet you knew you can never truly know. You tried to keep your head on you still.

There had not been any cars on the road you were currently occupying for the past two hours. It had, for a glorious moment, felt like yours. Just you and the pavement and the night. So, when the headlights lit you up for behind, you grew a bit weary. Part of you wanted to jump in it, unsure of how long you had left until the campsite, tired to the bone, but you knew you shouldn’t at this hour.

But you were also so incredibly tired.

The rumble of the engine neared closer and the driver dimmed the headlights. On your left, the car drove into view, an old beat up truck, and it was slowing down to stop beside you. Leaning over the passenger seat, a young man peered out through the rolled down window, a messy head of freshly dyed hair shining like a beacon in the dark. He watched you with a face torn between curios and cautious.

“You good?” he called out, trying to be heard over the noise of his car.

You didn’t answer right away. Instinct told you to keep walking, to keep your head down and stay invisible like you’d been doing all night. But something about him made you stop.

You squinted through the light. “What do you think?”

He let out a breathy laugh, the kind that was more habit than humor. "Yeah, didn’t think so." His voice was rough, not unfriendly, but sharp around the edges. He glanced down the empty road and then back at you. "Need a ride or something?"

Every ride so far had been a risk, a quiet leap of faith, and it wasn’t like you had a good track record with trusting people. Your parents had made sure of that, kicking you out like it was nothing, like you were the problem for being too loud, too you.

Still, you couldn’t keep walking forever. And there was something intriguing about this boy, out here alone in the night, just like you.

“I guess that’s where we’re at tonight,” was your response, and he nodded immediately with a halfsmile.

“Fair enough. Where you headed?”

“Anywhere but here.”

“Same,” he said, and for a moment, the two of you just stared at each other across the empty road. Something about him felt different — like he wasn’t just another passerby. You weren’t scared. Maybe that should’ve worried you.

He threw the passenger side door open. “You coming, or what?”

"Depends," you said, raising an eyebrow. "You a serial killer or something?"

He smirked, but there was a hint of something darker in his eyes, something guarded. "Not tonight."

"Comforting," you deadpanned, but you found yourself stepping closer to the truck anyway.

He watched you climb in with a kind of steady calm, like he was waiting for you to make the call. There wasn’t an ounce of threat in him, no leering or weird comments, just quiet, detached curiosity.

The truck smelled faintly of gasoline and something else, something metallic that made the back of your throat tighten, but you ignored it. There was a quiet ease to him, though, like he wasn’t thinking of you as prey – like he wasn’t thinking of you at all, really. He just… was. And it felt like enough.

The silence stretched between you as the truck rumbled down the road. Finally, you turned to him, curiosity itching at your thoughts.

“So, you pick up girls off the side of the road often, or am I just lucky?”

He gave you a side glance, something like amusement tugging at the corners of his lips. “Lucky’s a word for it.”

There was something raw in his eyes when he said it, a guarded edge you recognized. You didn’t push it. 

“I heard there is a campsite in the town over, I was thinking of maybe staying the night there,” you said, not wanting him to feel stuck with you in the car forever.

“The Meadows Site? Yeah, I was actually thinking of parking there for the night myself,” he said, giving you a curious glance before looking back to the road. “But it is a few more hours off.”

“Wow, I really am lucky you picked me up then.”

He snorted at that, a sound you somehow hadn’t expected to escape from him, but was amused to hear. You didn’t feel a need to chat further at the moment, and didn’t get the impression he did either. It was not uncomfortable though, the opposite actually. The atmosphere in his truck was comforting, to the point where you would almost fall asleep, though you really should not. Still, there was one thing left to ask.

“What’s your name, kind stranger?” you quipped, teasing tone evident in your voice. He smiled fully then, relaxing more into his seat.

“Lee. And yours, lucky girl?”

You told him your name and settled back into your seat yourself, watching the stars blur into the dark as the truck carried you further and further from everything you’d ever known.

***

It turned out you both had nowhere to go. No one waiting for you at the end of the line. No real reason for him to drive off without you the morning after your night spent in Meadows Site. He had borrowed you a blanket to lay on, thicker than the one you had been surviving on for a while now. After eating breakfast at a shop nearby that he showed you, clearly more familiar in the area than you, it just made sense to get back into the truck with him. That’s how you both rationalised it, as your eyes sparked with interest and entertainment whenever they met. Just made sense.

From that day, Lee’s truck became the closest you had had to a home in months. Maybe even years.

The miles between you and the world grew, but so did the distance between you and the versions of yourselves you left behind. You had nothing to offer each other apart from company, and nothing to lose from spending your days with one another. 

It became easy, almost too easy. Long stretches of road, music humming through the truck's radio, filling the space between the two of you. Conversations about nothing that meant everything — favorite songs, old memories that still hurt, silly stories from childhood, tragedies that were so massive it became intrinsically hilarious to you both, Stories you told in the dead of night when the world felt softer, more forgiving. 

Lee felt true in a way no other had. His company was comfortable, natural. A genuine friend that you could tease, maybe even flirt with a little when the mood struck. Nothing serious you would say. All in good fun, teenagers cruising through the Midwestern countryside.

It felt like forever, though it had only been a few weeks. The truck was a much better bed than the thin blanket you had relied on since you left the house you grew up in. You’d sleep in the backseat, sometimes curled up in the trunk with blankets piled up like a nest. On rare occasions, when exhaustion weighed you both down, you’d spring for a cheap motel, a temporary reprieve from the road.

The more you got to know Lee, the more that sense you had gotten about him on the night you met grew. Something was different about him, something you could taste on your tongue, a kind of unspoken understanding that simmered beneath the surface. You couldn’t explain it, not exactly, but there was something in Lee that reminded you of someone else. It wasn’t just the way he moved or the sharp look in his eyes – it was the way he held himself, the way he watched people, sizing them up like he knew more about them than they’d ever want to know.

You had known someone like that before.

Your uncle.

Your family never talked about him, not after he disappeared, but you remembered the day it happened like a movie in your mind. The last time you saw him. He had come to visit, just passing through, or so he said. You were young, but not young enough to forget the blood that stained his clothes, how his face was drawn, pale, like he was barely holding it together. How his teeth were off-white in a way you had never seen before. He had brushed it off when you asked him, saying he had gotten into a fight, nothing serious, but the way he smelled… it stuck with you.

The metallic tang of blood, the way it clung to him even after he cleaned up, how his eyes seemed wild and unfocused in the dim light of the kitchen. You could never explain it to someone without sounding insane. But yet somehow, you knew what he was. You knew.

Your parents didn’t say much about it then. They just watched him with wary eyes, their faces tight with something close to fear, though they never admitted it. When he left, they didn’t even look at that, and once he was gone they removed all photographs. They never mention him again, not even when you asked. It was like he had never existed. Like he had never even been part of the family.

You never met someone like him again, someone you could feel deep in your bones.

Until Lee. The Lee you looked at as he drove nonchalantly down roads, almost too relaxed to be sitting in a driver’s seat. He made all those pieces you had tucked away begin to slot together, forming a picture that put words to your instincts. The way your uncle had looked that night, the way your own body sometimes seemed to hum with something restless, it was all there, just waiting for you to acknowledge it.

You did not bring it up to him, it never seemed natural. And honestly, you didn’t feel the need to. For some reason, the idea of it all didn’t bother you. Lee was just Lee still, your road companion.

One night, you and Lee had parked the truck somewhere far off the main road, the stars stretched out like a tapestry above you. It was late, the kind of late where the world felt quieter, where the darkness seemed deeper, more honest. You were lying on a blanket in the bed of the truck, side by side, the silence between you comfortable but heavy, like something was waiting to be said.

The two of you had shared a lot already, more than you thought you had in you to share. He was still technically a strange man to you, it had not yet been a month. Still, you felt a bond with him you could not explain. His presence brought you peace in a world too large for you to grasp.

You could feel the weight of his gaze on you, the way his fingers twitched restlessly by his side, like he was working through something in his head. Lee had been quieter than usual lately, more thoughtful, more distant. You didn’t push him – he was always like that, a little withdrawn when he was trying to sort through whatever was going on in his head. But tonight, it felt different. More pointed.

Finally, he broke the silence.

"Do you… know?"

The question caught you off guard. It was so vague, so quiet, that for a second, you weren’t sure if you had heard him right. You turned your head to look at him, but his eyes were still fixed on the stars above, his expression unreadable in the dim light. There was something in his tone, though. Cautious, like he wasn’t sure how you would answer. Like he was afraid to hear it.

You swallowed, your heart picking up speed. "Know what?"

His jaw clenched, the muscles in his neck tightening as he shifted slightly, still not looking at you. It seemed like he had hoped you would not ask. He was always careful, always measured with his words, but this time, you could tell he was holding something back. He exhaled slowly, and then, without turning his head, he said it again, this time more direct.

"About me. About what I am."

There was no uncertainty in you about what he was referring to. There it was, the thing you had been skirting around, the thing neither of you had spoken aloud. You knew, deep down, that this conversation had been coming for a while, with all the time you spent together, but now that it was here, the weight of it felt like a stone settling in your chest.

Your mind raced, memories of your uncle flashing through your thoughts, the blood on his hands, the way your parents had never spoken about him again. The way it all lingered in you like electricity. 

You nodded slowly, your voice quiet. "Yeah. I know."

Lee didn’t move, didn’t say anything for a moment, but you could feel the tension radiating off him, the way his body seemed to coil like a spring, ready to snap. His fingers drummed lightly against the truck bed, a habit he had when he was nervous, though he’d never admit it. 

You wondered how he knew to ask you, if he had seen it in your eyes. You guessed you could ask him. But this moment hung in the air between you with such fragility. It felt like something had shifted irreversibly between you, and you were not yet certain if it was a good thing or not.

When he finally spoke, his voice was rough, strained. "And you… don’t care? Or what? You don’t wanna leave?"

You turned to him fully, propping yourself up on your elbow to get a better look at his face. The starlight cast shadows over his sharp features, but his eyes—his eyes were clear, burning with something raw, something vulnerable he never let anyone else see. They were straining to remain trained on the sky.

"I’m not scared of you, Lee," you said softly, your voice steady but firm. "Or of it. I know who you are. And I know you’re a good person."

Lee’s breath hitched, just for a moment, barely noticeable, but you caught it. His eyes finally flickered toward you, the walls he kept up so carefully starting to crack. He looked like he wanted to say something, but the words wouldn’t come. He just stared at you, a thousand thoughts racing behind his eyes, none of them quite making it out.

He swallowed hard, his voice dropping even lower when he finally spoke. "You don’t even know what I’ve done."

"I don’t need to," you said, your gaze locked on his. "I know you. I’ve been with you this long, and I think I have known all along. And I’m still here."

He stared at you for a long moment, his brow furrowed like he couldn’t believe what you were saying, like he was waiting for you to change your mind. But when you didn’t, when you just kept looking at him like none of it scared you, like you weren’t about to run, something in him seemed to shift. The tension in his shoulders eased, just a little, and he let out a slow, shaky breath.

"Why are you not afraid?" he asked, his voice quieter now, almost hesitant.

You shook your head, almost wanting to laugh. “You’re just Lee to me.”

Lee looked away again, his eyes tracing the stars, but his mind was far from the night sky. The silence stretched between you once more, but this time, it wasn’t heavy with tension. It felt lighter. Like a weight had been lifted, even if he wasn’t ready to say it yet.

You settled back in beside him, arm grazing his. Comfortable. 

For the first time in a long while, Lee let himself relax. He was always aloof, physically all over the place, but his mind remained alert. Now, he let it fall onto the pillow your words provided. He realized then, though he didn’t say it out loud, that the tightness in his chest, the thing he had been fighting for weeks, it wasn’t just nothing. He didn’t want to think the word, let alone say it. It had crept in slowly, so quietly that he hadn’t noticed it until it was staring him in the face. 

Love didn’t feel safe to him. Love was complicated, messy. Dangerous, even. And yet, here you were, sitting beside him, telling him you weren’t afraid, telling him you knew who he was and that it didn’t matter. That you’d stay.

It was a feeling he didn’t know how to name. Not yet.

He turned back to you, his eyes softer now, a faint smile tugging at the corner of his mouth. "You’re really not gonna leave, huh?"

You laughed a little at how he shared it like a revelation, shaking your head. "Nope. You’re stuck with me."

Lee let out a breathy laugh, a sound that seemed to ease the last bit of tension between you. He looked at you, really looked at you, and for the first time since he met you, he felt something close to hope. He didn’t say it, but in that moment, he knew he’d do whatever it took to keep you by his side.

"I could get used to that," he murmured, his voice quiet but sincere.

And as the two of you sat there, side by side under the stars, the unspoken understanding between you deepened, solidified. You weren’t leaving. You weren’t afraid. And for Lee, that was enough.

You fell asleep side by side, just you and the stars.

***

Nights passed like that, over weeks and months, with you and him slowly gravitating closer. 

Whether it be in the seats of the truck or the trunk, you always slept near each other. Originally you slept on either side of the trunk, or in each your seat, but as you spent most of your nights talking until either one of you passed out, it just felt natural to be close by.

Waking up with your limbs accidentally having gotten entangled, faces closer than you ever would be when conscious became a norm. The first time it happened, Lee woke first, but did not move until you woke, revelling in the touch of your body against his. Eyes studying your calm face, fully convinced this would be his only opportunity to be this close to you. When you came to, he pretended your movements woke him.

Neither of you spoke of it. There was no need to. Some things didn’t need words.

The more you got used to waking up entangled, the more intimate it became. You would find yourself laying on top of Lee’s chest, or his face would be tucked into the crook of your neck. Once this started happening, you both happened to begin to prefer sleeping in the trunk.

Despite your increasing comfort with each other, the nights were never completely peaceful. Sometimes you would wake up to find him gone, wandering somewhere. It was usually in the aftermath of a nightmare, but you also knew that he sometimes had other reasons for being gone.

You woke up in the middle of the night, the truck’s trunk feeling too empty, too cold. Instinctively, your hand reached over the space where Lee usually lay beside you, but all you felt was the crumpled fabric of his jacket. He wasn’t there. For a few seconds, you blinked in the darkness, groggy, your mind slow to catch up with the situation. The air felt wrong, too still, too quiet. That was when you noticed the faint sounds of movement just beyond the trees, down near the creek.

When possible, you two tried to park near a body of water, so you had the opportunity to wash up. You had also mentioned to Lee how relaxing you found lakes, and he started planning his routes around it after that.

You could hear heavy breathing and splashing by the water. Without thinking, you slipped out of the trunk, pulling on one of Lee’s hoodies he had discarded beside your blankets, and you quietly padded down toward the sounds. The moon hung low over the horizon, casting long shadows across the water, and that was when you saw him.

Lee was crouched near the edge of the creek, his shoulders tense, his hands dipped in the water. The pale light from the moon caught on his skin, but more than that, it illuminated the dark smudges smeared across his neck and arms. Blood.

He had not heard you yet, too focused on what he was doing – trying to scrub the blood away with frantic, almost desperate movements. He was shaking, his body too tense, like he was on the verge of unraveling. His shirt was torn at the shoulder, the material soaked in water and blood. His hair, usually a mess of carefully maintained chaos, stuck to his forehead in sweat-soaked strands.

For a moment, you didn’t move. You just watched him, heart aching at how broken he looked. It wasn’t like the Lee you were used to. This wasn’t the confident, quippy guy who could brush off anything with a smirk. No, this was the other side of him, the side he didn’t let you see. The one that carried all the weight of what he did, of who he was. The one that bled in more ways than just physically.

“Lee?” Your voice was soft, careful. You didn’t want to startle him, but you couldn’t just stand there, watching him like this.

He froze for a moment, his hands stilling in the water. He didn’t look up at you right away, just stared down at his own reflection rippling in the creek. “Go back to the truck,” he said, his voice rough, a little shaky. “I’m fine.”

But you could hear it. He wasn’t fine. Not even close.

A closer look at where he was sitting, you could see that he wasn’t fine physically either, his torn shirt revealing scratches across his upper body, bruises already forming along his arms in the moonlight. Whoever encountered your Lee tonight had put up a fight.

You ignored him, stepping closer, your bare feet sinking into the wet grass near the water’s edge. “You’re hurt.”

He let out a harsh breath, finally looking up at you. His face was pale, a little gaunt under the moonlight. His eyes, usually so sharp and full of something unreadable, were glassy. “It’s nothing,” he muttered, turning back to the water. “I’m just cleaning up.”

But you could see the way his hands trembled, how his movements were too rough, too quick, like he was trying to scrub the guilt away more than the blood. You stepped closer until you were beside him, crouching down at his level.

“Lee, look at me.”

He didn’t. His jaw tightened, and he kept scrubbing, the water turning pink as it mixed with the blood on his skin. 

"Lee," you said again, firmer this time, reaching out to gently touch his arm. 

He finally stopped, his hands hovering just above the surface of the water, but still wouldn’t look at you. “You weren’t supposed to see this,” he muttered, voice raw. “You weren’t supposed to—” He cut himself off, his shoulders hunching forward like he was folding into himself. “Shit.”

"What is wrong with me seeing this?" you asked quietly, your fingers tracing the outline of a bruise forming along his arm. "Why do you have to fix it yourself?"

He swallowed hard, still staring at the water. "Because you don’t need to deal with this. With me. You didn’t sign up for… any of this." His voice wavered at the edges, frustration mixing with exhaustion.

You shook your head, biting back the sting in your own chest. "You think I care about blood? About this? I knew what I was getting into, I told you so. If you’re hurt, I want to help."

He finally looked at you then, his expression flickering with something like disbelief. “You shouldn’t have to… see me like this. Like some… fuckin’ monster. No, no.”

“You’re not a monster,” you said firmly, and you didn’t waver. You tightened your grip on his forearm. You could see the bruises, the blood streaking down his neck in shapes that looked like somebody had scratched at him, put up a fight. You saw the way he clenched his jaw like he was holding everything in, trying not to crack open. You saw the way his eyes flickered with guilt, shame, like he couldn’t stand himself in that moment. The same boy that laughed with you in the car, who played jokes on strangers. Who usually tried to seem totally content with this lifestyle of his.

"Yes, I am," he whispered, his voice breaking. "You don’t… understand what it’s like. To have to do this, to –"

"I don’t have to understand everything," you cut him off, your hand sliding up to his neck, gently brushing through his damp hair. "But I know you. And I know you don’t have to do this alone. That is my choice, and I choose to be here for you."

He let out a shaky breath, his eyes closing for a brief moment like he was trying to pull himself together. But when he opened them again, you saw the vulnerability in them, the rawness that he tried so hard to keep hidden. He was struggling, fighting to keep himself together, to not fall apart in front of you.

You sat down beside him fully now, your knees brushing his, your hand still resting at the back of his neck. “Let me help.”

He hesitated, his pride fighting against the offer, but he was too tired to resist for long. Slowly, he nodded, his body slumping in defeat as he let you take over.

You helped him take of his torn t-shirt, leaving him bare to reflect the moonlight, and dipped it into the creek. The cold water soaking through the fabric as you carefully brought it back up to his skin, gently wiping away the dried blood from his face, his arms. He winced slightly when you dabbed at a few deeper cuts near his ribs, but he didn’t pull away.

"You don’t have to pretend with me," you said quietly, your eyes focused on cleaning him up. "You don’t have to be strong all the time."

Lee didn’t respond right away. He just watched you, his eyes following the way you moved, the way your touch was soft, careful. He let out a low breath, something like relief mixing with the exhaustion in his voice. “I hate that you’re seeing me like this.”

“Why?” You glanced up at him, raising an eyebrow. “Because you’re hurt? Or because you’re human?”

He laughed roughly at that, shaking his head slightly. “I haven’t felt human in a long time.”

You paused, your hand stilling for a moment before you continued cleaning the blood from his neck. “You feel human to me.”

He went quiet again, his eyes studying you, the way you didn’t flinch, didn’t shy away from the mess of him. For a long time, neither of you spoke. The only sound was the gentle ripple of the creek as you worked, the soft splash of water as you wrung out the bloody fabric.

“He-” Lee began but his voice broke. You were patient, continuing to tend to him as he seemed to wrestle with whether to continue the sentence. Eventually: “He was a bad guy. I always try to make sure they are.”

It broke your heart to hear the pleading undertone of what he was saying. What he was trying to convey to you.

You weren’t entirely sure what the best response was, but you settled on telling him you believed him.

When you were done, you leaned back slightly, your hands resting on your thighs as you looked him over. He still had some bruises that would take time to heal, but most of the blood was gone, his skin clean again under the moonlight. None of his scratches were in need of any serious medical intervention, but you made a mental note to stop by a pharmacy in the morning regardless.

“There,” you said softly, brushing your thumb over his cheek. “Better.”

Lee stared at you for a moment longer, his eyes flickering with something you couldn’t quite place. Then, without warning, he leaned forward, pressing his forehead against yours, his breath warm against your skin. His voice was barely above a whisper when he spoke. “You shouldn’t have to take care of me like this.”

You closed your eyes, your hands resting lightly on his shoulders. “I want to.”

For a long moment, he didn’t move, just stayed there, eyes closed and his forehead resting against yours. His breath slowly steadying as he let himself lean on you, just for a little while.

“Thank you,” he murmured, so soft you almost didn’t hear it.

You smiled slightly, your hand moving to the back of his neck again, gently threading your fingers through his hair. “I told you. You’re not alone.”

“Not alone,” he mumbled and wiggled his forehead against yours briefly before pulling back and getting up.

He stretched a hand out to you, ready to pull you back with him to the truck.

***

A few states had ended up in your rearview mirror since you turned that creek pink and your hearts slightly softer. The atmosphere between you had shifted yet again, growing deeper and deeper each time. There was no acknowledgement of it, but there didn’t need to be. In the unspokeness, you could grow bolder. The touches, the glances, they took up more and more space in your increasingly small truck. You would yet again wake up in each other’s arms, and it no longer felt accidental.

It was the small things, too. The way his hand would brush yours when you walked side by side, or how he let his fingers linger a moment longer when you passed him something. The way your legs would press together in the truck when you shared the cramped front seat, neither of you moving away. Sometimes, when the truck was pulled off the road and you were both leaning against it, talking under the stars, his knee would bump against yours, and instead of pulling back, he let it stay there.

It felt like you were both waiting for something. The tension was not sharp, it was warm, almost inviting. You both knew what was next, but neither of you had made the move to cross that last, thin line.

You and Lee had spent the evening like you always did—driving, talking, letting the hours slip away into easy silences and the occasional laugh. Planning where to head to next. You had decided to drive to see the silliest places you could find, asking random strangers was the weirdest tourist attraction they have heard of is. On the list is Ben and Jerry’s Flavor Graveyard, the world largest ball of paint and a nuclear waste adventure trail. The night had come over you, and you ended up parked on the outskirts of a town, the lights from them illuminating you even in the dark. The two of you sat on the hood of the truck, your legs dangling off the edge, shoulders brushing.

He was quieter tonight. You could sense it in the way his gaze kept drifting over to you, then back to the stars. His hand rested on the metal beside you, his fingers tapping a slow rhythm, like he was thinking through something he had not decided on yet. But it wasn’t the usual restlessness that seemed to rule Lee’s entire existence. This was something different. Something quieter.

You nudged him gently with your shoulder. “You’re awfully quiet for a guy who never shuts up.”

He huffed a laugh, his head tilting toward you, that familiar smirk tugging at the corner of his mouth. “Yeah, I get that a lot.”

“Ironic, isn’t it?”

You smiled, your eyes catching the faint light of the stars reflecting in his. It was moments like this that you felt the pull most strongly – the way his face softened when he wasn’t trying to keep his guard up, the way he let you see parts of him he didn’t show anyone else. There was something magnetic about Lee when he wasn’t hiding. It made you want to keep his doors open, to take them off their hinges.

His hand shifted, almost imperceptibly, his fingers brushing against yours on the deck of the trunk. It was barely a touch, just the faintest hint of skin against skin, but you felt it like a jolt, a reminder of how close you both were. You didn’t pull away, and neither did he. 

The silence stretched between you again, thick with something unspoken. It struck you how much serenity you felt in your soul in the silences with him, even when there was something brewing in it. You could feel him beside you, the warmth of him, the way his breath had slowed, his body still as if he was waiting for something.

Your fingers twitched, brushing against his again, and this time, you didn’t hesitate. You turned your hand over, palm up, an invitation as much as it was a question. Lee glanced down at your hand, and for a moment, you thought he might pull away, like he had so many times before. But instead, his fingers curled slowly around yours, his grip gentle but sure, and your breath caught in your throat.

Neither of you spoke. The understanding that had hung between you for weeks was right there, all you had to do was lean into it.

“Lee,” you whispered, not even sure what you were asking. You liked having his name in your mouth. 

He turned his body towards you at his name, shifting closer, eyes locked on yours. You could see the hesitation there, the way his brow furrowed slightly, like he was still fighting something inside himself, still holding back.

But you weren’t. Not anymore.

You leaned in, closing the space between you before you could second-guess yourself, your lips brushing his softly, testing. Just once, enough to give him an out, enough to say I’m here, if you are.

For a moment, nothing happened. Lee stayed perfectly still against you, his breath caught, his fingers tightening around yours. Then, slowly, almost tentatively, he leaned in further, his lips pressing back against yours, soft and warm. Open mouthed, lovingly.

It wasn’t rushed or desperate like you might have imagined. It was careful, deliberate, like he was letting himself feel it for the first time, like he wanted to make sure it was real. His free hand came up, brushing lightly against your jaw, his fingers tracing the edge of your face, almost as if he was afraid you might disappear if he didn’t hold on.

You deepened the kiss further, savouring his touches, the feeling of his tongue against yours. Your hand glided up to his chest, your fingers curling into the fabric of his shirt, pulling him closer. Slow but steady, the tension between you finally breaking in the gentlest way possible. It was like everything that had been building between you – every touch, every glance, every unspoken word – was spilling into that moment, into the way his lips moved against yours, into the way he held you like you were the only thing to hold.

When you finally pulled back, your foreheads rested against each other, your breaths mingling in the cool night air. Lee’s eyes were still closed, his thumb brushing over your cheek as if grounding himself in the moment, his lips parted, trying to catch his breath.

You stayed like that for a while, it didn’t matter how long. Few things mattered, you had found. Lee did. 

When he finally opened his eyes, they were unguarded in a way you hadn’t seen before. He didn’t smile, but the look in his eyes said enough. He was here, with you, in whatever this was.

He whispered your name, a late response.

You hummed with a smile, your fingers still tangled in his shirt. No words were needed. There were none that could be said, not now, not yet. 

Lee chuckled softly, a sound that felt more like relief than anything else. He slid down from leaning against the truck, to laying on the deck, still not letting go of your hand. You followed suit, for the first time purposefully laying your body half on top of his, head resting on his chest. 

No more waiting.

There was a whole civilisation right before you, just out of reach, but for the first time in a long time, you weren’t thinking about the next destination. You were here, together, and that was all that mattered.

***

Once that barrier was breached, you and Lee found yourself stealing kisses of varying intensity more often than not. There was no label on the two of you, with your pasts you both were guarded from being the first to admit the intensity behind your actions. Yet, the need to be close was not dissipating as the days passed, if anything it only grew the more of a taste you got for each other.

One night, you found yourselves at a dive bar on the edge of some no-name town. The music thumped through the walls, too loud and too fast, but it matched the energy buzzing between you and Lee. The dim lights made everything look a little hazy, like the whole world was moving in slow motion. Lee leaned against the bar, his back to the crowd, his eyes fixed on you as you stood close to him, sipping on a cheap cider that barely tasted like anything. He hadn’t drank much tonight, which made the way he was looking at you feel even more intense.

There was something magnetic about him, the way he carried himself, the way his arm seemed to naturally find its way around your shoulders when in public, protective and possessive without being overbearing. You could feel the heat of his skin through your clothes, and you leaned into it, enjoying the comfort of his touch. 

It was late, and the air between you was only magnifying your need for him, his fingers barely touching yours on the bartop like he was daring you to pull him closer. He only moved them to order another round from the bartender, shooting you a wicked grin.

“Thoughts?” he asked you as he handed you your new drink.

“This place isn’t too bad. The guy at the bar isn’t either.” The smile you flashed him was teasing and he all but rolled his eyes.

“Yeah, I guess we’re both alright.”

You were about to make some quip about his soft spot for dive bars when a figure caught your eye, and you tensed. A guy had sidled up to the bar a few feet away, his eyes fixed on you, too interested, too familiar. You glanced at Lee, but he was already clocking the guy, his body going still beside you, though his expression didn’t change.

The guy stumbled closer, his drink sloshing in his hand. “You two look like you’re having a good time,” he slurred, his gaze flicking between you and Lee with a smirk that made your skin crawl.

Lee’s jaw tightened, but he didn’t look away from the guy. His look could draw blood, but his voice stayed calm, almost flat. “We were.”

The guy either didn’t notice your discomfort and Lee’s adverse stance, or he just didn’t care. He leaned in a little closer, still grinning like this was all a joke. “Come on, man. Just trying to talk to her.”

You didn’t have time to respond before Lee shifted, his arm moving in one fluid motion to slide around your waist, pulling you against him in a way that felt natural, like he was drawing a line in the sand. “She’s not interested,” he said, voice low and steady, but you could feel the warning beneath the surface.

The guy blinked, clearly caught off guard by Lee’s calm intensity, and he let out a nervous laugh. “Hey, man, no need to get all protective. Just having fun.”

Lee kept staring him down, his grip on you tight, steadying you as much as he was putting space between you and the guy. “Well, you’re done,” he said, still in that same measured tone, like he wasn’t giving the guy a choice in the matter. “Go back to your drink.”

He raised his hands in mock surrender, backing off with a muttered, “Alright, alright. Chill.” Slunking back into the crowd, he cast a few annoyed glances over his shoulder, but lacked the bravery to follow up on his annoyance.

Lee’s body was still taut with that lingering tension, eyes scanning the room again before he finally let out a breath. He didn’t pull away from you though, his hand resting on your hip as if he needed the contact to remind himself that you were alright.

"You okay?" he asked quietly, his voice softer now as he finally looked down at you, concern flickering behind his eyes.

“Yeah,” you whispered, trying to take in what just happened and how swiftly Lee handled it. Never before have you gotten away from a situation with a creepy man so fast. 

“Are you?” you eventually asked, looking up to see his jaw still slightly clenched.

He nodded, his expression softening slightly as he glanced down to meet your eyes. "Yeah. Just don’t like guys like that."

You smiled a little, leaning into him, your hand resting lightly on his chest. "I noticed."

His lips quirked into a small grin, and it felt easy again, back to just the two of you, even in this crowded bar. "You ready to get out of here?" he asked, his voice low, his breath warm against your skin now that you stood so close.

“Think so.” You finished your drink and without another word, he took your hand, leading you out into the cool night air. 

The bar’s noise faded into the background as the two of you walked back to the truck, your fingers still intertwined with his. There was something about the way he was holding your hand that made your heart race. It was tighter than normal, his thumb brushing over your skin.

You stopped by the passenger side door and Lee immediatley closed the gap between you, pressing you gently against the side of the truck. His hands rested on your hips, it was as if he had realised he could place them there now. When his gaze met yours, his eyes flickered with something dangerous, something raw.

"You know," he murmured, his voice rough, "I will always protect you. In any situation.”

You almost didn’t know what to say. It was so simple, yet he poured so much emotion into those words, and you felt them entirely.

“I do know,” you whispered. “I have never felt safety like this before.” The last part felt like a confession more than an answer. 

Lee’s breath hitched and he laid his forehead against yours, leaning more of his body against yours, so you were flush between him and the metal of the car.

“I’ve been trying not to kiss you all night. You’ve made it difficult.” Lee looked into your eyes as he said it, searching your face for a reaction. His pupils were wide, gaze intense.

You felt a shiver run through you at his words, the heat between you burning brighter. "Then stop trying."

He didn’t need any more encouragement. His lips crashed into yours with a force that knocked the breath out of you, one hand sliding up to grip your face while the other remained held your hips tighter, closer. His kisses were always languid, open-mouthed and passionate. You wrapped your arms around his neck, fingers threading through his hair and pulling at it as you kissed him back with equal intensity, your body arching against his. His mouth was warm and demanding, and when he kissed you, it felt like everything else in the world fell away.

The kiss deepened quickly, his hands moving up under your shirt, the cool air mixing with the heat of his touch. His mouth trailed down to your jaw, your neck, each kiss igniting sparks along your skin. You gasped softly, tilting your head to give him better access, your fingers travelling to dig into the skin of his back

"God," he murmured against your skin, his voice rough and breathless, like he could barely control himself.

The two of you stayed like that for a while, merging under the stars, the truck a silent witness to the way your bodies moved together, the way you couldn’t seem to get close enough. You lost track of time, lost track of everything except the feeling of his lips on yours, his hands on your skin. He was beginning to become your Lee.

***

Living with Lee changed you in many ways, but the most important was that for the first time in your life, you felt free. Whether it was the boy’s attitude or his attentiveness to you, or the roads that stretched for miles like ink on paper, you settled into your own body and existence. You owned yourself and your destiny in a way you didn’t think possible.

As you shared more of yourselves with each other, you realised just how repressed you had been, just how much of you had been shut off. In your newfound safety in Lee, you could open up.

Things long locked away were stirring within you. Some painful, some exciting. And some, you didn’t have the words to describe yet.

For the time being, you were on a quest to a museum of the history of cheese that an old lady at a café had been raving to you about. It was another state over, but this sweet woman insisted it was worth it, and as you were the ones who asked her about a recommendation, you felt it only right to trust her word.

On the way there, you were stopping in a typical shittown, the kind where nothing really happens but somehow everyone knows everyone else’s business. Craving excitement after a long day in the car with your feet in Lee’s lap, you asked him to go looking through town for something to do. There was a bonfire party that night, something thrown together by a group of locals, and you figured that would do.

 The fire crackled in the center of the gathering in the middle of the forest, the air heavy with smoke and alcohol. Lee’s arm was slung loosely around your shoulders as you walked through, scouting the place.

"You wanna stay long?" he asked, voice low in your ear.

You shook your head, leaning into him a little. "Nah. Let’s just see how it goes."

He nodded, but you could feel the tension in him, like he was always keeping one eye on the crowd. That protective streak ran deep in him, and you couldn’t help but wonder where it came from.

The two of you settled down on a log by the fire, chatting with some locals and getting your kick out of listening to them drawl away about town drama. A man had been circling where you were sat, both you and Lee noticed, but he never approached.

Needing to get some water from the truck, you squeezed Lee’s leg and told him you’d be right back.

He let his arm fall from around you to let you up, but looked at you with concern. “Don’t be long.” You just smiled. He watched you go, his eyes lingering on you longer than you realized.

You were walking back with water in hand, still on the outskirts of the bonfire and shielded from view when you saw the man coming up towards you. He looked the exact same as every man who had been a bother to you since you began life on your own and your stomach soured.

"Hey," the guy’s voice was a slurred mix of alcohol and bravado, his grin too wide, too familiar. "Why’d you leave your pretty boy toy behind? Done with him and ready for me?"

Your skin prickled with unease, but you forced yourself to stay calm. “I’m good. You should head back.”

He ignored you, stepping closer. "Come on, don’t be like that. We’re vibing, right?"

He reached for you, his hand brushing your arm, and you jerked back instinctively. “Don’t touch me.”

The grin on his face faltered, replaced with something darker. “You’re just playing hard to get,” he muttered, his voice low and threatening now. "Girls like you always do."

“Back off!” you tried, but he took quick steps toward you.

Your heart raced, and before you could step away, his hand shot out, grabbing your wrist with bruising force. You twisted, trying to wrench yourself free, but he was stronger than he looked. His other hand moved to his pocket, and when he pulled out the glint of a blade, panic surged through you.

"Stop –"

"You’re not going anywhere –"

What happened next was a blur—a clash of instincts, fear driving your body into overdrive. He lifted the knife towards your throat, likely to threathen and not harm in the moment, but you could not wait to see how that would turn out. Your body moved before your mind could catch up, your hands lashed out, grabbing his wrist with one and prying the knife away with another. Suddenly the blade was in your hand, and when he threw himself on top of you, you shoved him off with one hand and used the knife with the other. 

It found its home in his neck.

You scrambled away, not yet realising what had just happened. At your hands. You stared at him in shock where he laid in front of you, the sounds sickening, wet gurgle as his throat opened up. Blood poured out in a thick stream, hot and fast, soaking his shirt.

In shock and desperation, you grabbed at the wound as if to counteract what you had just done, but he took that opportunity to grab you by the hair and neck, attempting to choke you. Fear surged through you once more, but his once-hard grip was already weakening and you could wrestle free.

By the time you recovered and looked up, the life had drained from his eyes. All you could hear was your breathing and the pulse in your head.

You could smell the blood. On your hands, on his clothes, still oozing from his wound. It was dizzying, the world becoming distant as you were trapped inside this bubble that consisted of the two of you. You and the corpse.

You realised you had never seen a corpse before, not in person. Smelling fresh blood was different from smelling it once it had harkened on Lee’s skin. Not even the thought of Lee could drag you out of the state you were slowly being pulled into.

Without fully acknowledging your movements, you moved back towards the man, the one who had wished you dead and died by his own knife. Your eyes were fixated on his wound, something building inside of you at a rapid speed. A coil built in your stomach, one you had known was there for essentially forever, without the ability to give it a name.

It snapped. And as it did, you leaned down and sunk your teeth into his neck.

Everything felt right, not the kind of comfortable right you had developed with Lee, it felt like your body was finally getting air after a long period of suffocation, it felt like water after a long run. It felt like a meal after having been starving.

Your face was buried further and further in the flesh, your mind completely void of all thoughts. Just your fingers and teeth, blood and bone. Feral, instinctive, lost in the hunger that just kept building, like it was never enough. 

"Shit."

A switch went off, and you were snapped back to reality. The smell of forest pine and moss, bonfire and smoke crept back in. As you slowly lifted your gaze, you saw him standing at the edge of the clearing, eyes wide, his face pale in the moonlight. His gaze was locked on you, and for the first time since you met him, you saw real shock on his face. Not fear exactly, but something close. Something you didn’t expect.

Horror.

“Lee…” Your voice broke, barely a whisper. The reality of what you’d just done hit you all at once, crashing into you like a wave. “Oh, God.”

Your eyes flashed back down and suddenly it was as if you realised you had a corpse at your feet. You scrambled backwards, breathing quickening, horrified and lost. You stared at your hands as tears were beginning to blur your vision, only worsened by how you couldn’t even see your skin’s colour through all the blood. Small curses kept spilling out past your lips as your eyes darted between the man, your hands and Lee.

“I– I didn’t mean to, I–” Your voice broke.

Lee took a step forward, his face still a mask of shock. For a moment, he just stood there, frozen in place, staring at the blood smeared across your skin. He’d always sensed something in you, always felt that you and him were the same in some way, but this… this was different. He hadn’t smelled it on you before. He had no idea.

“I didn’t– I don’t know what happened, I just–” You couldn’t make sense of it. Of anything. Your world was turned upside down.

“Hey.” Lee had made his way over to you, sitting on his knees in front of you. His voice snapped you out of your spiraling thoughts, low and firm but not harsh. He closed the distance between you grabbing your arm, pulling you up from the ground. His grip was steady, but there was urgency in it now. “We gotta go.”

You blinked at him, still in shock, the reality of what you’d done slowly settling in. “But –”

“I know, I know, okay?” He pulled on a piece of hair plastered to your skin by blood, tucking it behind your hair. “I get it. But we gotta go. Now.” His voice cut through your haze of confusion and guilt. He didn’t wait for you to respond, didn’t give you the chance to argue. He grabbed you by the waist, practically lifting you off your feet as he dragged you away from the body and into the trees.

The world around you blurred as he pulled you through the forest, his grip firm, unyielding. The pounding in your head drowned out everything else– the sound of the party, the crackle of the bonfire, the smell of blood still clinging to you. All you could think about was what you had just done. What it meant. What you were.

By the time you reached the truck, you were shaking, your breath coming in short, panicked gasps. Lee shoved you into the passenger seat, his hand still gripping your arm like he was afraid you might bolt. He climbed in beside you, slamming the door shut, his face hard and unreadable as he started the engine.

For a while, there was nothing but the hum of the road, the world outside the truck a blur of dark trees and empty stretches of highway. Lee didn’t say anything, his eyes locked on the road ahead, his grip tight on the wheel. Mind racing almost as fast as the car, as he sped down the highway, determined to get as far away from the scene as possible. You sat beside him, leaning your head on the dashboard in front of you as you tried to gather yourself. Your hands still trembling, blood still drying on your skin. 

You could barely breathe, the walls of the truck closing in around you. The reality of what you had done hit you again, harder this time. You had killed someone. Eaten someone.

You choked on a sob, tears already streaking the blood on your face. Your chest was tightening, your vision blurring. “Lee, I–”

There was no way for you to finish the sentence.

With your eyes clenched shut, hidden away, making yourself as small as possible in your seat, you couldn’t see the pained look he gave you. He needed to protect you by putting distance between you and the crime. But all he wanted was to pull you close.

“It’s okay. I will stop as soon as I can. It’s okay.” 

Eventually he caught eye of a discreet sideroad and veered the truck down it as fast as possible. He slammed on the brakes, parking the car on a plot of grass by a river. The engine cut off, leaving the night in a sudden, heavy silence. In the blink of an eye, Lee was out of the truck, opening your door to pull you out as well. You were too out of it, not processing anything that was happening. He ended up scooping you into his arms and carrying you bridal style down to the riverside. 

One bloody bride that is.

He sat you down by the water, his hands still firm on your arms, not giving you room to break down yet. "Sit here." His voice was softer now, but still edged with urgency. He knelt beside you, shrugging off his jacket and dipping it into the water. The cold night air hit your skin, but you barely felt it, still lost in the haze of panic.

You sat there, frozen, as he started to clean the blood off your hands, your arms, your face, as carefully as he could when hurrying. His touch was careful, deliberate, the way it had been when you first found him at the creek, battered and trying to clean himself up. But there was something different this time, something softer, more protective, like he wasn’t just cleaning the blood away, but trying to take some of the weight of it with him. Like he was saying, You don’t have to carry this alone. His jaw was clenched, eyes focused entirely on you, like he was trying to fix you, trying to put you back together piece by piece.

“Lee,” you whispered, your voice hoarse. “Am I–?” You couldn’t finish the sentence.

He paused, his hands stilling for just a second before he looked up at you. His expression softened, something breaking in his eyes. He reached up with a wet hand, brushing over your cheek and simultaneously cleaning some blood off. "You don’t have to be scared of it," he murmured, his voice low, steady. "Or of me."

You blinked, tears welling in your eyes. "I don’t understand."

“I’m here.” His fingers remained on your face, wiping away the tears before they could fall too far. “I’m not going anywhere. You hear me?”

You gave a faint nod. 

For a long moment, neither of you said anything, the weight of what had just happened hanging between you. He kept trying to get as much blood as possible off you, making you presentable again both in case someone saw you and to help you feel normal again. He didn’t try to explain it, didn’t try to rationalize it. 

“I didn’t mean to,” you whispered, your voice cracking. “He attacked me, I protected myself and then, then–”

“I know,” he said quietly, pressing a quick kiss to your forehead. “I know.”

Lee made sure your face and hands were free from blood, and then he helped you out of your stained sweater, leaving you in just your top underneath. He discarded it quick and turned back to you, grabbing your shaking hands.

“We need to move again, sweetheart” he said, voice low but certain. “We can’t stay too close.”

He stood up, reaching out to pull you up with him. His movements were quiet, purposeful. He didn’t rush you, but there was a tension in the air now, like he was calculating the next move. You could tell his mind was already working ahead, mapping out the quickest way to get you both far from the scene, far from the mess you left behind.

Your legs wobbled as you stood, your body still weak from the adrenaline crashing out of your system, but Lee’s grip on you was firm, guiding you back toward the truck. He opened the passenger door, helping you in before sliding into the driver’s seat. He tentatively took your hand with the one that wasn’t on the steering wheel, rubbing circles on it with his thumb as a silent comfort. The truck rumbled to life beneath you, and for a moment, all you could hear was the sound of the engine, drowning out the thoughts you didn’t want to face.

"I didn’t know it would feel like this," you whispered once you were back on the road, your voice shaking. "I never… I didn’t think I’d ever be like this."

Lee was quiet for a moment, his eyes trained on the road, like he was thinking carefully about what to say next. Finally, he spoke, his voice low and steady, though there was something distant in it, like he was pulling from his own memories. "First time I fed… I couldn’t stop shaking afterward. Not ‘cause of the blood. It was the way it felt. Right and wrong all at once. Like it was something I was supposed to be ashamed of, but my body just didn’t care."

You swallowed hard, the weight of his words hitting you in a way that made your chest tighten. It was exactly how you felt – the rush of power, the satisfaction of feeding, mixed with the horror of what you had done. You had never wanted this, but it was like your body had decided for you.

"I didn’t want to stop," you admitted, your voice barely above a whisper. "I didn’t even think about it. I just… gave in."

Lee turned to you, his eyes soft but serious, and for a moment, you could see the weight of his own guilt mirrored in his expression. "That’s what it does. That’s what the hunger is." He paused, his jaw clenching briefly before he continued. "It takes over. And once it does… it’s like you don’t have a choice anymore. You just need."

You shivered, wrapping an arm around your stomach, trying to shake off the phantom feeling of the blood on your skin, the taste of it still faint on your lips. "I’m going to need it now,” you said, the realisation setting in. “How do I handle that?”

He exhaled slowly, and you saw the streetlights reflected in his eyes as they grew somewhat glossy. "You learn. Little by little. You get to know the hunger, learn how to control it instead of letting it control you. I will help you with it. You won’t do it alone.”

The tears you’d been holding back started to spill over, and you turned away, trying to hide your face. "I don’t really know what to do with myself now.”

He remained quiet, just held your hand tighter. 

For a long while, you just sat there, letting the silence and the weight of his words wash over you. The night felt vast around you, you realised now that Lee had rolled down the windows for you. Likely to help you breathe better. You should have known Lee would understand, because of course he would. Yet, there had been fear that he would be angry, disgusted. He wasn’t, not even a little bit. If anything, he was calm. Steady. Like this wasn’t something that could break you.

He built a little bit of confidence you, even as you felt your insides caving in.

The road stretched out ahead of you in silence, the dark trees a blur outside the windows. Lee was counting the miles until it would be safe to stop for the night, just a little bit longer. The truck was filled by spiraling thoughts from you both.

Lee had to stop himself from going down a rabbithole of blaming himself. Thinking that he influenced you, that maybe, if you hadn’t met him you never would have discovered this part of you. He wanted to hate himself, he wanted to break down, but with every glance over at you he knew he couldn’t. Your feelings were what mattered tonight. He knew he needed to keep it together to guide you through it. 

You had been crying on and off for the past hour, struggling with too many emotions at once. To process the assault and the intense fear you felt. Guilt consumed you, but not necessarily for killing the man, as you knew you had to, but then you felt guilty about your lack of guilt, and it was a never ending spiral. You felt horrible about feeding on him, about the discovery that you were an eater. When it was Lee it didn’t bother you, because, as you had come to realise, you just loved him. You know he is good. But you? That one was harder.

Then, your mind went to more practical matters. You had killed someone, feasted upon their body and then abandoned it. There were so many layers of illegal in those actions, and a new kind of fear and panic grabbed you.

Lee had seen these emotions develop in his peripheral, subconsciously speeding a bit faster, looking for somewhere safe to stop.

Your chest began to tighten, the panic from earlier threatening to bubble up. “Lee…” Your voice cracked, barely holding itself together. “What if someone finds out?”

He glanced at you briefly, his face unreadable. “They won’t.”

“But–”

“We’re not going back. Not to that town, not anywhere near it.” His voice was firm, cutting through your panic with the same intensity he had used earlier. “By the time they realize anything, we’ll be long gone. We’re already long gone.”

His words were meant to be comforting, but they didn’t settle the storm in your chest. You squeezed your hands together, spotting some leftover blood around your cuticle. You felt like you couldn’t breathe, like the air in the truck was too thick, too stifling. The man’s corpse was laying on top of your lungs and you were suffocating.

“Lee… I…” You gasped, scratching at your skin, your vision starting to blur. You couldn’t catch your breath, couldn’t think past the overwhelming guilt, the horror of what you’d done.

He called your name, but you couldn’t register anything anymore.

The truck swerved again as Lee pulled off the road, gravel crunching under the tires as he pulled up to a small clearing, hidden behind a stretch of trees. An answered prayer. 

He immediatley turned to you, his brow furrowed with concern, his voice steady but laced with urgency. "Hey. Hey, breathe. Sweetheart, I think you’re having a panic attack."

You tried to speak, but your words got caught and you were doubling over in the space that felt more and more confining.

In a swift motion, Lee had pulled you over the console and into his lap, opening the door beside him to let in as much air as possible. He held you securely, tight grip meant to ground you as he tried to talk you down.

With a hand on your cheek, he made you meet his eyes. "Look at me. You gotta breathe, okay? In through your nose, out through your mouth. Focus on me."

You tried, but the panic had taken hold, your mind spiraling out of control. "I killed him. I killed him, and–"

"I know," Lee cut you off, his voice soft but firm. "You did. But it’s fine. It is fine, you are fine. I know. But you’re gonna be okay. You’re not in danger. Just breathe. Please breathe."

His words didn’t allow for you to argue, quelling your disagreements before you could make them. He cupped your face, stroking his thumb along your jaw, and exaggerated his breathing so you could follow it. In and out. He was so close, his eyes locked on yours, and for a moment, all you could focus on was him. He was pulling you back from the edge.

"Breathe," he repeated, his voice a low murmur. "That’s all you need to do right now."

You closed your eyes, following his lead, trying to pull air into your lungs the way he told you. In through your nose. Out through your mouth. Slowly, painfully, the tightness in your heart began to ease, your breath coming in shaky but more controlled gasps.

When you opened your eyes again, Lee was still watching you, his hand still gently cupping your face, his thumb brushing away the tears you hadn’t noticed falling. "There you go." His voice barely above a whisper. "Just like that."

You let out a shaky breath, leaning into his touch, your body still trembling but no longer on the verge of breaking. "I’m sorry," you whispered, your voice fragile and raw.

Lee shook his head, his gaze softening as he looked at you. "Don’t be. You didn’t do anything wrong."

You wanted to argue, to tell him that you had done something wrong, something unforgivable, but the way he was looking at you – like you weren’t broken, like you weren’t some monster, made the words die in your throat.

"I’ve got you," he whispered, his forehead resting against yours. "I always got you. You’re good."

The weight of his words, the certainty in them, settled deep in your chest, pushing back the panic, the fear. You weren’t alone in this. You had Lee. You always had Lee.

You stayed like that for a while, just sitting in his lap in the truck, your breath finally steadying as the night stretched out around you. You didn’t notice how hard you were holding onto Lee, clutching his shirt and even some skin, but he didn’t say anything either. He just stayed beside you, his hands never leaving you, grounding you, pulling you back from the edge every time the panic threatened to take over again.

You breathed together. Through it all.

After what felt like hours, he finally spoke, his voice quiet but sure. "Let’s get settled down, okay?”

You nodded, too tired to argue, too drained to do anything but follow his lead. Lee helped you out of the seat, his arm steady around your waist as he guided you down. He went around the truck, gathering the blankets from the backseat, more than he would usually grab, and set up your usual makeshift bed in the trunk as quickly as possible.

Together, you climbed into the softness he had created just for you. It felt odd to do something so familiar when it felt like everything had changed. Lee had not, still watching you, as he leaned back against the cab of the truck. You pulled on one of his sweaters, settling in beside him. He tangled your feet together and grabbed your hand, but didn’t initiate more than that, expectantly waiting for you to process your thoughts out loud with him.

Your eyes were slightly glossy again when you whispered, "Thank you."

He shook his head, immediately softening. "You don’t have to thank me."

"I do," you whispered, your voice catching. "You didn’t have to do any of this. And you did."

Lee’s hand tightened slightly on your knee, his thumb brushing over the fabric of your pants. "Of course," he said, his voice low but firm. "You’re stuck with me, remember?"

A small, broken laugh escaped you, something warm flickering in your chest. You looked up at him, tears blurring your vision, but there was a kind of quiet relief there, too. Lee’s gaze was steady, unwavering, like no matter what had happened, no matter how far you had fallen, he was there to pull you back.

"Lee…" you started, but the words caught in your throat, too many emotions swirling inside you to put into words.

He seemed to understand anyway. Without saying anything, he angled himself more towards you, his forehead resting against yours. The closeness, the way his body pressed gently into yours everywhere, was enough to calm the last of your racing thoughts. You let out a shaky breath, your hands reaching up to gently hold his face, your fingers brushing through his hair.

For a moment, you just stayed like that, your breaths mingling, the world narrowing down to just the two of you.

"I’ve got you," he whispered, his voice so soft it was almost lost to the night air. "You’re safe."

Something in his voice, the way he said it, made your heart clench. He had never said it out loud, but you knew. He tipped your chin up, meeting your lips with a searing kiss, one that felt like promise. 

It felt like forever before he pulled away, far enough to be able to see your eyes, searching your face for more hurt to quench. You could see his bottom lip quivering slightly before he said it.

"I love you.” 

Life stilled in the small clearing, and the weight of the past year came tumbling down on you. All you had done, all that had changed. How painful it had all been. How worth it it all was, to be sitting here in this boy’s arms now.

You took him in, your breath shaky. His words hung in the air between you, raw and real in a way that made your pulse race. 

He smiled, understanding your reaction. His forehead went back to yours, his hands cradling your face gently, his thumbs tracing slow, soothing circles against your skin. There was nothing aloof about him now. He was all here, in this moment, focused on you like nothing else mattered. "I'm serious," he murmured, his voice soft, the vulnerability in it something you'd never heard before. "I love you."

Your throat tightened, grappling with the weight of it all. "Still?" you whispered, your voice trembling. 

His grip tightened slightly, pulling you closer, his breath warm against your lips. "You think this scares me? You think any of this changes how I feel about you?" His gaze was intense, a burning passion that steadied you, even as your heart threatened to tear itself apart. "You’re still you. This doesn’t make you someone else. So, yeah. Still. Always."

Your heart soared, a flood of emotions you hadn’t expected surging to the surface. You kissed him again, slowly, just lips pressed against lips as you tried to calm yourself.  "I don’t know what life looks like for us now.”

"Then we’ll figure it out," he said simply, like it was the most obvious thing in the world. Like there had never been another option. “Part of the fun, right?”

He pulled away just to kiss your forehead and temples, lingering there for almost a beat too long before pulling back just enough to look into your eyes. "You're not alone in this. I’m not letting you go through it alone. Got it?"

You blinked back the hot, stinging tears that threatened to spill over. The calm in his voice, the unwavering certainty in his eyes grounded you like no else. It felt impossible, but here he was, telling you that you weren’t lost, that he wasn’t leaving, no matter what happened.

"I need you, you know," he whispered against your cheek, kissing it once more. "I don’t think you get that."

You let out a shaky breath, your fingers curling into the fabric of his shirt as you pulled him closer. You clung to him. "I do," you said, your voice soft but firm. "I need you, Lee. Desperately."

A faint smile tugged at the corner of his lips. "Then don’t overthink it." 

And before you could respond, his lips were on yours again, kissing you like it was the only thing keeping him alive. There was a quiet desperation in the way he kissed you, like every ounce of the feelings he couldn’t quite say were being poured into that moment. His hands cupped your face, pulling you closer, deepening the kiss as though he was trying to erase the space between you.

You kissed him back with the same intensity, your fingers tangling in his hair, your body pressing into his, craving the closeness, the connection. Everything else faded into the background, drowned out by the steady rhythm of his heartbeat and the warmth of his hands on your skin.

His lips left yours for just a moment, brushing against your jaw, then trailing down your neck, each kiss soft but deliberate, making your breath hitch. "I’m not going anywhere," he murmured again, the words muffled against your skin. "You’ve got me. No matter what."

You couldn’t find the words, so you kissed him again, your hands tightening in his hair, pulling him closer. He responded instantly, his arms wrapping around you, holding you tight against him as though he was afraid to let go, as though you might disappear if he loosened his grip.

For a long moment, the world was just the two of you. Nothing else mattered. It was just you and him, and the quiet understanding that you were in this together. 

When you finally pulled back, breathless, your forehead pressed to his, you let out a laugh, more from the relief of having him here than anything else. It made him give you a curios smile, just happy to see you regain some of your usual behavior.

 "So," you whispered, your lips brushing his as you spoke, "are you gonna say it again, or what?"

He let out a low chuckle, his arms still wrapped around you, his thumb brushing lightly over your cheek. "I love you," he said, his voice warm, no hesitation this time. "I love you. I’m not scared to say it, even if you make me say it a thousand more times."

"Good," you murmured, leaning in to kiss him again, softer this time, but no less meaningful. "Because I love you too. And I’m not letting you go."

A faint smile tugged at his lips, and he kissed you back, slow and lingering, like he wanted to memorize the feel of you against him. When you finally pulled apart, you were both breathless, his forehead resting against yours.

"We’ll figure this out," he promised softly, his fingers tracing idle patterns along your arm. "Whatever happens, we will be fine. Together."

You nodded, your heart finally settling, a sense of calm washing over you. "Yeah. We will."

And with that, the two of you sank down into the blankets, the night quiet at last. Lee’s arm stayed wrapped around you, his lips pressing soft kisses to whatever exposed skin he could find, as if he couldn’t quite believe that you were real, that this moment was real. 

As you lay there, tangled together, the world felt a little less terrifying. You had each other, and somehow, that was enough.

[electraslight]

heyo, its been a long time since i did an analysis!! this time on a more controversial subject: Rook Blonko. And how I think he was robbed.

When you actually look at the way Rook is written in omniverse, they dont give him very much to work with. like revvonaganders and their culture are cool, but rook feels so underdeveloped as a person outside of his culture. hes kind of a gwen in a way; hes got bare minimum flaws but he's treated like hes in the right when hes doing something actually flawed. hes never condemned for treating ben the way he does and he doesnt even have a consistent arc. he doesnt feel like a teenager, he doesnt feel like he has any sort of character progression, hes just kinda there, and his lack of depth in character-to-character situations is only amplified by the lack of holding him accountable for negative traits he possesses, instead punishing ben or ignoring the behavior. Instead of writing a scenario where Rook is in the right and ben is in the wrong, or showing rook behaving poorly and have him learn from his actions, i can hardly think of a time where rook was shown to be wrong for his treatment of ben.

For example in a scenario where Ben is keeping personal information from Ben, and rook wants to know it for the sake of their partnership, instead of portraying Ben in the wrong properly by showing his keeping of said information being harmful to the public or his friendship to rook, or have the information be personally important to rook making Ben's keeping of it harmful, instead rook has scoured Ben's file for all information and is asking about something that is of no matter to him entirely because he doesn't know it. He pesters Ben incessantly even when Ben has told him firmly no. Tjis is a recurring issue, where it seems like the story wants rook to be right but is ignoring context and the way he goes about it.

This would be an aggravating issue but ignorable if rook had anything resembling a consistent arc, but he doesn't. the conflict of rook idolizing ben and meeting him and realizing hes not what rook thought he was is interesting, but its always treated as if bens in the wrong for not living up to rooks expectations. rook overstepping his boundaries with ben due to being a huge fan and maybe cultural differences is interesting, but its never portrayed as a flaw on rooks end, more like bens fault for keeping the information. his struggle with his culture and staying connected with it, his conflict with his father about his career path, his relationships to his siblings, him slowly watching revvonah be plundered for its resources as the series goes on, i love that, thats genuinely interesting. but they never talk about it outside of those episodes. rook is in the wrong often and it brings up a lot of interesting questions about him as a person, but they dont talk about that in favor of treating him as bens babysitter, or setting up a joke where ben is the punchline.

It's disappointing to me that rook was never given the attention he deserved. Like i said, there's a lot of good stuff in his framework that's just begging to be explored, but his lack of an arc makes him feel so one note after a while and really dampens his relationship with ben. Since rook is not a character on the same level as ben, he feels less like an equal like they tried to illustrate and more of a plot device. They even threw away the most interesting conflict between ben and rook; rook being book smart and ben being street smart, experience over training. Ben and Rook hardly ever have issues based on this other than rook misunderstanding a joke. This is why rook and ben feel like such a flat relationship to me.

all of this to say: rook fans. Please, for the love of god, work your magic. He's got all the pieces there, and i am certain you can do something special in fanworks about him. Don't let the show being lackluster hold you down.

[teruuu]

Exploring The Complexities of The Lamb and Narinder’s Relationship

Long post warningsgsgsgsgsh!!!!!! 🥺🥺

For those of you who want a quick rundown of what the AU’s about, check out the link at the bottom of the post.

Warning: Mentions of Cannibalism, Unhealthy & Obsessive Relationships, and Spoilers for The Art of Acquiring Devotion

Now, firstly, I’ll have to give my thanks to @nimbudcat for providing me with ideas as to how the relationship would function and opening the gateway for me to fully explore all the nooks and crannies of their romance.

I’m no expert on the deep complexities of toxic relationships, so I don’t have the courage to fully label the Lamb and Narinder’s love as ‘toxic’, but I know damn well that it’s not a normal love at all. Let’s think—what is a normal, healthy relationship composed of? Trust, of course. Mutual love and trust, absolute honesty... Those are the most basic building blocks of a healthy relationship. In this AU, for Narinder and Lamb, those concepts are extremely warped. They have all of those components in their relationship, but it’s so twisted that it’s difficult for me to define their romance as either healthy or unhealthy.

Narinder and Lamb trust each other, and it runs so deep that the best descriptor for that trust is pure devotion. They trust each other with their lives. This may not make sense since they are immortals, but think about it—the cannibalism that they inflict upon one another results in death for the two, each and every time, and they trust only one another for their resurrections. They allow the most vulnerable parts of themselves only to one another, and this is so incredibly meaningful because of all the aspects of their pasts. They trust themselves of course to always only tell the truth to each other, and the love that they share is simply reverent.

Now, let me elaborate on why all the things I expanded on above mean so much. Let’s start with the Lamb. I as I said in my previous post, the Lamb’s past for this AU is derived from my fanfic. We don’t know much at all about pre-sacrifice Lamb in-game, so I took the liberties to expand on their world myself. I’ll allow some passages from my fanfic to speak for itself:

It was through these traumatic experiences that the Lamb became hungry at the thought of companionship. No, the Lamb doesn’t just want some of Narinder’s Big Fluffy Gyatt™. As I’ve depicted in my other artworks, in this AU the Lamb considers Narinder as their savior, their one and only salvation, and perhaps the only person that has ever cared about them. And this is where things start to get murky—it’s because of this that the Lamb is so incredibly attached to Narinder and is absolutely insane about him.

The Lamb isn’t just attached, actually. They’re obsessed with Narinder. So obsessed that they develop a panic if they don’t hear his voice after more than half an hour. So obsessed that they begin to see any and all followers that interact with him as an enemy. This is also why I hesitate to consider this as toxic, because, see, Narinder likes it.

Moving on to Narinder’s part of the AU, it’s important to understand that, although he pretty much brought it to himself because of his high and mighty behavior, he was also quite isolated in his earlier years.

For Narinder’s side, he firmly believed himself to always be in the right. Think of it as a mad scientist whose ideas are way ahead of his generation. He had innovative thoughts and concepts in mind in the duration of his reign. He’d been supplemented by the knowledge that Shamura had provided him with, and that caused him to possess the mind of a radical inventor. Unfortunately, his ideas were less than desirable for the rest of his siblings and his own followers, so little by little the worship he received dwindled. Narinder was frustrated by this—why couldn’t anyone see the genius that he had to offer? Initially he had good intentions in mind, but he grew a tyrannical mind and eventually decided that the only way for the world to see his wonders is to force it beneath his feet.

Eons of imprisonment provided no aid for his mind. What once was a head full of wonders that could potentially change the world for the better became a twisted and cruel version of itself. Violence and revenge plagued his mind, and it became his one and only obsession. So, when the Lamb came to him, he relished in the worship they had to offer.

Their devotion for one another is purely mutual, but at the same time fully in their own self-interests. The Lamb is devoted to Narinder because Narinder is all that they care about in their mind, and they desperately require Narinder for them to continue living on. As for Narinder, he had never acquired such a passionate follower before, and he grew an addiction for the love that they have to offer. I don’t know if it’s a good thing or not.

They are incredibly violent for one another because that’s all they know. They don’t understand what it’s like to have a normal relationship. They cling to one another, kill for one another, and eat one another because they need each other so badly. The cannibalism is an expression of their eager desire to simply blend into one another because that’s just how much they want the other.

They know it’s wrong. They hate that it’s wrong. They hate each other for making each other feel so wrong and so crazy. But they so, so want it to be right.

(Okay sorry for the bad essay lmao adios)

[azrielgreen]

✨PRISM Q&A✨

-Answering all built up ANONs and DMs about ✨PRISM✨ thanks for all the love, support and enthusiasm to each asker!

Q: Building on the topic someone else asked about how prism Eddie would be if he and Steve had kids… you said he would ultimately love them and be fiercely protective of them because they are an extension of Steve (and himself), and I do see that happening but im also thinking of another possibility: Eddie is definitely (and I think you two both said so?) a Narcissist, so from real life scenarios, I’m wondering if he would-and let’s pretend Steve could carry children in this hypothetical-like the lead up to having kids (aka Steve’s pregnancy and planning ahead), but when the baby arrives, would find himself being rather annoyed by Steve’s shift in devotion to someone else, even if that someone is their kid. I know he does not exclusively have narcissism so there are other factors, but I could see how Steve shifting his focus to their kid could act as an-unexpected or not-conflict for him. I also do wonder if the more realistic scenario of adoption would change things, as they wouldn’t be as connected-genetics wise-to Steve…. Hopefully this makes sense also I’m so excited for prism to come back next month!!!

A: I’m genuinely obsessed with how many people want to discuss an Omegaverse!Prism AU, it blows my mind! So, yeah building on the aforementioned answer, I don’t believe there would be any conflict in terms of Steve’s attention. Eddie likes that Steve has the kids, Robin, etc… he see himself as very generous and does have his own life to tend to, so there would be a decent balance. What he wouldn’t like is if Steve tried to leave and take the kids, if someone ELSE tried to interfere with his parenting or turn the child against him. Prism Eddie has narcissistic traits, absolutely, but that’s not his full disorder, or certainly not his main one. Adoption would be much the same, Eddie loves the idea of building a family/found family and creating a little village (cult-like commune) for their chosen few. It wouldn’t be that different from Steve being pregnant and creating kids of their own DNA. Eddie can sway anyone, look at Will. All that being said, I think Eddie WOULD struggle with clashing with Steve over parenting ideology. Eddie is obsessed with creating a family around him and the person he loves and he’ll do it one way or another, as we will see a fair amount of in Part Three. Ultimately, Eddie saw very clearly a lot of the mistakes Billy made in isolating Steve and told himself he wouldn’t make those same mistakes (even if sometimes he DOES, just in different ways) so no, I don’t think he would be resentful of Steve’s focus onto their children. Eddie has no North without Steve. If Steve loves something, so Eddie feels like he loves it too, i.e. Robin. There’s a degree of nuance about the things Eddie himself loves and how he loves them, and the majority of it revolves around Steve so in a way, Eddie would follow Steve’s lead a great deal with the kids and respect the path HE carves.

Q: This is spoiler territory so I get it if you can’t answer, but will Steve ever be made aware in some capacity of the type of person Eddie is- like what he’s done and how manipulative he has been throughout their entire relationship? Or are these traits something that Steve would just be into anyway?

A: I can definitely answer to some degree! Yes, Steve will realise some of what you mentioned here, some of it he recognises over the next few chapters as Eddie opens up more now they’re TOGETHER✨. Some smaller elements Steve is already putting together. What I will say is that Eddie does not want to hide who he is from Steve forever.

Q: In Prism, do you think if Billy was let out of prison and went back to find Steve do you think Steve would give in and get back with him?

A: We’ll get to explore this in Part Three to some extent, so I won’t spoil anything but what I will say is that all characters in this fucked up little soap opera are always changing and growing (even if not in good ways) and that Billy and Steve are not the same people they were the last time they saw each other. I don’t think for a second Steve would “get back with him” even without Eddie, but Steve will always love him to a point. Billy’s focus on Part Three is less about getting Steve back and more getting him away from Eddie.

Q: Does Prism Eddie kinda still want Billy? I think about their post-cocaine bathroom all the time and how later he thought to himself he’ll always love Billy in a way, and I know you have said Billy is coming back for part 3!!!

A: Yes, there’s a part of Eddie that’s fascinated by Billy, strangely affectionate towards him (how he thinks of it, the way a cat is “affectionately” playing with a mouse) and they’ll have their own dynamic in Part Three, definitely. There’s a couple of scenes I’m insanely excited to write with the two of them!

Q: I AM VIBRATING OUT OF MY SKIN ABOUT “THE EVENT TM”!!! please can you give any hints?? we beg a morsel

A: ahh, I really don’t want to spoil anything so I’ll tread very carefully. Hmm, I suppose I could say that the Event (due in around 2-3 chapters time) is a catastrophe as of yet unseen in Prism for the fallout it causes and that it puts foundational cracks in everything.

Q: How do Eddie’s six play into the third part? I’m constantly rereading all their scenes, imagining their backgrounds, how they came to be where they are now. You’ve created this fully realised world and it’s just mind-blowing.

A: We’ll learn more about his six as the story unfolds, but for the most part, they can’t be brought in close to the “family” in the town yet. There will, however, be scenes where Steve meets them all in the next chapter or so!

Q: would you consider making any Prism merch? Would buy a journal or a candle in a heartbeat!!!!!

A: Ahh that’s so kind! I’d love to, actually. A journal would be SO cool!

Q: Hi!!! I love Prism WAY way too much and I think a lot about Eddie’s tattoos!!!! Do you think we could ever get to see what the finger tattoo/cult tattoo looks like? Or his wolf? The winged creature? Not that I’m obsessed at all!!?

A: Yes, I’d love to do that at some point. I could probably post the finger tattoo (sword through the sun) although I’d say to wait because over the next few chapters, there’s a couple of new additions!

Q: Hi Az!! Huge fans of you and Brooke! Can I ask how you manage to write SO MUCH and yet keep it so tight?🖤

A: That’s so kind! I think we have a very strict editing process whereby we both make multiple passes of a single chapter. I also tend to reread past chapters fairly obsessively, keeping track of continuity, dates, patterns. We ALSO have several docs for idea pools and detail tracking plus a VERY IMPRESSIVE timeline I made myself which I can’t post sadly because it’s full of spoilers. We work very well in tracking little things that would definitely get out of control otherwise, it’s a beautiful system.

Q: Do we ever find out what happened to Will?

A: I actually am not sure if we’ll share explicitly what it was that happened, as it’s equally impactful not knowing and casts a shadow either way, but maybe!

Q: in the Prism A/B/O verse, would Steve miscarry due to Billy beating him?😭😭😭

A: Sadly yes, and quite often.

Q: can we expect some Prism merch ?! 👀

A: absolutely, I’ll run a poll for what people would like

Q: Are there any plots or scenes in Prism that you and Brooke thought would go one direction but ended up being something entirely new or different when it was finished?

A: Yes! Several, actually. Most times when this happens, we sort of lay it out and discuss it and the scene is usually very cold and brutal and then when we write it, it ends up being much more emotional than expected. One excellent example of this is very early on in Chapter Three where Steve and Eddie first have sex. The scene when we planned/started writing it was so upsetting I actually had a panic attack and that’s not because it was graphic or cruel or anything like that, but just the fact that it was, as we had written it that way, very clearly a rape scene. We ended up rewriting it -you can see the change where Eddie pulls away and says “no, I’m not doing this, he doesn’t want it” and sits in the chair and then STEVE has to pursue Eddie, which was so much worse than it being point blank rape but it just evolved that way naturally. I think I experienced my first severe bleed with Eddie and how WRONG it felt to do it that way which was extremely unsettling and upsetting. We since have boundaries in place to help us with the more triggering elements, Sometimes, however, a scene just naturally evolves while we’re writing it and we go with it. The argument between Billy and Steve before the crash was much simpler in it’s planning, so watching it become what it did was amazing. Honestly though, the entirety of Prism has become far grander and larger than what we ever set out to do and encouraging the evolution of it is, I think, our finest trait as co-writers. Many incredible ideas begin as one of us saying in a voice message “OK, this might be too much, but--!’ and then the other being open and encouraging of whatever madness it is. Prism really is the perfect example of what imagination running riot can do with a good support system. @thorniest-rose what were some of yours?

Q: Will Steve and Eddie refer to themselves as an official couple now that they both know how much they want each other or will it take a while for them to establish themselves as boyfriends? I know it didn’t really take long at all for Billy & Steve to be a thing, but with Eddie will they go the friends with benefits route or will they choose to take things ‘slow’ in their own flawed ways? - I know you guys have said, well as far as I can remember have said that Eddie won’t be physically abusive/harmful to Steve so I don’t expect that type of abuse, however we know that Eddie is still a bad, morally grey person and I can’t help but wonder if he’ll be emotionally, verbally, or mentally abusive to Steve? How will their unhealthy relationship dynamics come into play?

A: Steve and Eddie are absolutely not going to waste a single second of time in establishing themselves as boyfriends. This question honestly makes me giggle with glee because Eddie would marry Steve while fucking him while getting matching tattoos while on the way home from the church. It’s been such a long time coming and much of Eddie’s ability to be patient with the things he wants is cracking apart now. There will be no grace period. The world will know they are violently, desperately in love.

As for the second Q, this is far more complex and interesting. The easy answer is of course “No, absolutely not,” because Eddie loves Steve, he’s nothing like Billy and he’d never hurt Steve in any way he didn’t want – that’s how Eddie thinks of it. But the real answer requires the story to unfold more and as they become MORE entangled in one another’s lives and things get difficult, we see that Eddie does have the ability to hurt Steve and that Steve can hurt Eddie too. The unhealthy relationship dynamic will definitely be explored in depth as we get to see what them being ✨TOGETHER✨ really looks like and how it affects them as well as others. I think it’s best summed as this. When things are good, it’s fucking incredible, when things are bad, it’s like being at sea without a lighthouse.

Q: Are there any changes you would go back and retcon if you could before you started posting it? I Know you’ve said you both didn’t post until 50K and that you did make a few changes.

A: Honestly, I don’t think so. There’s only so much you can retcon and change before self doubt becomes a real obstacle in carving the path. I WOULD however establish from the start when Steve’s birthday was and construct the timeline from the inception as we came very close to being painted into a corner there! But otherwise not at all.

✨🖤🖤🖤✨

Thank you so much for all the enthusiasm and love!!!

✨🖤🖤🖤✨

[ladymarlin]

Desperate housewives au stuff (mostly Duncney) bc it's been on my mind latelyyy

So, Duncan and Courtney were on and off for awhile before splitting. Then a little after they split she meets a decent guy (possibly someone her parents set her up with) and their relationship moves pretty quickly "For the baby" they're having which is actually Duncan's but no one needs to know that.

The whole housewife thing really isn't for her though and it would be a reoccurring argument between her and her husband but she would stand her ground every time. She's too good a lawyer to quit and "become like the rest of the girls in the neighborhood" sooo...

Her and Duncan would reunite years later when he moves onto the street. Courtney would go over to welcome her new neighbor and nearly chokes when she sees it's Duncan.

Duncan has a hard time fitting in on the street. The neighborhood is pretty judgy and he's a total punk, so they're wary of him. And does he have some deep dark secret? Probably. But the neighbors definitely take things too far and assume the worst

Him and Courtney would reconnect and eventually it'd lead to an affair. Courtney would feel Super guilty about it since she was once cheated on, but rlly her and Duncan are falling in love. They'd sneak around a lot, there'd probly be some comical scenes abt it. Courtney would do everything to uphold her reputation. Really, it's the only reason she's married.

Idk how they'd get there but the main angst points would be Duncan finding out the kid is his and Courtney's husband eventually leaving. She'd probly have a s8 Bree Van De Kamp type arc. But some probably traumatic event would bring them back together and they live happy or smth

Aleheather would be the Carlos and Gaby equivalent. Without the cheating ofc. Alejandro wouldn't WANT anyone else and Heather tbh also wouldn't. No one likes her like Alejandro. Plus in desperate housewives Gabrielle's Gardner she has an affair with is UNDER AGE so yeah no.

But they'd definitely have similar fights and similar issues. Maybe they'd divorce for some petty reason, have a few days of trying to mess w each other before just getting back together. Instead of Alejandro going blind like Carlos does he would suffer similar injuries to the ones in the show (volcano robot suit incident) and sustain leg damage that would hinder him.

I don't have as much for them they just rlly remind me of Carlos and Gaby. Like yeah she'd push him out the window on impulse and then call 911

Also if u haven't seen desperate housewives (I highly recommend it's so good) a lot of this probly seems rlly dramatic n stuff but it is very much a drama mystery so it fits. Trust there have been some absolutely insane plots in that show.

Also if u wanna send asks pls do bc I kinda wanna explore this more. Or send ideas too could be cool :3