#i just started watching it again and im not okay

[lucimaaie]

we pt2 ✧.* tlou

pairing - santa barbara!ellie x reader

summary - you ask ellie one of the questions you'd saved for later.

a/n - wrote this with sick brain so if sum make sense im srry, fluff, also i got a pt 3 & 4 coming cause i randomly got motivated

part 1

a couple of nights later, you and ellie had got closer in the non-physical sense. it practically took a game of twenty questions to get her to open up, but she promised she was trying.

she distracted herself with always touching you in some way. choosing to focus on the way your skin felt beneath her fingertips rather than fully showing herself to you.

“were you serious about moving south?” ellie’s hands froze their motions on your arms. she angled her head up to look down at you, though the lack of light didn’t help her see you any better. still, she could imagine the inquisitive look in your eyes.

she didn’t say anything for a while, taking in a big gust of air through her nostrils and letting it out slowly. “yeah. think i was.”

“we could..we could do it.” the shifting of the sheets cut you off as you turned around on your stomach.

ellie looked at the ceiling as your hesitant sentence. open, be open. she reminded herself but the words just made her limbs tingly. she was okay, she didn’t need to be scared. you lived in the middle of nowhere and you how to handle yourself. you were safe, she was safe. everything was fine.

she shook her head. “don’t have to. it was just a thought.” ellie patted your waist before lifting you up as much as she could, signaling she needed the pressure of you on her.

her hands fell to your thighs as she could feel you look at her. she soon started to regret it as you didn’t pull you eyes away from her. you were serious about this, learning her. “it might take too long..it’s dangerous.”

“do you want to do it?”

she didn’t want to you that she was still afraid. afraid of making this even more official. there was a we, you established that, but she wasn’t exactly sure you knew what you were in for. last time she settled with someone, it didn’t last very long and though there was no abby, she’d find some excuse to pull away from you. cause she wasn’t supposed to be here with you, lovingly caressing your skin. loving you.

“ellie.” your cold hands cupping her cheeks, snapped her out of her inner monologue. she hummed, leaning into your touch. “remember what we said?”

that damn word again. and she knew you were aware of your effect on her. this was the only time you’d gently guilt her into answering questions she was adamant on avoiding cause it hurt to much to care.

“don’t think i do, peaches.”

“you don’t get to distract me with cute nicknames right we’re having a serious conversation.” you gently pinched her cheeks, squishing them between your hands. she was resistant to the laugh you were trying to pull from her. she snuck her fingers under your shirtt and wiggled them against your skin.

“and you do?” she cheesed at the carefree giggles that came from your mouth. when she finally relented, she moved you back next to her and laid on her side to face you. her face grew serious as she watched you catch your breath. she never would’ve imagined seeing that smile when you first met. the inability to stop staring made her groan as she laid on her back. “i love you.” she said quietly.

she closed her eyes, missing the way your face dropped in a second. you say up on your elbow, then on your knees as you looked at her. “look at me.” she wanted to resist but that vulnerability in your voice made it hard. ellie opened her eyes, landing on the vague figure of your face above hers. “say it again.”

“i love you.” ellie couldn’t say anything but that as she stared up at you. “i love you.” she said again. “just know that before you decide to go across the country with me.” she as if it would make you leave. that it was too much to have someone as broken as her in love with and dependent on you. she would be devastated if that happened, absolutely. she had staked her existence on being around you and with you. she had no idea what she would do if she was left alone. she bit her lip to stop it from trembling at the thought.

she could see the way your chest stuttered in rising and falling. her hands were light in finding yours. her eyes flicked back to you, waiting for your response. “say it again, for me. please.” she swore you were as nervous as her the way you seemed stubborn on accepting she loved you.

“not until you say it first.”

“damn it, el. i’m not playing. i actually love you and if you’re joking-“

“i’m not.” she said quickly, watching as you got out of the bed to sit at the edge. “i love you and i want to move with you.��� she wanted to put a hundred layers of tape on her mouth, keep herself from messing with your expectations. how she wouldn’t be a good lover. she wasn’t. she barely talked as much as she used to, beyond hushed praises in the middle of the night and directions like “c’mere.” and “stay close.” “somewhere warm, just us.” she bit her lip, signaling she was done now. no more talking.

“tomorrow.” you looked at her as she rose out of bed to sit next to you. “that way you can’t take any of it back.”

“i don’t want to, peach.” she said honestly. “so tomorrow..south.” she tried not to think of the dangers or the lack of a definitive plan. none of it mattered right now. “shit.” she said breathily, gripping the mattress underneath tightly. her fingers were like rusted metal when you pried them from the cushion, pressing your lips to them. “no backing out. you hear me?”

“yes ma’am.”

thank you for reading!

[dreemurr-skelememer]

Hello :D

I have been following you for the last year or so (a few days after I got my Tumblr lmao) and I absolutely love your art!

I have been wanting to study your art style for a while but don't really know where to start,,,

Could you please show me a small portion of your art process, if it isn't too much trouble of course. Thank you and have a nice day!

hello. oh my god. this took forever to find. im sorry it took 2 WHOLE FUCKING MONTHS for me to respond to this but i wanted to put it off until i felt happy with my art process again, so here it is

my fall 2024 rendering tutorial! (this will be very very long)

FLATS AND WHATEVER YOU WANNA DO WITH LINES GIRL. then make sure to recolor the lineart to better match your base. trust me it helps, bold dark lines are Not your best friend when rendering. wait for that post-rendering

i start off with a doodle or a sketch, and then filling it in with flats and other details such as blush

FIGURE OUT YOUR LIGHT SOURCE. FIGURE IT OUT GIRL YOU CAN DO IT you can make it as simple as possible, make it as big as possible, dont even THINK about the details.........just make it really fucking big so you at least know where the shadows and the light goes THEN add smaller shading details LISTEN TO ME. LISTEN TO ME OKAY!!!!!!!!

my key point with this is for you to learn lighting fundamentals. it's SOOO ANNOYING but alas......they are all correct. it helps a lot.

one thing i also really want to point out is that i like creating a big shadow shape first before fixing up the little details (such as folds and whatever) because it helps me focus on the way the lighting actually works instead of tunnel vision-ing into making the shading make sense on the clothing.

contact shadows (i dont remember if thats what theyre called okay) theyre fucking ugly because im not actually thinking sorry 💔

okay so basically: contact shadows (if that's what they're called) are the spots in shading and lighting where light will NEVER hit.

shadows are still influenced by the colors and lights around it (it's why a blue shadow and a yellow shadow feel completely different, despite both being shadows) so it's not always COMPLETELY dark. BUT! there are small points in shadows where light never hits, and they're almost always super dark or pitch black.

it's hard to explain shadow and light so briefly for a tutorial, but you'll notice it when watching fundamental studies and when trying it out for yourself

YES i unclipped the multiply layer YES its ugly and terrifying but it makes coloring the multiply layer easier okay the colors merged w multiply so now it looks cool and has depth overlaying colors that actually make sense

so basically what i did was color the multiply layer that i used to shade the overall drawing

adding a band of red/orange/yellow around where the light hits, and blue where the shadows get big and wide, gives it a fake ambient occlusion effect in the way that a person would get if they stood under the sun with a clear blue sky

the colors don't have to make sense, especially because i never draw backgrounds, but coloring the shadows really help it give a sense of depth and extra subtle detail and effect that just helps make the painting look nicer

around the end, i also put in colors (in an overlay layer with a low opacity brush) that actually make sense in context of the drawing, which is the lit cigarette and the yellow eyelights mostly because none of the colors were making sense and i needed to actually make use of the lighting that DOES exist in the drawing lol

adding a muddy golden yellow pin light layer (opacity turned down to like 40-50%) to make the light colors less ugly lol

i SWEAR by the fucking pin light layer style. it's so useful and so so underrated.

i used an almost brown-ish gold color on stop of all the layers, and with the pin light layer, it helped make the bright (almost blue-ish) white colors more warm and more yellow. it just helps make things more warm (something i prefer)

i could probably show what it looks like without adjusting the layer opacity to truly show off what i mean (like in the coming section) but i sadly forgot to do that lol

make a layer on top of your drawing with this color in these ranges YES the drawing is fully merged NO don't be afraid, the base was fucking ugly anyway 💔 make this layer into an exclude/exclusion layer style TRUST turn down your exclusion layer opacity from a range of 10% to 40% literally until you're happy with the contrast and the way the color over the drawing. use your eyeballs. i know you can do it im so proud of you

this is pretty self-explanatory instruction-wise, so i'll go into why i do this instead

i really like art that seems like it has low contrast, with almost mid-gray shading and lines. i don't personally use dark and bold lines and shading, unless i find it necessary for the tone of the piece, so using this method helps lower the contrast of the art and make it look "pleasantly muddy" in the way that it's easier and softer on the eyes.

the inverted blue color also helps makes things warmer! the exclusion layer style is still a bit of a mystery to me but i really like the effect it gives, even if i don't completely get how it works lol

if you want an alternative method to this, and if you have access to it (because i primarily use sai and sai only), i absolutely encourage you to play around and experiment with gradient maps. there are so many out there you can make yourself or even get from others that just give the painting an extra amount of depth and color variation. they're SO fun.

personally, if sai2 gets a gradient map update, it's over for y'all it will literally be so over no one will be able to stop me

then i merged everything and actually adjusted the contrast back up because it was looking too muddy for me 💔 but the color adjustments are still there so all hope is not lost here's a comparison of the adjusted contrast in black and white (adjusted on the left) (newly merged layer without adjusting the contrast on the right)

as you can see, i actually turned the contrast back up (despite talking all about how i liked things with less contrast lol)

i wanted to demonstrate that doing adjustments should be done in moderation, and is why i adjust layer opacity often when making color effects you are free to play around with colors to help your style, but don't lose your initial idea and colors along the way. you still need to trust your own colors and intuition!

along with that, i just want to say that it's completely okay to change your mind mid-painting, and it's okay to make somewhat drastic changes. don't be afraid to change things you don't like or change your mind about certain aspects way later on that's basically the whole thing of this!!! don't be scared!!!

now im gonna hold your hand when i say this..........but you need to learn how to render by yourself. it seems like i can teach you but i literally can't, because rendering is different on every piece and depending on how clean your base is. i have to render A LOT because of how fucking ugly my sketches are LMAO to simplify it, think of it as obsessively cleaning up every detail you can see, but with a color picker and a clean, hard edged brush. if you have shit lineart, you don't have to redraw it cleanly over and over, just paint over it. that's basically what rendering is

THIS especially is where you need to be brave and stop being scared. like i said, i can't teach you how to render, and it's something you have to discover yourself because rendering is something that will always be personal to every single piece you make. the way you render on every piece is different. on one piece, you will barely need to render, and on another, rendering is more than half of your ENTIRE process.

don't be afraid to paint over your old art. rendering is a process that's both very perfectionist yet also very careless. find your balance and just go for it.

and then that's it……..u did it………..now yuo know how to paint and render. it's literally just layering shading and lighting knowledge until you think it makes sense and looks okay lol additional note: since i render in only one layer (you don't HAVE to do this, but it'll be harder for you…), i also made slight adjustments with the transform (and liquify, if you have it) tool to make things more proportionate. (i drew the head too big lol)

if you compare the finished piece to the final unrendered base, you can see that a LOT changed, including a bit of subtle proportion adjustment. particularly, the sleeves changed A LOT (because i really didn't like them) but it's also over all cleaner and more coherent, instead of having haphazard colors and shading just thrown about.

rendering is when you finally use all 100% of your brain to finalize and figure out where the shading should go, where to clean up your lines, where to ERASE or ADD BACK in lines, and make sure all your colors look coherent.

it's not as intimidating as it seems, i only use a hard edged brush with a little bit of color mixing and my color picker. it's like dragging and dropping colors to cover up mistakes, it's really quite fun when you get used to it i wish i could explain it clearer but it's hard to describe without visuals!

i hope this helped, and i hope all my yapping isn't annoying (art as a special interest beloved)

have fun studying and trying to render in my art style!

[drunkonhalloweenn]

taste- hamzahthefantastic

warning; pussy eating ☺️

it was a rainy dark thursday night, my night consisted of fall movies and shamelessly scrolling on social media for long periods of time.

my boyfriend hamzah came through the door, i leaned my head out from the couch. “your finally home!” i check my phone. “at 11pm..” hamzah let out a exhausted sigh. “i’m sorry baby, i know i said i’d be home earlier,” he put a hand through his messy curls.

“martin forced me to help him to pack up his stuff for his new place with mandy,” he put his head on my thighs. i run my fingers through his curls. “mhm, it’s okay i watched movies all day anyway,” i speak.

“come to bed, please?” he sits up. i nod my head.

hamzah can barely make it to the bedroom before he’s kissing me roughly telling me he needs me.

i pull away, my breathing heavy. “you seemed tired just a minute ago?” i look at him. he buries his head into the crook of my neck. “yeah well i just need to have you first.” he mumbled against my neck before placing biting down on it.

hamzah lays me down onto our bed. he lays between my thighs. “please, let me taste you, it’s all i need right now,” he kisses up my thighs. “mhm-yeah.” i look up at the ceiling, slowly closing my eyes.

hamzah pulls up my oversized t-shirt and parts my legs open. he grabs the edge of my underwear and pulls down the lacy fabric. i whimper under his touch.

he begins placing kisses on my thighs again. his lips meet my inner upper thigh. “need this,” he mumbled.

“been needing this all day.” he places a kiss to my sensitive folds. a soft moan leaves my mouth. hamzah grabs onto my thighs and squeezes them. he groans as i feel his tongue peak out and begin to tease me with it.

the teasing didn’t last very long until he was gripping my thighs roughly and viciously began to eat me out.

i moan loudly, my hands finding his curls and i lightly tugg on them. he groaned against me making my hips push against his face.

he pushed two fingers into me making me gasp. hamzah didn’t move them, he left them sitting in meas he started to suck on my clit. he pulled away from me and began to pound his fingers into me.

my legs began to tremble, his fingers were getting faster and faster, i could feel the heat in my stomach getting closer. “ham-hamzah” i breathed. he hummedagainst my clit that was in his mouth again, his tongue swirling around it.

he pulled his fingers out and licked them clean before giving me a long stride with his tongue against my wetness. i moaned louder his tongue working against me as his nose hit my clit over and over again. i was close..on the edge.

“hamzah-im so close” i whimpered. he looked up at me me, nodding his head and re-closing his eyes before going back to eating me. i began to shiver meaning my orgasm was close. “hamzah, hamzah-i.” i didn’t get to finish my sentence as my orgasm came crashing over me making me moan and arch my back.

he pulled away, softly blowing on my wetness making me jump slightly. “again please?”

he couldn’t stop for another hour and a half, he eventually fell asleep on my stomach.

haven’t writtten in 6 months don’t judge xo

[heph]

Call me crazy for reading so much into a show like House MD but I think the main theme of House is that despite doing everything perfectly and being a good person, shit happens.

Sickness and pain will be inflicted on you and your loved ones and there's nothing you can do about it, but to persevere, to fight for your life, to keep living despite it all - to love is a part of the human condition; our capability of love is what makes life worth living, despite all the pain that you will inevitably experience.

This show exemplifies the pain of living and the needs and desires of human beings to keep going despite it all

And idk... There's something beautiful about how a show with so many stupid whimsical dumb scenes can impart something so profound in my stupid little brain

[dailykugisaki]

Day 274 | id in alt

I like to think Gojo has the strongest mentality so far up his ass it pisses Kugisaki off because, DUDE. SHE FUCKING GETS IT. BE QUIET. He's emo but a different color.

[mokeonn]

I fucking hate the tetris effect so much. Like oooh lemme play this funnie little card game rogue-like, ooh it's so fun it's gonna be the only game I play for weeks now, oooh what do you mean I'm fucking duplicating multi-card holographic sevens in my dreams

[p1harmonie]

I JUST REWATCHED PIWON MOVIE AND I HAVE THINGS TO SAY

[lonesomenecromancer]

that awkward stage where youre REALLY starting to get obsessed with something and you just simply need to research everything there is on that topic possible. I NEED TO KNOW EVERYTHING. EVERY PIECE OF LORE. GIVE GIVE GIVE. and it consumes every hour of your dayyy, i love this feeling it makes me feel alive. but damn i have more important things to do buttttttt i just need The Thing now

[trainingdummyrabbit]

goooooodmorning ! trying to do some research but instead started thinking abt angela again. alas...

[toytulini]

god I know this is like The Wrong Stance on AI. I know its not about whether the art is Real and Human or If It Has A Soul and how a lot of the arguments against it are the same bullshit arguments people made against digital art like I Know. I Knowwww. but god, I'm really sorry, not to post like one of those annoying poetry bloggers I cant stand (yall are valid, live your truth, theres nothing wrong with what you post I'm just a petty bitch who hates poetry. unless I dont hate it.)

But theres just something about the way AI art will almost certainly never be able to mimic the exact way my pencil leaves an indentation in the paper, the way some of the lines I can never fully erase cause I pressed too hard, theyll have to at least train them to draw with a physical pencil first, and sure, they could train it to draw with a pencil and even erase the exact same piece I drew, line for line, on a piece of paper with a robot arm powered by AI, but they can't replicate. idk. the lineage of lefty bitches in my family, and the way I grew up going through school with my entire left arm silver with graphite, from doodling on my schoolwork. not yet anyway. but I guess I do live for the day we make the ai sentient enough that we can traumatize it by giving it homework after kneecapping its executive functions so it copes by drawing a big tiddy lobster monster. sure

[orcelito]

Thinking about using the journal I got for writing my dad's eulogy for trying to process my grief with it. The letter from me I found in his lockbox is still in that front sleeve, along with one of the memorial folders they had at the funeral.

I think I don't want to write it all on here. I think I've talked about my emotions too much as of late.

[skrunksthatwunk]

household enemy to the yyh watchthrough number one is the olympics. it's taken us a week to get two episodes into the gamemaster fight

[mcybree]

Random limlife Scott rant, GO!

I got this ask and decided that I’d give it my best shot but got so mad on my skim through some of the moments I remembered that I gave up.

[camels-pen]

mmm read a hurt/comfort Zoro fic recently and like. I get it now. That guy DOES hurt so pretty. kinda wanna try my hand at it.

-

A voice disappeared.

Zoro stopped in his tracks, feet rooted to the spot.

Who was it? Where? How-?

Just barely, he managed to block a blade aiming for his neck.

Luffy was ahead of him, laughing his head off. The cook was a bright flaming beacon in the sky.

The rest? C'mon take a count, Zoro. Make sure.

Usopp. Nami. Chopper. Jinbei. Robin. Cook. Luffy.

What? Two? No, where were-

His breath hitched as he blocked another attack.

Calm down. Take a breath. Count again.

Usopp. Nami. Robin. Cook. Luffy.

Fuck. They couldn't-

No, they had to have left the battlefield. These guys were smallfry, even for the so called "weakling trio".

Zoro took a moment to focus on the enemy around him. He let off a tatsumaki before focusing again.

One at a time, Zoro. Come on.

Usopp.

Robin.

Sanji.

Zoro jerked, eyes wide and searching frantically.

"No, no no no no no. He can't have-" Luffy would never leave before the battle was done, not without making some kind of grand exit. He wouldn't leave without telling Zoro- telling anyone- about it.

He wouldn't up and disappear into thin air like that. Not unless-

Zoro shook his head roughly. They were fine, he just couldn't see them. It would be too much of a coincidence for them all to disappear like that. He just needed to count again, then regroup with Usopp, Robin, and the cook, and figure out what was going on.

Stay calm, Zoro. Losing your head won't find your friends.

So, again, Zoro breathed. And Zoro counted.

Usopp.

The only voice left, was Usopp.

Zoro wasted no time.

He sprinted as fast as he could, cutting down anyone in front of him almost as an after thought, as he bulldozed towards Usopp's voice.

He'd nearly made it too, when some dead man kicked his side hard enough to stop him in his tracks.

Zoro turned to him, a snarl on his face. "Get out of my way before I kill you."

"Huh?" The man sneered. "I should be saying the same thing, watch where you swing those swords, asshole."

Zoro was about to retort when he noticed Usopp's voice moving away from him. He didn't have time for this.

Without warning, Zoro moved to slice through his opponent and, to his surprise, the man blocked it with ease.

"You wanna go? Here and now?" the man growled. "I'll kick your fucking ass."

This man- Zoro has never met him before, but nonetheless felt he would need to pay him his full attention to have a chance at winning.

But Usopp was getting farther and farther-

Oh, Zoro could hit himself.

"USOPP!" he yelled at the top of his lungs, startling the man. "STAY RIGHT WHERE YOU ARE, I'LL BE THERE SOON!"

Usopp didn't respond, but he stopped moving, and that was good enough for now.

"Hey!" The man yelled, pressing down on Zoro's swords. "Whatever you need him for can wait until after our battle's over. He's got his own problems to deal with."

Zoro didn't bother wasting his breath. He cut and slashed, throwing attack after attack without abandon. It didn't matter if he was wasting his energy, he needed to get to Usopp before- before-

The man, infuriatingly, blocked almost every blow, and got a few hits in on Zoro himself.

Zoro would get to Usopp, even if it killed-!

Suddenly, there was a crackle in the air and all at once, Zoro's nerves lit up with pure unfiltered pain.

He dropped to his knees, blurry vision wavering on black shoes. He couldn't feel his arms. Or his face. And his head was getting lighter and lighter.

Zoro's fading thoughts were prayers, to a god he didn't believe in, to keep his friend safe.

-

"GYAHHH, ZORO'S GONNA KILL ME!"

"Nami-swan, a little help please?" Sanji said, voice uncharacteristically strained.

"If you're asking, how can I say no?" Nami said, smirking. "Get out of the way... now!" The moment Sanji pushed off Zoro's swords to hop away, she brought down her Thunderbolt Tempo on top of Zoro. He fell to his knees before crumbling to the ground, twitching.

"You could've knocked him out on your own though, why ask for my help?" Nami asked.

"Ah well, it seemed he had a couple screws loose and I didn't want to kill what little braincells were remaining." Nami nodded in understanding.

The two of them turned to Usopp as he inched his way closer. He carefully prodded Zoro's thigh with his boot. "He's really unconscious, right? Not gonna get up anytime soon?"

Nami shrugged. "It's always hard to tell with him. But don't worry," -she stood tall, holding out her Climatact- "I'll shock him as many times as necessary."

"That means I get to live another day, so you have the Usopp deal of approval." Usopp gave her a thumbs up.

"What'd you even do to get him so pissed at you, Usopp?" Nami asked.

"Nothing!" He paused and looked away. "Well, nothing recently."

"He wasn't just mad," Sanji said. "He looked..." Scared, Sanji wanted to say. But the word was so... simple. Too simple. And it didn't explain the desperation in his eye. The wet sheen. The way he hardly blinked.

The way he kept himself facing the direction Usopp was in, revealing his constant use of Haki.

This wasn't just Zoro scared. This was Zoro terrified.

And Sanji had never seen him terrified before.

"...off," Sanji settled on, furrowing his brow. "He looked off."

Nami and Usopp hummed in thought.

The three of them stared down at Zoro's prone body. An ominous dark puddle started growing under him.

The three of them sighed.

"I'll call Chopper-" Usopp felt a tug on his ankle. He looked down. Zoro's hand was holding his boot. "I thought you said he was unconscious!" he yelled, trying to break his grip unsuccessfully.

Sanji poked Zoro with his shoe. Zoro didn't move. "He's still unconscious, so you're gonna have to be his teddy bear."

"What?! No!" He gripped onto Sanji's shirt. "Sanji-kun pleaaaaase free me before my ankle's crushed in his sleep!"

Sanji rolled an eye. "You'll be fine."

"Then can you go get Chopper? Zoro's losing a lot of blood."

"The mosshead'll be fine too. Also," -Sanji pointed to Luffy and Chopper doing some kind of strange combo attack, with Chopper in Heavy Point using Luffy as a whip- "I don't wanna break up their fun."

"Sanji-kun," Nami piped up. "Go get Chopper, please."

"Of course, Nami-swan!" Sanji immediately ran off.

-

The two of them quietly watched him go.

"Did you see what caused this?" Usopp asked.

Nami shook her head. "I know about as much as you do: Zoro suddenly taking out a big group at once and then charging towards you." She bit her lip. "I don't think he recognized Sanji."

Usopp sighed, squatting down to pull the bandana from green hair. He stared at the slackened face of his friend, hands tightening in dark fabric.

"What happened to you, Zoro?"

[eclarinet]

same soup... different day