#i just thought he'd be a little antagonistic

[royonninjago]

The Ninja's Roles Within the Team

Something I think the various Ninjago shows do really well is the characterizations of each Ninja. If it was bad, then kids wouldn't wanna watch the show or buy the Lego sets to reenact their favorite moment and create new scenarios for the Ninja to go through.

However, for the past few years a problem I've had with the TV show is that some characters feel more... useful than others. Then there are moments when one character is missing, but the team seems to operate just fine without them, and I think that does a real disservice to the characters.

In contrast, take the ATLA episode "Sokka's Master". It's one of my favorites because it separates Sokka, the only non-bender in Team Avatar, from the rest of the team. The episode demonstrates to both us and the rest of Team Avatar why Sokka is essential to their team. Without him, they're bored, can't figure out where they are or where they're headed on a map, and are overall completely directionless. Its like the precursor to those dime a dozen fantasy mangas where the weak member of a dungeon divers gets fired and the rest of the party ends up deeply regretting it.

I want the Ninjago TV show to demonstrate to us why each member is essential to the Ninja Team, and why without one of them the Ninja Team is worse off or have to work twice as hard to compensate.

Dragons Rising had such a good opportunity to explore this, but unfortunately it seems like the biggest problem the Team faces from being separated across the merged realms is lack of manpower and not much else. In lieu of this, here are some of my ideas as to how each character could prove to be essential to the Ninja.

Lloyd - The Leader. This one is definitely the most obvious. He's had a very clear leadership role since he became the Green Ninja, and ever since Wu left this distinction has only gotten more pronounced. However, I do find myself wishing to see a bit more of a dark streak with him. He was originally introduced as an antagonist, and I don't know about y'all but I still find myself enjoying Three Days Grace ever since I played the Halo 3 campaign at a friend's house while listening to AMVs of their songs.

Kai - The Weapon Master. Although there was never anything to support this, I always thought that Kai made the weapons that the Ninja used in the pilots. He is a blacksmith, after all. I think it would be cool if this aspect was more leaned into and not only make him the guy that creates all the swords and throwing stars and whatever other simple weapons the Ninja use, but to also be the best one at using those weapons. A sword is obviously his go to, but put any kind of simple weapon in his hands and I think he'd be able to use it very well. Imagine how much cooler it would have been in season 11 if Kai managed to defeat Aspheera's sheer power with his incredible swordsmanship skills. It'd certainly tie into his arc that season much better than what we actually got.

Jay - The Scout. Remember that scene in the pilots where the Skulkin cars were trying to reach 88 mph or whatever and Jay was gaining on them just by running? The writers sure don't! Though in all seriousness, whenever the Ninja need to learn a new technique to do something, Jay always picks up on it really quickly. First to perform Spinjitzu and summon his Golden Weapon Vehicle, second to unlock his true potential, third to summon his Elemental Dragon, he managed to surprise Ronin when practicing Airjitzu, not to mention his laundry list of hobbies. If they really leaned into his speed, combining that with his skills as a Ninja would make him perfect for running ahead and reporting back on the enemy forces. In my own little world, I like to imagine him as a PG version of the Scout from TF2 (Jay even had a slight Boston accent in the pilots!).

Cole - The Muscle. This one is also fairly obvious due to Cole's signature Earth Punch, but I feel as though it should be noticed more when he's not around, especially in Master of the Mountain. If I'm remembering correctly, they don't fully acknowledge his absence until they're locked up in the Vengestone cage about to be executed. If I regularly hung out with a dude that could lift a car over his head, I'd be lamenting about his absence whenever I needed to lift a heavy box.

Zane - The Information Officer. Another obvious one, but in this case I feel as though they lean a bit too heavily into it. Yes, he's a robot and yes, it's his job to know things, but I want to see his more dorky and silly side from time to time. Give us more Zane following a bird because it danced and him just chilling (literally) in the fridge at midnight for no reason type of stuff. After all, his greatest fear is losing his humanity.

Nya - The Strategist. I feel as though on a 'don't judge a fish by it's ability to climb a tree' level, Nya is just as smart as Zane. Due to his physiology, Zane can hold much more raw information many times over Nya, but I feel as though Nya is much better at putting that information to use. Going back to Master of the Mountain (I realize I'm referencing it a lot, its still fresh in my mind), when Kai and Zane were lost, they relied entirely on the raw data from Zane's internal compass, and because of that they got lost and had to rely on Geckles capturing them to reach their settlement. On the other hand, when Lloyd, Jay, and Nya were lost, Nya was able to determine the location of the Munce settlement by searching for signs of life and finding footprints. Also, I think this characterization fits the Master of Water really well considering water adapts to whatever environment it resides in.

The new Ninja from Dragons Rising are still very inexperienced and still haven't really found their grooves within the team, but I'm still gonna try and analyze them here.

Arin - ???. Right now, Arin's main skills are his unique Spinjitzu skills and his talent with a grappling hook. Its still so early in his Ninja training that he hasn't really carved out a distinct role for himself, though I hope this changes as time goes on. Not too long ago I proposed a cool idea for his future if any of y'all wanna take a look at that here.

Sora - The Technical Specialist. While I don't enjoy the idea of PIXAL being replaced as the Ninja's primary vehicle builder, with Sora being the Elemental Master of Tech it seems very possible that this is where things are headed. Instead of that, I think it better for her to either focus on using her skills in the field or to specialize in Mechs. Both of these ideas come from the Elemental Mech mini-series. I thought the idea of switching up parts on a mech in the middle of a battle to be a fun concept and one giving credence to her being a Field Tech, and whenever she uses her Elemental Powers its for the purpose of creating or altering or fixing a mech about half of the time.

Wyldfyre - The Dragon Expert. Even before the Merge, the Ninja encountered Dragons a lot. Now that there are dragons seemingly everywhere, Wyldfyre seems like the perfect liaison for communicating with these dragons, assuming she can learn to cool off when its needed. She also seems to know a good amount about dragons, considering that she was easily able to identify the Wasting Sickness and make a soup to help ease the pain it caused. There's still a lot she needs to learn before anyone can consider her an expert, but with her love of dragons and the belief that she is one, I think she'd be more than willing to learn.

And there you have it. If you have any ideas or head cannons or questions surrounding this topic, I'd love to hear them!

[jouxlskaard]

I like to think that Elias is boring on purpose. he spends his time and effort when he should be working on boring his employees instead. he's perfected it to an art. every day, he visits each department and tries to find the time to talk about spreadsheets whenever there's the most people in one room at a time. then he tallies up how many of them visibly and/or audibly react with some form of disgust, and compares it with other days. he'd have realised how sad that really is if he hadn't been found out, but at least now he gets to be as deranged as humanly possible. you go, Elias. I love you you stinky rat whore, can't wait for you to show up in the new protocol episode <3

[sukunasweetheart]

actor!sukuna!!!

warnings; fem reader, jjk manga spoilers, a bit of both submissive and dominant sukuna, and also sukuna who loves his domineering wife a little too much, smut and fluff at the end, breeding, choking, use of collar and leash (on sukuna), rough sex, lots of teasing and provoking

i really really adore the trope where actors who play utterly vile, evil villain roles all the time simply bc of their intimidating appearance but their real personality is rather sweet and gentle, and i desperately want to apply this to sukuna. they would've probably needed to cast a whole different man for his trueform, which is what inspired this idea <3<3

actor!sukuna is oh so very notorious for his antagonistic roles, always always being the charismatic, devilish character in any film, tv series or dramas he's casted in, the ones that always somehow has the upper hand, who never shows care for anyone else, who always seems to have control over everything in all situations he's put into...

and the recent hit series 'jujutsu kaisen' is exactly the same. with him being the king of curses, having those extra cgi arms and tummy mouth and having to spend hours before shooting simply doing the makeup for the distorted side of his face. not to mention all those tattoos!

actor!sukuna, who loves his job, but sometimes gets exhausted by the kinds of roles he has to play. he's gotten so used to it, his normal facial expressions and mannerisms also may have changed a little because at times he gets himself too immersed into his character

and you might say fiction doesnt cross over to real life at the best of times, but for sukuna, it might not be the case... he's noticed over the years that people around him do truly get scared or intimidated by him. and like any celebrity, he has his own fair share of haters.

with his character's newest victim being the fans' beloved gojo satoru, it only aggravated them-- and he knew from the moment he read the script that he was going to get flamed for it. he's used to this but because of jjk's intense popularity, he actually gets a little concerned this time around...

thankfully, thankfully! he has a wife he can run home to and seek comfort from, and fully let go of this fictional persona of his.

actor!sukuna, who is often burdened with the unconscious expectations from others, to have his intimidating aura and always have control over situations (maybe sometimes people)...

but he is able to put all of this down in front of you and just lay in your lap in front of the tv as you play with his pink curls.

oh, he's so grateful for his wife, who fulfills his hidden desires... his wife, who didn't see him only by his villainous roles, but also took notice of his gentler side and decided to grab hold onto that part of him with an iron grip instead.

actor!sukuna may be a man well over two metres tall, with a resting bitch face and a deep, velvety voice perfect for being a natural dominant and aggressive lover-- which, sometimes he is of course, when the situation calls for it (whenever you feel like you want to be dominated) - but in actuality, he aches to be controlled for the most part, rather than the one controlling...

when he told you about his worries of his real life reputation, of how people on set seem to avoid him subtly, and get a bit over-polite with him, you sent a handful of extravagant food and drink trucks over to the shooting set in sukuna's name, raising the spirits of his colleagues, the camera and film crew members etc., and of course, sukuna himself.

and everytime he has any complaints about his job, you comfort him by saying that if he ever feels like it's too much, he can quit anytime he wants, because you'd be happy to be him support financially as long as he'd be your househusband *wink wink*

actor!sukuna laughs at the thought, but there are times where he seriously considers it... he is getting older, and sometimes doing all these action scenes as the villain is taxing on his body... (perhaps after jjk is over, he'll take a well deserved, long break from his career for a little while)

before getting married, from the moment sukuna first interacted with you, he was already hooked- you flirted with him openly without expecting him to take lead, and you talked less about his various identities in his shows, but showed more curiosity in his true self, and he was simply attracted to your... fearlessness?

and a part of him tried to fight against it too, but you were simply too charismatic. (it only charmed him more)

"you're an awfully cocky woman. you sure you can take me on?"

"take you on? oh, no, handsome. you'll be the one taking me on. i'll have you wrung out dry by the end of this week... if you'll let me, of course."

and that, he did.

fast forward to the present.

sukuna had come home without erasing all the makeup from his filming of jjk, to your curiosity...

"the king of curses, was it? the name of this character," you ask with a relaxed voice, watching as sukuna's large cock throbs between his legs, drooling precum messily into his boxers. ironically, you're the one lying against your back on the bed, with him hovering over your body longingly, but not being permitted to touch you... yet.

you'd put a collar around his neck. and you have him leashed, with the rope being in your hand. he has you between his arms that are supporting his body weight... muscles flexing and sweat dripping down his skin from his own arousal.... he was supposed to be tired from today's filming session but right now, his whole body is heating up like boiling water in a kettle. how cruel of you to do this to him, right after he gets home from work.

you loop the rope around your fingers once, and tug on the leash harshly, making his face shift closer to yours.

"i'd like to hear an answer, please."

"...yes, the king of curses," sukuna hisses, eyeing the leash that both turns him on and also pisses him off simultaneously.

"interesting..." you hum with a smile, gently touching the fabricated side of his face that's been made with make up.

"i do have to say, the tattoos and black nails fit you so well, my love."

sukuna remains silent as he resists the urge to kiss you, with your lips hovering so close to his.

"don't fuck me with your eyes, honey. you're making yourself too obivous," you tease, ghosting your fingers over his chest, touching him languidly. his dick swells even more.

"darling, please... i need to touch you," sukuna says, softspoken and yearning so hard it makes him dizzy.

"oh... i love when you beg like that. what would your fans think, if they saw their most cold-blooded villain pleading me like this?"

with a collar and leash on, no less.

"it wouldn't matter what they think. you're the only one i love," he responds, shuddering as you nudge your knee against the erection in his pants.

"i like that answer."

you kiss him, which is an act that means you're permitting him to finally lay his hands on you - and this breaks the restraint he'd been holding onto until now.

sukuna kisses you back with a throaty growl, slipping his tongue in to smother you with, as your lips are curled up into a pleased smile. drunk on the taste of you, he doesn't stop kissing until he's had his fill. both of you are breathing heavily when he finally pulls away, his face being flushed beautifully.

large hands come to tug away at your clothes, exposing the swell of your chest, and he clamps his lips around one of your nipples, like a man starving... you gasp, and tug at his soft hair from the back, the other hand still gripping onto the rope that connects with his collar.

you arch your back when he nips on them a little, earning him a hiss from you and another harsh tug at his leash. when he comes up to face you once again, he's wearing a smirk with foggy eyes, satisfied with this small payback.

once he finally comes around to releasing his strained cock, he gives a sigh of relief. the tip is glistening with his precum, and he wants to be buried in your cunt so bad. he slides it in with one go.

"oof, always so big, aren't you?" you tell him, feeling his throbbing dick reach so deep inside. it's not your first time saying such a thing, so he knows you mean it as a compliment. it inflates his ego.

"fuck- you feel so good," he mumbles mindlessly, pushing your thighs back.

sukuna begins to thrust into you, his heavy balls slapping down against your ass as he starts with a slow pace. another tug of his leash gets him to stop again.

"c'mon, love. is that all you can do?" you urge him, your grip still strong on his rope. he narrows his eyes, and pushes your thighs back harder, and begins to slam his hips into you, the way you love it.

"f-fuck... harder, sukuna... harder-" you moan as you keep taunting him with several pulls of his leash.

"tug that thing one more time..." he mutters with a low, out of breath voice, "and i'll make you regret it."

you love it when he's submissive, but even more so when he's in the mood to put his foot down. but you're not giving in so easily. you give it another tug, playfully.

"try me."

from then on, he snaps and decides he'll give you your own "collar".

his hand.

you squeal in delight as he roughs you up from his grip on your throat, to the biting, and to the bruising pace of his thrusts, all harmonising to bring you to your orgasm...

when sukuna cums, he does so right against your cervix, spilling all his thick, hot seed into your womb, with a loud groan. he's sucking a hickey onto your shoulder as he does so, full body shuddering with each clench of his balls as he dumps more into you. your pussy squeezes around him, fingernails digging deeply into his muscled back, feeling blissful.

he soon collapses onto you, and you start playing with his hair again, as he rests momentarily, being spent after the rough sex that happened when he'd just come back home. you'll need to reward him later for this.

in the bathroom, you help him scrub away all those tattoos, and tear off that falsified right side of his face. he appreciates this, especially the ones on his back that are difficult to reach. in the tub, you sit between his legs, and lean back as he dotes on you, calloused hands not leaving anywhere of you untouched.

once the bathing is finished, you do his nightly skin care routine for him. an actor's gotta preserve their skin, you know. before the moisturizer though, you press a soft kiss onto his pure face, clean of tattoos, and hum with a pleased expression.

"i love this one more, after all."

he huffs out a chuckle and pulls you onto his lap.

"hah. the king of curses ought to cry real tears with envy."

he clings onto you all night, face buried into your chest, indulging in the feeling of being the little spoon.

Masterlist

Tagging: @yuujispinkhair and @gojos-thot-patrol (who encouraged the leash idea...)

credit and link to the cute heart dividers here

[marley-manson]

Hawkeye and Frank are the two most diametrically opposed characters on Mash. They clash politically, ideologically, emotionally, intellectually, and even physically on more than one occasion. There is virtually nothing they agree on. But they do have one significant similarity: both Hawkeye and Frank are notably, pointedly effeminate.

Hawkeye is the central protagonist, so he's written to be likeable, even admirable, especially in the first five seasons of the show when satire dominated rather than character drama. He's the character who makes the correct political points and voices the show's ideology, and male audience members are encouraged to identify with him and aspire to be like him. He's witty, he's smart, he's charismatic, he dodges consequences a lot, he's highly skilled in his work, and he has a strong personality and natural leadership qualities.

Frank is the main antagonist up until the end of season five. He's written for audiences to hate him, mock him, and occasionally be horrified by him. He's dull-witted, incompetent, awkward, easily led and manipulated, and always gets his comeuppance. Few audience members are likely to aspire to be more like Frank Burns.

And yet, while most likeable protagonist/detestable antagonist duos in American popular media would also be differentiated in terms of gender performance as a matter of course - the effeminate villain being a standard stock character, always set against a ruggedly masculine hero - Mash takes a different approach.

From his core personality as a sniveling, weak-willed follower, to the way other characters, including Hawkeye, routinely make fun of him by comparing him to a woman or insinuating that he's gay, Frank Burns certainly fits the part of weak, emasculated villain. What's more interesting, and much less commonly seen in Hollywood media, is that Hawkeye is portrayed as just as unmanly, and just as, if not more prone to having it pointed out in the show.

Often Hawkeye's jokes at Frank's expense include the implication that Hawkeye is attracted to him himself, and not necessarily as "the man." He jokes, "Guess it's a marriage, Frank. I know I can do better, but at my age, can I wait?" in Hawkeye, Get Your Gun; he switches from calling Frank one of his vampire brides to taking the feminine part in post-coital pillow talk after siphoning his blood in Germ Warfare; he kisses or tells Frank to kiss him in Major Fred C. Dobbs, For the Good of the Outfit, and Bulletin Board, etc.

Other times, the jokes Hawkeye makes about himself are virtually identical to the jokes made at Frank's expense - their respective attractions to Margaret as a potentially dominant sexual partner, eg, with both Frank and Hawkeye portrayed as eagerly submissive. For instance, in 5 O'Clock Charlie Hawkeye jokes about tying Frank to Margaret's tent, then dismisses the thought with, "He'd probably love it. I know I would." And Hawkeye/Trapper and Frank/Margaret are sometimes paralleled as dual couples, Hawkeye and Frank usually being framed as the more feminine partner in each.

And of course, unconnected to Frank, there are many, many more examples of Hawkeye's effeminacy, both in jokes and in personality traits.

Hawkeye is a self-professed coward who is loud and proud about how terrified he is to be stuck in a war zone. He's emotionally open and highly empathetic, always willing to listen to others' problems and discuss (or scream about) his own. He abhors institutional violence and faces every enemy combatant with his hands firmly in the air. When authority is thrust upon him he strives to relinquish it, and uses it as little as possible.

More shallowly, he has little interest in sports and exercise, derides masculine hobby magazines like Field and Stream and Popular Mechanics, is incapable of performing mechanical tasks to the exasperation of others at least four times (Comrades in Arms which explicitly frames this emasculating, In Love and War, Patent 4077, and Hey, Look Me Over), mocks traditional masculinity in many ways, and enjoys musical theatre and Hollywood gossip. And he makes and takes literally hundreds of jokes about being unmanly and having sex with men himself, many more than he makes at Frank's expense.

But while the jokes are at Frank's expense and meant to belittle him, they're rarely made at Hawkeye's expense, especially in the first five seasons. Hawkeye doesn't make the jokes out of self-deprecation, he makes them out of pride and a desire to differentiate himself from the army men he's surrounded by. He's almost always in on the jokes others make about him, rather than offended - Potter telling him to file a paternity suit against his rival in Hepatitis makes him laugh delightedly, and Trapper's remarks on his effeminacy, such as Miz Hawkeye in Hot Lips and Empty Arms, are sometimes lightly teasing but always a regular aspect of their dynamic that Hawkeye enjoys playing up. Frank doesn't make any jokes directly mocking Hawkeye's masculinity that I can recall, beyond vague "pervert" and "degenerate" remarks, which, while often historically homophobic, in the show's context tend to be treated as a reference to his heterosexual endeavours.

Frank's effeminacy is a point of mockery and derision, but Hawkeye's is a point of pride, and not intended to make him any less likeable to an audience. Antagonists don't get to score points off of Hawkeye by mocking his feminine traits, but Hawkeye makes fun of Frank regularly by mocking his feminine traits.

This difference in framing can partially be explained by the nature of their respective gender performances.

While Hawkeye and Frank are both effeminate, they're effeminate in many opposite ways. Frank is weak-willed while Hawkeye is strong-willed. Frank is unappealing to most women, while Hawkeye is something of a lady's man. Frank cannot face his fears to rise to a challenge, but Hawkeye can. But on the flipside, Frank refuses to admit to fear while Hawkeye openly proclaims it. Frank strives to attain authority while Hawkeye refuses it or takes it on only begrudgingly. Frank is obsessed with guns to a freudian extent while one of Hawkeye's most famous monologues of the show is a speech about refusing to carry one. Frank worships the concept of traditional masculinity even while he can't perform it himself, while Hawkeye mocks the concept and would refuse to perform it even if he could.

The Sniper is an excellent case study of these contrasts. In this episode, Hawkeye is effeminate and at ease with it, while Frank is desperate to prove himself masculine. Frank and Margaret flirt with strong Freudian overtones while Frank shoots a gun while nearby Hawkeye flirts with with a nurse with a line about "tasting" her. Hawkeye connects with the nurse he's wooing by relating to how scared she is and huddling in fear with her, while Margaret demands that Frank prove his masculinity by going out and taking down the sniper himself. Frank carries a gun while trying to approach the sniper, while Hawkeye carries a white flag. Frank tries to make fun of Hawkeye for wanting to surrender, but he can't bring himself to approach the sniper while Hawkeye does.

This contrast of gender performance is a consistent aspect of Hawkeye and Frank's dynamic throughout the show, but The Sniper makes it a central theme so it's a useful example to show how their relationships to masculinity are a deliberate aspect of their dynamic.

And while Hawkeye makes fun of Frank's femininity, it's significant that he also regularly makes fun of Frank's masculinity - his love of guns (eg The Sniper), his sexual affairs (eg the exchange about Frank as a "fantastic performer" in Yankee Doodle Doctor), his numerous attempts to exert authority (eg Welcome to Korea), his desire for socially approved success (eg Hot Lips and Empty Arms), etc.

Both masculine and feminine sides of Frank are comprised of negative character traits, while Hawkeye embodies the best of both - emotional expression and healthy ways of coping by talking about his feelings; bravery but not machismo; intelligence and skill as a doctor rather than an officer; empathy and a willingness to listen; sexual prowess but largely through his love of foreplay rather than his dick game (which, in the context of the early 70s, is a somewhat feminine attribute that distinguishes him from a typical traditionally masculine man); etc.

Hawkeye demonstrates some of the most appealing and healthy qualities of both masculinity and femininity while Frank demonstrates, or strives to demonstrate, the more toxic qualities of both. Through including a few positive masculine traits in the mix, the narrative is able to depict Hawkeye as likeable, admirable, and desirable in his effeminacy while Frank is depicted as loathesome in his. Hawkeye gets one of many, many women in The Sniper by showing vulnerability, while Frank only appeals to Margaret, and Margaret is portrayed as borderline pathological in her sexual attraction to violent masculinity (the scene where Frank excites her with his gun, for example, also includes an electra complex joke, and there's a running rape kink gag in this episode as well).

Another aspect to consider when it comes to differentiating Hawkeye and Frank's respective femininities is hypocrisy. Similar to how Frank and Margaret's affair is mocked because they can't admit to it while Hawkeye and Trapper's affairs are glorified, part of what makes Frank's effeminacy so mock-worthy, while Hawkeye's feminine qualities are a source of pride and rebellion, is that Frank refuses to admit to them.

Frank desperately wants to be the ideal heroic army man and often play-acts the part, poorly. When Hawkeye mocks him by calling him a woman, for example, he's drawing attention to Frank's failure to live up to his own ideals. And when Hawkeye calls himself a woman, he's mocking those same ideals. The message is that Frank is pathetic not so much for failing to be traditionally masculine, but for wanting to be traditionally masculine at all.

Ultimately the ways Hawkeye and Frank perform masculinity and femininity are pointedly in opposition, from which masc and fem traits they embody, to how proudly they embody them. The show itself draws attention to these gendered similarities and differences between Frank and Hawkeye through a constant barrage of jokes, and even whole scenes and episodes. In this way the show portrays Frank as a hypocritical loser who wants to be masculine but fails to embody all but the worst traits, and Hawkeye as a cool, admirable guy who disdains the traditional pillars of masculinity and embraces his own effeminacy.

[crispywaffles2]

Hello 👋 I hope you are having a wonderful day or night! May I request a Macaque x reader oneshot? Were both are having like flirt contest or sm like that, and they try act all smug and confident, but in reality, they're very flustered with each other? Thank you <<3

Hi!!! Of course I can, and thank you so much for requesting! I'm sorry for how long this took!

First to Fall (Macaque x Reader)

Macaque leans against the tattered cushions of the old couch he stole for his dojo/residence a while ago, throwing his head back as he howls with laughter. He places one hand on his forehead, the other cradling his sore stomach while he cackles at his companions misfortune.

"It is not funny! Stop laughing!" your frantic and embarrassed protests ironically fall on deaf ears, however.

Just minutes earlier the two of you were playing a fun game you had suggested, A Hat in Time, on your Switch. Everything was fun and lighthearted at first; the two of you laughing at the zany situations and lightly poking fun at the others playing style. But everything went downhill when you made it to Subcon Forest.You had jokingly made a comment about how Snatcher, the antagonist of the level, looked eerily similar to the simian beside you, to which Macaque took great offence.

To get you to answer for your crimes, he willed the lights to flicker. That alone was enough to get you a bit on edge. After that the lights turned off, and you could feel or see him beside you anymore.Just before you could delve into a panic, the lights suddenly turned on and Macaque loomed over you from the shadows.

"Boo."

And that lead you to now; the demon struggling to catch his breath as he wheezes at your dispense and you looking angry and utterly embarrassed.

"I'm sorry-! But the look on your face!" he takes a deep, shaky breath, forcing himself not to break out laughing again as he leans forward with a small breath of relief.

"Ahh... you are so cute when you pout like that," the demon hums teasingly, thick eyebrows arched in amusement as he gazes at you through half lidded eyes.

The way your eyes widen at his sudden change in tone is something that can't be controlled, but you are not one to be bested twice. Through sheer will, you force your cheeks not to warm up and give him a steely glare. Two can play at this game. Your grumpy frown melts into a suave smirk, mimicking your companion's.

"I only did it to make you smile. I love the way your face lights up when you laugh." and it wasn't exactly a lie. You really did love seeing his sharp pearly whites when he smiled, even if it was in the smug or condescending manner he usually did. And the sound of his deep, rich cackles stirred something deep within you, something that made your knees go weak.

Macaque doesn't seem to sense the faint undertones of sincerity in your tone (thank goodness), and takes this as a challenge.

He never thought he'd see the day that little old you would challenge someone as naturally suave and charming as him to s flirting battle, but he wasn't complaining.

"You're talking about my laugh? I have yet to hear a giggle as cute as yours." Once again, it takes everything in you not to burst out stammering.

You weren't some pushover, and you weren't going to stand for Macaque scaring you even if his words send jolts of electricity through your body and he was so damn hot when he lowered his voice like that-

You huff and roll your eyes. "Macaque please. We both know that you're the finest thing in this room," you speak as if it's common knowledge, and for some reason that makes Macaque pause.

As confident as the simian is, he doesn't get many compliments. Usually things along the lines of 'conniving' or 'sneaky' are used to describe him. But fine? Oh, you had no idea what you made him feel with that one.

"Oh, I beg to differ doll-" he begins, only to get cut off by a snarky guffaw.

"I beg to differ, handsome." you give him a hard, stone cold stare. This was your chance to let out all of the things you've been feeling for him for who knows how long without being questioned. He wouldn't know you were being serious. Why not just pour it all out now while you have the chance?

"Your smile has got to be one of the most charming things I've ever seen, and don't even get me started on your eyes. Those two things alone could sweep some poor lady off of her feet. And your voice- I could go on for hours about your voice. It's so deep and- and relaxing- you should totally do a podcast or something because it'd have me out like a light in just a few minutes. And that thing you do where you run your fingers through your hair when you think something is funny makes me want to-"

You abruptly cut yourself off, slapping a hand over your mouth. You basically almost confessed. You'd cut yourself off, but the intentions were clear. Your blush spreads so far and fast it reaches the tips of your ears. It was just fun and innocent flirting until you went and ruined it by being genuine and passionate like an idiot.

You slowly look up, eyes wide with embarrassment and fear as you prepare yourself for that harsh and demeaning laugh that he gives everyone when he thinks they're stupid. But it never comes. Instead, what you see when you lift your eyes, is a red faced simian trying to cover up his face with his scarf while looking away from you. But the flush on his ears couldn't be denied, and neither could the smile playing at his lips.

".. you really meant that didn't you?" he asks shakily, making you immediately try to backpedal.

He wasn't making eye contact with you anymore. That had to be a bad sign. But before you could open your mouth and begin letting a waterfall of apologies cascade out, a small snicker can be heard. It was Macaque, obviously. He tries covering his mouth, but the laughter seeps through. Except this laughter wasn't mocking or mean. The six eared Macaque was sitting on your couch, letting out almost comically giddy giggles.

He might as well have been twirling his hair and kicking his feet too. Surprised by this unexpected reaction, you slowly begin laughing along. His laughter still had that deep, rich twang to it, but now it was filled with a lightness that made you feel.. all kinds of different things. Macaque quickly gets his act together, clearing his throat and straightening up with embarrassment.

"I... guess we have our winner huh?" he asks in a slightly awkward tone, looking as though he was holding himself back from something. You're quick to speak up before you can get cut off again.

"Macaque I'm so sorry- I just got carried away and I don't- I poured my heart out like that by accident!" you stammer, hoping what you're saying is at least a bit intelligible.

Macaque puts his hand on your shoulder, giving it a reassuring squeeze.

"It's okay dude, I'm not mad or anything.. in fact..." he leans forward and presses a gentle kiss against your cheek, causing you to freeze up and go completely red.

"now I have more things to tease you with," he cackles, pulling away before you could land any sort of hit on him.

He sinks into one of his shadow portals, making you frown, before he reemerges in the kitchen. You knew what this was about. If you wanted revenge you'd have to work for it. You shoot up from the couch, running around his dojo like a headless chicken trying to catch your dark furred friend. Er... partner? A kiss on the cheek wasn't exactly platonic, but he never said he wanted to be more than friends either.

You decide not to think too hard about it, focusing on finding Macaque instead. And when you finally do manage to tackle the monkey, it's obvious it's only because he let you. And to enact your revenge, you begin peppering kisses all over his stupid, smug face. Macaque lets out another round of that giddy laughter, and then brushes his lips against yours before disappearing.

You chase him around the apartment again. And so the cycle continues.

[sehtoast]

Perfect Punishment (Homelander x gn!Reader Smut)

18+ | spanking, leg humping, technically supe!reader (vague), sublander, light choking | Fic Directory

Suffice it to say, you're never quite sure how you end up in these situations. Granted, the common denominator in all of them was that Homelander was an endlessly voracious man in need of an infinite amount of attention, and he'd go to any lengths to get it. 

Even this. 

“Mmm, harder…” He hums as your palm strikes his rear, a playful grin etching into his face at the resounding slap.

“I thought this was a punishment,” you say as you rub soothing circles over the red of his briefs. “Doesn’t really count if you like it.” You're almost ready to stop and leave him hanging as a real punishment. 

“Right, right. Ah! Ow!” 

You roll your eyes at his theatrics. You'd teased him about being such a bad boy, but it seemed like he was all too happy to fill that role. His behavior cranked past ten, and now here you are: The Homelander himself bent over your knee, underwear pulled down just a smidge and pants at his ankles. 

You're not even sure who made the spanking joke first, but god knows his eyes practically lit up like a Christmas tree at the mere mention. 

For his smart comment, you swat significantly harder. You could never actually hurt him– maybe just sting him a little.  In fact, you have a sneaking suspicion that the power dynamic reversal is what has him rocking against your thigh like the needy little thing he is. So pathetically horny at the idea of being weak and vulnerable for you. 

Of being punished by you. 

Not even his commentary could hide it. 

“Oooh, that one tickled.” He snarks one more time, but his voice betrays him completely. A slight quiver in his words, a shaky breath exhaled, cheeks turning a light pink. “C'mon, babe. Give it to me. Unless you're all talk…”

Antagonistic little… 

You grip his briefs and rip them clean off, revealing his bare ass to knead and squeeze to your heart's content. You loop an arm around his neck, restricting his throat between your forearm and bicep, tugging him just enough to make his back arch. 

“You're a very bad boy,” you whisper, nails scratching his glutes. What little fabric survived the rip still miraculously covers his cock as he grinds against you unabashedly. You wind up for the swing and–

“Mmph!”

Like music to your ears, he chokes on the cutest little sound. Something squeaky and precious, surprise vocalizing high in his throat at your sudden brazenness and strength. 

“You just wanted to hump my leg like a dog, didn't you?” You accuse, tightening your arm at his neck. You rub your last strike tenderly, letting your fingers slip along the curve of his crack. You can practically feel the way he shivers against you. “You’re makin’ a mess down there, aren’t you baby?”

Even pressed firm against your leg, you can feel his drooling cock twitch with need. The surviving scrap of fabric has to be drenched at this rate– you can almost feel the heated moisture and you know damn well his cock weeps practically the whole time he’s aroused on a regular day. 

A breathy moan escapes his slack mouth the second your fingertips graze his sack, hips bucking forward to seek more of whatever delicious friction he'd found against your lap. 

“You just wanted to lay on me and get played with like the little whore you are.” You trail your hand back and grip a cheek as hard as you can, nails biting into his flesh. “Admit it. You acted out for attention.” 

“Mmm, yeah– fuck,” he confesses through a breathless whisper. 

For his honesty, you reward him with a warm palm to his balls, feeling them tighten every time a pulse of pleasure surges through his body from how you play with him. 

He keens softly, eyes screwing shut against the twist of bliss knotting in his core.  He ruts even more brazenly than before, as if he wasn’t just getting spanked mere moments prior for always having to have his way.  Your body rocks with the strength of his thrusts, so you angle your leg to press back against him.  Sure, he was being ‘punished,’ but you’re not totally cruel.

“You wanna be my good boy, right?”  You ask ever so innocently in his ear, breath fanning against the shell of it in a way that makes him arch further back.  His mindless little nods make you grin sharply. “I thought so…”

Your hand comes down with a sharp crack against his right cheek and he writhes against you, mewling through his restricted throat.

“Count ‘em off for me,” you say, squeezing his neck a little more.  You let off for a moment only to remind him to speak up if something’s too much, then squeeze again.

Slap!

“O-One!”  He announces, hips bucking against you.  

You can hear it in his voice– he’s like a time bomb ready to blow.  His expression is infinitely more desperate. Hooded red eyes, cheeks burning a deep crimson, tongue peeking out just over the edge of his lower lip.  If there was ever an image fit to sit beside whore in a dictionary, it was the sight of him like this.

“Tell me how good you’re gonna be for me after this.”

“I’m– I’m gonna be so good!”  He promises through panted breaths.  “Good for you– good f–”

You don’t let him finish before you swat his reddening flesh several more times in quick succession, watching with pure satisfaction as that mouth that never stops running opens to moan so loudly you’re almost sure the floor below must have heard it.

“N-Nine… No– no, fuck!”

Poor thing had to make a guess.

You tsk at him in false disapproval.  “Good boys don’t lose count,” you say, even though he was definitely right.  “Start again.”

And he did, too.  By the time you make it back to the count of nine, his legs are quivering and his precum has soaked through the leg of your pants.

“Please, please, please!” He mewls desperately.  “Let me– oh fuck, please let me come! Please, just– fuck I need it! I’ll be good!” He’s rocking against you without permission of any type as he spouts off promise after promise to behave himself for you.  “Good– good b-boy… I’m your g’boy, I p-prom– ohfuckohfuckohfuck!”

And just like that, he’s blowing a thick, creamy load against you, legs spasming and glowing eyes rolling back in his head as you hold him through what must be an absolutely earth shattering orgasm if the full body trembling was anything to go by. Your name falls from his lips in a repeated prayer until all he can do is simply mouth it silently. 

Your lips are to his ear the whole time, whispering affections and praise, adoration and love in droves.

“You are my good boy,” you say, accentuating your words with soft caresses to his sack.  “My very, very good boy that I love so much.”

“M’your g’boy…” he murmurs weakly, eyes shut as he sinks into the glow. For a second, you think he might actually be calm for the rest of the evening.

Who are you kidding?  He’s going to act up all night after this.  You wager you've got about fifteen minutes of aftercare and snuggles before that switch flips and you're fucked on every horizontal and vertical surface he can possibly think of. 

And you? 

You’re gonna love every fucking second of it.

[fangisms]

all of the girls you loved

A/N: i am a SUCKER for a good song fic and obvi a sucker for some good Taylor content (gif creds: @merakiaes)

Pairings: George Weasley x Fem!Reader

Summary: Every woman that he knew brought him here. You want to teach him how forever feels. 2.6k words.

Warnings: so much crying why am i in a mood, fluff mostly!, song fic, song lyrics, pet names (poppet, dear), heartbreak, brief angst, ONE FUCKING CURSE WORD. jealousy, being stood up

1984

"your mother brought you up loyal and kind"

You'd been chasing the little red haired boy through the train station for the better part of the last ten minutes. But only because he tugged at your hair and stuck his tongue out at you. He started it. He's got this worn grey sweater, and you can tell his jeans were hand-me-downs from the patchwork in the knees. Probably from the boy, his older brother, with the wavy red hair carrying far too many books and stumbling up the train's steps.

Your antagonist giggles and ducks behind the brick pillar in the center of the station. You roll your eyes and round the otherside, tapping on his shoulder with a grin. He yelps and skitters away behind his mother. She has a small baby tucked in her arm and another cooing from a pram decorated with ribbons, lace, and wicker.

"Georgie!" She scolds him for tugging on her skirt before looking down to see your little face staring back at her. "Hello, dear, what's your name?"

The boy peeks his head out from behind her leg, round cheeks flushed a soft pink from all the running. You fold your arms over your chest and scowl at him.

"Determined little thing, aren't you?" she says with a sweet smile and kind eyes, "Have you been terrorizing this young lady?"

"It's not my fault, mum! She looks funny!"

"George. That's not how we talk about other people, now, is it?" she warns.

"No, mum."

"No, of course it's not. Now, you apologize this instant. Your brothers give me enough grief as is."

His wicked gaze meets yours, and you scowl hard as you can back at him. He squints. You purse your lips.

"I'm sorry because my mum told me so!"

You pout, "apology not accepted! I hope I never see you again!"

And with that, he watched the little girl with the wild hair and the polka-dotted pinafore skip away. Never to be seen again. Until the next year. And each year following the last.

1994

"teenage love taught you there's good in goodbye"

George has got a mouth full of the loudest bubblegum in existence when he comes roaring up behind you in the hallway, laying his arm across your shoulders.

"Evening, poppet. I assume you've heard the news," he chirps, smacking his gum in your ear proudly.

"You're disgusting, George," you say, shrugging his arm away but still matching his pace, "and I don't care that you bribed Niamh Ward into being your date to the Yule Ball."

"I didn't bribe her! She asked me and I said 'yes'"—he blows a gummy bubble in your face, and it bursts with a ringing pop—"D'you reckon she'll kiss me if I dance well enough?"

He twirls off down the hallway, ending his mini routine with a flourish of jazz hands.

"I don't reckon any girl will ever want to kiss you with moves like that."

"Oh, you're just a cynic. I'm perfectly snoggable, whether I can dance or not." He takes your wrist and drapes your arm in the crook of his own, and you scoff when he leans in to pop another bubble in your face. "Who's taking you to the ball, anyway? That Durmstrang halfwit?"

You yank your arm away and stop dead in your tracks. It's a well-known fact that you'd been waiting for George to ask you to the Yule Ball since first year. You thought for sure he'd ask you. But the time came and went and you each found other dates, other outfits, other plans. And you hate that deep down, a small part of you is still waiting for him to ask you. But you'd never do that to Niamh. Not even for George.

"As a matter of fact, yes," you say, "and his name is Johan—"

"What kind of name is Johan?"

He's still smacking his gum like he knows exactly how to get on your nerves. And after all these years, it's no wonder.

"You're so immature. I'll see you later."

"Oh, come on—"

"No, George," you huff, not turning around until you clear the corner and wipe your wet cheek with the sleeve of your robes.

...

The Great Hall has never looked more decadent. Draped in glitz and the magic of the holidays. Everyone's absolutely buzzing with excitement, ever-present gossip, and the beauty of students dressed to the nines. And in the midst of it all, you still spot him from across the room.

Of course, Johan is the perfect gentleman. He even asked if you'd like to match your gown to his traditional red dress robes. It was a lovely idea, and it wasn't hard to pick out a lovely chiffon, maroon dress. He said you looked beautiful and danced with you most of the night, but there was still that sickly ache in your chest like flesh and tendon left split by two cold hands. George's hands.

After you told Johan you didn't feel well, he left you alone at one of the shimmering tables. You felt bad practically leading him on, but it's not like you'd been lying about your attraction to him. Just about your attraction to George.

You don't turn to face the person who plops onto the stool beside you. You're pretty dedicated to flicking the thin straw around the rim of your glass at this point.

"I left my date to come talk to you, so you better have a stellar reason for looking so glum."

George. You know he's trying to cheer you up. And he knows it's not exactly working how he'd hoped. "Come on, poppet. It's the Yule Ball. You've been looking forward to this for, what, six years?"

He hates that when you turn to face him, you've got tears dripping from your chin, jaw, nose, lashes. He hates that there's a small part of him that wishes he could have fixed it for you. 

"What's wrong?" he whispers, scooting closer and catching a slow tear slipping over your cheekbone. You flinch away and lean your head in your hand, closing your eyes.

"You have no idea."

George chortles and shrugs, "well, yeah. That's sort of why I'm asking." You land a hearty wallop on his arm, not even looking when you swing your fist at him. "Alright, that was deserved. Now, tell me. I don't like it when you shut me out."

"Why are you doing this, George? Why don't you just leave me alone? Go hang out with Niamh or something," you say. It's accusatory, sure, but that's the point. The inflection was aimed for the heart. Spear tipped with arsenic just to make it sting more.

He chews the inside of his cheek, rubbing the back of his neck when you dodge his gaze and sniffle.

"That might be a tad difficult seeing how she stood me up."

Shit.

"George, I didn't mean—"

"No, no, it's okay. She caught a... a stomach bug, or something. Spent all morning hunched over the girl’s toilet," he mumbles, loosening his tie. And you catch just the smallest smirk tugging the corner of his mouth. Like there's some kind of amusement in his own misery. "I feel bad for her, honestly."

"I'm so sorry, I had no idea." You grab his hand and lean closer. He looks tired up close. Like the light usually at home in his eyes as twinkled out and left him dimmed.

"You've nothing to be sorry for. Fate is fate, after all." He brushes his hair out of his face and takes a deep breath, squeezing your hand. "Dance with me?"

Yes, of course, you want to shriek. I'd love nothing more from the boy who used to yank on my hair and call me names and tell me he loved my sparkly shoes. An honor, you think, but the words don't reach. Just a smile.

"Sure," you say, letting him tug you in the direction of the crowd. The right direction, you think, the direction you've longed for. Then he spins you into his chest, and you feel the shallow rumble of his laugh in your fingertips.

"Was Johan a better dancer than me?" he says, swaying your bodies like tender obligation. You cock an eyebrow.

"Johan stepped on my toes every four steps and nearly tore my dress."

"...So?"

"Yes," you tease.

"Shut up. Let me make this dance a good one. For you."

You look up at him and he thinks he's never seen someone look so clueless and yet so completely beautiful. From the gloss on your lips to the gems on your shoes and even now, mascara smudged and hands shaky, he thinks he'd like to look at you for as long as you'll let him. And when you shuffle closer between songs, he has to catch his breath against your temple.

"Your hair's gotten so long, Georgie," you whisper, slipping your hand up and over his shoulder, to the back of his neck with a smile pressed to his warm cheek.

"Like it?"

"I’ll always like it."

He pleads to Merlin you can't feel the rattletrap pounding of his heart. His hand moves of its own volition, spread across the small of your back like he's seen in some romance films. The slow dance scene is always the most romantic. The pinnacle of their love thus far. The event to dissolve any prejudice leftover in their heads, and any pride hidden in the last cracks in their hearts.

"George, I have to tell you something important—"

"Shh, poppet, just dance with me a little longer."

And you suppose. It could wait that little while longer. Another dance. Another day. It'd come up again and break your heart, but it'd be too pressing to put off eventually.

So you let him hold your hand a little tighter, sway you in circles a little slower, and keep your heart beating a little louder.

1996

"every woman that you knew brought you here // i wanna teach you how forever feels"

The something important you had tried to tell George that night was that you'd be staying with your estranged aunt in Spain over the course of the next school year. Your final school year. You'd be leaving Hogwarts—leaving George—and spending the year homeschooling over in Spain.

You left that Spring to spend your days in the Spanish countryside, drinking in the sunshine and dancing to the music of the cicadas. It had devastated George. It had devastated all of the Weasleys. They were so used to housing you most summers, and the change was quite unwelcome. Less place settings, less baggage clunking up the stairs, less laughter. He could only hope you were happy. And that he'd be able to see you again one day in the future.

"Georgie?"

You caught him off guard. He nearly tripped and cracked a tooth on the steps when you called his name. He and his twin brother had made a spectacle of Ninety-three Diagon Alley in the time you'd been away. And you had just happened to wander in and find him hurrying up the technicolor stairs after his brother.

Nothing felt real when he met your eyes for the first time in a year and change. The sirens and bells and sparklers went fuzzy as he realized just how beautiful you'd gotten since he last saw you. Beautiful enough to make him wildly nervous. Enough to make him sweat.

"My Poppet." He says it gently, grinning when you bat your lashes and hold your arms out.

"Christ, I've missed you, George," you huff, burying your face in his shoulder when he wraps his arms around you.

"You have no idea."

You tease him with a laugh, "Well, yeah," pulling away to wrap your lithe fingers around his tie. "Look at your hair! It's so short!"

"Like it?" He runs his fingers through the scruff at the back of his head. You squint and pat the soft tufts at the top of his head.

"I love it. You know I do."

He sighs, ushering you to the back of the shop all while trying to conceal a giddy smile.

"I've had an entire year to reflect on all the reasons why you abandoned me, poppet. I made a list"—He takes your wrist and drapes your arm in the crook of his own—"Starting with that time I told you your unicorn shirt was quote, unquote, 'for babies'."

"You have to include my stunning defense, Weasley"—you clear your throat—"'I am a baby, and you're just a rotten little boy!'"

"How could I forget?" He pushes open a door to the very neglected office towards the back of the building. Papers stacked on the desk, a cobweb in the corner. Well-loved. "A little privacy, mademoiselle?"

"I'd be delighted."

He sweeps the dust off a brown leather chair by the desk, offering the seat to you with a shy smile.

"Oh, George," you whisper, fiddling with the clasp of your purse with watery eyes and a pout like the one you gave him the first time he saw you.

"Come here, sweetheart," he says, hurrying you into his embrace with the feeling of being gutted by your sad eyes weighing heavy on him.

"There's just so much"—you gasp and cover your mouth when you sob—"So much I've missed and so much I want to tell you and so much I wish I had seen and done with you..."

"I know. I know, I feel the same," he huffs, "I missed you more than words can describe. I didn't know what to do with myself."

"I'm so sorry, I never meant to hurt you, I thought—"

"No. No, poppet, of course not"—he holds you tighter, pressing you to the curves of his body, holding you like clay and hot glass—"You came back, that's all I could ever ask for."

You pull back and let him wipe the tears from your cheeks, leaving faint kisses on each temple. And when he finally tears himself away from your skin, he's only left desperate for the contact. His thumb brushes you cheek, and you hold his wrist, lashes fluttering to meet his soft gaze. Desperation. Exhaustion. Relief. It's all there in the palm of your hand, and just at his fingertips.

Twelve years is far too long to be loving anyone the way you love each other. Completely but without the parts of love we sometimes need most. The honesty and openness, the comfort, and more than ever, the kisses. He curses his wild eyes for sweeping the length of your parted lips. His wild eyes giving away his secrets and calling him a damned fool.

You catch his mouth with yours, innocent at first peck, but he kisses you back, unsure of where his hands should go, wanting perfection, especially when your nose bumps his and makes you smile into the wetness of the kisses.

"I want everything," you whisper, forced to choose between air and George, "I have loved you since the day we met."

"That's very cheesy, my dear." He rests his forehead against yours, cupping the side of your neck, thumb resting gingerly over the column of your throat. Just to hold something delicate. Fragile. His.

"Think you can do better?"

"Hmm," he clears his throat, "You stole my heart and... I don't think I want it back."

"Gross! You win."

"I meant it."

He winks and pecks your bottom lip sweetly, only to realize you're tearing up, head tilted back and hands fanning at your eyes. He holds your waist and you shake your head with a defeated laugh.

"I'm such a crybaby."

"My favorite."

"You're awful, Georgie."

"I know," he says, finally, "I know."

masterlist

[bethanydelleman]

I saw a post you reblogged at some point about Fanny being stuck in a time loop and it got me thinking: if the main men (both protagonists and antagonists) of the different Austen novels time travelled back to the day they first met their love interest/the start of the novel - whichever is latest so wentworth, knightley, and Edmund Bertram would travel to the day the main events of their novels start - who do you think would end up changing the least of the events and the most (intentionally or not)?

Because I feel like Knightley would change the least and Henry Tilney and the three S&S gents would come next. But like Wentworth would immediately throw the entire novel off track and like Darcy and Henry Crawford would come in close second trying to change their truly awful first impressions

(Also I just want to add that I really love your Austen takes and discussions 😊)

Thank you!

This is a fascinating idea. Here are my thoughts:

Wentworth just marches into Uppercross Cottage and proposes again. Doesn't even wait to be properly introduced to the family. He's getting Anne back NOW. (She says yes, of course)

I can imagine Darcy having a tiny little crisis as he decides if he really wants to be married to Elizabeth, maybe he could just not accompany Bingley to Netherfield and his life could go the way he planned... nah, he can't resist. Off to Netherfield he goes and he lets Bingley introduce him to Elizabeth at the assembly ball. Things progress unimpeded and by Christmas there is a double wedding and Wickham's character is known throughout Hertfordshire. He skips town and Lydia is packed off to Pemberley to benefit from some better society. (Side note: Mrs. Bennet would push Mr. Collins on Mary if she had any inclination that Darcy liked Elizabeth).

If Bingley knew everything, he'd never leave Jane. He'd return from London and marry her, no matter what Darcy or his sisters said. (I wrote that once actually)

Does Wickham count as a main? Because I don't want him having the ability to predict the future. Yikes on bikes!

Henry Crawford is very interesting, because does he actually understand where he went wrong? I'm not sure he does. Can he resist a flirtation with two very pretty sisters? That would be a fun fan fiction to write. Because if he went for Fanny right off the bat and she knew nothing else about him... he'd probably succeed with her, secret Edmund love or not. And she certainly wouldn't have a leg to stand on in refusing his proposal.

Does Edmund come back in the same timeline as Henry? That would be so agnsty! If not, he'd probably be doing whatever he could to keep Maria and Henry apart, but he's shockingly ineffective in canon, so would he even be able to change anything?

Henry Tilney would probably just try to prevent Catherine being sent home alone. He could easily come back early.

Mr. Knightley's best move would be to tell Robert Martin to propose in person. I doubt Harriet could have resisted. Then he could just sit back and watch everything else play out.

Honestly, I don't know if Frank Churchill would change a thing, other than making sure his final letter was posted to Jane. He enjoyed the subterfuge.

Poor Edward Ferrars has to travel back while engaged to Lucy? I feel like he wouldn't even want to relive the novel, there is nothing he can do anyway.

Colonel Brandon would probably change a lot. He could immediately save Eliza and challenge Willoughby. He might even spare Marianne from a lot of pain.

Reginald de Courcy (Lady Susan) would likely act as well and save Frederica earlier than in the novel.

[ladymischievous]

A Few Thoughts on Alastor in Ep 5

-o-o-o-As a warning, spoilers ahead.-o-o-o-

Something I noticed, and it really hit home here in Episode 5, but is it just me, or is Alastor more tolerant/kinder to women over men? It's very clear and detailed throughout the episode and a bit prior to the series' official release.

Alastor has problems with Lucifer right off the bat and becomes outright antagonistic. We know that Lucifer has problems and that there's strain in his relationship with Charlie. She explains part of it to the rest of the cast, except Alastor isn't there to hear it. In fact, he noticeably comes into things a little bit later, as the cast is prepping for Lucifer's visit.

Now, one could easily say that he's possible gleeful at the thought of stirring up trouble, but I don't think that's the case at all. In the latter pic Alastor looks more agitated. His smile is more of a sneer, with that slight curl to his lips and the narrowing gaze. This agitation is even more apparent when Lucifer arrives.

It's a very different look from his usual smile, and afterwards the back and forth and Alastor finally saying 'Fuck you.' to Lucifer's face is said in such a tone of disdain, Alastor has a problem with Lucifer.

Now in their duet, Alastor is clearly trying to get under Lucifer's skin. He can see that there's cracks and strains in their relationship and prods at them to get at Lucifer. He's cozying up to Charlie and hitting where it hurts. But events afterwards brings up the question of whether or not there might be a part of him that might care on some level. Maybe not in a typical way, but it might still be there.

It's after Mimzy's arrival that we start to see different sides to Alastor. With the way he speaks and behaves with Mimsy, it feels like he has a friendship with her. She even refers to how Alastor likes to take care of her. It's a side of Alastor that we really haven't seen so far, there's a genuine feel in how he interacts with Mimzy. And even when he asks her to leave. He makes the point about her bringing danger and him protecting the hotel. Mimzy calls him out about how he can't possibly actually care. Up to this point, Alastor has made references to his own agenda and being their solely for his own amusement and enjoying to watch people fail. But that wasn't said here, to Mimzy who knows him on a more personal level. It's not something he'd really have to hide from her because she seems to know what he's about. But he makes no reference to anything like that this time. Alastor even mentions to Mimzy that if she's actually looking to try for redemption she'd be allowed to stay but knowing that's not 'her style', he insists she leaves.

After Alastor's prior interaction with Husker, we're reminded that Alastor can be vicious when he feels insulted. Mimzy then insults him to his face. She's very comfortable around him, even after him displaying how dangerous he actually is against the Loan Sharks.

As of writing this when episodes 5 and 6 were released, this appears to be a pattern. It's especially more noticeable when you have characters like Adam, especially with him appearing in episode 6. Alastor seems to at least have more patience or (for lack of a better word) care with women most of the time.

I remember a comic called 'A Day in the Afterlife' where this was also a noticeable detail.

I know there's a theory that Alastor has a connection with Lilith, and I support it as well. I am looking forward to seeing more and just what that connection is.

There is something very strange going on with Lilth. We already know what she looks like:

There's no attempts to hide these old family photos. But in the second musical number, Lilith is shown like this:

If Alastor has connections with Lilith specifically, it could explain some of his immediate issues towards Lucifer. Especially if he considers Lucifer as the one at fault in their split.

Another little detail about Alastor and Lilith potentially having a connection with each other, is her talent for singing.

Music and Radio are very important to each other after all.

Anyway, those were just my thoughts. I hope you enjoyed.

[kairiscorner]

now what if

miguel x filipino reader (silly and soft hcs!!)

• he'd have little problems understanding you, same with miles, in the previous x filipino reader, he'd understand the shared words tagalog and spanish have.

• involuntarily, i think mans would full on speak spanish if he hears you use just enough shared words to get him expressing his thoughts in spanish.

• "beh, asan yung sapatos ko? hala ba't malapit sa bintana, okay, ah, bibili ako ng leche flan, gusto mo ba?"

• "oh, claro, seguro que me gustaría un poco."

• "ano, ah, okay"

• you two would kinda just get by picking up random tidbits of spanish and tagalog, BUT YOU CANNOT DENY THAT YOU FALL APART WHEN HE SPEAKS SPANISH; HIS VOICE >>>>>>

• he'd also fear the slipper.

• you joke that if another spider person came crawling to you, crying because he yelled at them, you threatened to throw your own slippers in his face; you refused to let him just get angry whenever things didn't go his way.

• "isa pa, sinasabi ko talaga sayo, TSITSINELASIN KITA SA MUKHA, WAG MO KONG SUBUKAN"

• "PLEASE, I'M SORRY, PUT THE DAMN SLIPPER DOWN, QUERIDA"

• he got less angry at the spider people when you threatened him, he became more patient and understanding because of your guidance, too.

• you taught him to use "po" and "opo" when addressing his elders, especially towards your parents when he met them. he was initially confused as to why you used it on him when you two were practically the same age, but when you explained it was just your habit, he didn't ask anymore. in fact, he kinda found it endearing.

• when he learned how "ate" (ah-teh) and "kuya" were used, he called you that for a while until you told him you didn't want him to call you that and just refer to you by name.

• "ate/kuya, what's the update?", "ate/kuya, your report?", "ate/kuya, i want some, what was it? ah, ate/kuya, i want some tinapay (bread)"

• but when he learned about filipino pet names......... he used them TO THE MAX.

• he calls you, "mahal", "beh", and the..... "bebe labs" (cries) he used the "bebe labs" one because you kept using it for him.

• "bebe labs, what's for dinner?" now that was the first and last time he ever called you that. yes, lyla and you have a recording of that, it's your ringtone.

• your song with him is "panalangin" by apo hiking society, change my mind.

• he doesn't seem too interested in teleseryes, what with his hardass and stern look, but when he caught you watching one at home at night when he came back, he found himself sitting down with you and making commentary about the antagonistic bitches and how it'd be so satisfying for them to receive karma, tearing about a character's death, and clicking his tongue as he says, "i fucking knew they were gonna cheat/weren't dead/that character was the parent"

• he'd make an effort to learn tagalog and/or your local dialect for you, especially if you were more fluent in that than in english. he also wanted you to feel that he valued your culture and your roots, just as much as he valued his own.

• HE LOVES THE CHICKENJOY IN JOLLIBEE 🫂🫂🫂

• if you two ever got into an argument, he'd buy you jollibee as an apology and say he was really sorry and that the whole argument was stupid, he shouldn't have said/done what he said or did.

• MIGGY IN A BARONG TAGALOG >>>>>>

• he blushes when you call him "guapo/gwapo", you do it all the time :> he calls you "maganda" and "mahal ko" regardless of your gender <333

[crusty-chronicles]

sorry if this is a bad time to request and feel free to put this off till whenever or even delete it if you're sick of airheaded stronk s/o asks

I was wondering, could you do short headcanons about how hiei and/or kurama with a stronk/airhead s/o would react to someone random or even a minor antagonist actively being rude their s/o while they're in earshot

[for a more specfic example maybe that eyeball at the gate of betrayal calls their attempted sacrifice foolish or the pretty boy purple guy from the dark tournment says smth like "it's a shame such a pretty face is wasted on such a brainless oaf" which has the added bonus(?) of sounding underhandedly flirtatious.]

again no pressure to write this quickly or at all. i just figured i'd throw it in your ask box incase it interested you at all.

Also entirley seperate question but would you be willing to cover roroanora zoro in your stronk/airhead s/o series?

BONUS AIRHEADED S/O DRABBLES: How they react to someone insulting their S/O

An: Of course I don't mind! Never be afraid to request things, it just might take me a little bit to get to them but really I enjoy doing them!

--------------------

Kurama:

More than likely it would be a comment from Yomi or Kaito that would make him lose his cool. For this instance though, we'll go with the latter.

🦊🦊🦊🦊

It was a little after Botan got her soul stolen that Kaito decided to run his mouth. You having been kidnapped with Yusuke because where one went, the other followed. Much to Kurama's dismay.

"You've got me curious, playing house with a human I'd figure would be so far below you. Do you find them amusing? Maybe think of them as some sort of plaything? A way to keep yourself entertained?"

The taunt was an attempt to make the fox demon slip up. And it seemed to be working judging by his glare and increase in spirit energy.

"Did I strike a nerve? Don't tell me the great Yoko Kurama is actually infatuated with a human. And not a very bright one at that." There was a smirk on his face that only grew seeing Kurama manipulate the plants around him. Knowing he couldn't physically hurt him at the moment.

"You should have seen them. Getting all worked up over Urameshi being immobilized, only to fall for the exact same trap. It was almost too easy. Even when being told moving was useless, they still struggled. Yelling out curses and promises to...what was it? Oh yes, 'kick out asses' I believe. I never would have pegged you as the type to go after a stupid brute."

His cackling was soon disrupted by the sound of Kurama's voice. Speaking up at last with a tone so cruel, it temporarily frightened Kaito.

"You should hope I don't find a loophole around your no violence rule. Because if I do, you'll regret every last word." Eyes glowing an eerie golden.

When he finally bested the snarky human, he half thought to just crush his soul. No only because he put his friends in harm's way, but he also insulted you.

Insulted his relationship with you.

Buuuut, Kurama wasn't exactly allowed to end a human's life. And he refused to stoop that low anyways.

No, he'd just leave Kaito the way he was and focus instead on getting you and Yusuke back safely.

Overall he's petty about it, but not angry enough to lash out. He'll let it go for now....But if it happens again all bets are off.

----------------------

Hiei:

For Hiei it is most definitely Shishi that gets to him. I feel like maze castle is a little too early for him to get mad at someone making fun of you. Maybe a comment of 'A foolish sacrifice and yet you're the one who's dead'. But if it's during the dark tournament on the other hand 👀👀👀

⚔️⚔️⚔️⚔️

Kuwabara had just gotten teleported to who knows where. Leaving you, Hiei, and Kurama left to fight. It was just your luck that the die landed on your name. The other once again on Shishi's.

"Oh great, another bumbling idiot. At least this one is easier on the eyes." The demon commented as you made your way onto the arena.

Already Hiei could feel his blood start to boil. Disliking the way Shishi seemed to look you up and down.

"Perhaps defeating you will boost my popularity. Just don't die so quickly. I want to be able to entertain my fans."

You were already getting tired of this guy yapping. And it didn't help that he made your best friend vanish into thin air.

"I wouldn't be so sure about you beating me."

But at your comment, he only grew angry and snapped.

"Are you delusional or just that stupid? You think I would let a mere human beat me? Especially one as klutzy as you."

You were not a fighter to be underestimated. Hiei knew that firsthand. Yet you continued to let that cretin berate you as you fought.

For some reason that made him furious. Wanting to both put him in his place and let you teach that bastard a lesson. He took a step forward. Already deciding that if you did indeed lose this fight, he'd be the one to beat that egotistical demon.

A firm grip on his wrist stopped him from taking another step forward.

"Refrain from doing anything foolish. I know you care for them, but you'd only be damaging their pride more by stepping in." Kurama scolded.

The words temporarily snapping Hiei out of his protective thoughts.

"Tch, I don't care for them."

Hiei is absolutely ready to throw hands on your behalf. Yes you're foolish, but you're his foolish human. The only one allowed to insult you is him.

------------------

MASTERLIST

[dotster001]

hihi! just in here to say that i love your twisted earth au very much, its such an interesting concept and i love the way you write the characters?!!?!/ and to request some twisted earth hcs with rollo, chenya, and neige!

Twisted Earth Part Six

Summary: non NRCx gn!reader. You are the game. They are real.

A/N: full disclosure, I'm on the English server and have worked really hard to avoid masquerade spoilers. So Rollo's part is based on the snippets I've seen. After I play the event, if I think my assessment is off, I'll redo his part. Also, initially I was going to have Neige be a VA of your best friend, but an anon gave me an idea to have him as a villain. Special thanks to you boo!

Parts: One Two Three Four Five

He is a little like Floyd in that he's always searching for fun. Unlike Floyd, instead of crashing, he just continues to up the silliness stakes. His friends downloaded the game on his phone as an attempt to keep him out of trouble for a while.

And it worked! Kind of!  When he's not sneaking onto NRC campus, or going to his own classes, he's got his eyes trained on his phone. It's the first time a lot of his peers have ever seen him sit still.

He decided you would be the most fun to prank, and the most likely to enable his behavior. Whether this is true or not, if you were real, he'd be dragging you along for the ride. I wish you luck man. If you think you hear breathing or giggling behind you, but can't see anyone, trust your instincts. He wants to see you jump.

He didn't start playing until later so he only has one or two of your cards. He is incredibly jealous of his classmates who have the cards he wants, and may or may not make it very difficult for them to play during event periods so that they don't get any farther ahead of him.

He's been acting ever since he was a child. But he's never gotten a chance to let loose! With this project, it wouldn't be outright clear that Neige was in it at all, so he got to be an antagonistic millionaire's son  in the second book. And he had so much fun! Plus, now he's friends with all these voice actors, who really want to allow him the chance to let loose as the villain. He's so excited for his new opportunities!

He plays because it reminds him of working with his voice actor friends. Because the cast was so large though, he didn't have a chance to work with everyone.  You and your immediate friend group were not an arc he got to see come together. He thinks that's why he was drawn to you. You were a route that was completely new to him. The novelty, and just how precious of a character you seem to be, keeps his attention, no matter how long he plays.

If you were real, he would wrap you in a blankie and tell you all the ways he loved you until you loved yourself, and could never doubt in yourself. He really really really wants to kiss the tip of your nose. (He can't explain it. It's just an urge he has) 

He has all of your cards but one. It's just the bonus of playing since its release. He's missing an event card where you are dressed in a Halloween costume. He really wanted it too, but it's alright! He can just ask to see the script, that way he doesn't miss the story.

A world without magic? Magicless humans? He is wondering if the Devs got a little glimpse of heaven when they were making this game.

You. You are so perfect. You could be his pure human, who will help him fix this world. After he helped you see the light of course.

(I am so sorry. My image of him is kind of like a psycho)

He plays after a long hard day of being surrounded by flawed mages (himself included). It just eases his spirit a little bit. Not all is wrong with the world.

He doesn't really bother collecting cards. He has what he has and he's alright with it. He gets what he needs from you from the main story, and his late night shower thoughts.

Side note, he does not like other people's fan theories about you. Only his are correct, and he'll fight people on it until they get annoyed and give up.

[throwaway-yandere]

I wont give up writing for anything, even if that means I have to leave the Akademiya.

Creative Differences (Yandere!Tighnari/Reader)

A/n: compadre I lowkey got scared reading this message cause I was procrastinating on reviewing college algebra by writing a fic. It was kinda ominous haha! (⁠≧⁠▽⁠≦⁠). Anyways, I'm not sure if this is a writing prompt or who it's about, but here's a short (prolly ooc) yan!Tighnari fic. Enjoy!

gn!reader

CW: yandere!Tighnari, toxic relationship

—---

You're breaking up with your boyfriend of two years this afternoon.

Yes, you dated him despite knowing his flaws. You went out with him, knowing that he can be a killjoy and a bit condescending. And yes, you admit, that at first, you thought it was cute how Tighnari acts more abrasive around you when he is easily cordial around others. That you thought you were special since he doesn't act this falsely repulsed towards anyone else. That his facade will progressively melt soon as your relationship progresses.

Spoilers: it didn't. Somehow, instead of controlling his sharp tongue, you made it uncontrollably worse.

You were considerate and thought it was just stress. Being an underappreciated forest watcher would bound him to a few troubles on its own and the Akademiya's insistence on bringing him back is another factor. He had no need for the Sages' favors while they remained deaf when receiving his declinations. You chucked his behavior as a result of stress, and since he "trusts you more than anyone". Tighnari feels freer when he's with you compared to his associates. He openly expressed his frustrations because he's aware that you won't leave him, much like family.

But he smiles so much softer when he’s with Collei…

You know it's bad, really. To get jealous of his poor student as a final straw. It doesn't look good for your case, but one night you accidentally eavesdropped on their conversation and noticed how Tighnari's ears seem to straighten up whenever Collei calls him "master."

He never has time for you. He's always so busy, it's like he was avoiding you on purpose.

But you're mature and didn't act on those unpleasant emotions. You think of Collei as a little sister, and you can't imagine something bad happening to her. So, to lighten your mood, you jokingly called Tighnari "master" like the forest rangers.

And not so jokingly did he grab your wrist iron tight and tell you that if you say that again, he'd have you locked up in a cage like a filthy boar.

The remainder of the evening featured Tighnari avoiding eye contact. He never offers you an apology and acts as though he hadn't uttered anything horrible that left you feeling groggy the next day.

But being on the receiving end of his anger hurts. Especially when you know you've done nothing to deserve it, at least, it's nothing to you. 

He vehemently opposed your enthusiasm for penning romantic light novels for grounds the fox refused to divulge. Instead of being proud that your novel "The Knight Tames the Villainess" beat Zhenyu's notorious "Legend of Sword"' for a week, Tighnari rained on your parade by insulting your readers and the characters of the book.

The fox said that the love interest behaves like Cyno and that he's not a hero worthy of wasting anyone's time. That if you're going to write a male love interest, he should've been more snappier and honest with the female lead's flaws instead of being stoic. 

"He's done nothing to help her improve." He rolled his eyes. "The black kitsune antagonist had more chemistry with the female lead than him. That white-haired bodyguard is a joke of a protagonist. Your readers have no taste."

You didn't question why he was affected and offended by this. Tighnari was certain that if you did read between the lines, you would've rooted out the cause of the problem immediately.

He picked your characters apart while he engaged in a Socratic-like method of patronizing you. 

None of his complaints, aside from his assertion that your novel lacked "logical structure," were verifiably true. Although the male character is silent and unfunny, he has done everything in his power to help his loved one become happier in all areas of her life. In addition, it is absurd that he believes the traumatizing antagonist was a greater role model than the boy who fell in love with the female lead.

You were surprised. From the years you've spent together, not once did he talk about your hobbies with you– and you wished he never did. 

"Stop wasting time and focus on your thesis. How else are you going to pass the board if you're too busy behaving like a big lummox? I'm saying this because I care about you, (Y/n). If you need extra cash just say so. You don't have to write for those people, they're all just–"

Tighnari didn't stop there. You loathe recalling the rest of what he said.

You wouldn't mind his words if he attacked your skills in writing, but to call your readers illiterate and dimwitted spinsters with no taste in men was enough to unseal everything you had bottled up for the past 2 years.

The entire argument was a blur. There were screamings and loud thuds, but what stood out most from your memories was the bold declaration you uttered by the end of it all.

"I won't give up writing for anything," you spat. "Even if it means I have to leave the Akademiya– if it means I have to leave you."

Normally, debates with him are futile, but at least there was one major key takeaway from this exchange.

You had an epiphany. There was never a need on your end to be with Tighnari. That your writing was more than an escape– it was a clear cry for help and a reflection of your needs and desires. And you were hoping for someone to depend on and a chance to break free from the "villain" in your life.

It had been days since that fight, and you calmed down. With the way things are going, this conversation should be a breeze on your end. 

"(Y/n), you wanted to see me?"

Speak of the devil.

You put your cup of coffee down.

"Yes, please close the door. This is pretty important."

He locked the door.

Tighnari looked indifferent– as usual– and flopped his tail down the nearest chair. His ears were twitching slightly as he fixed his hair, puffing it to add more volume.

You nodded, fishing a paper out of your pocket. Tighnari raised an eyebrow.

Since he was so keen on reminding you that you are awful at holding academic presentations without a little "cheat card", you decided that you'll bring one this time too. Albeit, it only had the words "FUCK YOU" written eloquently, it's enough to make you remember the many woeful sorrows you want to communicate. You don't care that it's petty. Even though you’ll be civil about the break-up, a little card wouldn’t hurt. At least when the afternoon's finished you can joke about it at parties.

Tighnari would laugh at your face after you say your piece. He's a natural-born sophist– some might call his wisdom false for it, but his persuasion is influential. Hence, you fully expect him to gaslight you midway. The fennec fox would remark that your performance was funnier than any material the general Mahamatra came up with. But you don't care. 

There's an exciting world out there once this is settled. You can't wait to be single and get nervous around anyone you find remotely attractive.

"So? Get on with it, (Y/n)." He tapped his fingers on the table. You almost forgot he doesn't like it when people get too distracted. "I still have to plan the next cleansing ritual."

"Course you do." You let out a snarky retort without realizing it. "But please bear with it, this shouldn't take long."

He hummed curtly.

You cleared your throat again, trembling anxiety making its way up your fingers.

"Tighnari, let's have a clean break up."

"Sure."

"Oh." You nervously smiled. "Thank you, I apprec–"

Tighnari hurriedly sprang from his chair and slammed both hands down. His eyes widened as your thoughts took a moment to sink in. He laughed without mirth.

"... Wait, come again?"

He squeezed his nose and closed his eyes while taking a breath. The slight grin on Tighnari's face proved your assumption was accurate. He was laughing at you.

"What are you trying to play here?" 

Of course, it'd be too easy if he just agreed with you.

"Whatever it is that you're trying, quit it. If you want to go on dates then sure. We could visit Liyue Harbor this Saturday–"

"No. I'm being serious here." You breathed shakily in a mediocre attempt to steel your nerves. "I want to break up, Tighnari."

He paused, his stone-cold gaze unbreaking.

"Why?"

"Because we're both unhappy." 

His ears twitched and drooped down slightly. "We are?... You're unhappy?"

"Yes." You said it almost like a question, so you repeated it to make things clear. "Yes, I am. And so are you."

Tighnari slowly shook his head. 

"No, no I don't. I love being with you, (Y/n)."

You sucked air between your teeth. Your heart started to pound loudly as your hand clenched a handful of your shirt tightly. It's unfair. He can't say that after every verbal abuse he subjected you to hear. 

"Tighn–"

"I know what this is about. You're having an affair with Cyno, right?" He snarled.

Huh?

This time, it was your turn to be stunned and simultaneously enraged. You glared daggers at him while your closed hand hit the table.

"Excuse me?!"

You both went silent. The fox heard your heavy breathing and knows you're too baffled to speak.

"I can't believe this." Tighnari sneered, but his voice was raspy and strained from disbelief. His tearfully frustrated eyes contorted as he forced words out of his mouth. He raised his hands abruptly before languidly motioning his thoughts in the air.

"I can't believe you didn't even realize you're in love with him. I-I was willing to turn a blind eye if you were fucking him behind my back. That’s how much I love you. I thought turning a blind eye would stop you from stirring up this– this rebellion– You're a fox's mate– my mate!" 

He shook, mad.

"And I can't and won't find another. Damn it (Y/n)– you know this!"

"What made you think I'm having an affair with Cyno?!" You balled your fists, and your knuckles paled. 

One more absurd comment and you'd be convinced that he's under the influence of hallucinogens. It wouldn't be a huge stretch. What kind of boyfriend would let someone else bed their lover? An incompetent one maybe– if it were a healthy polygamous relationship and everyone consented then you wouldn't bat an eye, but it isn't. 

You're not some debauched "doll" shared against their will.

"I've never cheated on you!" You screamed.

"From the way I see it, your patrols with him should be considered an emotional affair." Tighnari deadpanned. "Playing with his hood, pulling his arm, laughing at his unfunny jokes– you're practically a whore for him."

Holy shit.

"You're insane." 

That was the only response you could say.

So painfully, you wanted to nitpick the flaws from his argument. How satisfied you would've been if you pointed out that's how humor is subjective and that's how platonic relationships work. Even though you wanted to make him feel tiny with your stream of unwarranted reprimands, you don't want to be like him.

Let his delusions simmer and stir– you have nothing to do with him anymore.

"You know what, we both don't need this talk. We're done, Tighnari."

You walked past him and reached for the doorknob. 

It rattled, however, it did not open. 

You tried again, frantically in an attempt to loosen the locks. This was the worst moment for a door to jam. You slouched forward and pulled harder. There's no way he won't use this moment as a way to drop more inane comments. You heard a chair being dragged out behind you.

"It's no use. I locked it."

"Then open this fucking door."

"Why should I?"

You shivered, not noticing Tighnari right behind you. His lips hovered above your ear.

The reputable forest watcher trusted by travelers and citizens alike pressed a doused handkerchief against your nose. 

Panic overrode your rationality when you realized what you were inhaling, and stupidly you gasped. It smelled faintly made out of dendro energy and plants created by Greater Lord Rukkhadevata. You and Haypasia, whose major research concentrated on the Irminsul, are more than familiar with its aroma.

It's the incense. 

Normally, it's taken for the sake of connecting with the Irminsul, but his motivations make you dread why it's being utilized. Continuous exposure increases the susceptibility of researchers to its effects, and in this context, Tighnari is exploiting that for...

You jumped and clawed his arm, but your vision wavered like it would in the desert. His arm encircled your waist, and he was, unfortunately, stronger than you. The card you were holding fell. Tighnari's ears perked up as he sensed your strength waning.

He caught you right on time. Consciousness evaded you, and you weakly leaned on his chest. 

Tighnari smiled.

He smiled so much softer than when he talked to Collei– and everyone else in Teyvat.

"Why should I open the door, when I have you right where I want you?"

[diientedegato]

I'm curious if you have any thoughts on what Ben Paul would look like if he was alive years after S1 of TWDG :> I honestly prefer to imagine both him & Kenny going off on their own adventures after S1, because Idk if I'd've had Kenny as part of S2, it felt like when he returned it became less Clem's story & more his. That might be controversial among fans but it's how I feel :s I like to imagine Ben, Kenny & Sarita forming their own little family in fact <3 I'd expect Ben would end up with shaggier hair after a while but I wouldn't mind knowing what he'd look like with short, spiked up hair ;>

IM SORRY BOTH THE ASK AND DRAWING ARE OLD- but I came across the sketch I had eugeugeh. I do not have many headcanons but behind the cut is just a rant about. Kenny mostly. Too much should I warn? But yah I'm sorry it took me like 5 months lol

The only headcanon (regarding Ben's appearance) is that he'd keep his school jacket for as long as possible. Until it thorns apart. Or until he dies.

I'm big fan of Ben lives possibility btw I've gotta draw sum about that sometime (I say, about every twdg character i like,)

And dude, do I agree about Kenny. Man doesn't belong in season 2. The character they made him to be in the second season is not Kenny, it's just a nostalgia element. Don't get me wrong, I love the guy, I'm biased as hell, I break that hug choice every time. But it made the character development in the first season just.... pointless. "For some reason, I saved that piece of shit Ben", man, that quote just disappoints me. Kenny lost everything. Father and husband of none no more, which was pretty much the arc of Kenny on the first season?? I think? . Everything he loved and he had he lost, and he killed the person responsible for it. But not as revenge, he killed a kid out of mercy. He saved the boy from suffering a painful death, and that was forgiveness, to the reason he hadn't any. He took a decision he would be fully responsible of, when it was time for him to go. And he was perfect.

Hell, if he had appeared during season 2, I do prefer the Kenny as Carver idea. Clementine wasn't even that close to Kenny in the past, the player was, so even then it feels... off, off to be forced to care about a man that says so much he wants to protect you. (They're not really family, but is as if Kenny tries to protect and have Clem on his side, to have Clem's loyalty through and through. Though he does let her go and is proud of her on her individuality... hm.) But still, I mean, second season Kenny is not first season Kenny, and it isn't even a change that made sense. If he had been antagonist (which pretty much feels like it in the Canon story already), he should have had some other background story, no Sarita or company. Maybe then the cynical view he has would have mattered. The violence and anger and whatever else. For him to change that way was a consequence of him losing what he represented, protection of family? Wasn't failure and grief and acceptance meant to be important after all?

But otherwise yea I think it would've been pretty cool if Ben survived :3 I am a sucker for tales of redemption, forgiveness, and found family. And I hadn't thought about Kenny, Ben, and Sarita, but hell yeah. Man, even if they appeared in the second season, it would've been interesting if the choice wasn't between two individuals, but between two families. Ben already had a relationship with Clem! He appreciated her and calls her his only friend during season 1, he did leave her behind during that scene, -but the point of Ben was that- He was a coward all the season, until when he wasn't. He wanted to help Lee help Clem. They would've had an interesting sibling relationship-? also Ben had a young sister before the apocalypse so ooooh projection and parallels and shi. And if Ben had lived, he would've completed his development to something close to bravery-?

Well, I don't know, at least I think that'd be one interesting way to bring back old characters. Otherwise, Kenny should only be mentioned on dialogue maximum. The way I see it.

(I repeat the same thing over and over when I talk about something I'm sorry

(I've developed no language skills whatsoever in my life

(Yippee

[inbabylontheywept]

Kevin vs. Quantum Mechanics

This is an autobiographical piece. Names have been changed for anonymity, but it's otherwise left be. ---

The class's first suspicion of Kevin was that he had, somehow, cheated his way up to this course. He just seemed perpetually confused, and strangely antagonistic of the professor. The weirdest example of this was when he asked what an ion was (in a third year EE class?), and was informed that it referred to any positively or negatively charged particle. It would have been strange enough to ask, but his reply of "Either? That doesn't sound right" sealed him in as a well known character in the class of 19 people.

The real tipping point in our perception of him during a lecture where the professor mentioned practical uses for a neutron beam, and Kevin asked if a beam could be made out of some other neutral material. When asked "Like what?", he replied "An atom with all of its electrons removed." When we pointed out that the protons would make that abomination extremely positively charged, he just replied with "So what if we removed those too?" and then was baffled when we informed him that would just be neutrons.

That's high school level chemistry. Not knowing it was so incredibly strange that I felt like something was off, so I asked him if he'd like to grab lunch. He accepted, we chatted, and I finally began to get a sense of his origin story.

See, Kevin wasn't a junior/senior electrical engineer like the rest of us. Kevin was, in fact, three notable things: A business major, a sophomore, and a hardcore Catholic. All three of those are essential to understanding his scenario.

What had begun all of this was actually a conflict with Kevin and his roommate. Kevin frequently had his fundamental belief in Absolute Good, Absolute Bad, and Absolute Anything pushed back on by his roommate, who was in STEM. Said roommate kept invoking quantum mechanics as his proof against Absolute Knowledge. Kevin was tired of having something that he didn't understand thrown at his convictions, so he decided to take a quantum course to settle things once and for all.

Despite not having any of the pre-reqs.

He'd actually tried to take quantum for physicists first, but the school's physics department wouldn't let him. It's actually pretty strictly regulated, because it is a mandatory class for physics majors. However, because quantum is not mandatory for electrical engineers, there aren't really any built in requirements for the class. It's just assumed that nobody would actually try to take it until their third year because doing so would the be the mental equivalent to slamming your nuts in the car door. Just, pure suffering for no good reason.

Apparently, the counselors had tried to talk him out of it, but if Kevin was one thing, it was stubborn. He'd actually had to sign some papers basically saying "I was warned that this is incredibly stupid, but I refused to listen" in order to take the class.

He was actually pretty nice, if currently unaware of how bad he'd just fucked up. I paid for the lunch, wished him the best, and reported back to the class discord. We'd all been curious about this guy's story, but now that I had the truth, I could share it with the world.

Feelings were mixed. Some people thought he was going to drop out any minute now. Others thought that he wouldn't, be also that convincing him to drop now, while he still could, was the only ethical thing. Others figured that a policy of non-interference was best: The counselors couldn't dissuade him, and if we tried to do the same, he'd probably just think it was STEM elitism trying to guard its little clubhouse. He'd figure out how hard things were, or he'd fail. Either way, it would help him learn more about the world.

We wound up taking the approach of non-interference. If nothing else, understanding his origins gave us more patience when he asked bizarre questions. He wasn't trying to waste our time, he was just trying to cram three years of pre-reqs into a one semester course. He did get a little bit combative sometimes, and we could tell that he was really wracking his brain to try and find some sort of contradiction or error that he could use to bring the whole thing down, but he never could.

First test came by, and he bombed it. Completely unprepared. He'd taken Calc I, but he didn't know how to do integrals yet (that was Calc II). Worse, he was far past the drop date. I imagine most people in his shoes would've stopped struggling. They'd realize they were fucked and just let themselves fail, at least salvaging their other classes grades in the process. Why waste resources on an unwinnable battle?

Kevin never asked questions like that. If he was stupid enough to try it, he was stupid enough to finish it. God bless him.

He invited me to lunch after the test and said that the class was more fascinating than he'd ever imagined, but he didn't know if he'd be able to pass it. He asked if I could help, and I said...maybe. I brought the request to the discord, and from the eight people there I got three volunteers who admired this dork's tenacity. He was in over his head, miles beneath the surface, but his fighting spirit was fucking glorious. If he was willing to go down swinging, we were willing to bust our asses trying to get him caught up.

Some of the stuff was just extra homework we gave to the guy. We told him he needed to learn integrals, stat. We sent him some copies of basic software that can be used to teach the basics of linear circuit equations, and he practiced that game like it was HALO. Just, hours sunk into it. Absolutely godlike.

He was still scrabbling for air at just the surface level of the class, but he'd gone from abysmal failure to lingering on the boundary between life and death. Other people in the class started to learn about Kevin's origin story, and our little circle of four volunteer tutors grew to six. Every day, he had someone trying to help him either catch up in some way, or finish that week's homework. He'd gone from being seen as a nuisance that wasted class time to the underdog mascot.

He was getting twelve hours of personal tutoring a week, on top of three hours of classes, on top of six hours of office hours, on top of the coursework. I don't think it's an exaggeration to say that this kid was doing 40 hours a week just trying to pass this one single class.

Second test comes around and he gets a 60. He's ecstatic. We're ecstatic. Kid's too young to take out drinking so we just order a pizza and cheer like he just won gold at the Olympics.

After that second test, things hit another tipping point. With so much catch-up under his belt, he was able to focus a lot more on the actual material for the class. A borderline cinematic moment happened when I was trying to get ahead on the homework so that I could put more hours in on my senior project. Nobody else had finished it yet because it wasn't due for another week, so the specifics of the problem I was working on were still a mystery. I went to the professor's office hours and get some pointers, but he wasn't willing to give good hints when the HW wasn't due for another week or so. He said I still had time to think about it, which was true, but I wanted to be able to think about other things. Kevin had watched the whole conversation, waiting for his turn to ask the professor more simple questions, but when I left I got a text from him telling me to hop on zoom.

Kevin had finished it earlier, because Kevin started all of his homework the moment it was assigned. He needed to, in order to make sure that he could get it done on time. He'd finished it the day before, and was able to walk me through it.

From student, to teacher. I'm not exaggerating when I say that he probably saved me eight hours on that assignment. I could've kissed him.

A month or two later, we took the final. As soon as we were done, we six asked Kevin how he did. He was nervous, there was so much new material for him in this class that his retention hadn't been great. Us six were also a little stressed: We were going to pass the class, but the final was hard.

We waited for the results.

And waited. And waited.

Finally, the scores were posted as a table, curve included. From our class of 19 people, 4 withdrew within the deadline, 4 failed, 1 got a C, 8 got B's, and 2 got A's. We could see that the curve for a C was set at 59.2% overall.

We called Kevin. He was crying. End score, 59.2%. Teacher curved the C exactly to his score.

It was a week into winter break so we couldn't gather the forces around for a party like last time, but we were all losing our shit. Kevin was losing his shit. He couldn't believe how stupid he was to try this course, he couldn't believe that six people busted their ass just to make sure he didn't die, and he couldn't believe that the professor basically just passed him out of sheer effort alone.

He said it was the stupidest thing he'd ever done, and while I doubt that, it was outrageously stupid. And yet, I've never been so invested in a fellow student before. I'm prouder of Kevin's C than I am of my own B. I was walking on sunshine for weeks after that. In theory, my senior project was building a functioning washing machine, but in practice, in my heart, it was helping Kevin pass Intro to Quantum for Electrical Engineers.

(And as an epilogue: No, he did not renounce Catholicism and become an atheist like his roommate had hoped. He did walk out changed. I think that being that wrong about something, and realizing it, was a pivotal moment for him. It's hard to be dogmatic once you realize that a lifetime of being wrong feels exactly like a lifetime of being right, right up until the last two seconds of it.)

[onehundredandeleventropicalfish]

getting emotional about the last issue of sandman again (cw for major comic spoilers, discussion of suicidal thoughts)

because like. so we learn pretty early on what dream's deal with shakespeare was, allowing him better access to his creative potential in return for two plays, and we know this because we get midsummer night's dream, which was commissioned by dream for the actual titania as a parting gift before the faeries left earth forever

but we don't learn the second play until right at the end, after dream is dead, after the funeral, after sunday mourning and exiles, both of which make really beautiful endings to the story in their own right

the second play is the tempest. and there's a lot of the play that neil gaiman quotes in this issue, but i'll focus on the specific two that shakespeare reads aloud

the first is our obvious one - prospero's address at his daughter's wedding.

Be cheerful, sir. Our revels now are ended. These our actors, as I foretold you, were all spirits and are melted into air, into thin air. And like the baseless fabric of this vision, the cloud-capped towers, the gorgeous palaces, the solemn temples, the great globe itself, ye all which it inherit, shall dissolve, and like this insubstantial pageant faded, leave not a rack behind. We are such stuff as dreams are made on, and our little life is rounded with a sleep.

it's a beautiful passage, and exactly what to put at the end of this story - prospero is reminding everyone that stories are just stories, they aren't real and can't hurt anyone, but also they are the one thing that lives forever. humans are shaped and formed by our dreams, by our stories, we come from them, and in the end, we return to them.

now, prospero is the character we focus on in this issue. because there's a three-way parallel here between dream and prospero and shakespeare himself.

dream and shakespeare have both lost their sons, were both irreparably changed by that. both regret decisions they've made in their lives, and wish to leave the path they've found for themselves, but don't feel they can - their responsibilities are too great, they have no choice but to be what they were born to be. both wonder what might have happened in a world where things were different, but they know that could never have been

and prospero is the balm to that. prospero has made mistakes in his life, he's in several ways the antagonist of this story, but at the end, he gets to put it all aside. his daughter lives, and is happy. he gives up his magic - the source of his power, but also his suffering - and abandons his role, leaves the island he'd been ruling for decades. and this is his happy ending.

when shakespeare asks dream why this play, why he wanted that ending, instead of some great tragedy or drama, something more fit for a king, dream responds "because i will never leave my island."

and we see throughout the issue that that was personal to shakespeare too, it was a wish fullfilment for both of them.

but then we get to the epilogue, the second quote i'm focusing on. because shakespeare doesn't know how to end the play, until he has that conversation with dream.

this is the tempest's epilogue, in full:

Now my charms are all o'erthrown/And what strength I have’s mine own/Which is most faint. Now, ’tis true/I must be here confined by you/Or sent to Naples. Let me not/Since I have my dukedom got/And pardoned the deceiver, dwell/In this bare island by your spell/But release me from my bands/With the help of your good hands.

Gentle breath of yours my sails/Must fill, or else my project fails/Which was to please. Now I want/Spirits to enforce, art to enchant/And my ending is despair/Unless I be relieved by prayer/Which pierces so that it assaults/Mercy itself and frees all faults.

As you from crimes would pardoned be/Let your indulgence set me free.

like most shakespeare epilogues, it's a direct address to the audience, talking about the play. prospero is asking forgiveness from the audience for all he did wrong, but then reminding them that he's only human, don't we all want to be forgiven? and after all, all of this was just a story. he only wanted to create something for you. so applaud the ending, tell him it was worth it, and only with your permission can he finish the story, and finally leave.

and that's the thing, about dream's particular brand of suicidal thoughts. being dream of the endless has been weighing on him for centuries, if not millenia, he longs for an escape, but he knows he can't. when they see it's breaking him his siblings try and convince him to leave, like destruction did, but it's not in him to abandon the dreaming like that.

and that amount of responsibility, of staying alive because you owe it to other people - it's a relief, then, when a battle comes along that's too great for you to face, but there's also a lot of guilt in it. because he gave up. and he knows he did. letting the kindly ones win was the most selfish decision he's ever made

and you might say, well, he's dead, he doesn't have to face it, but that's not wholly true. because all three of the last issues deal with some version of dream after death.

there's the dream of him hob has in sunday mourning, which isn't the true dream, he's dead, except of course it is dream, because he was only ever made of dreams anyway, so does it really matter whether it's real or not?

in exiles the protagonist talks to both morpheus and daniel in the desert, and for dream this was two very different time periods, but to the man crossing the desert, they happened simultaneously, so if time can be warped like that in dreams, who's to say that the ripples of morpheus won't continue long into the future?

and then we have the tempest. dream has appeared after death as a dream, as a mirage, and finally, in perhaps his truest form, as a story.

when dream said he will never leave his island, shakespeare reminds him that all men can change. and this is the fatal flaw of dream - he doesn't see himself as a man, as a person, as anything but the entity which must fulfill his function. he tells shakespeare that men have stories, men change - he does not

and when we end this entire 75 issue run with the epilogue from the tempest, dream is prospero. even after death he's still reckoning with the guilt of making that decision. even now, he won't allow himself that freedom.

and that's the reminder, that all of this was just a story - dream's story. the reader is a character in sandman, all of this was created for us. did he manage to create something beautiful enough, despite the pain? can he be forgiven for the decisions he made along the way? if eventually he gave up, does that make all the time he fought so hard for meaningless?

and he can't be free of the story until we answer that all important question - was it worth it?

to which the answer can only be of course it was.