#i know there's more parallels but..

[starlet-in-blue]

MANGA v. ANIME | MAJO TO YAJŪ

majo to yajū ( creator. satake kousuke )

[dollsinvogue]

Margot Robbie as Barbie » Original Barbie (1959)

Emerald Fennell as Midge » Happy Family Midge (2003)

Michael Cera as Allan » Allan (1964)

Dua Lipa as mermaid Barbie » Barbie Mermaidia Nori (2006)

[poorly-drawn-mdzs]

Sublime Equine.

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[antiqua-lugar]

I love that hickey is trying to insert himself into some kind of relationship with crozier but like every niche he tries is already filled by someone else. us irish should stick together - no, crozier's colonial parallel is silna. let me be the little guy on the captain's shoulder - no, that's jopson. surely the flogging will change something - yeah, for thomas hartnell. well he hates me now but he'll surely see my inner depths - no, that's fitzjames.

and then hickey finally technically succeeds at becoming like the only man crozier wouldn't forgive - he kills a whole family! he massacred the men! he makes him eat goodsir! he loots fitzjames' boots from his grave! he leads them to doom and worse doom! - and when he is giving his villain monologue crozier only reaction is just. you could have joined up.

[shadowduel]

eye of the beholder

[kyyuis]

you can't tell me katniss "i used pattern recognition to destroy the arena in catching fire but can't tell when someone's being genuine" everdeen and peeta "oh i have to hide? guess i have to disguise myself as a rock with the icing skills ive aquired over the years" mellark weren't the blueprint for autistic x adhd dynamics

[egophiliac]

still absolutely losing my mind over Lilia

[demigods-posts]

headcanon that percy's most reoccurring nightmare about tartarus is the one where he loses annabeth to the pit. the one where he trips over the rogue lace of his left shoe and misses her fingers by centimeters. the one where his hands get clammy due to nerves and she slips out of his grasp. the one where they descend over the cliff together but he isn't strong enough to hold the weight of arachne. the one where she uses her knife to slice his palm and catch him off-guard so she can wiggle free. and the one where she's bleeding from the wound on her head. begging him not to tamper with fate. to let the prophecy play out. and a silent conversation passes between them. an 'i love you' and 'goodbye' in the same breath. and he stares into her eyes for what he knows is the last time and lets go. the one where he has to watch annabeth sacrifice herself to save the world.

[anakirui]

hot take ??

the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.

it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)

anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.

they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.

for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.

for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.

their insecurities are incredibly similar.

in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.

in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.

just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.

now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.

for mafuyu and tsukasa it's pretty straightforward.

mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.

tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.

and even then, there's some overlap.

tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.

mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.

and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.

mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.

tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.

mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.

tsukasa has not yet cut his.

[violynt-skies]

the sacrifice

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the way the cycle of the sacrifice within the hamato tradition are so perfectly displayed between the parallels of karai and leo truly damages something within me emotionally.

i don’t even have to explain it, ik y’all will understand

[meticulouslymindlessart]

Thetis with the arms of Achilles

I saw several mosaics depicting this motive and decided to try my hand at it as well.

Also, I just find Thetis to be quite interesting as a character. There’s gotta be something fundamentally Tragic about raising a child, knowing that he will most likely die very young.

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(Close-Ups)

[azurethenerd]

Blonde lesbians at their lowest point, about to use the apex of their power, fueled by the love of a girl that they care deeply for.

[mxrisacoulter]

Barbie (2023) // Supernatural (2005-2020) 8x05 - "Blood Brother"

[poorly-drawn-mdzs]

Bonus 8: How met your mother (CSSR design by @qourmet!)

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[skymantle]

what does it all mean.

[saintarmand]

iwtv is insanity inducing bc every time you google some reference in it you find out theyre doing some 4d chess with the symbolism… like okay playing roosevelt's speech about the us joining ww2 in the background as claudia tells louis shes gonna kill lestat is pretty straightforward, and of course the chess game theyre playing foreshadows how she beats him in the next episode but doesn't "finish the game" ie burn him. and bc claudia later compares lestat to the nazis/hitler, that obviously makes lestat germany and thus claudia is poland and louis is the us/roosevelt in the speech we hear: "I had hoped against hope that some miracle would prevent a devastating war in Europe and bring to an end the invasion of Poland by Germany" etc. BUT THEN you get nerdy and google some of the chess terms lestat uses like the dutch defense and stonewalling which is pretty interesting and then you vaguely remember one of the writers said the scene was based on some famous chess game, and you realize it must be glücksberg vs miguel najdorf which turns out to be literally called the POLISH IMMORTAL. najdorf was polish and glücksberg is some unknown but based on the name likely german. this was najdorf's first famous game, at the beginning of his career when he was only like 19 or something although we dont know the exact details of the game (and ofc you watch a few videos on the polish immortal and they all heavily criticize glücksberg's moves which makes lestat's arrogance even funnier) and ALSO, in 1939 (literally at the same time as the chess scene takes place) najdorf was participating in a chess tournament in buenos aires and since he was not only polish but also jewish, he stayed there rather than return home. his whole family was killed in the holocaust but he lived a long life in argentina. why is this relevant? because BUENOS AIRES which btw lestat also calls "la reina del plata" so you google that and find the 1930 song by carlos gardel and the lyrics are literally— anyway so buenos aires is where lestat planned for them to move to in ep7. perhaps if they had indeed gone to argentina instead of europe… well… perhaps… perhaps…