I posted 2,636 times in 2022
That's 762 more posts than 2021!
484 posts created (18%)
2,152 posts reblogged (82%)
Blogs I reblogged the most:
@sylvieons
@mariacallous
@greghouse
@elon-musks-disrespectful-nipples
@eatmystardustloser
I tagged 2,334 of my posts in 2022
Only 11% of my posts had no tags
#lmao - 157 posts
#lol - 140 posts
#henry cavill - 138 posts
#taylor swift - 122 posts
#the orville - 89 posts
#shadow and bone - 83 posts
#ben barnes - 76 posts
#lmfao - 57 posts
#star trek - 42 posts
#baseball - 41 posts
Longest Tag: 140 characters
#i am like showing my age because i watched a couple eps of fleabag and felt scandalized like an old lady lol i was like oh no this is too yo
My Top Posts in 2022:
#5
that 2022 existential dread feeling from watching DS9
Bashir: You know, Commander, having seen a little of the 21st century, how could they have let things get so bad?
Sisko: That’s a good question. I wish I had an answer.
[END EPISODE]
30 notes - Posted February 16, 2022
#4
screaming at this amazing article:
“You see a single woman of 40, who has never had children – ‘Bless, that’s a shame, isn’t it? Maybe one day you’ll meet the right guy and that’ll change.’ No, maybe she’ll meet the wrong guy and that’ll change," he said. "Maybe she’ll meet a guy who makes her less happy and healthy, and die sooner.”
SCREAMING, I TELL YOU
68 notes - Posted May 13, 2022
#3
legends only
293 notes - Posted June 26, 2022
#2
Bill Nye wants you to vote and I know y’all love Bill Nye so there ya go
417 notes - Posted August 10, 2022
My #1 post of 2022
Basic political concepts Americans should grasp
You have to vote in every election. Yes, every election. Not just the Presidential ones. You have to vote for Governor, Senator, Congresspeople – all of your state legislatures. You have to vote for mayor, city council, school board. You have to do this every single time. Republicans do this every single time. You can too.
It takes less time to tear things down than to build things up. This is why it’s so easy to be a Republican and accomplish Republican goals. They are destruction artists. It’s easy to eliminate rights, easy to eliminate social programs. Building and codifying and establishing these things is really fucking hard, takes time and patience. This sucks, I know. It sucks bad. But it’s just reality. So when you wonder why Republicans seem to accomplish more of their goals, it’s because their goals are to burn it all down. They’re not really goals so much as just torching shit.
Mistakes of the past will continue to haunt us and we will have to continue to fight against them. This really sucks, especially if you weren’t old enough to vote in previous elections. But we’re all handed what we’re handed in life, and the people who came before us who accomplished real change took what they were handed and did something with it, they didn’t just check out. And a lot of them fought really fucking hard so all of us could do #1 – VOTE. Do not spit on the memories of people who literally laid down their lives fighting for the right for all of us to vote by not voting or throwing your vote away.
We can learn a lot from the last generation of activists who accomplished significant change and a lot of those people are still with us, for now. Civil Rights Leaders still exist in our society, though they’re aging out. Take a look at what they’re saying, because you know what? They actually accomplished real change in their lifetimes, under really difficult circumstances. Believe it or not, there are older people you can learn from. We ignore the lessons of history to our peril.
Do you think you have something to offer? Run for local office. Or get involved with someone who is running for local office. YOU can make a difference if you get involved. But we also have to work together. Coalition-building has always been the key to liberal success.
752 notes - Posted June 25, 2022
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imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.
if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?
you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.
(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)
imagine you're luce, and the gift of foresight runs through your blood.
you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.
you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.
you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.
it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.
you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.
(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)
you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.
imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.
the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.
(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)
imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.
everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.
your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.
(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)
(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.
it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.
you're grateful for it too. really, you are.)
everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.
(you exhale a breath of relief that shakes you down to your very core.
thank god, it's at least the right thing to do.
you're grateful for it beyond words. really, you are.)
imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.
it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.
(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.
you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.
it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)
imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.
(because you can see the future.
and oh, you did not ask for it.)
they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.
you don't force their hands in making any of those choices for them. you're not responsible for any of them.
you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.
inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.
you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.
and you do care about them, you swear you do. really, you do.
(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.
duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.
and most of all, you love your daughter more than anything else in the world.)
imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.
you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.
now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.
(imagine you're luce, and you're not doomed by the narrative. of course, you're not.
why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?
and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.
truly, you are.)
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Hello there 👋
Can you talk about why you feel the way you do about the female bsd characters? (including the female characters you like) and while I don't think the author doesn't know how to write female characters I think the biggest problem with the female characters is that they're underutilized and barely have much screentime ( the most one we saw recently having screentime currently in the manga is teruko)
Hi!! I love you all SO much but seriously I don't have the mental stability to talk about why the bsd female characters are badly written ahah. Here's my best attempt at it:
I hope it's enough for me to say there's a female / male characters proportion of like 1:10, and no female character has any real repercussion on the plot– literally. Besides from Kyouka and Lucy and maybe Yosano? you could hypothetically erease every other female character and... Realistically, nothing would change. That's just how much irrelevant all but three female characters are, and there's already very few compared to the rest of the male cast. The four main / most popular characters are all males. Dazai is openly sexist and it's just kind of there never to be addressed. Akutagawa is repetedly violent with his female coworker and it's treated as a gag (like you DO realize how repulsive it is to write a character who is obsessed with her abuser and never be intentioned to elaborate on that because I guess that's what women are supposed to do according to author? Like. okay). But honestly the main issue for me is how each of them literally gravitates around another male character. God, it's SO annoying. And I mean every single of them!!! Every. single. Every single!!!! I struggle to come up with even one exception to the pattern. Kyouka has Atsushi as her savior, Lucy has Atsushi as her savior, Higuchi is obsessed with Akutagawa, Naomi is obsessed with Jun'ichirou, Gin literally exists because of Akutagawa, Alcott is just there to aid Fitzgerald, Margaret's only role in the story is to save Hawthorne, Elise is just expression of Mori. Teruko is a person in the body of a child who literally drools over her 50-something superior, like we hadn't as a society come to the common agreement that the “not as old as she looks” trope was disgusting pedophilia apologism like ten years ago (but it's okay though, because pedophilia was established to be okay in this manga at like, chapter 15 or something) (is this the good time to bring up that time Aya asked Kunikida out? No? Okay let's just collectively pretend that never happened). Do I need to go on? I haven't read Gaiden, but do I really need to read it to know Tsujimura gravitates around Ayatsuji? Oh wait, I was just remembered about Gaiden's full title: Bungou Stray Dogs Gaiden: Ayatsuji Yukito VS. Kyougoku Natsuhiko, and if that doesn't speak of the consideration author gives their female characters, I don't know what does. It's just– no female character is ever going to have their own novel. No female character is ever going to be protagonist. They'll just keep being treated as they've always been so far, like flat and personality-less disposable plot devices.
Now. I love Yosano's backstory, I really do- I think it was the best executed arc of the manga, reading those two chapter still gives me chills. But you do have to acknowledge, Yosano herself has no agency in the entire arc development. It's okay, she was eleven, it's natural; but she is just tossed one way to the other by other characters. That, and I can't stretch it enough, is not a bad thing on its own; not all stories have to scream #womanpower to be good stories. It's a good story. But you need to acknowledge it does nothing to empower female characters' role in this manga; it just speaks once again of it being a systematic problem, how author can't write female characters like they were masters of their fate if their life depended on it. And it's not that just because there's one (1) mini arc that happens to have a female character as its protagonist, author knows how to write female characters with depth, or agenda, or an objective, or personality, because... They clearly don't.
Like. I probably became annoying by now but like. When was the last time you found any bsd fan whose favorite character was a woman? When was the last time you found people describing themselves as a Lucy kinnie? If you ask me, it's not a matter of fans' fault for overlooking female characters; the female characters in this franchise are meant to be overlooked, because they're abysmally less stretched out and complex compared to their male counterparts– because male characters are distinctive and unique, while author can't go outside the range of one-dimensional femme fatale, letal woman (Yosano, Kouyou, Teruko, Christie, Gin / Lucy / Elise too to an extent) and woman who's just there to obsess over a male character (Alcott, Higuchi). But do not fret, because author will sometimes go outside that scheme by making a letal femme fatale who also obsesses over a male character! (Naomi). Also this
(Have you ever wondered why I never talk about Beast Gin? Yeah.)
Okay but you see the problem here? You see how it's impossible to make the same kind of argument for the male characters, because they're all diverse and various and multilayered as much as their little screentime allows? Higuchi doesn't exist outside Akutagawa, Lucy doesn't exist outside Atsushi; but it's not like you can say the same goes the other way round. That is, crossing out the various parallels drawn between male characters, but that only speaks more of how precisely curated male characters are, while all female characters... I'll be honest, aren't written as people. Author really sounds like your average Washington Post best selling psychological thriller author of the week that writes women like an alien species from another planet. It would have spared me having been writing this whole post for an hour (two hours? Which is definitely not the time I wanted to spend on this, man) if only author would have formed the thought, at the start of the serialization: “perhaps! Perhaps I should write women as people instead of writing them as female characters (whatever that means)”. Alas, we ended up with the infamous Naomi description from Untold Origins (what the fuck. who in their right mind would ever think of writing something like that. what the fuck.)
Now, I know if you're here reading this you most definitely like bsd. It's okay, really. Unpopular opinion, but people are perfectly allowed to like things that are flawed (and this is a big flaw). What's extremely important, seriously, I'm on my knees begging you, is to be critical of the media you consume. All kinds of media. Even if you end up disagreeing with me on this matter, really!! Just be able to tell apart the things that make appealing a series for you from whatever kind of agenda / worldview the author is pushing through, and peacefully acknowledge you can like something despite it having issues (because bsd has issues). I don't know who needs to hear this, but someone definitely does: “I love s/kk!!” “the bsd storytelling has many compelling aspects!!” and “I recognize the bsd writing has flaws some of which actively harm an already disadvantaged part of society” are statements that can and should coexist, and if anything - and I know you hate to hear this, I'm sorry, I'm sorry - it should be kept in mind when deciding to support the franchise by buying its products.
One final note is that like... I'm sorry if this comes off as pretentious but I seriously feel like people have NO idea what media with well written female characters look like, because for people to even question bsd being sexist is just insane to me (in the way: do we really need to to talk about it, isn't it obvious like ten seconds in the show??). And this is probably the least good place to advertise things, but please do yourself a favor and read The Promised Neverland and learn what well written female characters read like.
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