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Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.
The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!
She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.
These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!
This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.
ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos
The problem with a lot of traffic life interpretations in my opinion is they don't understand character foils or don't employ them in their writing. Grian-Martyn and Scar-Ren are genuinely pretty good character foils for a series that is not really scripted or planned out like a book is. I could go on and on about how they parallel each other and the similarities between them. Even the smaller details between the four usually match up
leaving the rant in the tags so I don't have a huge block of text again ueueue
Incredibly funny to me there was literally an explosion behind Anti-Wanda when she was feeding Foop for the first time and neither she nor Anti-Cosmo turned around... Eyes only for BABY!!!
Anti-Wanda listening to Timmy share his plan about making Foop cry on purpose. she and her husband will be cheering for their son's tears in 8 seconds btw.
Moodboard of Anti-Wanda excited for motherhood:
Her son is a smidgen under 7 hours old and she's about to send him to jail <3
Bonus Anti-Cosmo trying to find his baby .2 seconds after Anti-Wanda had him, because it cracks me up every time:
someone could write pages and pages and pages and pages on elu thingol's life. he could be the protagonist of like five book trilogies each with 600 words per book. he was born in cuivienen where the first non-divine life awakened; he lived through morgoth's earlier attempts to corrupt the elves and very likely lost people he cared about to them; he witnessed the war of the powers; he was among the first of his people to see valinor, having visited it under the invitation of the deities who helped originate the universe; he was the sole flesh-and-blood being in all!! of!!! history!!!! who met, fell in love with, and married a goddess that was there before creation even existed; he and said goddess were the progenitors of a unique bloodline that produced some of the legendarium's most famous figures; he separated from his brother for a very very long time; he was so loved by his people that they refused paradise if he wasn't there with them; he fought battles against morgoth's forces and saw loss as well as triumph during those battles; he was one of the oldest beings and longest-reigning kings in all of beleriand, not to mention he ruled its most ancient and most mystical, otherworldly kingdom; he was the father of two of the most famous heroes in-verse, whose deeds and stories continued to be told millennia after their deaths; he was again the first!! and!!! only!!!! elf-king in all of history to adopt a human as his own son. and throughout it all, he has a cohesive character arc. he grows to respect a people whom he once distrusted and looked down on; he comes to accept the choices of those he cares about even if he doesn't agree with said choices; he has to learn to let go of his loved ones no matter how much it grieves him. if those five trilogies existed i would be reading and rereading every single one obsessively
Do you ever think about how there totally could have been an old classmate of Phoenix Wright and Miles Edgeworth in the audience during like turnabout sister or turnabout samurai. Do you think they would realize? Like “hey, were those the guys in my class in like fourth grade? I kinda remember them. Wonder if they remember each other. But it was so long ago, I doubt they would even care.” Meanwhile Edgeworth and Phoenix are undergoing the most insane mental battles where both of them are going “I recognize my best friend across the courtroom and I desperately want to be close with them again.” And “god he is so god damn annoying I wish he would die already.”
Saw your Mishanks bodyswap art! Very cute and fun! (Mihawk with a genuine smile on his face so so fun)
I imagine Shanks whould have trouble fighting in Mihawk's body at first since it's been years since he's had two arms
yes absolutely, i imagine that too! conversely, i think mihawk would have a little bit of trouble adjusting his balance and reach with a body missing one arm, as well. it's interesting to think about how they both would be forced to change their fighting style, and whether or not they would exchange swords.
mihawk's been seen using yoru with just one hand so he could probably pull it off with shanks's body. also interesting to think about shanks tripping up on having two arms until he naturally slips into his old fighting style again--or would he? because there's also the question of muscle memory, right? would mihawk's body automatically do things that shanks isn't predisposed to doing, and vice versa?
the other thing i find intriguing about body swapping in one piece is the question of whether or not your haki powers would switch as well. they say haki is spiritual presence, so presumably your haki switches if your spirits switch, but if it's the kind of spirit that's tethered to the presence of the body? then consider mihawk having the strongest conqueror's haki out on the blues, or shanks being able to use observation haki at mihawk's level, practically being able to predict the future--or mihawk, able to counter with shanks's haki-kill technique. food for thought!
if you're asking for drawing requests, maybe Willow in her timeskip look or Luz with the Collector??
[ID: a digital illustration of Luz (in her titan form from watching and dreaming) and The Collector. Luz stands on a small hill of red grass, waving at The Collector, who's off-screen but depicted to the audience as a closeup inside a star shaped panel. Luz is waving at the off-screen Collector with a smile, while The Collector smiles tearfully at her. Small uncoloured doodles of Eda and King are depicted waving at the collector in the background. End ID]
This was meant to be a doodle anon but unfortunately I went off the shits. Anyway, collector sees Luz post-resurrection and cries big gross happy tears bc he's so happy she's alive
the headcanon that regis can hang from the ceiling to sleep or rest like a bat is funny on its own, but when i consider geralt and others in the hanza holding conversations with him like this, it’s made better by my understanding of this as just an advanced “neurodivergent sitting” technique
present tense get behind me i will avenge you i will write in present tense in a way that is so scrumptious no one will ever underestimate you again ever
Hi GT, I was reading one of your wonderful responses and you mentioned you don't love what they did to Remus, and I have to say I 100% agree. In my opinion his relationship with tonks is weird (regardless of whether people think he had chemistry with Sirius) like he's at least 10 years older than her and he tries to leave her and it just seems like he goes along with HER infatuation without really caring about her very much. It also puts Tonks back into JKR's frequent dynamic for women, which is "badass who really wants to be with a guy who doesn't seem to appreciate her much" (see Hermione/Ron).
Do you have any further thoughts on that? I always found JKR's writing about women in relationships/who want relationships really weird. You definitely do it better.
JKR has many strengths as a writer, but I don't think anyone would say her romances are one of them. I think a lot of authors either consciously or subconsciously look down on romance as a genre because it's associated with sensuality and frivolousness, but writing and selling the idea that two people should and do want to kiss each other is like, really fucking hard to do, and it requires a certain set of skill checks as an author that not everyone has. Just like writing good horror or good fantasy, good romance has tenets and rules and things you can do to get the audience on board with you, and JKR didn't execute a lot of those things (to my satisfaction, YMMV) in the books. Bad romance is also a high-stakes problem, because it risks flattening out your characters and pitching them into OOC territory if the audience doesn't buy that the dynamic evolution is natural. But again, that's something you don't know if you haven't written romance, or tried to, before.
Mostly, you have to really lean into the vulnerability of the thing. Romance is silly and goofy and embarrassing. It makes you say dumb things and act in dumb ways. It can't be ironic or chilled or demure. At some point, to make a real human connection, someone has to get down, take off their dignity, and bare the rotten core of themselves. When we propose, we kneel on the ground. We get dirty. And all authors have a great terror of embarrassing themselves. They're doing something tremendously vulnerable; of course they want people to think they're cool and intelligent. It's embarrassing to put yourself in the head of a 15-year-old boy with a crush. It's embarrassing to write about a suitor earnestly confessing their love, because — what if this is too much? What if it's corny, what if it breaks the audience's suspension of disbelief? What if my readers are laughing at me? What if I'm the butt of the joke?
Anyway, I think a lot of really great books have terrible romance subplots for that reason. In The Great Gatsby, we never actually see Gatsby and Daisy alone together. We get their story second-hand, from people who can deliver it in a cool, reflective tone of mystery; we don't see them undressed, undone, emptying their hearts to one another. And Nick and Jordan, the romance we actually get to see develop, are easily the weakest plot in the book. Meanwhile, authors like Tolstoy have an incredible gift for writing romance that feels right, and is sensual without verging into purple prose. But Tolstoy is one of the greatest writers of all time. JKR wrote some very good books that a lot of people loved very much, but for her, the romances were accessories to the story. They weren't a focus. I'm certain she cared about Remus and Tonks's relationship, in the same way she cared about Ron and Hermione's relationship. Both take up too much space to explain otherwise.
TLDR: Writing romance is hard because it's really easy to fuck up, even if you care about it. I don't know that JKR put all that much thought into selling us on chemistry and interpersonal dynamics of the couples she threw together; I think she writes for plot, and the couples emerged as a part of that. That means the couples that don't necessarily make sense on paper lose out majorly because the audience doesn't know exactly what they're rooting for, and the couples that do make sense on paper lack a certain... I dunno, va-va-voom.
Was contemplating the whole ‘Tommy has no friends except Alfie’ thing/thought (it’s my own internal running joke too) but it can't really be true?
Tommy appears to have this huge social network, groups of people he’s still in touch with from the war, including internationally, and including in the officer class; these supposed very reliable contacts in Ireland which I can only assume ties back to the family connections to Ireland and maybe some visit across in his past; the huge respect (and edge of fear) network in Small Heath extending broader into Birmingham; seemingly a very *useful* social-climbing networking he's developed to be able to get the mayor and various politicians to the Grace Shelby charity opening in S3, a society networking which he maintains and builds upon all the way through to Tommy being able to invite actual upper crust society to a ballet at his house (and people attend!)
I mean, there's a level of reserve (rank/war respect) or transactional basis (professional tit for tat society networks), but he also had more friend style connections with say Barney, Freddie (even if it’s soured by the time we see it) and Danny (again, changed by Danny’s own PTSD into that Sergeant-Major thing, but lots of hints it wasn't always like that).
I’ve imagined Tommy puts a significant effort into his social (and society) networking as he does into his business - staying in touch, staying useful, even to the point of using Arthur (or let's imagine his secretaries, his ministerial aides, Polly; picking the right 'hand' who can maintain that relationship for him) to ensure letters and communications keep happening so people remain aware of him, and he stays alive in people’s minds at any possible level of class. He'd have to be maintaining that network like a garden.
The party for Lizzie also didn’t seem like a first time thing for them so I also imagine he hosts quite a lot of social affairs to remain current and connected, which becomes vitally imperative in a different way as a politician compared to a businessman.
But I think that default inner joke, Tommy has no friends and is isolated, is sometimes the claustrophobia of the actual seasons/scenes we see, which are so zoomed into him, into the family, into the worst, that I sometimes double think myself. Just...there’s no way he’s as successful as he is without pouring buckets of effort into society. Admittedly, maybe hardly any of these networking connections are deep connections in the odd way Alfie became one, or Ben Younger could have been one, but Tommy would be talking and meeting and greeting and hosting and writing letters allllllll the time
okayokay here are my Thoughts that no one asked for aljgdh
i LOVE bloom's boots and her wings!! the hair will definitely grow on me. i don't like her outfit though. i do see what they're going for! it's very reminiscent of her og magic winx and one of the earlier promo designs we saw but to me, this doesn't feel very,,, bloom. it's so sharp, there are so many angles and layers (which feels like the Theme rn for most of them). IF they're going for more of a dragon warrior vibe for her then i can def see it, but the stiff fabric just isn't doing it for me. i do like the shoulder guard look though! idk there are aspects i like and i can see the vision, but i'm hoping the final design is a bit more refined and feels more like Bloom
like i said before, aisha's design feels very one-note compared to the other girls and i think it's because she's basically wearing one color. i love that they put her in blue!! but i hope they introduce a secondary color like her og green or yellow/purple to help balance her out. as for the actual outfit, love the boots! it feels more believix to me but i concede that this transformation is meant to feel more modern so i'll deal. the actual outfit,,, not the Best. the cuts are interesting, there's a lot of symmetry which is weird to see on aisha since most of her transformations before were very asymmetrical. i'd love to see more flowy fabric with her! the little hip things just aren't doing it for me. i like her wings! but they do look a little too similar to bloom's for them to really stand out. i love the gold on them though!! AND HER HAIR >>>>> best part!!
LOVE musa's hair!! it's so cute i'm crying :') i feel like the hair is definitely a strong point of these designs!! i think the wings will grow on me once i see them in action. right now they feel a little awkward but i see the vision. i think so far musa's whole design is looking really good. Very similar to her og winx with just enough of a new change to not feel exactly the same. and her boots!!! LOVE seeing that more edgy side of musa reflected in her clothing! idk i think this is one of the stronger designs good for her!!
we didn't get to see the bottom half of stella's look so i'm not sure what that's going to be like! i love the sun ray collar but i will say it def feels more Fairy Warrior so,, i like it but i would want to see that reflected in the actual fighting and plot too. if it's not then it's not the Best design choice imo. her wings,,, like musa, i think they'll grow on me once i see them in action. it's lovely to see blue on her! not sure how i feel about the hair but since stella's ponytail is in her casual look instead, i understand why they didn't put it here too. i'm looking forward to seeing more of this design!
we also didn't get to see the lower half of tec's design so,, idk but i think it'll end up being pants going by the look of her boots? i don't Love the boots, but again, i see the vision and i do think it'll look better animated. her wings,, i like them but i would've liked to see a more interesting overall shape! the design on the inside is great, but tecna's wings were always sooo interesting and didn't feel like generic fairy wing shape. idk,,, we will see.... LOVE the hair, love the glowiness. it's like a solid 6/10 for me. i think there are certain things they could still play around with to enhance the design but it's going in the right direction
okay,, first, LOVE the braid!! she's finally beating the "never changes her hair" allegations good for her. and the little flowers in her hair are MWAH the wings are cute! they look good with the design. love the petals on the top! it def blends more and isn't as overwhelming as the previous design. the flower arm bands are also a classic. the skirt is really where it loses me. i like it In Theory - i understand the goal. it's very flowery, very much like petals, it reminds me a lot of a tulip. so i get it! However, the layers,,, idk man it just looks off to me
it Def looks better in action! it's not as stiff, the edges are going up, there's an overall more graceful, flowy vibe to it. but the layers,,,, i Get it but i don't love the execution. but to fair, i don't really know what would make it look better so maybe this is the best they could come up with
OVERALL, i do think it's going in the right direction in regard to pleasing old fans and appealing to newer, younger audiences! i do think a lot of the fabric looks really stiff rn But seeing flora's animated transformation is giving me hope that it will look better in the actual show. the 3D rendering just looks off when it's a standalone piece. so far, i think the best designs are musa's and flora's. they feel a lot more balanced, capture the winx vibe, And still feel true to the characters. imo the other designs are missing one or two of those elements.
bloom's design needs to feel more like bloom. aisha's needs more dimension. stella's is nice in theory but doesn't quite match her more carefree, fun-loving attitude and feels more like a Royal Warrior thing so it really depends on how she's being characterized i guess. tecna's is good but i want to see the whole thing lol also i think her wings should be more unique
Now. as for the casuals.
tecna looks great i think we can all agree on that!! very boss babe i love it!! aisha,,, i think her pants should be baggier. the tight fit and hip cuts just,,, i see the vision but i think they need to reel it in and make it more Aisha. stella's skin is way too light she looks sick. her outfit,,, Bad. her entire design just feels so pale and desaturated?? like just up the saturation on everything and it'll look ten times better even with the wacky outfit choice.
musa's is okay. i get the vibes - i understand the choices. but like aisha, i think her design could just use a little more thought. it's similar to her og outfit but kind of in the wrong way imo? like it has the same sort of look and cuts, but it's also tight and uncomfortable. musa's og look was very much about comfort over fashion so this feels a little,, hhhrrrrmmmm yknow? i do like the direction though! i think for me, it really is the top part. like why is she wearing a skin tight bodysuit. who told her that was comfortable for day to day wear. it's very much aesthetic over comfort which isn't Bad but it doesn't feel very s1 Musa yknow? she loved her baggy, comfy clothing for normal days
flora's is okay too. again, i like the direction. i don't love it as her Official One Casual Look for the season; i think i would've preferred it as a secondary look for one episode. but it's not the worst! it Is very flora so i concede lol
keep thinking abt hoshina and mina GOD.. (spoilers for manga and kn8 bside)
given what hoshina said about his previous division treating him like a burden/parasite just because he can’t handle firearms and specializes in his swords… how tiring must it have been to have to work with those people each mission despite having a common goal?
and how tiring must it have been to be constantly told off by his own father for wanting to continue his family’s tradition, or to be told to give up on being part of the jakdf by his own teacher -
before mina, a high ranking commander personally reached out to him, to recruit him into her team?
the fact that she didn’t see him during joint trainings and think: why bother with that? why bother with blades when bigger kaiju will appear? when she personally deals with bigger kaiju herself.
but she instead saw him and thought: he can help me, he can cover my weaknesses (mina not being able to handle a vegetable peeler is hilarious) and he’s someone i can trust
she sees potential in him, she sees how he can excel within her division, she saw hoshina and as captain - has probably heard everyone talk shit about him but she was still certain that he’d be one of her division’s greatest asset
(and even when platoon leader ebina refused to let hoshina help out, mina stood firm on her decision and her claim that hoshina would be useful. when she asked him if he could take down the big kaiju, and he could only promise saving the child within it - she believed him, took his word for it and waited until he carried out his promise.)
and now hoshina is the vice captain, putting faith in a new recruit whom most people wouldn’t have believed in… full fucking cycle..
tldr: it makes me rly fucking emotional to think about how hoshina was given a reason to continue improving with his swords after being told to give up all this time… and how mina had never once thought his abilities were useless 👍
also makes me crazy how protective he is of his position as vice captain, as the person who stands by captain ashiro’s side…