Something about Vegapunk using the dna and blood of a caged and experimented on child to create more caged child experiments and the cycles we perpetuate.
Because what does it mean that all that King has left as proof, that the lunarians were real, that they existed as a tribe, as a people, are seven manufactured children he doesn’t even know about, enslaved as weapons to the government that wiped out the culture they’ll never get to be a part of, and Alber himself another enslaved child lost to something he’ll never fully know.
And what of the warlords? Already young once and hurt by their government, young again and slaves to it. Boa looking at a version of her practically pulled out of time stuck in her worst nightmare or Jimbei looking at a version of himself living out a past he escaped by the skin of his teeth but so many he loved didn’t, even Doffy once again at the mercy of the people that already abandoned him, has Kuma not suffered enough? Given enough, is this child version of him doomed to repeat the same path he already could not escape from . Property of the world government, beholden to the celestial dragons, this version of me that cannot go free?
It’s interesting that Vegapunk joined the government so that he could do the most good, but look at the long line of people right infront of him that he’s hurt with his own hands.
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These aren't full ref sheets but I was trying to take some clear pictures of Hephaistos for later art reasons and then got side tracked doing all of the Pandaemonium bosses so here they are in order. Also for anyone following who doesn't play FFXIV and knows it as the catgirl game, enjoy this instead? VISUAL SPOILERS obviously.
Asphodelos
Warder of the Condemned: Erichthonios
Mythic Creation: The Hippokampos
Mythic Creation: The Phoinix
(+ familiars)
Hemitheos: Hesperos
(+ sexy fanfic redesign by Nemjiji)
To be brutally honest I never really liked either of these designs compared to every other Hemitheos we get, I think the really brutal black and red of the Phoinix is weakened by gold accents, but I still am always down for gay vampire surf rock. The Savage version kind of looks like Ultimalius as well if you've played XVI.
Abyssos
Mythic Creation: Proto-Carbuncle
Hrgrhhgrhrgrh
Hemitheos: Hegemone
^ My favourite detail on this is you can see the parasite's outlines in her robes and in her legs, then right through the eye holes on the mask to wrap around the torso. I'm convinced this version of Hegemone is functionally an ant being piloted by a cordyceps infection.
Hemitheos: Agdistis
She's very big
Perfect Imperfection: Hephaistos
I'm probably biased by Abyssos being the first raid I was there for day of release but these really are all fantastic. It's also when the story abandons all pretense of not being (at least partly) about family abuse and is loudly using the body horror and shackle motifs to talk about that. It's great. Hephaistos specifically is constantly bulging and twisting in and out of different forms like a highly unstable chimera and the more I look at these the more I notice parts that just should not be there. He's giving everything.
As for the Savage design It's a hard thing to rate as such but my favourite part is the veins that grow down from the eyeholes in his mask like bloody tears.
Thanks Abyssos I love you
Anabaseios
Mythic Creation: Kokytos
Dæmoniac Dungeon: Pandæmonium
It's really hard to communicate how huge this nasty tumor crab I zoomed out as far as physically possible in the game engine and subsequently ended up at a goofy angle staring up his nose.
Ephemeral Justice: Themis
Best boy. The double ended lance and second pair of arms are fantastic for this character.
Theos: Athena
In.. almost every final fantasy adventure you're fighting the real villain not at the very end but a little beforehand, the big iconic end boss is often more a metaphorical figure representing everything wrong with that first person's ideals. Athena cut out the middle man and became her own JENOVA.
I do like the moth angel, especially the hollow body full of dubious orbs, but with her eyes closed all the time it gives off the impression of this not even being the true body but some kind of anglerfish lure in the shape of a fairy... which might be true because this exists:
I really really love her twitchy anemone feelers and how the moth body ends up grafted to the rest of it waist down.
Anyway there's the gang I did not specifically intend for this to be design reviews I just wanted to have clear photos because when you actually see them in game there's other things to focus on. In hindsight I can appreciate more the theming of each tier and then the series as a whole, but my only (extremely obvious) observation for now is that every character Athena had a personal hold over is decorated in chains somehow and so I should have seen the Hegemone thing coming lmao. Heph and Aggy are still my favourites I don't think that's changing any time soon. I'm also noticing that Anabaseios is now just old enough for random DF parties to fuck up severely and I find that fun so I'm going to go fight the crab mansion now.
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disco elysium really is a master class in fucked up characters that i would defend with my life. like i am fully aware that harry du bois was not a very good person before his amnesia and that some of his bad attitudes and beliefs (or all, depending on how you play) are still very much present in his psyche, and i myself recognize and critique those aspects of his character both in my own mind and in discussion with others, but that doesn't mean that a part of my soul doesn't start crying and throwing things whenever i see someone say that harry is irredeemable or undeserving of love because goddamnit he's still human and he's still capable of growth and he still does good things (again, depending on how you play) even in the impossibly bleak world he lives in and he's got an undeniable drive to change things for the better and. and. fuck me man, he gives me hope, and i think he's a beautiful character and also very fuckable
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Does Hed help Les with grooming his back?
This is a really old ask about this post. And the answer is yes, definitely!
I ended up drawing them back in their room in Vibe City because I've been thinking a lot about them growing up there lately. This is a little before Les gets kicked out (big fight with dad) and they end up traveling around with Flea who is at uni at this point. (Flea isn't a local, he moved there because of uni a couple of years prior, and that's when Les and Hed met him. He is the only other mixed/non-fully funk troll they know at that point.)
In the drawing Hed is studying for a test. He's in the second year of high school when he drops out. This upsets and angers Les because he has good grades but Hed insists that they should form a band (like they used to talk about when younger) because he is secretly shit scared of letting Les live alone and fuck off to who knows where. - At this point in time Vibe City is pretty much grounded in the same location most of the time, and if Les doesn't have work, he likes to spend his time in the suburb/woods outside the city where he takes care of his beetle van, Scaab. And Hed is aware Les has been itching to leave the city for a while already...
This has been an unexpected mini lore dump, thank you for your time :P
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i also think it's fair to say that charles was projecting onto erik a tiny bit during that fight on the jet to paris. when he says that erik took raven from him. when you're watching first class it's sort of very clear to see that charles did his share in pushing raven away throughout the film. especially when she's portrayed to be in this space between acceptance and rejection of her mutation. after erik enters her life around the same time she finds more mutants to bond with, she gets positive reinforcement surrounding her blue skin. when before, she asks charles and he sidesteps the question, and hank outwardly rejects her. she was definitely a kid at the beginning of the film before transitioning into someone who decided she deserved more than to be hated for who she was at the end. and in that process left the person who had raised her but also never seemed to see things the way she did; see her the way raven saw herself. becoming mystique and shedding the name raven was a way to divorce herself from charles' influence but! erik still played his fair part in bringing her over to his side. both charles and erik pushed her away from home and both charles and erik needed to work together to bring her back to her family
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