#i love the people on tumblr but wow do i hate a lot of elements of the app itself

[flydotnet]

Bad Things Happen Bingo! The event where I give myself stupidly niche requests according to this marvelous card… or something. It’s been three years dawg. (Red cross is the completed prompt, character headshots are prompts I’ve already filled).

Besides, if I didn't mess up in the first place, this wouldn't have happened.

This fic is quite a long time in the making. I started working on it last year, before I even had the idea for Rice Vinegar, a previous entry in this bingo card series. I was reading/catching up to the absolute banging series that is Brimstone in my Garden, Roses set on Fire by @inkblackorchid. I was on my yearly YGO kick, this time mostly 5D's-related (it's either 5D's or Arc-V, I've come to notice) and reading Snapping Jaws and Piercing Horns (which you absolutely should read, btw, but I have a sneaking suspicion that, if you're reading this, then you've at least heard of SJPH), when the idea for this fic came to me. I really like the friendship between Aki and Crow that the series sets up during the WRGP arc, because it's got my two favourite 5D's characters involved and also it's got canonical whump material linked to it and I'm a sucker for that stuff. Everything was here for success; I was unemployed at the time so I had a bunch of free time on my hands, the inspiration was crisp and I could fuck around and find out with writing new characters I hadn't before. Issue: I hated what I was actually writing.

Since I was reading InkBlackOrchid's works, I was like "God, I need it to be as good as hers". Problem is, I don't have her writing style at all, all the while I was somehow attempting to pastiche how she writes Aki's POV. The result was a very spiteful narration that doesn't even fit Aki at this point of her character development or even the story I was trying to tell in the first place, and a lot of clumsy descriptions. It was bad, y'all. Now, that was the first draft. I had abandonned it at first, thinking I'd just never do anything with it nor with the idea I had, but I just happened to look at my AO3 subscriptions, remembered the banger 5D's fic series, and finally went on InkBlackOrchid's Tumblr. Reading her Autopsy of Crow series of posts reminded me of my WIP and made me want to finish it so I could throw my two cents in the 5D's fight.

I mention Brimstone in my Garden, Roses set on Fire this much because my love for this series is a genuine explanation for some elements of this fic. I like its version of canon so much I wrote established Faithship into this fic as if they were actually dating by this time of the series, forgetting that actually didn't happen in 5D's proper. Sorry not sorry on that front, btw, I've always shipped them and I don't think I'll stop anytime soon. The very first version of this idea wasn't even going to delve into Aki losing her powers after her crash pre-Team Catastrophe (my very own guilty pleasure of a duel, I actually really like it lol), but since I was so inspired by something that did, I figured I had to tackle the question as well. I hope it doesn't fall flat on its face. Be Careful what you Wish for had me by the gametes.

Wow, I had a lot of things to say for something that's kind of just whump I decided to write on a whim like a year ago, huh. I don't even know if my characters sound right (as in, I think my Aki is OOC, she's too open if that makes sense?), it's my first rodeo and it's scary but hey, getting out of your comfort zone is how you improve, ain't it? I don't know if this story is good, I didn't really rewatch 5D's before writing it, just pantsed it out based on memory and what I rewatched earlier this year (I think it was this year? I remember writing a post for my side Tumblr back then mentioning Max Verstappen out of all people and I wasn't into F1 until late 2023. Anyway).

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Outside the Comfort Zone

Summary: Aki passes by Yusei and Co.'s living quarters to retrieve a copybook. Crow makes it way harder than it has any right to be. (or: a recently-ish powerless Aki finds herself having to care for a very stubborn, unwell Crow, and it goes as well as you'd expect.)

Fandom: Yu-Gi-Oh! 5D's (set during the WRGP arc)

Word Count: 4K words

AO3 version available here.

Event run by @badthingshappenbingo

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There’s something off with the garage of Poppo’s Time, today.

Oh, of course, most of it is obvious: the air’s still, there’s a distinct lack of mechanical clicking and Yusei isn’t here. It’s a minutia of various little details that, added together, make the entire place tilt forty-five degrees to the left.

It’s, unfortunately, not just these which make her feel this way. Frankly, if it was, Aki would’ve already gone out the door and back home. She’s just here to recover a copybook and it should’ve only taken her mere minutes to do that; yet there she is, ten minutes after stepping on the other side of the door, still without her biology copybook, still in a home that isn’t hers, and unsure of where to take the situation next.

The reason might just be the odd-looking Crow that’s standing in the way between her copybook and her.

Is she friends with said Crow? Yes? Maybe? “Friends” sounds a bit strong for their relationship, she’d say; there are no strangers to each other, and she likes sharing a room with him enough to consider them on friendly terms, but they don’t share enough emotional intimacy for them to be friends. At least, that’s how she sees it – maybe he sees it another way.

(Or maybe they’re already friends, and she’s just too afraid of rejection to admit it to herself – better be safe than sorry, even around the most transparent person she knows).

Whatever their relationship is, what Aki knows without much doubt is that Crow isn’t looking like himself. His stance is slouched and unsteady, his hand is holding the doorway just a little too tight for comfort and his eyes look mussed. It’s like his gaze, while explicitly trying to focus on her, is instead looking at something right behind her – as if seeing through her, which is a thought Aki truly has no time to unpack.

“Oh, hi Aki,” he tells her with an indignant wave, head bobbing along with the sway of his hand.

“Goo – good afternoon.”

His smile turns into a puzzled expression, which doesn’t help the impression she’s gotten so far. He looks around, his left eye twitching and his brow furrowed, then looks back at her when it seems like he hasn’t found what he wanted.

“You not hangin’ out with Yusei?”

Aki almost freezes.

“What do you mean?” She asks back, a shiver going down her spine.

Crow’s brow furrows even further, finally pointing her in the direction of the dark rings under his eyes.

“What do you mean, what do you mean? You come here to hang with Yusei, right?”

“He’s… He’s not here, Crow,” her voice staggers against her will. “He’s in Peru with Jack. I just came her to get a copybook I forgot here.”

The reminder, as useless as it should’ve been, seems to have confused him even further.

“Why the fuck would they go to Peru?” Crow asks, anger sipping in his tone. “That’s on the other side of the damn planet!”

He then hacks a lung out, prompting Aki to jump out. It’s harsh, not unlike the coughs she’d get when she was ill as a child and it seemed like the world was melting around her, psychic powers mixing in with the fever – the powers who, like so many people before, have abandoned her.

The silence is too heavy. She can’t let herself falter now. She may be in danger – scratch that, she’s fine, Crow is the one who needs help as far as she’s concerned. They’re friends, or as close as it gets, and she needs to step up now that his foster brothers aren’t here.

“They’re there to follow on a lead Bommer gave them.”

Her heart sinks a little further when all she sees is confusion. In fact, anything she says seems to result in confusion.

“How? That guy’s dead, y’know,” he gulps with a wince. “I know. I watched it happen. And, like, the dead don’t send emails.”

It’s an understandably difficult thing to swallow, she’ll give it to him. To this day, and despite her (former) psychic powers and links to the extrasensory through her Signer’s Mark, she still has little idea how Carly or Misty have managed to rise from the dead. It’s beyond either of their comprehension.

What shouldn’t be for Crow, however, is the whole travel thing. He was there when Yusei and Jack announced they were going. He must’ve been there to fret over them and their budget like Jack likes to complain about. So how come he cannot remember any of this? Why is he so—

“What time is it already?” Crow asks out of the blue.

It takes her aback, but she looks over her phone screen anyway.

“It’s fifteen to six in the evening.”

His face gets splattered in surprise.

“Shit! I’ve got a shift to attend to!”

“What shi—”

His hand lets go of the doorway.

“Sorry to leave this quick, Aki, I’m in a hurry—”

He walks past her, but before he can make it past her, he folds in half into another coughing fit. Fearing the worst, Aki runs to catch him with her arms, the click of her heels almost hiding the harsh sound of his cough. Heat sips through his clothes and through her gloves, ringing the final alarm that finally allows her to deduce what it was that bothered her so much about his appearance.

Despite the audible pain in his breath and the grimace on his face when he moves his arms, Crow still tries rising to his feet on his own. He weakly bats her away with his hands, but he has to lean against the nearest wall to stay upright. It’s an unreal sight, knowing how stubborn and enduring he truly is. Where is the man who was driving with an injured shoulder mere weeks ago?

“Is this shift really that urgent?” She makes no attempt at hiding her ever-growing concern. “You don’t seem like in any state to go to work…”

“What day of the week are we on?” is all he says back to her.

“It’s… Wednesday? Why?”

Crow’s face finally lights up.

“Oh! I’ve got some time ahead of me then.” He chuckles, but it dissolves into a cough, and she can’t keep her grimace to herself. “I thought we were Monday, for some reason?”

“You honestly seem very out of it,” she ends up bluntly stating instead of going along. “I really don’t think you should go work today.” Or tomorrow.

“Can’t afford not to,” he croaks back, but it lacks any sort of sting.

What looks to her like a dizzy spell ends up taking his resolution out, his whole body pitching forward. Once more, almost in rhythm, her body moves on its own as a result, her arms catching him in his fall.

Heat lingers on her hands even after she has finished bringing him to his room.

Unlike most of Team 5Ds, Aki has never had to care for someone else. She has none of Yusei’s instinct for help nor Crow’s experience with dealing with children. Usually, when faced with this sort of situations, she’d entrust the person in need of care to someone with a lot more ease in this domain – as it turns out, most of the time, it’s asking Jack’s childhood friends to handle his problems, much to his protests. As such, she’s never had to play nursemaid before, and nobody has trusted her with such a role until Yusei came along, and for once, she hadn’t wanted that to change (except for Yusei, but this is a situation that’s unrelated to her current predicament).

Whatever she’s used to, unfortunately, is now out of the realm of possibility. The two people she could ask about it on any other occasion where the need could rise up are respectively currently in Peru with terrible reception and too busy refusing to stay in bed for much longer than a minute to give her a precious hand.

And, you know, you don’t usually ask someone who’s sick to take care of themselves, let alone help you in the process.

Very much to her misfortune, this is all without taking into account that Crow is as stubborn as a patient as he is in every other thing. It was to be expected, of course, and Crow is nothing if not stubborn; but it hasn’t made anything easier. If anything, she should’ve seen it coming as soon as he was too beyond himself to know where his housemates were and why.

Still, it doesn’t mean she shouldn’t try her best in this situation. What friend would she be if she left a comrade in need on his own, harmful to himself? (And she craves for empathy, a part of her whispers, the part of her who misses her powers for the bond she enjoyed having with Black Rose).

Despite a losing battle against his own voice and the way his limbs tremble whenever he tries holding himself out of bed, Crow is insisting that, no, he’s fine to go work, and she has no reason to worry, because it’s not his first rodeo… or something along those lines. Admittedly, it’s difficult to understand everything when he’s struggling to push the sentence out of his throat to begin with, let alone articulate his thoughts.

All that ends up doing as a result is annoying her, because this is oh so similar to Yusei but in all the wrong ways, but that’s once more beside the point. She isn’t here to lash out her annoyance at Crow being an idiot, she’s here to make sure he doesn’t die an idiot.

“I’m tellin’ you, I’m fine,” he whines, a hand already back at gripping the edge of the blanket.

“Why are you so insistent on pretending you are?”

(She doubts it’s because of a martyr syndrome like Yusei’s).

“I’m not pretendin’ anythin’. I’m actually fine.”

His voice is feeble, his words tremble out of his mouth.

“Crow, I know you’re not. Please stop making this harder than it has to be.”

He deflates with a single, wheezing sigh.

“It’s Satellite nature, I guess,” he shrugs with a slight smile. “Both Yusei and Jack got it too, y’know.”

“Speaking of Yusei, right now you’re just like him in that regard.” She lets herself sigh. “Pretending like you’re fine when all signs point to the contrary.”

“Yeah, it’s… Y’know, when you were sick in Satellite, unless you had someone to shelter you and cover your back, ‘t was like signin’ your death certificate.” He coughs again, and it keeps dragging on, worsening, and it pangs at her heart every single time. “Guess that never went away, even now.”

“Even for something like a work shift?”

“Especially for a work shift. Do y’know how tight our finances are? Jack sure don’t seem to, that asshole!” A barking cough interrupts him. “Fuck this shit, I could be literally anywhere else but here. Plus…” He turns to her, and despite the evident weariness on his face and in his eyes, his gaze is sharp. “You should be doin’ better things with your time than watching over me, though.”

Aki rises an eyebrow.

“Such as?”

He shrugs again as a response.

“I dunno. Studyin’. Playin’ cards. Drivin’ a D-Wheel. Tryin’ to… sort through what mess that must’ve been for you, these past few weeks.”

The last bit hits her a lot harder than the previous ones. Having to replace Crow in haste due to a mysterious crash, the conflicting sentiment of her first race as a member of Team 5Ds, her own crash, and now, having to grapple with the sudden and unexplained disappearance of her powers… It’s been a lot of turmoil. Too much, in fact.

Despite all of the pain, it’s somewhat heartwarming to have someone genuinely worry for her, even if it tugs at an uncomfortable heartstring. It means she has the company she so desperately looked for and thought to have found in Divine, now truthful and actually what she needed. Yet, she feels uneasy when she has to show vulnerability in front of them, afraid of what they could take advantage of, of hidden intentions that may be hiding beneath a smile. Letting go of her masks has been terrifying, even if it’s the right thing to do.

For the longest time, she could protect herself with her powers. They were her curse, they were her blessing. They made her unlike the others but allowed her to connect with Black Rose and all of her deck. She misses them even now as she’s within the warmth of Team 5Ds; who don’t judge her for them like the others. Who care for her, like Yusei has ever since meeting her, like Crow is at the moment. Even in pain, they care.

The least she can do is pay them back now that gets the chance to. Now that her powers have left her more vulnerable than ever and created a void she can’t seem to fill on her own.

“I’ll be fine not brooding about it for a while,” is all she tells him in response.

Because it’s the truth. Sometimes, letting the dark clouds consume you is worse. It’ll always be worse, no matter how easy it looks.

“You sure? Because watching over an ill guy gets boring real fast.” He gives her a small smile. “I’d know, I’m usually the one doing the watching.”

She replies with a smile of her own.

“A bit of calm would do the both of us some good, I believe, after all that happened.”

He closes his eyes with a deep sigh.

“Can’t go against that, I guess.”

“Take some rest. I’ll be here by the time you wake up.”

It’s not intended to be a lie to make him feel better about sleeping.

“If you’re lookin’ for it, the medicine is in the cabinet in the bathroom. Pretty sure we got the right stuff at least.”

“I’ll go get it.”

That, and a basin of water, and everything she can remember from hazy memories of childhood illnesses.

Yusei once told her to write down thoughts that were confusing to her, as a way to at least alleviate the black clouds in her mind. He helped her pick a cute-looking notebook for it too, just the size of her uniform pockets, red with an embroidered rose on top of it. It seemed too fitting not to pick it, and Yusei seemed even happier about it than she was. She isn’t sure if what she’s writing in it right now makes sense, but it feels nice to have a place where to dump all of the thoughts that’d usually fester and poison her mind nonetheless.

The loss of her powers continues to leave her at a loss. The best way she can describe the feeling is a bittersweet void it’s left behind: she’s finally normal, like she wished for so long when pretending to be a witch, yet now that she is, it’s like this life wasn’t for her. She misses the bond she had with her Monsters, now that she can’t caress Black Rose Dragon like she could for so long. It makes her feel lonelier in a way that’s wrong to her. It’s like she never knew what she actually wanted out of life, out of the world.

Writing down this loss, this void and this coldness is what’s helping her process some of it. It onsets the way the melancholy would’ve taken ahead of her before she met Yusei and the others. It allows her some lookback and to keep her head out of the water until she can find a solution or get used to a new situation. It feels… soothing, at times, despite it just being scribbles on paper.

A hand strangles her arm, her hands lets go of her pen, her notebook falls to the ground.

“What—”

“Who the hell are you?!”

Shaken, she stares back at her assailant – a frazzled-looking Crow, his eyes glazed over and his pupils dilated. His breathing is erratic, coming out in little wheezes, his teeth gritting.

“I…”

Aki has no idea what to do. A stranger attacking her is no surprise, but a friend? Clearly, something is very wrong with Crow, and she has trouble connecting the dots as to why he’s in such a state. Did she not look after him hard enough? Is she just as neglectful as she was when she was isolated and lost, manipulated, used as a weapon? Is this retribution for that, to be forgotten by those she cherishes?

He lets go of her arm, seemingly against his will – it seems like he doesn’t have enough strength left to actually fight her. She can hardly breathe normally, every gasp of air coming quicker than the last, but she has to compose herself back anyway. She’s the one who’s supposed to fix things here, and now, she doesn’t want to destroy anyone further. Perhaps she can still find redemption.

“What’re you doin’ here?!”

Crow’s voice is unsteady, made all the worse by the cough that’s dried it into being hoarse, and his words slur together, making him very difficult to understand. Aki wishes she knew what do say back, but…

“I’m – I’m looking after you,” she explains back, because calming him down seems like a good idea.

He cocks an eyebrow at her, doubt just barely readable in his half-closed eyes.

“Who’re you?”

“I’m Aki. I’m Yusei’s girl… I’m his friend. I’m your friend.”

His hands grab at her shoulders.

“What’s tellin’ me you are, huh?!”

She looks around the room, trying to ignore how uncomfortable the pressure from his knuckles on his shoulders are, and the heat sipping from them almost right into her skin, before finding a sign of reassurance.

“See this basin of water?” She points it with her finger, he follows it to the bottom of the chair where she sits. “It’s mine. I was trying to keep your fever in check.” That sounded like a good idea, at the time. “I’m admittedly… not great at it, unlike you are, but I’m trying.”

His gaze slightly clears up – and then his eyes flutter close and don’t open up, leaving him in her arms once more.

It’s sort of a wake-up call for Aki, as she puts him back to bed. She should’ve kept a keener eye, but instead got lost in thoughts. She was so sure she had done all of the right things already, yet there she is, only realizing after the fact she wasn’t careful by being attacked by a delirious guy who mistook her for the enemy. Talk about failing at the mission you assigned yourself.

She takes off her gloves and puts a hand on his forehead – his fever has gone back up when she wasn’t looking. It makes sense, miserably so. But this is no time to mop for herself, she must be more like Yusei. She must help out her friend even if she has her own issues. She can’t do anything about her powers, but she can do something so Crow doesn’t have to see things that aren’t there.

So she picks up the washcloth that fell onto his lap and twists it cold again, determined to correct her mistakes.

Aki is staring at Crow when he finally opens his eyes again. They’re clear, able to follow the way her hair sways when she backs up from the bed and back into the chair. Her back is trying to make her pay for the unnatural positions she made it endure, but it’ll have to bear through it for a bit. She’s not letting him down now.

“Hey,” he tells her, stifling a cough.

“Glad to see you awake again,” she confesses. “How are you?”

“Erh… Sore. Sick. You know the deal.” He sits up with the help of the headboard of the bed. “How long was I asleep for?”

“I’d say… an hour or so.”

“And you’re still here?” He chuckles, even if it dissolves yet again into a coughing fit. “Gah, forgot how much that sucked.”

“I… I didn’t want to leave you alone like this.”

“Don’t worry, I went through worse. I’m a big bird, I can deal with it on my own.”

The way she’s staring back at him must’ve looked suspicious, because he looks concerned, now, and it’s like cold water seeping through her socks.

“Hey… Did something happen?”

“No, nothing. It’s… it’s not important.”

“Tch, you’re like Yusei. ‘Not important’ my ass.”

“I don’t think I should tell you about it.”

“You’re not makin’ your case any easier. Shoot ahead anyway.”

Aki looks at her hands on her lap, her knuckles almost white. Her skin looks slightly red, especially without her gloves.

“You weren’t yourself earlier,” she manages to get out, “and you thought I was some sort of enemy.”

She can’t bring herself to look up and see what his reaction to that is. Her head’s weighing heavily on her neck.

“Shit, did… I did something to you, right?”

“You… You tried to attack me, yes,” and she realizes how bad that sounds, “but it’s nothing. You weren’t yourself and it wasn’t a big deal. I’m fine.”

“You don’t sound like you are, though… Shit, I’m so sorry, Aki…”

She rises a careful eye, only to see pain distort Crow’s pallid face.

“It shouldn’t have happened,” she replies. “I should’ve done a better job.”

“Hey. Look at me, Aki.”

Hesitantly, she does – and finds no anger, no disappointment in Crow’s eyes, only compassion.

“You didn’t have to put up with my shit, and I was trying to push you away, but you did it anyway. Attacking you was wrong no matter what. You’ve got a lot to deal with at the moment and none of this is me. Don’t beat yourself up for not handlin’ everythin’ perfectly.” He smiles. “So, thanks, Aki. Don’t worry about good ol’ me, I’ll handle myself from now on.”

Silence follows.

“Though I get why you’d doubt that. We don’t really have a good track record when it comes to that stuff, do we.”

“Not really, no,” she manages to chuckle. “But friends need to trust each other.”

“You catch on quick!” He coughs into his elbow. “I’m sure it’s starting to get late, your parents may be worried. You should head home.”

“Can I… Can I stay here for a little longer? At least until Bruno comes back from whatever errand he may be running. I’d… feel better if I knew someone could watch you over.” Like she’d like it if she was as vulnerable as Crow is right now. “It keeps me occupied too.”

He gives her a sympathetic look from which she wants to recoil, but stops herself from doing.

“Make yourself a home, then. Yusei’s bedroom should be available.”

He winks, right in time for her face to warm up.

“Thank you, Crow.”

“If you need an ear to talk to and I ain’t sleepin’, don’t hesitate, okay? I promise I won’t bite your head off this time.”

“I’ll keep it in mind, thanks.”

She doubts she’ll bother him with this when all she’s tried to make him do today was resting, but she very much appreciates the reminder. It’s always nice to know she’s not only accepted, but also cared for by people whose honest intentions she can be sure of.

It’s making her feel welcome, and just for that, she’s more thankful – her and her missing powers, her and her conflicting feelings it, her and her past that she’s just now feeling comfortable with disclosing anything about. Her and the ghost that may continue pursuing her in the future, but which are leaving her mostly unscathed for now.

Perhaps that’s what home is – and it may just take the shape of a friend’s bedroom, or of a garage.

[sondepoch]

the sheer amount...of writing....that i have posted on ao3 but not on tumblr.....oh my god 😭 😭

i hate posting anything to tumblr bc the tag system is so frustrating (especially when :) you know :) your post won’t show in the main tags despite it :)) but wow it’s like. i have not posted anything here in ages. i have full fics and series out that just never made it over here. starting tomorrow i’m gonna start posting at least one thing a day so i can begin the transfer like i am so sorry to everyone following me but wow posting on tumblr is so much harder 😭 😭

[astranva]

TPWK Music Video

Word Count: 3.5k (omg shut up I didn’t think it’d be longer than 600 words)

Category: Fluff

Warning: idk a few swear words I guess? no proofreading is done on this blog ok 😭

Summary: Long-term girlfriend Y/N isn’t only the choreographer of TPWK, but she’s Harry’s dancing partner in the music video as well. Harry is in love, and can also be a pest.

reposting because tumblr hates it when i appear under tags

// masterlist //

..

For as long as you could remember, you were a dancer.

From pictures taken of you as a child by your family on your tippy toes in ballet costume, to professional ones of you ranking as first in dancing championships as a teenager as you experimented with styles other than ballet, to you befriending some of the biggest names in film and music industries as you choreographed the dances for them in the studio you owned, having had bought one at the age of only 22 and it being one of the most successful dance studios there is, with people flying from all around the world to attend your workshops and get a glimpse of what you create.

You were friends with people you had never thought, as an aspiring teenager, to know and help create choreography for, along with all the musical movies you helped bring a different tune to by the dance steps you created, and to mention one name of many, you were most proud of The Greatest Showman.

Initially, you were a friend of a friend of Harry’s.

You met the English man 3 years ago; flirting with one another for 7 months on end – Harry liked to remind you that you would’ve been together way sooner if it weren’t for the both of you being in different countries so often during that time –, dating for 1, officially being together for the rest of the 2 and half years and until that very moment.

“Look, Y/N just sent me the video they made at her Tokyo workshop.”

“I can’t make it, guys. Y/N created the choreography for Ari’s new video, and she’s in it. It premiers tonight.”

“Like my hoodie? Exclusively got to be the first person to wear Y/N’s new merch collection. Looks sick, doesn’t it? Worked so damn hard on that one.”

“Have you seen Lizzo’s new music video? Y/N made the choreography!”

If anything, your friends and family liked to joke about how Harry was a fanboy of yours.

Taking Harry with you to your studio made Harry resemble a child on a Christmas morning, or a child accompanying a parent to their work for a “take your kid to work” day. He never denied the pride he felt whenever he watched you in your element, watching you gracefully do your thing, so beautifully and passionately, in a studio that looked different from his.

“We were thinking,” he said one night as he got under the covers with you, smiling and closing his eyes as you reached to rub a missed spot of his night cream on his forehead, “Of creating a music video for Treat People.”

“How many music videos are you planning to make, really? 12? For all 12 songs on your record?” You had joked with a smile, watching him snuggle into the covers with a giggle.

“And what about it?”

“Just the fact that you never warn your poor fans,” you had chuckled, “What do you have in mind for it?”

“It’s all too fresh,” Harry said, “But I have a concept in mind.”

You had hummed, resting your head on your pillow, sitting face-to-face with Harry under the covers before he excitedly propped himself up on his elbow.

“Retro. Just retro, a casino, and a dance.”

Your eyebrows went up, a surprised look on your face, “Not what I had in mind but go on.”

“What did you have in mind?”

“Lots of people, kind of like a parade thing in the street.”

“That’s nice,” he smiled.

“But...” Knowing him well enough, you continued with a roll of your eyes.

“People won’t expect a vintage video, will they?”

“I don’t think they’ll expect a video for Treat People to begin with, baby.”

“Right,” he nodded, “So, what do you think?”

Just as you were about to confirm your excitement to the concept, your face had shifted to an expression of confusion;

“Did you say a dance?”

It didn’t take Harry long to discuss the concept with his team, going through the theoretical bit of creating a music video before Jeff asked the one question Harry had been excited to answer;

“Who’s going to do the choreography? Who’s going to be your dancing partner? We need to go over some pe-”

“Y/N.”

“What?”

“You really think I’ll let anyone but my girlfriend do either of that?” Harry asked sarcastically with a smirk, “Planning on asking her tonight.”

“You son of a bitch, you already have it all planned.” Jeff laughed, shaking his head at his client and best friend.

And Harry stayed true to his word.

Insisting on driving you to and picking you from your studio after your workshop, Harry greeted you with a quick kiss once you were seated in his car, groaning about how ready you were to get in bed.

He was a little impatient, he’d admit. Holding a conversation about your day seeming to have had distracted him just a tad until you were both home and in comfortable mismatched PJ’s, indulging a late-night snack in your kitchen which consisted of quick sandwiches.

“And then he calls me, tells me that he wants me to come up with a dance for his tour promo video in a day, H! A day! Can you believe that?”

“Fucking idiot. What did you tell him?” Harry frowned, moving to remove a piece of crumb from the corner of your mouth with his thumb.

“Declined for sure. Told him that it was too short of a notice, like, what am I supposed to do? Stop the time?”

“And what did he say?”

“Whined like a baby,” you scoffed, nodding to Harry’s annoyed expression, “I know!”

“Who does he think he is?” He rhetorically asked, “Calling one of the most demanded choreographers and expecting you to just do as he says. As if.”

Despite your annoyance at the said celebrity, your frown faltered at your boyfriend.

“And you know what’s funny?” He went on, “That you’ve been trying to reach a common ground, like, a solution that would be convenient for the both of you but he’s being an unhelpful, ungrateful twat.”

You pouted, reaching to pull him closer by one of his hoodie’s strings, pecking his lips, “Thanks for sharing the same annoyance and trash talking him with me.”

“Just wish some people weren’t dicks to you, love,” he sighed, “You don’t deserve it.”

“I can take care of them.” You smiled.

“I know you can, you deal with them so well, I don’t know how you do it,” Harry said, “But I still think some people need to stop giving you a hard time. Pisses me off.”

“Yeah? It’s hot.” You teased him, leaving a lingering kiss on his lips.

Harry’s posture eased, chuckling at you as he held on to your waist. “Glad you think so.”

“Always do,” you confirmed, “Now, what do you want to tell me?”

His eyebrows came together in confusion, “How did you know that? How- How did you know that I have something to say?”

You chuckled knowingly, giving him a shrug, “It’s a little offensive that you think I don’t know you well,” you sarcastically began, “But to answer your question, you tend to touch your bottom lip more often when you have something to say. And you have this look on your face.”

He might have fallen in love again and again that moment, opting to say silent for a moment as he took what you had said in – as he took you in.

Harry let out a sigh of contentment, wrapping his arm around your shoulders and bringing you closer in a hug before pressing a soft kiss to your head, “Love you so much.”

“Love you, too,” your muffled voice replied, “Now tell me.”

“You know how I told you I wanted Treat People to have a dance? And it’s all retro and all that?”

You nodded, looking at him.

“How do you feel about creating that? Being in the music video with me as my dancing partner?” He bashfully asked, eyes twinkling and smile innocent.

Your eyes widened, “What? Me?”

“Who else?”

“Are you being for real right now?” You laughed in disbelief, “Not only do you want me to create the choreography, but- but you want me in it?”

“Precisely, yes.” He nodded with a smile.

“Wow,” you smiled, shaking your head, “Are you sure?”

“Why wouldn’t I?” He asked, “You’re so fucking talented and good at what you do, people know we’re together, I have been impatiently waiting for you to join me in any of that stuff, and it’ll be fun,” Harry listed before shrugging, “What do you say?”

“I mean, I see the fun part,” you replied, “But when do you want that? When do you want to start filming? I’m going to need more details.”

“Whatever you need.”

And again, Harry was a man of both words and actions, filling you with what you needed to know and enjoying how you seemed to glow brighter at the mention of your job and passion.

It didn’t take long before you were both in the studio after having discussed some technicalities with Harry’s team. On some days, you and Harry would goof around in your studio after you were done with the day. You’d occasionally teach Harry a move or two, and more often than not, Harry was the audience you needed to watch a new choreography of yours that you were either unsure or proud of.

But to be able to have Harry join you from start to finish in what you enjoyed doing had another feeling; one that neither of you could explain.

“You kick out with your right, then,” you demonstrated, “Step in.”

With pursed lips and his eyebrows furrowed in concentration, Harry copied your moves, eyes on himself through the gigantic mirror in front of the both of you.

“Good job!” You grinned, “Alright so it’s, 5, 6, go 7, and 8,” you began from the top, “Then 1, and 2,” you stepped with your feet as you moved, “Kick, step, kick, step, turn,” you turned, “Push to the side,” you recapped slowly, “Clap, clap. Come on, you do it.”

Harry took a moment, letting out a breath as he shook his limbs, “Alright, got it,” he mumbled, “Can you count?”

“Yeah, baby, sure,” you giggled quietly, “5, 6, 7, 8…”

“Ah fuck,” he groaned as he seemed to lag before the next step.

You approached him, resting your hands on his shoulders before cupping his face to have him look at you, “You’re nervous. Why are you nervous?”

“Besides the fact that it’s the first time I do this?”

“Do what? Dance? We took salsa classes together.” You reminded him gently.

“No, love, just- this, for a video. And you’re so fucking good. I didn’t think you’d put that much effort into my little video but the dance looks amazing and I’d just, hate to not do it justice.” Harry ended his confession with a sigh, shoulders slumping down.

“H,” you pouted, “Baby, you’re an amazing dancer,” at that, Harry rolled his eyes, “Nooo, you are!” You repeated, assuring him, “If you can’t see how far better you’ve gotten than you’re blind, H.”

Harry’s face softened, looking at you as you nodded at him.

“We’re both putting effort and I won’t rest until we give this all it takes for you to enjoy it, alright?” You leaned closer, pecking his nose with a soft kiss which seemed to work to make him giggle, reaching to scratch his nose,

“Tickles.”

“Oh yeah?” You jokingly wiggled your fingers into his sides, “In your spot, Styles, let’s go!”

You weren’t surprised that after all your little classes together, Harry had perfected the choreography. It wasn’t just in your time together that Harry practiced; you caught him in the kitchen, in the shower, counting under his breath as he sat with a dazed look on his face, and you had seen him far too many times watching the recorded tutorial you had made for him and your backup dancers.

You weren’t surprised because you knew that once he set his mind to something, he wouldn’t rest until he reached it.

But just because you weren’t surprised, didn’t mean that you were any less proud.

Far too many videos on your phones were added of one another during that time; Harry dramatically lying on the floor in the studio, sweaty and panting as you recorded him while laughing, zooming into his dopey but smiling face, your phone propped up as it recorded the both of you practicing the entire choreography, catching the bit when Harry dipped in your arms but you weren’t ready and he ended up falling, bringing you down with him as the both of you burst out laughing.

He loved seeing you in your element, that was an established fact, but being with you in your element? That was priceless.

“Jesus, this is heavy!” Gemma exclaimed as she tried Harry’s sequined, bright cropped blazer.

Filming came by, and there was nothing like seeing hard work pay off.

Harry chuckled at his sister, taking the blazer from her before putting it on, “Have you seen Y/N? Is she done?”

“They were retouching her hair.”

Harry’s stomach was filled with butterflies. If you asked him for the reason behind them, he wouldn’t know how to answer; because he was nervous he’d mess up? Normal jitters before filming? Or maybe, it was the fact that you were finally joining him and that alone was enough to have him giddy, giggly, and bouncy?

Gemma would say it was the latter, having had watched and heard Harry ask about his girlfriend during the entirety of the process of getting ready;

“Is she alright?”

“Feel like I’m getting married and I’m not allowed to see my bride.”

“Can you please tell Y/N to check her phone? She puts it on silent whenever she’s working but I want to show her my hair.”

In the dressing room beside his, you began laughing the moment Gemma stepped in, already knowing from her huff and annoyed look the reason behind them.

“Bloody pest! How do you deal with him being all clingy over you like that?”

“I don’t,” you joked, “He’s nervous.”

“And a little annoying.”

“Thank you,” you smiled to the hairdresser before getting out of the chair, “Where’s the man of the hour?”

“Whining outside that door,” Gemma answered with a raise of her eyebrows and a smile, “You look amazing, love.”

“Really?” You smiled bashfully, tugging on your vintage jacket and looking down at your shoes, “It’s a light outfit.”

“Should try Harry’s blazer,” she huffed, “So heavy.”

Walking outside the room with Gemma, you saw Harry standing with your group of backup dancers, smiles on all of their faces as he talked with them, you fully knowing that he was making sure they were comfortable.

“Here comes the bride!” Gemma joked, raising her arms up.

Harry turned, and everyone was sure that it might as well have been your wedding.

His eyes seemed to reflect the shiny blazer he had on, dimples showing as he grinned, opening his arms at you.

Concealing the shyness you felt under his stare, you laughed as you wrapped your arms around him in a hug, feeling his hand rubbing your back. “You look so good,” you said, pulling away to look at him, “Where’s Lambe- There you are,” you pointed at Harry Lambert who approached the both of you, “How do you do it? What’s your secret?”

“Only the best for Sue,” Harry Lambert said, tipping an imaginary hat at Harry, “And our Angel.” He kissed your cheek.

Soon enough, everyone was asked into place.

For the first shot, they decided to film Harry entering the stage with the dancers first.

Standing at a safe distance away from the camera’s view, you heard the director call before they began recording.

“I got a good feeling,” you watched Harry sing into the vintage microphone, TPWK playing in the background as well, as he leaned to the side.

A smile was on your face, hands clutched together under your chin as you watched Harry and the dancers stick to the choreography you had worked on for the last 3 weeks.

Seeming to be too into your own world of watching your boyfriend, you hadn’t noticed right away when Gemma threw her arm around you until she squeezed you into a side hug, “Did so well, love.”

You gave her a smile and returned the hug, at loss of words.

For your takes, Harry was exactly as what Gemma had called him – a pest.

“Harry, stop making faces at her!”

“I’m sorry, I’m sorry, I’ll stop now.”

“Harry!”

“What? I didn’t do anything!”

“You took a picture of Y/N with your flash on!”

“Oh shit, sorry.”

But you couldn’t be mad nor stop laughing, enjoying it too much for anybody’s liking.

“This is why I don’t accept when you ask me to be in your videos.” You joked as you all took a break, munching on a banana.

“See? You deprive me too much, baby.” Harry giggled, pecking your cheek quickly before reaching to grab a banana for himself.

“You’ve been depriving all these people from going back home early for the last couple of days, and look,” you pointed at Mitch, “Mitch looks like he’s close to murdering you.”

“I think that’s just his face, love. He hates this.”

..

“Alright, are we ready?” The director asked, “3, 2, 1, action!”

Harry sang as he stepped on the table you were sat at with your “friends”, a smile on his face as he did, his palm open towards you.

“And if our friends all pass away,” he sang, the soft ah’s following which was your cue to put your hand in his, stepping up on the table with him, “It’s okay.”

Nobody knew how the both of you did it, but everyone was satisfied with the one take they took.

It didn’t feel like filming anymore to either of you the moment Harry threw his bowtie away as you faced one another on stage, genuine smiles on your faces as you broke into the choreography you could do without a thought at that point.

There were moves that Harry had struggled with during practice, one of them being when he held you as you did a cartwheel; but all these struggles were long forgotten once the both of you gracefully did that move.

The song played as the both of you danced in front of the backup dancers and Harry’s band, only adding to the smiles on your faces before it began to come to an end – the end.

Harry twirled, your eyes following him with a smile before you dipped up with one arm, your other raised in the air, while one of Harry’s arms was around your back, the other stretched out.

“Cut! Amazing job! Amazing, amazing, job!”

The both of you were panting, you looking down at him as you giggled before you leaned down, pressing your lips to his in a quick kiss as everyone cheered.

..

Harry sat on it, and you sure as hell were glad he did because after one eventful year, he took matters in his own hands to start 2021 right the moment he dropped the music video on the 1st of January.

“It hasn’t been 10 minutes and it’s trending,” you laughed in shock, scrolling through your Twitter, “Your power!”

“No,” Harry smiled gratefully as he watched you as the both of you cuddled on your couch as and after you had watched the music video together, “All yours.”

“Stop,” you dragged, “You’ve been crediting me for a year for this video as if I did everything.”

“You practically did, love. It was all about the dance and look at you,” he sighed in contentment, squeezing you against him, “Made a dancer out of me.”

“You’re a natural.” You patted his cheek.

Harry scoffed, mind shifting to his X-Factor choreography, “Trust me, I’m not.”

“But seriously,” you began after a moment, looking up at him and making him shift to look at you, “Thank you.”

“Thank you,” he repeated, “I love you.”

“I love you, too, you pest.”

“Hey!”

[riathedreamer]

Zero is Null

A discussion of Zero’s love-hate-relationship with RvB and struggling independence; including a hotdog too big for the bun, tragic backstories, a single bow-chicka-bow-wow, and a cookie at the very end.

Welcome to what will be a lot of text. Basically, it will explore why Zero fails as an RvB (with emphasis on RvB) season. I will not be the first one to bring forth some of the points, and I promise to be fair and civil and fun. This isn’t supposed to be a piece of hate – in fact, I’m writing this because I love Red vs. Blue.

Okay, first of all, to increase your fun – take a guess on just how much of Zero is spent on fight scenes. You see, I’ve calculated the exact amount, and I will reveal it later, but for now, take a guess and remember the number. Maybe you are the winner!

Alright, time to share my thoughts. Wait! Since I suffer from anxiety and have this one annoying voice pretending to be all those critical statements my opinion could be met with, let’s give it an actual voice and address the points throughout this review.

“Why would I care about your opinion, Ria?” – I don’t know, you’re the one who clicked Read More.

“Your opinion doesn’t matter!” – Of course, it doesn’t! Geez. Do you think your opinion matters, though? Listen, we’re on Tumblr, the actual equivalent of screaming into the void. And it’s fun, too!

“If you don’t like it, don’t watch!” - *activates Uno Reverse Card* “You can’t talk about something you haven’t watched!”

“You’re just a Hater” – Actually, this is a point I’ll come back to. Like a cliffhanger. Also, at the end of this, there’ll be a cookie. But this will also include me talking about the stuff I like, because, surprise, Zero is not without talent!

“You just don’t like it because the Reds and Blues aren’t in it!” – Actually, that’s a good point, so instead, this review will start with a sole focus on Zero and discuss the problem that lies within that story. Then we can address why the lack of OG cast is understandable and problematic and weird.

But first! Backstory.

When the first 5 second teaser dropped back in spring (you know, when we were young and innocent and the world didn’t feel like an apocalyptic movie yet), I held onto that one image of what I thought (hoped) to be Grif and Simmons in the sunset, hopefully addressing Grif’s hateglue arc, but boy was I wrong because a) that’s not Simmons, that’s Sarge, and b) the image was from a PSA since the Reds are not in Zero.

Actual face-reveal of me below:

Admittedly, when I heard that the Reds and Blues were not going to be the main characters (or even show up), it felt like a gut punch. However, I actually found myself getting excited due to the creators’ hype. I want to praise them for this. It’s been a while since an RvB season was talked so much ABOUT before its release; it had advertisements, it had creators and voice-actors talking about it. Please. More of that in the future. Their passion rubbed off on me, and that deserves recognition. So it pains me that this was clearly a passion-project, and then when I gave it a try, I didn’t want to touch it again for weeks.

Here’s the thing. I cannot whole-heartedly say that Zero is bad. It’s not gonna melt your eyes. It’s not even so-bad-it’s-good. For me, it’s meh. It’s a Saturday-morning-cartoon aimed for a younger audience with a rushed plot and clichéd characters. The problem is that it calls itself RvB, and with that title comes something to live up to – but more importantly, something to continue.

My main issue is that Zero forces its story into existence by ignoring established content rather than adjusting to it. Let’s call this for the hotdog-too-big-for-the-bun syndrome solely for the sake of the bow-chicka-bow-wow that’s coming now. Bow-chicka-bow-wow. Many of the separate issues I will dive into all add to this hotdog-issue, so I will scream “Hotdog!” whenever this is the case so we can all keep track of my argument.

You can continue the story of Red vs. Blue without the Reds and Blues. While that would personally crush my heart, it can be done. There’s a story of Red vs. Blue that can be continued. The world can be expanded, the previous actions of the Reds and Blues can be explored from another angle.

So.

How does Zero do this? It doesn’t.

I just want to make it clear that new elements can definitely be added when it comes to worldbuilding. That’s literally the point of sequels. But Zero’s settings are presented with so little grace and with no connection to previously established worldbuilding. We get Alliance of Defense and GLASS thrown in our face as very big important organizations – yet we’ve never heard of them before. A big central plot point of RvB is the UNSC and Project Freelancers, and those were introduced naturally with the plot. We already have big established intergalactic organizations. What is AOD’s connection with those? We aren’t told. We are just told they exist and expected to accept it, no questions asked. If this was a whole new world and story – fine. But when you need to build on an already established worldbuilding, you need more grace than this. Chorus was a whole new setting, but it was explained, and it was connected to the previous plot. Same with Iris. Same with Desert Gulch. In Zero, it feels lazy. It feels forced. These organizations are just there because the story is built around them (HOTDOG).

This vagueness when it comes to wordbuilding is also reflected in the settings - we have a desert, a training base, a lab, temples, Tucker’s workplace, and we do not know if all those are set place on the same planet. If that is the case, what is this planet’s relationship with Chorus? Is it Earth? And most importantly, what is the deal with the temples? Why are they connected to Tucker’s sword if it isn’t the same planet. Are they made by the same aliens? Are people okay with this? Why haven’t these temples been explored before? Chorus makes sure to establish this, while Zero doesn’t, adding to a growing amount of confusion.

Okay, so no connection with previous worldbuilding. What about characters? I mean, we got Wash and Carolina and Tucker! So we have RvB characters, it gotta be RvB! Technically – yeah. But it feels dirty. These three characters are not here to be characters. They are here to be props to the new cast. They are not given any development. Their presence isn’t even that important, and if this was a whole new show, they could easily have been replaced with an unknown face. Worst of all, they feel miswritten.

Carolina and Wash are working at a new military organization? Leaving the Reds and Blues behind? To help people? First of all, fucking bad idea, Carolina, the last time you left the Reds and Blues alone, they changed the timeline. But most importantly – Carolina and Wash just joined this new super elite military organization? After being mistreated and manipulated by such an organization in the past?

Carolina is there to introduce the characters. That’s it. We are force-fed their personality by having her literally read out loud their personality. There is no gentle introduction to the new cast. We are not allowed to get to know them naturally. Why show when you can tell, huh? That’s Carolina’s role. That’s why she is there. To introduce the cast and explain their story. That’s it. (HOTDOG).

How about Wash? He is there to get beat up and be a damsel in distress so that the new cast has a reason to explore the plot. Oh, and that brain damage that was the consequence of previous seasons – gone now. The guy who literally has trauma from having an AI explode inside his head is fine with having a computer inserted into it instead. Because that’s needed. To explore his brain damage wouldn’t work now when his role is to be a prop to lure the new cast for one episode and then be put onto the bench for the rest of the runtime (HOTDOG).

And Tucker – he is there to die for a second and have his sword taken from him. That’s literally it. And for the few moments he is there, he feels like old super flirty Tucker, which erases the character development he went through in previous seasons. Okay, so Tucker dies, and then not dies, and then he is put on the bench with Wash where they can sit and talk or whatever (‘cause holy shit, the new cast is not allowed to that), because he isn’t important. The sword is. Tucker is just a prop, even more than his sword is (HOTDOG).

Damn. Wash gets beat up. Tucker gets beat up. Dies. Gets his sword taken away. Almost seems like a Red’s wet dream. Sorry not sorry, Blues, you were done dirty.

So there are miswritten old characters. Even worse is the retconning. The plot needs a “normal” Wash, so, bam, magic computer solution. Never mind Wash’s trauma and character traits. Never mind the logic of the new worldbuilding which also includes a character suffering for years to heal an illness. But the brain damage that was such a big consequence that it became the main part of the plot of the last two seasons – gone. I mean, a gunshot to the head can be healed by CPR. That’s canon. But no one gave Wash CPR so it’s a big thing, okay. It was canonically a big thing, and Zero erased that. This is not me saying that a Cerebral Enhancer couldn’t work in the RvB universe. Imagine it being done right. Wash struggling with the choice of getting used to his disability or accepting the possibility of help - at the cost of reliving his trauma. The struggle between what to choose - what should he choose when he wants to help as many as possible, the sacrifices he thinks he has to make, the way it could have been used as a part of his character growth. But in Zero, the enhancer isn’t a part of Wash’s character. It’s there so the story can work without having to deal with the previous plot’s consequence (HOTDOG).

Same with the sword thing. They sorta explain it by having Tucker flatline, but it’s weak. Honestly, I find it sorta offensive. What about Locus’ sword as well? It’s twisting previous lore to make the new plot work (HOTDOG). (Also, are we not gonna talk about the ultimate power being Spencer Porkensenson’s helmet? Have the writers forgotten Spencer Porkensenson? Have we as a community forgotten Spencer Porkensenson?)

If you have Red vs. Blue in your title, you cannot ignore what you inherit from it. You need to respect the worldbuilding, the established characters, and the previous plot. Zero does not do this.

Let’s talk about the Triplets. No, really, let’s do it. I don’t think I’ve ever talked about them before, because season 14 was a mixed bag for me (that I have now learned to appreciate. Thank you, Zero.) because I have heart at the size of the Grinch and can only love a few characters at a time, and that did not include the Triplets. Can’t even remember their names. Well, I can, but I can’t for the love of me remember which state is which, and my tongue is twisted every time I try to say Ohio, Iowa, and Idaho, and I know it’s on purpose. I know it is. And it got me good. That being said, the fandom actually embraced them really, really well! Seriously, I’ve seen more content for the Triplets than for Zero as a whole.

Why talk about the Triplets? (Was Iowa the lesbian? Or was it Ohio? Fuck.) Because like Zero, they introduced new characters with a story of their own. The Reds and Blues didn’t play a role. But here’s what I feel like the Triplets got right. They didn’t change the settings to force their narrative. They used stuff already established (Project Freelancer), added their own story as a continuation of that. They even included old characters in the beginning (Wash and some other Freelancers) but it felt natural and it didn’t feel like it happened at the expense of the old characters. Wash’s writing felt natural, and his presence wasn’t needed to tell these new character’s stories. He wasn’t a prop to them. He was there to establish the setting and to establish the relationship with these new characters, and then he and the other familiar faces (helmets??) left, and we as the viewers were left with these new characters. And the new characters told their own story by themselves. It felt like, hey, here’s something you know – remember Mother of Invention, and remember Wash’ lower rank, but now, try to imagine being even lower rank than him, aren’t you curious about those fates? Now let’s hear their story! It was new, it was something else, but it didn’t wreck what came before it, and it stayed true to the classic vibes of RvB.

As I said before, the hotdog-issue is my biggest problem with Zero. It infuriates me. I will return to this. But there are more issues, even if we try to look past the title-related problems.

If we try to imagine Zero as its own story and universe (as it should be, in my opinion), it still earns the meh review from me.

These isolated issues include awkwardness, the writing, lack of self-awareness, and pacing. First of all, holy shit, this is a tell, don’t show. Nothing is subtle, nothing is allowed to develop. It’s like the show thinks you are six years old with an attention span of a goldfish. You are not just led by the hand – they have literally pulled off your arm by the end of the show. We are force-fed every bit of information, every bit of personality from these new characters.

The voice-acting is a mixed bag for me. Sometimes it’s pretty good, sometimes it’s not. Some of the problems can definitely be blamed on the dialogue that you can only do so much with. It’s not good. I can’t remember any good jokes (the one joke I really appreciate was the cast on armor, and that was freaking visual humor. That was so RvB. Kudos to that. It was fun. More of that, please.), and RvB is known for having memorably good lines. This is a show built on good, clever, funny dialogue. Zero does not deliver. You have to sit through clichéd lines – “You’re not my dad”, “I trusted you”, “Come with me”, “It can’t be!”, “She’s way too powerful”, and “We have to do this together” – performed unironically. I cringed more than I laughed. Worst thing is that Zero could be a good parody. Sometimes, it feels like it is. One-dimensional characters, a villain wanting ‘the ultimate power’, very overpowered characters, bad one-liners, etc. But Zero takes itself seriously, and I was one of the people rooting for Jax to show up at the end and yell “Cut”. That would have been a funny-as-fuck twist. A spin-off parody. If I can’t have “Sarge the Movie”, I would have taken that and loved it. I would have forgiven everything. “We put so much info into finding that power, but we had no idea what it was” is really a line in the finale, and I cannot believe this is real in a show that somehow still tries to present itself as serious. What a plot.

We have to talk about pacing. God, first of all it should be stated that RvB is a mess when it comes to pacing. I honestly get what they were going for. Sometimes, RvB has come across as a bit boring when you get three episodes stretched over three weeks without much going on. I know season 11 did not have the warmest welcome because it was seen as boring until the finale. But when you see season 11 as a whole, as a movie, as a part of a trilogy, it works so well. Zero is more focused on being episodic. They want something to happen all the time so we will stay tuned. The thing that will happen – a fight. Oh god. The fight scenes.

I have done the math. I have run the numbers. I deserve a freaking cookie for this. Are you ready?

If you put all the episodes together, you have a runtime of 106 minutes. HOWEVER, with the introduction of credits in every episode, you gotta account for this. Removing the credits, this gives us 94 minutes of actual runtime. Out of that, 45 minutes are dedicated to fight scenes. That means 48% of the show is fight scenes.

If I wanted that many fight scenes, I’d watch Death Battle. Except the actual RvB Death Battle episode has a runtime of 20 minutes, and out of that, 5 minutes is dedicated to the actual battle. For the people who hate math – that’s 25% of the actual runtime.

RvB Zero has more fight scenes than a show called Death Battle. Take that in.

The pace suffers from this. Where’s the time to explore the characters? Where’s the time for good dialogue? All I can think of is this:

I get that RvB is a show that’s literally making fun of itself by acknowledging all their characters do is stand around and talk. I get that you want characters to do more than that. But for the love of Church, would it kill the new characters to stand around and talk? For just a minute? Stop fighting, I am begging you, stop fighting! Am I a pacifist now? Am I purple? Have I joined Doc’s team? What has Zero done to me?!

The good thing though is that fight scenes are very good. They’re entertaining. However, they seem to deconstruct themselves when we need to get a fight scene in every episode. Usually, the few fight scenes in an RvB season were in some of the most climatic episodes. In Zero, I can hardly keep up with the pace because they won’t stop moving. Fight scenes aren’t plot. They aren’t character development. You need more than just fight scenes. They entertain, but there’s a limit to that.

Noël Wiggins, the co-writer, stated the inspiration was a Saturday-morning cartoon. They nailed that vibe. If that was their goal, hurray, they have accomplished something! Because of the poor plot and constant fight scenes, it feels like you could just switch on the TV and drop in at any moment and let yourself be entertained by the cool and colorful soldiers punching and kicking each other. I will admit that the fight scenes entertained me. But they don’t make it a good season.

If I were the six-year-old with the attention span of a goldfish that the show believes I am, I honestly would enjoy it. The stiff dialogue and the constant tell-don’t-show makes you feel like an audience that’s not supposed to do anything else but admire the flashy fight scenes. I miss the cleverness of RvB. I miss the characters I get to connect with as I see them grow.

I miss the tone of RvB. Because this isn’t RvB to me.

It’s not that RvB hasn’t changed its tone before. Holy shit, I sorta do want to experience the absolute shock the RvB fandom went through when s6 aired and they were given new characters and serious plot. I would have loved to experience that, but I was too busy being ten years old. The Freelancers seasons also introduced a new tone and more fight scenes with very talented fighters compared to the Blood Gulch gang, but a balance was kept by having half of the season still revolving around the Reds and Blues. But Zero – Zero is so much change. And it’s on purpose. At least this has been made very clear from the beginning.

They constantly seem to appeal to new fans, rather than be directed towards older fans of the show. If you want an entirely new audience with a season with a new cast, new worldbuilding, and new tone, I’m confused as to why they don’t just make a new show. The hotdog-problem begs for this solution. This story and environment and characters feel so out of touch with the original RvB, that with a few rewrites and lack of Halo-armor, it could just be a new show. Problem solved.

If not this, then present it as a spin-off. In all ways, it feels like a spin-off (again, see everything marked HOTDOG). But the creators refuse to do this, and I don’t understand why. I could forgive many of these issues, had they officially separated themselves from canon.

Ah, what’s the idiom? You can’t both swallow and blow? (You can hear the Bow-chicka-bow-wow in the distance). Something about eating cake and having it. Forgive me, English isn’t my native language. POINT IS why are you calling yourself RvB while actively fighting against the core essence of RvB? In my humble opinion, you can’t be both. Marketing it as a spin-off would have granted it some defense when changing, well, literally everything, and I just, would someone please properly describe why it isn’t a spin-off? Isn’t this season marked by its association with the plot of RvB rather than a continuation of it? Zero presenting itself as not a spinoff feels like a toddler clinging to the hem of its mother’s dress while forcefully running away from her, ripping the dress in the process.

When they do connect with the original RvB, it leaves a bitter taste in my mouth. When they let Carolina, Wash, and Tucker appear for a moment, it feels like luring viewers in with the RvB title. Look at me. Look at me! I’m not saying this is the case. I say that it gives me the annoying vibes of being lured, rather than letting the characters be a part of the show for their own development, rather than having RvB in the title to continue its story. I should not be getting these vibes at all. But I am.

If you want to use RvB in the title, something from the core of RvB needs to be embraced. Things can be changed. They should. Something new should be brought in. But there’s a limit to how much you can change and replace and twist until it would have been better with an original show. As a season of RvB, it should tell the story of Red vs. Blue.

From my perspective, Zero fails to do so.

It pains me that the old cast has been replaced, but as stated earlier, a season could have worked without them. However, I do not like the take that one should be excited about all the new characters. That it isn’t a big thing that the OG cast got replaced. That we should just deal with it. Just, try to imagine another show suddenly replacing the main characters with characters we’ve never met before. Imagine RWBY suddenly only focusing on a new team of huntresses with the previous main characters reduced to an Easter Egg presence, or Camp Camp suddenly being about a new team of campers, no warning given. Can you imagine the outcry? So maybe let’s agree that a replacement of the main cast is a big thing and should be addressed and it’s valid to be upset about this change.

Could Zero have worked? It’s hard to answer this. How can I accept something as RvB if the season actively pushes away the core of RvB aside for an isolated story that could have been told in any other media? As a spinoff, I could have ignored it. To enjoy Zero, I have to fully separate it from RvB in my mind, and then it’s alright. S’not good. But it’s not bad. It’s entertaining enough. I really ended up liking Raymond and Tiny, and there were a few good jokes, and the fight scenes were admirable (but too much) and I love the creators’ passion. But it’s not RvB. I also wish that the new characters had been attached to previous worldbuilding, for example soldiers on Chorus or agents from Project Freelancer. That way we could build on familiar lore which would have decreased the confusion and added a much needed connection with the previous seasons of RvB.

God, the anxious voice is back (by the way, it sounds like Tutter from “Bear in the Blue House”).

“You’re racist” – I hope not. Literally, I do not want to be. Tell me if I’ve ever crossed some lines, because I swear, that is not my intention, I will apologize and most of all, change and do better. I included this because I’ve seen this take thrown around in the big ugly mess that is the fandom clashes regarding Zero. And racism is problem within RT community (this includes AH and RvB, sorry, I just use RT as an umbrella term for the latter), and I’m not saying it hasn’t been a problem with this season. Writers should never be harassed, and never-fucking-ever because of their skin color, and voice actors shouldn’t be treated like they are responsible for the choices of the show. But I was legit nervous to post this review, and I hope it’s been factual without feeling like personal attacks on the creators because that has never been my intention. I was delighted to hear about the diversity behind this project, and Torrian’s passion legit blew me away because it’s been a while since I’ve seen that for an RvB project. I’d hoped for it to be good, and when I feel disappointed, it’s for the reasons stated in this analysis. That said, Zero is made by a diverse cast and it’s made with love, and both of those things are so, so great, but it does not mean that Zero cannot be criticized. It can, and it should. It’s a product, just like all the other seasons, and fans are allowed to discuss it – both what they loved, and both what they found troublesome. And to repeat previous points, and be respectful, always, fuck racists, and never-fucking-ever harass the staff behind a season, what the fuck is wrong with you if you do this.

“Don’t you get it, it’s different because it’s trying something new!” – Hey, remember the philosophical question: if you replace all the parts of a ship one-by-one, is it still the same ship when you’re done? If it doesn’t include the Reds and Blues, if it ignores previous plot, if the old characters feel miswritten, if it values animation over dialogue, if it values fight scenes over comedy, if it wants to be Fast and Furious instead of Red vs. Blue – is it still Red vs. Blue? Because it doesn’t feel like it to me.

“It's been 17 seasons, it’s time to let the Reds and Blues go so someone else can shine!” – I simply do not understand us having been with the Reds and Blues for 17 seasons should be an argument to let them go, rather than be an argument as to why their absence hurt like hell.

“The Reds and Blues ran out of things to do!” – Did- did they, though? I mean, if we were discussing pretty much any other show, I’d probably agree that they were running out of content. But for the Reds and Blues… I think the PSAs nailed it this year! I’m not kidding, I had more fun watching the Reds and Blues discuss how to do laundry than watching Zero. You could literally give me an hour of the Reds and Blues trying to bake a cake or clear a gutter or simply settling down with an ordinary life, and I would trust them to make it worth the watch.

“The flaws were due to the fact it’s only 8 episodes long!” – Look, I can only judge a product the way it’s presented to me. I cannot come up with excuses for it. If they had 8 episodes to work with, they need to come up with a plot that works with this runtime. Seriously, this excuse cannot work when 48% of the season is spent on fight scenes. They could have used more runtime, sure, but the show needs to be able to pace itself and be planned accordingly.

“The OG cast couldn’t be a part of this year, hence Zero!” – That might be true. But. Would one year without RvB kill it? Is Zero necessary? Again, I just can’t judge excuses for the show. But trouble with the cast has been an issue before. Season 15 solves Geoff’s sabbatical by actually making Grif’s absence a part of the plot. Zero’s lack of Reds and Blues just feels like this excuse to tell a story that needn’t be a part of RvB.

Am I a hater? I guess? I greatly dislike Zero for the critique stated above. I do, however, not harass the creators and no one should ever do that. However, I have to admit that I feel there’s been this weird rejection of any critique of Zero where everything’s been brushed off as haters gonna hate, including the critique stated above. And I think that’s a problem because critique, as hard as it can be to hear (and I know this. I’m an author of original works. Weird flex, I know), is valid and necessary and shouldn’t just be shrugged away. As always, both sides of the fandom should always be respectful, but my own opinion is that addressing the flaws of Zero should not be controversial.

Does this super long rant/critique/whatever mean you cannot enjoy Zero? Gods no! I almost envy you if you enjoy this season, but holy shit, feel free to love it and tell the creators that you love it! Me pointing out the issues I have with the season shouldn’t be stopping you. I loved (and still love) s15 when it came out, and it was majorly rejected by the fandom. There were many, many critical posts, people were going on about how RvB should have ended with s13, and it evolved into the writer receiving death threats (me, once again: never ever harass the creators, assholes). But I didn’t tell people to stop being negative. I actually agreed with many of the flaws that were pointed out, and I enjoyed the season despite this, because that is possible. We, as RvB fans, should agree that RvB, is... I mean, it’s not the greatest, most flawless of shows, but we love it nonetheless. So go ahead and love Zero. This is not a stop sign. This is my opinion that you chose to read.

Wait, I promised you a cookie, didn’t I? Well, you’re not getting one. Why? Because I’m a Red and this is my chance to piss off a Blue. As Caboose wisely said: “Well, at least I don't go around... knocking on people's non-doors... and promising them cookies... and then NOT. GIVING. THEM. COOKIES!”

Blue Team sucks.

End speech.

[choicesficwriterscreations]

450 Followers: Meet The Writer

Hello there! We’re back with another Meet The Writer Q&A and it’s our pleasure to introduce a fellow Brazilian fanfic author for our ninth interview:

Blog: @julia-highstorms​ Name (or petname): Julia/Ju Birthday: July 9 Nationality: Brazilian 🇧🇷 Current residency: I'm one of the 12 million people living in São Paulo, Brazil Languages you speak: Brazilian Portuguese, English and a bit of Japanese Masterlist: Julia’s choices fanfiction masterlist

1. Is there a meaning behind your url name? Yes! For those who have been following me for a while, they already know that I used to change my URL according to the Choices character I was stanning at the time but it was a PAIN to fix all my fanfics links 😩 so I decided to finally create an unique URL that I wouldn't get tired of. So I mixed my two surnames together and it (basically) means Highstorms. I loved it 😌

2. When did you start playing Choices? What's the first book you played? 2017 I believe. TRR book 1 was about to debut. YEAH. It was the Freshman Book 1.

3. When did you decide to join Choices fandom? December 21 2017. ILITW was in its last chapters and I was obsessed with it. I wanted to talk about it with other people, but I didn't know anyone who also played Choices. So I found the fandom on Tumblr and decided to join. I miss all my friends I made back then and we all went nuts with ILITW finale together 😩 Good times

4. Go back to your archive and tell us what was your first post on your Choices blog was about. My first post was about how I loved ILITW and how everyone was fucked up sjddndossok also a lot of reblogs about MAKE NOAH AN LI 🗣️

5. How long have you been writing fanfiction? I started writing fanfictions in my senior year of high school, although I attempted to write my own stories when I was younger, around 12-13.

6. Share the first fanfic you wrote with us. Do you still like it or would you change anything about it? My first fanfic ever is about The Maine, it was my favorite band back then slfjdfodj but my first Choices fanfic is If Jane Was Here (ILITW told by Noah) Chapter 1. I AM SO PROUD OF IT. Of course, there are some things I would change. Like adding even more angst. Having finished writing it way sooner. But I'm super proud of it overall. My first (and so far only) Choices long series I've ever finished. Wow.

7. What are your favorite Choices books to write about? Definitely Open Heart just because of Bryce Lahela and Rei (my MC). OPH has become a mess, but I love Bryce too much. I loved the It Lives anthology too and enjoyed writing about. And I'm hyped for my upcoming Blades AU series!

8. What is your specialty as a fanfic writer? Oooh I guess it is rewriting certain scenes or events of the books or thinking about AUs. Since ILITW I have enjoyed doing this. Writing on another character's point of view of the events that have happened (the whole If Jane Was Here series, that is ILITW told by Noah's POV). Or adding some depth to a certain scene (did something like this with Julia, my ILB MC, and Tom's relationship. And with Rei and Bryce's). Or even rewriting the story to fit better with my MC's personality (Rei, OPH MC).

9. What aspect of your writing do you most enjoy to see praised? When people say they like my MC's, Rei (OPH MC) and Luxia (Blades MC). Before, whenever I played Choices, I didn't care much about the MCs because they're all generic (which makes sense because we're the ones playing it). They're always the happy go lucky friend that tries to fix everyone's problems and every LI is in love with them. Boooooring. Rei was my first MC that I created a whole non-canon personality to her, and that's why she's my baby 🥺 and when people commented that they felt represented by Rei, that she felt more realistic than PB's usual MC, well, that was my peak as a writer lol so they're basically OC's, with their own personalities and temperaments.

10. Do you participate in any writing events or challenges throughout the year? If so, what do you like about them? I do, but I wish I could participate more often! The prompts are what I like the most, because they give me ideas that I'd have never thought to write about before.

11. Are there any writers (published authors and/or fanfic writers) who influenced your writing? Meg Cabot was my favorite author growing up and I read some of Sophie Kinsella’s books too, so probably my love for adding a bit of comedy, silly little things in my fanfics came from them. I love Jane Austen too. And last but not least, my flair for angst definitely came from reading Fruits Basket, my favorite manga ever. There’s so much angst in Furuba dodksdishd Takaya Natsuki-sensei really enjoys it. I recommend reading her other manga series, Twinkle Stars, too.

12. What element of writing do you struggle with most? Actually writing lmao. You know, taking the plot out of my mind and typing it down on Google Docs. Writing is hard, takes too much time and I'm lazy 😩 I wish I could just transfer my ideas to a document and it's done. No need to write, no need to revise, etc. I love the final product, but I hate the process.

13. Do you have any abandoned WIPs? What made you abandon them? A BUNCH OAJDSKDKD 🤦 Either because my inspiration to write it has faded or because I don't want to spend my whole time writing.

14. You’re applying for the fanfic writer of the year award. What five fanfics do you put in your portfolio? Oooooh great question! I must put:

If Jane Was Here - Alternative ending (ILITW): this is the only finale I accept sorrynotsorry

Too Little Too Late - Jax x MC (Bloodbound): I wanted to feel hurt. People cried. I loved it sclkdsdjsops

The Loudest One - Bryce x F!MC (Open Heart): I wrote this one for CFWC Kinktober! And honestly, this is the best smut scene I have written. I’m quite proud about it.

Satisfied - Jax x Lily (Bloodbound): it was fun writing for my crack ship! My babies. And the first smut scene I have ever written. I’m glad it was with these two. I still can’t get over the fact that either one of them dies in BB’s finale. I cannot accept skfjdpd

Lullaby - Tyril x Elf!F!MC (Blades): don’t get me wrong, I love Tyril and his goth lordling mysterious elf boy personality and the first time he and MC made out was HOT but… I missed a bit of clousure before, you know? It felt a bit sudden to me, so I wrote a couple of fanfics showing their growing interest and attraction towards one another. This one is a light cute one and I really like it.

15. Do you create original content aside from fanfiction (original stories, art, etc)?  I sometimes draw some fanarts in which you can see by searching for #occasional drawings on my Tumblr.

Do you want to contribute with questions/ideas for the next Meet The Writer Q&A? Send us a message.

Thanks for reading! Reblog to share your appreciation for @julia-highstorms​ ❤️

[ae0nx]

FRUITS BASKET S3 EPISODE 8 RECAP AKA THE KYORU CHRONICLES PART 2 (plus a quick recap of eps 3-7)

aaaaaaAAAAHHHHHHHHHH!!! I gotta get it out of me otherwise I won't be able to concentrate on work and I will be scrolling through the tag till the day I die. Everything from episode 3 of Season 3 literally hit me like an avalanche - literally cos I marathoned 3-7 over the weekend which I wouldn't advise unless you want an accelerated heartbeat - and I'm starting to realise... maybe I just wasn't ready for season 3. Despite asking for it, haha. Not gonna put as many screencaps for this one cos tumblr editing bay be trippin and I just don't have time nor emotional energy to be fighting with the picture uploads, sorry lol

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Episodes 3 - 7

I spoke before about how (despite my feelings about the characters) the English dub VAs for Akito and Shigure pair up really well audibly. And I think I feel the same way about both Yuki and Machi's English VAs! They both have the same soft spoken yet scratchy element to their voices almost like they are holding slightly back. Although, I'd argue that Yuki has been losing the element of slightly holding back as the anime has gone on which I wonder if the same would be included for Machi's performance?

I really like the presentation of Machi's trauma through her family's expectations to be perfect and how physical it is? How Yuki kind of encourages her to let it out in a healthy way? (Btw the whole chalk breaking scene in the meeting was SO FUCKING SMOOTH. YUKI IS A NERD BUT HE IS SO EFFORTLESSLY COOL A LOT OF THE TIME)

The age gap between Isuzu and Haru for sure isn't the worst age gap in this anime/manga but it's still a bit... hmm...

Episode 4:

In all seriousness, I know Akito deserves some sympathy but it doesn't change the fact that I still see her as a villain. Hurt people hurt people but it doesn't mean they should get away with it, I was honestly pleased Haru got that big confrontation with Akito to tell her WHAT'S WHAT but it was also somewhat... merciful?

Hiro's growth has been so beautiful to see, him realising there are bigger things than him from the event with Rin to his relationship with Kisa to then the birth of his little sister.

Kureno choosing to get his hands a little dirtier and paying the ultimate price for it (as far as we know so far in the anime lol) was great, he is the moon side of Tohru's sunshine.

Shigure... I still don't really get him and Akito's relationship. It's clear he's waiting for Akito to grow the fuck up but at the same time he's not creating an environment for her to grow and develop. He's decided to go with the 'tough love' route which I'm still deciding whether I like it or not tbh. Sometimes it feels necessary, at other times it feels shitty. I respect that he knows he's a scumbag and I don't deny that there are people out there who take revelry in the fact that they are awful but at the same time, him remaining unchanging despite everything feels... unrealistic. But considering throughout this story he doesn't seem affected by trauma, it's understandable, I guess?

Also... that scene where Shigure ponders about whether he should've been with Tohru is THE creepiest creeper shit he's EVER done in this series. No. 🙅🏾‍♀️

Momiji is best bunny boi regardless of how tall and 'manly' he becomes. 🐰His scene with Akito was so authentically him and he really did that shit. We love him. <3

I love the way that the curse breaking should (on surface) be a happy event considering all the trauma the zodiac went through because of it but it's presented mostly as loss as well as happiness. It's the realness of getting out of a bad relationship

Shigure basically laying it out to Tohru how Kyo means nothing in a very taunting way was an excellently painful scene and I choose violence. It was heartbreaking seeing how worthless they all saw Kyo compared to how Tohru saw him but... by this point I was just living in the pain so 🤷🏾‍♀️

The story visually showing how Isuzu is more willing to be soft after her whole ordeal through her fashion choices (e.g. the pastels, the cardigans) was really nice. And Haru being happy about Isuzu making friends with Tohru was cute!

It was nice we saw that Kazuma was still wary about whether Tohru loved Kyo for the right reasons, you'd assume after everything Kazuma would love Tohru as a match for Kyo but he's so emotionally intelligent and also just a protective Dad! Yay, good parenting!

Tohru's confession to loving Kyo was amazing however I still adore Kyo's confession a little bit more. Just a bit. Lol. However, if you add the moment later in episode 8 it trumps it completely. Ethereal goddess.

Kyo and Tohru's grandfather having a scene together was great and nice

Now that I think about it, I wish there was more a visual link in the story between Tohru adapting her speech to imitate her Dad and Momiji adopting his Mum's German accent. Albeit for slightly different reasons, it just adds to the unique connection Tohru and Momiji have. In short, I'm seeing this ship with my third eye now. I get it lol

I don't wanna screencap the scene where Kyo is haunted by both his deceased mother and deceased Kyoko and potentially deceased Tohru because it's the stuff of nightmares. But, it was a wonderfully done scene. You definitely understand fully and clearly why Kyo buried all of that trauma under his hatred for Yuki (I CAN'T WAIT FOR EPISODE 9, YOU GUISE!)

If Akito is a villain, Ren is the final boss. Although, with her type of villainy... I feel like I can kind of enjoy a bit more. She reminds me of a Greek God in the ways she master manipulates people and her desperation for control and power (I just read 'Mythos' by Stephen Fry, it's a great read lol)

It lowkey feels like every female character who's comfortable in expressing their sexuality in this story is punished in some way for it... this is an incomplete thought

Shigure as a child feeling like they should all be pitied is so... mature... I feel like I need more of an explanation for why Shigure is the way he is

Akito's ego death with Kureno? Amazing. I loved that she was at least aware enough to realise how Kureno had been coddling her all this time but again... doesn't excuse her crimes

But anyways...

EPISODE 8

Honestly? I really don't have much to say about this episode besides 3-5 points I wanna get out of my head. It's not a bad thing at all, it's just that there's still a lot left to play out from this 'arc' and this season in general that I wanna complete my thoughts on.

But I'll start with this:

Lol, isn't it funny?! Isn't it heart-wrenchingly funny how the relationship between Kyo and Tohru has kinda reverted back to how they were at the start of the series? The coldness of Kyo at the beginning of this episode (and throughout) was a bit of a gut punch considering all the light and fluffy moments that we've gotten between the two since the True Form arc.

Talking about the True Form arc, I feel like this episode is somewhat a repeat of the same emotions, same trials of the True Form arc. Kyo still 'runs away like he always has' but this time we get him being the most honest and confrontational with his own emotions and trauma than he ever has been during the course of this whole story. While trusting someone (Tohru specifically) for the first time with the whole truth of his story! He always seems to move one step forward and then three steps backwards and while it's a tad bit frustrating, it feels very... real. I'll probably complete my feelings how this arc reflects the True Form arc when we finish this section of the story in future episode(s).

Considering the fact that 80% of this episode is Jerry Jewell monologuing as Kyo and I never got bored really just sells his performance. Kyo was being incredibly cold this episode and yet the range of emotions through his performance made it feel understandable enough for you to empathise with it.

BrattyKid!Kyo to lighten the mood 😹I still wish he and Hiro had more of a relationship, I feel like they could have taught each other a lot. Well... mostly Kyo teaching Hiro tbh

Kyo rejecting Kyoka for her honesty and kindness and then later rejecting Tohru? Oh... kid...

Wow, I felt so good about that whole episode of Kid!Yuki helping Kid!Tohru get home and then it's slightly soured knowing KID!KYO was running about the streets alllll night into the morning?!?! I really did feel Kyo's frustration at not getting that win to actually do something right. And the irony of that being linked to him being unable to save Kyoka from the oncoming car?

Honestly, I don't know what my feelings are on Kyo being unable to save Kyoka. I don't even know what my feelings are on Tohru pretty much pushing that aside in favour of her feelings for Kyo. It's... complicated and I've been mulling it over in my head for the last 10+ years hahah However, if I was in Tohru's position I think I'd eventually come to a point where it feels like it's too late to really do anything about how bad I'd feel about it. Kyo's intentions weren't horrid, if anything he was just being a scared kid and he's allowed to be that. I just wish Tohru had a bit more time to evaluate it but considering she knew her mother well and assumes that wouldn't have been the full scope of what she had said, I don't have much of a problem with it in general

Lol, I love when Tohru gets a 'FUCK YOU, I LOVE YOU' moment with Kyo. 😂Another reflected scene from the True Form arc... only thing is that this time... it doesn't quite work. 😕

(Again, I love how all of these reflections are resolved in later occurences in response to the duality but I'll get to it next week when it shows hopefully)

Laura Bailey only had a few sentences in this episode but she killed it as always. Comparing her performance in 2001 to now is just... growth!

Ok, so Yuki automatically gets Best Boi in this episode for meddling and chasing after KYO of all people. Showing how he's personally done with hating Kyo. Realising Kyo is pretty much the only person who'll make his mother happy. I think he also lowkey wants to understand Kyo? But, we'll get to that next week.

....Oh yeah, Akito is there.

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In total, I liked this episode even though it has me anxious for the next one. We finally get the full picture of why Kyo is the way he is! Ahhhh - a weight off all our chests, I'm sure. I kinda don't like that they put the ending theme at the end of these episodes - the joyfulness doesn't really match up with the intense theme? But, that's just a minor gripe. And hey, maybe they just want the audience to know... it's all gonna be okay :)

See you next week!!!

[kuchenprince]

ATLA Q&A

Thanks to @ohmygodtheywereparabatai for tagging me!

Btw, this is the first time someone tagged me for this kind of things and im so scared lmao so I’ll try my best!

General questions:

1. What’s your favorite character?

Zhao, Lin, Kuvira, Tarrlok

Guess my type 👉👈

2. What’s your comfort character?

ZHAO, and I don’t know why. He’s just so powerful and so intelligent; I want him to protect me and spoil me, but also I want him to know that he’s really important to someone me and that i’ll literally would die for him. I want to hug him, feel how he’s startled at first, but then give up and hug me back.

Please help me.

3. Which element would you bend if you could chose?

In every quiz that I took, I’m a fire bender, but I really want to be an earth bender, and metal bender if that’s possible.

4. What’s your favorite nation?

Each nation has it’s unique things, so it’s really hard to choose one. I’ll choose Earth Kingdom here since it’s lively and pretty well-balanced (not too icy, not too dark, not too high)

5. What makes you love ATLA the most?

Actually, ATLA it’s not part of my childhood (I didn’t have nickelodeon when i was a kid!), but I started to use socialmedia, and got into fandoms, specially in tumblr, I saw many people talking about Avatar. I knew about this cartoon, but I didn’t really care because I thought “Meh, it’s just a gringada”. So when I started to watch it, I had really low expectations, but with only the first episode, I was going crazy.

Not just because of the animation (specially in the fights!), the first thing that really atracted me, but also all the cultural inspirations packed up without forcing it, without wanting to look “inclusive”.

In ATLA, I didn’t really pay attention to the story, but in TLOK... Boi, it’s just too beautiful. The story, the philosophy.*insert Pacha meme.png*

Could get you attacked questions:

1. What’s your least favorite character from the gaang?

KA TA RA

Actually it’s my least favorite character or ATLA. Why? Because she’s annoying. I know that she’s talented, intelligent, caring, brave and did a great job as the mom of the gaang, and I really understand that she, in fact, it’s a kid; but yeah, I consider her as annoying somethimes.

2. What character you think it’s severely underrated?

I won’t say that they are underrated, but I want to know more about the back stories of villains like Long Feng or Zhao of course. Also I would love to know more about the Bumis (king Bumi and Aang’s Son)

3. What’s your least favorite nation?

Wow, I just don’t know! Maybe by discard would be fire nation, but there’s no reason.

4. What’s your controversial ATLA opinion?

Well, I already told something controversial here in this post, and there’s another in the shipping questions 🙊

Shipping questions:

1. What’s your favorite ship and why?

I’m not really into shipping in ATLA, not because I don’t like it, but because I wasn’t interested. But if I have to choose, it would be Sukka, and from TLOK, KyaLin and Zhurrick

2. What’s your least favorite ship and why?

Maiko and Zutara, because these three characters has too much similarities (Mai And Zuko equally hate the world, and Katara and Zuko have family issues that can’t overcome), and I don’t like to ship characters that are too similar.

3. Do you sometimes self-insert?

You mean, always - Yes.

4. What’s your crack ship?

As I already said, I’m not really into shipping in ATLA, but sometimes I wonder if Long Feng with Katara or with Toph, and Korra and Kuvira would be interesting. Oohh and what about Tenzin with Tarrlock? Or Iroh II with Korra? Or Tahno with Korra?? Also, I support Korrlock

5. Which non canon ship would you make happen if you were the creator?

Dude, JINKO or Song with Zuko!

...

I had a lot of fun answering these questions, and since I don't really talk with people here, I invite anyone who sees this to take this q&a 💕

[longinglook]

I may or may not have spent my entire Sunday binge watching all of I told sunset about you and Gaya sa pelikula and now I have so many thoughts and feelings that I need to write about them so here we go! Under a read more (if tumblr allows me to) because it’s 2k words hehe

First of all, I knew next to nothing about both shows before starting them. I had seen a couple of gifs here and there, but really had no idea what I was in for.

I started with I told sunset about you, which has 3 episodes out of 5 out. All I knew is that it was going to be beautiful and possibly sad, and it was. Everything about this show is so high quality, from the audio to the dialogue to the locations to the acting, just wow. The production is better than a lot of movies I’ve seen, and every technical aspect is perfect. I am really loving the plot so far as well, I find the childhood friendship to stubborn rivalry to grown up friendship again very relatable. I think it’s a very common experience for a lot of non straight folks to develop an extremely close bond with a same sex friend when you’re too young to realize what you’re actually feeling for them until you’re a lot older and suddely the jealousy and possessivenes all make sense.

I love the recurring themes sprinkled throughout the episodes, starting from the chinese vocabulary that expresses the core thoughts of the two main characters: rival, intimacy, secret, male protagonist, as promised. They could easily be the episode titles, or the names of imaginary sections the show could be divided into. It’s a great way to integrate metaphors and deeper meaning into the plot.

That’s how most of the communication goes in this show, deep emotions are never conveyed through words because words are scary and loud and they can’t be taken back once they’re out there. The plot advances though stares and gestures and touch and gorgeous shots of the landscape. The pace is slow with hour-long episodes that could each be a movie of their own. This worried me a bit before starting, and I have to admit that at times I struggled to stay focused, especially during scenes that set the mood but don’t do much plot-wise. This is just a personal preference, though, and in no way I see it as a flaw. 

The dancing around each other the main characters do, sometimes literal, is frustrating but it determines an emotional build up that’s just starting to reach its peak. This is one of those shows that has me screaming if only they talked to each other, but the silences and unspoken words are so well directed and acted that it works. I struggle a lot with keeping in mind that they’re still in high school, they’re very young and I can’t expect them to act rationally just yet. 

I was really worried about Teh possibly going the insufferable Theory-of-love-khai way, and I am still not 100% sold on him. When he started helping Oh-aew again it felt like he was just doing it to make himself feel better about the whole thing. It was frustrating to see him so possessive and jealous while also so deeply in denial about his own feelings, to the point where he had me rooting for Bas instead. He was getting better, but then he fled at the end of episode 3 and now I have no clue what’s going to happen next. About this, I really have no idea if they’re going for a happy ending or a sad one. I’m really hoping it will be good, because so far there has been barely any emotional payoff for all the repressed longing and misunderstanding the show has put us through.

I do like their dynamic a lot though, I have a weak spot for childhood friends reconnecting and an ever weaker spot for informal mentor/mentee relationships. Oh-aew asking Teh to tutor him until he passes the admission exam was an almost exact mirror of Yuri on ice Yuri begging Victor to be his coach until he retires and I loved that a lot.

Now on to the one issue I have with this show: it feels too much like an art film. It reminds me of Moonlight and Call me by your name, in the way that I wasn’t able to connect with those movies because they are too perfect. They are so beautiful and carefully crafted that I can’t fully immerse myself in them. There’s a filter that stops me from relating to the characters and constantly reminds me that this is not reality. It’s pretty, it’s extremely well done, but it feels like art. It has some quirks, some scenes that feel too artificial. One scene in particular, the one where Teh buries his head in the paper Oh-aew wrote with his coconut scented pen to sniff it, which is a direct parallel to Call me by your name, bothered me in particular. Just as it felt over-the-top and purposefully weird in the movie, so it feels in the show. It’s a way of showcasing how a confused teen deals with attraction he barely understands, it’s raw and animalistic in a way, but it’s so quirky that all it accomplishes is to remind me that I’m watching an lgbt show. It makes me wonder if a scene like this would make sense in a straight relationship because here it seems to highlight how different and primal his attraction is. If I had to pinpoint it, I’d say that I have a problem with media showcasing queerness though peculiar, purposefully awkward scenes like these instead of normal kissing and cuddling.

Overall, I can’t wait to see how this show ends and I still think it’s one of the best bls to air in 2020, if not ever. It’s refreshing to see something with a big budget used well! So far my rating is 8/10, which I know is a lot lower than what everyone else seems to think but it’s still very much subject to change! Just hoping they won’t pull a Make our days count, but I doubt they’ll go there.

And now Gaya sa pelikula. Wow. Again, I knew next to nothing about this show before watching, and I was coming from a 3 hour I told sunset about you binge watch, so the bar was pretty high.

And boy, did this show deliver. I was blown away by the depth and the humor of it. It feels like the writers had fun taking all sorts of common tropes and stereotypes just to show everyone how well they can be evolved and made complex. Two strangers who somehow find themselves sharing an apartment sounds like the start of so many fanfictions out there, but it’s so well executed and interesting that you don’t even stop to think about how weak the premises for their meeting are. It doesn’t matter and it’s not even that far-fetched, either. The sister and the neighbor are also two characters that start off as extra stereotyped, but in just a few scenes they unveil an incredible depth and backstory. It blew me away.

Each character is so realistic. Everything they do and say makes sense, they all have their reasons and their past and they react accordingly, it’s so coherent. It’s impressive how everything takes place inside the house and you barely realize it because things happen and the plot moves anyways, and the way information about external events and people is conveyed is so seamless that you don’t even notice it. In only 7 episodes (so far) they have managed to give everyone a complex background and personality through the use of objects and small details and wow don’t get me started on the music.

The soundtrack is SO GOOD. I never really pay attention to music in shows but it plays a very important role here in my opinion and, well, it’s exactly the kind of music I like listening to and ahhh I just spent 4 hours playing the first kiss song on loop so I might be biased. Right from the start in episode 1, when Karl gives in to Vlad’s music and starts dancing to it, it’s established that it’s an important element to the mood of each scene. I love how the dancing I talked about for I told sunset about you comes back here, but while I saw it as a hesitant dancing around each other there, here it���s the opposite, it’s freeing and it’s about accepting yourself. And the end of episode 6 highlights this, with the beautiful quote “You are entitled to a love that lets you dance without fear and shame.” It made me cry a looooot.

I think the development of their relationship is masterfully done. It doesn’t happen too quickly nor too slowly. Karl goes through some needed shocks that act as his wake up call. When I’m watching bl shows I care the most about them feeling real and relatable. I don’t want to feel like they were written by a straight person trying to guess what it’s like to be gay. Now I didn’t look anything up about the Gaya sa pelikula writers, but I’d be very surprised if they were straight. I can relate to both Karl and Vlad for different aspects of their stories and their worries and thoughts. There was one part in particular that hit so close that I had to take a few breaks because it hurt too much. I am a lesbian, I’ve had relationship with a girl that lasted over a year, I am out to some friends but not all. I never came out to my parents, who are both very open minded and friends with a lot of gay people and would love me just as much if I told them, and yet I can’t. It’s not just that, I am terrified by the idea of them already knowing or being able to guess. When Karl freaked out over his uncle guessing, it hit me so hard because I’ve felt the same way so many times.

Episode 7 was amazing. I hate badly written drama the most, and 99% of shows can’t come up with any good reason for drama but they have to put it in there anyways and it sucks. This was the complete opposite, I adored it and I say this as a lover of fluff. It feels right, I think it’s an issue that would come up between two people like them. They are both right and the only thing that could happen there is what actually went down. I definitely think things will be fixed by the end and I am looking forward to it, but I am very glad this issue was included because it’s so important and so true to many lgbt people’s lives.

Another aspect I absolutely adored are the multiple references to lgbt theory and language, and Vlad has some of the best lines I’ve ever heard coming from a bl. When he tells Karl not to be afraid of the word, when he explains that “you don’t look gay” isn’t a compliment, when he scolds his sister for not acknowledging the things she used to say to him by covering them up with her ally act, those are all such important and educative moments that I hope everyone listens to. I love that Vlad is not correcting some ignorant bad guy, but it’s his accepting and loving friends and family that make the mistakes, because sometimes being supportive your own way isn’t enough if you’re not actively learning from the ones you want to support.

This is a 10/10 for me right now. I can’t find anything I don’t like about it. It never feels boring, it never feels overdone, it never feels cheap or unoriginal. It went straight to the top of my favorite bls.

And now I can’t help but compare the two a bit, because yes they are two different shows but right now the relationships they portray have reached the same point: there has been a climax and now the one who is more confused about his sexuality is panicking and taking a step back. It’s a coincidence that I watched both shows on the same day when their last aired episodes end in such a similar way, but it really leads me to compare the two. I don’t want to put them one against each other or say which one did it better because that’s not the point of this, they are both two amazing and important shows who are excelling in what they’re doing. 

Gaya sa pelikula is down to earth, it’s explicit and it’s straight to the point in explaining what’s going on inside each character’s head. It feels like watching real people deal with real struggles. I told sunset about you is a lot more subtle and quiet, and since we don’t really have a clear insight in the characters’ heads sometimes it’s hard to completely understand what’s going on with them. It’s a completely different way of narrating, and while Gaya sa pelikula makes me feel like I’m a part of the events, I told sunset about you feels like I’m just spectating from an outside perspective. They are different choices, but one of them ends up feeling a lot more emotional to me than the other.

To wrap it up, I highly recommend both shows and I can’t wait to see how they’ll end! They are both among the best shows of the year, both free of all those annoyingly stereotyped characters and plot points that most bls tend to overuse.

[himboskywalker]

people on twitter it's so disrespectful and hateful with obikin shippers. they say it's gross and sick (amount other horrible things) and even knowing that the words aren't for me... they affect me and made me wonder if i'm wrong? if i'm a creep for liking the ship? i'm just so sad because i can't talk with anybody without they make fun of me or tell me i'm a monster:( i just wanna ship something in peace, i'm not affecting anyone and they would still treat me like garbage

I don’t normally like to complain on this blog because god knows there’s enough of that in the Star Wars fandom already but I’ve gotten enough asks similar to this that I suppose I should chime in with my opinion. *clears throat*

Man fuck Twitter.

I’m dead serious,if it gets to you—and I totally understand it getting to you because it’s a cesspool of hatred and intolerance and idiocy—then just dunk the whole ass thing in a trashcan. I have absolutely no room in my life for teenagers on the internet trying to tell me I’m a bad person for wanting fictional characters that aren’t real to kiss. Antis rank on the stupidity scale about as high as eating tide pods or licking ice cream in grocery stores. Like just don’t,nobody thinks you’re cool for doing it,nobody admires you and says oh wow this 16 year old on twitter who couldn’t pass a geography test and thinks they’re woke because they don’t actually know what pedophilia means is telling me to kill myself,I think I’ll listen to them.

Don’t let them get to you anon,chin up little duckling. I keep a twitter to follow artists and stay hooked up to Star Wars news and that is all. I think it’s a horribly toxic space for fandom and it’s a much harder platform to curate your space to your own needs compared to tumblr or old school messaging boards or discord. Tik Tok is getting to be the same way though it is far easier to curate your own space,although I keep getting roundhouse kicked by creators who I love who will make random videos being like,if you ship these *insert like 5 hated ships* you’re a piece of shit and unfollow me like????I’ve unfollowed a ton of big creators on there for that,and not just if they go off against Obikin. If I see anyone railing against a ship,even if it’s one I don’t like,I will instantly unfollow.

Like I completely get and respect you not shipping it but the common human courtesy is to stay in your goddamn lane and not attack people just because they like something you don’t like. I don’t give one iota if you think they’re just brothers,just don’t try and tell me I’m a bad person for seeing a romantic element to their relationship? Life is difficult and can be grueling and miserable and draining and exhausting and sometimes seems unbearable. There are days where the space I’ve wriggled in this fandom is the only thing I feel like I have going for me. Fandom and fanfiction and all of you lovely dears are my escapism from the flaming on fire garbage can that is reality right now. So I have zero room or tolerance for people being rude or hateful or snarky or passive aggressive over something that isn’t real. I just don’t,and I honestly recommend adopting the same attitude,it makes for a more peaceful existence. I understand not everyone is as forward or combative as I am. I have never in my life been the kind of person to take shit so I can say these things easily. But blocking or blocking tags or reporting is something you can do without feeling like you’re confronting someone,and it’s something I think is necessary if you want to stay sane on a platform like twitter.

The moral of the story is,avoid places like twitter for fandom if you can,or be me and follow like 10 people and block half the internet. I’m basically that old vine going *I won’t hesitate bitch!* I’m a grown adult with a life and lots of friends and family and hobbies and interests and I live a full and fulfilling existence and frankly I don’t waste a single braincell caring what people on the internet tell me. I don’t know what to offer you but to recommend adopting the same mindset. You’re not a bad person for shipping FAKE PEOPLE IN A FICTIONAL WORLD. You’re not a creep,it’s utterly normal. But you know what isn’t normal? Telling strangers on the internet that they’re evil for liking fictional things and that they should kill themselves,that’s not normal or okay in any capacity. Curate your own space,don’t let the hateful goblins get you down,hunt people you love down on different platforms,join the discord if you’re lonely and want to talk Obikin,or create your own for a fun and tolerant space! And fucking dropkick the antis into another dimension because 2020 has been bad enough and honey I’m sorry but there’s no free seats for hatred in this house.

[bronanlynch]

weekly (monthly?) media roundup

ok so I do want to actually do these on some sort of schedule but unfortunately, as you already know, brains,

listening: Malice in Wonderland by Fangbanger, which I found from a tumblr post that described them as band for “if you have a complicated relationship with gender, had a falling out with god, hate the government, or just think that vampires are neat" and y’know? yeah. my notes on this song from several weeks ago are that I might not know any of these people’s genders but I do know they’ve listened to MCR

reading: the new Cassandra Clare book, Chain of Iron. it’s boring and homophobic. in the first book of this series, we find out that the heroine’s brother is gay and in a relationship with a man who has no intention of ever coming out publicly because 1) the book is set in 1903 in England, it was literally illegal and 2) he’s trying to have a career in politics. the heroine decides that this means he’s ashamed of her brother and doesn’t deserve him, and she is present and active in their breakup conversation.

above is the relationship chart I made from the first book, it really hasn’t changed much except now the main guy and the main girl are married, the lesbians got back together and then broke up again, the main girl’s gay brother hooked up with one of her husband’s friend, who’s a Good Gay and therefore worthy of love unlike the Bad Gay ex who is constantly mocked by just about every character for. checks notes. caring about appearances and manners given that his life and career are based on those things. the brother and his new love interest break up because the brother still thinks he’s a bad person for ever having dated his ex. also the main girl has now platonically run off to Paris with her husband’s platonic soulmate who is allegedly in love with her but it’s really unconvincing that he’s not actually in love with her husband (he’s not for very stupid lore reasons, the whole ‘parabatai are magically prevented from being romantically in love, except for these two straight people, when historically parabatai pairs were two men’ makes my fucking blood boil)

you might ask why I still read these books even though they make me angry and the answer is the 1) the aesthetic slaps 2) some of the characters are fun 3) the premise has enough potential that it could be good if it was good 4) sometimes I need to get cathartically angry abt bad fiction bc it just. does not matter

watching: so many things that I’m gonna just. run through them real quick

Word of Honor: gestures vaguely at how it’s slowly taking over my blog

Sleuth of the Ming Dynasty: love a found family, eh about the politics, can’t believe I predictably got a new fave character within the last two episodes of the show because one of the main characters is betrayed by his second-in-command and I think treason is the sexiest part of a relationship

SamBucky show: in the original draft of this post I said that it was so boring that week (episode 3) that I completely forgot about it until I saw the draft below this one talking about how bad and boring it is. at least more happened in later episodes and they’re finally giving me some tasty queerbaiting but the premise and the politics are. wow. it sure is military propaganda

My Hero Academia: new season is fun, love a tournament arc. don’t love that they tell us right away that the double agent character is a double agent, it was more fun in the manga when you’re not sure if he’s a traitor or not for a pretty long time

Welcome to Demon School, Iruma-kun: new season is cute, there sure is some gender happening. there’s a tsundere bisexual catgirl

Backflip!!: I usually avoid high school sports anime for backstory reasons but my roommate wanted to watch it with me and oh boy these gymnasts sure are gay for each other huh

Joran: The Princess of Snow and Blood: my roommate pitched this to me as ‘cyberpunk but in the 1930s’ and there sure is dark lighting, lots of glowy neon stuff, and government oppression, which are the most important elements of cyberpunk apparently. not sure how I feel about it yet, because there’s a cool shapeshifting lady assassin with a revenge quest but there’s also a trans character who was revealed to be trans in a way that I personally did not enjoy. yes you can have transphobic villains but like. hmm. maybe the audience shouldn’t find out that someone is trans because the villain cuts his shirt away specifically to ~put him in his place. or maybe I personally am just sensitive to that but either way no thank you

on the other hand, the main character is sick as shit

The World Ends with You: god I love an anime about the power of friendship. I’ve only had these kids for two episodes and I would lay down my life for them

Nirvana in Fire: we’re only three episodes in and I did spend the first half of the first ep being like. oh god which of these people are actually important who am I supposed to care about here. and then by the end of the first ep I knew which ones I cared about and am now very afraid for their safety. do love the political intrigue though

playing: got through the first mission of Brigmore Witches. I love a good undercover mission, I wish I hadn’t been too afraid of like. alarms going off if I freed the other prisoners because I think Comrade Daud should do a jailbreak, and Lizzy Stride can call me anytime

also recently have played various ttrpgs including Firebrands, more Things, Eldritch and Terrifying, Link, and of course more Beam Saber (oh shit I meant to do my recap post for last session OOPS)

making: Zan and I made some real good chicken parm the other night, vaguely based on this recipe. by which I mean, we looked at the recipe to see how many eggs to use and how long to cook it and pretty much nothing else. the egg marinade step seemed unnecessary and I made the sauce the way I always make tomato sauce, which some day I should write down because it does in fact fuck. the secret is a shit-ton of oregano and basil and no chunks of tomato because fuck that. bad texture

Zan made the zucchini which also slapped, using some of the leftover bread crumbs

writing: I’ve posted a couple of things but most recently I wrote some rarepair femslash. this is the first fic for this ship on ao3 and the second ship in the f/f tag for this fandom that’s actually about the women in the show (as opposed to showing up in the f/f tag because it’s marked as “multi” or like. genderbent versions of the main m/m ship) but like. look at them. they’re terrible evil assassin women and they’re in love. anyway I’ve gotten over being embarrassed about having written a sex scene and moved on to wanting people to read my fic. there’s sparring as foreplay it’s a good time

[doolkat]

overall review of eurovision this year? i can tell you hated moldova and switzerland and said maneskin looks like the type of group to do drugs (which is... weird) but other than that what did you actually like

Good question anon! Also wow people really still read my esc posts from may.. huhu bit embrassing looking back at some of my reactions but I was in the moment ahahah. plus they are justified in my eyes pftt

Maybe I expressed myself too strongly on some things so they came off as very negative.Oops well I got a change to clean that all up now.

I didnt hate maneskin tbh I just dont get the hype.

Only one I truely hated was Moldova lmao cuz the song was geniuely so bad it shouldnt been in finale at all.

Switzerland was bad to me cuz of extreme sensory over load and I dont like french language. Idk I guess I dont have romantic ear but I honestly just dont like the language.

Also I enjoyed almost all songs besides the ones u mentioned!

Personal favorite song and unpopular af opinion is that I enjoyed Australias song technicolor. Also I somehow enjoyed Azerbaijan mata hari, idk it was catchy af!

I felt emotinal connection to Australias song and Azerbaijan was just catchy and kinda funny to me. Idk why it reminded me of Floppa lmaoo

Best stage performance with intresting song to me was Ukraine!Really cool visual and dance. SONG SLAPS WITCH ENERGY

Cool movie like performance and touching entry was by Norway to me.

Finland had some good emo rock song imo. I liked it much more than Italy actully maybe I dont like Italy that much cuz Im bitter that Finland didnt get super high place lol.(Im half finnish so I stand by my finnish emo rock boys)

Lithuania my fellow baltics friend did good performance too this year. I enjoyed their funny performance. If u want some thing funny check Germany and Lithuania. Germany seems kinda like troll entry this year. Lithuanias song was good plus it was funny too kinda.

Speaking of funny DENMARK! they didnt do very good but I loved their song and its catchy af and doesnt take itself too seriously plus if u read the lyrics its a NONSENSE. xd

Hosts this year - absolute ass. My least favorite part about esc this year. Nikkitutorials was there.. yeah but I feel like the hosts didnt make any funny comments and I felt like all the songs came on so so fast cuz there werent really any breaks. My ass had Hard time fully focusing on all songs because of that. I think some people can relate to that. I dont know if I didnt understand the jokes but the host imo didnt have any connection with the audience or viewers. Too many of them anyways to me. I missed Jon Olan Sand too.

Visuals and performances-

very cool and OVERWHELMING. I had at least 3 moments where my head hurted a bit. Could be cuz of the visuals itself being so flashy or just how eyes couldnt catch a break cuz the pauses this year were nonexistant or very very short so for my brain and eyes it was hard to progress. Nothing too Crazy happend on stage tho this time. Giant finger and Greece performance.

Greece performance was pretty cool btw. viusally at least. The song imo was alwful. lol

Voting - AS usual with few suprises. Our estonian host told us in begging of esc that fortune tellers say Italy will win.. and then quess what. So that was kinda boring maybe thats also why I cant seem to like their song. I wish the fortune tellers would be wrong sometime or I wouldnt know but our host Marko Reikop literally always tells us who fortune tellers will think will win so yeah. That always comes AS dissapointment if they are right.

Opinion on Italy : Typical rock stars who happen to bisexual so tumblr and other lgbt communities can pump them up but this time the song happens to be good. Thats what I think please dont take this AS offence but the hype is so overrated like yeah their good and HOT but like we get it.I havent seen this much hype over a winner in a while I dont know why they are so different from every other winner. I just feel like some of this is queerbiting.. idk some thing about lgbt community going so Crazy about bisexual performing is Crazy to me. I just dont get it. IT was good song tho ill give them that but not that much better than other songs in contest.

Over all it was good eurovision imo! I dont rember having this much songs that I liked and saved in my playlist in many years.

I liked the songs and performances I feel like lot of them were high quitaly this year with expection of few countries. The crowd was really seemed to enjoy esc and everyone here on tumblr and on esc reaction communities really seemed in the element! Which made me more hyped and excited to watch esc. IT was very enjoyable event to enjoy with other people from all over the world this year and everyone felt connectef after the pandemic! Thats whats best about it this year imo. Every really seemed to. enjoy themselves and I did too. Eurovision is connecting people and everyone was happy to have it back after last year it didnt happen.!

I dont know anon if u wanted me to do review on all the countries performances too. If yes please do let me know. U can be anonmyous. Illl gladly tell and can even make different post about it.

I know my Italy comment probaly is controversial but I just wanted to get it out.

Thanks for the ask! 💓IT was nice reflecting back on esc!!

[mannatea]

Hi. I used to follow your old blog on a different account. Hope you're doing well. Do you have any tips on thinking up stories that are *not* dark and depressing due to subject material? The last story I was working on I had to quit because the backstory I was developing for my passive male character was super depressing. At times I enjoyed researching it, though what won out was the thought I was wasting my time looking into angsty things for something I wasn't even planning to publish. Now I want to write something a little happier. But I have the most experience in writing angst and cringe comedy 😅 thanks for any help you can give. Stay safe out there!

By the way, good on you for dropping that manga you used to follow. I was happy most of the characters lived, but other than that, it felt "meh" to me (granted, I didn't read all the way from the beginning). The author was probably going for a "people will always be fighting each other" theme, but some of the imagery of what happened after a time skip could definitely be taken as pro-fascist. And I was disappointed the protagonist basically said he wanted to bring about destruction! I'm glad I didn't spend any money to read it.

Wow, hi! I’m doing all right, thanks for asking. I hope you’re doing all right, too. :)

As far as “that manga” goes, I’ve kept tabs on it. I’ve been on the fringes for the last two-ish years; I dedicated something like four real life years to that fandom and mostly had a good time while I was there (made some friends I hope to keep for life), so it was one of those situations where I just had to find out how it ended. I realized at some point that I was in a very negative space in the fandom, and felt it was better to publicly drop the series and the blog associated with all of my meta/discussion than to play in what had become a toxic pool for me. I didn’t really want to drop the account after my time there, but I couldn’t have dealt with the nonstop questions/messages/etc that would have piled in over the years, and eh, when you’re done you’re done. I criticize Hallmark television for fun, now, instead. It’s a lot less stressful! And literally nothing is That Deep so there’s very few delusions, at least on the Tumblr side of things. (Reddit, however, is insane, but I don’t post in the fandom there.)

As far as writing advice goes, I am going to apologize in advance for muddled thoughts. I just got out of work and have been staring at numbers all day, so it’s hard for me to think lmaoo.

In my opinion, any sort of character or personality type/flaw/whatever could have developed via a negative OR positive influence/catalyst, so that’s something to consider. I also think people tend to reach for “sad” or “traumatic” pasts either as a way to cope with their own issues/pasts/whatevers, or because it’s the “easy explanation” for why a character is the way they are.

If you WANT to write things a certain way, it’s sometimes a matter of changing the lens through which you’re viewing life, the story, the characters, or character writing in general. This is never easy, especially when you find a genre you feel comfortable in, but it’s always possible. When I was in college and submitted an autobiographical piece (Rot Tooth) for a creative writing final, I received multiple comments from classmates and even the professor that my talent/skill was in writing comedy. COMEDY!!!! I don’t think anyone who has read my writing from the last decade would say that I was a comedy writer. I stopped labeling ‘fics as humor/romance so long ago I can’t even remember when it was. But boom. I had written a comedy piece.

I don’t think I can ignore that most of the comedic elements in Rot Tooth were brought about because humor is one of the ways in which I cope with things, but it was also a very conscious choice I made. I wanted people to be able to engage with the story without being grossed out, without getting bored, without feeling that it was a poor-pathetic-me story, and humor was the classiest way to do it. Here, read this long story that includes journal entries from Ye Olde Livejournal days, but it will make you laugh often enough that the depressing aspects of the story don’t weigh it down too much! It was probably the only way to make the subject matter widely palatable. 

As often as I joke about characters or scenes or moments that “just write themselves” the author does have control. I mostly write fanfiction, so let’s go with examples from that.

I’m (very slowly) working on a ‘fic called Three Years which features a character who, when last seen, was headed off to serve a prison sentence. They haven’t been on the show for three years and thus I assume they have been serving that sentence for the last three years. The story starts when this character is released from prison. They are a woman. This is a historical piece of fiction. Prisons were vile to women and yet...this is fiction. I have a choice. I get to choose. Does she get to start her life off carrying 25 bags of trauma or just 2? It would be unreasonable to expect that someone, especially a woman, who was imprisoned for 3 years in the early 1900s wouldn’t have some issues (at the very least, the isolation would have been awful), but it doesn’t really have to be much worse than that. It doesn’t.

I have the power to choose.

A character has anger issues. Sure, he could have had a traumatic past with an abusive parent who took his anger out on him or his mom or whatever...or maybe it is an inherited personality trait and the parent figure with the problem was never really That Bad about it, but seeing it normalized makes it harder for the character in question to realize it’s a huge problem and part of their character arc is realizing they need to get help, not because they don’t want to be like their dad, and not because they hate their dad, but because they just want to be a better person/they don’t want to let that struggle consume them.

Someone’s sweetheart goes off to war. Guess what? They don’t have to die there to force a traumatic past. They don’t have to come back a raging alcoholic either. Maybe the time apart, and the time fighting a war just puts a natural sort of crack in the relationship by making it clearer to each character what they want in life/what matters to them in their life.

A character is super passionate about their work/hobby. Maybe they have ADHD and it’s a hyperfixation. Maybe they’re autistic and it’s a Special Interest. It doesn’t have to be “their parents ignored them and forced them to be alone all the time and they used this thing to cope so it means everything to them because it’s always been there.”

Maybe you have a character whose greatest fear is losing the people they love. It doesn’t have to be because a pet died in their arms when they were four and it traumatized them. It doesn’t have to be because they only have one person they love in the whole world. It can just be a thing because that’s a valid fear literally anyone can reasonably have, and maybe it’s a bigger deal because they don’t have siblings or aren’t close to many people! (And the “aren’t close to many people” thing doesn’t have to stem from trauma, either. Most busy adults for example who get to choose their friends, are just like that.)

A perfectionist might just have the personality type; it doesn’t mean their parents criticized everything they ever did. A person with three failed marriages might hesitate to fall in love and try again but it doesn’t have to be because those three failed marriages were abusive. A quiet character may just be shy or introverted by nature. 

I think everyone carries some kind of trauma with them, so it’s never unreasonable to have some in a person’s past (you can’t write an ugly character without having to think about the fact that they carry some trauma from what it’s like to grow up ugly), but it doesn’t have to define them. It doesn’t have to overshadow everything else in their past.

You can always ask yourself, “Why am I reaching for angst every time I create a backstory?” Literally everyone has some kind of angst. Most kids were hurt by things said to them in school, for example, or made fun of for some reason. Most people did something extremely embarrassing as a kid and never got over it. There are a thousand little moments in our adult lives that go back to these little points—you might call them the tiny traumas. But they’re not defining. They’re not so heavy they also live in the present. Not all of them.

Why do you reach for the darkest corner? Why not for the light? Or a middle ground?

I encourage people to write basically whatever floats their boat, but it sounds like you’re at a point where you just feel weighed down by that sort of stuff, and that’s not a great way to feel, especially when it discourages you from working on a project entirely.

My final suggestion: look at some of your favorite characters from various types of media. Are they all traumatized? What are their defining characteristics? Black Beauty has some depressing stuff in it, but is ultimately a story with a happy ending. Pride and Prejudice has drama, but nobody’s past is filled with the darkest stuff imaginable. North and South has awful things to consider in it (cotton mills were sooo awful) but the characters are not wildly traumatized people.

What kind of story are you trying to tell? Do the characters need to be traumatized to tell it? Does the story have to be dark to get across the message you want to send? 

Way back in the day, when I was into “that manga” I made an RP blog for a one-off character that nobody gave a damn about. Like, he was so one-off that even back in those days nobody even remembered him having existed. It was sort of a joke RP blog that wasn’t supposed to be serious. The only canon information we had about this character was that he enjoyed drinking. I decided to make him a lighthearted character because the series was pretty dark and I wanted to send people hilarious starters instead of wading through the muck of depression with everyone else’s sad, abused characters. I decided his family was old money and he had a brother. Nothing super traumatizing in his past. Some family issues but not the sort of thing that would haunt anyone. He was not traumatized in his recent past any more than other characters were. Mostly just “a regular guy.” I really loved RPing him. He was fun! The story could get heavy but he didn’t have to be.

Anyway, dive head-first into the dark angst if you want, but if it’s not necessary to tell the story you want to tell, just remember you don’t have to go there. You have the choice.

[princesscas]

Hi! I have a question. I haven’t been heavily involved in tumblr/social media for a while. I had stopped watching supernatural for a couple of years and just got back into it. I ship destiel, but sometimes things about wincest come up. I keep seeing things about people not wanting to “ship shame” which you just mentioned as well, and I’m just confused. How is it okay that people ship two brothers? Like they are actual brothers on the show?? I don’t care that they’re not irl. I don’t know who the N girl you’re talking about is but apparently she cares about canon, so how can she like it? And why is it wrong for people to condemn people for shipping two brothers, when that is the thing inherently wrong? Like it’s disgusting... it’s not about them being guys, it’s incest... Again, I just don’t get it and I hope I don’t come off as rude! Thank you!

Nah, you’re not rude at all! Never ever like them. I’m still upset about what happened two days ago so what the hell, tea time!

To start off, I believe that everyone can ship whatever like like as long as they aren’t sending hate to others. Take a look at this (lengthy) post about ship wars. People can ship whatever they want, end of story. Doesn’t really matter anyway because people are gonna do what they wanna do. Do I like those types of ships like you described above? No, but it’s none of my business to tell others what they can and cannot ship. Sometimes I read darkfics. That isn’t everyone’s cup of tea and that’s okay. Is the post/fanfic properly tagged with such elements? Then it’s fine. Start hyjacking posts/leaving nasty comments? That’s 1000% not fine and it never will be. 

Something that doesn’t get brought up enough: There is a vast difference between an ordinary w//cest shipper and a J-two-squared tinhatter who believes the said two actors are secretly gay, their wives are beards, they hate mish, everyone who doesn’t like w//cest are wrong, etc.

Now, it’s on the shipper if they start normalizing such things. (in//st, unhealthy, etc) And the rabid obsessed (N&Co) hate-everything-that-breathes crew is a prime example of this. 

This thing is already long so why not throw out some receipts, huh?  IMO, you cross that ‘ship whatever you want’ line when you do this: 

...I ship an angel and a human my dude. (and two 100 yr old super soldiers, I wonder what they think about stucky lol) also jesus christ the rest of that is a mess. 

/tw: biphobia here./ REAL bisexuals? “oh you aren’t bisexual if you like one angel and a hunter.” And they’re obsessed with calling everyone ‘teenager girls.’ This is not only wrong but also pretty damn transphobic and misogynistic. 1) Most people have aged over the years (wow that’s crazy right?) 2) trans, nonbinary, and gender fluid people exist. 

Overall, these people are a horrible bunch. They’re obsessed with preaching to people about ‘tagging properly’ when they could take it upon themselves and use a blacklisting extension. Or just block every single blog they don’t like. These people are a very small portion of the fandom but they’re loud, they want you to think they make up all of the fandom but they don’t. Not even close, when other in general posts gets thousands of notes/retweets and theirs get maybe a couple hundred. (and a lot are from reblogs for replies) 

Not gonna lie, I feel the need to defend w//cest shippers because I’ve known/have/had mutuals who do ship it and they’re nice as can be. 

The loud bunch are so loud, it silences the others who partaking in normal fandom things. Or really, if I were them, I wouldn’t want to associate myself with those people. 

Let’s pretend for a second. Imagine if you loved a ship (it could be any ship from any fandom) but the fandom is toxic as hell and the most ‘popular/well known’ blogs/artists/writers are these people. Fandom corners have history on the way they were built upon throughout the course of the fandom’s media. 

You browse the tags, the blogs, the fanfics, and find yourself staring at a hateful group of cult-like bigoted people. But wait. These people? They don’t like fanfiction or fanon. No, they hate anyone who writes anything outside of textbook canon. Any characters outside of SW/DW/JW won’t be present. (if you’re curious or are brave enough, go look at the AO3 tag, it’s sad) 

I try to be empathetic with people. I cannot, for the life of me, imagine what it’s like. To love a show so much with your favorite ship but one part dislikes it and another part are so inherently hateful.   

The OP deleted but this thread on Reddit is exactly what I’m talking about. And they mentioned something else I think not many people bring up: OT3′s. 

I’m gonna quote this but it’s 1000% true. 

“What I can't for the life of me understand though is why people would hate on Misha as an actor because of his role on the show. I've seen a lot of Misha hatred - and I mean A LOT of it. In fact, I recently went through the anti-misha tag on tumblr and blocked over 200 tumblr accounts that either were dedicated to bashing him or castiel, or posted constantly about it.”

“It's really nuts to me that people would choose to put so much time and effort into hating an actor who hasn't done anything to them personally or hasn't even affected their lives, when they could be putting good feelings into praising the actors who have affected their lives in a good way instead if you feel me.”

Constantly is the key word here. I don’t think these people ever stop, not even for one second, to sit down and say, “God this is exhausting, I think I need a break this week.” I really dislike these people but I also feel empathetic for them. What is their mental health like? It isn’t healthy. Go show a therapist this, they’d probably quit on the spot. (okay prob not but that’s my best example atm) 

This has gotten extremely long so I think I’ll stop here. There are some nice people out there who will ship things you don’t like but a toxic side can make it seem much worse than it actually is. Ironically, it’s usually the opposite. (ie: voltron’s’s toxic side scaring off other shippers of that fandom) 

Lemme end this with pre!serum smol Steve and his legendary quote: 

[fimflamfilosophy]

Characters: Tearing Each Other Together

After the world-sweeping success of my previous article (forty notes on Tumblr, wow!) and being driven out of my house due to mold for the second time in two months, I think the time is right to add another essay to the subject of character design and writing. But what’s left to say after having definitely solved the entire process of character writing the last time?

Well, suppose you can figure out the emotional state of one person. That’s well and good, and oddly harder for people than you might imagine. And I think the reason it’s so hard is because in virtually any show you’re not going to be given a character in a vacuum to learn that process from. They have some story, something they’re trying to overcome, and other characters they’re bouncing off of, and the actual process of conflict is more complicated than knowing who your characters are.

Hate, Love, or Indifference, It’s All A Struggle

So what’s the essence of a story? There’s some motive that’s trying to be achieved. A conflict. And I can’t stress this enough. Conflict. Because it’s one thing if you say your main character is a kid who wants to be the best Poke’mon trainer and completely another to have that be a concrete objective with a satisfying story and conclusion. Wanting to be the “best” isn’t actually conflict. It’s a dream. Being forced to travel the known world to acquire eight gaudy pins that probably cost twenty-five cents each to manufacture? That’s conflict.

And not only do you have to travel the world, you do so with a shrill red-head who explicitly hates you because you trashed her bike, and a sex-starved pervert whose life dream is to make Poke’mon mate with each other for a living. And that’s important. Without Misty and Brock, Ash’s journey is a lot less interesting for a lot of reasons. Misty calls Ash out every time he messes up, and aside from being on a watch list, Brock is a helpful older character who tells Ash, and therefore the audience, what’s what.

But let’s back up, because people understand the benefit of Brock and Misty at a basic level, but when you’re starting off, how do you know who those people should be? Well, every show, from sitcom, to comedy to drama, does its best to balance personalities against each other so there’s always some sort of conflict possible between them.

Now, “conflict” doesn’t mean they’re trying to kill each other. It could mean they’re falling in love with each other. Maybe it means they don’t have much in common but have to work together over long hours in isolation. The idea is simply that there’s something to overcome between these people. Misty thinks Ash is stupid - that’s a conflict which is often leveraged to push Ash forward. Brock, however, has a reactive role in the show, only functioning in conflict when a womanizer who grovels at the feet of ladies Ash is already helping anyway.

It’s odd because if Misty were older she would be set up very well as kind of an “opposites” romantic torture device with Brock. They’re even depicted as professional equals, which would have made their levels of expertise and experience more balanced. Had they been closer in apparent age, a “will they won’t they” romance would have fit adequately, with Brock’s constant hitting on other women serving as a major, hopeless, long-lasting roadblock to a serious relationship between them; it would work especially well because Misty is established to have an inferiority complex to her prettier sisters. It also might help explain why Brock hung around so long. But as it was, Brock’s main contribution to the inner dynamic was to act as a mediator, caretaker, and mentor.

But circling back to Brock’s dream of Poke’mon husbandry. Well, on the meta level that’s why he doesn’t leave. Because it’s not a motive, he’s not taking steps towards it, and it’s not going to happen, it’s just a dream. Until it does happen, anyway, and then they wrote him out of the show - but we’ll dig more into this later.

Balancing Imbalance

The best place to look to see good conflict set ups between characters are popular sitcoms. Consider the show “Frasier”: it ran for eleven seasons and revolved mainly around the personal spats of Frasier, his brother Niles, their dad, and the dad’s caretaker, Daphne. Frasier was arrogant, Niles was insecure, Dad was an earnest roughneck, and Daphne was well-meaning. Frasier and Niles were also elitist pricks at times so they couldn’t even always agree where to eat together, much less with their father who was happier having a burger with ketchup.

Every episode had some central motivator; an ice fishing trip, a joint investment, an awards ceremony - but these things were just catalysts to the main conflict, which was almost always something between characters. We’d seen it time and again, that Frasier and his Dad would come to blows over differences in taste. Niles would try to court Daphne while torn by his commitment to his failing marriage, over and over. But the pithy banter and the way they resolved it would always be new, so people watched this show, episode after episode, for over a decade.

And the simple beauty of it all was that each of the characters had something to do with each other. Whether it be filial obligation, lust, sibling rivalry, friction between introversion and extroversion, or taste in food, they always had some source of conflict to make a show out of. Niles and Frasier were both psychiatrists, but from different schools of thought and different working environments, so they even had chances to butt heads academically and professionally. It was rich with writing opportunities and it’s not any wonder it lasted so long.

Another sitcom, “New Girl”, which was about a group of roommates, had a good dynamic set-up between two characters, Schmidt and Nick. Nick is a messy slob and Schmidt’s a type A neat freak, creating a really obvious source of conflict to work with. But then they had a third character, Winston, who they lampshade as the token black guy. 

Now, the joke that Winston is the “black friend” has pretty much no legs, so in the early seasons you see him acting as kind of a third party mediator, or maybe a wild card, and it winds up being funnier when Winston is unhelpful. So as the seasons went on, Winston gradually lost his damn mind. He becomes a cop and meets a woman so that he’d have some character growth and dynamic, but also develops into a man who would burn a building down as a prank. The writers had no idea what they were doing with him and he gradually flew further and further off the handle.

Don’t get me wrong, I really liked Winston as a character. Aside from being funny in the show, watching the writers gradually unglue him from sanity was its own meta comedy above that. I knew they were doing it on accident, but having such a good time with it that it was just going to keep getting worse. In fact a major component of the finale for the whole show is an insane thing Winston does. They wrap the show on the note, “Winston is crazy”. And it all happened because they didn’t figure out what Winston’s conflict was at the start. He didn’t have a source of conflict with anyone, so the man became a living breathing embodiment of conflict in general.

Your Story Ends With the Conflict

Now, the catch is, in any type of fiction, whether a video game, a roleplaying session, or a sitcom, the story ends when the conflict does, because if the conflict is over there’s nothing more to tell! It used to frustrate me to no end back when “My Little Pony” was popular and the other nerds on the internet used to ask, “How many times must Fluttershy learn not to be shy, or that being shy is okay? When will she overcome all that she is and eliminate the core element that creates conflict for her?”

The answer should always be that the character will learn their damn lesson when the show ends or when they’re written off it. If you are sick of seeing a character and don’t want to see them any more, the best thing to do is close out their issues, because once they have no conflicts, they have no story, and there’s no point in doing a show about them. Asking Fluttershy to stop being shy is asking to say goodbye to her, because she's a cartoon and her job is to entertain kids by being neurotic and yellow.

People think they’re so smart when they say they’d solve all a character’s problems if it were them. In the finale to the first season of Poke’mon, for example, Ash decides to gamble his whole championship run on Charizard, who’s a self-absorbed bitch of a creature that ultimately throws the match and leaves it an open question whether Ash might have won if he’d left the team primadonna sitting on the bench.

Some viewers see that and complain it’s the dumbest possible thing Ash could have done, but it’s probably one of the single most brilliant things the Poke’mon writers did in the grand scheme, because think about where it left us. Ash didn’t achieve his goal of proving he’s “the best”, but it feels like a fluke and if he got another shot, he might make it all the way. This gave the show a gateway to more episodes with Ash still having something to prove and a dumb mistake indicating he still had a lot to learn. Because he didn’t win, his story hadn’t ended.

In some cases shows can end characters just by addressing some dream goal they’ve been expressing since the first season. In the case of Brock, they intentionally removed him from the show by introducing him to some girl who was willing to work with Brock in the animal husbandry business. He’d been traveling all this time, his dream opportunity fell into his lap, and he was gone. What reason would he have to refuse, and why would anyone stop him? And of course, Brock’s dream job was incompatible with the central plot elements of the rest of the show, so that was it!

The Format Informs the Conflict

If you want to write something but you aren’t sure when it’s going to end, you need a concrete, long-term conflict that’s not just going to go away. For example, in “Scooby Doo and the Thirteen Ghosts”, there were thirteen ghosts. By design, that show should have ended after Scooby Doo found all thirteen ghosts. It actually ended earlier than that because it was cancelled, but you get the idea. When you have a finite goal, your run time is going to be finite as well.

At least in theory. In “JoJo’s Bizarre Adventure” they establish at the beginning of one season that everyone’s magic powers were based on the Tarot. Now, I don’t know the Tarot off hand, but as the show went on I knew that sooner or later they’d run out of Tarot cards, and in my mind I assumed the season would be over when the Tarot ended. But then I got a good chuckle when a guy showed up and his powers were based on a totally different theme, because I knew the writer had realized he’d stumbled into something good and wasn’t ready to end it. He invented a cheap excuse to keep going! And I think if “Scooby Doo and the Thirteen Ghosts” had been successful they’d have managed to unleash a whole lot more than thirteen ghosts because Hannah Barbera was not exactly a studio with a lot of shame.

Character conflicts like those in sitcoms are a great way to have conflict perpetually, because people don’t really change that much and there’s no reason why most of the fundamental friction shouldn’t be there indefinitely. But of course, character-driven conflict is going to be secondary in an event-driven show. “Jojo” actually does have a lot of character conflict, but the plot is primarily about the battles and the journey - if all the fighting ended Jojo’s characters probably couldn’t carry a sitcom, at least not without some serious hard work, a little genius, and a touch of elbow grease.

For event-driven conflict, you’ll want to establish a target - a moving target if you don't know when the story ends, and that can be pretty difficult. Old action shows and comics used to do it by having a rotating cast of villains, so that after one was defeated another would show up tomorrow, and it was assumed these guys regularly broke out of prison, or they escaped in rocket pods, or whatever, and they’d be back later with a new goofy scheme. In these cases you tend to find reactive heroes; they patrol the streets until a lunatic in tights and a garden-themed hat shows up and transforms everyone into people-shaped topiaries somehow.

For active heroes, you need to establish something that requires a lot of structure, like Ash’s journey to win the Poke’mon League. In every country he visits, they all have this asinine rule that you have to go to eight unique locations and kick the ass of someone who disadvantages themselves with an easily-countered mono team that all have the same exact weakness. You can’t be accepted into the League if you haven’t proven you own a water Poke’mon to utterly flatten the fire gym! Let’s be real, this nonsense is probably designed intentionally as a money gate - most people run out of cash before they qualify. Either way, it ends when Ash wins the league, and he lost the league so the show could keep going.

For roleplaying games, the same rules apply. With your players, you’re either going to establish a reactive goal - an adventuring guild hires a bunch of colorful salarymen with silly accents to go to a dungeon as part of their nine to five job - or you need players to set an active goal for themselves and keep the realization of that goal beyond their reach until you’re ready to end the game.

The Active Hero Acts

In my younger years, I learned to roleplay in almost exclusively player-driven games where we were expected to come up with our own goals and pursue them ourselves, but I’ve discovered that is stunningly rare in most roleplaying circles. Your typical D&D player likes to play the salaryman with a funny accent who doesn’t have to worry about the venturous part of adventure. His boss told him to go to the Cave of Everlasting Wonders and Torturous Screams, recover the Sword of Bad Portent, and then hand it over to the department of magic items where they’ll file the paperwork to get it delivered to the patron that wanted the sword for some reason. No need to have your own motives.

But what if you want to play a crime fighter who actually, you know, busts up all the crime? Clearly you can’t just wait for crime to happen passively - you’ve got to go after people. Act instead of being reactive. Purse snatchers are small time and in a more grounded setting the guys you’ll catch by being passive are just grunts being hired out by someone - usually kids in a lot of cases. You have to seek out the bosses.

Making an active character to fit into any setting can be challenging, and I’ve seen quite a few pitfalls. I think one of the funniest motives is always “the guy who wants to go home” due to its obvious failure condition. A lot of stories are about everymen who just want to get out of trouble, but those stories end when they get out of trouble! In many books, movies, shows, or roleplaying games, you’re almost always going to find opportunities to send that guy home, and you’ll have to either conveniently ignore it, switch motives and decide not to go home, or end the whole story with going home. These characters only work where the story is happening to them and it's all out of their control.

I’ve also seen my share of the “quirky genius inventor/scientist”. When someone designs a character mistaking a dream for a motive. They dream of building a better mouse trap, you see. That’s their inner conflict. And while this is a real world conflict, it’s difficult to make it a good story because actual science and invention involves a lengthy quantity of controlled experiments. You breed hundreds of fruit flies, expose them to nicotine, and try to isolate the gene that causes nicotine resistance. It can be fascinating work at its level but sometimes the most exciting part of your day is when you give yourself a steam burn cooking the fly food. The “quirky scientist” in fiction is usually more of a mentor, and if he insists on staying in his lab doing his work then he’s not even a main character - he’s a guy who explains fruit flies to the audience and then is never heard from again. Other times he’s the asshole who invented the story’s whole problem.

I once played in a game with “the quirky scientist who wants to go home”, and man was that a frustrating ride. The game itself was about occult magic and demons, and for most of the game the scientist was experimenting with teleportation magic to go home and was focused on that above the goal of finding and eradicating demons (the game’s premise). And when he finally met a boss demon that could teleport him home to his lab, he went! We wound up retiring a character who, to be honest, was barely even interested in the main subject of the story. Had he been in a film or a show, they’d have cut the character after the first draft because he served no purpose and wasted screen time.

So how do you make sure your character has a working, proactive goal, in a nutshell? Establish a goal that can be achieved by the character within the framework of your story through action by leaving his house (or after burning his house down so he can’t go home), and then make sure the goal is big enough that it will take many broad steps to get there - those steps need to be concrete and visible, not things that would happen off-screen. Most importantly, tie that goal into the main premise of the story, so that reaching the end of the story generally may achieve what the character wants.

If You Aren’t Trying, It’s Not A Trial

Okay, I understand that last bit probably requires more unpacking. But think of it this way. There’s a writing structure referred to as the “Hero’s Journey”. Basically it goes like this: the hero is forced into adventure, he meets friends and goes through trials, he hits his lowest point, he is reborn into a better man, he ends the conflict, story over.

What I’m talking about specifically right now are the trials. The “wacky inventor” is usually presumed to do all his research off screen because most media likes to focus on the results of the invention and the conflict. But if you were to focus on the trials of a scientist, it’d actually be about procuring research grants and potentially materials. You wouldn’t watch a show about a man who checks gene A-235 for nicotine resistance in flies, then goes on to A-236, then A-237.

If I were to write a story about a researcher, here’s one thing I might do: the researcher fails to find what he’s looking for in gene A-235, and when he goes to seek a grant to look at A-236, he finds one of his colleagues has convinced the university that the protagonist’s research is a dead end. Hearing this, the researcher realizes he’s about to lose his lab, so he writes a bit of a lie into his report on A-235. He says it may prevent cancer.

Now, the protagonist is, deep down, a good man. He thinks this will generate some buzz at the university and get him more funding, but he’ll do a follow-up and show the data doesn’t hold up. After that he’ll ask for money for A-236 and everything goes back to normal. But disaster strikes. His article, which was only supposed to show up in an obscure research journal, gets picked up by a major news network and winds up being spread all over. Suddenly he’s “the man who cured cancer”.

And as he’s trying to figure out how to navigate the issue, another researcher comes out and says that under peer review, he was able to replicate the results. He too shows that A-235 cures cancer! Now the hero isn’t sure. He becomes a celebrity and simply lies about his research because he has no real data, but try desperately as he might, in private he just can’t get the results the peer review insisted were there.

He struggles and struggles, coming to blows with his colleague who’s scrutinizing his research notes. Throw in a love interest who’s impressed with what this guy did, and actually I think I’ve just described the plot of some movie I saw a long time ago about faking cold fusion. I think Albert Einstein was a supporting character in it. In my version the twist would be the peer reviewer was also trying to get a grant by lying. Point is, the central conflict of the film certainly isn’t the scientific process, it’s all the crazy crap that happened on the way from point A to point B.

The story is in the trials. If nothing changes, if the character doesn’t have to change their way of life or go through anything special, it’s either not a story or it’s not your typical story. There are plenty of experimental films or well-regarded books that can make a certain banality become interesting. Stories that explain the simple struggles of day to day living for people on hard times. But the trials, the palpable challenges, that’s really the meat of it all. When you think of what your character should be doing throughout the story, he should be going through these efforts, these steps, these trials, all in the name of whatever his broader goal is.

Where You Start Affects Where You End

It also matters quite a lot when and where characters are introduced. A lot of tales follow some basic notes, and one of the more common elements is “crossing the threshold”, which prevents your characters from going back to their life before the adventure. It’s used because it compels the characters forward, as they have no other direction they can go. It can be anything: the character’s home town is destroyed, the character commits a crime, he accepts a contract, his mother dies - so long as it prevents him from going back. It’s especially useful in roleplaying games where you really need everyone to be driving forward.

In one such roleplaying game, I got in a spat with the guy who wanted to run the game because I was trying to make a leader character, but the game master wanted to base his game around a movie he’d seen with a single main character. He’d elected another player to be that main character, and explained to me he’d be starting the game after that character had already crossed the threshold and had begun his journey. This meant that everyone else were supporting cast and could go back to their normal lives at any time, because they were coming willingly from where they were and not really facing any drastic changes to their personal status quo.

I eventually resolved not to play in that game at all, because none of the character dynamics I wanted were going to work. It was supposed to be a “wannabe” superhero game, with the premise that everyone wanted to be heroes, except one player had already started the journey and it turned out another had already reached the end of that arc and was going to play a character that had been a hero going on years before the story began. There was no plan to really reconcile the narrative clashes.

If that game were to work as it was, without me being present, then the person playing the pre-established hero would have needed to take the mentor role. The other players besides the main character would have needed to be comfortable in auxiliary roles, and the group would have to play as though they were part-way into the story. Still learning to be a team but well past the initial stages of a plot, and they’d all need to think up reasons to be in this group individually on their own, because the threshold had already been crossed and they didn’t cross it together.

The friend running the game was actually dismissive of my advice here, arguing that I was overcomplicating everything with a meta analysis of narrative and structure when all we need is a basic drive to play, and I don’t think he realized he’d set himself up with a much more complicated game and less cohesive premise by going about things as he had.

The already established hero couldn’t be the mentor because a mentor character had already been created as an NPC. The auxiliary players weren’t really informed at the outset they’d be auxiliaries - especially not me who’d wanted to play the team leader. The player who’d been designated as the central protagonist didn’t want to lead or be the central protagonist. It could have worked, but it would have taken a lot more planning and many more concessions than a typical game.

In a more recent game, I’ve got another bit of an issue with the start misleading the general goals of the players. It’s a sci-fi game, and first, one player is doing “the quirky inventor scientist”; his current stated dream is vaguely to create transhumanist technology. He also wants to play the leader, so he established himself as the most important man nobody has ever heard of. He has spies in every major institution in the known galaxy and is a genius beyond comparison. He’s currently based in a rusting pirate ship in the middle of the space boonies doing nothing with his life save being the most important man.

Meanwhile, I set up a disgraced military officer with a revenge quest against his own nation. But the pirate crew my character joined turned out to not believe in structure nor leadership and they killed their last commander to have a system of “democracy”. My structure-minded character has tried to take the lead and drive us forward, but he runs into general deconstructive resistance and the “quirky scientist” wants to be the leader, but hasn’t yet expressed self-motivated goals.

It’s not exactly my most harmonious game and there’s quite a lot going wrong here, but here’s how it could have worked: first, establishing that the crew of the pirates respects no leadership places the entire crew in the precarious position of being “chickenshit” at the outset. That kind of incohesiveness is why a band of rogues gets easily defeated; it’s not the behavior of scrappy men of action, but hopeless men of inaction. A corrupted “democracy” collectivises failure while awarding success to whoever actually has the most power in the group structure - it protects the weak leaders from responsibility and disincentivizes good work by allowing those same men to reap rewards while offloading the burdens to those lower on the ladder. In essence, “If things are screwed up, blame the democracy. If things are good, I did it.”

What should have happened was the “quirky scientist” should have been in charge to start with, because otherwise he has no reason to be on board the ship. He’s the most powerful man in the galaxy, after all. If it were because he was financing the pirates to go on raiding and salvage missions relevant to his research, then it would make sense. He’d have a purpose and a position of leadership just as the player wanted. It would also establish the pirates have some command structure and a level of respect for it that allows them to function.

And the power struggle between the disgraced officer and the scientist? Perfectly reasonable character conflict that would drive actual, meaningful roleplaying and story. The scientist may bankroll the operation but the officer is the tactical talent and the two pull in opposite directions, as power-hungry men often do.

However, the opportunity to start with a sensible and meaningful social dynamic has passed, and on top of that the “quirky scientist” keeps his galaxy-wide power a secret, so it’s all kind of messy and “badly written” in the sense that most audiences would be generally rooting for the crew to fail, and they’d find the grand reveal of the scientist’s galactic power to be frustrating and unrewarding because it’s more of a plot hole than anything. So close on so many counts and yet so very far, and the opportunity to pull it together eventually is present but a more challenging and uphill battle than getting it right at the outset.

In The End, Did We Even Learn Anything?

Creating a character is easy, in my opinion. Creating a working story with a group of self-driven characters can be a lot harder. This is especially true of roleplaying games or of cooperation with multiple writers, where you need to be on the same general page with a committee. It can help a lot to establish the exact conflicts at the beginning, but as can be seen with Winston from “New Girl” or the later seasons of “My Little Pony”, what you have can morph beyond your control as things go on.

Sometimes you never had control in the first place. Sometimes you lose control because you conclude the original conflict of your story and struggle to find a new one - the brand is too successful to let go. Maybe an executive comes in and injects an idea that throws the entire balance of everything totally out of whack and now nothing works. Sometimes your friend thinks story structure is overrated. It’s a difficult juggling act.

So at the end of this essay did we even learn anything? It depends a lot on what you’re trying to do and what you wanted to learn. If you’re the more typical Dungeons and Dragons group, you don’t need to think much about this. Just make your characters and passively react to activities handed out by Dungeons, Dungeons & Co - your conflict is event-driven. Are you writing a sitcom? Well, balance a tangled web of conflicting character habits and write the ensuing disaster. Want to make a complex film about a group of highly motivated, proactive people with sophisticated individual goals that ultimately converge while still respecting their rich, conflicting, inner politics, and do all that writing as part of a team? Well, good goddamn luck, but with the right start and enough care you can make it happen.

[1001galaxies]

Commentary on Netflix’s Cursed: Episode 2

Edited for language, because I have a few younger/more sensitive readers.

THE MONK SPEAKS. HOT DIGGITY DANG.

Well, DAYUM again. The monk meeting Squirrel is delicious. The LOOK in Daniel's eyes. The staging and lighting. A+

“Born in the dawn.” “To pass in the twilight.” I burst out laughing so hard. The cheesiness. But also. When it's DANIEL SHARMAN SAYING THE FIRST LINE, I mean. I M E A N.

Just watch, that’ll be the new 'may we meet again'.

Squirrel is a discount version of Blue from King Arthur: Legend of the Sword, but he's cute, so that makes up for a lot. And he does have some decent lines so far. “Do you hate them because they're so beautiful and you're so ugly.” “Even your horse is ugly.” “And I love horses.”

But, hang on, his line: “You're so ugly.” *looks at Daniel Sharman* *looks at Squirrel* *looks at Daniel* *blinks* Ah, kids.

Dang, they really do give Nimue every single flippin YA teen girl trope in the world, from both fanfic and traditional fic. Wow. That's impressive, even by my standards.

Joss: “Get up you murdering pig...tie him up...I think we've caught the big killer.” Me: You haven't caught anything, and if you think you have the upper hand with the MONK? Oh honey, you poor deluded fool.

Joss: “Ever been dragged by a horse with a hot coal up his bum?” Monk: “Not that I can recall.” Me: Dang, HIS VOICE. Me: Secondly, there are better ways to motivate horses than that, excuse you.

Monk: “I've got no interest in the boy. He's bait.” Joss: “Bait for what.” Me: Oh yeah, here we go, awriiiiiight. Monk: “For YOU.” *kicks Joss*

Who cares that Daniel is the bad guy, he's the only interesting one. Hot DANG, that roll over the horse. HE'S FIGHTING WITH HIS HANDS BOUND. Gives a new meaning to 'hands tied' Also dang. And WHAT DID I SAY, JOSS. You got owned.

Monk: *kills five or six people with //his hands bound//* Me: Now that's what I'm talkin’ about. Me: Wait, he just killed innocent people. Me: Eh, he’s still the best character so far.

How does Daniel manage to sound sexy saying “go.”

Every SINGLE time we come back to Nimue: Me: okay, booooooring.

Obviously, they’re going with the traditional representation of Bors as a brash lout. Eh. Why.

Can I have Bors played by Tom Hopper, please. He was a good Percival, but I'd like to see him play a surprisingly FUNNY and GENTLE and SMART Bors. Twist the traditional representation.

Ah yes. Cursed: LOOK AT US, WE'RE SO ENLIGHTENED AND SUBVERSIVE AND DIFFERENT that we're going to have the guy save the girl the same way 90% of all fantasy saves occur. Much impressed.

I mean, TELL her, Arthur, yes please. She didn't think, that's the problem. She just reacted with the sword. I get she’s a teen, but come ON, why must every single teenager ever—male or female—react with impulsive emotion. Not every single teen in the world always reacts with emotion first.

Well, this heroine rant is like every other YA fantasy heroine guilt-trip rant I’ve ever seen. I get being sad and emotional and being guilt-stricken because of how events have fallen out, but really on the wording? Really.

Arthur: “And I'm not a cutthroat.” And his head tilt. That's cute. Arthur is genuinely likeable so far, which is /good/. Also nice to see the guy taking care of the girl solicitously for once instead of the other way around. I do appreciate that.

And here we have the OH SO ORIGINAL trope where the heroine was bullied as a child and 'oh you made the village boys pay romantic attention to you with your magic' backstory. REALLY. REALLY NOW. I'm absolutely positive I've got YA fantasy heroine bingo at least twice over by now.

Nimue’s mum: “When you were five years old, you faced a dark god alone in the ironwood and survived.” Bingo again.

Let's play a game called: how many times can this show throw out a Game of Thrones reference/imitation?

IRONWOOD. REALLY? REALLY. Here's the thing. a) Game of Thrones did this already and called it the Godswood, and if you think people aren't going to see what you did there, you 100% have another think coming. and b) THE LAST TIME I CHECKED TRADITIONAL FAE LORE, iron KILLED and/or BURNED fae. But THAT is what you unironically* called your SACRED WOOD THAT PROTECTS YOU???? *Only being 2 episodes in, maybe I'll find out later that it was/is an ironic name, but it suuuuuuure doesn't seem like it so far.

Nimue’s mum: “You are not some fragile maid, you are a warrior..." Me: She's going to say 'and you are strong'. Nimue's mum: "And you are strong." Me: See, this isn't even fun. There's no challenge to this. Also, YA fantasy trope bingo again.

Arthur: "It's a rare blade, I'm not sure I've seen its like." AT LEAST THAT is a decent line. Normally, they say “I've never seen its like” with this awed tone, but he's just factually observing. Cool, cool.

ARTHUR WITH THE SWORD. I'm going to be an Arthurian geek for just a minute and revel in this. I know there's more to this story. Much of it is dead boring. But I'm just going to enjoy this minute because //Arthur with the sword//.

I really did not expect to like this Arthur. He's nothing extraordinary yet, but he's fun. Without being a copycat of BBC's Merlin or King Arthur: Legend of the Sword. He's just a young knight (possibly a prince somewhere along the line??) who is genuinely caring, not super arrogant, and just a DECENT AND FUN GUY. So far.

Arthur: “I've seen a lot of lives wasted fulfilling the dreams of the dead.” YES? FINALLY? SOMEONE SAID IT? I'm here for this. Call out that fantasy trope that is all well and good in some doses but is basically THE FOUNDATION OF EVERY SINGLE YA FANTASY ARC EVER, and it's so annoying. Give us some VARIETY now and then.

Nimue to Arthur: “Spoken like a true mercenary.” No, spoken like the only sensible person in the show so far, Nimue, you twit.

AW YEAH. YOU TELL HER, ARTHUR. She's shrugging off everything you say AFTER ASKING FOR YOUR HELP. Geeeeez. It’s so annoying when people do that.

Arthur: “Get an hour of sleep.” Implied: Everything looks better after sleep + you’ll need your strength. Me, who hates sleep: I feel so attacked right now. ...But he’s right.

Merlin is TOTALLY fantasy Haymitch.

Veiled Lady: “You told us the sword of the first kings was destroyed. You lied.” Okay, so MAYBE Merlin's getting mildly interesting...but are they going to do a good job with it? DOUBTFUL.

Veiled Lady: "This affects all of us, not just you. The fae are on the verge of extinction." Um, THEN WHY EXACTLY ARE YOU DOING NOTHING ABOUT IT? Is this another ‘we can’t bend the rules of heaven for mere earthlings’??

Veiled Lady: “If the church acquires the sword of power, then they will decide who wears the crown. Have you forgotten the words?” Merlin: “Forgotten them? I WROTE THEM.” Me: Okay, that's a good delivery. Merlin: “Whosoever wields the sword of power shall be the one true king.” Me: And a nice mocking accent on that, Oooh yeah, I like. Merlin: “But I'm wiser now. There IS no one true king.” Me: Huh. Now see, that's slightly interesting. Give me more of that.

Pretty sure they told Gustaf to model his Merlin on Starz Camelot's Merlin, “but make him fun and drunken.” He's got that whole Fiennes vibe going on, but also definitely fantasy Haymitch. (Someone else on tumblr said Jack Sparrow, and I could see that one too, thought not as much yet. Where I am, Merlin doesn’t seem super keen on adventuring for the sake of adventuring. He has the bitter past and cynicism of Haymitch right now. Maybe he’ll get more Jack Sparrow-y as this goes on.)

MERLIN HAS NO MAGIC BECAUSE HE GAVE IT TO THE SWORD, okay, that right there is a GOOD element, and chock full of potential. Especially his bitterness. And his insistence that he won't touch the sword again. Are they going to do a good job of using it? Dollars to donuts, NO. Ugh.

Veiled Lady: “I sense fear around the sword. But also great power.” And here we have our Galadriel imitator. Dang, I need TWO more bingo cards.

Veiled Lady: “The sword is finding its way to you, Merlin, but which end of the sword, the point or the pommel, is another question.” Me: *snorts* Cute.

Merlin: "The sword was forged in the fae fires, and to the fae fires it shall return. I shall melt it back to its origins."

Let's play another game called: how many times can this show imitate LOTR?

Veiled Lady: "You are aware the fae forges burned out a thousand years ago?" Yeah, cause Frodo and Sam destroyed Mount Doom, guys, go read your history.

Veiled Lady: “Oh dear.” Veiled Lady: “Tell me you're not planning to steal from him. Without your magic.” Merlin: “I still have my wits and my charm.” Veiled Lady: “I fear you overestimate both.” Ahem, the lady has a point.

CONCLUDING THOUGHTS:

- Arthur is still interesting. That could change super quickly, but so far, I like him.

- The Monk is beautiful, and I'm so here for upcoming stuff I won't talk about, but also for his arc period and more interactions with Squirrel.

- Squirrel is cute, but nothing above the average so far. Still, better than almost anyone else on the show.

- Merlin has the potential to be intriguing, if only they use it.

- Obviously, I'm going to keep watching.

Footnote:

I saw spoilers today about the Monk’s arc, and I'm HERE FOR IT, so here, so beyond here for it, GIVE ME THAT RIGHT THE HECK NOW. IT'S THE ONLY REASON I HAVE ANY EXCITEMENT FOR THIS SHOW RIGHT NOW.

THE WEEPING MONK AS *SPOILER* I. CAN'T. FREAKING. WAIT.

[gasoliya]

*air horn noises*

this is a massive post, so if you’d like to see some of the wanted connections i’ve typed out for my girl soliya, please read through the cut!! if your’e interested in any of them, please feel free to like or comment!!

let’s get writing, y’all!!! and come in here and catch this snuggle (and these plots)!

if you want a quick and dirty run-down of soliya, please click here for my intro where i talk a little bit about her past and bio! if you want to read her bio (it’s pretty short!) click here! but if you want both the live action and the replay...read both B^)

a few things to say - i know i have alienated her to a degree since the highest population of muses are in their early to mid 20s, but that’s why i purposefully wrote her as a traveler to offset some of that!! so that this way, at least she’d be able to travel around to the other nations and make meaningful connections with a whole variety of people!

also - these titles are all song titles/lyircs from songs on a playlist i’ve had on repeat for the last few days in quarantine. some are directly applicable feelings/vibe wise, others are just the right feel in the title itself and not necessarily the song lyrics apply to the plot! (wow this feels like krp tumblr in like, 2014). sidenote: i am a very flexible rper, and am comfortable with nsfw themes but PLEASE let me know if you are not! would never want to make any of my partners uncomfortable and PLEASE do not try to push yourself if it’s something you don’t like to/don’t usually incorporate!

LASTLY, i’m 100% down to plot out original connections too! and if you have a plot or role that you think liya might be able to fill for your muse, just let me know! but the below are certain connections i’d love to see for her c’:

now, onwards & upwards!

--

the other side x. (m/f/nb! any age! 2 open!)

for how angsty that title sounds this plot is not angsty at all LMFAO. while traveling with her father i imagine that she’d make some friends that she consistently seeks out whenever they’re in that nation! soliya is pretty relaxed and friendly, especially since that’s the whole point of a diplomatic visit. plus, just traveling to all the different air temples and nations, you naturally make connections! she probably tries to get to know as many people as possible and make as many connections as possible - plus a tour of each place from a local? heck yes! post-black sun, as she’s going through and getting the feel for how each nation is, as a representative of the air nomads and on her father’s behalf, i can imagine she’d be so fucking worried for all of the people she’s met and knows! this also allows us for current plots and past plots!! at the moment, looking for 1 muse for each spot from the other nations to start!

fire nation: open! 

water nation: open! 

earth nation: @zuerga​

way you move x.(m/f/nb! +/- 6 years! 3 open!)

sometimes you just gotta get out excess energy! what better way to do so than a friendly spar? love the idea of our muses passing the time not just with companionship, but with some bending sparring! learning the tricks and the trades of each other’s bending styles, and pushing each other to be even better. there may not be a need per say, to train, but it’s always nice to keep your skills sharp and learn more about each style and person! i think soliya would be fascinated by the other types of bending out there, especially the particular and unique subsets of each, and also by how each person’s own style affects the moves/impact/force! since she’s also on the older side of the spectrum, could definitely see her being a mentor type not just to other airbenders, but also just in tactical elements/critical thinking during spars, etc. post-black sun...there may be a need to spar for the intents of training. but also - check ins on status, health, is there anything that i can do for you?

fire nation: open!

water nation: open! 

earth nation: open!

love me less x. (m/f/nb! younger sibling! open!)

cough, so this requires the making of a muse, and i will put this on a wanted connection ask to the main page maybe like...a few days after i first start but like...this is a big part of liya’s origin story! i go over it here and here, so i won’t make this too long, but yes! i would SO LOVE someone to work this in their bio if they’d like and we can play out the various interactions pre, during, and post the incident. liya holds SO MUCH guilt from the accident and will probably never fully forgive herself, especially as she gets older, as the more mature she gets, the more obvious it is to her how much of a shithead she was as a teen. and even now, in her relationship with her bending and her personal relationships (esp. romantic) she’s guarded to a degree, even almost 15 years later.

I got too much dirt to come clean Closets full of skeletons that you don't wanna see Will you judge me? All my ugly? I won't blame you if you do

me & your ghost x. (m/f/nb! any age! 2 open!)

after the accident with her younger sibling at around age 16/17, she went into a period of self-isolation for about 4 months. 3 of which were spent on air temple island, and one in which she soul searched at the other 4 air temples (nesw). after she comes back home she’s ready to take on her father’s teachers on self-discipline and applying it into her everyday life & demeanor. that probably takes about another 4 months of intensive learning/meditation/isolation, along with traveling to other air temples for training with other airbending masters which comes to a total of 8 months in which she is just MIA. the idea for this plot would probably be that she is significant is some way to your muse - be it a big ass crush, an older-sister figure, a mother figure???, an incredibly strong friendship or any other dynamic, and when she just disappears without notice (i feel like she cycles through all the nations at least once every 2 months or so, stays for at least a few days) your muse is just “what the hell?” primarily a pre-black sun plot for the drama and character development, but that probably also means that by now (almost 15 years!) their relationship is hella strong and they’re very, very, close!

spot one: open!

spot two: open!

good news x. (m/f/nb! +/- 2 years! open!)

emotional support. someone to talk to, to confide in. this is someone, one of the VERY few people (maybe even the only one?) that she would confide in and talk openly about her feelings with, regarding the accident. i imagine this is a - after her 8 months of isolation/soul-searching, they’d meet for the first time, exchange kind of stilted pleasantries, and then just *emotional breakdown* as soon as they hugged. she’s be 17 at the time, so this is someone who would need to be about the same age/maturity to be able to handle it (or not!!! lmfao!!!!) and comfort or just, be there to help her work through it as she wouldn’t want to talk to her family about it - they’re just too close to the situation and their reassurances always feel a bit fake (to her).

similar to the above! primarily a pre-black sun plot for the angst and drama and character development, buy they’re super fucking close by now (or do they have a fallout???) so whatever we decide, it’ll affect what their relationship is like post-black sun!

I spent the whole day in my head Do a little spring cleaning, I'm always too busy dreaming Well, maybe I should wake up instead, A lot of things I regret, but I just say I forget Why can't it just be easy? Why does everybody need me to stay? [...] Well, so tired of being so tired Why I gotta build something beautiful just to go set it on fire? I'm no liar, but sometimes the truth don't sound like the truth [...]  Good news, good news, good news That's all they wanna hear No, they don't like it when I'm down

roxanne x. (m/f/nb! +/- 3 years! open!)

the general gist of this plot is like...liya, in her head: man, fuck this asshole!

it’s that person that just gets under your fucking skin for some goddamn reason. be it completely different values, incompatible personalities (which is some a1 shit cause she usually gets along with most), or they’re just flat out hostile...something makes it almost impossible to stay calm around this person. they just dig at her finely shaped walls, and though she’s spent YEARS cultivating her self control and discipline, this person always gets her so close to breaking it and having her lash out (aka returning back to her younger days), but she’s not going to let them get the best of her (right?)

post-black sun...honestly i have no idea LOL. this would probably just have to be worked out in more detail with whomever takes this plot! as the undercurrents of why they don’t get along can be attributed to many different things (pure unadulterated hatred? simple annoyance? hate chemistry?), which would then affect how they are/interact after black sun!

Goddamn, Roxanne Never gonna love me but it's alright She think I'm an asshole She think I'm a player

--

alright let’s make a right at this stoplight into sad bitch hours! beep, beep, we’ve arrived! (i’ve been listening to a lot of sad ballads don’t mind me)

details: i’d always imagined that liya’s had 3 significant heartbreaks/relationships in her life. why three? because it’s a magic number and there are 3 main sad songs that have been in rotation on my spotify!

when we were young x. (m/f/nb! +/- 1-2 years! open!)

*krp writer voice* childhood sweethearts...*aza voice* but with a twist it doesn’t have to be requited if you don’t want it to be! i’m totally down for the longing childhood sweetheart/crush dynamic but if that’s something you’re interested in! i’m down for liya to be the one with the fat ass crush or it can be your muse too! but at some point i imagine they do go it a try, but it does end cause they’re...young and dumb (lol). but it’s your ‘i didn’t want to lose you as a friend, no romantic relationship is worth losing you forever’ dynamic but they’re already past that point!!! but is it of no return? especially with recent events? they obviously care for each other very deeply still, and i imagine that they still keep in good contact, and now that they’re older it’s easier to brush off/get over, but did all of those feelings fade completely? who knows! you decide (pre-black sun)! post black-sun...hold the ones your love a little tighter.

Everybody loves the things you do From the way you talk to the way you move Everybody here is watching you Because you feel like home You're like a dream come true

all i want x. (m/f/nb! +/- 4 years! closed!)

CLOSED: @ddmaiga​ unrequited in a way (?)!!! i don’t have hard opinions on who is who, but they fall into a relationship naturally (probably either instant chemistry, same interests, shared spaces, same opinions, yanno, the way young adults fall in love). but one of them keeps holding back because yanno!!! they’re BARELY young adults (think 19-23)!!! and while one is ready to deep dive, the other one gets cold feet and things end...not badly (but it could if you want it to!) but things just aren’t the same. it’s not a BAD breakup but it’s one that’s never really resolved because neither was willing to completely hear the other person out, and seet things from their perspective. it felt like neither was willing to meet the other halfway *sad violin music* so it’s a breakup with lots of loose ends! even better if we can make up situation in which they HAVE to interact and it’s awkward as hell (pre-black sun)! post-black sun...cue situation in which they have to interact probably LOL

And there's one more boy, he's from my past We fell in love but it didn't last 'Cause the second I figure it out he pushes me away And I won't fight for love if you won't meet me halfway

bruises x. (m/f/nb! +/- 3 years! closed!)

CLOSED: @gataash​ i’m gonna keep this one a bit shorter and only give the gist, as i’d really love to flesh out this plot via...well, plotting! essentially, they/she fell really deeply in love (i’m thinking she’s like, 26-28 during this), as in - ‘i may actually end up marrying this person’ kind of deep. they’re not co-dependent by any means, but they’re attached at the hip whenever they’re near each other, and i think this would probably be a relationship that’s REALLY steady for at least like, 3+ years, but whatever the exact reason, something comes up and it’s related to her incident when she hurt her younger sibling as she’s naturally incredibly guarded about this (i mean hey, she went into a self-isolating state and didn’t airbend for about 4 months after it happened). they fight, she tries to keep calm, ends up losing a bit of that control, and VERY VERY MILDLY injures the s/o, but due to the precedence and the guilt and lasting trauma from all those years ago, she breaks down, ends it, and runs away (aye) and plays the avoidance game for as long as she can manage.

post-black sun...there’s no way they’re not going to reach out to each other, just to make sure they’re okay. (wow this wasn’t that much shorter...darn it, self...)

I've been holding on to hope That you'll come back when you can find some peace 'Cause every word that I've heard spoken Since you left feels like a hollow street [...] There must be something in the water 'Cause everyday it's getting colder And if only I could hold ya You'd keep my head from going under