#i love this kind of art i want to make more of it

[cup-o-stars]

Relativity Falls!

Design Concepts (and my unnecessary thoughts):

Excuse the the colors, ig my apps are fighting.

I see Mabel finding success no matter what happens to her, but I really like the thought of her running an insane arts and crafts business in GF. Alternatively, if she fell in the portal, she'd come out acting confident as always, but she probably wouldn't realize how much the constant change and lack of family/stability wore her out until she settled back in. In either case, she's a bit cracked.

Dipper is investigative, but cracks easiest under stress and is not as inherently adventurous as Mabel or Ford- so the portal wouldn't treat him well. If he's not the one in the portal, he'd be into stargazing and real magic to share with people, while also warding tourists away from the dangerous stuff. In general, he'd be an unhappy adult if left to his own devices, lol.

Between Dipper and Mabel, I like Dipper being in the portal more. He's a great protagonist, but as a supporting cast member, he needs to be more insane to match the draw that is 'Mabel taking care of children,' ha. I also love the idea of there being no portal / some other looming threat for these two to struggle with (at least because Hirsche has made it clear that Dipper and Mabel are equally smart, and to me it seems like the portal would reopen way quicker with them), but I didn't plan on posting these and I don't know how my followers feel about me posting lore.

Stanford and Stanley:

Pretty much how they are in canon, but now they're in a setting where they can get over themselves, ha. They aren't quite as mature as Dipper and Mabel were at their age, but after coming to GF, they finally found other people to look out for them. Dipper could be a more emotionally available and level-headed role model (I think having people to take care of is calming for him in turn), and they'd both look up to Mabel as the peak of somebody who knows how to socialize.

Fiddleford:

He's a sweet, southern, farm-raised mechanical engineer just like in canon.

Idk why Fiddleford is in GF (visiting an unnamed grandparent?), but I really like his relationship with Ford in the journal. Following that thought, in this AU, he starts out more of Ford's friend than Stan's, and it's kind of a big deal. Unlike Dipper's arc on learning to be a kid, Stan and Ford clearly struggled a lot with interpersonal relationships / finding security outside of eachother, and that's what I think this AU could be about (it's great they realized they need each other in canon, but the part where they had no one else to turn to is also kinda crazy if you ask me).

Ford gets to meet another smart kid in a weird town, which helps him feel more normal. He has a better idea of what friendship is because of it, but also, since I can't imagine Dipper wanting an apprentice so young/vulnerable/impressionable or Mabel asking only one of the twins to stay- he'd have to come to terms with the fact that he can't live in his dream world forever. (Or maybe the apprenticeship comes from somewhere else, just because the conflict around going back to Glass Shard Beach at all, or sending Stan alone could be pretty good.)

On the flipside, I think Stan's initial jealousy of Ford and Fiddleford's friendship would force him to try finding his own friends / hobbies. I like the idea that he fails at first- and a lot- but Mabel notices his mounting frustration (which he is very keen on hiding), and her consistent and unorthodox support makes him realize he wasn't alone to begin with. He can be more open around her, which makes it easier to open up to others, and then he can make friends without having to pull any tricks. He probably starts with some animals, and then at least gets closer to Fiddleford anyways (I feel like they're both more practical than Ford and value human company more, so they'd bond easier once Stan gets over his personal hurdle).

Anyways- because that was way too much- Mabel's exes are a constant source of antagonists and Dipper is stressed about setting a good example.

(I was more of a Monster Falls fan back in the day, but I can't draw animals, lol)

[batmanisagatewaydrug]

Hello! Someone genuinely trying to understand and perhaps unlearn some reactionary tendencies. With the response to that anon about "not asking if you're a pro or anti", the response about "imagine if they put this much effort into protecting real kids" definitely got me thinking. So... Is an adult shipping children and finding that hot NEVER a red flag? Or is it case by case on seeing how that person handles the distinction between fiction and reality in other things? And bringing the issue of real kids into it, if a real kid who has been abused sees someone shipping kids and finds that a red flag in that person, that... No, no I juicy answered my own question on that one. Block them and cultivate your own experience.

hi there anon, and congrats on trying to unlearn some things! and great job catching yourself at the end there, that's exactly correct.

I will start by saying this right out of the gate: fundamentally, I do not really give a shit about what made up scenarios about fictional characters people are jorking it to in private. I am, first and foremost, interested in how they are interacting with actual, real people.

"but Makenzie are you saying people who look at sexually explicit images of real human kids should be allowed near children?" no I'm not. please note that I was specifically talking about people engaging with fictional characters who are, you know, not real and do not have feelings and therefore cannot actually be hurt, traumatized, abused, etc, in any way that actually matters. I want to be so clear about this: you can genuinely think whatever vile things you want about fictional characters. you can enjoy any problematic shit you want with little guys who don't actually exist.

like, here's an example I use a lot: I'm kind of a huge Batman fan. don't know if you could tell that or not, I'm pretty subtle about it. if you spend any time in the Batman mythos, you know that this is a story where you just kind of have to take for granted that our hero is a billionaire using his vast wealth to dispatch vigilante justice with military grade weaponry and a small army of child soldiers and cop friends to help him put people in prison. these are moral quandaries that are discussed and acknowledged within the story, but fundamentally the universe is always going to involve billionaire vigilantism and child soldiers and the so-called carceral justice system. that's just the price of admission if you're gonna read Batman.

and like. I spend a lot of time in that world. I love Batman, I love his child soldiers. he's my little blorbo or whatever. but like, at no point have I said "yeah, fuck it, preteens should be learning martial arts to fight domestic terrorists, actually. I think Elon Musk SHOULD be allowed to put on a fursuit and beat up criminals. cops need more funding." no amount of Batman comics can make me believe or act on any of those things because, you know, I'm a person with a brain and I know the difference between "thing that makes a good story" and "thing that should actually happen for real."

and the thing is that genuinely, honestly, if someone thought that it was a red flag that I like Batman, and that enjoying Batman comics was somehow a red flag indicating that I'm fine with violence being done against real, actual children? I would think that person was a nut, if I can be super real. like, I'm thinking about somebody trying to make the case that I shouldn't be allowed to hang out with my nephew because I enjoy the fictional character of Robin so clearly I'm going to kill my nephew's parents in front of him to try to get him into vigilante justice. or if someone attempted to bar me from teaching my 4th-6th grade sex ed classes on the grounds that I was obviously going to teach them to do karate to clowns instead of how their reproductive systems worked.

(although, lets be real, there are a lot of politicians who would MUCH rather let little kids cage fight each other than learn anything about safer sex.)

this doesn't just apply to morally bad things, either, btw. I also read a lot of romance novels, especially hetero romances. and the thing is, not one of those books has made me want to fall in love with a ruggedly handsome but condescending straight man. hell, none of them have made me want to fall in love with anybody, period. that's not really something I'm interested in for myself, it's just a fun and frequently funny dynamic to explore. I'm hardly the first queer person to point out that the allegations that queer media "turns kids gay/trans" is obviously bullshit since the vertible mountain of cishet media evidently failed to turn any of us straight/cis, you know?

my point being: no, I genuinely don't think it's often, if ever, reasonable to judge someone's actual, real life morals by how they interact with fiction.

I'm going to say something so vulnerable right now, because we're in a safe space here: since you asked me this very reasonable question, you evidently value my judgment and perspective at least a little bit. and I once read and thoroughly enjoyed a fic in which Dr. Horrible, from Dr. Horrible's Sing-Along Blog, gets fucked by a sapient evil horse. and I don't think that makes me a morally reprehensible person, or a person who advocates for real human beings having real sex with real horses. I think it just makes me kind of a weirdo with a bullshit tolerance.

if you want to hear a MUCH more thorough take on this, complete with addressing the issue of shipping fictional children, I cannot recommend Princess Weekes' video essay enough:

[neo-kosmos]

hi all, shelby here! sorry for the total lack of activity on this blog for the past few years. we have been working diligently behind the scenes on our discord server as we wrote the drafts of the novels

if you haven’t heard, danny broke up with me and brian. we are getting neokosmos in the divorce as it has always been my baby and brainchild and brian has done virtually all of the prose writing since 2020. danny has wanted to step away for quite some time, and we are super proud of him for following his own path in life. the two of us will always be best friends but our time as partners and creative partners has come to an end.

we will be changing the name of neokosmos because danny is no longer working on and it is just not the same project that it was back in 2015. its a lot more adult, its a novel, the story and world is so much more developed and honestly we need a fresh start. as soon as we can we will be relaunching everything with the new name and posting the first five chapters for free for everyone to read to see if you wanna join us and make it happen. both brian and i are too disabled to work normal jobs so we need to make writing and selling artwork as our main gigs or we will be kind of fucked.

thank you to everyone who has believed in us over the years and especially our loyal patrons. its been hundreds of thousands of words and concept art and prep over the last 9 years and im so stoked to finally share what we have been cooking with more people. i started this project as a 23 year old recent grad with no idea what i was doing in life, and now at 32 i finally feel confident enough that what i am making is ACTUALLY GOOD????

so yeah, stay tuned, the whole project is about to enter Phase 3. love y’all

-shelby

[parkerluvsu]

okay wrote a request for chiropractor!art or some type of body worker!art a few nights ago very late and stoned so sorry if it was messy or phrased impolitely. if you would be so kind as to bestow some of your artistic talent upon the proposed concept, i would be very grateful, obviously no pressure or rush. please and thank you!

if you’re open to it, picture art being immediately smitten upon seeing you. you’re a little taken aback by his appearance and charm, but resolve yourself to focus on tending to your long aching body and focusing on pain management and healing to whatever capacity you may achieve.

little do you know, art is growing exponentially enamored. he was initially smitten by the way your eyes met his, your voice when you greeted him, and countless other little wonders about you.

he is the picture of professional, externally. no one needs to know he anticipates your sessions all week. schools himself into not losing his composure over the forced proximity prompted by the setting. he grows obsessed with trying to untangle and pinpoint the layers of your smell when he’s all up in your space. he’s being so normal about pushing up your legs as far back as they can go, slowly gaining more and more ground. he definitely doesn’t think about the ways he can bend and fold you right here right now, or the positions he could use his profession to help you work up to. he doesn’t feel his ethics hanging by a thread every time another lovely sound is pushed out of you. tells you to breath makes intense eye contact while coaching you through breathing in spite of overwhelming pain when addressing a tight spot. tenderly talking to you through any pain. touching every inch of you, to get to the root of any discomfort only, of course. he has immense respect for you, especially considering you’ve been carrying immense pain so gracefully for so long.

he knows he can’t date a patient but that doesn’t mean his mind can’t wander…

wonder what he thinks about… gets up to…

anyhow, thank you for entertaining this ask and full respect however you choose to engage with it or not.

thank you good sir.

holy fuck 😭😭 i mean what can i add to this perfect ask?!?!

im imagining that you didn't exactly know that your chiropractor would be a man.. i mean all your previous ones weren't, so when you walked into the clean, organized office and were met with the most gorgeous man you've ever seen.. yeah, you were a little surprised.

but you tuck those feelings deep down and try to be professional, telling him how it hurts when you raise your arm too high, and how your calves keep cramping no matter what you do. and art listens, nodding his head every once and a while and taking little notes on his clip board. but despite trying to he professional, you can't help but look away when his pretty blue eyes meet yours.

then he gets to work, telling you to lay on your stomach while he digs his thumbs into your leg muscles, and you're fighting the urge to make absolutely embarrassing sounds, but art couldn't even notice that if he wanted to.. he's in his own world, letting his hands massage and bend your legs gently, the soft skin sending him almost into a trance, sometimes interrupted by thoughts of rubbing lotion into other places on your body.. wondering if you're this soft everywhere.. wondering how far he could take this without you noticing his erection in his pants.. but art is a professional.. he wouldn't put his job on the line just to get his dick wet.. but that doesn't stop him from thinking about it..

in the next session you two have together (which art has been not so subtly preening himself for), art works on your shoulders, asking you to sit up while he presses his palms into your shoulder blades, biting his lip when you make a noise of discomfort, torn between wanting to comfort you, and wanting to hear more..

after he books your next appointment, art sends you on your way with his signature sweet smile, before shutting himself in his office and cancelling all of his appointments for the rest of the day.. definitely not because hes rubbing the sweet lotion that he always uses on you at your appointments into his hands.. groaning and spreading his legs in his chair to grant himself better access to shallowly thrust his hips into his hand.. the pink head of his cock peeking out of his fist every once and a while.. when the thought of your noises from earlier that day pop into his head.. arts a goner, shooting white rivulets onto his navy blue work pants.

cleaning himself up, art sends you an email insisting that it would be in his best interests if you would have a session with him 2 times a week.. of course just to help you feel better quicker, not because he needs more inspiration for those lonely nights alone at the office <33

[entiqua]

I love your artstyle!! Do you have any tips for drawing?

thank you so much! i'm really happy you like it!!💗 as for tips, what i would say would change drastically depending on what kind you're looking for, but some very general ones:

draw what you love and want to see most, regardless of whether anyone else wants to see it. if you don't enjoy what you're drawing it'll never come out as good or genuine as something your whole heart and soul is in. i mean you'd think this would be a no-brainer but sometimes i've had to sit back and ask myself 'if no one was ever going to see this except me, would i actually spend time drawing this?' and i was surprised by the answer

that said, it is also completely valid if your motivation for drawing is to draw for other people! there have been plenty of times where i was too artblocked to draw my own ideas but was still able to draw commissions or gifts and enjoyed it simply because making other people happy with my art makes me happy.

don't get too caught up in having a consistent art style. in my experience this 1000% hinders you

having your sense of anatomy degrade over time without you noticing because you keep drawing the same types of characters is a very real thing! if this is a concern to you be sure to draw a variety

follow a billion artists that you like the art of and you will have endless inspiration injected directly into your brain every time you open social media

my favourite practical tip for those who draw at a desk: keep a small mirror next to you at all times. absolute game changer for quickly referencing hands

if you're drawing digitally, make the canvas huge! in my experience this lets you draw messier/faster and you can't tell at all when you zoom out. if you tend to get stuck spending unnecessary amounts of time micromanaging pixels (me💀) keep it zoomed out while drawing

related to the above point, messy drawings can have far more expressiveness in them than neat and polished drawings. nowadays i never do lineart and go straight from 'barebones stickman pose' to 'varying-levels-of-coherent sketch' and use that as my lineart. sweet freedom from the sketch-looks-better-than-the-lineart phenomenon

if your goal is to improve, then you really do have to scrutinize your art, figure out what you're not satisfied with, and commit the time to focusing on it. 'practice makes perfect' kinda rubs me the wrong way because of how much i've seen it interpreted as 'just draw everyday and you'll magically improve' but genuinely it won't get you very far if you don't actively think hard about what you're trying to improve and take the steps to do it. is this a hot take idk. also hand in hand with this, not every artist is trying to improve and you shouldn't feel bad for this! maybe you just wanna make a little headshot doodle of your fave blorbo and that's your only drawing goal ever. awesome. maybe you know your art has flaws but it's passable enough to convey what you want and you're perfectly satisfied with that. (this is the stage i'm usually at). also awesome!

don't hesitate to draw something because you think it's out of your skill level. the worst that can happen if you draw it is that it comes out terribly but you learned something and can always redraw it better in the future. the worst that WILL happen if you don't draw it is that you'll never draw it. and then it will sit in the back of your brain haunting you for years. it's not like i'm speaking from experience or anything aha

look up 'hand stretches for artists' and do them if you draw a lot unless you wish to summon the wrath of the carpal tunnel demons

of course, these may not necessarily work for you, and most importantly(!) these are coming from the perspective of someone who is primarily a hobbyist. some of this won't be practical for people who need to build an audience, maintain a consistent style for work, etc. these are just things that have personally helped me over many years of drawing :)

[alexanderwales]

The worst thing about creative AI right now is that it produces bad results. The writing is bad, the images are bad, and the video is bad. It's impressive, sometimes, that the technology works as well as it does, but it's still bad.

I think if you sit down and go through a few hundred generations, then tweak and edit and inpaint and think intently, you can sometimes get something worth putting in front of people, if you have the right eye for it. I could definitely edit up an AI-written short story into something worth reading, especially if I was the one who had fed it the prompt and gone through the work of having my own ideas to insert. I think at least part of the output would be the AI's, and I could carve away everything that was nonsense or just bad, leaving only a few turns of phrase or some general boilerplate structure ... and this would take more time and effort than just writing the thing myself.

Most people who use generative AI do not want to do any work, and in fact, have no conception of what work would be required. Most of them are consumers, not producers, and they're used to the modes of content consumption, where you don't look closely at the details. Generative AI, in its current state, just kind of sucks when you're in a "press button, get results" mindset.

The stuff generated by "press button, get results" is the vast, vast majority of AI art that you will see, even accounting for filtering effects. There are a lot of people who have no love of artistry producing artwork via machines that are not good at making artwork, sometimes just for a lark, sometimes with profit in mind, and it's threatening to drown out other stuff in spite of being bad.

This is my thesis: generative AI produces bad results, and this is possibly the worst thing about it. If it were able to produce good results, I think that a lot of people would be less opposed to it. If you could get a short story that was worth reading, or a picture worth looking at, for no additional effort of manipulation or prompt engineering or whatever else, then we would be flooded with good art instead of bad art.

When it comes to art, I care about how it makes me feel, and what it's trying to say, and where the intent is, and what ideas it has. AI is not there. Possibly it will never get there. But sometimes I see a picture that the AI has made, and I do feel something in the sweep of the lines, or the composition, or just the juxtaposition of elements. It's just really really rare, and the product of either chance or really careful work on the part of some human. It's not something that the AI can do reliably, at least at the moment. You can also quibble about intent, because the AI "has none", but I find beauty in nature too, which is not trying to make a statement with its sunsets, and whose intents, if they can be said to exist, are mostly about things that are orthogonal to my perceptions, like the plumage of a sparrow or the curved leaves of a fern. To me, art is art because of the way that it can be read and the emotions that I feel when I look at it. Contentious, I'm sure, but I don't find other definitions all that useful.

But the art that the AI makes is, unless expertly guided, bad. And there's a ton of it, and it's impacting the ability of real artists to make superior work.

I think the future I see, if the AI doesn't get better, is one where we have a bunch of cheap shit that's replaced a lot of good expensive things. I am in favor of cheap things, but I'm not in favor of shit. I would love for translation to be as simple as pressing a button. I would love to have a good painting to go with every chapter I write. But we're in a world where the results mostly suck unless you're willing to put in quite a bit of effort and have some expertise in a field of creative endeavor, and that means we're in a world where the products are bad.

I'm interested to see how the conversation shifts if the results start getting better, because that seems to me like one of the sticking points.

[sarahreesbrennan]

Also also: is there any way, or will there be any way, for readers without whichever special edition (?) it’s in to read “Letters to My Lady from the Abyss…”? Reading your Reddit AMA in a desire to know more about this wonderful book and the idea of a tiny bit extra has me 👀

Thank you for wishing to know more! FairyLoot special edition is the special edition with bonus content. I will explain more. FairyLoot is a wonderful UK-based group who make fancy special editions for their monthly boxes. People sign up for FairyLoot and get books picked for them. You can get Young Adult, Adult Fantasy, or Romantasy, or a combination thereof - Long Live Evil was the August Adult Fantasy pick - and you can buy other special editions from their website. So the FairyLoot folks are Tastemakers as well as makers of beautiful objects. (ISN’T IT BEAUTIFUL? Pictures stolen. Interior art by Bon Orthwick who got Marius’s hair PERFECT.)

But you can’t buy the monthly boxes, unless they have extras! If they do have extra Evils to buy, I will put up a link.

There are many boxes now, but FairyLoot and Illumicrate are the two biggest and have made a lot more people embrace reading and see books as a special treat. Waterstones and Barnes & Noble have started making special editions of books because of them. A while back I knew none of this, because I was staying away from publishing, working with IP books (very different branch of publishing) and training for a different job. But then I did a catch-up call with my frien. She talked about FairyLoot. I did not understand her and thought maybe the deadlines had got on top of her and she believed fairies had looted her manuscript.

Holly: So these FairyLoot editions have (She holds up a copy of… I think… the Coldest Girl In Coldtown?) been amazing for UK sales.

Sarah: Sorry but why are these books so beautiful?

Holly: Because I just explained to you why, girl. Sarah: Can I have this.

Holly: No they’re limited!

So then I knew FairyLoot was a Giant Deal and they were offered Long Live Evil but I was sure they wouldn’t pick me.

My lovely editor Jenni: great news, the FairyLoot people picked you! Sarah: are you. are you quite sure.

Jenni: … yes? Could you write them some bonus content? Sarah: YES! A thing I can do for them? Oh yes! Here’s three things I can do. Tell them they can pick which one they would like!

I wrote a letter for them as well, to be bound in with the book. But the bonus content is an extra adventure or point of view you didn’t get to see in the main book. FairyLoot picks what they think their readers might like most.

I really like epistolary novels, where the action is told though letters, such as Jane Austen’s Lady Susan and Amal El Mohtar and Max Gladstone’s This Is How You Lose The Time War. So I thought it would be fun to do a story through letters!

Obviously I then had a moment of dark self-doubt.

Sarah: O my god why did they pick this nobody’s going to like him what shall I do! Holly: When I was writing Cardan’s letters you said ‘epistolary is so fun, you said, this is a piece of cake, you said, get in loser we’re writing romantically sinister letters, you said…’

Sarah: my Vision is a romantic The Screwtape Letters. Holly: … oh dear. Okay. Get in loser we’re writing romantically sinister letters.

And so with a lil help from my kind frien, I wrote Letters to My Lady From the Abyss, which is an epistolary short story with a POV we don’t get in book 1 and an adventure we don’t get to see. But I did write it, as you see, for FairyLoot so it belongs to them and it’s up to them. I think I might get it back in a year and then I’ll put it up on my website. I will let you know!

I am so sorry for this very long explanation, I just wanted to let you know what was up.

Should you read it, I hope you enjoy. And I will write more bonus content, I promise!

Also speaking of FairyLoot, they’re doing a readalong of Long Live Evil right now if anyone might like to chat about the book. Here’s a link to people talking about chapters 1-7 - they will do a different chunk every day! I like that people are choosing favourite characters, so far the Cobra, Key and Emer have the votes!

[dootznbootz]

As someone who is also really uncomfortable with the Zeus/Odysseus art trend, I completely understand where your coming from!

People’s treatment of Odysseus’s assaults in general makes me really upset. Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom.

I remember being so frustrated when the snippets of “There are Other Ways” came out because so many people were making Hamilton jokes and talking about how he always talks about his wife yet cheated. When in the song it was so clear he was being coerced which is yknow, not a form of consent. I couldn’t even listen to it because it made me so uncomfortable, and even now with the full version out the fandoms reaction to it overall have soured me to it. Which sucks, because I do think it’s a great song.

Also I don’t even think Epic completely erases Calypso’s assault? At least, I think it’s left ambiguous enough during the time jump that people can come to their own conclusions. Specifically when Calypso says “Soon into bed we’ll climb and spend our time” just really gives me the impression that something else happened.

I suppose in the snippets we’ve seen of “I’m Not Sorry For Loving You” it seems like Odysseus and Calypso are on slightly friendlier terms, but I don’t think that negates the fact she could’ve assaulted him. And I’ve always took that song as pretty manipulative on Calypso’s side, with Odysseus more so trying to placate her. But that’s going into theory territory.

And even if he isn’t SA’d in Epic it’s pretty clear he doesn’t want to be there!! Same with Homer’s Odyssey. It’s so infuriating to see the cheating narrative be so widely spread when that is just not what happened.

Anyway’s sorry for the long rant, but I wanted to say that it’s nice to see you take Odysseus’s SA seriously. It’s not something the fandom does enough.

It's okay for the long rant. Sorry I took a bit to get to it but I wanted some "soft chatters" for a bit before I tackled this one :)

"Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom."

I completely understand you with this stuff. ;~; I used to go through Odyssey tags often as I LOVE possibly finding new people to follow and fun things but too many times I would see shit that pissed me off. ;~; I've honestly kind of just stuck to my mutuals that I trust tbh. And honestly, there's soooo much shit of people just straight up not understanding the context/culture/meaning/etc. of the Epics and just taking it at face value and not understanding the meanings. :/ I'm no expert, but I also have analyzed and researched quite a bit on my own to try and get the full picture. I think in order to truly enjoy the Odyssey, you need to just... really soak shit in, you know?

When Calypso, that lovely goddess,  tried                           to keep me with her in her hollow cave, longing for me to become her husband,                                  or when, in the same way, the cunning witch Aeaean Circe held me in her home filled with a keen desire I’d marry her, they never won the heart here in my chest.

(Book 9, Johnston)

Odysseus tells this to the Phaecians. They are strangers that he will likely never see again and who are isolationists. Therefore his story that he told probably won't be "spread" to others so he can probably say whatever. So he doesn't have to worry about "Penelope hearing a different story than the one he told to her" if people wanna argue about how "Oh well, he didn't tell Penelope about the 'affairs'"(He tells her everything as well btw.)

He could literally say "Oh yeah, I had the time of my life!" but he doesn't because that's not true. Odysseus has no listed concubines, I just literally don't see him as the type of guy who's really into that.

And while yes, he would be devastated if she didn't "stay loyal", he does sound like he'd be understanding. He asks his mother in the Underworld if Penelope had gotten remarried to "the finest of Achaeans". And we all know of Odysseus' words of "when Telemachus has a beard, feel free to remarry". Even when first "rejected" by Penelope in that she didn't hug him when he sat across from her, he was incredibly hurt but asked for a separate bed. He literally could have had it where Penelope takes a different bed and he takes their luxurious/fancy one because he has the rest of the household on his side.

But he DOESN'T!

Because he adores her for fuck's sake!

Funny enough? I have the weird reaction of like, weirdly searching out "Good" animatics as it was a weird reassurance of "yes, people see that it's wrong." as while holy fuck. so many stupid, awful jokes about "Say No to This" in the comments (I have learned to just stay the fuck away from youtube comments on Odysseus shit. :') ) but like, seeing and HEARING how yes, this was fucked, was weirdly really nice for me. yeah, it took a lot of digging but there's a few "There Are Other Ways" that I love. Literally, both are unfinished wips and they're still my favorites. If you can, please give these two a watch and some love for the creator.

This was back before we heard the full song and it's still very good. How he's on guard until she "magics" him and the colors change. After that he kind of moves like a "puppet" but he's still resisting as best he can.

This one is literally still sketches but it's my absolute favorite. Oh my word. The body language, PENELOPE FLASHBACKS!!! Showing cute bits of Penelope's character and how awful this is for him. (Penelope is so cute. She puffs up her cheeks to make him laugh!) How he really is scared that he'll have to go through with this in order to save his friends until all his past trauma floods back and he just can't. It's lovely.

And yeah Idk how to feel about "I'm Not Sorry For Loving You" :/ I don't know how it'll be yet, maybe there's something in another song that shows Odysseus' real feelings or whatever.

And with just the whole cheating thing, yeah, it's really upsetting to call what is blatant assault "cheating". As wild as it sounds, Odysseus' story has been more relatable for me than any other stories like this, even modern ones. I've spoken a bit about it before but yeh, victim blaming at its finest. I find him and his story and his love for Penelope slkdfj very relatable. It's honestly really nice to write about in a sense..

(I'm pasting this from an old post of mine but yeh)

I have never had a story that felt like how it actually FEELS. The "aftermath" and "regaining life". It's hopeful and feels really good. It's been years since "everything" but it just felt nice to see "Everybody has the chance to get better." Even Nestor, Helen, and Menelaus, while still dealing with their traumas, are doing a lot better now. And after literal hell, Odysseus got to be with his family and loved ones again. He can start living again. It's why I'm just...idk passionate about this? I'm not a murderer or a war veteran but I see myself in him. Hopefully, y'all see me as nicer though!😂(plus, let's be honest, the Odyssey is romantic af and OdyPen is right up my alley as well >:D )

I really hate the whole "he's a guy so therefore ____" whether it's used as a "Boys will be boys. they can't help themselves" usually aimed at female victims or a "Men always want sex. they cannot be victims.". It's fucked up and used against ALL of us. :( Doesn't matter if it was history. People, no matter the era, should never be put through "Are you Victim™ enough?". He is one.

Idk the Odyssey means a lot to me. I hope it's okay I take some liberties with my fanfics as it's nice healing through him :D I AM kind of using my own experiences and ideas and it feels nice. I don't think Homer necessarily meant for this but eh, anything that helps is good :D He's a war criminal that I relate to.

[outmakingmoonshine]

The conversation Syd has with Shapiro in 3x10 is of course about the job he offered her but the main questions of the conversation are: Has Syd told Carmy yet? Why hasn't she told Carmy yet? Does she still want to tell Carmy? When is she going to tell Carmy? Then a noncommittal agreement that she will tell Carmy "soon". As much as it's about the job offer, all these questions are about Carmy too. The questions are forcing Syd to think about why she can't just tell him, and deep down she knows why. (S1 Syd wouldn't have hesitated this long to tell Carmy and take the offer, especially since the way he's been treating her in S3 is worse than what made her leave in 1x07. Syd, unlike Carmy, is more aware of the kind of treatment she does and doesn't deserve.)

So we can assume as their conversation comes to a close and Shapiro walks off giving her a minute alone to think, Syd's mind is on Carmy and the reason only she knows, why she hasn't told him.

Well just after Shapiro walks away and Syd has her moment to think Big White Cloud by John Cale plays through the next few shots

(Syd's in a room full of wine bottles, mind you. I don't wanna divert the topic too much but in the table scene, the wall of alcohol bottles is always behind, above and "weighing down" Carmy's side of the table for the entire 5 minute zoom in. The table they're both fixing "their side of" which represents their relationship and them "keeping their side of the street clean." <<Thank you to @yannaryartside for writing this incredible meta! I think the bottles represent Carmy and him being a type of addict, in repeating traumatic patterns, not necessarily an alcoholic.)

The chrous of the song repeats the same lyrics over and over again starting from the last shot of Sydney and ending at the first shot of Carmy, with a Chef Terry & Syd parallel transition scene connecting them.

The lyrics:

Oh I love it, yes I love it Oh I love it so Oh I love it, yes I love it Oh I love it so Oh I love it, yes I love it

I think the song is about more than just Carmy, but I think it's also strongly about Carmy. Especially based on all the questions Shapiro was asking right before it. It's also about the restaurant Syd's been building and everyone working there too, but I think this might be subliminally telling us why Syd hasn't told Carmy yet and why she doesn't want to. She loves the restaurant, she loves the family they've built there together and the most painful, frustrating part that's keeping her from jumping at Shapiro's offer is she loves Carmy.

The Syd and Shapiro scene ends with Syd walking out and if the camera was following her like it follows Chef Terry in the video, we would be seeing Syd's back walk away. Instead the next shot is CT's back walking away. She walks up to this hanging art thing, stops to admire it for a second, then sees Carmy pass behind her and goes to find him.

The Chef Terry transition scene makes it seem like these two scenes of Syd & Carmy aren't connected by this song but the CT scene is a mirror of this scene of Syd looking at the same art earlier in the episode:

In both scenes the art is in the shot first, Syd/Chef Terry walk into the shot, they stop to admire the artwork for a second, (they linger a bit longer in CT's scene to drag out the space between the shots of Syd & Carmy while this song is playing) then they both walk away to find Carmy.

They also walk in the same way. The CT scene is the perspective we would've seen if the camera follwed behind Syd like this when she walked up to the art when she arrived but the camera in Syd's scene is waiting where the scene ends in the hallway that Syd walks down. You can see the same plant in front of the grey wall on the left of CT that's on Syd's left as she walks past, the design on the white wall, the flower arrangement ahead that Syd walks towards etc

The scenes are almost identical, they're just shot from different angles so they look and feel completely different. But imagine if it was Syd in CT's scene, the resulting conversation Chef Terry had with Carmy outside is exactly the kind of open, honest conversation Syd & Carmy need to have.

Also notice Syd walks down the hallway into the restaurant to find Carmy but finds a very absent, unfocused version of him. Chef Terry turns back the way she came and goes out of the restaurant to find Carmy and she finds a more present, attentive version of him. Sydcarmy deperately need to connect outside of work. It was magical when they did in the apartment in 2x02 but then he didn't show up to Kasama and started dating Claire...which shouldn't have been an issue if their connection & story was just about work & friendship!

The song continues to play and as the third "oh I love it" comes in we go to a shot of Carmy with his back to us facing a bright artificial light. (Remember he left Syd behind in the restaurant? Syd is represented by natural light, not artificial light and we know it's likely Carmy goes back to Claire in S4, hence him looking into the artificial light here with his back to the restaurant where Syd is. And maybe coincidence, maybe not, the last line Syd said before the song started playing was "I'm right behind you". Chef Terry, who was just mirrored to Syd, walks up behind him.)

Also the clothes rail on the left looks very similar to the one we saw Sydney picking her chef's coat from in 3x09 while trying to figure out how to break the news to either Carmy or Shapiro and those look like Chef's coats, just like Sydney had on hers.

And I just left the start of the conversation between Carmy & Chef Terry in because it sounds so sydcarmy coded, further making the point that these scenes are connected to their story together.

Chef Terry tells Carmy later in their talk that she's closing the restaurant because she just wants to go out and live life and Carmy seems to think about that and wonder if he could have that too. Considering Carmy's willing to bend over backwards to keep Syd around and doesn't seem to give anywhere near the same energy to anyone else, I'd say he wants to be able to do that with Sydney but doesn't feel like it's possible because she wants a star and he's determined to make her happy, even if that means suffering in the darkest parts of his mind for months just to get it for her.

[werewolfsister]

PSA: COMIC DRAMA

I've been slowly receiving critical, entitled, and passive-aggressive messages about the way I've been writing my comic! I wanted to address this behavior.

That being said, the majority of my readers have been nothing but positive! And when they spot a problem, they're kind about it. I really appreciate this; thank you to those who choose to be civil.

I'm making this post to address some issues, complaints, and questions I've seen. Let's take a look & see what we can discuss!

READ MORE UNDER THE CUT!

🦈-> I want you to use my character in your comic, but you're not using them! Sometimes, a character doesn't quite fit my vision for the comic-- even when they're designs that I love! I really do try to use as many people's characters as possible. I think it adds to the world & makes the comic feel more full of life! But I can't accommodate everyone's desires.

🐟->You're using my character in your comic, but you're not giving them enough screen time! Similar to the above issue, sometimes I don't think focusing on a particular character for any longer will serve the story well. Ultimately, I have final say on what happens in the comic. My advice is, if you feel your character isn't appearing enough, make your own content! Draw, write, craft, etc like I mention farther down below!

🐠->You said you were going to use my diplomat/character(s), but you only drew them in 1-2 panels. Why aren't you using them more? Similar to the points above! I was never planning on going into a TON of depth with the diplomats-- the comic focus also drastically changed, as I mention below.

🐡->You're using characters in the story that I don't like! Ahh that is too bad, but! In that case, you can always take a break from the comic & come back later to check if the characters are no longer being used, or maybe stop reading the comic altogether. However! If you have concerns with how the character is portrayed because of legitimate sexual/violence/illicit/illegal issues, then that's another issue entirely and you should let me know.

🪼->I thought this story was about rescuing Kenne, but now she's not even in the comic! I don't like the way this story is going! This is a big issue some people are having and I completely understand. There's been a lot of things going on behind the scenes that I haven't explained, which must be generating a lot of confusion. Originally, @kenneduck and I were collaborating closely on this comic. Recently, the dynamic shifted, and we're now working on the comic separately. @kenneduck is now responsible for the part of the story that heavily features her characters, i.e. Princess Kenne's perspective of the rescue, her rescue effort, and what's happening in the Domain of the Luminous trench. I am now working on a different angle of the story-- the diplomatic efforts of Zora's Domain in their attempt to negotiate for Princess Kenne's return. So, the story is still the same... the focuses have just changed and split!

🦑->You reblogged my fan art and/or linked it in your comic directory-- does that make my content canon? Oooh, this is actually kind of a tough one! Normally, if something is in the comic directory, I consider it to be canon to the story. So, if you've drawn something, and I add it to my directory for a comic chapter, I'll consider it to have happened in real time. THERE'S AN EXCEPTION! And it may be confusing, so I'm genuinely sorry! If you have drawn something where you are heavily modifying someone else's character--this means cosmetic changes, giving the character children/spouses/family, killing the character, altering their personality-- WITHOUT THEIR PERMISSION, then I cannot accept that as canon. It's still fantastic that you drew/wrote/created something and I will probably put it in the MISCELLANEOUS section of the comic directory. I'VE MADE MISTAKES ON THIS! So, I've since updated the directory. And, sorry for all confusion on this issue! If you've made something & intended it to be canon, let's talk about it!

🐳->I want to collaborate with you on your comic, can I do that? That's awesome! Maybe in the future, but right now I'm not taking on any more partners. Maybe you can make your own separate additions, with your character(s) like I mention below!

🐙>I want to make fan art, can I do that? You absolutely can. Go for it. This was originally meant to be a very interactive comic, so draw/write/create away!!!

🦀->I want to draw my character(s) doing something in the world of your comic, can I do that? You absolutely can. Go for it! Like I mentioned above, however, I may or may not deem it canon to the events of the comic. But even if I don't, I'll add it to the MISCELLANEOUS section of my comic directory! ...as long as you don't alterate someone's character without permission! If you've made something & intended it to be canon, let's talk about it!

🐬->I want to make a character based on a Domain you created/idea you drew/etc., can I do that? Of course! Go for it. I love seeing what people make!

I know this is a lot of text, but it's better to be comprehensive! Please, keep in mind, I'm just one hobby artist making a comic for fun, with the spirit of interactivity and collaboration in mind. But it's impossible to keep that spirit going when people feel entitled and demand things of me that I am not obligated to give.

I queue out my pages several weeks in advance with the help of the people I'm working with, so what you see in the comic is the product of a lot of thought and work. You're getting something for free here, y'all. It ain't so serious!!!!

Anyways, thanks for reading this! And for reading the comic! Peace out ✌️

[otrtbs]

Hi I hope you're doing well 🌷

I had a question. I'm totally asking out of pure curiosity, it's not a criticism or anything of the sort.

In ahb (this masterpiece of yours) Sirius's favorite painting is Degas' Dancers.

I wanted to know if you knew the background of this painting and if making it Sirius' favorite was a deliberate choice or if you had no idea at all.

Because the Ballerinas in Opera Garnier in Paris were all really young and mostly, they were poor. The dancers were often their family's hope to crawl out of misery.

The audience was full of men.

In fact, the sad flip side was that there was a whole prostitution network behind the scene. With these young girls. Men could pay for backstage access to watch ballerinas change and sometimes rape them.

So Degas was a big customer.

That's how he painted the dancers and most of his works.

That's again how he sculpted the ballerina, her tutu was added meaning the 14 year old girl was posing nude.

Degas is also suspected of being Jack the Ripper, there are a certain number of credible leads and potential evidences.

That's why I was wondering if you knew.

Since there is this whole chapter where they insult Picasso (as they should) I found it strange that Degas being a known major p*do did not receive the same treatment.

Ps: I'm french, I don't know if I made any mistakes writing this, if I have please excuse me I tried my best 🙏

Okay hi, hello! I am doing well and I hope you are as well! You have unlocked Art Historian Thesis Nat, so I am going to put an extremely lengthy post under the cut, I'm so sorry (this is literally my area of study,,, i fear i am incapable of being brief about this)

I do want to clarify that right off the bat, I don't necessarily think many of these art historical figures are "good people". Like none of them are the best, most moral, upstanding citizens you should model your life after (but they're also dead sooooo). But I also understand that I did take some time in my fanfiction to make my hatred for Picasso very clear, and so I can also understand the confusion in not extending that same hatred towards Degas. But there are a few reasons for that, that I'll try to explain below!

The direct historical documentation of Pablo Picasso's violence towards the women in his life is vast and damning. If you want particularly good insight into his violence and abuse, then I recommend reading Marina Picasso's (Picasso's granddaughter) memoir titled: Picasso: My Grandfather. I also recommend Françoise Gilot's (romantic partner of Picasso) books, Life with Picasso and Picasso and Matisse. It is through the memories of the people who loved Picasso and who loved him in turn, that we hear of his sadistic nature that drove his lovers to suicide and we get personal letters that he wrote to Gilot in which he says things like "Dora, for me, was always a weeping woman… And it’s important, because women are suffering machines" and "For me there are only two kinds of women: goddesses and doormats." His granddaughter has this to say about him: “He submitted [women] to his animal sexuality, tamed them, bewitched them, ingested them, and crushed them onto his canvas. After he had spent many nights extracting their essence, once they were bled dry, he would dispose of them.” And Gilot says: "I am the only one to not have been sacrificed to the sacred monster(…) and is alive to tell the tale. He was a wonderful person to be with, it was like fireworks, amazingly creative, so intelligent and seductive(…) but he was also very cruel, sadistic and ruthless with others and with himself (…) It was the greatest love of my life, but you have to protect yourself (…) The others did not, they clung to the powerful minotaur and paid a very high price."

Why this matters: The evidence for Degas being so virulently misogynistic and cruel towards women is extremely less substantial and more speculative in nature.

Degas being Jack the Ripper. Degas being Jack the Ripper started off as a tiktok theory posed in early 2024, (though you can find an article as early as 2004 written by The Guardian's art critic here) and while fun to think about and speculate, it isn't true. August and September and November of 1888 is when the Jack the Ripper crimes were committed in London and Degas was in the South of France at that time receiving medical treatment because he was in extremely poor health. (Which you can find in The Letters of Edgar Degas edited by Theodore Reff (I'm sure there's. free PDF version out there somewhere)). Also, self-admittedly speculative, but Degas didn't visit the East-End of London when he did make his excursions to London because he was classist 😭. So, it would be odd for him to know the ins and outs of the streets where the murders took place. And also he had failing eyesight starting at 36, so the odds of him being Jack the Ripper are extremely slim.

The Ballerinas Yes, while it is true that the ballerina's were often subject to horrific conditions and were prostitutes for the "wealthy" patrons of the opera house, this does not mean that Degas partook in that. in fact, most historical documentation surmises he didn't. Degas considered himself a "realist" painter rather than an impressionist painter, wishing to document "real life" in all of its ugliness, beauty and unstylized truth. Therefore his primary concern was documenting the opera house and ballet in all of the moments, not just when the girls were dancing on stage. And in many of his paintings, Degas captures the opera patronsn in his ballerina paintings as lurkers behind the stage curtains as sinister black shadows, or as men predatorily watching in nice suits (e.g. Ballet, 1876 and The Rehearsal of the Ballet Onstage (1874)). But Degas himself, was NEVER a ballerina patron, he is even quoted as saying "People call me the painter of dancing girls. It has never occurred to them that my chief interest in dancers lies in rendering movement...". (now this is not because Degas was morally outraged at what was happening to the ballerina's, but because he viewed the men abusing the girls as committing a sin against God by sleeping with prostitutes). But while Degas had access to backstage, he was never a customer. And in fact, Degas is a notorious, well-documented celibate. This is because Degas believed sleeping with women would make him lose his special painting ability. No lie. Here's a direct quote from Vincent Van Gogh in his a letter to his brother Theo about the artist: "Degas lives like a little lawyer and does not like women, for he knows that if liked them and went to bed with them, he would become intellectually diseased and would no longer be able to paint." Degas was also known to reject ballerina's advances as well (again, fearing women would take away his magic painting power).

Feelings towards women By all accounts, Degas friends describe him as being reclusive towards women to being jovial with them, but always kind to them outside of a working environment. He even developed friendships with his fellow contemporary women painters. In a working environment, Degas was obsessed with perfection, demanding ballerinas contort their bodies in painful positions, and making them hold those positions for hours at a time. By all accounts, this was not because he hated them, but was obsessed with capturing their movements, the limitations of the human body, and he demanded perfection from himself. (x x x) (i.e. his obsession for his work and drive for perfection as a painter made him demanding and harsh towards his subjects, not his pure hatred of women).

Conclusions: So by many accounts, Degas was not particularly fond of women, and had little regard for his dancers. But the claims that he must have slept with the ballerina's and been a patron/customer "because that's what all men did back then" are not backed by any evidence. only evidence to the contrary. I went in on Picasso because those that were close to him have written first-hand accounts of his monstrocity. This is not the case with Degas. So, while I didn't tear him down like I did Picasso, I wasn't lauding him as a saint either. I highly recommend reading the article called Degas's Misogyny by Norma Broude which details the ways in which modern times have run away with this idea of Degas being a sadistic woman-hater and how we've gotten to this point. Anyway, TLDR; I was aware of the dark "underside" of the Paris Ballet at the time in which Degas was painting his works. Do I think he is Jack the Ripper and a man who participated in ballerina prostitution? No, not at all. At the end of the day, I am just an art history girl, telling anyone who will listen that there is not enough documentation on Degas to take these claims as 100% truth, or put that man up there with Picasso. Peace and Love! <3

[howlsofbloodhounds]

Have i said this already

I cant remember 💃

What if nightmares spouse was still alive, or like...became alive AGAIN when nightmare has killer

Like, killer can see nightmare being affectionate with his spouse and vice versa

Basicallg what im saying is what if killer used that as an example of how to show affection and did it with color

Imagining killer just cooking a human heart for color and giving it to him, or like... purring loudly whenever color is near because he could always faintly hear nightmare purring when his spouse is near

And gifting the limbs of someone who bothered color, because nightmares spouse would frequently kill and make little artworks of the bones of someone who bothered nightmare

Hell, maybe even try to make a little artwork too. Or like carve something out of the bone that he likes, like a lil cat

Bone cat

That idea is both hilarious, terrifying, and cute. I mean, he already keeps entire jars of souls for study and presumably scoops up blood and monster dust also for study.

Realizing that some of what he’s already doing can be used as affection would be a prime light bulb moment lmao.

Like, he spends hours of his days making color the perfect jar—carefully placing the souls, blood and dust of Color’s enemies (or at least who killer thinks are color’s enemies) into a jar and decorating it all pretty with glitter and ribbons and of course placing little upside down heart stickers on the jar (don’t ask him why it was instinct) and its beautiful and killer is sure color would love it because the boss and the boss’ lover love it.

And like the jar is probably heart shaped and looks something like this

So from Color’s perspective, Killer walking up to him with the jar is the equivalent of something like this

Until Color actually gets a good look at it and then just stares, and killers like “do you like it? 🙂” and he’s all squeezing his hands together in front of his chest like this

{art by rahafwabas, edited by me.}

And then Color has to ask why he gave him this—souls and hearts and blood and dust specifically—and then killer explains about nightmare and then color’s like..”yeah, okay. That makes sense. Of course they’d do that.”

And then Color has to explain that Nightmare and his lover are not exactly the picture of a typical relationship nor what’s considered appropriate to give others, and if killer gave this to anyone else they’d probably be creeped out by it. (Which killer of course keeps in mind, because he loves creeping people out lmao.)

But then Killer’s like..

“..so do you not want it?”

Now here im not sure how exactly color would react—his souls would probably have a lot to say on this. The fact that Killer hurt and killed people for this gift, that Color has to set an example and maintain his integrity— but also how killer very obviously put a lot of thought and hard work into this gift for them and it’d be rude to throw it away.

And yet another part of color is mindful of the fact that this could very well be another of killer’s little morality and boundary tests—trying to test what color is going to do, chose kindness and not hurting killers “feelings” or maintaining his integrity.

And i think maybe a good compromise would be color giving the jar back with a kind, patient smile, and requesting that he hold the jar for him—keep it safe for him. And instead, he’d like to show him something he likes to make as gifts. (And therefore likes to receive as gifts.) and then maybe color makes use of the jar stuff to make like, some of those sand container jewelry like these:

Or perhaps Color further compromises by making one of those blood vial necklaces, appeals to killers idea of a gift with something more consenting and harm free because its vials of killer and colors blood freely given.

Something like this, but imagine Killer’s blood is something more thick and dark like Determination, while Color’s blood is like a darker version of his flames; changing colors and glowing softly in the jar.

{ @brokenramunebottle }

[nevermorgue]

Hayley! I hope you're well! I come into your inbox to ask about your thoughts and opinions on each spectre, and your favorite ones! Love your blog! :D

HIIII!! I’m so fantastic thank YOU for coming in here. I love your art and your rambles.

My favorite spectres currently are Will’s and Duke’s. But I really love them all. I’ll go into the opinions now

Annabel’s Lady in White - I think she’s beautiful. I love her abilities and the whole bride thing she has going on. I at first wished her dress was more detailed but it’s fine to grow on me. I love the petals, and the hole in her chest is agonizing. Such a pretty spectre. kiss of death is just sooooo. idk her abilities are definitely one of my top favorites.

Morella’s Guardian Spirit - Plain-ish compared to the others, but still fantastic. I feel like her and Annabel are slept on because of how early they were revealed. I love how long her hair gets and the whole celtic vibe. and that she’s mainly defense with the healing and stuff! it’s very unique and it says sooo much about her past. if it were me i’d make her look a little less human wirh maybe more glowing or something but she’s still fabulous :)

Pluto’s Cryptid - im so so so interested in this because apparently domesticated cryptids are super rare? I wanna know more about the other cryptids poppet mentioned so badly. its so fucked that he has a collar too!!! he wanted to escape society but even in death it's like he's bound by the neck. I'm dying for info on that dumb coat too. He's so silly looking. I really wanna see his other abilities. I'll have a stronger opinion when that comes. Ada's Banshee

- I am dying to know what "Mark of the Grave" is so bad. And I love her confusing ass torso. Is she a shadow. is it a dress. I want to know. also LOVE how her limbs being detachable/having the stitch marks implies she was chopped up and buried like that. and her hat. thats a very "southern belle lady" sort of hat. she gets to be the lady she always wanted, just ugly and hideous!! love her and i love her spectre. "fear itself" is one of my favorite abilities and i hope she utilizes it more cough cough on will-

Prospero's Shadow Man - i am dying to know if he can take the mask off. imagine he's like. a sickly corpse looking kind of thing. like himself but rotting or weak as hell. i LOVE his abilities i just wish he had more detaaaailing. hes so cool and handsome though. i also think its super weird/cool how he has to activate his abilities with the stopwatch. i havent seen any other spectres have a "trigger point" like that. would he be rendered useless without it? Montresor's Dybbuk - nipple rings. sorry anyways - i love the chains. because it's not like he's using them, he's the one chained. and the whole. goat legs thing. bc goats are associated with the devil for some reason. I wonder why that is. idk i just love the whole demon thing. because he's been seen as such since like. his birth. and he cant even escape it in death. love it love his shit. his ability to force his way into peoples' memories is CRAZY too i cannot WAIT to see more of that. Eulalie's Chimera - SOOOO pretty. So aesthetically pleasing. I love how she can make stuff with her dreams!!! and the fact that its implied she can yank malevolent spectres back into their regular forms is soooo cool. and just the fact that she can neutralize other spectres in general is such a unique power. shes like defense similar to morella, just in a different way minus healing. i love her. i really dont dislike any spectre i just love them all. Berenice's Strigoi - I will forever be mad that her teeth count as an ability but WHATEVER. She's still badass. I can only imagine how it must feel to basically lose your hands. I'm really excited to see what "Bloodlust" as an ability does. like there are so many cool spectre abilities we havent seen in action yet. The bite that makes you drunk will forever be iconic too. I love her look and i love how her whole outfit is directly correlated to her time period. also love how like each mouth on her is like. its own being. she cant control it. Duke's Poltergeist - I need to like control myself because I will yap nonstop about this one. The NEONS the colors are just fantastic and I LOOOOVE HIS EYES. THE EYES. all of his abilities fuck so hard and i love how like. his "hypnosis" isnt really like full hypnosis its more like a very powerful suggestion? and he couldnt even figure out how to get ada out of it? like he didnt TELL her to use her ability on montresor, he just kinda planted the idea in her head. i also noticed that one of his abilities IS levitation despite us seeing other spectres float on multiple occasion. so the key difference here is the telekinesis portion of the power. just thought that was silly. love him. i love duke. he's my 2nd fave. Will's Doppelganger - i physically have to stop myself from writing a page's worth of bs here. He has DIRT IN HIS JOINTS. like he's DIRTY. like buried and forgotten!! and if he's dust bowl era like so many of us think, perhaps its that same dust. he was left buried in it...forgotten. unidentified. And and and he's SO OP. everyone IC is underestimating how he has one of the most powerful spectres. He was able to almost fool the misfits as duke, he honestly did a fantastic job. He has to memorize so much. like its genuinely impressive. and then his ribbons. notice how they wrap around HIM before/during use. like he's fucking tangled in in them too, not just his victims. i dont think he's ever been free. he's never not been wrapped up in someone else's shit. he's never been "william". i- i need to stop. hes the best. best spectre- and i pray that the characters realize how much POWER he really has.

[cactusisconfused]

I give you more ghoap botw ideas cuz I love the au

Here are the boys :DD ghost is designed more after link in totk cuz I felt that suited him more, and soap’s in a version of Zelda’s ceremonial dress (for him it’d be robes or some kind of suit)

For the ghosts/champions i also had some ideas

Revali - Nikolai (mainly cuz hehe pilot) or Gaz

Urbosa - Laswell

Daruk - Price or Alejandro (I lean more ale on this one, but I’ll get to why in a minute)

Mipha - Roach

Sidon - Rudy or Alex

Riju - Farah

Teba - could also be Nik

And I have no clue who Yunobo would be

King Rhoam - Price

Now hear me out, I know in hyrule warriors Rhoam was kinda a dick. I say Price would be the king because as a captain he had to make hard decisions same as a king. So in this au let’s say that Price sees that yes soap isn’t paying attention to his studies/training nor has unlocked the goddesses power yet, but he does see his son trying to help his people. (though in a really dangerous way)

So as the King, Price orders the swords champion as Soap’s personal guard to keep him safe with all the dumb shit he’s been pulling. While he’s still hard on Soap with unlocking his power; he understands that you can’t really rush it, and over all is just proud of how far Soap has come already. When the calamity hits Price fights with his people until his last breath, and prays to the goddess that Soap and Ghost are ok. (Whoa that got sad, i’m sorry 😅)

Ok sorry that this is very long, I just really like botw and totk and love the idea of this au!! Also have my recreation of that one memory :DD

OOOOOOOOOOOOO I LOVE THIS!!!!

AND YOUR ART-VERY TASTY!!!

Honestly I agree for the most part about the characters. Ravoli I feel is hard to place given he has a very cocky and self assured personality that none of our guys truly fit. I want to say Nikolai would fit the most, but I also think he would work great as Teba as well (mainly cause of the pilot thing.)

I wonder though, if roach would be a better Teba given Teba in game is seemingly a man of few words (but I also head canon roach as quiet but an absolute menace, so another problem there.)

Anywho, I also have no clue who yunobo would be either 😅

-

I feel Ghosts family should also somehow be implemented into the BOTW lore. I’m thinking that when he was going through the process of getting the master sword and training to be a royal knight, not because he felt he had a duty to the royalty of hyrule, but to gain enough respect and fear so that he could finally protect his family from not only his father but from monsters and other intruders.

However, he gains more than he ever thought he would, becoming more than just a simple knight. He has less time with his family, his mother, brother, Beth and Joesph.

Eventually, some event happens were Ghost has to go against the yiga clan. In response, the yiga clan sets out to massacre Ghost’s family, much like how they did in the comics.

I think that event, that failure to protect his family, is what drove him to go completely mute, on top of already being quiet in the first place.

Idk, this turned into a long ramble. I am living for your thoughts though, love them! :)

[aeyumicore]

heyooo, first and for most i hope u doing good, don't forget to be kind to yourself yeah?!

so i just wanted to put u on something, if you want it ofc: what do you think would make sylus blow off emotionally? he always seems so collected even in times of stress, so that concept seems so foreign, but at the same time hes only human (...maybe?). im super curious about ur insight, especially when your view on him seems literally canon.

have a good day beautiful and thank you for ur art!!

hello my love hehe i am doing well <3

HMMMM really good question! so i definitely think sylus is nearly always calm and collected but you have him WRAPPPPPED around your finger and the few times he will lose it is when you are involved

but not the simple stuff like “oh if you’re in danger” i think above anything sylus trusts you and also really respects you. like ofc he doesn’t want you to get hurt and wants to protect you but he knows he doesn’t NEED to. he’s the most powerful, and the partner he chooses would be no different.

i think sylus loses it when someone disrespects you. touching you inappropriately, speaking ill of you? dead. but it’s beyond him like being jealous, it’s more that sylus holds you to the HIGHEST esteem, and he expects every one else too as well. sylus is self assured so him losing it would have less to do with feeling insecure or jealous but more to do with thinking someone is WRONGing you. (but don’t get me wrong he fucking hates it when someone touches what’s his 🥸)

i do also think sylus will lose his composure if the people he cares about are involved. so luke and kieran!! he definitely plays big brother/dad to them. so if anyone messes with them? DEAD. he’s protective, but not over protective. he trusts those around him, because he only surrounds himself with those that are worthy.

i think sylus just loses it when he’s not in control. his evol is all about control, his position as leader of the onychinus. so he tends to be extra vulnerable if you some how get him drunk or high, if you put him in a situation where he genuinely loses any sense of control (take away any of his senses, he’s extra responsive)

so think any situation he can’t control: when he couldn’t get you to resonate with him, when he mephisto can’t find you (so he doesn’t know what’s going on), when you force him to sit back and watch 🫡

this is very much a word and thought vomit i’m sorry if it’s incoherent 😭

[caligvlasaqvarivm]

do you think Eridan would listen to kpop ? (either the human or Troll variant)

if not...then which troll would be the most likely to :3c

LOL no way, he's a hipster. KPop is mainstream as hell; if anything, he'd have disdain for it (and for pop as a whole). One of the less emotionally perturbed trolls would probably enjoy that stuff, though I don't know that I'd call any of the Alternian crew the kind who'd consider it to be their favorite, since nearly all of them are at least a little alt in some way, and kpop (and idol culture as a whole) is heavily tied up in politics, propaganda, capitalism, and consumption - so the troll version of it would be that times a thousand.

I'd say Feferi, Gamzee, and Kanaya probably quite like it because they're most at ease with their society, but it's not their favorite. Equius probably sees it as being aimed at the lower castes, and therefore crass and beneath him. Everyone else would probably get the propaganda vibes and dislike it on principle, even if some of them might secretly find some songs catchy (cough Karkat cough).

If you want to get into Beforan trolls, haha, oh man. I think more of them would like it than not.

Normally, I'd say that Eridan would at least make a show of liking it, given how much he makes a show of being a Sea Dweller(TM), but his hipster tastes, like his interest in magic, don't appear to be things he can shake. Karkat even calls him a hipster, so you KNOW he's out here dissing Trollor Swift and making disdainful faces when people bring up Troll Marvel.

I have as a selection of bands for Eridan Have a Nice Life (post-rock/post-punk/shoegaze), Sprain (noise rock/experimental rock), and Tool (alternative metal/art rock/progressive rock). Generally, I find he vibes with stuff on the darker side of post/prog rock, or the more lyrical side of heavy metal - both in terms of themes (lots of darker topics, like death, murder, suicide, child abuse, etc.) and in terms of sound. It also fulfills the requirement of being "hipster" by nature. Eridan is a very troubled, angry, violent guy, and I personally like to call the linked bands "angry man music". Just a smattering of lyrics for those who don't want to listen:

I've been doing a lot of damned things without you And all the damned things I do confound you Yeah, Satan and his devils try to take my hand And the angels on my shoulders try to tell me that they understand Oh well, oh well

Imagine this: I'm the guest on some obscene talk show In a cell of moral compromise The audience is made up of everyone that I have ever met in my entire life Every sin I've ever committed is put up on display by screens hung around the stage And we watch, watch, watch, watch, watch, watch, watch The host says "I now present to you an elaborate choreography of failure!" The audience erupts with seemingly coordinated jets of jargon laughter "Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Ha! Shame on you!"

I'm broken, looking up to see the enemy And I have swallowed the poison you feed me But I survive on the poison you feed me, leaving me Guilt-fed, hatred-fed, weakness-fed It makes me feel ugly

I think even when his tastes do venture lighter, they still never really cross the threshold into pure pop. There's always going to be a hipster, indie, punk-y, shoegaze/post-rock bent to his tastes. I also list for him Dirt Poor Robins, Family Crest, Johnny Hollow...

Wisdom unearned is Intrepid and proud Till we’re dragged by the tide and nearly have drowned Entropy thrives In conditions enclosed Innovations arise When humanity chokes

Cast your heart to the floor, love Feel the sting, feel the weight Of a love, of a love not strong enough Your head's on fire Your hands and feet come off the ground Oh, sweet desire, when your mind, when your mind When your mind's not strong enough It's not that your head is gone It's just that your heart is on fire, fire It's not that the beat is off It's just that your heart is on fire, fire

Once when I was all alone I called you, and you weren't at home My heart fell like a stone, to the ground To the ground, to the ground Why, when morn had dawned on me And anger grew like ecstasy And Leda threw the swan on me and I fell to the ground To the ground, to the ground

Hilariously, this alt/hipster taste means that he runs up against stuff that's ridiculously anti-government; I personally like to believe he does actually listen to outright anti-fascist songs, but if you point it out, he's just like. No it isn't. So SWMRS, Silver Mt. Zion, Vansire.

Well, you gotta keep it up But it will never be enough No sonrisa teenage shit pop Well, you gotta keep it up But it will never be enough No sonrisa teenage shit pop Death to the motherfucking fascist insect This shit makes me so sadistic Death to the motherfucking fascist insect This shit makes me so sadistic Death to the motherfucking fascist insect This shit makes me so sadistic Death to the motherfucking fascist insect This shit makes me so sadistic

There's fresh meat in the club tonight God bless our dead marines Someone had an accident Above the burning trees While somewhere distant peacefully Our vulgar princes sleep Dead kids don't get photographed God bless our dead marines

So I convalesced in the middle west And fell for Ohio's roads I'm standing still by the windowsill Where I once watched the world explode So when it's looking dark in your narrative arc I'm here and you can talk with me A hackneyed fool under fascist rule Wasting days singing about his dreams

It's a pretentious-ass taste, but one that fits in with the vocabulary he likes to use:

CA: all of her FRAUDULENT MAGICS cannot come close to posin threat to my mastery ovver the TRUEST SCIENCES CA: an wwith my empiricists wwand i servve as the righteous hope that wwill incinerate delusion and the deluded alike CA: my holy fire is the wwhite fury bled from the wwrath-wweary eyes of fifty thousand nonfictional angels CA: and wwhen theyre finished wweepin they wwill boww before their prince GG: wow what are you talking about

I miss the days when stars were saintly They sang to me in ways innately Before we enslaved the symphony To playing anthems for selling things I used to wonder, wander farther Into awe, but those days were squandered My ghost was lost to the grownup gallows So I find my spirit in the bottle

Those modal masterworks Atonal oeuvres it seems When I ask afterwards All message lost in between The shifting aperture Depicting sun-soaked scenes I guess they resonate That's Universal Consciousness

Fate’s a funny thing It makes a victim of the will and brings a suit of broken bands A snake so full of tail That it can barely breathe to say it “doesn’t understand.” So, what am I to think? What am I to think? I’m doing it now At least I know I am At least I caught myself before I sent this out Into a stupid world that doesn’t give a damn Oh, what kind of fool do you think I am?

Like, I really can't stress enough, but Eridan is abjectly fucking miserable, angry and violent, anxious and unhappy. And his taste in music should reflect that, his feelings of impotence, his angry and anxious energy, his desperation. Have a Nice Life is probably the band I pick for him, because their discography reflects so greatly these emotions of anger, impotence, self-loathing and self-destruction.

The thing about being a hipster is that there's, the way I see it, three main reasons people wind up falling into it - the first is that they want to feel special, feel better than other people (not really Eridan's deal); the second is that they're just generally a music liker and their taste is indiscriminate enough to include indie stuff, too (and this is also not really Eridan's deal); and the last is because there is something in their soul that cries out for validation that they can't receive in the mainstream - for example, emotions, impulses, thoughts, and urges too dark for radio play (such as an obsession with genocide and murder). It's actually really important to me that Eridan IS a hipster, and specifically the type of hipster who's super pretentious and looks down on stuff that's "popular."

He has a massive fixation on being understood - complaining constantly that people don't "get it," that "nobody understands." This would extend to his taste in music. He would seek out genuine-ness, something grungy, something real, and unfortunately, stuff that's made for mass-market consumption must have the edges sanded off by nature. Given he actually gets upset when people don't "get" him, I'd wager that he doesn't treat media that he feels doesn't "get" him pretty poorly, too.

To be clear, I'm not trying to diss KPop in any way. It's not really my thing, but I get why people like it, and I'm not saying you shouldn't. Just feel like I have to toss that in there. I just really don't think Eridan would like it. And also he would probably be mean about it if you told him you liked it.