#i love you miki

[mariojins]

manga: i love you, miki!

[condohavenoking]

'Mister Frodo! Look! It's an Oliphant! No one at home will believe this.' — Samwise Gamgee | Lord of the Rings: The Two Towers

[cowcowwow]

My observations on Madoka Magica based purely off of what Strawber has been rebloggin. WHAT goes on in this show dhsvvn /lh /pos

[bythelightswitch]

floodwater

[himemeiya]

He's so babygirl

[mikibaby94]

Papas home 💕✨

~

A gift for my best friend @akiiame-blog Happy birthday girly 🥳 have a wonderful one!! 🎉 Go give her a lot of wishes!! :D

[puddii-ng]

i ♡︎ koisuru scramble and i ♡︎ koisuru scramble the otome. highly recommend.

[transmascutena]

Bird Symbolism in Revolutionary Girl Utena

There is quite a large amount of bird and bird-related imagery, symbolism, allegories and metaphors in Revolutionary Girl Utena, and i think all of them are very interesting. Here is a ~2000 word essay about the topic.

The Birdcage Garden: Anthy and Ohtori Academy

This is perhaps the most obvious of the bird symbols in Utena. It is literally Anthy's cage. It is where she, as the Rose Bride, is supposed to spend her time watering the flowers. Touga talks about never letting her out of it once he wins her, and calls her a "lovely little bird." And doesn't that just sum up what so many people's idealized version of her is like? A pretty thing to be admired, only in captivity.

I think the birdcage can also be seen as a sort of microcosm of Ohtori Academy as a whole. Akio does call the school "a garden where people will never become adults," after all, and Anthy is not the only person trapped there, nor is she the only character associated with birds.

According to this analysis, "Ohtori" as a word can mean "big bird" in japanese, and is also a Japanese term for the Fenghuang bird in Chinese mythology, said to be "beautiful, immortal and rules over all birds." Sounds a lot like a certain someone in charge of this place, doesn't it? Which would make every person in Ohtori a bird, symbolically speaking, trapped in the cage that is the academy and ruled by Akio (who, despite being the biggest, and the one with the most control, is also a caged bird.)

Additionally, the statue on the gate to the dueling arena is in the shape of a bird, before it transforms into a rose when opened. I am not sure exactly what this means, but I assume it is in some way symbolic of Akio, Anthy and Ohtori.

The Bird and the Window: Shiori and Juri

The bird that flies into the window during Shiori and Juri's conversation in episode 17 is a Java Sparrow. Despite its name, it is a part of the Estrildid Finch family, but I think the symbolism for sparrows fits the context more, as they can represent love, devotion and compainionship, all of which are very relevant for Juri and Shiori.

The bird is also the symbolic item for Shiori's black rose duel, which means we should associate the bird mainly with her. What, exactly, is the window, then? I think it is symbolic of Shiori's feelings for Juri, Juri's feelings for Shiori, or most likely both. The bird hits the window directly after Juri says "Is that all you have to say to me?" and turns to leave. The bird hits something it could not see in its flight, just as Shiori hits against something that hurts her, even if she doesn't understand it, in her conversation with Juri. The bird is shown to be lying still, presumably dead, after Juri reveals that she was never in love with the boy Shiori "stole" from her.

The bird is shown again after Juri throws her locket in the lake, and before Shiori finds it in her dorm. I've heard it discussed that this implies the bird retrieved the locket (probably through Anthy-as-Mamiya), and if the bird is symbolic of Shiori and the locket is symbolic of Juri's feelings for her, it would mean Shiori is the one to bring them back after Juri tries to rid herself of them. This makes sense.

The Bird Nest: Kozue and Miki

The bird nest that Kozue rescues from the tree that is going to be cut down is symbolic of her and Miki. Or, at least they are symbolic of how Kozue views the two of them. The comparison is pretty straightforward; Kozue projects her and Miki's feelings of abandonment onto these baby chicks, who have been left behind by their parents, just like the two of them were when their parents divorced. I think she projects her protectiveness over her brother moreso than her own feelings about the whole thing, as Kozue likes to think of herself as very independent ("a wild animal") and very unaffected by it all. As seen by her attempt to save the birds in the first place, she is very willing to put herself at risk, and is less concerned with her own feelings/safety.

Now, I don't want to get too much into speculation, but I have to wonder if there was more going on in the Kaoru family than just the divorce and the too-high expectations for the "twin prodigies." Miki's uncharacteristic cynicism in saying "adults who tell you something is for your own good can never be trusted," as well as Kozue's total disregard for authority and her tendency to use her sexuality as a tool both concern me. Although Miki and Kozue's parents are not explicitly shown to be abusive, I do not think it is a stretch to say that there is a possibility that they were. It explains some of Kozue's behaviour in regards to Miki as well. It's not just posesiveness but protectiveness. She has needed to protect him before, and she feels she needs to protect him still (pushing the predatory teacher down the stairs, saving the birds she sees his innocence in.)

Interestingly enough, Anthy interacts with these chicks as well. She advices Miki on how to feed and take care of them. Utena even comments on how unusually straight forward she's being about the whole thing. This might just be another instance of characterizing Anthy as a person who is fond of animals, and that is certainly part of it, but i think there is more to it as well. If these baby birds are symbolic of (Miki and Kozue's, but also a general) feeling of abandonment by parents/adults, as well as their potential abuse, what does that mean for Anthy not only knowing how to take care of them, but being eager to talk about it? Could it perhaps be that she, like Kozue, sees herself in them? Like Kozue, Anthy herself is symbolically a bird, but a caged one in contrast to Kozue's claims of being a wild animal. Could it be that Anthy has had to become an expert in taking care of those (herself) that have been abandoned or failed or abused by the adults in their lives? Rememeber that this is the same episode where she says that Akio is more like a father to her than a brother. A parallel is indirectly being drawn between him and the Kaoru parents.

If Miki and Kozue's parents were abusive, this might be a rare moment of Anthy empathising with other victims, telling them through metaphor how to take care of themselves. Although, it doesn't keep her from continuing to manipulate them, as she goes on to say her line about returning the chicks to their mother, which is what sets Kozue off. Anthy also says that she's never actually raised chicks before. Maybe she's not very good at taking care of them (herself) after all.

There's also what looks like two caged parakeets in Miki's flashback of their childhood. I assume this has similar meaning to Anthy's birdcage, as a feeling of being trapped, in this case by their parents' expectations for them. Kozue used to be a caged bird, but now claims to be a wild one, despite still being inside the birdcage that is Ohtori.

Brood Parasitism: Nanami and Touga (and Utena)

The Kaoru's are not the only sibling pair in Utena to be compared to birds. In Episode 31, Her Tragedy, a pretty unique shadow play is put on in the Chairman's Tower about a cuckoo leaving its egg in another bird's nest, a phenomenon known as brood parasitism. It also references the fairy tale The Ugly Duckling by Hans Christian Andersen. Perhaps the most interesting part of this play is that it's done in the style of the ones in the black rose arc, with C-Ko playing all the roles, the return of the monkey-catching robot, and Utena's fourth-wall breaking commentary at the end. I won't get into what this means, as it doesn't have anything to do with the bird metaphor, but maybe in another post.

This shadow play is about how Nanami and Touga were adopted, and specifically about Nanami's feelings on the matter. Of course adopted children are not parasites, but it makes sense for Nanami to think along those lines, considering her fear of being compared to animals or aliens, and of being ostracized by the society she lives in. Nanami doesn't actually know that she is adopted, only that Touga is, which muddies that interpretation a little. Perhaps it is about Nanami blaming Touga's birth parents for "leaving him in another nest"? Something about her resentment of Touga at this point in time, thinking of him as a parasite in their family? Or simply her fear of what not being his blood-relative means.

I'm more confident about the Ugly Duckling reference, and it being symbolic of Nanami's worry of not fitting in among her peers. Nanami mainly copes with this by thinking that the reason she doesn't fit in, is because she is actually better than everybody else, because she's related to Touga (being a beautiful swan among the common ducks.) The play ends with the cuckoo insisting that it will become a swan one day, when really it can't. It will never be a duck that fits in, either. It will always just be what it is, a parasite (a space-alien. A girl who lays eggs.) This reflects Nanami's despair at the idea that she's "just another fly in the swarm" after her duel in the next episode.

And like all the shadow plays this one can be interpreted as being about Utena as well. She is an orphan who is now being raised in Akio and Anthy's "nest". Although she wasn't placed there by anyone but Akio himself, so it's more about her insecurities about feeling like an outsider in their family. And like the Ugly Duckling/cuckoo, she is also out of place among the rest of the students, and dreams of growing up to be something she can't actually become, in this case a prince. (credits to this analysis on the shadow plays for helping me piece together my thoughts on that. Always cite your sources!)

Cuckoos can also be symbolic of one-sided love, and is the origin of the word cuckoldry. Make of that what you will.

I should mention that Nanami also lays an egg of her own a few episodes prior. ...Or does she?

Her nightmare sequences show her fears of being compared to a chicken, a turtle, a frog, and of course, a space alien, but it is quite obviously a bird egg. And since we are later shown that Anthy has a chicken named Nanami, much like the cow with the same name, it can be assumed that the egg comes from there, and that Anthy brought it to Nanami's bed, perhaps via Chu-Chu. Could this relate to the brood parasitism of the cuckoo in some way? Is this not one bird (Anthy) laying its egg in another bird's (Nanami's) nest (bed) and getting them to raise it? is this what Anthy means when she tells Miki she has never personally raised chicks? Are all of these metaphors connected??? There's also the fan-theory that Nanami's egg hatched a reincarnated Chu-Chu, and in that case would he be the baby cuckoo while Anthy is the mother and Nanami is the duck? I'll be honest I'm not really sure what to make of it at this point. Draw whatever conclusion you want!

Last and probably least interesting is the third of Nanami associated bird imagery: the crow in episode 10. Crows can be symbolic of death, and it feels safe to say that this one is just here to set the mood of the scene, and as visual confirmation that the kitten did indeed die. Not too much to say there.

The Chicken and the Egg: The Student Council

I'd be remiss if i didn't mention the student council's chicken and egg speech in this post as well, even if it has been analyzed to hell and back by hundreds of people before me. It is a reference to Hermann Hesse's book Demian. It is about breaking out of childhood and into adulthood. It is about escaping Ohtori, which is both the egg and the cage (and interestingly enough, during the speech birds can be seen flying by outside the cage of the elevator.) In Nanami's version of the egg speech she mentions "the cage of freedom" and how it cares for the chick. This something that ideally should be true for schools. A place that limits children, but in a way that prepares them for the adult world. Of course, Ohtori as a system has no interest in this, as it is a cage in its most literal sense: a place to keep people trapped. Trapped in their harmful behaviours, in their lack of growth, in their idealized memories of the past, and most of all, in childhood.

And with that, we have come full circle back to Anthy's birdcage as a symbol for all of Ohtori. Thanks for reading :)

[witchscradle]

I'm rotating Nanami and Kozue in my head and having some thoughts:

Nanami and Kozue essentially want the same thing (the love and attention from their brothers) but they want it in completely different ways. In some way Nanami is more similar to Miki, she wants to go back to a time when she was — or perceived herself to be — the main object of Touga's attention. This time might never have existed (as we see her insecurities already in her childhood leading to the cat incident) which means Nanami needs to constantly affirm her role in Touga's life through a strict performance. Everything about how she acts, including her treatment of Anthy, is a reflection of this unstable role she occupies and her desperate attempt at regaining some control of it.

Meanwhile, Kozue wants to be seen and loved by Miki as herself, not an idealized version conjured by Miki's nostalgia and his fear of change. She wants her present self to be seen and understood. But Miki wants Kozue to be his rose bride (in Miki's mind, the idealization of a pure woman), a role she cannot fulfill. Ironically enough, Kozue is a bit like the real Anthy. Both fall on the witch side of the princess/witch dichotomy and both are misunderstood by the people they want the most to understand them (in Anthy's case, Utena). They are idealized and turned into symbols.

That's why Kozue seeks power and she pursues it in the only way she believes she can: through her sexuality. By evading Miki's dehumanizing idealization of her, Kozue gains control and power. Miki cannot define her. But she can try to control Miki. If the world is impure, you have to lose your purity to get what you want.

But both she and Miki are part of a bigger and more powerful structure that controls both of them. Any freedom that Kozue pursues inside said structure only ensnares her further just like how Nanami's well-performed role as Touga's sister and any power she receives from it in the Ohtori hierarchy is extremely conditional and easily taken from her.

And that's what Anthy meant when she said all girls are like the rose bride. it's not that all girls face the same struggle but that under Ohtori's patriarchal rule, any power acquired by them is hollow and vain.

[ywpd-translations]

Ride 761: Reserve

Pag 1

1: Please get ready the allen key, the allen key

Time is going by

Yessir!!

6mm

Yessir

4: You gotta calm down

Ye.... yessir, teh!!

You're frozen stiff

Pag 2

1: Sugimoto-san, where do I put this

The supplies box is under the foil bag over there, so put it in there

2: Ah, here?

Wait

3: Whose shoulder bag is that?

Kaburagi-san's....

4: (NdT.: the writing says “Kaburagi”)

7: This way, you won't have to look for it when you'll have to take it out

Oh... thank you so much!

Time is short when you have to hand it over, so you need to take your time with preparation beforehand

8: 40 minutes before the start!!

Pag 3

1: Alright, let's get your heartbeat up one more time

Yessir, teh

Is he alright?

Soon my role as a reserve will be over

Pag 4

1: Pfuui, it's hot

Together with the signal gun at the start....

3: No....

4: I guess it's already over?

6: These six people are already rock solid

Pag 5

1: I'm sure they'll run a good race

2: How about you sit down? Sugimoto-kun

The preparations are almost done

3: And you've been standing on your feet working since this morning

Pag 6

6: I feel.... disappointed

7: Even though I lost during training camp, I was still told I'd be the reserve

I guess I still “felt like I had a chance”

Pag 7

1: Say, Sugimoto-kun

Huh

Ah, yes!?

2: Why did you start riding bikes?

4: Ah, yeah, I've never told you?

5: Yeah

Well.... it's a silly story

It's just an ordinary story that's not worth listening to- you still want to hear it?

Yeah

7: My father used to ride a road bike

He suggested it to me but I was scared so I didn't

Pag 8

1: But, one day.... ah... well, my father's family home is in Okayama

In the north of Okayama at the border with Shimane, there's a huge mountain called “Mt. Daisen”

2: One time, when he made me get on a rental bike and run, he said “let's go there”, and took me there even though I didn't want to

3: For some reason, I was deeply moved

That majestic mountain's scenery kept changing as I advanced

4: I thought it was really interesting

5: Even though I said I was scared of falling, I soon got absorbed in riding

Pag 9

1: And I thought it was fun

2: I could ride this forever...

3: that's what I thought

4: After that I asked my father to take me to, like, Lake Kawaguch or Hakone on the weekends. We went to Hakone three times, three times (haha)

5: But still, the first time you see the scenery from a mountain is the best

Pag 10

1: Maybe I wanted to see the scenery for the first time

3: When I became an high-school student, I met Naruko, Onoda, and Imaizumi

Well, I had already heard about Imaizumi in middle school races

Those three....

4: I saw them running in the Inter High giving their whole body and soul

Midosuji!!

5: I saw them from up close

Onodaaa

Onoda-kun!!

Onodaaa

Pag 11

1: In my third year, I thought I wanted to see this Inter High's scenery

3: from inside the course

6: For sure

Pag 12

1: It didn't come true though

3: No no

4: Hahaha!! Why am I talking about such gloomy things before the start!!

Sorry, sorry, forget what I said just now, forget it!! Let's be bright!!

5: I'm their support, after all

My role is to be their backup!! Yes!!

Pag 13

2: The participants will be at the starting line soon

3: I give up....

4: Ah, ah

What's wrong?

5: Ah, every year we gather cyclists from each school who failed to enter the race in the “selected team”, right?

6: Yeah, the team with white jerseys and number bibs in the 200s!!

There's a vacancy there

Pag 14

2: Give it your all!

Yes, senpai!!

3: Thirty minutes until the start!!

4: We were informed just now

Are you looking for someone to fill in?

Well... there are conditions... and there's probably no one....

5: who can be ready within fifteen minutes from now

Pag 15

2: Oooii

3: Oh... it's Touji-san

He's in a hurry

Are there troubles? It's the first time I see Touji-san running

4: Sugimoto!!

5: Huh!?

Onii-chan?

6: Why are you in such a hurry.... everyone has finished getting ready, we're going soon

Sugimoto-san?

Huh? Me?

Pag 16

1: Do you want to ride in the Inter High!?

2: Huh!?

3: Run!? In the Inter High!? Eh!?

You're saying this to me!?

I just got a call from the director

4: He's speaking with the main office right now

Pag 17

1: But the the team's six people are rock solid...

2: It's not Sohoku!!

It's the team with white jerseys and number bibs in the 200s!! There's a vacancy there

3: They asked us to lend them a reserve!!

4: You only have fifteen minutes to get ready

Moreover, it comes with strict conditions!!

6: Still, will you run!?

Pag 18

1: Sugimoto....!!

2: Sugimoto...!!

3: Sugimoto-kun!?

5: Sugimoto-san!!

6: Ehy ehy

No, no!!

7: Sadatoki, set the wheels on Sugimoto's frame!!

On!!

Pag 19

2: Wa- wait please. This is the third Inter High and I've always been working for this team behind the scenes

And, I mean, supporting is also an important.... role

Ye-yes, that's it

3: The Inter…..

4: High!?

Me!?

5: This is the important last Inter High, so I'll reliably support Imaizumi, Naruko and Onod-

Pag 20

1: Is there anyone who would throw away their dreams for someone else?

2: My Colnago

Pag 21

1: It's a great opportunity

Run!! Take....

2: This chance!!

Imaizumi....!!

4: That day was hectic for me

Until up twenty minutes before the starts I was frantically doing preparation for the race for everyone

Pag 22

1: And after that, somehow, I wore a jersey I had never seen before

2: And, shaking, I was standing at the starting line of the Inter High

[scootarooni]

Happy pride!!!!!!!🏳️‍⚧️

[missnotstarry]

heavily inspired by this beautiful fanfiction by penny_dreadful on Ao3

[mahoutoons]

so is anyone else really worried about sayaka in wnk? we know that sayaka poses the most problems to homura's new world so the bandages are obviously a bid to silence her. and now her powers supposedly get taken away too.

like what is gonna happen to my girl? will she even survive?

[tatsuma-forever]

[qiu-yan]

jiang cheng mdzs and sayaka pmmm have almost nothing in common, but somehow being a fan of both feels very familiar

let's see:

childhood friends with the morally outstanding protagonist

rather ugly reactions to life-altering trauma, does NOT just walk that shit off like a good woobie should

disliked by the stoic love interest of the protagonist

bodies nonconsensually altered

not as op as the protagonist

let's see:

disliked by large swathes of the fandom

accused of being entitled

canonically complex and thematically-relevant reasons for questionable behavior flattened into more easily recognizable story tropes

blamed for being tricked

accused of being selfish

why does this keep happening

[harurio]

takezai terunosuke and yoshida munehiro in one three-minute shot, episode 5 of mood indigo, 2019.