#i promise this is what i actually heard

[milqueskin]

They found so many scorpions INSIDE!--

his balls

[crabsnpersimmons]

This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!

[mitamicah]

Not me brainstorming ideas for my post op tattoo (context) like I'd contact the tattoo artist tomorrow and not in a 1,5 year or more

This was where my inspiration took me today I guess :'D

[stuffedsand]

for the violence ask game: 8 common fandom opinion everyone is wrong about. for milgram. i know exactly what you're going to say i just want to see you go off again

Hiii bestie. You do know what I'm about to talk about. Yippee

Disclaimer that this whole essay is like. For fun and how I say things is ramped up to be funny. I don't mind if you disagree w me cuz like that's the nature of things! We disagree but we can get along.

Anyways short answer for people who don't wanna see the essay: organ harvesting theory. This is about shidou.

Idk how prevalent it is rn since not many people even talk about shidou but it was prevalent enough in June when I got into milgram that I believed it for a bit anyways the rest in under the cut cuz I'm insane sorrg

SO the main reason I think the theory is WRONG (hyperbole‼️) is because I just think it's unrealistic. Man works in a hospital in Japan. How would he pull it off. Scuff an operation bad enough to cause braindeath/death and I'm p sure they suspend your medical licence, if he participated in an organ harvesting operation pre-family-accident his case would then be black and white cuz he was doing it in complete sound mind with no regard for human life. Also it wouldn't justify the extreme reaction he's had to realizing, specifically, "what I've been robbing people of" (t1 voice trailer), and he wouldn't have as heavy a focus on the relatives' feelings and reactions. At least story writing wise it'd make less sense since it doesn't allude to anything if that's the end goal? Imo at least. Idk maybe this is because I really like tragedies in media. Also because it'd be a really disproportionately severe crime compared to every other direct murderer???? Like. We have strangled someone, stabbed someone, bludgeoning, bludgeoning, kicked someone to death. Organ harvesting looks cartoony in this context. It's also not a very prevelant issue in Japan iirc.

Also to prove my point further. If we use this theories the murders would be

Strangling, abortion??????, cyber bullying, stabbing, organ harvesting, toxic r/s, telling the truth (lmao), bludgeoning, bludgeoning, bludgeoning (minus weapon). Organ harvesting is goofy cuz it seems so.... Extreme,,,,,,,

ALSSOOOOO funny point. If he's not directly involved in his murder (as in, unintentional and indirect) that makes 5 direct and 5 indirect. Silly.

Also also his murder seems somewhat tied to how he feels about his job itself ("I wanted to contribute to society (about his career choice)/I had thought my work was a contribution to society", use of past tense) and to me it reads like hes disillusioned w his job esp since his reason for getting a highly sought after, high paying and high social ranking job is "I wanted to contribute to society". Doctors with that empathy can be affected by the death around them more severely and I think that's a fun topic to look at

I count this under "common fandom opinion" cuz it was common enough around June (whenyours truesly got into milgram) that I believed it. I mean I introduced shidou to my friend (hello clown) as "maybe Dr malpractice. Organ harvesting dude" and said friend (hello again clown) is also the one who's heard me bash the organ harvesting theory like 6 times at least now so. Yippee.

Take none of this seriously I just got off a plane and am so very eepy. If you like the organ harvesting theory good for you!!!!!!!💥💥💥💥💥 you do you bestie !!!!!!!!!!!!!! I literally do not think less of anyone who believes that theory I just personally dont lmao

[untimelyambition]

i am begging on my hands and knees for jon matteson and bryce charles to sing a song together. since i first watched npmd, every single day without fail i have thought about their harmonies together in hatchet town (“if he gets me next i could be three” and “fits the bill, he fits the bill”) literally the sickest harmonies in the entire show, i turn into a little gremlin every time i hear them. their voices sound SO good together it actually makes me a little ill. my favourite song my favourite line my favourite harmonies, their voices blend perfectly and i am so desperate to hear them sing a duet to hear them singing together again pls pls please pls pls pls. pls.

[kitsunabi]

Literally the most interesting read in the entire update

Idk what the f Feixiao is on about to fix optic neuropathy but keep me posted girl

[threadmonster]

Do you ever think about how if a person got into a series/fandom after peak popularity they totally missed out? Not in a bad way, I just think getting to experience and participate in the explosion of a fandom is a totally fun and insane thing that might only happen to a person once. It's not just "a fandom" it's when the fandom of a series you totally love and resonate with happens.

[graysongraysoff]

u kno i was already having a bad mental health day and now sitting in this meeting that's essentially just "hey we refuse to check our emails or our social media or even our text messages but it's YOUR fault we never know what's going on" is very much not helping

[truecorvid]

i need to get off of the internet i can't stand online "leftists" anymore i can't do this

[widowshill]

we have been sleeping on the possibility that if liz is vicki's mom dick garner is her dad. roger is just the red herring. vicki's gothic, wretched, incestuous boyfriend the whole time is FRANK ‼️‼️

[electric-plants]

this overflowing mastery session has me realizing many things like the fact that i have been spiral abyssing with my bennetts talents literally at levels 2/3/3 for MONTHS

[sinkableruby]

What are your top 5 Ougi scenes/appearances?

good ask to send me than,k you

starting from 5 well i guess i dont really have like a strict order except for maybe the top one i dont know i dont know i love all of them actually im just gonna do it in chrono order

um spoilers of course dont read this if u havent finished the whole anime (the whole anime!) there will be screencaps...

okay if im going chronoogically i must give my hat to owarimonogtari part 1. wait FUCK theres so many scenes in that shit.......... im gonna be running out of space damnit.... well to summarize it BRIEFLY... (how the fuck do you even summarize it briefly my feelings are large and want to burst out of my chest)... ougis sinister leading araragi down dark paths and poking at his past and knowing the deal but playing-dumbery and antics are just amazing. and shes so cool as she does it how did she get to be that cool! evil and cool.... thats the summary but the scene i would want to talk about is of course the showdown with hanekawa (the first one i guess). uh bc its like really funny? the showdown is great its such a fun buildup of tension and they're like passive-aggressive/plain-aggressive-but-still-loosely-following-social-boundaries trying fighting each other... its great. i think in the light novels when hanekawa says 'but i would have done a better job' ougis smile freezes. you can hear the glass break. you can just hear her in her head shes going like ".......................bitch,? so that's how you wanna play it?" i wish that got animated sometimes. and also of course. it ends how it ends.

its an incredible moment because literally the moment she says this you're like ah. i see. so ougi loses. LMAOOOOOOOOOOOOOOOO

LIKE GG NO RE 😭😭😭😭😭😭 SORRY OUGI YOU LOST.... DONMAI ITS OK DONT WORRY ABOUT IT. YOU DONT EVEN HAVE TO SEE ANYTHING AFTER ITS LIKE AH. GOTCHA. i was rooting for her to win when i was watching but... this was just so funny. the best way for things to have gone i think.

its also so good how she stands there after like. fuuuuuuuuuuuuuuuuuuuuuck.......... usually ougi is the one doing things to people and its funny but this is also just so hilarious its done so well.

i also want to talk about otori, because ougi in otori is very cool. my first time watching otori i was very in tune with nadeko so hearing ougi do a kinda takedown of her was a very interesting experience for me. she was very sinister and severe and foreboding...... very fun. and of course when it turns out she's been tugging at the strings..... heeheehee THATS SO COOL. i mean looking at these scenes like some of these shots are so cool.

^ the face of someone so evil......

ok going later

i never see people talking about this one but the scene in hitagi rendevous in owari ge that happens on the second episode after the ending is like. oogh. its like the big instance before the finale proper in ougi dark where the show starts fucking slapping you in the face screaming "PAY ATTENTION THERE'S SOMETHING IMPORTANT HAPPENING HERE"

like this shot this FUCKING SHOT. is it just me? is it just me am i the only one who feels acute pain at this? there's something about it thats just so............... like somethings wrong. like thats what i feel like something is wrong and im concerned for this person you feel me?

shes so tired trying to get his attention and do her job and all that shes pressing the doorbell laying down... and then she sees him and goes like 'im exhausted' and just keeps girlbossing like. and like asks araragi (from her perspective) not to kill her and hes just like no and shes just like damn that sucks oh well lol. like imagine being alive for 6 months having no home (shes laying on the god damn nameplate of his house augh...) and knowing full well you're about to die, the things youre seeing now will be some of the last things you ever experience before your consciousness is gone forever (bc she isnt going to hell shes being erased). that's so cool and awesome (horrifying). anyway ougi doesnt care shes got a job to do X) (shes so insane i love her)

also that home thing and the tiredness thing is one of the big things i wrote ougi stay about so ill just take the chance to plug it if ur still reading this go read my fic! i like it a lot i think its nice. its mostly funny but it also talks about this stuff too a bit. go read it

ok next.

dont know whether to count the different parts of this scene as separate or not but i think it shouldnt be separated bc its all important to the scene and that is OF COURSE: ougi dark starting with ougi's convo with tsukihi (the build up… it's oddly calm so you feel somewhat reassured but you KNOW something's going to happen… the buildup of tension starts here and keeps rising). the contents of that conversation, near the end are like, really cool things to be included because up until that point we still dont have SO much insight as to who ougi is but she opens up a bit to tsukihi here and its kind of a paradigm shift to see.

there's something so poignant about this fraught mood...

such an ougi way of talking about one's feelings about oneself...

at least for me when i was watching i was already like, kinda rooting for ougi bc i wanted bad things to happen to araragi (lol) but also like. ougis just so insanely entertaining and fun that like, uh obviously i would root for her here. so when this fun silly funny little fun character starts bustin out the:

its like woah wait huh back up hold on a second there. i care you>???????

like literally the whole confrontation with ougi and araragi it is just like oh no since when did i care about this character so much oh no oh god oh fuck...

like how come they gotta hit me with all these gut punches what did i do to deserve this

like whats so cool about it is with how its directed and the score (and the voice acting!! the seiyuu did an INCREDIBLE job) and everything you can tell shes scared but like again shes actually insane so she's just gonna be like yeah this is the right way for things to happen

(it seems a lot like she did all this wanting the outcome of her losing to araragi, at least to me. hanekawa also says so in the commentary tracks of ougi dark. so thats another layer. theres so many layers... i dont know how many of these layers people pick up on but by golly do i pick up on them)

and of course he saves her (imagine if he didnt? id kill him. WAIT ACTUALLY THERE ARE PEOPLE WHO ARE LIKE "ARARAGI SHOULDNT HAVE SAVED HER" NEVER GO ON THE REDDIT DISCORD SERVER FOR MONOGATARI PEOPLE ACTUALLY THINK THIS WAY IM LITERALLY GOING TO KILL THEM ITS SO. ok i wont talk about it), and she gets mad and its like i KNEW you were putting up a bold front you had emotions this whole time and then its like. oh you had emotions this whole time and you were totally aware of everything and just kinda had to deal with it thats kinda fucked up (i think a lot about how being an oddity born of self-criticism necessarily means you have to be self-aware and how that leads to ougi being a kind of exceptional type of oddity and like how it ties into identity and like... all that stuff). but the emotional breakdown/outburst is so good... augggghhghhh its so good 😭😭😭

(like i think sometimes about how if they had done this wrong, it would feel out of place for ougis generally not-emotion-showing character/not emotional in general character, but they did it so well... its so good)

and of COURSE to cap off this perfect beautiful wonderful scene we get THE GWEH AKA THE PEAK OF FICTION. IT DOESNT GET BETTER THAN THIS. NO IM NOT JOKING. LITERALLY WHEN I SAW THIS I HAD AN EPIPHANY. NOT JUST BECAUSE ITS ADORABLE BUT BECAUSE ITS LIKE HOLY SHIT INTUITIVELY A PART OF ME UNDERSTANDS. THIS *IS* **THE** BEST CHARACTER. and i went to go pace around my room being hype about it. im not joking really bc the novel talks about it being like "an utterly unattractive true-to-life" groan or something that proves she has "substance" which is like... yeah! she's her own person! not just made of lies or w/e!! the gweh actually ties everything together in such a perfect way and i am physically incapable of remaining in bad mood after i see it. i saw it the first time and i was like :O -> :) -> :DDDDDDDDDD and that hasn't changed since it will always put a smile on my face 😌

also also ougi in zoku owari is incredible too so good. the TEEHEE THE TEEHEE IS SO AMAZING. like YEAH!!!! YOURE A LITTLE ROTTEN PRANKSTER TEEHEE!!!!!! YEAH!!!! TRICKSTER TIME TIME TO BE TRICKY A TRICKY LITTLE TRICKSTER YEAH!!!!!!!!!!! and we get more classic ougi exposition/explanation..... havent talked about this as much but their ideas are so interesting.... theyre so interesting and cool i would pay to hear them share ideas about things.............. anyway one other thing i really appreciate about this scene is the shared intimacy between ougi and araragi. it feels more personal yk. this sorta comfortable, natural, thoughtless intimacy is something i absolutely adore about their dynamic but it basically only happens right here in zoku owari, and not even so much in the light novel version. its interesting... i want to write about it. im GOING to write about it mark my words

also honorable mention to ougi in hanamonogatari. theres nothing like big enough about these scenes to mention in comparison with the rest of them bc theyre so short but. BOY OUGI YEAHHHHHHHHHHH HES TRANS WOOOOOOOOOOOOOOOOOOOOOOOOOOOOO i saw that and i was like >:) yeah kanbaru wym hes been a boy this whole time >:)))) don't misgender him god...... >:))))))))))))) (AND HE LOOKS SO COOL THEY ANIMATED HIM SO COOL BC HES IN BOYMODE HES SUCH A BOY FUCK YEAH)

also fuck i didnt talk about the whole planetarium dream scene. that was also good.

ummm yeah i could just talk about this forever and keep talking about scenes and stuff but ill leave it here bc u said 5 and ive already technically named like 7 at least so. yeah. but i dont really have like a ranking order necessarily, except for ougi dark bc its just so so so SO good.

thank you for enabling my derangement ive been writing this since u sent it to me im so ougipilled right now you wouldnt even believe. im ougi wired.

[jikigo]

you ever just see a post and just

. 😭

.⬅️🫀⬅️

[zorosdimples]

i would like to formally apologize to the tall-blond-volleyball-man-with-glasses fuckers. i did not intend to start drama; i was merely curious about his appeal. but you know what they say: curiosity killed the mid-sized tumblrina.

[decidueyedreamerdetails]

🖊 Dorito?

‘Enigmas of Paldea, File #11 Iron Hunter: An AI Went Rogue?!

This peculiar creature's name comes from an invention in the enigmatic Violet Book.

Theorised to be the result of a research project attempting to revive the extinct Hisuian Decidueye, using what information remained of it, and Alolan Decidueye as a base. However, something went horribly wrong, and it began attacking everything in sight.

In addition to its heartless nature, the cannons on its wings and its powerful legs make it a dangerous foe. Eyewitnesses report that it will not give up on its prey until it has succeeded in eliminating them.’

Dorito is the specific Iron Hunter referenced in this Violet book entry! Its original purpose was to observe and preserve Pokémon habitats, but due to an error in its coding, it sees all living beings as a threat to be dealt with.

However, upon arriving in the present, Dorito sustained major damage, both internal and external, meaning it is far less of a threat now! (Maybe even, the internal damage will fix some of its buggy systems, causing it to be less hostile… only time will tell!)

Link to ask game here!

[officialbillhader]

Honestly the gomens finale was for me. I did write stubborn selfish and easily jealous didnt i