#i really am not sure what to do here

[glacierruler]

It's so annoying just how right my dad can be, while still being incredibly wrong. Because, when talking about how he has to scan a QR code to petition the school to not have her classes end up as audits because she's missed x amount of days, he brought up how her grades were good in all of her classes. And we both agree that the QR thing is stupid when they don't also give a web address to do it on!(Not to mention that he got this paper today, the last day to do this). And he made a comment about how schools are just teaching us how to pass tests, how to be cogs in a machine. And he's right.

Like don't get me wrong, there are quite a few things that schools do well. But, for highschool, you have like 8 classes a day, with only one early release say where you then have like, 4. Not to mention homework, oh but if you want to do extracurriculars like soccer you have to have at least C's and no more than 6 tardies/absences that aren't excused by a doctor's note. Even though for a good half of the year you have to wake up before dawn to get to school on time(not mentioning 0 hour classes). And the other half the year you're waking up right as sunrise is starting. Which is kind of how it works at a lot of jobs.

And like, dad's right about that.

But he's also voting for a lot of the people who are the reason behind this.

He mentioned how they're taking history out of schools, and he's right, but he's voting for the people doing it.

And it's so fucking disheartening, because he can see what's wrong, he knows fundamentally what's wrong. But he doesn't seem to realize who is doing it.

And I'm not sure what to do about it either. Because he gets so irrationally angry and defensive of the people he's voting for, and I live with him because I don't have any other options. So sitting down with him and talking just isn't an option right now.

[egophiliac]

doylist explanation for why Gidel is only in Fellow's non-idle lesson animations: probably something about space constraints and making sure two sprites in one seat aren't covering anyone else when they're not in focus

watsonian explanation for why Gidel is only in Fellow's non-idle lesson animations: he snuck in and is hiding from the teachers, don't give him away 🤫

(I've reached my limit of unsuccessful attempts at pulling them before I need to save keys for Halloween, so I've been living vicariously through youtube videos...but the fact that Gidel just pops up from under the desk to wave his arms around happily is really testing my resolve. D: I'm gonna die when they finally get to do alchemy...)

[softinvasions]

DIRECTOR'S NOTE • Nov. 2023

You can't go home. This play has a particular care for and interest in its victims. The resident

inciting event is endless. tragedy is much more concerned with footnotes than it is with gods.

well acquainted with what happens afterward, storytellers claim they can't diverge from what's

written: resist. rage against what must be. tell a story about war without talking

about love. survive its aftermath. fail to find resolution. make this suffering

a home. There's no breaking this chain— fate, as always, gets its way.

Poetry assembled from the program of an Oresteia production. Nov. 2023.

[poorly-drawn-mdzs]

In Stars and Disco

(Disco side of the swap)

[hyakunana]

✨💕 The winner of the DGP is———! 💕✨

.✨

.✨

.✨

[cinnamonrollsledge]

HISPANIC HERITAGE MONTH + BAND OF BROTHERS:

JOSEPH "JOE" RAMIREZ

Born October 5th, 1921, in Nebraska

Died April 8th, 1988 (age 66), in Martinez, California

Joe Ramirez enlisted in September 1942 (age 20) in San Francisco, CA, and he trained with Easy Company at Toccoa. Holding the rank of Private, he served in Normandy, Holland, and Bastogne. He was hospitalized in January 1945, and discharged in July 1945. After the war, he was married for many years, and had children and grandchildren. When he passed away he was buried with his wife, who had passed away 11 years earlier. Further information about him is scarce, but the brief character profile in the Band of Brothers series bible describes him as Mexican-American, and his personality as "sensitive and nervous."

Appears in Episodes 1, 3-8, and 10; portrayed by actor Rene L. Moreno

Sources below

A million thanks to @bleedingcoffee42 for tracking down this info for me!

[this-is-a-name-dont-worry]

"Wait is that lore?" moments in Antoine's return stream

These ones are likely jokes, but (you can use it in your headcanons):

With Tubbo, explaining his absence by saying "I was dead, I think, but not anymore, I was tired of being dead"

"I couldn't explain to you, it's out of my understanding how I'm dressed. The human mind cannot comprehend how I'm dressed and so the human brain shows it that way, but it isn't exactly like that. It's not powerful, it's just weird"

"You know me well!" "Heh, I know you as if I made you!" *silence* (closest to maybe serious)

These ones are more serious:

He isn't romantically interested by Cucurucho, he just likes his ass (that totally a human is aro that's what I mean)

He really missed Pomme, he stopped coming because without her it wasn't interesting anymore (this one is just cute)

Very invested in knowing what happened to the eggs while they were away

Accidentally gave Pomme one of the books Ourson (I think it's this one?) gave him, immediately panicking when he realized. When Pomme asks what it was, he first tries to pretend not to understand, and is pretty serious when he tells her that it's nothing; he'll tell her about it one day, and it's his little secret garden, everyone should be allowed to have secrets, don't she think? she isn't against secrets, right?

Certain that the eggs went to some kind of other dimensions/got doubles?? I mean there was a theory inspired by Stranger Things but despite what Pomme is saying he's not letting go of the idea

After asking Pomme if she met dark Cucurucho and she talks about the Watcher: "Je crois pas qu'on parle de la même chose. Là tu me parles de l'oeil, et moi je pense que je te parle de quelque chose d'autre. Je pense que tu me parles du Watcher... là où moi je te parle d'autre chose." ("I think we're not talking about the same thing. Here you're talking about the eye, and me I think I'm talking about something else. I think you're talking about the Watcher... when me I talk about something else" again how does he know the name "Watcher".)

Knows that Maximus is dead, when all the other players seem to have decided to play the "don't know if he's alive or dead" card (bonus: Antoine and Pomme talking about telling Aypierre, and Pomme thinking she won't be able to find the right words "I don't think there are right words..." ok im sad now thanks). Since we're at it, when reading Pomme diary where she worries about Baghera and Antoine being dead, saying they can't be dead, he doesn't share that worry in the slightest, as if he knows Baghera's not dead (this one's dubious and I am very willing to put it as cc!Antoine not thinking rp)

He and Pomme are talking about what she remembers of the Watcher and honestly the whole conversation deserves to be clipped and transcribed. To go with him name dropping the Watcher, he is now only calling it the creature with one eye because that's how Pomme calls it

Pomme explains that the Watcher was observing her and Richas and there was a threatening aura to it, so they immediately fled. Antoine in a very serious voice "You were right to, you were right to, you were right to. Because I think it's this person who was at the origin of your disappearance."

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.

[callixton]

i think the thing to understand abt martha jones is that even after she leaves she is five seconds away from dropping everything and traveling with the doctor at any given time. bc that itch to blow everything up and damn her personal duty to hell in search of a higher call never leaves her. but martha is smart. and rational. and has spent a long fucking time needing to keep herself safe. (bc he comes when she calls but never before.) and so she has gotten very good at keeping herself on the right side of those five seconds. but i do think if ten was a different person (if he could acknowledge how much he needed her instead of just how much he liked her) (if he didn’t feel this righteous martyrdom when it comes to being left alone) (if he cared enough about her to beg. if he cared enough about himself.) i think that her answer no would come crumbling down pretty quickly is all.

[aiura-stan]

yeah if u think of the main cast as a neurodivergent bunch of kids who become friends because they’re drawn to saiki it totally makes sense. He’s a neurodivergent person who simultaneously fakes being normal perfectly and also doesn’t hide it at all

the ~ideal~ neurodivergent. lol. everyone can tell, and also no one cares and he isn’t judged for being weird. People get the strangest sense that there’s more than meets the eye when it comes to saiki. other ND kids get that sensation twofold and find themselves inexplicably drawn to him.

he can and has literally rewritten reality so he appears less weird. and it isn’t always a good thing… but that’s discussion for another day I guess

[etoilesombre]

You know what? People shouldn't feel bad about liking things in fandom, or creating things that make them happy. I'm absolutely vagueposting, but this really isn't about one post, it's about a tone I've noticed popping up again lately from multiple people (including people I follow and generally respect!)

-"They absolutely cannot fuck! So crazy people would think about that and be into it, it would break canon! "

-"Mod AU doesn't work, they're Serious Characters they aren't gonna run a coffee shop its OOC! "

-"Actually, fun fluffy fic about them at all during a certain era doesn't work!"

I get it. I agree with a fair part of it. People post all kinds of asinine shit that I hate actually. But you know where I bitch about it? Privately in group chat.

Let people fucking have fun. I get the sense that many people come to this fandom specifically because it's Serious and Challenging and you want to Do Serious Analysis. I think a lot of folks around these parts either are in school and not having a good time about it, or wish that they had gone into better academia that doesn't really exist, and they're getting that need met here. And that's great! For real!

But you know what else is fine? People who either don't have that need, or are getting it met in other parts of their lives, and come here for stress relief and a fun free hobby.

Of course they can't fuck for real! It's not in the text, they simply don't. But the tension is obviously written in, and playing with possibilities can be fun! Also if you can't see how it could happen and still not fix shit, that's a skill issue. Fic authors aren't stupid, we don't fail to understand canon, but not everything has to be everything all the time. Sometimes you want to do all the work and try to match the level of writing in the show, and sometimes you want to have something nice and easy. The show is REALLY well written and what it needs to be, the point of transformative works is playing with what it's NOT. Some people cope with fluff, or good ending everybody lives AUs, and it might be so totally valid to look down on that, but maybe being publicly correct might be less important than being kind?

Actually, the main thing I want to say is that if YOU reading this are a person who wants to write a cute coffeeshop AU, or be horny on main about your boys kissing, it's actually fine!! At least, it historically has been fine. This is a really small fandom now and not that many people are actively creating, please don't be discouraged by this stuff, because the people who criticize on tumblr are actually not the majority. The REASON they criticize is that, if you go to AO3 and sort by kudos, much of it is this super sweet OOC stuff! It looks like that's most of what there is, because a lot of readers in the wild who watch the show and look up fic like it!

Anyway. Let people have fun, it doesn't cost you anything, and not every thought needs to be public. It actually does discourage people.

[topaziraphale]

"Stop saying Crowley won't help Aziraphale in S3 he'd go back to him in a HEARTBEAT and nothing would stop him" I get it no one likes the idea of Crowley being bitter after what happened for a long period of time but like can we at least acknowledge that he's currently going through probably the most emotional pain in his life since falling? Can we agree that he's opened his heart entirely - something you couldn't pay him to do unless the world is literally ending and he's desperate - to Aziraphale, and got shot down? Can we understand that he did it AGAIN only to lose Aziraphale again? Not that what Aziraphale did isn't without Crowley's own shortcomings (hiding the truth of Heaven's cruelty from him) but like,,,,

The appeal here isn't Scorned Crowley Doesn't Love Aziraphale Anymore, or Never Wants To Help Him Again, the appeal here is Crowley learning enough self respect to not just walk back right to Aziraphale like nothing happened after Aziraphale has had a pattern of consistently refusing him. Going years ping-ponging between "We're not friends I don't even know him" to "That's what friends are for right?" and "We're friends, why would you even say anything?" and "Friends? We're not friends. We are an angel and a demon!"

Like I get it, Crowley is a heartbreakingly forgiving person. Of course he's gonna forgive Aziraphale, I'll be surprised if he didn't forgive him by the time he walked out the bookshop door, but gdi he could at least grant himself the luxury of being at least a little irritated for longer than however long it takes to make a globe and some books float and angrily cry out to God in his flat. But due to the change of pace and dynamic that is establishing part of the conflict for Season 3, I just really like the idea of him for ONCE prioritizing himself and being like "Okay, fine. We'll get back at it when you're ready, then," instead of just taking Aziraphale back like his words and actions meant nothing to him, when clearly they have an effect on him.

What is Aziraphale going to learn if Crowley just accepts what he did so quickly, like he always has the entire time they've been friends? Idk maybe I'm just projecting too much darkness on their dynamic but I mean, if the pattern of Aziraphale pushing Crowley away/disrespecting him one day and then being fine with his friendship the next + Crowley never stopping to be like "Hey, that's not cool, at least give me a little credit" or smth was fine all along and will continue to be fine in the future, then why, after 6,000 years of being friends and loving this demon, can Aziraphale still not accept that Crowley is just fine the way he is, and instead got excited to promote him to an angel in a heartbeat once the opportunity presented itself? You can't blame all of it on Heaven when Aziraphale has demonstrated his free will/defiance to Heaven so many times. Or, I don't know, I guess maybe we can? Maybe I'm just craving too much angst to the point where I'm letting it cloud my analysis of canon. Idk.

[stuckinapril]

One day I’ll go through med school and then I’ll go through residency and then I’ll go through a fellowship and then I’ll be the most crybaby neurosurgeon you could think of. Bursting into tears if I so much as graze ur hypothalamus with my forceps

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[silverskye13]

He is a creature to me do you understand?

@lindentree @helsknight-daily

[skunkes]

i may be stupid