I ❤️ self-loathing characters, characters who struggle with monstrosity (either fearing or embracing it), characters who are so lonely, who have a gaping hole in their chest, who bottle up & repress their feelings, who claw their way up & have ambitions, who fall down & lose everything, who search for identity & purpose yet can’t see themselves outside of what others want from or expect of them, who are hurt & hurt others, who long & grieve, who lie & pretend. characters who are messy & flawed & human
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yes i'm rooting for m*leven breakup because byler is neat but mostly? i'm rooting for m*leven breakup for the sake of el and mike.
to me, their romance was always a puppy love born out of a combination of social pressures, naïve curiosity, and a lack of true understanding regarding intimacy and romantic love and what it really is. it was real in that they do truly, deeply care about each other and they are close friends, maybe even shared an attraction, but a maturing romance is so much more than that. they've grown up and out of being boyfriend/girlfriend, and that's okay! i think television/film needs to show more often that most of us don't have definite "soulmates" or first childhood loves that we spend our whole lives with. it doesn't mean these relationships meant nothing and didn't impact us, it just means they've run their course and that something else is in the cards, and this is part of life!
i've always felt el was at her best and most confident self when broken up with mike, discovering who she was and what she liked alongside another girl her age instead of just relying on mike for mentorship on how to live in the real world. she deserves more of an opportunity to find herself, her autonomy, and her independence, and to love who she is, and she's made it clear she's felt insecure in the relationship with mike because she isn't being loved and understood the way she wants, needs, and deserves from someone who is her partner.
also, it's okay if mike doesn't love her in "the way he should". he is not obligated to love her romantically and stay in a relationship with her just because she's a girl, because she "needed someone", or because he cares about her a lot. he shouldn't be pressured into a romance if it's not truly coming from his heart. he deserves freedom to find out and honour who he is, too, instead of just staying in his non-functional first relationship — one he got into as a child, essentially — and defining himself that way because it's what's expected when a boy and a girl are close. he loves her in some way, yes, but it's okay if he doesn't feel comfortable or secure being her boyfriend anymore, for whatever reason that is. he's felt insecure too, and that's valid and it matters.
they are their own people and are steadily growing and changing every day. they need time to figure out who those people are, and it's become clear (at least in my opinion) that those people aren't meant to be a couple at this stage.
they deserve freedom. they deserve to grow up and be authentic to themselves and not feel like they need to lie for the sake of a relationship. they deserve to move on from this version of their relationship that isn't making them happy and rekindle the best part of their bond: their strong, beautiful friendship. they don't have to be a couple if it doesn't make them stronger and better and happier people.
i think it would be healthy and wonderful for a show, especially one consumed frequently by young adults, to show a relationship starting, progressing, and ending on good terms in this way. sometimes things don't work out, and that is okay.
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it bothers me a little when people are like "ugh toritsuka deserved to be written better, he was done wrong" like no, not really, you just didnt get the point... hes literally there to be a foil to saiki, who uses his powers relatively selflessly despite claiming over and over that he only uses them for self gain, and then toritsuka is there to show us what an actual selfish character looks like...
same thing when people are like "i feel so bad for him, saikis so mean to him! he needs better friends.. he doesnt deserve how they treat him!" bro. yes he does. the entire point of his existence is to show the audience that saiki isnt the selfish powerhouse he claims to be, and that there are people out there actually using esp for bad things and there are much worse people that saikis powers couldve been given to...
toritsuka also has some good qualities obviously, the cat tank arc is SO important for him cuz it shows both the worst and best parts of his character but a lot of people like to focus solely on one and erase the other and its ajajkskqksms frustrating for me
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I could say that ASOIAF is a very medieval lit story at heart and you’d be like, “well no shit Sherlock, tell me something I don’t know 🙄”.
And I’d say: “Ok bet. ASOIAF’s medieval core is best exemplified through Jon Snow and Bran Stark, two distinct yet mirrored iterations of one hero-knight whose origins can be traced to Percival and his magical quest. Both are Percival (and both are potentially the grail king) but one is as close a 1:1 copy as we can get (Jon) and the other is the Percival archetype completely flipped over its head before it even begins (Bran). Jon, by the author’s own admission, is the fantasy hero in the most traditional sense. He’s Percival who was inspired by the knights and left his mother’s castle to chase after chivalric glory (Jon III AGoT), only to find out that he has a massive misunderstanding of the knight’s purpose and honor (ACOK/ASOS arcs). No one told him of the ethical dilemmas involved with being a knight. No one told him that he could meet the fair maiden and either be completely incapable of helping her (Gilly) or help her, leave her, and be burdened by her death (Ygritte). No one told him how hard it would be to have his entire world view upended and upon going back to his fellow knights and saying ‘hey friends maybe we should all re-evaluate the system in which we operate and how it might be causing us to betray the vows we swore’ he’d be met with disdain. No one told him that, like Percival, he might look back to his mother’s home and see what has become of it (and his sister whom he left) and upon making the decision to go back to it he dies before he can even get his foot out of the gate. Percival made it back home and Jon might too, but where Percival still had his mother’s shirt to remind him of his boyhood Jon had to kill the boy because the fate of the world depended on it. Jon stumbles and rises, only to stumble again. But nonetheless, he gets to be a knight. But on the other hand, there’s poor Bran! He doesn’t even get to fail at being a knight in the first place because that storyline was fucking taken from him before he could realize his dream of leaving his mother’s home. Jon at least got his call to action. Bran’s dazzling dream of knighthood doesn’t even get off the ground (quite literally). He climbs, falls immediately, and once his eyes are awakened he realizes that he is now incapable of being Percival as he’d wish to be. There’s no battling evil knights. There’s no saving fair maidens. But then he’s visited by a wizened old man who’s like ‘hey Percival, you can never be a knight but I’ll teach you how to be a mighty wizard!’ And that would be cool and all….BUT BRAN WANTS TO BE A KNIGHT GODDAMNIT! When he auditioned for the medieval lit play, he picked up the Percival/Arthur script. Yet that’s not what he ultimately got when the cast list finally got out. Because who the fuck switched it out his hero-knight script for the Merlin one??! So now he has to try and figure out how to be a knight who’s actually a wizard, and it fucking sucks y’all.”
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it’s very important to me how my therapist (attachment trauma specialist) who works with a lot of adoptees and ffy is also obsessed with supernatural. and agrees that jack is not adopted, and it’s important to his storyline that he isn’t. it’s so frustrating trying to explain to people that adoption isn’t about ‘what’s in their hearts’ or some other bullshit, because adoption isn’t about love, it’s a legal process that tfw don’t partake in. they never try to to erase his lineage or require it for there to be love. jack keeps his last name! jack has a picture of kelly at his bedside! jack gets the freedom to meet his first family, including lucifer! he gets to make his decisions about that even after he argues with cas about it! he is not adopted y’all just don’t know how else to describe their relationship because of the romanticization of adoption in ‘found family’ media and the fact that most non-adopted people have no idea what adoption actually is.
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the thing about romcoms is just- it's never meant to be 'is it believable?' but instead 'do you believe it?' do you believe these two characters are actually falling in love with each other??? do you believe their chemistry??? do you believe whatever obstacle is thrown in their way is legitimately something that might keep them apart for a time and not something that could be solved with one conversation?? do you believe that they believe they need to fake date for this very specific reason??? do you believe the reason why they're 'enemies' at the start, no matter how silly a misunderstanding it may be??? do you believe the grand romantic gesture fits the characters and is actually how one character would show their love to the other?? like!!!! it's about empathy and authenticity and feeling what the characters feel so strongly that even if it's a trope or a cliché it doesn't matter because you believe it
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something i really need to get off my chest even if i just post this privately is That i really dislike ‘caretakers’ in whump writing. or ‘whumper’ i feel like it makes a character (even if they’re just a hypothetical one) feel very 1 dimensional and it makes me so OKAY JUST HEAR ME OUT!!! whumpee i don’t mind much, it makes the prompt or what your talking about a little clearer. But it feels like it’s putting it into a box and making sort of roles which makes it feel less like a prompt and more like we’re in an omega verse fandom and i mean this really lovingly and affectionately and no hate to any of yall. I have a vast amount of characters and i write stories and books and I can say with out a shadow of a doubt, not ONE of them fall under ‘whumper’ or ‘caretaker’ because i develop them as their own individual character. Not even my antagonist are ‘whumpers’
So one of my main antagonists literally burns cigarettes on the MC and abuses the MC. Tries to kill her on her 18th birthday. Shes her mom, and the main character PHYSICALLY cannot leave that situation with out getting the authorities involved until she turns 18. Mom sounds like an ass, she beats ‘whumpee’ up! why would i NEVER call her a whumper? because she’s a whumpee by that logic. Her mom was extremely emotionally abusive, and half the time not fully there. Her shitty ass dad got murdered in front of her when she was just a kid. but Her mom isn’t a whumper either, because she too would be considered a whumpee. She was a world renowned flapper girl, everyone loved her. she LIVED for the fame and her face in newspapers. But behind the scenes she was actively ignoring her distant parents as they continued to try and marry her off. She was then forced into the marriage when she got pregnant with the guy (much so against her will which is why she killed him.) and ever since she’s been delusional and not fully there. It’s generational abuse.
more ramble under the cut + extra clarification on what I’m trying to say
okay but that’s just generational abuse right? There are other whumpers in the real world! Yeah i guess there’s sadists and serial killers, but like, there’s SOOOO much more guys.
I have a mini antagonist, he’s in highschool and he’s meant to be the toxic narcissistic ex of one of my characters. But he’s falling apart trying to get attention, he’s not fully aware of the damage he IS doing. Ass he may be but again behind the scenes he’s constantly fighting with his dad who refuses to do anything around the house and who is also transphobic (she’s bigender but i’ve been using he to make it less confusing right now) and now she has to take care of her little sister and act like a whole ass mom. As a sophomore. In high school. Not only that but her mom died, so she has to struggle with that. She’s just an annoying ass teenager, she doesn’t understand how to treat people or how she’s supposed to be handling what she’s dealing with. But getting attention and being liked at school? now that’s the shit. That’s like drugs for her. But to what lengths does she go to get that extra validation? He uses his boyfriend almost like an accessory. He’s not considerate of his feelings, and most likely doesn’t understand what a relationship is SUPPOSED to be.
Unless you’re making a sociopath character, which i LOVE a good sociopath character, you have to treat them like they also have humanity. Most of the time villains don’t just. Do shit to do it, they have some sort of background that lead up to this!!! And also even then with sociopaths they’re their own individual characters separate from the people they hurt!!! and also NONE of these are end all be alls and all characters must be developed this way!!!!
just my advice and stuff <3 i love all of you out there and i can understand why using certain roles and terms are the go to, and i’m not stopping you!!! i just really wanted to give my two cents so i can possibly help other writers!!!
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