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#i think a tragic love story could do me some good!
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i love tumblr y’all are my favorite little gay people in my phone!!!! i just think that this circle i have cultivated makes me feel warm and inspired and tapped into a funny hive of bees that slap me around in a cool way
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catboybrain · 9 months
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sniffles sadly. every day im so sad that fnaf didnt go with placing vanny into aftons role.... god forbid women do anything ! ! !
#just saw gtlive finish the first ending n like. urgh#maybe if i liked eclipse more i wouldnt mind how prevalent they r but woof man#like i get it its charlie and evil baby or whatever in the same body but come onnnnn#that and the candy cadet stories just bashing the same kid going into woods framework into the ground#i miss when it was like. this dude sewed 5 kittens together! this lady melted 7 keys! stuff like that yk that was different and scarier#i do rlly think the series is going toward this like polished marketable thing instead of the grimy sludge i liked .... </3 and the AI stuf#is sooooo boring like fuuuuck its so boring. i wouldnt mind if its charliebots bc at least theyre interesting !!!!#but mimic as the new villian? bro. dude. thats so boring come on... afton was interesting bc he was fucked up severly#and robots r just like. theyre just robots dude its not even scary its just a thing being programmed smh#without the afton behind it its kinda just ..... bleh#honestly i wish they would cap the story? like make vanny take aftons role; do some shit; end it in a tragic but cathartic way#and then if they want to make more games do either other families in universe (like fazbear frights) or prequels/ world building shit like#something set in circus babys pizza world or w/e .i mean you could argue its about cassie now but if her dad is bonnie bro we're still stuc#in the afton central place. and i dont like that hteyre moving on without wrapping up the 102938120 loose ends they already made URGH ! !#is it too much to ask for a fnaf game thats crusty round the edges and really metaphorical for theorists to dig into but logical enough it#can be solved and also creates a good plotline . yeah i guess hell will freeze over before that#d.txt#sorry im sooooo normal about fnaf <- is abnormal. fuhnaffs theories r GREAT thoguh i love that guy he makes me happy about the franchise :o
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judyalvqrez · 2 years
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the way people are once again removing all the nuance and moral greyness and complexity out of the last of us, but especially joel miller’s character is kinda concerning lol
#i told myself i wasn't gonna get into the discourse but i was reading through some of the posts and comments in the tlou tag and... oof#like i get it i could write whole essays about my feelings on this story and its characters and the ending ect.#but a lot of people are already getting annoyingly defensive of every single one of joel’s actions#literally stripping him of all of the flaws and complexities and moral greyness that make him such a great character#why are yall turning him into a clean cut selfless hero that did everything right like that's so boring#what’s most frustrating is how people are completely ignoring ellie’s perspective in all of this#some even just pushing her entire character aside in favor of joel#only bringing her or her trauma up when they’re trying to justify something joel did#and treating her like an accessory to his character when you should be reflecting how his actions are gonna affect HER#i hate to break it to yall but if you bring this highly romanticized version of joel into the next season#yall are NOT gonna have a good time#it happened once and it will happen again and i know the inevitable backlash is gonna be twice as bad this time that’s why im concerned#anyway those are just my two cents that no one asked for if you see me posting any type of discourse again pls shoot me lol#and please don't think i'm a joel hater either those people are just as annoying they're just in the minority i think especially on tumblr#why can't we just enjoy joel for the morally grey complex and honestly fucked up and tragic man that he is#it's like joel defender this joel hater that let's just be joel enjoyers#or joel lovers that'd be me because i love him with all my heart 🥺#especially hbo joel like his characterization was so good he just hits different and honestly i prefer him over game joel#and i do enjoy the occasional ''joel is innocent/did nothing wrong' memes/jokes i think they're hilarious and ultimately harmless#(also the joel/abby memes but that's another story sjafhksaf)#this was more about the people writing almost whole ass dissertations or actively starting arguments in their fervent need to defend joel#okay im done lol#lucy rants#i tried to keep this little rant as spoiler free as possible because there's no way in hell im tagging this asjfknsa this was more for me#if you read this whole thing through the end: hi i hope your day was good and if it wasn't i hope it's great tomorrow :)
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teamatsumu · 8 months
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L&DS BOYS - LOVE LANGUAGES
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content warnings: fem!reader, fluff, sfw headcanons
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XAVIER - PHYSICAL TOUCH
Xavier knows he is smart, and witty enough. But when things get a little too real, he finds it hard to express himself.
And the feelings he has for you are the most genuine ones he has felt in his long, long life.
While he might not be someone who can wax poetic about his affection for you, he shows it in other ways, and physical touch in his favorite way to get his feelings across.
When you walk next to each other, he sticks close, arm brushing against yours. Occasionally, the back of his hand makes contact with your own. It's almost as if the tension builds and builds, until he finally connects your fingers, either intertwining your hands together or linking his pinkie with yours. No words leave his mouth. His touch says enough.
If the train is too crowded, he will pull you closer to him with a firm touch on the small of your back, making sure you don’t receive any unwanted bumps from strangers.
For a few weeks in your relationship, he developed a strange habit of pinching your cheeks and lightly pulling on them. You let him do it, knowing he would eventually move on and find some other part of you to focus on. Though the action did make your face heat up.
Another weird hyperfixation he has is nibbling at your fingertips absentmindedly. He plays with them often, but when he is distracted by a movie you two are watching, he will bite at them every so often. Sometimes, he is so focused on the screen that you doubt he even realizes what he is doing.
(He realizes. He just thinks every part of you deserves love. Don’t question it. It makes sense in his head.)
Cuddling with him is the perfect gift for your senses, stimulating you wonderfully.
Small nips on your skin, little lingering touches. He traces your skin with eager yet gentle hands, as if trying to memorize every curve and dip.
He buries his face in your neck and breathes in deep, and in that moment, bodies tangled with each other and the sheets, vulnerable and open, he will whisper, “I love you”.
It’s an affirmation more than a revelation, since his actions up until this point have all shown you that he really, truly does love you. So you whisper it back, trying to pour all your love into it, before slotting your lips together and using physical touch to convey your feelings right back.
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RAFAYEL - WORDS OF AFFIRMATION
Rafayel is, in the simplest of terms, a yapper.
This man could talk for hours if you don’t stop him. About his art, about the meaning of life, about his experiences. He can express so much while also having an impeccable talent of being completely vague. Sometimes, you don’t even understand the things he says. And you’ve given up trying to decipher his every word.
But when Rafayel is talking about you, he makes himself abundantly clear. There’s no ambiguity about it; he loves you. And he will say it a million different times in a million different ways. Whether it be a bold declaration of how much his heart yearns for you, or endless teasing that is meant to rile you up and get a reaction out of you.
“I don’t think your talent lies in art, babe. It’s a good thing you’re a walking art piece yourself. No wonder I’m in love with you.”
“You’re leaving so soon? But I don’t think I’ve admired you enough for today. Don’t leave me!”
I’m impressed, Miss Bodyguard. You’re talented, and easy on the eyes. No wonder you captivated me from that very first day we met.”
Expect to wake up with a lot of voice notes on your phone. Minutes long. Sometimes rambling, sometimes actual ideas for new pieces that he wants to run by you. You better reply to all of them individually.
When you cuddle at night, you can talk for hours. No topic on earth is off limits with him. He will lay you down on a blanket on the beach, and as you watch the stars, he will tell you stories from olden times about star crossed lovers and tragic fairy tales. And he will turn to you, tell you how beautiful you are, how ardently he loves you, how he will never forget any moment he spends with you.
It’s almost like you can tell the exact moment he falls in love with you. Because he tells you. He never stops telling you. He voices his fears of you leaving him, he makes you promise you will never go away. He is clingy and he is whiny, and he is so endearing.
It’s hard to dismiss him when he is so loud about his love. And it’s hard to not fall for him just as he falls for you.
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ZAYNE - ACTS OF SERVICE
This is an indisputable fact. Dr Zayne shows his love through acts of service.
He is intensely aware of your needs, and is miles ahead of you in determining what you require at any given moment.
It’s his way of showing you that he cares. He worries for you, and born from that worry is the urge to take care of you.
If you have had a long day, you will come home to a text from him saying he has ordered takeout and it will arrive at your house shortly, since he knows you are too exhausted to cook anything. It is always something different, but it is always food that he knows you enjoy. He will mix it with some healthy options too.
If you ever crash at his place, you will wake up to a tall glass of water and two aspirin on the side table, along with a note in his neat handwriting telling you that there is fresh cooked breakfast in the oven (he made it before he left for work).
Once you two are in a steady relationship, he keeps his house stocked with products you use. A spare shampoo and conditioner, toothbrush, a bathrobe of your size, a hair brush, you name it.
When you mumble something about the hand cream in your purse that is nearly running out, you will find a brand new tube next time you open the purse, and there is no need to even ask. You know Zayne put it there.
He is intensely observant. Even after knowing him for so long, it catches you off guard. He knows which of your clothes need to be dry cleaned and which ones are good for the washing machine. He knows which scents you use. Which products are harsher on your skin. He knows that contacts irritate your eyes after long hours of wearing them, so he keeps a small bottle of eye drops in your side table for that very purpose.
He scolds you for neglecting yourself, and he won’t hold back the harsh tone if he thinks your behavior is particularly destructive. To him, the best way to show love is to make sure your beloved is living the best life they can.
It is the littlest things, the tiniest details. And it shocks you, even after so long.
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bootlegspiders · 5 months
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Hey, so for Watcher fans who may not wanna pay for another subscription or just wanna watch something new here are some other youtubers you should take a look at if you want to get a spook or learn some history
(* = potentially triggering topics covered usually associated with crimes, so be careful)
Ghost Hunting and general spooky vibes:
AmysCrypt - Your typical ghost hunting show with two Australians traveling the world, though I will say they do go to places I've never heard of before and they do very good research. And there are some goofs along with the spooks.
The Ouija Brothers - Two British dudes finding ghosts in England. The vibes are generally pretty chill and it's a good time
The Paranormal Scholar - A mixed bag of all paranormal happenings from ghosts to demons to cryptids and aliens. Sort of an overview to deepdives on various paranormal occurrences. The research is immaculate and their voice is very soothing in my opinion.
Paranormal Quest - Ghost hunting in the US, sometimes goofy sometimes serious, but they do go to some interesting places and some familiar ones too
Weird History:
ObsoleteOddity* - This guy is great, like 80% of the things he covers I've never heard of before. Very atmospheric, fun little visuals, and a large variety of weird events and people for topics.
Georgia Marie* - A little bit of everything, but she focuses on strange things that have happened, lgbt history, true crime, and historical disasters. She covers enough of everything that I'm sure you'll find something
Stefanie Valentine* - I'm not sure if she even posts anymore, but I thought what she was doing was great. Think Vampira or Elvira but for older true crime and ghost stories, I think the latest covered would have been like early 1900s. Idk I just thought it was like a cute spooky lil storytime
Caitlin Doughty or Ask A Mortician* - Pretty sure y'all would know who she is but just in case, she's a mortician who covers topics relating to death! From odd ways people have died, or odd things that have happened to people after they've died. And just odd or tragic things that have happened through history. It's silly, but done with levity and care and respect the topics deserve.
General History:
Part-Time Explorer - Mostly history on ships and ghost towns with the occasional train. Lots of research and interviews, very well done and worth checking out even if it may not be your thing.
History's Forgotten People - Talks about sometimes obscure, or sometimes not, historical individuals. Even if you've heard of the person in the topic, they'll talk on something obscure about that person.
History Tea Time with Lindsay Holiday - A heavy focus on royalty around the world, a generally upbeat dive into historic individuals.
(Or you could always go watch time team, that's an option and it's my guilty pleasure love me some archeology)
True Crime:
There are so many out there, so I'll just recommend two of my favorites
Gabulosis* - She focuses on vintage cases 20 years or older (literally in her opener) and is well researched and respectful. Another one that talks on cases I've never heard of that deserve to be heard.
Mysterious WV* - True crime and missing persons based in the West Virginia area and neighboring states. Idk how to even explain the vibes. This guy is just great please watch him trust me you won't be disappointed.
That's all for now, feel free to add your own recs out there!
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im-subtextsexual · 4 months
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I’m glad so many people picked up on the vibes between Eloise and Cressida. Not a ship I ever considered before, but the tension was palpable. I’ve been a Queer Eloise truther since reading the books. Her portrayal on the show only made it more obvious in my mind. I didn’t think the writers would ever go there, but the set up is just so explicit, now I’m not sure. I don’t think they’d actually make Eloise / Cressida canon, but I do think they’re testing the waters for wlw Eloise. And it makes perfect sense. 
First off, the character is queer (I’ll hold off from labeling her a lesbian outright, because there’s definitely room for other identities like bi, demi, ace…. etc.) Even in the books. I legitimately think Julia Quinn accidentally wrote a sapphic character and then didn’t know what to do with her. So what we got is “To Sir Phillip, With Love”, widely considered to be one of the worst in the series. Believe me, if there’s any story that could stand to deviate from the books, it’s this one. And the story could so easily be adapted to a wlw romance, it would be a wasted opportunity not to do it. Like… the story would be better if they tweaked it to fit a queer canon. AND it could be done in a historically accurate way to shut up the naysayers that “a lesbian storyline wouldn’t fit in this universe.” How? Allow me to explain.
*SPOILERS FOR BRIDGERTON SERIES BOOK 5*
In the book, Eloise strikes up a correspondence with Sir Phillip Crane. Yes, THAT Phillip, the one currently married to Marina from season 1&2. Marina kills herself because she can’t stand to be married to Phillip and deal with their children in the wake of her lover / his brother’s death. His initial interest in Eloise is to find a mother for his children. She is intrigued by his intelligence and decides she doesn't want to be alone, but isn’t necessarily eager to marry or have a family. Due to romance novel shenanigans, she runs away to Phillip's house and is forced to marry him. Even as they grow to kind of love each other, it's far from some grand romance. It’s the very definition of “settling”. The most interesting part is the narrative structure of their story being told through letters in the beginning. We could keep all that, but make it gay. 
*Imagine*
Eloise meets some dapper gentlemen new to the marriage mart. We’ll call him Emmett. Very little is known about Emmett and his family as they keep largely to themselves at their estate in the countryside. The only thing that’s widely known is the family suffered a tragic accident where the man of the house and his oldest daughter died, leaving his son (the other twin) to take on the responsibility of rank and title very early. Emmet is making a rare appearance in London to find a wife (there are rumors of stipulations in his inheritance requiring a match). ALL the debutantes are fawning over him because he’s mysterious and extraordinarily good-looking. One might even say “pretty”… To everyone’s great surprise the season’s most eligible bachelor takes a special interest in Eloise after overhearing her talking about her disdain for the social convention of marriage, and how she would only consider it if it were an in-name-only, marriage of convenience. Emmett strikes up a conversation with Eloise and she is taken by his humor, wit and shockingly deep empathy for the limitations society puts on women. They continue to gravitate to each other through the first few events of the season, but Emmett has to return home suddenly because of a family emergency. Eloise is shocked to find herself disappointed, but they promise to write. Cue the correspondence romance.
Eloise grows more and more smitten with Emmett every letter she receives, but still has the same reservations about marriage especially when she thinks of the intimacy a relationship like that would require. When Emmett hints that he may want more than friendship, Eloise's feelings get the better of her and she goes to visit Emmett unannounced. He is shocked to see her, but let's her stay and she gets to know his mother and two younger sisters. The Bridgertons go looking for Eloise, worried something has happened to her. When she is found to have been staying for days in an unwed man's home without a chaperone, the potential scandal causes Anthony to force Eloise and Emmett to marry. Surprisingly, Emmett actually agrees so Eloise does too (all of this is essentially what happens in the book).
Eloise confesses to Emmett that she's nervous/resistant to physical intimacy, but he assures her they never have to be together that way. In fact, he would prefer the marriage of convenience they always talked about. Eloise is relieved until their kiss at the wedding sparks an attraction she wasn't expecting. They spend the first month or so of their marriage sleeping in separate rooms, enjoying each other's company, and letting the tension build. One night, Eloise's control and curiosity finally snaps and she goes to Emmett's room to initiate a physical relationship. She catches Emmett off guard in his sleeping clothes which makes it VERY clear... Emmett is a woman (cliffhanger of episode 4, and where we deviate from book canon to make it queer).
After the initial shock, Eloise allows her new "husband" to explain. Emmett is really Emma, the daughter believed to have died in a carriage accident with her father so many years ago. It was her twin brother that actually died, but since there were no other male heirs, Emma's family fortune would have gone to a distant uncle who is cruel and abusive. To save them of that fate, Emma's mother conspired with the local coroner to make it look like Emma was the one who died, so "Emmett" could inherit everything. Emma has been living as Emmett ever since, successfully keeping up the deception by keeping a low profile in society. The only reason Emma came to London that year is because her uncle died, and a cousin had come around asking questions hoping to inherit. She thought getting married would help secure her identity as Emmett and the cousin would back off. At first Eloise is outraged. She feels betrayed by Emma's duplicity, and is terrified if any of this ever got out everyone they know would be ruined forever. She agrees to keep the secret to save her family's reputation, but shuns Emma. Eventually, Emma (already aware that she's in love with Eloise) attempts to make amends and Eloise is charmed enough that she relaxes back into the relationship they had before the Big Reveal. The only problem is the attraction is still there, even more so now that Eloise knows the truth. Things come to a head, and they go at it Bridgerton style.
Emma and Eloise live happily in a true marriage for a bit until Cressida and Penelope come for a visit. They both find out about Emma, but are sworn to secrecy. Pen easily swears her loyalty (having already suspected Eloise), but Cressida is sickened. In a rage, she threatens to out them all, and storms back to London. Eloise follows her and begs Cressida to keep the secret, and tries to explain why the "wrong" feelings she has for Emma are very right for her. To Eloise's surprise, Cressida isn't upset about what she's doing with Emma, but who she's doing it with. She didn't know what they're doing was an option; that she was an option. Cressida confesses that if she'd known a life with Eloise was a choice she could make, it's the life she would have chosen. Eloise lets Cressida down easy by explaining they didn't have that choice. Everyone in the ton knows who they are. The only reason her relationship with Emma works is because of the ruse that allows Emma to be Emmett. Cressida takes this in stride, and vows to keep the secret, but her mother overhears and causes the biggest scandal London Society has ever seen.
The Bridgertons and a few friends (like Lady Danbury) are as understanding as possible, but the rest of the ton is rabid. Things escalate to the point where Emma and Eloise have to appear before the Queen. Emma pleads her case about pretending to save her family, and insists that Eloise didn't know until well after they were married so she's innocent. Eloise can't help herself and gets on her soapbox about the way society limits women, and that the Queen should understand their plight. Shockingly, she does. She annuls their "marriage" (because they didn't consummate anything... RIGHT?!) but she agrees to let Emma control her family's estate until one of her sisters produces a male heir. After that, she and Eloise will receive a pension from the Crown so they can live independently (the real Queen Charlotte actually did this for suspected historical sapphic couple The Ladies of Llangollen). Since Emma and Eloise would never be able to find husbands now, they decide that they'll just be two spinsters growing old together in their house in the countryside. You know... just two gal pals. No one believes that shit, but they rarely interact with the ton, so they're largely left alone to live as they please.
Happy ending, close to canon, historically accurate, and super gay. It's not that hard. You're welcome.
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On David Tennant and Aging
So, I’ve seen a lot of posts in response to Tumblr users’ habit of affectionately calling their favorite middle aged dudes “old men”, David Tennant in particular, saying things like “clearly you’ve never met an actual old person”, “omg you talk about these guys like they’re 80”, “please be normal about people aging”, etc. And on one hand, all of these statements are objectively right and true! But as someone who’s always been really fascinated by and found a lot of beauty in getting older (which I’ve explored in some of my writing on A03 because nobody else is going to do it for me), I’d like to provide a bit more nuance on how I think this label applies to David in particular.
David, obviously, in literal terms, is not “old”, at least not to me- I don’t personally consider people old until they get past 60. 52 is middle aged, simple as that. And yet, when I see David stuck with the “old man” label, it still somehow feels weirdly right, for a number of reasons.
It annoys me so much when people say David “hasn’t aged a day since Doctor Who”, because, well…
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He clearly has. A lot. He’s got forehead creases, deep crows’ feet and eyebags, and I think that post-Fourteen we’re gonna see him rocking the grey temples a LOT more. He also has the voice of an older man now, his upper range is still there but the default is much more deep and rich, with a gravelly, rumbling quality that just goes straight through you. I personally think Broadchurch was when David finally started to embrace looking his age- Alec Hardy just wouldn’t have been served by Ten’s fresh-faced boyishness.
Obviously, these are the kinds of changes you’d expect any 52-year-old man to have, but something about David just makes it all seem a bit more… intense? The expressiveness of his face combined with his almost gaunt frame makes his wrinkles very prominent, and when he works his voice to its emotional extremes, his lower register can sound positively ancient, to devastating effect.
David, I think, is someone with an old soul- I don’t think he could be as good as he is at playing ancient characters like Crowley and The Doctor if he weren’t. He has lived so many lives, given so much of himself to so many characters, often incredibly tragic ones, and I think it wears on him. David also has five kids. FIVE. Do you know how exhausting it is to be one of the hardest working actors alive and be a present, loving father to even ONE child? But David somehow does it anyway! Nowadays I see him and my heart breaks because he looks so tired, so weary and fragile. But he’s all the more beautiful for it to me because I know that that is because he is kind. He’s a deeply empathetic person who feels and lives to the absolute fullest, and that story is written so clearly on his face, along with every other story he has ever been a part of.
There’s other things about David that make the label endearingly fitting- his utter hopelessness when it comes to technology, for instance. And he’s just got that warm, wise, grandpa energy too sometimes- look at that above Fourteen picture and tell me I’m wrong!
I once showed my friend who’d only seen David in Doctor Who and Harry Potter a picture of David from Around The World in 80 Days. It was a particularly emotional scene, and his face had just the most beautiful expression of compassion and sadness, every wrinkle on full display. And she said, in a less than complimentary fashion, “he looks so old!” Which, of course, offended me quite a bit at first. But to me, referring to David as old almost feels like a badge of honor, something he’s earned by living fully and selflessly, working hard and being wise and compassionate beyond his years. I think David himself is secretly more than a little insecure about the fact that he’s getting older. There’s sadness behind every jovially self-depreciating remark he’s made about his age in the past year, particularly in comparing himself to Ncuti Gatwa. I know how much David struggles with his impostor syndrome and how people perceive him, and I can clearly see in his eyes the fear of being discarded, the anxiety he feels about if he’ll still be as loved as he was back in 2007 now that he’s closer in age to King Lear than he is to Romeo. So I hope David knows it’s a privilege to watch him grow older, to watch his soul and talents deepen with the crinkles around his eyes. If I, in my silly goofy tumblr girl-ness, call David Tennant an old man, it’s because it’s a label that suits him beautifully- even if it isn’t TECHNICALLY an accurate one yet.
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hazelfoureyes · 6 days
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A Doe in Fall (part 10)
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⟢HumanAlastor x FemaleBurlesquerReader - A Doe in Fall
A burlesquer with a penchant for conning men, you find your latest game interrupted when your next mark saves you from an aggressive fan— by killing him. The chance encounter left you curious, still half convinced you could complete your normal chase. Unbeknownst to you, you were the one being tracked.
Part 1 - Pretty in Red smut💦 Part 2 - Liar smut💦 Part 3 - A Tragedy smut💦 Part 4 - Enough Part 5 - Too Much Part 6 - Learning smut💦 Part 7 - Recognition smut💦 Part 8 - Trust sexual 🥵 Part 9 - Shiny Things Part 10 - Good Deeds 📍
Part 10 Good Deeds
Alastor takes you out as promised, but work/hobbies call him away. Not that you mind, you have your own hobbies to pick up.
「Warnings/Promises: Human Alastor x Fem!Reader, references to racial violence, reference to a word that’s now very much a slur, Hate for Aubrey, inaccurate portrayal of how easy it was to drink, oh yeah murder, mentions of a dismembered body, bloody shoes, physics hijinks with a corpse, these idiots in love, gators aaaaaye baby, domestic fluff?? Kind of?? Did I do it?!」
I think about Emmett Till often. Though his heinous murder came after the time this story is set, what happened to him wasn’t an isolated incident. So it is referenced here in a sense, because I can’t stop thinking about him when I think about racial violence in the south both what it looked like before and what it looks like now. I don’t say anything explicit and change the act, but it is still important to warn you. If you don’t know about the tragic death of Emmett, here’s a site with links to articles and essays. Be careful, it is awful and his deceased and battered face will come up on some links, as his mother wanted the world to see what they did to her baby. It’s an image I cannot forget and I rightfully shouldn’t. I know it’s off to have such a heavy topic before this love story but this case is the kind that would motivate such a killer as Alastor, and I don’t want to miss an opportunity to remind us of Emmett’s short life even if it’s done in a silly fanfic surrounded by nonsense. So forgive me for perhaps an odd real life addition, I’d be disappointed in myself for not addressing it when Emmett has been on my mind every time I think about the era someone like Alastor could have lived in. An era that did exist and people did live and suffer in.  An era not far removed from us, my father was alive when this happened.
Part 10 - Good Deeds
minors if you interact I will interpret that as a deep hate for me as a person so MDNI 👌🏼
“I’ve got to speak with the valet, go on ahead and find a table you like.” 
You didn’t want to do that at all, but knew Alastor wouldn’t ask if he didn’t want it. Well, he didn’t really ask, did he? He was certainly in his element, the shining and towering hotel every bit as pristine as his own public image.
It was as if every head in the room spun around to look at you. Everyone’s hair freshly styled, jewelry shiny and heavy, clothes immaculate. Your dress was lovely, no doubt, but no one looks at the elephant in her tutu at the circus and proclaims, “A ballerina!” This was, rather obviously, not your scene.
Alastor had presented the dress to you so sweetly, though. You woke up to find it hanging on the closet door hook, the first thing you saw when you opened your eyes. He had either waited for you to fall asleep to hang it or woken up before you for just the reason. It was red, his favorite color for you. The latest fashion, loose and straight. No corset. The neckline showcased a large, flat bow. 
“Partly a gift for me,” he had said as his hands slid down your sides when you had gotten dressed, “Such softness shouldn’t be hidden behind rigid boning.”
You settled into a large seashell shaped booth, the back coming up and over like you were the speck of sand yet to form into a pearl. The table was small, a glittering pattern under its shiny veneer. Everything was…glistening. Even the darkness past the windows seemed to be sparkling back at you. A few people turned to look you up and down, smiling and beginning to speak to their group before even turning back to them. 
You could wither, or bloom. So you learned back as if you were bored, legs crossed and feet gently shaking with anxiety or boredom, you hoped no one could sus out which. 
It was so odd. In your usual haunts, newcomers were greeted with curious smiles and maybe the tiniest suspicions. You were being picked apart to the bone by sharp stares and even sharper tongues, no matter how silent their jabs were to you. 
“They’re probably jealous.” Your head snapped up, when had Alastor made it in? “They look at you and know, ‘oh, that’s the kind of woman my husband would rather have a conversation with.’” You laughed, you absolutely could have stolen the attention and more from at least one of these women’s husbands.
“Perhaps they recognize these earrings, gone missing from their jewelry box earlier this year.”  You weren’t above accepting a woman’s stolen jewelry. It was her husband's fault anyway, might as well enjoy it. 
Alastor’s finger came to your chin, lifting your face further into the light, “Give em a good look, darling. I want them to eat their hearts out.” The blush that swept across your features was so fierce, the difference in temperature between your cheeks and your arms caused a chill to run down to your shins. He took a seat beside you, scooting up close and flashing that smile. A smile that had you chasing him into dark alleys and grabbing dead men by the ankles. 
A waiter came by, placing a drink in front of Alastor and asking what you’d like. You were so used to being in such spaces with the kind of men who answered for you that you didn’t reply immediately. When Alastor brought his drink to his lips, you realized it was you who was expected to speak. 
“Oh! A corpse reviver please.”
The man smiled and left with a nod. Alastor choked, hitting his chest with the fleshy part of his palm, “That was intentional, wasn’t it?”
You danced in your seat, “I’ve never been somewhere that has the stock for it that I was…allowed to order what I want.”
Alastor set his drink down and leaned back, shoulder pressing into yours teasingly, “I can’t imagine anyone disallowing you a thing.” With a sigh, you reminded him of the things you did to get your marks drunk and off their guard. You were surprised when he nodded like he remembered. “I saw that! You would sit so quietly on their laps. I remember thinking you were much more boring than you had initially made me believe.” You recoiled, and he shot you a look, “Who stalked who first, hm?” 
With a huff, you let it go. You weren’t actually sure the answer to that anyway. Focus let free from Alastor, you began to notice the looks were back. But no longer cutting into you, but wide and devouring. A few smiled at Alastor, some tipped their heads to him and offered a look of recognition. “Aren’t you popular.”
“I haven’t been out in awhile. They’re probably curious.” He took another sip, “Should be, atleast.”
A prideful smile slid up your face. You uselessly tried to mask it by licking your teeth. 
Something that happened when in public with Alastor that was unlike you was the tendency to become small. Not shrinking to provide him space; it was a turning in of your shoulders and touching of your knees in a subconscious effort to curl into a little ball of joy. Actively fighting the tug, you leaned back and opened your chest. An exercise in mental focus. 
“It’s weird. How you can be friends with my kind of people and….well, whatever is happening here.” Your hand waved at the room before you both. 
“My friendship with these people compared to our friends at the dives is…. A light bulb compared to a fire. One was manufactured to fit a need, one exists somewhat naturally.”
Tall and slim, body flat from collar bones to knees, a slip of a woman entered the room and you felt a shift in the atmosphere. Her hair was short and pitch black, fashionable to say the least. A few heads turned, a few upturned lips shifted into sneers. Side glances, hushed words, intentionally heard huffs. You turned to Alastor to find his face was as confused as your own. 
“Who is that?” You said it low, not knowing if she was friend or foe. 
“That would be Mrs. Aubrey Debreaux. Popular socialite and frequent hostess.” A sip of his drink, speaking about her like a character in a novel. “This icy reception is news to me though. She’s usually the life of the party.”
“She’s a real wet blanket now…Your circles seem really fickle. Always a bit of gossip.” You realized as soon as you said it that, well, that was the point. Alastor needed the gossip, and, well, he clearly enjoyed it.
“That’s what the wealthy do. Gossip and pretend the drama is as stressful as someone looking for their next meal.” Swirling his drink absentmindedly, his eyes followed Aubrey through the hotel bar. When you asked if he knew everyone there, he said it was his job to know people.
“Your job is in radio. You host a show, Alastor.” You laughed through your nose.
“Well, my other job.”
“I’d call that a passionate hobby.” Your hand came to rest half on his and half on the booth bench low and hidden, not wanting to monopolize, but he quickly took it and held it on the table. Another struggle to keep your shoulders from drawing inward.
The room moved on, forgetting you both were there and eventually about Aubrey too. Or so you had thought. When you drink was starting to mellow you, you turned to Alastor to admire the view. You’d come to enjoy that silence, the kind that only existed between people comfortable enough to know they didn’t need to entertain each other to enjoy each other’s company.
He was scanning the bar still, elbow on the table as he rested his chin there. From a distance of space or familiarity it could be seen as boredom. But up close and personal, you could see the wheels spinning behind his eyes.
“Golly, when in Rome!” Alastor hooted and grabbed you by the hand with one of his and carried his drink in the other, “Let’s go gossip. Bring your drink.”
He pulled you into a group of four people in a circle talking. They opened and let you both in, smiles warm. A clamor of excited ‘how long has it been’s, ‘how are you’s, and ‘you look well’s.
You’d expected him to ask for gossip like he’d said, but realized that’d be pretty conspicuous. Instead he waited, and when Aubrey passed by one of them rolled their eyes and he had his opportunity.
“What’s that look for?” He asked. 
Everyone got quiet and passed a glance between them. Finally a woman in a beaded dress and finger wave bob piped up.
“She reported a young boy touched her on the street.” Alastor watched Aubrey cycle through the groups as the friend spoke. “Grazed her hip with his hands, made a comment about white women as he did it.”
Alastor’s head whipped back around. “He got taken away that night.”
You gasped, hand coming to your mouth in sincere horror, “Just for touching her? Is he still in jail?” 
The woman’s lips pursed together, no one looking at you.
“Bless your heart. He didn’t touch her and he didn’t make it to the jailhouse, sugar.”
Suddenly the way everyone was looking everywhere but at each other sunk in. 
Panicked, you looked to Alastor. His expression was still, like the calm waters of a deep and foreboding bay. What horrors lie underneath? His tongue wiped across his teeth, and you reached out to take his drink from his hand. The action snapped him out of his daze for a second, expression softening a tad as he nodded a thank you.
If he shattered that glass now, people would remember. And when Aubrey went missing they may recall Alastor’s dramatic reaction. You knew his smiles intimately, the ones that were true and the ones that were illusions. The expressions of joy and the mask for his rage. The smile painted on his face now was nothing short of shallow.
You spent so many days in a bubble with Alastor, shielded by his grace or by the accepting and illegal circles you ran in that you sometimes forgot the reality of life. A dark privilege you hadn’t seen until you were the one looking naive for once. 
That’s right. The world was a bad place, of cruelty and injustice. Not just for you, or for parts of you, or for sides of you. Not just for women with smart mouths or a love of dance. No matter how safe the comfort of your friends and the dark halls you all commiserate in, no matter the like minds and mixed complexions of your peers, you were all just one cruel voice from being dragged into the night. Just a single accusation from being a whispered story in a glittering hotel bar. A headline no one would write. 
And some of you would be mourned more than others. 
You took a second, blinking rapidly to dry your eyes. 
“Apparently, she did it to get Hubert to leave his mistress’s apartment and come home.” A short man whose name you never got took a drag of his cigarette, “Worked. He’s been yapping all week about the state of New Orleans society and the importance of protecting the fairer among us.”
Alastor was quiet still, lips tight. You’d seen the photos in his home. You’d never discussed it, no need. Things can’t become normal if you’re always pointing them out. Plus, that was his piece to share. 
“Glad to see most of us here aren’t too keen to welcome her. I’d hate to have to find another bar.” Someone said, glancing around the room. “George just started making my martinis right.”
“Care to dance?” Alastor abruptly turned his entire body to you with a slick swivel on his heels.
You nodded, offering small polite goodbyes and setting your drinks back on the table before turning to him.
His open palm was outstretched and offering you a dance. You spread your hand over his and felt him hold you firmly before pulling you into him. 
He held you so close, much closer than anyone else on the dance floor. A scandalous lack of distance between you two. Quiet, Alastor’s eyes were distant. You were in front of him but he wasn’t seeing you. You let the song carry on a little longer for appearances before sighing into a smile.
“Why are we dancing when you have work to do? You have your tools.” Looking up at a man was rarely a view you enjoyed but the way his eyes slid down his nose and landed so sharply on you made it worth it. A look that said he’d devour you if he didn’t adore you so much. Your hand snaked behind his back to touch the hidden outline of this trusty little knife. He briefly wondered if this could be considered foreplay, the way he felt your hand on his lower back and running over his weapon. Much more intimate than he’d ever let anyone else be.
As your bodies swayed, the lights slid across the curve of his eyes and lit that bright honey brown color like a diamond twirling in the sun. The facets of his irises mesmerizing you. 
How terribly did you love him? 
How far would you fall for him?
“This would be a long one. You’d be waiting… could be a couple of hours. I need to be out of sight before she leaves.” A chill. Oh, you’d forgotten for a second, Alastor was a killer. He didn’t do it for ‘justice’ alone, he enjoyed what he did. Immensely. His voice had a note of giddiness and anger that didn’t mix well, but was oddly arousing. 
“Correction, I’d be dancing for hours. Drinking. Letting handsome men waste their money on me.” 
“Oh? Can they buy me a drink, too?”
You brought up your pointer finger, “You remind her of her humanity, and I’ll get a man to buy you a drink.” 
He linked his finger with yours. “I’ll need to give her special attention. She’s earned it.”
You loosely understood this wasn’t attention like you’d be given. This was attention that ran opposite affection. 
“I’m not here to be in your way, Alastor.” A quick kiss to your hand, one you hoped no one else saw. While no one here would be bothered by Brady, you still wanted to keep some semblance of confusion on what you two were to onlookers. 
His laugh was louder than you expected, a few heads turning, “Impossible. I’m always going wherever you are, dear.”
Would you never get up again?
“I’ll stay at the bar. If they close, I’ll just go to Beth’s.” Your fingers lingered in his, “Be careful. The best good deeds are done in the dark.”
A kiss to your nose. So gentle despite the topic. You could imagine it, the violent death of a woman. You could hear the sounds. Hers, his, the knife’s. A pang of guilt set in before you could remind yourself why this woman was going to die. A tiny smile settled on your face, he offered you a gentle command in return, “Understood, honey. Be safe.” 
You let him kiss your hand again and bow out of  the dance. You were doing it, it dawned on you as you watched him walk away. Truly kissing him goodbye at the door as he went off to work. The closest you’d ever gotten, atleast. 
He stopped by a group and said some quick goodbyes, apologies for leaving early, and left the hotel bar. 
You knew he had killed women before, Alastor was all for equality, but a part of you worried. Women tend to scream louder, and be heard more often, than men. A man screams and people just…keep walking. What would he do? Where would he do it?
With a sniffle, you let the jealousy of just what he would need to do to get her alone flutter away. Taking a seat back at your table, you sipped your drink and watched the others dance and chat. How odd, they could sway in such large places with big windows and bright lights with no fear of cops. Your scenes were dark, dusty, never seeing the sky. 
“He left ya?” One of the earlier women came by, someone you vaguely remember him nodding a ‘hello’ to at some point in the evening. 
Thankfully you were still quick on your feet. “Well, we came separately, of course we’d leave separately.”
A laughed, “Of course.” She leaned down, touching at your hair for a second, curiously, “Don’t hold your breath. But, it is nice he got you in here, huh? Must be a treat for you.” 
Your own laugh was just as abrupt as Alastor’s earlier, your hand coming to hide your smile. All you could muster was a nod. Yes, you stood out. Yes, you didn’t fit in with these people for many reasons. But, it wasn’t your first time in nice spaces. First time not pressed into a man who’d been made to believe he was more important the whole time, but still. 
It took two more drinks for Aubrey to leave. But there was a problem. As she was trying to bow out of the room, a man kept hooking his fingers under the loose belt of her boxy drop waist dress.
With practiced skill, you took note of where her eyes lingered on him, how her hand came to his arm but didn’t actually press him away. Not earnestly.
The pushy man saw it too, every little soft ‘no’ was a half ‘yes’. And Aubrey seemed to like that. It was almost ironic, given what she had done, how she egged on the younger man before her now by pretending she didn’t want him. His hand landed on her hip forcefully, her hand on his chest gingerly. He leaned in close, she pulled away barely.
The next act was the most classic to women of your era. The false exit.
Aubrey whispered something, he nodded eagerly and his many hands returned to himself.
She smiled at the back of everyone’s heads, as nearly no one would look her way, and she slipped out the doors.
You couldn’t stop yourself from shimmying as you slid from your booth. Barely a step away, you leaned back and grabbed the last sip in your glass. You swished it around your mouth like listerine, and swallowed it. Before you got too close, you pinched your cheeks until your eyes began to water.
You’d just found a way to make yourself useful.
“Whoopsie Daisy!” You giggled, shoulder colliding with the man’s chest as you stumbled past.
“Watch - ooh, hey,” the free hand that had come to keep you from getting closer quickly softened, curling around your waist. The same hand that’d just been on the socialite. You were sure to look up and sigh into him, your breath soaked in alcohol. “You okay, doll? Had a bit too much?”
With glassy eyes you nodded, closing them and letting your head nod lazily, “I lost my thing!” You laughed, hitting his chest.
“Your what? I happen to be a thing.” 
How quickly he forgot his target when easier to pick fruit appeared.
“No, silly!” A practiced hiccup, “my little…”
“Your little…?”
Your fingers wiggled in the direction of your hip.
“Purse!” A beaming grin. He asked if you needed help finding it. “Well, how else am I gonna get another drink!” The hand on your waist fell to your hip and slunk lower. 
“Oh well, I could help ya with that.” He leaned in, looking around first as if he had a secret, “I have a room upstairs.”
You tutted, “No no, I am a married woman!” He lifted your left hand, turning it over in a dramatic search for a ring. “Well, engaged…” you diverted your gaze. He lifted his hand to his brow then and scanned the room like a sailor to the horizon. “He’s working late.” You whined.
Why did his kind of man always want the taken woman? Did they think the chase was more meaningful then? Did they feel like they’d won some tug-of-war with an invisible, unaware opponent?
Maybe they were hardwired to hoard resources.
You let him seat you at the bar, and when he ordered you a drink you asked to know your savior’s name. William.
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Alastor was none the wiser, smoking a cigarette under the streetlamp just off to the side of the hotel awning. He didn’t smoke often before you, but he found the lure of sitting on the porch passing a pill between you both too hard to fight. And soon enough the habit grew from a drinking pastime to just… something to do with his hands.
As Aubrey appeared, waiting for her driver to retrieve the car, Alastor tossed the butt to the street and walked up on her.
“I’m quite cross with you, Aubrey.” His tone was smiling as his hand slid behind her neck and tugged her away from the safety and lights of the awning.
“Oh! Alastor, I’m actually waiting for my car.” She struggled to keep up with his pace in her heels, weakly pointing back to where the valet had stood earlier. She resisted a little, the palm on the nape of her neck silently shutting her down.
“Nonsense. We have business together.” Alastor let his hand fall to her upper arm as he yanked her into the closest side street. “I hear you’ve been a very bad girl.”
Aubrey huffed, pulling back against him once, then twice, but ultimately acquiesced when she could see his car down the street.
“Fine, you can drive me home then.” A misplaced giggle, her survival skills dulled by ego.
He tossed her roughly against the car, hand gripping her face tightly. She tried to say his name, but his hold was so firm her jaw was locked.
“You’re going to get into my car now.” Alastor’s eyes had lost their pupil, an expanse of a seemingly endless dark brown in the heavy shadows left by the lamp’s light. When he let her face go, she rolled her eyes and pulled open the back seat door.
That wasn’t what he had meant, not there, but he closed the door behind her and got into the driver’s seat. He hadn’t brought the tarp tonight, not expecting to need it, so maybe the backseat was his best option regardless.
When he pulled away, she reminded him he didn’t know her address.
“I’m not taking you home. I told you. I have a bone to pick with you.” Alastor found himself incapable of putting on a ruse for her. His patience was entirely lost in his unraveling anger.
“Oooh? A bone, you say. Well, well.” Aubrey leaned forward onto the front seat, hands snaking down his shoulders and chest so she could nip at his ear, “Finally letting me have a ride.”
He had to set his right hand in the darkness of his lap to hide the tremble, a disgusted rage manifesting in uncommon ways. 
As her fingers found the buttons of his waist coat, Alastor struggled to see the road in front of him. His vision was going white, and then red. His blood pressure was so high he was nearly blind. 
And when two hot fingers broached the small space between buttons of his dress shirt and touched the bare skin of his chest, the car came to an abrupt halt. The force threw her into the backseat. 
Alastor slammed the front seat door shut before opening the back and caging her in. “I can’t stand another second of your existence.” She crawled backward, making room for him. “I’m going to fucking kill you.” 
Aubrey settled her back against the opposite door, “Oh, the petit mort.”
His head hung low in frustration, a growled  “No, the big one.” as he raked his fingers through his hair to keep from punching his own car seat.
“So I’ve heard.” She pulled up the hem of her dress slowly.
“For fucks sake Aubrey! I’m not using double entendre!” His hands wrapped around her neck. “Must I really remind you of what wrongs you’ve committed?!”
A brief panic finally came, “Wrongs?? Excuse you.”
He could have sworn the snap in his brain had been audible to her as he lost his last bit of patience.
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“Excuse me.” You settled back into the seat, having taken a bathroom break to down some water in secret. You weren’t trying to actually end up blacked out.
“Anyway,  that's how we secured the riverside house.” William leaned into you. You tried to sip your drink and found it empty, having managed to finish it absentmindedly while he rambled on about himself earlier. As you stared at him you let your eyes lose focus and drift into plans for the morning. You’d like biscuits. Alastor had some sausage he’d picked up the other day, maybe a little gravy and some eggs. It’d be like a Sunday meal nice families ate after church. You assumed. Out of the peripheral of your daydream you saw him tap the bar twice and hold up two fingers. “Charge to 1033.” He said. With the clarity of someone who wasn’t pretending to be drunk you quickly held up three.
William shot you a confused look.
“One for my darling.” He made a show of looking around, the bartender pausing. You gave him a confirmation nod, “Three, please.”
“And is he in the room with us now, Helen? I’m beginning to think he’s imaginary.”
It seemed a fine enough name to give him.
“No! But I made a promise. Or…,” you returned the lean, head resting on his shoulder, “are three drinks a little steep for you?“ With a huff, he pulled out a pair of C notes and set them on the bar. The bartender nodded, reaching for the top shelf. You whistled at the sight. Too much money for the total seven drinks he’d ordered, if you weren’t somewhere Alastor frequented you’d have slipped them under the lip of your stockings when the man wasn’t looking. He was charging the room anyway, the large bills were just for show…
“One reviver for the miss, one brandy for the sir, and a rye whiskey neat for the beau.” The bartender set the drinks down on red napkins. The whiskey sat between you both, and after a beat you realized you hadn’t actually told him what to make for Alastor. And come to think of it, your last drink hadn’t been a reviver at all but a brandy ordered by William.
“Ya know I stood up another woman to help you,” he said it into your cheek, stealing your attention by breaking your line of thought. His arm around your shoulder curled to hold you closer, “Don’t I get a reward for that?”
His breath reeked of sickeningly sweet brandy, the taste sticking to the back of your throat. Your head tilted back so you could look at him down your nose, right hand coming to rest on his thigh.
The heat of his body was radiating through the fabric of his pants and made your stomach turn. How many hot and sweaty bodies had you had the pleasure and displeasure of touching?
A smirk painted your face, remembering seeing sweat sticking to Alastor’s forehead the last time he fucked you. What had you done for that reward? Ah right, the somehow shocking act of not withholding praise for how well planned out his greenhouse was. How impressive he was to you in so many ways. You could have lingered on that recollection, on how Alastor set down his coffee and kissed you. And how he didn’t stop until you were both left undone and flustered. But movement stirred away the pleasant memory to bring you back to an unpleasant reality.
His hand roamed down your arm, uncomfortably warm palm on your exposed skin. 
“Oh, I know you did.” You said.
William chuckled, absolutely no idea what you were talking about and not particularly giving a shit. “Did I mention I have a room here?”
“Ten thirty three.” You repeated. 
He looked genuinely shocked, “How’d you know that?” The man was absolutely mystified.
“I— you just…,” your mask slipped in the face of such abject stupidity, “Lucky guess.” William drank his brandy slowly, mentioning you should bet on the ponies together. You nodded. 
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Alastor didn’t care for strangulation. It took so much time and wasn’t particularly satisfying. No pleading, no screaming, no blood and gore. Just…. someone flailing beneath you and turning purple. Boring. 
He brought up the accusations before he began to squeeze, and her panic transformed to relief. “Oh that?” She tried to sit up, but he pushed her back down, “Are you really miffed at me about that?”
“Yes, Aubrey! You condemned an innocent child to a horrid death!” His hands loosened, all of his neurons firing off to feel pain in his own heart. 
She rolled her eyes, “I wouldn’t call them children. You seem so upset, hun. Did you have a mam-?”
The rest of the word was barely squeaked out of her, he couldn’t let her finish it. He wasn’t sure what face he made. But whatever it was, it scared her. The carefree way she’d been handling the interaction finally died, and he could register actual fear in her eyes then. 
But the rage just … withered. How many children had his mother loved and doted on before her last, much kinder position? How many Aubreys had she raised. It was nothing short of an overwhelmingly violent sadness that laced his finger together around her neck and tightened, the full weight of his body coming down to crush her airways. He wanted such sentiments to be smothered out of the world like the air in her lungs. If he killed enough, could he make a dent in their influence? He could try. For her. For his mother. 
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“Ya know, I could take real good care of you. If that’s what’s stopping you from coming upstairs.” 
With a deep breath, you gulped the drink halfway down. “Your fella doesn’t need to know. I could even get you your own place, you could wait for me there when he’s late with work. Have dinner ready. Slip off my shoes like a good girl.”
“Trust me; you’ve got a better chance of her smacking you with your shoes than slipping them off like a maid.” Alastor was resting his elbow on the bar behind you, head leaning on his hand. “Hey doll. That one mine?” He pointed at the glass.
“Oh? Alastor is the fiancé?,” William gave off a snide laugh as he was interrupted, Alastor standing up and walking to come between you two, “This guy?! Everyone knows he’s a frigid bitch. You must be a dive alley-cat if you’re—,” Alastor’s fist connected with the man’s jaw, eliciting a sickening crack. He needed both hands to keep himself from falling down with William as he was knocked back out of his bar stool. Alastor’s feet slipped on the spilt brandy, causing him to seize the stool for momentary support.
Alastor took the glass of whiskey with his non-dominant hand and downed it. He cooed, “Top shelf, Georgie?” The bartender nodded. “Good choice. Picked a worthy sucker, sweetheart. Ready to peel?”
You watched William try to stand, glass stuck to his palm. He did manage to get on his knees, shouting at the staff who stood motionless and unphased behind the counter. They didn’t say anything at all, oddly, until Alastor extended his swelling hand to you.
“Have a good evening, sir.”
Alastor flashed his signature smile and guided you out of the hotel bar. You only got a few steps before quickly running back and snatching one of the 100$ bills from the counter. William would’ve taken it back from the bar anyway. What a waste!
When a waiter offered Alastor a warm and familiar look you had to wonder, did people really not know what he did in the darkness of the New Orlean’s alleys? Did a part of them not feel some kind of debt to him? Or was he just painfully friendly when socializing?
“Just to be clear,” Alastor let the doorman open the lobby door, “It’s not the accusation of sex work that compelled me to sock him. It’s the implication you’d be cheap.” He waved the valet from the car and opened the door for you, “If you chose to sell your companionship at true worth, his daddy’s money couldn’t even buy him a kiss.”
“Aww,” you smiled at him through the thin windowpane, “Would you really be so cavalier about such a job if I did?”
“Would I? Gosh that’d make retirement much quicker for me.” He slid into the driver's seat and the door shut with a sharp ting. As he took hold of the wheel he reclined to let his hand settle behind you on the backrest, and then you three were off. 
“Oh by the way, Aubrey’s in the backseat.”
You turned slowly, first coming into view were her tiny, shining silver shoes. Your eyes kept traveling; stocking covered calves and then the bottom of her dress just past her knees.
Alastor’s coat draped over her torso and shoulders caused you to flit to him, confirming his jacket was gone, and back to her. 
Her face looked like that of a sleeping passenger. 
No blood.
When the car was a few blocks from the hotel, you leaned back and lifted the jacket. Her abdomen was clean, the white of her dress pristine. At first her neck seemed clear of cuts or abrasions until you rode past a streetlamp and a beam of light revealed the slowly forming collar of bruises.
Special attention.
For a hair of a moment you began to gently cover her again, before remembering her crimes and dropping it on her unceremoniously.
“Trunk not good enough for her?”
“Got interrupted. Booked it back to you.” He shook his head and patted the seat in tandem.
What luck that just as he felt sure she was too far gone for revival, he let go over her neck and sat up in time for someone to notice him. Fishing in his jacket draped over the seat, he found his cigarette case just as—
“What exactly are you two doing?” An officer was flashing his light through the passenger side back window.
Alastor froze, Aubrey motionless between his legs and a cigarette dangling unlit between his lips. “You startled me, officer! We were just canoodling. But she’s gone and fallen asleep before the main event.”
The officer’s brass light shone down but couldn’t reach the dead woman’s face past the shadow cast by the car door and glass. “She alright?”
Alastor’s eyes drifted down to the deceased socialite, “Truth be told sir, she’s had a bit too much of the giggle water.” Fishing your lighter from his waistcoat pocket, he lit this cigarette before setting the jacket over Aubrey like a gentleman.
“Alright y'all better get lost. Tell your moll this ain’t ladylike.” The officer tapped the window with his knuckle and when she didn’t stir just left with a huff.
Alastor was quick to leave the backseat and drive off, circling around at the next block to head back to the hotel.
“Is… everything alright?” You asked, very obviously concerned.
“Peachy! I just said we were necking before she passed out drunk.“ he leaned over and kissed your cheek, “Anything exciting on your end?”
Patting his leg you beamed up at him, “Always so quick on your feet! I don’t know why I worry so much.” His face lit up and you wanted nothing more than to launch into a praise filled rant that fueled his smile. But, you moved on to the question at hand. After a moment to think, you remembered ‘the best good deeds are done in the dark’. “Nope! Just got tipsy on William’s dime. An odd woman did touch my hair…,” you recounted every second, leaving out why you chose William, to Alastor. You hadn’t meant to, and he hadn’t actually asked, the evening’s events just seemed to flow out of you. The way he always added little comments and nodded made it feel like a conversation and not just you rambling. 
When the car was pulling into the driveway, you asked Alastor if you could drive it behind the house. Puzzled, he put it in park and let you sit between his legs. You started slowly, but quickly began to accelerate. As you approached the house you turned sharply to the left, right side tires ever so slightly leaving the ground. A sharp correction to the right to straighten out. One of his hands clutched you at the waist, the other gripping the seat.
He tried to form some kind of words but they came out a jumbled and panicked mash of sounds as you barreled toward the greenhouse. 
You slammed your foot on the brakes and Aubrey flew off the back seat and hit the floor with a loud thud.
“Ha!” You slapped the wheel, “I’ve been wanting to hear that sound the whole drive!” 
He used both arms now to squeeze you appreciatively, “You’re just the bee’s knees.” Alastor nuzzled into the back of your neck, truly feeling his heart flutter. You made him skip a beat. So many days and nights not even imagining such a pairing.
The best scenario he could think up was a partner who wouldn’t ask questions, who didn’t care to know, who was maybe a little too naive but otherwise capable. Even in his wildest dreams he hadn’t dared to think someone would exist who could support him.
And not just in the killing, which was a hurdle of course, but the other parts of him. The little sacrifices you made for him without complaint. 
What did he do for you, he worried. Your body was his on the occasions he wanted but never did you ask for him. You shared the housework equally. Yes he drove you around but your skills with the car were still new. Insignificant things, like making your coffee when he awoke first and waiting for you after work. With the detective still looking for connections, he couldn’t even properly introduce you or flaunt you around to his circles.
Like a flash of lightning taking down a tree, insecurity shook him. What on earth was keeping you there? Of all the people in New Orleans, how was he any more worth your time than the next?
If anything, he was nothing short of troublesome. His hold on you twisted from thankful to desperate.
Even the lovely evening out he had promised you, he’d left you alone in a strange place. A stranger had bought you more drinks than he had. 
“Would you like to go to the woods with me tonight? To dispose of Aubrey?” His lips swiped across the fabric of your dress as he said it.
The sudden advancement into his hobby took you by surprise. You hugged his arms against you, “Really? Are you sure?”
“If you don’t want to…”
“Is that what I said?”
“Well, no….”
“Don’t put words in my mouth! I absolutely want to go!” Your arms squeezed his.
He chuckled into your shoulder and gave your hip a pat, “Let me get her packaged up. You go rest your feet and I’ll come get you when I’m ready to go.”
You watched from the kitchen, the light he hung from the greenhouse ceiling setting the entire space aglow. When he finally emerged, his sleeves were rolled up past his elbows and his hair was falling into his face, glasses sliding down the bridge of his nose before he could push it back into place. He waved from the porch, and when you made it out to him he was already pulling out small bundles.
“We’ll bury the pieces in separate places.” He dragged out a small trash tin with the lid already clapped down. “And this goes into the water.”
The packages were like Tommy’s, but smaller. They fit easily into the trunk, and beside them he snuggly fit the metal bucket.
✦ .  ⁺   . ✦ .  ⁺   . ✦ .  ⁺   . ✦ .  ⁺   . ✦
The Ford was parked down a dirt road far from sight, taking a parcel at a time and a shovel, you followed him into the woods. 
You had to ask, why not just his land? Wasn’t that safer? Easier?
“Well, a skull found out here is easier to act shocked about than on my property.”
The ground was still soft, but you could imagine it was rock solid in winter. “Isn’t this dangerous? Aren’t you slowed down in the colder months?” You kept your eyes open wide, adjusting to the pitch black of the forest. The trees were too close and too full still to see the stars. But soon they’d brown and die, revealing the sky’s light. Revealing Alastor.
“Eh it’s mostly busy during mating season because the hunters come out in numbers. But in general I avoid being here in the very early morning hours.” He paused and you reached out for the shovel for your turn, “It’s not too bad overall.”
“They mate in fall. It’s almost fall now.” You widened your stance for balance and began to dig. 
“Yeeees but I’m not alone!” He chirped.
“Fine… just, don’t come out when I’m not able to join you. Just wait or, I don’t know, burn them or something.” You tried to dig fast, wanting to spare his injured hand another turn.
“Very ineffective, brings too much attention and the body never burns all the way. It’s still identifiable in many cases.” Alastor said it quickly, as he’d had nearly a lifetime to think of these things and test them. 
You huffed, “Well, fuck. Okay. Still.” You leaned over and offered your index finger, not looking at him as you did. He laughed before wiping his hand clean on his pants and hooking his with yours. 
A small scream erupted from you, startling him. Your short heel sunk into the dirt when you leaned to lock fingers. The sudden loss of balance startled you. “Sorry… flat shoes. I need flat shoes…these are gonna be the death of me.”
Alastor’s hand came to his heart, pounding in his chest, “Of us. My heart nearly stopped.”
You dug many holes, all of them quite small in radius, just wide enough to slip in what you needed to. After each was deep enough by some standard you didn’t know, he would untie the twine around the package and let the contents spill out and down into the little cylinderical pocket of dirt. 
The first package had her hands. Then next was her feet. Her arms in pieces and then later her legs. The hips, the chest and shoulders, and finally, her head. You were grateful for the darkness, not wanting to see her face now that it was no longer attached to her body. 
The brush was so thick and the woods so dense that you found it hard to distinguish the burial spots once they’d been filled in and covered up. He explained most people came out there with a purpose, not really noticing some disturbed dirt here and there. It’s not like they’re people sized.
“You’re just something else, ya know that?” You said it into the shadows and didn’t see him wince. But you somehow, accidentally, knew to clarify, “I’m always so impressed by your way of doing things. You’ve really thought it out well huh? I know I should worry less but it’s hard.”
Because of the shade you didn’t see the way his shoulders relaxed. You never made him regret your inclusion.
Alastor carried the bucket as you slowly made your way through the darkness. You could hear the sounds of bugs, though you couldn’t see any.  The water surprised you, his arm coming to stop you from walking into the bayou.
“In winter they’ll get really still, so I slow down then too. But we still have time, it’s not too cold yet for them.” He took off the lid, the smell of copper blossoming from the tin.
With practiced moves, he tossed the viscera as far as he could into the small inlet marsh of the river. 
Within seconds the water frothed and rolled with the snapping of powerful jaws.
“Gosh they’re so neat.” You said, reaching out into the darkness for his hand. You couldn’t see him looking at you as you watched the prehistoric animals dispose of his crimes.
He wanted to kiss you. To confess every little happiness you filled his formerly hollow chest with. But he held back. He knew better. He’d tried before, once. When he thought settling was better than nothing. It ended terribly. It was better to just exist beside you for as long as you’d entertain his company. If you knew, he thought, of all the futures he imagined with you, you’d just feel tied down by his hopes. You weren’t a small bird he could hold in his home. 
You promised to not get in his way. The least he could do was not cage you with his love. He wouldn’t hold you back.
“Alastor.”
“Yeah?” He said dreamily.
“I think… ” You fought the urge to scream at the sensation between your toes, “Aubrey dripped into my shoes.”
Alastor yanked the bucket away from you, the angle he haphazardly held at it with a single finger to hold your hand having caused the liquid remains to leak out.
“Ankle boots. Ankle boots, no heel.” You muttered, the shoe rinsed off in the water with a paranoid speed now squishing under your sole. The action was enough to draw attention to your shore, long and round snouts moving toward you in the night as you got rid of Aubrey. It was time to go. 
The drive home was dark and silent. The bucket and tarps rinsed with the gas can full of water he always kept in the oversized, custom built trunk. It had taken longer than you had realized, which just brought up renewed worry for his sleep schedule.
When you finally made it home and into the bedroom, he mumbled it was too late to shower. A coordinated grumble between you that you’d both just wash the sheets in the morning. Alastor sat on the end of the bed and bent down, your hand coming to his shoulder to stop him. 
Exhausted, aching, and quite confident you smelled of sweat coated dirt with the tiniest hint of dead Aubrey mixed with alive William (blood and brandy, respectively), you lowered yourself to your knees. You untied the waxed laces of the right shoe, made of a shiny brown leather, and slipped it off. 
Alastor felt his throat tighten as he had to blink to keep tears away. You always seemed to listen when he spoke. Really listened, even when he was just being playful. Another tiny sweetness piled onto the mountain you were currently burying him under. Another ounce of inadequacy tipped on his self measured scales.
“You don’t have to do that.”
“Hush, I don’t have to do anything.” You said it and he laughed breathlessly knowing he’d heard it before and praying he’d hear it forever. “I want to.”
You set the left shoe beside the right. When you didn’t stand but instead stared at him patiently, Alastor undid his pants and lifted his hips to push them down. You folded them neatly beside his shoes. Feeling up his legs as if you couldn’t see them there in front of you, you found his sock garters. 
“Keep the socks, please. It’s getting chilly.” He undid his shirt and folded it on his lap. 
When he was in just his underwear and socks, you looked up at him and wondered if he knew. That this was the closest to expressing “I love you” you had ever been. The act itself perhaps far louder than any words could be.
Sitting back, he patted between his legs like he had in the car. As you sat, he undid the buttons down the back of your dress. Why were so many women’s clothing items made in a way that required two people?
In the mirror above the dresser you took in the sight. When the dress fell to your waist he kissed your shoulder and met you in the reflection.
“Quite a pretty couple, if I do say so myself.” He rested his chin where he had just kissed and smiled at you. “What did I do to deserve your attention?”
“Affection,” you corrected. “Aubrey got attention.” He nodded slightly. “I think it’s karma.” You watched his brow arch. “You’ve earned me. Whatever that means, or looks like. We were put together for a reason.”
It was the sappiest thing you’d ever said and a year ago you’d have laughed in someone’s face for saying it. If a character in a novel spewed it out in a confession you’d have closed the book. But you meant it. Every single word was part of the fact this was supposed to happen. The idea that any timeline existed where your paths never crossed gave you the shivers.
Alastor closed his eyes, exhaustion catching up quickly as comfort opened the door for it. That didn’t make any sense to him at all. Why would anyone, god or the devil, give him something good just for the sake of being a good thing. He was very plainly bad. There must be a catch. That fear he felt before, the fear of wanting something too much, reappeared. Turning its ugly head to him as if called by name. 
Why? He could feel something, someone, setting their sights on him. 
When he opened his eyes, you were there still, looking at him. A smile too sweet. He felt the compulsion to tell you to run. That if this was his karma, it would end the way he deserved. And he didn’t deserve happiness. He didn’t deserve you.
But instead he leaned down, lifted your dress, and unclamped your garters. He wanted to be selfish. He wanted to cling to what good he had now. Even knowing he couldn’t possibly get to keep it. His fingertips delighted in rolling down the delicate nylon. He watched the red stained end loosen around your toes, a mental note to burn them before he continued his undressing.
“Lift your hips, my love. I’ll get you all ready for bed.” As he pressed forward and bent into you so he could slip off the stockings he turned to look at the you in front of him, “And I’ll keep you warm.”
⋅˚₊‧ ଳ⋆Masterlist.ೃ࿔*:・
˖ ݁𖥔.Summoning the Horny Little Deer Cult.𖥔 ݁ ˖
@eris-norwega @reath-solia @catticora , @angelicribbons , @xalygatorx
@cxrsedwxrlds , @nonetheartist , @tsunaki , @janchei , @moonmark98
, @readergirlstuff , @berry-demon , @chirimeimei , @fairyv-ice , @olive-frog ,
@thonethatflies620 , @tiredkiwiii , @ilikemyteawithmilk , @whateverlololo , @psipies
@howabouticallyou , @roxxie-wolf , @fizzled-phoenix , @star-kujo-platinum
, @a-case-of-attachment , @multifandomfanatic02 @watereddownmilk , @bontensbabygirl @smoky000
@hoebihoeshi , @pansexual-opera-house , @polytheatrix , @lorddiabigmommymilkers , @backinthefkingbuildingagain
@harley2223-blog , @poinappel , @midnightnoiserose , @spookieroz , @missmidorima ,
@ivebeenthearchersstuff , @downbadforfictionalppl , @xx-all-purpose-nerd-xx , @sleepylittledemon , @aether-th3-enby
@dontfuckbutimfab @breathlessaura , @aperfectidiot , @certainlygay , @jth12
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signanothername · 3 months
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Why do you like Killer?
*Cracks knuckles* get ready
I don’t like Killer, I fucking LOVE HIM
He’s my number 1 fave au sans and has been for a very long time
Now to be clear, I’m talking about canon Killer here, i have mixed feelings about some fanon interpretations, some are good and i genuinely love them, others not so much
That being said, let’s actually talk about why i love my beautiful amazing wonderful son <3333
(All art used in this post is by Killer’s creator: Rahafwabas)
The very first hook for me is his very concept, the mere idea of a sans basically agreeing to go on a killing spree after so many genocide runs is just *chef’s kiss*
Killer knew it was wrong, he knew he shouldn’t, yet he did
Killer doomed himself by his choice, he could’ve stayed as “sans” but he chose to accept Chara’s offer, yet his choice came to be after he saw no point in refusing anymore (important addition and a correction here)
The canon comics had Killer saying that he’s the way he is cause he gave up, he said “you won, you’re the reason I’m like this”, he’s been on so many genocide runs that he felt a little part of him die each run, only to give up and go on said killing spree
It’s interesting how the player is a big part of Killer’s story, cause whether Chara was involved or not, the player is the root cause of his suffering
But what i love the most is that regardless of his backstory or reasons, Killer’s actions led to their inevitable consequences, and it forever changed him
The biggest change? His very soul, it went from a normal monster soul to his signature target soul, infused with Determination, something that supposedly hurts monsters, it’s almost like his soul was infected with it, and you can see how it physically affects him with the black liquid that constantly comes out his eyes, nose and mouth, and even at times, that sludge is too much that he chokes on it
And the amusing yet tragic parallel? Killer aimed to “feel something new” by his genocide runs, only to end up not feeling anything at all, at least at his default stage 2
Which brings me to the concept of his soul’s stages
I love Killer’s stages so so much, it’s such a beautiful unique and wonderful concept
Killer’s individual stages are sooooo intriguing to me, it shows Killer in a different light each time depending on which stage he’s in, stage 1 is the closest he is to being “sans”, the closest to he used to be, he can feel emotions and is generally back to his more lazy bones attitude, as well as his ability to actually show sympathy, and feel the pain he’s always in, but what’s interesting is that regardless of the fact he’s the closest to his old self in this stage, it’s still so clear that Killer isn’t really “sans” anymore, that no matter what, he truly had changed in a way that can never be reversed, a point of no return, even when Color saves him, cause his new habits? His fears? His pain? His trauma? They can never be taken away, Killer has to live with the scars of what he experienced
Stage 2 is who he’d become, he can’t feel anything at this stage, emotions nonexistent, and his nonchalant behavior towards himself and others is most apparent here, a parallel I like to think of is that Killer’s inability to feel anything at all is almost like prolonged sensory deprivation, when you’re deprived of sensory input/ simulation for long periods, your brain needs compensate, and so it does its job, Killer’s soul prevents him from feeling so he resorts to other methods (usually very self destructive) to compensate for his lack of emotional capacity
I also really really love how that especially during stage 2, Killer isn’t trustworthy, cause in stage 1 you can actually trust him to an extent, in stage 2 Killer’s actions, behaviors and mindset are completely unpredictable, but not because he’s random, cause he’s actually extremely calculated, yet regardless, his carelessness when it comes to his own life and other people’s lives is dialed to an 11 here, so he could either choose to kill/attack or simply stay and listen
we even get an actual in depth look at how Killer’s mind works in one of the canon comics, in which Killer contemplates whether to attack Dream or not as he listens to his own stages in his head, one of which tells him to Kill Dream, while the other tells Killer to talk to Dream first
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How Killer comes to a final decision on whether he attacks or not is something I believe his calculated mind makes depending on the situation and the pros/cons of what act he chooses, Killer is pretty smart, he knows when to let his trigger happy self out and when to settle down
Stage 3 or the “crazy stage” is the stage in which he’d attack anyone in his way whether friend or foe, we unfortunately don’t have much canon info regarding this stage, but that ain’t gonna stop me from analyzing the shit outta it (and talk about how i perceive it)
I like to think of this stage as the combination between stage 1 and 2, yet it’s almost like his soul can’t truly decide on which stage to settle on and by extension founding stage 3 as a separate stage by itself, Killer becomes extremely unstable at this stage, his soul moves rapidly and it’s obvious he’s in pain cause of it, whether that pain is just emotional or both physical and emotional isn’t really clear, yet i’d like to believe it’s both, and i feel like Killer’s capacity to attack anyone at this stage is related to that pain, and something I really love to believe is that Killer can’t calm down enough to settle back to stage 1 or 2 unless he either wears himself out by fighting someone, or he’s left alone to his own demons long enough to pull himself together, if he were to be forcefully restrained during this stage, it would only serve to make it worse and prolong the time he stays that way (cough something i may or may not have made a quick comic about but never shared as always vjvjvjj)
Not to mention, one of the canonical responses Killer gives when asked if he’s ok at stage 3 seems to make Killer alternate between answers he wants to give between saying he’s “fine” and “i don’t know” which makes sense, Killer isn’t stable at all, it’s almost like his stage 1 self and stage 2 self are fighting over who gets to talk (stage 2 seems more dominant)
Yet the fact Killer is able to answer and comprehend his surroundings enough at this stage is very intriguing to me, cause it shows how much Killer is able to handle/endure (which is A LOT cause damn) and not only that, but it also gives us a very clear difference between this stage and stage 4
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As for stage 4?? Woooh boi, it’s the stage I like to call “plunging into darkness”
We also don’t have much canon info about this stage, but one of the things i find interesting is the fact Killer deliberately keeps it a secret from everyone, when he tells Color about his stages, he only tells him up to stage 3, never bringing up stage 4, only for Chara to sneer at Killer that he shouldn’t keep it from his new BFF
It’s obvious Killer himself is very uncomfortable with the subject of stage 4, it’s apparent that it’s a stage that he rarely gets to, but it still bothers him enough to not want to even mention it, which makes sense, cause the comic we had of stage 4 shows that Killer gets to that stage when he’s reminded of all the murders he committed, and unsurprisingly, when he’s reminded of his brother, as what triggered this stage is actually a memory of Papyrus telling Sans to “see a puzzle”, only to be followed by memories of screams of anger, fear, and hatred of those he killed immediately afterwards, stage 4 is heavily related to his trauma
Not to mention it’s clear that when Killer gets to stage 4 he blacks out, he’s completely unaware of anything he does during this stage, and is only left to deal with the aftermath when he gets back to his senses, the fact it’s also a stage that seems to be “getting worse” is something that Killer definitely seems to hate
It sometimes makes me think whether Killer had gotten into trouble cause he killed someone Nightmare wanted alive while at this stage, cause with how he keeps it a secret, I’d assume Nightmare would be unaware of it for a while (comic idea perhaps >:) )
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But y’know what’s better than talking about the stages?? Talking about Killer’s personality, behaviors and trauma
Killer can’t distinguish between what’s real or not, and it’s obvious he sometimes sees the world in the third person, as in he’s not completely there at times, not to mention the amount of voices he hears in his head, from his stages talking to him to hallucinations of Chara, Frisk and Papyrus, and oooh boi does he hate these hallucinations, the past obviously haunts Killer and it’s something he tries running away from constantly, yet he can never truly run from it when it follows him everywhere
Killer has a smile on his face most the time, but his attitude changes especially when Chara is mentioned, or when he’s reminded of his past in any way, he literally avoids food that reminds of his past life as “sans”, he freezes up at certain phrases such as “best friend” (something i also made a comic about that i never shared chchhchc)
He just absolutely hates to be reminded of the person he used to be, of all the things he used to have, cause in truth? They were all taken away from him by his own hands, only to be then forced to work under Nightmare, who only ensures that he never finds peace of mind
And the sad part? Killer let’s all those things hurt him, he lets Nightmare have his way with him, he lets Chara torment him, cause he thinks he deserves it, and most importantly, he deluded himself into believing that this is what he wants because it’s what everyone else wants, because it’s what the player wants
Killer even sometimes tries to force himself not to feel anything, cause come on, since when does he feel anything at all?
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Killer, to put it bluntly, hates himself, and he thinks that his suffering is the Karma of what he’s done, and even at one point, he was going to erase himself out of existence cause he believed that’s what he deserved, as in Killer thought of himself as unworthy when it comes to Papyrus, that his brother doesn’t need him, that his brother is better off without him, hell he even tells Color that he needs to kill him if he ever reaches stage 3, it’s an obvious “ i want someone to put me outta my misery” attitude
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Killer feels hopeless, and so he lets himself suffer thinking he can’t ever find peace or hope again
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Yet the interesting part? You’d never know that Killer hates himself unless you’re a being of emotions (Nightmare and Dream) or someone who’s perceptive enough to notice Killer’s self-loathing like Color, that’s how good of an actor Killer can be, you’d think he’s a cold emotionaless killer but the truth only shines to those who actually can see through his act
Killer just has that amazing character depth and his story is genuinely so unique and beautiful, cause you in his story you can find details of other details within the details vhvhvjvj
All that? Mixed with really adorable little things like his love for cats, his silly attitude, his nonchalance with Nightmare, his capacity to be social with whoever, and his friendship with color? That is why I love Killer Anon <33333
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yamujiburo · 9 months
Note
Some of this might sound intentionally hostile in text and I apologize.
I'm saying this as an abuse survivor mind you - don't throw "abusive ships" under the bus so easily - at least, so long as they're not actually glamorizing the abuse. I lived that irl and I personally find someone overcoming it, slowly having enough of that bullshit and getting out over time, and the other person having to wipe their own butt for once after they've made the damn mess, very refreshing. Maybe that's not a ship in the traditional sense. It's no happily ever after bc it shouldn't be, but I find stories like mine shyed away from so often because even the portrayal gets considered a "canon ship". ... that's just how media works now, I guess? I very rarely See a fictional relationship not called a ship in literally any context now so that's the definition I'm running on.
I wish more people were willing to portray the hardships of finding acceptance outside of "whoever you can find will accept you" very much, and finding the better things after. I wish people weren't terrified out of portrayimg situations like mine.
Jessie.. is not a good person in canon. You expect me to believe she moved into to hanamusa seamlessly, without falling on her ass? I never see you talk about Jessie's abusive tendencies in canon. You never talk about the inherent meanness she needed to get over to get there. She's quite aml lot like my ex in canon, actually.
What do you mean you're going to just remove from the character that she is abusive to those around her. Jessie hits people. She takes her own junk out on others all the time. Do you even like the character then, are you actually invested in her growing, or are you just making an OC at this point?
Idk. Do you, boo. But you are posting about a character who, whether you like it or not, is canonically abusive. I just don't buy that dating Ash's mom alone fixed her. That isn't... How that works. It would be excellent if it did. Part of my love of hanamusa is that it signals Jessie's change - but she could have changed for anyone before now.
What makes Delia different? How is she specifically a turning point for Jessie? Because Jessie's flaws go well beyond just bossing people around.
I would love if my abuser had the same outcome as your Jessie. I adore your portayals of hanamusa, where she's still flawed but still strives to do better. That's all I ever wanted from my ex.
What the fuck got her there tho.
Anyways I've been watching a lot of Bojack Horseman lately -
I agree with you! I don't think abusive relationships (or any tough subject matter in general) should be shied away from in media. It can be powerful when executed well and written by folks who are equipped to tell those kinds of stories. I do think it's sad when people treat it as off limits. But the ask I got was definitely more about which ships I have where I actually like the relationship between the characters. I think the semantics of the word "ship" are kind of vague or rather, over time, got so specific to only mean "absolutely love together and want them as endgame" (for most people anyways). So that's usually what I take the word to mean when people ask me about it.
I can 100% appreciate how an abusive relationship is written and handled, but that doesn't mean I'm gonna ship an abuser with their victim (that falls into the glorifying you're talking about). Love Bojack Horseman! Big fan! I think the way they handled Bojack and Sarah Lynn was beautifully and tragically well written. But does that mean I ship Bojack and Sarah Lynn? Absolutely fucking not.
I've talked about Jessie's character plenty on this blog and the way she's handled in earlier seasons specifically. This is kind of a summary: If we look at it on surface level, yes we can say she was abusive. But I think it's important to acknowledge and take into account the medium, time period and culture. Slapstick and cartoon violence was HUGE in anime and animation in the 90s (and prior to that too). Characters were always cartoonishly slapping each other around with giant mallets, folding fans, etc. Looney Tunes style. These slapstick bits were always distinct from real abuse and hurt (for Pokémon, Jessiebelle comes to mind). Mean slapstick wasn't a character trait exclusive to Jessie either. We saw it in Misty, James, Meowth, characters of the day and pretty much any character who got mad. It was a visual shortcut to show anger.
This type of slapstick has since (thankfully) died out and it hasn't really been a part of the Pokémon franchise since the early 2000s. However, Jessie was a notably special case. One of my favorite fun facts about the Pokémon anime is that there was a point in the series where Megumi Hayashibara (Jessie/Musashi's seiyuu) told the writers that moving forward, she no longer wanted Jessie to be violent or to be shown hitting James or Meowth (source: her memoir "The Characters Taught Me Everything"). She thought it directly went against the vision Takeshi Shudo had for Jessie, James and Meowth, when he created them, which was that they are good natured villains. If you watch from DP and on, Jessie never lays a hand on either of them. I think it was a such a good move on Pokémon's part to change her character like that and I'm forever grateful that Hayashibara said something! Whenever I write Jessie now, I always keep that in mind. She's mean, shouty and stupid but would never genuinely hurt those she cares about.
From then, her character becomes much more bearable. She's still bossy, mean and vain (typical cartoon villainess attributes) but I'd hesitate to say abusive. She'll still yell at James and Meowth, they all yell at each other, but in more of a sibling way (imo) rather than a "i'm actively trying to hurt your feelings way". The show makes a point especially in later seasons to show that Jessie, James and Meowth are not beyond being redeemed. From conception the whole POINT of the Team Rocket trio was that they are redeemable but their persistence and obsession keeps getting in the way of them seeing that there's a better life for them out there.
I won't deny that Jessie was unsavory in earlier seasons, but when I write her, I choose to write the version that Takeshi Shudo and Megumi Hayashibara had envisioned from the get go. She's still incredibly flawed and makes plenty missteps but wants to be better as you stated! My favorite part about Jessie is that she's a piece of shit LOL and I enjoy writing the changes she goes through to be better (but then still showing her default so some of her evil tendencies). In this AU, Delia doesn't fix Jessie. Jessie fixes Jessie because she is with someone makes her want to be a better person. She's already in the middle of turning over a new leaf before even meeting Delia, after leaving Team Rocket. Writing Jessie as legitimately abusive I think could work, but that's not my story to tell and if someone who were more equipped to tell that story did, I'd be very interested to take a listen!
I hope this doesn't come off as trying to deny or invalidate your experience. If you see that in Jessie, I hear you! This is just how I've interpreted her character over the years, having watched every episode of Pokémon and reading Japanese interviews from the cast and crew. She's such a compelling character and I love how messy she is
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felassan · 3 months
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From Game Informer:
Solas plays an important role in the game as a central figure and significant character, but the game is not about Solas, hence the title change
Rather than focusing on a specific individual, the focus and centerpiece of the game is Rook's team, stopping the end of the world with this group of specialists
"I think you could argue [these companions] are the best the franchise has ever seen". We will have the opportunity to interact with them in a way that both shapes their story and also influences the main story, including having the opportunity to impact their fate
"Arguably, this game has kind of, in a way, been called Dreadwolf to some degree since its earlier days"
Excerpt:
"When I ask about Solas' role in the story after I learn his namesake is no longer in the game title, Darrah says Veilguard is still taking the Elven God's narrative in a good direction. He adds, "It allows us to, hopefully, give a good conclusion to all the varied attitudes toward Solas that are going to be coming from people who love Solas, who agree with Solas, who hate Solas, people who want to kick Solas off of a building – I think that we give you the opportunity to bring that to a close, but then tell a greater story about The Veilguard and about the world as a whole." Talking to Epler, I learn more about how Solas isn't exactly the big bad I expected before seeing the opening hours of Veilguard. There's a lot more nuance to everyone's favorite bald elf.  "The most interesting villains to myself, and honestly most people, are not just straight up, 'I want to end the world.' To them, they are the heroes of the story, and Solas is no exception," Epler tells me. "Solas always feels that he is a tragic hero but a hero nonetheless, so he's coming into this believing firmly that what he did, that which you stopped him from doing, was the right thing – that you made a mistake. But now he's trapped and can't reach out and actively affect [Thedas], so he needs to work with you. "That allows us to provide a lot of nuance to that relationship," Epler says."
Solas is literally trapped in the Fade after the game's prologue. Rook and co stop his attempt to destroy the Veil. Rook passes out and wakes up in a dream-like landscape to Solas' voice. He explains that he was trying to move Elgar'nan and Ghilan'nain to a new prison because the old one wasn't containing them properly anymore. The two blighted gods are now free and roaming Thedas. Rook has to stop them, but it seems that they will have to work with Solas ("or at least listen to his guidance and advice") to do so
Excerpt:
""So one of the principles we took to when we were building the story of The Veilguard early on was we wanted the beginning of the game to feel like the final chapter of an earlier story and you're coming in right at the end, you're coming in as if you've been chasing Solas – the [Solas at the end of Dragon Age: Inquisition's Trespasser DLC] who said he was going to end the world and tear down the Veil," Epler adds.  Epler says players will see early on (and as the narrative develops across Veilguard) that Solas sees much of himself in you, the player-controlled Rook, especially "the parts that maybe he doesn't like to face." As a result, there's an interesting push and pull between Solas and Rook. He says players can define the relationship between these two characters with their choices in dialogue.  "You can continue to be suspicious and hostile towards him, or you can start to see him and find that common ground, that connection between the two of you, and really develop a different relationship over the course of the story," Epler says."
[source]
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akilahia · 3 months
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Thinking about IHNMAIMS in pretty much all of its forms.
Specifically Ted and Ellen. Obviously in the Game their relationship is very different from the short story/comic/radio drama, with Ted being in love with Ellen(although it’s evident it’s because she is the only woman left alive). In the game he shows devotion to her, he is willing to push past his usual methods of flirtation and find other ways to get what he needs.
But in the other adaptions his feelings towards Ellen are mixed. I think his unique backstory with being so dependent on women to live a happier and more lavish life style, significantly effect how he views Ellen beyond AM’s tampering
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Throughout the short story Ted constantly thinks ill of Ellen. Even though prior to being placed in this hell, she had only had sex twice before. But she is the last woman alive on earth. The video game(while following a different plot line(still one that is extremely tragic and literally made me cry)) expresses that even before Ellen’s assualr she had little to no interest in sex. She would never have had sex with the four men if it weren’t for
1. AM
2. Being the Last women alive
3. AM’s deliberate tampering
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In a world where characters like Benny have been so permanently physically marked as a form of torture by AM, something like sex, is not as extreme in comparison(at least from Ted’s perspective). However to be the last woman alive, with minimal interest in sex, to be tampered with in such a way, is such a horrific form of torture.
I’m going to shift a way from this for a second to talk about Ted’s backstory for the video game. I understand that the videogame makes changes in terms of backstory for some of the characters(like Benny), so we can’t claim Ted’s backstory for the game is even remotely close to whatever it might have been for the short story. However, I still think can provide interesting context to his behavior towards Ellen.
Starting off, he really isn’t the cool rich guy that he played himself off to be when life was still normal. He never came from money, he was poor and he was forced to work and couldn’t go to school. However he was good looking which is resulted in older woman being attracted to him. And when he was NINETEEN, one older woman gave him her husband’s money and offered him the chance to travel and live in luxury.
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Now this probably isn’t important, or was even taken into consideration by the game makers, but I was curious as to what the possible age gap between this older woman and Ted could be. The were together for 5 years, then she died
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She died specifically of an aneurysm, which according to Google typically happens between the ages of 30 to 60. There is all this stuff with the Cold War and ww3 and I was going to try to do all this math with it but it’s too late for that and not relevant to the point I’m trying to make. But I’m just going to do some simple mental math and estimate that it might have been late 60’s or early 70’s when the older woman and Ted first got into a relationship. As I’m assuming everything went to shit in 1995 since that’s when the game came out, and 25 years had passed after he met the woman. Also this makes sense as Ted’s grandfather sold the farm due to the Great Depression, since most people married and had kids young, I’m going to be generous and say grandpa was 30 in 1929, and Ted’s mother or father was 9, then 10-12 years later Ted was born. Then 19 years later it would be about the 60’s or 70’s.
I am going to presume that the older woman had been married to her husband for at least 15 years. So it might have been 50’s at the earliest possibility. And the average age people married at then was when they were in their 20’s. So when she met Ted she was AT THE EARLIEST 35. Making her at least 16 years older than Ted when the first got together. But also worth noting that they do specifically mention older. So if we look on the higher side of the typical ages for aneurisms she could have been 55 when they first met(as the 5 years would pass making her 60) so she could have been 36 years older than him.
This seriously isn’t relevant to the actual point I’m trying to make with Ellen and Ted but I got sucked in. I guess I just wanted to highlight that Ted did not have the power in this relationship, he was young and poor, while she was old and rich, and I can imagine how that kind of relationship would impact him.
The next thing I want to note is the use of the word ‘lover’.
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Though it can be used in a strictly romantic non intimate sense, I think it is used in the sexual way here.
Especially with the provided context of two different definitions of the word ‘lover’ both highlighting it’s connotations with sexual relationships
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Furthermore, Ted’s relationship with the older woman is essentially just a sugar baby relationship. She is letting him experience things he never could have without her money. She teaches him how to act as a socialite and gets him used to the high life.
In connection to the sexual elements above, there was a video I wanted to link here but I can’t find it anywhere anymore. It was a YouTube video with a bunch of sugar babies discussing their experiences. And one woman confides that you really won’t make much money if you are in a platonic or non intimate romantic relationship with your sugar parent. If you want to make money and live richly, you have to preform sexual favors.
Now it’s hard to say if this was the only relationship with an older woman that Ted had been in. But regardless of whether it was one woman or a billion, using his body in order to get something that he wants has become an important asset to Ted; As seen in the castle with the maid and the witch. His love for Ellen(in the video game) helps him break past this fatal flaw of his, despite AM’s obvious temptations to make him fail.
Even if this stuff was in anyone’s minds when they wrote Ted’s backstory but I think it’s extremely important to note, especially as we return to my main point.
As stated before, Ted views Ellen negatively due to her promiscuity, despite the desire(felt really gross typing this word in this context) being placed in her as a form of torture by AM. She also is a woman, and Ted’s life has been spent around using and being used by women, so definitely lots of conflicting stuff there. Additionally Ted’s experiences with sexual relations are shown to be based in being transactional.
When he agrees with Ellen to go to the caves to get the food, she rewards him by being intimate with him to show her gratitude. Ted sees it as her ‘using him.’ (From the Radio Drama, I was going to post the clip but I could only post one video in a tumblr post apparently)
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In the comic, after this encounter he questions her motivations. What she got out of it, once again thinking transactionally. But her response
“Does there have to be a reason”
Really gets to me. Especially after looking at all this intertextual context. Thinking about video game Ted’s backstory with book Ted’s thoughts and behaviors, he is shown to always think there is some kind of catch. No one is doing something without getting something in return, especially if that thing is kindness.
Ted is so intensely paranoid(as seen in all versions). I think by pairing up the backstory for the game with the short story/comic/radio drama it’s evident to see how heavily affected he is by it.
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He thinks he has been tormented less by AM, making him paranoid of the others, contributing towards his behavior towards Ellen. Yet despite everything from the past and all of AM’s tampering, he still finds comfort with Ellen. Her unfaltering kindness manages to reach him even when he dismisses it as a farce. She doesn’t hate him or the others for how they’ve treated her, she still wants to help them. He still cares for her and the others. But he is filled with so much fear. He even apologizes to her.
I feel like at that point in the Radio drama marks a shift. Ted has made a realization about AM and it’s a lot for him, but Ellen is there for him. It’s a genuinely sincere act of kindness from her where she doesn’t ask or expect anything in return. They have some kind of connection. Once again blending the different versions, I think that this moment between them comes together in the end when they kill the other victims together. They don’t speak to each other, they just do it quickly and he kills her. And here he doesn’t refer to her by any degrading names. In the comic he holds her. Like how in the radio drama she held him.
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Overall I just wanted to point out how well all these versions really mix to provide so much more behind each character. The backstories for the video game allow the reader to understand book Ted’s actions and relationships from a new angle.
The is was super duper major mess of a ramble. It’s now 3 am and I have a migraine, so I’m done for tonight. I might clean this up another time or make another post about Video game Ted with context to his backstory since I didn’t include the events from the video game in here.
Once again these are just my thoughts and beliefs on how I think the video game backstory for Ted provides interesting context for Book Ted. I know that both stories play out differently and both Ted’s act differently so please don’t get angry if you disagree with the message of stuff I said
mini sequel post about video game Ted
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redroomreflections · 3 months
Text
Not Easily Broken Chapter Eight
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Natasha Romanoff x Fem!Reader
Summary: Natasha and Reader go through a tragic divorce
Masterlist | General Masterlist
8/10
w/c:6.4k
Note: I hope y'all like this
It’s funny how you can be in the middle of something, and a completely random memory will strike. You’re at a red stop light, bobbing your head along to the low sounds of music, as you look into your rearview. Ryan is doing pretty much the same thing as he taps his fingers along the car door. He looks so much like Natasha when he smiles. She may not have carried him, but their similarities always amaze you. You think back to the time he was a tiny toddler, tapping his fingers along the car door much like he does now.
A small smile tugs at your lips as the memory warms your heart. Those early days were a whirlwind of sleepless nights and endless diaper changes, but they were also filled with moments like this—simple, yet profoundly beautiful. Ryan, with his curly hair and bright eyes, had always been a curious child, absorbing everything around him with an intensity that mirrored Natasha’s.
The light turns green, and you gently press the accelerator, your mind still lingering on the past. The familiar route to Emma’s dance school is lined with trees, their leaves swaying in the breeze. Ryan’s soft voice from the backseat pulls you back to the present. He’s telling you about his day at school yesterday, excitedly recounting a game he played with his friends. His enthusiasm is infectious, and you find yourself genuinely engaged in his story. 
“And I think another tooth is going to fall out if he’s not careful,” Ryan continues as he describes his time with Miles on the playground yesterday. 
“Oh yeah,” You say, reaching over to turn the radio down. “How’d he lose the other one?” 
Ryan grins, his eyes lighting up with amusement. “He was trying to show off on the monkey bars and slipped. It was pretty funny, but he’s okay.”
You whistle, shaking your head. “Boys will be boys, I guess. Just make sure you’re being careful too, okay?”
“I will, Mommy,” Ryan replies, giving you a reassuring smile.
"We still have a bit before Emma’s class is over," You say, checking the clock on the dashboard. There’s quite a bit of time left. "We could go to the bakery and grab some sweets. What do you say?"
"I like that idea," Ryan nods. "You always have good ideas."
"I don’t know about always," You shrug, "but I’m glad you think so highly of me." You quickly find a parking spot close to the shopping area. Emma’s dance school is only a few blocks away, just in case things let out early.
As you step out of the car, the warm aroma of freshly baked bread and pastries wafts through the air, making your mouth water. The bakery’s quaint storefront, with its colorful awning and display of delicious treats, invites you in. You help Ryan out of the car and he rushes to the door. 
"Let’s see what they have today," Ryan says, opening the door for you. 
“I’m raising such a gentleman,” You chuckle as he struggles to continue holding it open for you. 
Inside, the bakery is filled with customers, but it’s a cozy kind of busy. The display cases are filled with an assortment of cookies, cakes, and pastries. A friendly cashier greets you with a smile. 
"What looks good to you?" You ask Ryan, scanning the options.
"I’m thinking maybe a couple of those chocolate croissants," he says, pointing to the flaky, golden pastries. 
"Good choice," You agree. "And I think I’ll get a lemon tart. Emma loves those, so we can surprise her with one. What do you think Mama would like?” 
“Dark chocolate truffles,” Ryan insists, tapping at the display case. 
“Got it,” You nod. You place your order and wait while the cashier carefully boxes up your treats. As you leave the bakery, you notice a small park nearby with benches and flowering trees.
"Want to sit for a bit and enjoy these?" He suggests and he seems to be hopeful that you’ll say yes. You see his attempt at spending more time together for what it is. You won’t deny it. 
"Sure, sounds perfect," You reply. 
You find a shady spot under a tree and sit down, savoring the moment. Ryan sits next to you, practically curling into your body as you eat the treats. It had been a long time since you’d spent this much one-on-one time with him, and the realization tugged at your heart. Ryan’s small hand rested on your lap, his love for you evident in his need for physical touch. You figured now was as good a time as any to talk. 
“How have you been feeling, Ry,” You dust your hands-free of crumbs. “About me and Mama getting back together?” 
Ryan looks down at his lap, fidgeting with a stray thread on his shirt. 
“Hey, baby, you can tell me anything,” You assure him. You take his hand in yours. “Even if you think it will make me sad or upset. You never have to hide your feelings from me.” 
“I’m nervous,” He admits quietly, avoiding your gaze. “I want us all to be happy, but I just don’t want you to change your mind and break Mama’s heart again.”
You take a deep breath, trying to find the right words to reassure him. “I understand, buddy. It’s a big change, and it’s okay to feel nervous. I promise you, I’m doing everything I can to make sure things work out this time.”
He looks up at you, his eyes wide and searching for reassurance. “But what if it doesn’t? What if something happens again?”
You gently squeeze his hand. “We’re all working hard to make things better. Your Mama and I are talking more, listening to each other, and trying to fix the things that went wrong before. It’s not going to be perfect overnight, but we’re committed to making it work.”
Ryan nods slowly, his grip on your hand tightening. “Okay. I just want us to be a family.”
“And we are a family, Ry, no matter what,” You say, pulling him into a comforting hug. “We’ll figure it out together.”
Ryan rests his head against your shoulder, his worries eased for the moment. 
“Can we talk more about why you’ve been so angry?” You ask, wanting to continue the conversation and give him the space he needs to express himself. “I know we’ve talked before about you hitting Mama. From my understanding that hasn’t happened again right?” 
“No, I promise,” Ryan shifts slightly, still leaning against you but with a furrowed brow. “I guess I just feel scared,” he says after a moment. “When you and Mama were fighting a lot, it was really hard. And when you left, it felt like everything was falling apart. Like my heart was breaking into a million tiny pieces every day. I was sad and I didn’t know what to do.”
You nod, listening intently. “That must have been tough for you, Ry. I’m sorry you had to go through that. I left you in the dark about a lot. I shouldn’t have been that way with you and your sister.”
“It’s just… I thought maybe things would never get better,” he continues, his voice small. “And I was so mad because I didn’t understand why you and Mama had to get a divorce. I didn’t know if you were coming back, or if Mama was okay. It was like I couldn’t do anything to help.”
Your heart aches to hear his pain. “I can see why you’d feel that way. It’s okay to be angry and scared, especially when things feel out of control. But I want you to know that none of what happened was your fault, and you don’t have to fix it all by yourself.”
Ryan looks up at you, his eyes reflecting a mixture of relief and lingering worry. “I just want to believe that it’s going to be okay. That you and Mama won’t hurt each other anymore.”
You wrap your arm around him, holding him close. “We’re doing our best to make sure that doesn’t happen again. We’ve learned from our mistakes, and we’re working on being better for each other and for you and Emma. It’s going to take time, but we’re committed to making it work.”
Ryan takes a deep breath, seeming to absorb your words. “Okay,” he says softly. “I believe you. I just needed to hear it.”
“I’m glad we talked about this,” You say, kissing the top of his head. “You can always tell me how you’re feeling, no matter what. We’re in this together.”
Ryan nods, a small smile forming on his lips. “Thanks, I love you.”
“I love you too, Ry,” You reply, feeling a sense of calm wash over you both. “Now, how about we finish these treats and then head to pick up Emma?”
Ryan nods enthusiastically, the heaviness of the conversation lifting as he reaches for another chocolate croissant. 
**************
Seeing the smile on Emma’s face when she spots you standing near the entrance of her dance class is priceless. She looks so sophisticated and grown up as she prances over to you in her tutu. You catch her in your arms, offering her a big hug and kiss on the cheek.
“Mommy, are we going home?” Emma asks, and you nod.
“Of course, baby. I’m going to spend some time with you, Ryan, and Mama before we go back to my apartment tonight,” You inform her.
“Does it have to be just you and Mama?” Emma pouts as you carry her over to her dance bag. You set her gently on her feet, gathering her stuff, as she doesn’t offer to help.
You take a deep breath, trying to find the right words to explain. “Emma, Mama and I are trying to fix things between us. We love you and Ryan so much, and we want to make sure we’re doing the best we can for our family. Sometimes that means we need to talk and spend time together, just the two of us, to figure things out.”
Emma’s pout deepens, and she looks down at her feet. “But I don’t want you to go back to your apartment. I want us all to be together and have a sleepover.”
Your heart aches at her words, understanding her desire for you to be home. “I know, sweetie,” you say softly, kneeling to her level. “I want that too, more than anything. But for now, Mama and I have to take things slowly to make sure we’re doing everything right.”
Emma’s eyes fill with unshed tears as she looks up at you. “But why can’t we just be together?”
You gently brush a strand of hair away from her face. “It’s because Mama and I need to talk and work on some things. We love you and Ryan so much, and we want to make sure we’re the best parents we can be. Sometimes that means spending some time apart to figure things out.”
Emma sniffles, her lip trembling. “I just miss you, Mommy.”
You pull her into a comforting hug. “I miss you too, baby. And I promise, we’re doing everything we can to be together as a family again. How about this: we’ll have a special sleepover at Mama’s house this weekend, all of us together. Would you like that?”
Emma pulls back slightly, her eyes brightening a bit. “Really? A special sleepover?”
“Really,” You affirm, smiling. “We can watch movies, eat popcorn, and even have a bonfire or something. What do you think?”
She nods eagerly, a small smile breaking through. “Okay, that sounds fun.”
“Great,” You say, standing up and taking her hand. You stand to see another parent eyeing you from a few feet away. You connect eyes with her and offer her an awkward smile. 
“Hi, you’re Emma’s other mom, right?” She asks.
“Yes, that’s right,” You respond, trying to maintain a friendly demeanor. “I’m Emma’s Mommy. Nice to meet you.”
The woman smiles, her curiosity evident. “I’ve seen Emma with her other mom a few times. I’m Claire, by the way. My daughter, Lily, is in the same class.”
“Nice to meet you, Claire,” You say, shaking her hand. “I think I’ve heard Emma talk about Lily a few times. They seem to be great friends.” 
Claire nods, glancing at Emma, who’s now talking with Lily nearby. “They are. It’s nice to see them so happy. It’s great to see you around here.”
“Thank you, it’s great to be back,” You say before bidding her a good day. You know she had more questions than other parents usually did, and you didn’t mind answering just not right now. With the divorce, you had unfortunately distanced yourself from the children's activities. You hadn’t been present in their everyday lives, and the impact was evident. You almost wonder why Natasha didn’t push for full custody—she likely would have had a strong case.
Natasha, understandably, took on more responsibilities and became the primary caregiver during that time. She was actively involved in their school events, extracurricular activities, and day-to-day upbringing. 
Reflecting on it now, you realize that your absence might have painted a picture of disengagement.  It wasn’t intentional neglect; rather, the overwhelming emotions and challenges of the divorce had pulled your focus away from what mattered most—being there for Emma and Ryan.
“Alright kiddos, let’s go,” You lead them out of the studio with much to think about. 
*********************
“Mama, we got you dark chocolate truffles!” Emma exclaimed, offering the box to the redhead as she stepped through the front door of the house. Natasha gently put down her laundry bag, ready to catch Emma, who seemed very fond of running into her parents' arms.
“Did you now?” Natasha responded with a smile, scooping Emma up into a warm hug. “Thank you, sweetie.”
“Yeah, she ate a few on the way here,” You mutter with a headshake, a hint of amusement in your voice.
Natasha laughs softly, glancing at you. “Well, I can’t blame her. These are my favorite. How did you know?” she asked Emma, giving her another squeeze.
“Mommy said they were,” Emma replied, beaming with pride.
Natasha’s gaze softened as she looked at you. “Thank you,” she said sincerely. “It means a lot.”
You nod, feeling a bit more at ease. “We thought it would be a nice surprise. Plus, it was all really Ryan’s idea.”
Natasha raises an eyebrow, a smile playing on her lips. “Oh, was it now? Ryan’s got good taste.”
“Yeah, he’s quite the planner,” You say with a chuckle, glancing over at Ryan, who is now watching Emma with a pleased expression.
Ryan, overhearing the conversation, walks over and stands next to you, looking a bit bashful but proud. “I just wanted to make Mama happy,” he says softly.
Natasha kneels down to Ryan’s level, pulling him into a gentle hug. “You always make me happy, Ry. Thank you for thinking of me.”
Ryan beams, his earlier nervousness fading away. “You’re welcome, Mama. I love you.”
“I love you too,” Natasha replies, kissing him on the forehead before standing back up. “I have lunch ready for us today. I always know Printsessa is extremely hungry after dance.”
“I am,” Emma says, rubbing her tummy. “But first, can I show Mommy my room?”
“I’ve seen your room before, Emma,” You join in the conversation with a raised eyebrow. “Is there something new in there?”
Emma nods eagerly, her eyes lighting up with excitement. “Yes! Mama and I decorated it differently, and I got some new stuffies. Come see!”
You glance at Natasha, who nods encouragingly. “Go ahead. I’ll finish setting up lunch.”
“I can help you,” Ryan volunteers. 
“Alright, lead the way,” You say to Emma, who grabs your hand and starts pulling you toward her room.
As you walk up the stairs to her bedroom, Emma chatters excitedly about the changes. “We got new fairy lights and a big rainbow pillow! And Mama put up a shelf for all my books.”
Entering Emma’s room, you immediately notice the transformation. The fairy lights cast a soft glow, and a colorful rainbow pillow sits proudly on her bed. The new shelf is neatly organized with her favorite books and toys.
“What do you think, Mommy?” Emma asks, looking up at you with anticipation.
“It’s beautiful, Emma,” You say, genuinely impressed. “You and Mama did a great job. It looks so cozy and fun.”
Emma beams with pride. “Thanks! I love it so much. And look, here are my new stuffies!” She runs over to her bed, picking up a few plush animals to show you. “This is Eloise, and Gertrude, and Penelope.”
“Whoa, where did you get these names?” You ask, raising an eyebrow in amusement. They truly sound like elderly-sounding names. Not that you would tell her that. 
Emma giggles, holding up Eloise, a fluffy bunny. “Mama helped me pick them. We wanted names that sounded fancy.”
“They’re fancy,” You say with a smile, taking one of the stuffed animals from her. “And they’re all very cute.”
Emma nods enthusiastically. “I like to pretend they’re having tea parties and going on adventures together. They’re my best friends.”
 “That sounds like a lot of fun. Maybe we can have a tea party with them sometime.”
“Yes, please!” Emma says, clapping her hands together. “You can be the guest of honor, Mommy.”
“It’s a date,” You agree, hugging her. “But for now, we should head to the kitchen before lunch gets cold.”
“Okay!” Emma replies, bounding toward the door with one of her new stuffies in hand.
You follow her back to the kitchen, feeling a warm glow from the simple yet meaningful moments you’re sharing. Natasha has set the table with grilled cheese sandwiches and tomato soup. One of Emma’s favorites. 
“This looks good, babe,” You compliment without really thinking. You take a seat closer to her chair.
Natasha's eyes flicker with a hint of surprise, followed by a soft smile. “Thanks,” she says, a touch of warmth in her voice. “I’m glad you’re here to enjoy it with us.”
Emma, oblivious to the brief exchange, eagerly reaches for a sandwich. “Mama makes the best lunches!” she declares proudly.
Ryan nods in agreement, already munching on a piece of fruit. “Yeah, this is great, Mama.”
You settle into your seat, feeling a mix of nostalgia and hope. “It really does look amazing. Thanks for making lunch, Natasha.”
Natasha smiles, her eyes meeting yours. “You’re welcome. It’s nice to have everyone together.”
As you start eating, the conversation flows easily. Emma and Ryan share stories from their day, and you and Natasha listen attentively, adding your comments and questions. 
“So, Emma showed me her room,” You say, glancing at Natasha. “You both did a fantastic job decorating it.”
Natasha’s face lights up with pride. “Thanks. We had a lot of fun doing it together, didn’t we, Emma?”
Emma nods vigorously. “Yeah! And Mommy said we can have a tea party with my stuffies sometime.”
“That sounds like a wonderful idea,” Natasha agrees, giving Emma a fond look. “We should plan it soon.”
After lunch, as you help clear the table, Natasha catches your eye. “Thanks for the compliment earlier,” she says quietly, a genuine smile on her face.
“Of course,” you reply, returning the smile. “I meant it. It’s really good to be here with you all.”
Natasha nods, and for a moment, there’s an understanding between you—a shared acknowledgment of the effort you’re both putting in to rebuild your family. 
“I was thinking we could head over to your apartment at five?” Natasha mentions. “I have a babysitter coming over. Yelena is still kind of on the fritz so I didn’t dare ask her.”
“Sounds good,” you nod in agreement. “Is she still ignoring your calls? I didn’t know us getting back together would cause so much grief with your sister.”
Natasha sighs, a hint of frustration crossing her face. “Yeah, she’s still not picking up. Yelena’s protective. She saw what the divorce did to all of us, especially the kids, and she’s worried about me getting hurt again.”
You nod thoughtfully. “I get that. I didn’t realize she was taking it so hard. I thought she’d be happy we’re trying to work things out.”
“She’s just cautious,” Natasha explains. “She wants to make sure we’re not rushing into anything and that the kids don’t get caught in the middle again.”
“I understand,” You say, feeling a pang of guilt. “I’ll reach out to her too. Maybe if she hears from both of us, it’ll help.”
Natasha gives you a small smile. “That might be a good idea. She just needs some time.”
As the conversation shifts, you both start preparing for the evening. Natasha ensures the house is ready for the babysitter, while you spend time with Emma and Ryan, making sure they feel comfortable with the plans for the night.
At five, the babysitter arrives—a friendly woman named Sarah, who immediately puts the kids at ease with her warm smile and easygoing demeanor. She doesn’t need an introduction to the kids' routines as Natasha’s used her services before. 
“We’ll be back soon,” Natasha tells the kids, giving each of them a hug. “Be good for Sarah, okay?”
“We will,” Emma and Ryan promise in unison.
As you and Natasha step out of the house and head to your car, you can’t help but feel a mix of anticipation and nervousness. The evening ahead holds the promise of important conversations and the possibility of taking more steps toward healing and rebuilding your relationship.
*****************
The drive to your apartment is filled with a comfortable silence, both of you lost in thought. Once you arrive, you take a deep breath and turn to Natasha. “Ready?”
She nods, giving you a reassuring smile. “Ready. What are you so nervous about?”
“Well, I didn’t exactly prepare for you to come,” You shrug. “I mean, it’s not like it’s dirty or anything. It’s just really bare bones and bachelor-y.”
Natasha chuckles softly. “I’m sure it’s fine. You always were a minimalist.”
You lead her inside, feeling a bit self-conscious about the simplicity of your apartment compared to the cozy warmth of your old home. This place has never felt like you belonged in it. It feels too much like how you’ve felt inside. Lonely. As you step into the living room, Natasha glances around with interest. It is an open living area with polished hardwood floors and large windows offering city views and tons of natural light. There’s a plush sectional sofa and a sleek coffee table in the center of the room. 
The dining area nearby features a stylish table set under a minimalist chandelier, adding a touch of elegance. The kitchen, equipped with high-end appliances and marble countertops, exudes functionality but lacks personal touches.
The bedrooms are spacious and well-furnished, with the master bedroom featuring a king-sized bed and simple, crisp sheets. The overall vibe is one of luxury and comfort, although the space feels more curated than lived-in, with minimal personal decor.
“It’s nice,” she comments, walking over to look out the window living room window. “Very you.”
You chuckle nervously, hoping she doesn’t find the lack of decorations or homey touches too off-putting. “I know it’s not as homey as your place.”
Natasha turns to face you, her expression gentle. “It doesn’t have to be. This is your space.”
You relax a little, grateful for her understanding. “Thanks. Let me just get us something to drink.”
While you busy yourself in the kitchen, Natasha wanders around the living room, examining a few books on the shelf and the simple decor. When you return with drinks, she’s sitting comfortably on the couch, looking at a framed photo of you and the kids.
“I’m glad we’re doing this,” she says softly, setting down her glass.
“Me too,” you admit, sitting beside her. “I’ve missed having you here.”
Natasha meets your gaze, her eyes reflecting a mix of emotions. “I’ve missed being here.”
You take a deep breath, feeling the weight of the moment. Despite the nerves and the uncertainties, being together like this feels right. It’s a small step, but an important one, towards reconnecting and rebuilding what was lost.
“What’s this?” Natasha spots the photograph on the table tucked under a bunch of notebooks and your laptop. It’s an intimate photo of the two of you on your honeymoon. You’re holding Natasha in your arms, her back turned away from the camera, kissing your cheek. Both of you look incredibly happy. 
“I’ve been looking for this photo. You’ve had it all this time,” Natasha says, her voice filled with surprise and a hint of nostalgia.
You smile softly, picking up the photo and holding it between your fingers. “Yeah, I kept a lot of our photos.”
Natasha studies the image, a mixture of emotions crossing her face. “I remember this day,” she says quietly. “We were so young.”
“Seems like a lifetime ago,” You reply, memories flooding back as you gaze at the picture together.
Natasha nods, setting the photo down gently. “Thank you for keeping these.”
“They’re memories I couldn’t bear to part with,” You admit, your voice softening with emotion. “Even during the tough times, they reminded me of the good.”
Natasha reaches out, placing her hand over yours. “I’m glad you kept them,” she says sincerely.
“Come here,” You say softly, pulling her closer to you on the couch. The evening had started feeling more like a cordial business meeting than a date with your ex-wife.
Natasha moves closer, resting her head against your shoulder. The feel of the room shifts as you both sit quietly, the weight of unspoken words and shared memories hanging in the air. Despite the initial nerves and uncertainty, being close like this feels natural, comforting even.
“You know,” Natasha starts, her voice gentle, “I’ve missed this.”
“Me too,” You admit, your voice barely above a whisper. “I’ve missed us.”
Natasha nods, her fingers intertwining with yours. “So, what do you do in here all day? Read books? I can guarantee you haven’t opened any of those on that shelf.”
“I have read some,” you cringe, feeling a pang of guilt.
You hesitate, not wanting to admit that you've mostly been occupied with work and the gym. The truth is, you often didn't spend much time in this apartment to avoid feeling lonely.
Natasha squeezes your hand gently, sensing your discomfort. “It’s okay, you know,” she says softly. “You were doing what you needed to do.”
You sigh, grateful for her understanding. “I just didn’t want to be alone here.”
“I understand,” Natasha replies, her voice warm with empathy. “But you’re not alone anymore.”
“You know, I keep telling myself that I…” you begin, your voice trailing off. “I kind of isolated myself from everything and everyone. No one told me divorce would be so hard. I mean, I knew, but…”
Natasha listens, her eyes soft with understanding. “But living through it is something else entirely,” she finishes for you.
“Exactly,” You sigh, feeling the weight of the past few months settle heavily. “I threw myself into work and the gym, anything to keep from being alone in this place. It was too quiet, too empty.”
Natasha squeezes your hand gently. “I get it. It’s hard to face that kind of loneliness.”
“I didn’t want to admit it,” You continue. “But being without you and the kids… it’s been the hardest thing I’ve ever done.”
Natasha nods, her eyes reflecting a mix of empathy and regret. “I felt it too. It’s why I pushed so hard for us to try again. I believe we can do this.”
“I believe it too,” you say softly, kissing her head. “What do you say we try out this cooking thing? I had all of the groceries delivered this morning. You had a pretty extensive list.”
Natasha laughs lightly, the sound bringing warmth to the room. “I do tend to go all out with my lists. What’s on the menu?”
You stand up, offering her a hand. “Let’s find out. I didn’t peek too much, so it’ll be a surprise for both of us.”
Natasha takes your hand, and you both head to the kitchen. You open the fridge to take out all of the ingredients you have. 
“Okay,” she says, rolling up her sleeves. “Let’s see what we’ve got here.”
You start unpacking the bags together, revealing fresh vegetables, herbs, various spices, and a selection of meats. It’s a well-thought-out collection. 
“Looks like we’re making a feast,” you comment, holding up a bunch of fresh basil. “What should we start with?”
Natasha glances over the ingredients, her eyes lighting up with excitement. “How about a nice stroganoff dish? We can make a salad to go with it.”
“Sounds perfect,” you agree, feeling a sense of anticipation. Cooking together feels like a new step in rekindling your relationship, it’s one of the things you used to delight in doing together. 
As you chop vegetables and prepare the meal, the kitchen fills with the delicious smell of fresh ingredients and simmering sauce. The act of cooking together, sharing tasks, and the laughter, brings a sense of normalcy and joy.
It feels intimate and cozy as you navigate the kitchen together. Natasha’s subtle touches against your skin make you feel even more worthy of her being here. Each brush of her hand, every shared glance, adds to the warmth of the evening.
“Hand me the mushrooms?” Natasha asks, her fingers lightly grazing yours as she takes the bowl.
“Sure thing,” You reply, enjoying the simple task of cooking side by side. The smell of the beef stroganoff simmering on the stove and the roasted beets wafting from the oven fills the room. 
As you roll out the pie crust for an apple pie, Natasha leans over your shoulder, her breath warm against your ear. “You’re really good at this, you know.”
“Thanks,” You say, smiling. “It’s nice to have someone to cook for.”
When everything is ready, you set the table together, this is the first time in weeks you’ve actually sat at this dining table. 
“This is amazing,” Natasha says, savoring a forkful of the beef. “You’ve outdone yourself.”
“Only because I had the best partner,” you reply, feeling a warmth spread through you.
“We do make a great team,” Natasha agrees, sipping from her wine glass. The comfortable silence that follows is filled with the soft clinking of silverware and the faint noises of the city outside. 
You take a moment to appreciate the moment before deciding to dive deeper into conversation. “So, what have you been up to at work lately?” you ask, genuinely curious.
Natasha sets her glass down, her expression is thoughtful. “Work’s been busy, as always. We’ve had a few high-profile cases come in. It’s been challenging, but I enjoy it. Keeps me on my toes.”
“That sounds intense,” You say, nodding. “But you’ve always thrived in that environment. I’m on sabbatical, as you know, so it’s a bit different for me.”
“How are you handling that?” Natasha asks. 
“It’s been an adjustment,” You admit. “I’m not used to having so much free time. I’ve been trying to stay busy, hitting the gym a lot. Visiting my parents. Tony’s been surprisingly understanding about it, though. He knows I needed the break.”
“I’m glad to hear that,” Natasha takes another bite of her meal. Her smile fades slightly as she looks down at her plate. She hesitates before speaking again. “Can I ask you something that’s been on my mind?”
“Of course,” You say, your heart rate quickening slightly at her serious tone.
“Have you… seen anyone else during our time apart?” She asks, her voice soft but steady.
You take a deep breath, appreciating her honesty. “No, I haven’t,” you say, meeting her gaze. “I couldn’t even think about it. I’ve been too focused on everything else, and honestly, I wasn’t ready.”
Natasha looks relieved, her shoulders relaxing. “I’m glad to hear that. I’ve been worried about it.”
“I understand,” You say, squeezing her hand gently. “It’s natural to wonder. What about you?”
“No,” she says, shaking her head. “I couldn’t either. I just… needed time to process everything.”
You both fall silent for a moment, the weight of the conversation settling in. But there’s a sense of relief too, knowing that despite the time apart, neither of you sought comfort elsewhere.
“Thank you for being honest,” you say, breaking the silence. “It means a lot to me.”
“Thank you too,” Natasha replies, her eyes softening. “I’m really glad we’re talking about this.”
“I know we’ve talked a little bit here and there but,” You wipe your mouth with a napkin. “I never stopped loving you. I just..I was confused. We were hurting each other. I needed it to stop. It had gone on for so long and-
Natasha reaches out, her hand covering yours. “I understand,” she says softly. “It was hard for both of us. We were caught in a cycle of pain and neither of us knew how to break free.”
You nod, feeling a lump in your throat. “Exactly. I thought maybe some distance would help, give us both a chance to breathe and figure things out. But it didn’t change how I felt about you. It never could.”
Natasha’s eyes glisten with unshed tears. “I never stopped loving you either. Even when things were at their worst, a part of me always held on to the hope that we could find our way back to each other.”
You squeeze her hand, drawing strength from her words. “I’m glad we’re trying again. I want to make things right, to be better for you, for our family.”
She nods, her thumb gently stroking the back of your hand. “We’ll take it one day at a time. We’ve both changed, and that’s okay. We just need to be patient with each other and ourselves.”
You take a deep breath, feeling a sense of peace settle over you. “Agreed. And for what it’s worth, I think we’re off to a good start.”
Natasha smiles a genuine, warm smile that reaches her eyes. “I think so too.”
As you clear the dishes together, the comfortable silence between you feels reassuring. There’s no rush, no pressure, just the quiet understanding that you’re both committed to making this work. It’s a start, and for now, that’s enough.
“I don’t want you to go home just yet…” you mention as you both sit against the couch, much in the same position as earlier.
Natasha looks at you, her expression softening. “I don’t want to go home yet either,” she admits. “It feels good to be here with you.”
"Stay a little longer.” 
Natasha smiles, leaning her head on your shoulder. “I’d like that.”
 The only thing is, with you and Natasha, things never remain simple or quiet for that matter. You turn your head slightly, meeting her eyes, and in that moment, the unspoken words between you become clear.
Before you can overthink it, you lean in, capturing her lips in a soft, lingering kiss. Natasha responds immediately, her hand moving to the back of your neck, deepening the kiss. It’s a kiss filled with longing, love, and a promise of a renewed connection.
When you finally pull back, both of you are breathless. Natasha rests her forehead against yours, her eyes closed. “I want you,” she whispers.
“I want you too,” You reply, your voice equally soft. Your lips meet in another kiss that has Natasha moaning into your mouth. The heat between you is tangible as if it could be felt despite the slight chill in the room. Natasha’s hands trail down your body, tracing the skin under your shirt, as you nibble her bottom lip. You lean back against the pillows of the couch. 
Your fingers brush against the soft skin of her neck, causing her to shiver with pleasure. She makes a move to lift your shirt over your head and you waste no time throwing it on the opposite side of the room. She uses her nimble fingers to release your breasts from their confines revealing your bare chest. You look into her darkened eyes, finding lust and desire coursing through them. 
You lift your head further, your hands finding her waist, as she leans into your touch. You kiss her again, her lips parting slightly as your tongue slips into her mouth. Your bodies fit together perfectly as if they were made for each other. 
“Bedroom?” Natasha suggests as your kisses lead further down her neck. You offer a gentle bite against her clavicle, delighting in the hiss you receive from her. “Y/n?” She presses gently against your shoulder when she doesn’t receive an answer. 
“Yes, right,” You place one last kiss against her neck before she stands. 
Natasha takes your hand, leading you towards the bedroom. The room is dimly lit, with just enough light from outside to create a warm, intimate atmosphere. Your bed is scattered with pillows and blankets, inviting you both to fall into it and lose yourselves in each other's arms.
As you step inside the room, Natasha turns to face you. Her green eyes are shining with excitement, and she bites her lower lip lightly.
“Where do you want me?” She asks. 
“On the bed,” You gesture.
“Here?” she asks, her voice barely above a whisper. She sits patiently, her legs slightly spread, as you unbutton and push your jeans down your body. You step between her legs, your hips swinging provocatively as you come closer. 
Natasha reaches up, her fingers brushing against your cheek as she leans in to kiss you. The kiss is slow and sensual, igniting a fire in your core. As she deepens the kiss, her hands wander down your body.
“I’ve wanted this for so long,” You murmur. “Wanted you.”  
“You have me,” Natasha responds. You gently press against her chest, pushing her down against the bed. She rests against her elbows, watching as you unbutton her pants, and slide them down her legs. The smell of her arousal hits you and you close your eyes as you rest your nose against her pelvis. 
“You smell so good, baby,” You land several kisses against her mound before kissing a trail up to her lips. 
“I want you to fuck me,” Natasha says bluntly. “We can do slow and gentle later. Right now I need you to fuck me.” She practically begs as her chest heaves. 
246 notes · View notes
fraugwinska · 5 months
Note
What about the reader found and old radio, they thought the radio was broken but it's not, it's just antique.. when they play it at night time alastor broadcast was heard first they feel something is odd.. but they love to listen to his voice, heck they even like talking to each other, because of this encounter alastor talk about it to rosie, she was happy hearing alastor telling her stories but she feel odd when alastor mention that the person he talks to is a human, Rosie giving him advice to not fall for human because they're different species, and it will make him weak etc.
Alastor feel guilty and agree with rosie advice so he's stop contacting the reader from the radio, he thinks that the reader will be fine but no the reader take it personally.. they thought alastor don't want to talk to them anymore.. it drive them mad and lead to suicide..
So yeah angst :D
Oh Anon. What have you done.
I cried while I wrote that - it took two very good friends of mine to encourage me to post it (Thanks to @macabr3-barbi3 and @mysterypotatoink). But I think it's tragic and beautiful, and honestly - I'm kinda proud of it!
TW: Psychological Trauma, descend into madness, loss of self care and suicide - please take care of yourself and do not read if you aren't comfortable with any of the mentioned! MINORS DNI
Here we go.
❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️🦌❤️
Leap of Faith
You carried in the last box from you banged-up minivan. The old thing barely made it to your new home. A little cabin in the outskirts of New Orleans, a little off the grid and surrounded by the peaceful and whirring bayous of Louisiana.
A fixer-upper, just like yourself.
The online auction had intrigued you the second you found it, the photos were a bit blurry and you knew it was a risk to buy a place you've never set foot in, but something in you called you to get it. The price you paid was laughable, barely making a dent in your savings. Moving states sounded scary and impossible, but you felt oddly calm about it.
You didn't have a lot of stuff to move anyway. After all, you only lived with your late grandmother, and she never really cared for material things. Your parents left you at her doorstep, never to be seen again.
Caring for her in her last, sickness-ridden years had been a no-brainer - it felt like nothing in comparison to all she had done for you - but it also had been a bit lonely.
You had your friends, if you could even call them that, but you rarely saw them - guiding your nan through the last months of her life had been demanding and time-consuming. It had left you exhausted and emotionally unavailable, and after a while, calls and texts ceased, until it was just you and her. You felt lost, as if the world was slowly pulling away from you.
When she finally died, peacefully in her sleep, you felt sad, relieved and drained.
Detached from the city you lived in.
Lost.
So you decided to sell what little you inherited, except for a few sentimental mementos, and move away from it all. To start a new life, a happier one, finally one that was truly your own.
You took the final box inside, setting it on the coffee table and wiped the sweat from your brow. You looked around the little cabin: The roof had some spots that needed a patch, and the wood floors were a bit warped, but it was all yours. No more having to share anything with anyone.
The cabin came furnished, a lot of the stuff was old, but still usable. You figured that would change once you settled in and had a vision of what you wanted and needed to buy. The thought of thinking about no one but yourself made you nervous.
But a little excited, too.
The old furniture would do for the moment, but there was a particular piece that caught your eye: an old, vintage cathedral radio, sitting nestled in between a cracked wooden box and a tarnished, bronze candle holder in a bookcase that was a bit out of place in the tiny space. With a tilted head, you stepped closer to inspect it, drawn to it by it's unique character and beauty.
It looked as well-loved as it looked well-used, the mahogany a bit scuffed, the knobs a little worn from years of being turned. But there were golden details etched into the front, and you traced them lightly with a finger, strangely touched and intrigued.
You were certain the old thing didn't work, but when you plugged it into the nearby socket, static erupted from the speakers, making you jump back. You had to smile, though.
Tonight, you wouldn't be alone. You'd have this little device and a little music for good company.
***
"I'm home!" you announced to no one in particular, as you closed the door behind you, your hands full with overfilled grocery bags full of necessities, waiting to fill your empty cabinets.
The day had been hot, but a welcome breeze of the impending night break cooled the inside of your little cabin a bit. With a quiet grunt you set the paper bags down at the small kitchenette. Your groceries were quickly dispersed, and you put on an apron you saved from your grandmother as you got started on dinner.
You hummed as you cut vegetables and boiled water. It had been a long time since you had cooked, really cooked, your nan wasn't much for eating and had no problem living off of simple soups and toast. When you opened your fridge to get some butter, your glance fell onto the radio.
A little music would be nice, you decided, and you walked over, cleaning your hands on the red, frilly cloth around your waist before you turned the dial. The soft sound of static made you hum in contempt - yup. Still works. A little turn to the left, and the room was filled with a soft jazzy tune, the melody a bit grainy, but you didn't mind that at all. You returned to the stove, swaying your hips to the beat as you worked. The music made you feel at ease, and for a moment, the world seemed to be just right.
Just as the onions began to brown in the pan, the song faded out to a voice. You turned your head to the radio, intrigued by the unusual, eccentric accent of the host. It reminded you of the old, vintage films and recordings your grandmother had been fond of - wasn't it called 'transatlantic'?. Whatever it was, it made you smile.
"Now wasn't that a kick in the head, dearest listener? I sure hope you enjoyed the little musical interlude, but it's time to return to the real show! As usual, my name is Alastor, and you are listening to the best jazz, blues and swing music that Hell has to offer!"
You blinked, a little puzzled and yet amused. "Sure is hot as hell today, strange man in the radio.", you mumbled, chuckling as you stirred the bell peppers under the caramelized onions.
"Today we have a very special guest joining my humble broadcast, it seems. Pleasure to meet you, darling, quite the pleasure!"
"Oh who? Me?" you asked, looking theatrically over your shoulder with batted lashes, shaking your head over your own silliness. You weren't used to talking out loud to yourself, or even really thinking out loud. You were always alone, after all, but the little pretend-play was fun. You laughed a bit, waiting for the host's guest to speak.
"Of course you, little dove. Who else would I mean?"
You gasped, and nearly dropped the spoon as you whipped around, eyes glued to the humming, orange glow of the radio in the dim darkness of your living room.
"What's that? You're surprised, my dear? Don't worry, you're not the only one! This is a first for me, too. Never had a human join my program. I must say, I'm quite intrigued! Tell me, what is your name?"
Your eyes grew wide, and the hairs at the back of your neck stood up. You took a hesitant step backwards and hit the hot stove, making you curse under your breath. Was the heat finally getting to you?
"Don't be shy now, darling. I'm not gonna hurt you, cross my lil' old, blackened heart."
"I-I'm..." you began, swallowing as your fingers tightened around the wooden spoon. "My name is..."
"Yes?"
"I'm... crazy.", you mumbled, rubbing a hand over your face and chuckling a bit. You were just going insane, that's all. Must be the stress, combined with the intense heat. And lack of a companion, a tiny voice reminded you. Yes. Must be.
"Hello crazy, this is Alastor." The host laughed, together with a canned audience.
"Alastor...", you repeated, realization settling in - this wasn't a joke, or a trick of your mind.
"At your service, my dear.", the voice cooed. "Now, I believe you still owe me your name..."
***
You weren't crazy.
Or if you were, you didn't mind. Not with Alastor by your side - or, to be exact, in the radio on your bookcase.
After two weeks of ignoring the cursed radio after unplugging it in a wave of panic on your first night, your morbid curiosity got the better of you. You plugged it back in, and turned on the dial. Just once, you told yourself, then never ever again.
And that's how the two of you got in contact with each other once more. Alastor was as chipper as the first time you heard him, and after a bit of back-and-forth, he promised once again not to harm you, and you shared your name with him. The rest was history. He was very pleasant company. For a demon from hell.
You wouldn't classify the conversations you had with him as a real friendship in the beginning, but you did talk. Occasionally. Mostly in the evenings, when you cooked dinner: He'd ask you about your day and would pry eagerly for a little bit of gossip or new information about the modern New Orleans. When he let it slip that he lived in this very cabin in the 1920's, you weren't stopping with questions about what it was like back in his days, which he, in return, answered generously and enthusiastically.
The first few times he would try to coerce you into making a deal for your soul, casually sprinkling the offer into his small talk, but with enough blunt refusals and a few more days of radio silence (pun intended), he dropped the topic and seemed content on just talking. You, in return, found yourself relaxing into his charming company, your brain happily engaged with trying to wrap your head around him, or better, you tried to come to terms with it.
Weeks passed, and turning the radio on in the evenings became less of an occasional lapse of judgment but more of a routine you were looking forward to. You could tell the Alastor felt the same, his banter became less tense and acted, and a little more genuine.
It made your heart swell in happiness, that someone out there seemed to appreciate your company – even if that someone wasn't human.
Apprehension became amusement, and fascination became friendship. Oddly enough, you found common grounds in a lot of things: A love for cooking and good music. Preferring books over films. Red wine over white. A shared aversion of vulgarity, and appreciation for good manners.
Your nights were cut shorter and shorter, you would spend hours chatting on and on, until the deep darkness of night disappeared into a shade of blue on the horizon. Neither of you minded, at least that was what you thought. Alastor never ended the conversations with you. Either you had to say your goodbyes, or you would just fall asleep after hours of talking on your couch, and awake with a pained back to a shut-off radio. Then, after you'd realize that you would have a whole day ahead of you without hearing his voice, the loss would make your chest ache.
Two months into the 'thing', which was still a strange concept you could barely comprehend, the truth of the matter dawned on you: You liked him. Not just because he was a surprisingly amicable voice coming out of your vintage radio, a lively constant in the uneventful life you had made for yourself in Louisiana - he had become important to you, irreplaceable, even. An essential element to your life. You couldn't imagine how you'd gone so long without him, and yet, here you were, lost without him, scrambling through the hours until you could talk to him once more.
"Something on your mind, darling? You're awfully quiet today."
You held your fork and knife still above the salmon you had just been about to eat. It was the first meal of the evening in a long time where you weren't spending the entirety of the preparation time speaking to him, lost in thought about your blossoming feelings. He had gotten excellent at reading you like an open book - you should've gotten used to it after a couple of weeks of him catching on to every little change in your demeanor and knowing just what to say, when you were feeling happy, upset or nervous.
"Oh, um... no. It's nothing Al. Work had me in a wringer today."
"Is it your co-worker Susan again?" You could basically hear his eyes rolling, making you chuckle. "That name must be cursed, every single soul with that name is a menacing pain."
"Maybe,", you muttered, nibbling on a piece of the roasted fish. "This one is mostly just an ornery old bitch."
"Taking the words right out of my mouth, dear." he laughed.
There's was a comfortable pause, with just a gentle background noise of his ever-playing static and an easy, melodic tune coming from his program.
"Is that really all that preoccupies that pretty little head of yours?"
You blushed, picking at the food with your fork. "Bold for a guy who's never seen me to assume my head is pretty."
The radio crackled with pops and feedback. "Bold to assume I can't see you whenever I want, little dove." he said, his voice strangely deeper, tinged with something you didn't catch at the shock of his words.
"You... what?"
"And I can most assure you,", he purred out of the speakers, "pretty is a well fitting word to describe you."
He hummed in approval when your cheeks gained color, as if he knew his comment threw you off guard and made you turn a lovely shade of pink, but it didn't make it any less enticing.
***
"Alastor, if I didn't know better, I would say you have become smitten with this mysterious gal you're blabbing on and about."
Rosie giggled, hitting his shoulder in a playful, friendly swipe. "When will I meet her? Come on now, you can't hide her forever. Or are you afraid she'll like me better?"
She laughed, and Alastor forced a toothy grin. His long time friend was the only one he talked about you with, and he knew she was intrigued whenever she could smell a blooming dalliance, especially with a notoriously abstinent bachelor like himself. Normally, he would laugh at that thought with a healthy dose of mockery, but he found himself to be less and less aversed at the thought - if it would be you. Impossible, of course.
"Nonsense, Rosie dear, nonsense,", he chuckled, taking a large sip from his coffee cup, a heavy hand bringing up a plate stacked with finger sandwiches. "And I'm afraid you won't meet her for a long time, maybe never. Humans seldom traverse to hell in their lifetime, and who knows if the little darling will take on the trip downstairs?"
Rosie coughed in her tea, her blackened eyes wide in shock. "Human? It's a human girl you've been courting here? Oh, Alastor, you old fool."
Alastor scrunched his nose, "Talking, Rosie, talking is all we do. And yes, she's a human. I don't see the quandary in that. It's just a little fun."
"Well,", she huffed with a small, thoughtful frown. "I would've hoped for a little more sense in you." The tall demonesse set down her teacup with nimble fingers.
"You may not call it courting, but if it quacks like a duck, it's a duck, love." Rosie ignored the indignant look Alastor gave her. "You know as well as I do that such a connection is dangerous to entertain. Humans are fragile and fragile things tend to break. And when they do, the owner mostly follows. You need to break this connection off."
Rosie gave him a sad look as his ears flattened against his head. She would've been more than happy for her oldest and dearest friend to have a partner on his side, someone good and honest who really cared about him, maybe loved him even, as unlovable as he was. But she had to protect him from the silly idea of possibly falling for a living, breathing and supposedly untarnished soul, and the heartbreak that would surely follow. "Don't make the mistake of breaking your heart, dear friend." she smiled, a tint of melancholy hidden in the red of her lips.
"I think it's far too late for that."
She offered a handkerchief, but Alastor waved her off, his smile more faint and close to a frown than she's ever seen.
***
The first day where nothing but static noise came out of the radio, you were irritated but just thought: 'Maybe Alastor has something to do'.
The second day of static you grew concerned. 'What if something happened to Alastor? Was he okay?'.
On the third day, you were panicked. 'Maybe he doesn't want to talk to you anymore! Maybe he met someone in hell, someone that he could talk to whenever he wanted and not through an old, dusty radio?'.
"Please talk to me.", you whispered into the empty room. Your knees were pulled to your chest, and you sat on your couch, eyes fixed on the radio in the bookcase. Your eyes stung with the tears threatening to spill. "Please, Al. I miss you." You shook your head, chuckling sadly. It had only been 3 days, but they'd felt like an eternity. The world had seemed silent without Alastor's constant chatter.
When night fell for the fourth day, you were half asleep, eyes red and burning and tears still staining your cheeks. You talked for hours into the void of your house, the radio now moved to sit in front of you on the coffee table, growing more and more desperate as hours passed. Talking faded into pleading, and pleading into begging.
"Please, I'm sorry, if I did something wrong, I'm sorry...", you mumbled into the wooden furnishing, resting your cheek against the top of the machine, eyes slipping shut with fatigue and defeat. A dry sob slipped past your trembling lips, as your hands desperately grabbed the sides of the antique device.
"Alastor please, don't leave me alone here...", you whispered with the last of your strength, before your body succumbed to your exhaustion, your unconscious mind welcomed the darkness.
If you had stayed awake for just a moment more, you would've, maybe, heard the faint shuddering breath beyond the static rumble. But you didn't. So you had no chance at knowing that, Alastor, listening to every word, saw and heard you at your weakest, and all it did to him was stir the embers and give the blaze an opening for the flames of his anger at fate to rage.
Work had called, again. Susan of all people. Threats were made - either come back to work, or don't come back at all. You smashed your phone. It was useless anyway. What was the point without...
Alastor wasn't here, hadn't answered for seven days now. And you had spent the whole time talking, begging him to show himself, just show himself and tell you what you did wrong, just talk to you one last time and then you'd stop, if that was what he wanted. You became obsessed with the orange light of the illuminated screen, imagining the flickers were maybe signs from him.
You stopped eating, stopped drinking, stopped almost anything, you just sat, in front of the radio, unmoving and unwilling to miss the smallest sign of his return.
Every single minute stretched into agony, and every breath that left your lips made a fresh tear roll down your paling cheeks, until your body couldn't produce them anymore. Then, you cried wordless whimpers and moans, even started praying to an unknown entity.
It wasn't as if Alastor owed you anything. It's not as though you thought the two of you were anything other than two kindred souls, one human, one demon, talking to each other. As a result, it wasn't like you had the right to anything from him.
It was strange to consider the connection the two of you shared: Something more than acquaintances, something closer than friends, and yet never fully crossing the line beyond it. The unpenetrable boundary dividing life and death in between.
Your eyes fell on a large, old crucifix on your wall, staring back at you with pity.
For the first time in days, you left the sofa, took it from the wall and burned it on your gas stove, watching the face of the nailed figurine slowly melt in the fire.
***
It had been eight days of excruciating, one-sided silence.
Eight days Alastor cursed his cowardice as he sat, red eyed with claws digging into his scalp, as he listened to you plead for him to talk - To answer. To do anything. Anything, but leave you alone, he heard, as if the words were spoken right in his ear.
Eight days of watching you slowly detriment from the eyes of the shadows he was able to manifest above, tugging on the very fabric of the world to move you, to keep your mind from going where it shouldn't go.
He kept telling himself it was for the better. His shadows murmured persistent reminders that he should find entertainment in your growing lunacy. He was the radio demon, after all. He shouldn't care if this wisp of a human were to perish, should laugh at your wails of agony and despair.
But Alastor never felt less like laughing. Your dried sobs and pained apologies for things you never did wrong in the first place filled his head, taunting and gnawing on him with feelings he thought he was unable to feel: Guilt and Regret.
It was as Rosie had predicted - he was becoming weak. But weakness was something that should be avoided. Had to be. He knew. Being weak, being feeble, would make him vulnerable, make him into the prey his cruel from already portrayed to the world he had to inherit. He couldn't allow it. Couldn't let his feelings for you bring him down to the levels of the sinners in hell he would tear apart and laugh while he did it.
That's why he stayed silent. Endured it, all of it, every word, cry and plea. Stayed invisible and silent, waiting for you to move on, forget him, shut off and leave the radio, never to turn the dial again. For your sake and his.
When the connection broke, on that eight day, Alastor could feel your resignation, your peace with which your pale hands gripped the electrical cord at it's base to pull. And he was suddenly filled with the awareness of something horrible, like a premonition. It set his already battered, aching heart in an ice cold grasp of dread.
His room exploded in green light as he expanded into his full demonic form, his limbs threatening to pull and burst at the stitches and his smile splitting his face almost entirely in half. He had to reach out, had to reform the connection to the radio one last time, even though nearly impossible.
You were about to do something he would never be able to forgive himself for.
***
Your car broke down just where it needed to. You took the radio out of the trunk, knocking the hood two times for a goodbye, the key safely in the ignition. Maybe some other poor soul would find and repair it, make happier memories with it.
You clutched the wooden device closer and started to walk. Indigo blue faded into black as you looked up to the sky that was sprinkled with glowing, shimmering silver dust, stars blinking in the unimaginable distance. There, but out of reach.
Just like him.
Your dry sob stung in your throat, but you didn't really feel the pain. Your eyes were fixed on the path to your final destination, right in front of you.
The Crescent City Connection Bridge was mostly abandoned by traffic at this time of night and provided just enough covered spaces to hide you from some foolish saviors eyes.
You didn't need to be saved.
You didn't want to be saved.
Because you were about to save yourself.
There was nothing waiting for you in the other direction than the one you were going. So, with slow but steady steps, you walked towards the middle of the bridge, settling on a place next to a metal pillar and looked over the railing onto the shimmering waters of the Mississippi River.
Alastor had told you about the river, how he loved to watch the steam boats floating on it from the radio station where he worked at when he was alive. The station was long gone, you didn't even find out where it had been in the first place, but you liked to imagine that you were looking at the same scenery now that he had been looking at when he peered out of his booth in his radio tower.
It made you smile through the tears... You were glad the end was somehow connected to him, even if it was most likely just your naive imagination.
It felt like the device in your arms was emitting static energy, prickling over your arms, hands and fingers as you caressed the mahogany wood gently, feeling as though the radio was shaking in your hands, trying to pull you back from the fenced ledge.
A quiet sob escaped your lips, turning into a giggle and into hysterical laughter. You sat down between the railing, and hugged the radio close, trying to breathe as you closed your eyes, resting your temple on the worn, warm wood.
"It'll be okay, Al.", you said quietly, your voice unnaturally hoarse and rough from lack of use and dehydration. "I'm coming. I'm coming to you.”
With one arm around the radio, holding it tight against your chest, you turned to stand on shaky legs, gripping the railing with one arm and, with one final glance at the stars above you you smiled. You heard sirens in the distance, and some people shouting from a sparkling streamliner passing under the bridge. Time was running short, so you didn't wait to put first one foot over the fence, then the other, taking a deep breath.
"I guess doves were always meant to fly."
And, with that, your body twisted, turned and leaped, falling as the light on the radio, firmly pressed against your heart, began to glow in deepest crimson and swirls of green.
Falling like an angel would descend from grace.
Part 2 for closure
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You could drink your whole life away and still never get that taste out of your mouth.
half commission for @salempie half completely self indulgent dreck pieced together from our insane conversations abt franke and elka. told myself id finally write a big explanation for all of the dum shit between these two for context so Thats Under The Cut.
so I already wrote some stuff about elka and franke's relationship back in whispering rock so feel free to look at that too . it goes over elkas blindness/‘seeing’ with clairvoyance and how her and franke started talking & all that good stuff
SO FOR STARTERS. a lot of thsi wont make sense without a big breakdown of elka herself. because elkas potential as a character is like insane to me. like just the idea of her in the long run of her life reads as something so potentially tragic; a young girl whos plagued with visions of doom and destined to be an outcast even in her own home for things she cant control and clings to the One vision of her wedding that she thinks is 'happy' even despite the fact she doesnt really love the person in it. im choosing to take the li-po doc as canon here because its funny shes the only one with backstory-
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but my fucking god even the smallest look into what her parents are like is soo fucked up to me. and i do think elka especially gets a lot of influence from her mother; its funny how easily you can fit mabel doom into a box just from what elka says about her. knees deep in an avon-esque pyramid scheme and leaning into her daughters depressing ass visions & taking her to therapy at age 11 (which would be good if not for the kind of person you can already assume she is & so i doubt the therapist she has really does her any good. i think they share one). she reads as a very I Am My Daughters Best Friend type of mom to me and i can see elka being a centerpiece of the conversation when she has her Amway Girls over for drinks. wine-mom that lets her kid sip from the glass so she can feel like a big girl type deal.
and you can tell that elka is trying to hard to be too mature for her age even in her campster posts. how she writes letters to nils' mom and exchanges baking recipes with her and that feels like she really only interacts with middle aged women and not really many people her own age outside of camp (like her moms friends). which makes sense shed feel the need to ‘grow up’ early when shes probably had to process so many hard things at a young age bc of her visions.
theres a lot of filling the blanks here of course.
elka obsesses over nils to an overbearing degree even despite the fact he treats her like shit ('you promised no talking' and so on) and she treats him bad right back. she leans onto stereotypical heterosexual ideals like taking care of him and overblowing how Manly and Protective JT is and she admires romance stories like pride and prejudice and it feels like she Projects Soooooooo much of what she wants onto boys she barely feels anything for without knowing what its actually supposed to feel like. and clearly she WANTS that ideal future, a happy marriage, an actual romance- but according to nils even when they were dating she ignored him most of the time, which just seems Very Telling
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like shes filling a role, overcompensating for emotions and lacktherof she cant digest quite yet, and it only makes more sense when you know shes had visions of their future together. how could that be bad for her? shouldnt it be like the books and movies? but she doesnt really connect the fact that her visions are only for Doomed futures, and if she does she certainly doesnt show it. Doomed relationships. it's been a part of her family for generations and she isn't turning out much different, is she? i dont think she even realizes thats all she ever sees yet, just that its Going to happen. that it's Her future, and it always will be
and like, her only reference for a real marriage so far has been her own parents, and she already Knows they have an affair, and theyre doomed to split, (and i actually like to think they were in rough waters anyway and elka was a child meant to mend a crumbling marriage but thats a whole other thing) and so without a framework for what an actual healthy relationship is supposed to be like she cant really grasp that her relationship with nils Isnt that and isnt ever going to be. she can only cling to this one happy idea of the future, and thats why she keeps chasing him, self fulfilling the actuality of her situation and creating and fostering the unhappy life they will inevitably live together.
and that bleeds into everything else in her life, of course, because as the years go on, as the visions grow in number it just makes sense for her to fall into the predictability of her life. she always knows whats going to happen, her visions are Never wrong- so why try to change things? shes had time to process tragedies days, weeks, months, years before they happen, shes had time to settle into every crack of her life. her parents divorce, her various break ups, her future with the psychonauts.
“and she's already seen so much of a future with [nils] she feels trapped almost. Like she has to be happy in it or else it just means her life is miserable. And it's a mixture of pride and fear of the unknown that keeps her clinging to the One thing she knows. BUT LIKE!!! She knows what's gonna happen! It's easier to grieve when she's been grieving for years... She wants so badly to be happy, But to do that she has to step into the unfamiliar. And that's more terrifying than staying the same miserable person she's always been.”
and thats where franke comes in— and yeah you Do have to take a lot of liberties for frankes character since it’s basically, like, all the info for her is just that shes a Supreme Baby Dyke but thats enough for me. i think she has protective butch itch in her . on campster shes defensive over other women evidenced in the way she keeps watch over the girls cabins for lili when elton is pursuing her . but shes also eager to please and constantly trying to make kitty laugh and also Very naive. but she tries! and i think it only solidifies more as she gets Older and really gets a hold of her feelings & her powers. this is incredibly franke to me
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and i think as they grow older together— because i think franke and elka Do stay friends, both because elka is just pathetic and needs that positive connection even if she doesnt realize it and because i think franke is a very Loyal person & annoyingly persistent if you let her be . and i am also a kitty/franke truther. because kittys also important in this web we weave
because i think franke and kitty stay together after camp, to a point— theres a falling out facilitated on kittys end and they break up, but reconnect, and franke kind of... saves kitty from herself a little, from her strict military father whos love only extends thru finances , from her own stifling future , she drives all the way to bakersville in her shitty van handmedowned from her dad and they move in together eventually . they get jobs at the motherlobe , because it’s a pipeline to a decent job, because it’s whats easy, because franke doesn’t really have a future, because she’s never really been good at much, because shes never had much sense, because franke doesnt really care as long as she can live and help, sometimes, if she can, and because kitty’s there, and because elka’s there, and shes so used to being elkas eyes now and shes good at it. shes good at being the muscle of the missions when her colleagues lack it, when hypnosis and predictions arent enough. she likes it that way.
and elka appreciates frankes company. she listens, shes sweet, she does little things for her that no ones ever really put the effort for before; she likes her. franke is strong and bold and makes her laugh and shes always there but god elka cant let go of that future, of that box shes put herself in, that her mothers put her in, of being a Good Wife to a Loving Husband, of getting married normally and falling into unfailing familiarity. thats all shes ever wanted and shes not going to jeopardize that . not for franke, who may not be a boy but is handsome like one, whos always held her after every break up with nils and the men that filled empty days inbetween.
and elka is too stubborn to recognize those feelings anyway. too prideful to accept a way out. too set in her cycle no matter how much she hates it, her little self fulfilling tragedy of her own making, wallowing in her own doom. she struggles for control of her own life when she feels like every choice has been made for her anyway, she puts up her walls and carefully constructs what people see. but franke was always harder to trick, because while empathy isnt a particularly useful psychic power it’s certainly an inconvenient one. all franke has to do is get too close and all those carefully crafted walls fall apart, and elkas control is gone, and thats all she really has. and she tries to distance herself, really she does, but franke is also too persistent. and elka wears gloves, keeps contact that would make her walls crumble from happening as best as she can, but she cant really keep herself from the brief moments where she feels like someone actually fucking cares about her.
and that slightest lack of control, the need to wrestle it back is why she proposes to nils the next time theres a falling out— she knows how it happens, she plans every detail. and he accepts, despite everything. gets her a cheap ring and it feels like lead on her finger and its nothing at all like how shed thought it to be when she was a kid, theres no feather light feeling in her chest, only that dreadful reality that she cant turn this back. BUT WHAT CAN U DO LMAO
elka doesnt tell franke about this engagement until later, on their way back from a mission. late at night when neither of them can sleep, and franke invites elka to smoke in her van, because its been so long since theyve been alone like that, because elkas been so strangely absent lately. and because of everything, because frankes always so damn nice, because elka hates the feel of the ring on her finger, because she let herself get high alone with franke fucking athens whos always been so good at pulling her apart— the truth of it all spills out and its messy and emotional and she hates it, she hates the life shes made for herself, but franke makes it easier to bare and now shes here and shes so close and god she wishes she could see her smile again, she wishes she could see franke, thats all she needs right now and she cant but she can touch her and she can hold her and for tonight, she can be known, she can let those walls crumble, she can be something else just for once here with franke . she can kiss her here in this van, touch that happiness for just a moment, and forget the future that waits for her outside of it. franke begs her to forget the wedding, to just let herself be happy— and god, she wants to, but it means turning her back on everything shes known and everything shes saw to be inevitable, and franke has never been in her future, so if it were supposed to work out why hadnt she seen it and she cant, she cant take that risk but she can have this, even if its temporary, she can have it.
and just as soon as she gets a taste of it, its gone. after that night, after the missions over and theyre back at the motherlobe and have to pretend like nothing happened (franke doesnt, of course she tells kitty about it, she tells kitty about everything.) but that brief moment together haunts elka every time she sees franke, sees herself through frankes eyes, sees herself in her wedding dress because god its all franke can think about! of course it is! she knows how much elkas destroying herself she knows how much misery shes wallowing in that kiss in the van felt like an emotional punch to the teeth and she hasnt ever forgotten it and all she can do is sit and watch while elka throws herself into a loveless marriage. she can come to her wedding and see the way the bride and groom kiss with the emotional weight of a wet towel no matter how hard elka tries to hide it under a pretty dress and bouquets of flowers and meticulous planning.
and elka resents nils but she cant really hate him, its not his fault, not really. he feels trapped just like she does and his feelings of misery only cycle back into hers . they fight and gnash and wear away at each other and its a relationship thats crashed and burned a million times before elka even said i do. and its inevitable that she falls into her mothers habits, a sip of wine here and there to loosen up, until it turns to a glass, until it falls into a bottle on nights when whatever work nils does runs late.
but franke’s still there. shes always been there, hasn’t she? always trying to play knight, always trying to save her, dragging her home when shes stumbling over herself because god who else is going to do it but her? who else is left to care? certainly not nils. never nils. because franke knows her. because franke pities her. shes always pitied her. shes always known. and elka hates it, she resents it, but god in the same breath she’s desperate for it, she envies it to her very bones. elka is a mess but after frankes done with her she has someone to go back to that loves her. and god what elka wouldnt do to have that. to take it and keep it for herself because shes never ever got to have that movie romance shes always wanted.
so now comes this.
because elkas particularly miserable and particularly spiteful and she needs to get franke to understand, just for a moment, drink with her and get on her level and she needs her there with her no matter how her pity makes her feel. no matter how much it makes her shake with anger and envy and desperation, but god the way franke looks at her, the way she still tries to salvage what they have, the soft, slurred way she tells her that it’s okay but its not okay, none of this is okay, it never has been and she just wants franke to shut up and see that, and if she cant then she’ll show her, she’ll show her all the raw angry desperation, with too much teeth and hands that claw and grab and she’ll know why everyones always said she’s too much.
and she knows this puts her on nils’ level too. that this makes her a cheater, that shes no better than he is now. no better than her father and his affair. but god, she wants to be selfish. she wants to be in control. just for once. she wants to feel right and she wants to feel happy and she wants to feel loved. thats all shes ever wanted. and franke will let her have that, just for a little while, at the very least.
anyway. sorry. sorry for being crazy . this isnt even getting into the shit after the comic takes place . elkas stupid brainworld thag she has to overcome in order to finally be allowed in the polycule and live happily ever as worlds first lesbian divorceman
sorry for all the shit i make up instead of caring about actual characters with screentime . bye !
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chosetherose · 2 years
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Updated as of 6/30
The Eras Tour *Surprise Songs*
Taylor said her goal is to not repeat each show’s surprise songs so I thought it would be fun to track them as the tour goes on! Black strikethrough is included in the main set list. Purple strikethrough are included in the main set list but have been switched up at some show/s. Blue songs Taylor played but might be repeated due to messing up.
Taylor Swift
Tim McGraw (3/17) • Picture to Burn • Teardrops on My Guitar (5/5) • A Place in This World (4/22) • Cold as You (4/23) • The Outside • Tied Together with a Smile • Stay Beautiful• Should’ve Said No (5/19) • Mary’s Song (Oh My My My) • Our Song (3/24) • I’m Only Me When I’m with You (6/30) • Invisible (5/20) • A Perfectly Good Heart
Fearless
Fearless • Fifteen (5/6) • Love Story • Hey Stephen (5/14) • White Horse (3/25) • You Belong With Me • Breathe• Tell Me Why• You’re Not Sorry (4/21) • The Way I Loved You • Forever & Always (5/13) • The Best Day (5/14) • Change • Jump Then Fall (4/2) • Untouchable • Come In With The Rain • Superstar • The Other Side Of The Door (4/28) • You All Over Me (6/3) • Mr. Perfectly Fine (6/16) • We Were Happy • That’s When • Don’t You • Bye Bye Baby • Today was a fairytale (4/22)
Speak Now
Mine (5/7) • Sparks Fly (5/5) • Back To December • Speak Now (4/13, Taylor restarted part of the song but did not confirm it could be played again) • Dear John (6/24) • Mean (4/15) • The Story Of Us (6/17) • Never Grow Up • Enchanted • Better Than Revenge • Innocent• Haunted (6/9) • Last Kiss • Long Live • Ours (3/31) • If This Was A Movie (6/23) • Superman
Red
State Of Grace (3/18) • Red (5/21) • Treacherous (4/13) • I Knew You Were Trouble • All Too Well • 22 • I Almost Do (6/9) • We Are Never Ever Getting Back Together • Stay Stay Stay • The Last Time (6/16) • Holy Ground (5/27) • Sad Beautiful Tragic (3/31) • The Lucky One (4/2) • Everything Has Changed • Starlight • Begin Again (4/23) • The Moment I Knew (6/4) • Come Back… Be Here (5/12) • Girl At Home • Ronan • Better Man (5/19) • Nothing New • Babe • Message In A Bottle • I Bet You Think About Me (4/30) • Forever Winter • Run • The Very First Night • All Too Well – 10 Minute Version
1989
Welcome To New York (5/28) • Blank Space • Style • Out Of The Woods (5/6, Taylor confirmed it might be played again) • All You Had To Do Was Stay • Shake It Off • I Wish You Would (6/2) • Bad Blood • Wildest Dreams • How You Get The Girl (4/30) • This Love (5/13) • I Know Places • Clean (4/1, Taylor confirmed it might be played again, 5/28) • Wonderland (4/21) • You Are In Love • New Romantics
Reputation
…Ready For It? • End Game • I Did Something Bad • Don’t Blame Me • Delicate • Look What You Made Me Do • So It Goes… • Gorgeous (4/29) • Getaway Car (5/26) • King Of My Heart • Dancing With Our Hands Tied • Dress • This Is Why We Can’t Have Nice Things • Call It What You Want • New Year’s Day
Lover
I Forgot That You Existed • Cruel Summer • Lover • The Man • The Archer • I Think He Knows (5/21) • Miss Americana & The Heartbreak Prince • Paper Rings (6/23) • Cornelia Street • Death By A Thousand Cuts (4/1, Taylor confirmed it might be played again) • London Boy • Soon You’ll Get Better • False God (5/27) • You Need To Calm Down • Afterglow • Me! • It’s Nice To Have A Friend • Daylight (6/24) • All of the Girls You’ve Loved Before
Folklore
The 1 (replaced IS multiple shows) • Cardigan • The Last Great American Dynasty • Exile with Bon Iver • My Tears Ricochet • Mirrorball (3/17) • Seven (spoken, 6/17) • August • This Is Me Trying (3/18) • Illicit Affairs • Invisible String (replaced by T1 multiple shows) • Mad Woman (4/15) • Epiphany • Betty • Peace • Hoax • The Lakes (6/2)
Evermore
Willow • Champagne Problems • Gold Rush (5/12) • Tis The Damn Season • Tolerate It • No Body, No Crime • Happiness • Dorothea • Coney Island (4/28) • Ivy • Cowboy Like Me (3/25) • Long Story Short • Marjorie • Closure • Evermore (6/30) • Right Where You Left Me •It’s Time To Go
Midnights
On 4/14 Taylor changed the rule: ALL SONGS ON MIDNIGHTS MAY BE REPEATED. I’m adding the dates to the midnights surprise songs but they will remain in black text since they can be repeated.
Lavender Haze • Maroon (5/26) • Anti-Hero • Snow on the Beach (3/24) • You’re on Your Own, Kid (4/14) • Midnight Rain • Question…? (5/20) • Vigilante Shit • Bejeweled • Labyrinth • Karma • Sweet Nothing • Mastermind • The Great War (4/14) • Bigger Than the Whole Sky • Paris • High Infidelity (4/29) • Glitch • Would’ve, Could’ve, Should’ve (5/7) • Dear Reader • Hits Different (6/4)
Other
I don’t wanna live forever (6/3)
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