#i think all the songs vibe that way

[takethelx3]

Golden hour or something,,, angel baby (Troye Sivan) was on loop the whole time I was scribbling.. 👉👈

[lemonycranberries]

i love being aro so fucking much

[chirpsythismorning]

I’m sorry but nothing will ever beat Finn’s drive playlist that he made during s3 filming, with songs like Me and Michael, The Basement, Gay Thoughts and No Woman lmaoooo

[midnightdemonhunter]

Feel like a creep!!! (less that i give, more that you want me)

[poorly-drawn-mdzs]

Flashback, warm nights.

[First] Prev <–-> Next

[masonjarcollector]

Not to be melodramatic but "you've got to get better, you're all that I've got"/"I've got to get better, I'm all that I've got" might be one of the most beautifully raw and heartwrenching lyrics I've ever heard sung before. Like. Shoot, man. I really am all that I've got.

[pasta-pardner]

spotify | john marston's revenge quest, set to music from 1960s spaghetti westerns.

Fun detail: the opening cutscene for Red Dead Revolver (2004) features an instrumental version of "His Name Is King". The lyrical version is oddly fitting for John, given that it's a song about seeking vengeance for a dead brother.

[faaun]

the way that diff languages sound r so fascinating they're all different and all so vivid

[an-eldritch-peredhel]

I’d love to hear your thoughts on what Eldritch peredhel entail

-@@outofangband

Sorry this took so long @outofangband and thank you for asking this I am! Delighted! And am preemptively putting a read more down because I cannot shut up about they <3

alright I'm just gonna put stuff and headcanons down as they occur to me so expect low-moderate levels of coherency

shapeshifting is an obvious one (gets weaker down the generations) but because my brain is Like This I have caveats!

thanks to my whole peredhil things=gender allegory that my brain spit out without my permission I've long struggled against my inherent feeling that while they can shapeshift they don't like it

but because I'm now aware of my brain's reasoning I can say it's because of ✨fantasy dysphoria✨

that's oversimplifying, obviously, but peredhil already have so much issues with working through who and what they are and compromising between body and mind and spirit that actively choosing to change into/present as something/someone who They Are Not is. Not usually their cup of tea.

As a whole they tend to have specific forms that they prefer as being closer to themselves, and distinct enough that it doesn't feel like they're faking something they're not

(changing to look like a different person, or a edited version of themself is Very Very not fun unless either explicitly for disguise or shenanigans)

(the exception to this is that Luthien can make herself look almost perfectly human without any real issue. she doesn't do it often but especially as she ages she likes to catch glimpses of her reflection and get both excited and sappy. this is in contrast to making herself look almost perfectly like an elf which makes her feel like her skin is on fire.)

(Also I'm pretty sure all of them can flip their agab presentation while only feeling varying degrees of off, and even then it's a different feeling than the shapeshifting dysphoria. Dior and Elwing are the two who I think mind it the most)

They all have the (agonizing to write) trait of feeling very distinct relationships to their species in their body vs soul/mind vs spirit/fea and they all feel it very differently! This isn't exclusive to Luthien's line but the maia blood does make it worse.

Oh! This is a new headcanon of mine actually but!

They all have faces that are very very hard to capture in image. They are the bane of portrait artists (and, to a degree, sculptors) everywhere because the art never looks accurate to life

It's not blatantly off it's just. missing something? Or something was added? maybe it's a little too wide, or narrow, or long, or short, in one place or another

It's not unrecognizable but if you've ever seen the subject in real life you can just tell

It's especially bad with Luthien (and Daeron) and Dior (to a lesser extent) because everyone literally sees them differently, as in their features will be slightly different depending on what each person finds attractive/aesthetically appealing and beautiful

(not a lot, again, it's not unrecognizable, but there has never and will never be any accurate depiction of Luthien as she was as a person)

(as a concept, though, as the most beautiful creature to have ever existed in Arda, a little of her image exists in every portrait lovingly made of a beloved spouse, every child's drawing of their family, in biological sketches of songbirds and field mice, in a sculpture of a stranger's face. Daeron remembers his sister perfectly, but he collects these regardless)

(Arwen, Luthien come again, isn't described as such by her grandparents. Galadriel and Celeborn both knew Luthien, and while Arwen and her father both look as closely to her as genetically possible, to those who actually know them both it's nothing more than uncanny family resemblance. Luthien was to most a concept personified, Arwen is a person with concepts imposed on her.)

The list of people who have seen Luthien how she actually, physically, defaultly is, essentially consists of Melian, Daeron, Beren, and Dior

Beren doesn't see her as she is right away because he doesn't know her right away, but they learn about each other and she shows herself and he sees her and by the time she rescues him from Tol-im-Gaurhoth there are no echoes on her face

(He's always a little bit haunted that he nearly died without realizing he'd never quite seen the truth of her before)

Neither Thingol or Beren can quite see their own features on their children's faces. They clearly take after their mothers, after all!

(This leads to much affectionate eye-rolling on Melian and Luthien's part)

Hair stuff!

It's alive! kinda! it's definitely not normal hair!

It moves a lot on its own. Sometimes like a breeze is blowing where there isn't one. Sometimes more like tentacles. It depends on its mood.

They've got some very pretty traditional cosmic horror vibes swirling around on their heads. It's very sparkly and colorful but in a Forbidden Shrimp Colors that your brain is unable to comprehend way so it reads as iridescent black mostly, or holographic white, where applicable

Luthien's hair actually is a glimpse into space, Daeron's is a glance at a star

(Luthien's magic hair cloak survives, I think, into the 4th age and beyond, though if anyone/anything has found it they certainly don't know the origins of the beautifully intricate living star map. It has seen the reign of countless north stars, yet the lines always point to the same coordinates- where the ancient, sunken, ruined remains of what once was Tol-im-Gaurhoth lay)

Speed round!

Fangs and talons and horns oh my! Are they tooth and keratin and bone, or are they petrified wood and gem and stone? Yes!

They all smell a little like ozone and a lot like petrichor, flowers, and Green. If you've smelled green you know what I'm talking about. Also, unfortunately, like bird. Birds don't smell great, especially wet bird.

Weird Foresight Powers++

(Most of them don't have actual foresight, but all of them are more in-tune with the Song than is natural for an incarnate)

Their eyes glow, most notably in the dark, unless the irises turn black as they sometimes do. They are also all unnaturally bright versions of the less-spooky parent's- Dior's are gold, Elwing's are blue-green like a tropical sea (Elured and Elurin split the color between them- ultramarine and emerald), Elrond and Elros have pale star-gold, Elladan, Elrohir, and Arwen all have silver.

(Daeron and Luthien being the exception again, because I decided they have Melian's eyes before I decided this, and I don't know what color eyes Thingol has. Watsonianly: Melian's spooky genes overwrite a lot. Luthien's genotype is probably much closer to his than her magically overwritten phenotype)

Their sclerae turn black and their pupils white, on occasion, usually when using powers

They don't bleed right. It's a little too red for an elf, a little too light for a human, and it shines strange as it beads like quicksilver on the skin

They have very shiny, cool skin. Luthien looked like her's was silver plate under a stretched stocking, the rest toned it down from there but it's still noticeable.

The Song is. Attached to them. They are all very much Main Characters. Their lives have a clear story arc with symbolism and narrative parallels. They are all subconsciously aware that their lives are a fairytale, whether tragic or no, and yes this has many Implications and affects. They are not the only ones like this, but they are the only ones who, to some level, know they are in a story.

This is the fundamental separation between them and everyone else.

The difference in how they perceive themselves between heart soul and spirit is very difficult to explain and understand, but not impossible to someone who knows them and is willing to put in the work.

The life-long knowledge that they are Important to the Song and their every choice and event they experience and their mere existence serves a greater purpose in a way that most other people simply do not- that's very, very isolating.

No one else can understand how they see the world. Very very few people are willing to try, and even fewer in a way that's not frustrating. There is a reason most of them find only one person to latch on to outside of their family, and a reason they hold on through hell and high water.

(This is about being neurodivergent)

[chiropteracupola]

Bodies in my wake / Noose 'round my neck / I'm comin' back again / Better make it quick!

[adastra121]

Monster (Touchstarved MC Rewrite)

I've been really loving the songs from Epic: The Musical and decided to do a lyrics rewrite of my favourite song from the Underworld Saga, "Monster," for the Touchstarved MC, because I thought it was fitting, possibly for an MC turning to the dark side.

I did a lyrics rewrite for another song from Epic for my Alchemist!MC and his mentor a while ago, but I didn't change too many of the lyrics, so I might revisit that one in the future.

MC: How has everything been turned against us? How did suffering become so endless? How am I to finally wash this blood away? Or do I need to change?

MC: I'm surrounded by the ghosts of minds they’ve lost, Haunted by the blood and death that I have caused. What if the greatest threat we'll find is not the mist, But this?

MC: What if I'm the monster? What if I'm in the wrong? What if I'm the Soulless that's been lurking in the Fog? These hands of mine had killed them. What if I must bear the guilt? What if after this curse goes away, I’ll remain a monster, still? What if I'm the monster…

MC: Does the temple bear the guilt when they kill? Do their deaths keep the priests up in the night? Or do they take and tame in the name of faith, And believe they have served their gods right?

MC: When a childhood friend makes a promise and then Stabs the back of the one they swore to save, Did they learn to be colder when they got older, And now they can save themselves the pain?

MC: When an exiled mage builds a child a cage, Does she fear all the lines that she must cross? Or she commands respect, keeps her feelings in check To find answers regardless of the cost.

MC: When a traveller goes unravelling the mind Of a stranger who helped them, are they vile? Or do they have no say, made to drive insane And cursed to survive?

MC: If I became the monster, and threw that guilt away… Would that make me stronger? Would it keep the curse at bay? If I became the monster to everyone but me… What if there’s no price too high, As long as I am free? If I became the—

Caravanners: Monster… MC: Oh, ruthlessness is mercy upon ourselves. Traveller: Monster… MC: And deep down I know this well.

MC: I lost my best friend, I lost my mentor, my faith, Too many lives slain, I cannot wait! I must find the key to what I seek, or else more will bleed. So if I must face down dangerous trials and battles, I'll go where the Senobium won't travel, And if I must send another innocent to madness in an instant so that I can end this…

MC: Then I'll become the monster! I will deal the blow! And I'll become a monster like none they've ever known! So what if I'm the monster tearing through the Shroud? I must become the monster if I’m to make it out!

Priests: Monster! MC: I’ll find the key! Syndicate: Monster! MC: And if I must— Mentor: Monster! MC: Oh, ruthlessness is mercy upon ourselves. Kuras, Leander, Vere, Ais, Mhin: Monster! MC: I’ll become the monster…

[harmoniouseclipse]

Lisa redesign + headcanons aughfhfhfg I need her so bad (I almost died making this)

[daisyachain]

The nature of time is that (culturally) Christian Euro/Anglo colonial consumers (hereafter white ‘people’) fetishize the idea of being ‘close to nature’ or ‘primitive’ or ‘savage’ and latch on to the idea that there are groups of people in the world who are somehow bestial or who have some kind of special powers from holding animist beliefs/beliefs that acknowledge the body as opposed to the Christian belief that the body is a kind of useless appendage to a person. We see this across decades from the 19thC to today in the racist fetishization of indigenous people across the globe, particularly residents of the Americas, Australasia, and southern/eastern Africa.

White consumers use a warped conception of other cultures to live out the fantasies that the Christian soul/body stuff engenders. You keep getting told that your emotions and physical sensations are the devil’s work? You want to get in touch with those physical sensations, but you don’t want it to interfere with your worldview? Simply project them on to a convenient group of people with slightly different conventions from you. Imagine how cool it would be to be 100% physical sensation (especially those pesky violent and/or sexual urges) and no mental burden, then unleash that in a way that causes millions of deaths worldwide via the dehumanization of entire nations of people just trying to live their lives. White consumers love a Proud Warrior Race Guy.

Flash forward to the 2010s, it’s generally considered impolite to spread the same propaganda that justified the genocide and dispossession of many different groups of people. However white culture hasn’t changed that much and normal human activities still need to be explained away to maintain the veneer of white intellectualism that has been used to justify white violence for years and years. You can’t just stomp around and clap your hands and dance badly, you’ve got to project it somewhere else.

But wait! There’s a community of people considered ‘tribal’ and ‘savage’, considered violent and bestial, who were never colonized! It’s…the Norse. Fetishizing early medieval North Sea raiders can’t be cultural appropriation, see, they’re white! It’s not offensive to replace an entire culture with white (male) ideas of what’s cool if that culture is totally unassociated with colonizer stereotypes and is in fact a culture of colonizers!

And that’s my theory on why there are so many Norse-inspired folk bands/video games/tv shows/memes/literally anything in the 2010s. VSaga not counted because that manga has been running since 2003 and is actually well-researched and comes out of a culture with a similar but distinct tradition of racism. The Euro storytelling tendencies of needing some kind of violent avatar have taken on ye anciente Norseman now that people care a little bit about the gallons of blood used to sketch other ethnic stereotypes. Done and dusted. Except the other side is that the fetishization of early medieval Norse culture is literally just white supremacist 101 and a lot of artists don’t step around that nearly as carefully as they should

[ofbardsandmen]

greetings fellow genshin enthusiasts and fanatics!! once again, i'm generously presenting and offering my most beloved mondstadt character spotify playlists, free of charge and yours to consume, if you will.

[seaofreverie]

I've seen the 'Sparks songs that could be TMBG songs' and vice versa comparision brought up a couple of times and idk if this one has been mentioned yet but I think Hippopotamus is really just the primest example of a 'TMBG song but it was actually written by Sparks'. Specifically it has so many elements characteristic of JL's songwriting. Obscure words! Interesting things done in the music theory sense that make it look kind of like an experiment / exercise in song form and that could even make it look like an excuse for them to mostly just fool around with this kind of stuff! (idk the specifics because I'm very not knowledgeable yet as for now in music theory, but I saw this mentioned somewhere too, it has something to do with the tonic / key resolution or whatever it's called I think, sorry, I don't remember). Seemingly absurd, non-sequitur lyrics! An unreliable narrator! I mean ok, it's mostly the obscure words that just happen to rhyme and thus make a good theme for a list of things to be found in the narrator's pool I suppose that made me think of this. And even the drumbeat during the uhhh, verses? (not the parts were the things in the pool are listed anyway) reminds me of modern TMBG for some reason

[s-ccaam-era-crepe]

todays jam mechanics episode was so good