this could be the year for the real thing
buck/eddie | 1.7k | 7x06 coda(ish)
Eddie can count on one hand the number of times he’s been this horrifically hungover. His pre-teenage-pregnancy body bounced back blessedly quickly from tailgate parties and keg stands and beer pong tournaments, but after that? His cousins threw his bachelor party before he married Shannon, which involved a lot of mixed liquor, and then there were a couple miserable nights out after she left him, and now, last night, him and Buck the sole bachelor party members standing after Chim didn’t show up.
This is his worst hangover, because at least all the other times he wasn’t seized with worry about one of his closest friends and regret that he and Buck hadn’t noticed the empty hotel bed the night before. The nausea from hell doesn’t help, either.
Chim’s safe now, under the careful monitor of Cedars hospital staff and Maddie no more than three feet away from him at all times. The relief is a palpable thing, and Buck offering him a steaming paper cup of green tea soothes the churning in his gut a little bit, too.
He takes a sip and sighs gratefully, slumping against Buck in the hospital waiting room chairs when he takes the seat beside Eddie.
“Still queasy?” Buck asks, voice a rumble.
“Mm,” Eddie says, “back-to-back shots of tequila and sambuca are not it.”
Buck shudders beside him. “Don’t,” he begs, closing his eyes and tipping his head back. “I’m still very much in range of hurling.”
“Have you eaten anything today?” Eddie’d only managed half a banana when he went home to shower and change, but he knows Buck’s been with Maddie most of the day, and when it comes to taking care of other people, he sometimes forgets about himself.
“Had a granola bar,” Buck says, eyes still closed. “Can’t—don’t wanna think about food yet.”
His stomach chooses then to grumble audibly, with traitorously comedic timing, and Eddie snorts. Buck opens one eye to grin at him.
“Don’t listen to her,” he says, patting his belly. “She doesn’t know what she’s talking about.”
“She doesn’t, huh? Then I guess she’s not interested in stopping by the juice bar on Sunset on the way home? Some sweet, sweet smoothies, all that fresh fruit and hydration, don’t even have to chew…”
Buck’s stomach rumbles interestedly and they both laugh.
“That sounds—so good, actually,” Buck admits. “We can pick up the peanut butter one for Chris, he’s always hankering—”
He breaks off as Hen appears at the end of the hallway, looking around and hurrying over as soon as she spots them. Eddie doesn’t think anything’s wrong—she’s beaming—but he and Buck sit up quickly in their seats anyway.
“Ugh,” Buck says, and Eddie’s dizziness at the sudden movement wholeheartedly agrees.
“We’re having a motherfucking wedding,” Hen grins, tugging them both to their feet, uncaring of their delicate dispositions. “Right here, right now.”
“Hospital wedding?” Buck asks, eyes wide. “Holy shit, okay, what do we need—who do we call—fuck—”
“Calm down, Buckaroo,” Hen smiles. “Just get friends and family over here, Karen’s gonna pick up Maddie’s dress, I’m gonna call Bobby, and we’re having a wedding.”
Buck’s already pulling up a copy of the guest list on his phone, squinting at it and muttering names under his breath.
“You boys got this?” Hen asks while dialling Bobby.
“Yep,” Eddie gives her a mock salute. “We’ll split the list and make some calls.”
He types out half the names Buck reads off to him in his notes app, and the two of them work through them methodically, calling Chim and Maddie’s nearest and dearest for this impromptu ceremony.
“Chris will kill us if he misses it,” he says suddenly, and Buck looks up at him, mid-text.
“He’s with Isabel, right? Pepa’s place is only a ten minute drive from here.”
Eddie nods. “I don’t have my car, though. You drove me.”
Buck tosses him the Jeep keys. “I’ll finish calling people, you go get them.”
“Cool,” Eddie says, and nearly bodies himself with the instinctive urge to lean over and kiss Buck on the cheek as he stands. It’s surprising, even though it shouldn’t be, because it’s an urge he fought and failed about thirty times last night, Buck’s sweaty skin pressed to his, salty under his mouth every time he dropped an innocuous, friendly kiss to his face with nothing but alcohol in his veins.
It hadn’t seemed out of place then, everything shiny and bright, Buck leaning right back into him.
Now, under the fluorescents of the hospital, organising a makeshift wedding for their family? Eddie doesn’t think it would land quite the same.
“Back in twenty,” he tells Buck instead, and has to physically tear himself away from the smile Buck turns his way, warm and golden under the harsh lights.
Chris and Abuela are delighted to be included, and, true to his word, they’re back at the hospital as the rest of the guests begin arriving, too.
Eddie’s—okay, he’s not going to say he’s not a crier, it’s just that his best friend is Buck, who cries at anything remotely tearjerky, so in comparison, Eddie’s not a crier. Now, though, they’re both very much damp-cheeked, much like everyone else crowded into this hospital room, watching Maddie and Chim exchange rings and vows with little Jee between them.
They’re a family, have been and would still be even if they never got hitched, but the fact that Chim refused to wait another few weeks, another few days, another minute before marrying Maddie? Eddie’s chest aches in the best way, and he slings an arm around Chris, and, before he knows he’s doing it, he looks for Buck.
The ceremony’s over, and Buck’s grinning at his phone, and Eddie pats for his own automatically, anticipating a goofy text.
But Buck’s edging backward, slipping out of the room, still grinning at his phone, and the ache inside Eddie spreads like an inkstain, blotting his insides.
And then Buck reappears with Tommy, which Eddie knew he was going to do, because who else would have Buck smiling at his phone like that, leaving his sister’s wedding even for a minute. Not me, Eddie doesn’t think. He doesn’t.
He’s not ready to make sense of the churning inside him—he doesn’t think he can blame the hangover for this one—when he clocks Tommy’s soot-stained everything and the way Buck’s own smudgy face matches like a puzzle piece.
He sees the way Chim notices, and Hen and Karen, Bobby’s eyes going wide and then soft. He sees the way Margaret Buckley doesn’t even attempt to school her face into anything but distaste and he hates her, but Buck’s not even looking at her. He’s looking at Bobby, and then he’s looking at Chim, and he’s smiling, this wide, guileless spread of happiness across his face.
Eddie’s helpless to smile too, the churning too complicated to parse beyond easy joy at every step of Buck’s sexuality journey, and this second-hand relief he’s not sure he’s got any entitlement to—he doesn’t, does he? Sure, he can be relieved that Buck doesn’t feel like he has to stay closeted, that everyone who matters loves him just the same, but he doesn’t get to feel like any of the relief belongs to him. Not now.
Not—yet.
Tommy’s made his way to Chim’s bedside to congratulate them properly, and Buck’s squeezing through the guests to get to the Diazes.
“Hey, bud,” he says to Chris. “Hi, Isabel.”
His face is still a smear of soot, and Chris giggles. “Buck. Your face.”
Buck frowns in confusion and Eddie steps over to him, hand already reaching to wipe the soot off his face, just like he has a hundred times at work. Except Tommy’s already there, licking his thumb and rubbing firmly at Buck’s chin, a gesture so familiar to Eddie that watching it happen separate from him feels like getting punched in the throat.
And beside the joy and the second-hand relief, there’s—this sense of profound loss. This emptiness, a space inside him he didn’t realise Buck had been occupying all this time. And now it’s like Eddie’s entered the room, finally, but the door is swinging shut on the far wall and Buck’s footsteps are echoing softer and softer as he leaves. Eddie’s late, he’s missed something he didn’t know was waiting, much less had a timeline on it.
The room empties out slowly, everyone giving the Buckley-Hans some space to rest, and Buck disappears down the hall hand-in-hand with Tommy.
“Y’all ready to go home?” Eddie asks Abuela and Chris. “We can get take-out.”
“Is Buck coming?” Chris asks.
“Uh, I don’t think so, mijo,” Eddie glances down the hall. “Although—” he pats his pocket, retrieving the Jeep keys, and startles when Buck appears by his shoulder.
“You have my keys,” he informs Eddie, stretching his hand out for them. Eddie drops them in his palm dutifully. “Juice bar? The fancy one on Sunset.”
Chris whoops excitedly, and Eddie smiles, even as his brow furrows.
“You’ve not got a hot date?” he asks Buck quietly as they walk to the exit.
“I drove you,” Buck shrugs.
Eddie rolls his eyes, stopping Buck with a hand at his elbow. “I think we can manage getting a cab.”
“I seem to recall you promising me a ‘sweet, sweet smoothie,’” Buck says, raising an eyebrow at Eddie. “You tryna stiff me, Eds?”
“Wouldn’t dream of it,” Eddie lifts his hands in surrender. “Uh—do you wanna ask Tommy along?”
“Nah,” Buck says easily. “Maybe another time. He’s just gotten off shift. I’m seeing him tomorrow, anyway.”
“Okay,” Eddie nods slowly, ache bittersweet. “Just us, then.”
Buck beams. “Me and my boys,” he crows, wrapping an arm around Eddie’s shoulders and tugging him forward so he can wrap the other one around Chris. Isabel makes a noise of offense, and Buck hastily amends, “Me and my boys and Abuela. Dream team!”
Christopher groans at the very public embarrassment and Abuela smiles indulgently at Buck and Eddie lets himself get pulled along, safe in this room in his heart that won’t ever be empty, even if Buck’s not filling it in the same capacity as Eddie’s getting ready to allow himself to want.
It doesn’t matter. The door on the far wall’s not quite swung shut after all; it sits ajar, crack of light and Buck’s love spilling through. Maybe one day he’ll come back through it. Maybe one day Eddie’ll follow after him enough to ask.
282 notes
·
View notes
whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!
this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!
warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her.
So the general Idea is that you and Joel are happily married before the outbreak.
You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work
you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then
nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place.
On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after
it is his birthday afterall, you want to focus on him.
but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening.
its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail.
Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn
its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench.
there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency.
when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-
all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river
Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay
“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.”
he isn’t sure if he’s saying it to his daughter or himself.
but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything
its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found.
Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there.
Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames.
“We’re gonna find her, but not there.”
So Joel searches. for the first year spent in the world post-outbreak its all he did.
He became a smuggler because of it.
Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way.
But it’s Tommy that asks him to give up. Not in those words of course.
The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him.
But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles
“You think she would have wanted this for you?”
the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence.
“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.”
All he can do is nod.
It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit.
It begins his new life. One that empty and cold but one he can live.
Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago.
its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo”
when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them.
Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands.
He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face.
Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity.
“You hurt one of mine, I hurt one of yours. That a fair deal?”
Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be.
But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.
“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.”
Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again.
“You’ve got five seconds Joel, make a fucking choice before I make it for you.”
He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples.
“One.”
The one above him has Sarah’s hair. Soft brown curls that shine under the sun.
“Two”
Wait. No, they both do.
“Three.”
Twins. Jesus fucking Christ you had twins.
“Four.”
Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet.
Your voice softens just for a moment. “You okay, Duke?”
Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless.
Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.
When you order him to hand over his bag, he does so without question before telling Ellie to do the same.
She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head.
“Joel!” “Just do it, alright?”
He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun.
“Now, you want to tell me what the fuck you think you’re doin’ at my home?”
1K notes
·
View notes