#i think that's a large part of it

[wayward-wren]

It's funny, I remember The Doctor Falls coming out and seeing gifsets of Twelve saying "I'm the Doctor - the original you might say" and being all "NO. How dare you stand where he stood!" when I saw them.

And tonight I watched that episode and he said that and I was like "YES! HE IS THE DOCTOR! MY DOCTOR!"

like dang i did not expect to like Twelve as much as I did and I do not want to have to say goodbye to him. Dunno if he is My Doctor, largely because it's been a while since I saw any version except 11 and 12, but he's definitely up there.

[toytulini]

listen im ace and im pro kink at pride and whatever, but the way some of yall are wording your posts in response to the backlash against it is uh. really taking me back to the ace shitcourse era.

yall know theres nothing wrong with being a "virgin", right? that its not inherently shameful to have not had sex, to never have sex, even if youre not ace, even if you do want to have sex someday, like, its fine that you haven't had sex?

maybe if your problem is that theyre trying to police your behavior and shame you for expressing your sexuality, you can say that? instead of resorting to "haha stupid virgin gets no bitches" like my god. do you not hear how fucking regressive that attitude is? i know, i know, youre "joking".

get a better joke

[markodragic]

BIG fan of how evrart talks about harry as if he's a funny little hamster

[noodleshark]

"We need more flawed/evil female characters" Some of you people can't even handle Izutsumi

[lunameimei]

Velvette is here to help! (But she doesn't know about it yet...)

Part 1.

Part 2. (you're here)

"Sad comic":

Small, quite ordinary story, just a little misunderstanding, a little hurt-comfort, a little fluff and romance with VoxVal 🦋📺

Important: This will be a comic of several parts (each of which has several pages) and since this is a large work, I will release parts intermittently.

[wasabi-gumdrop]

thinking about modern au Kabru

ivy league college student, probably studying law and political science on a full scholarship. first time living away from Milsiril so he has to promise her, yes mom i’ll call you at least four times a week, no mom i don’t need your amex black card, yes mom the normal credit card is fine i need to learn how to budget like a Normal Person (it has a limit of $20k — that’s not normal Kabru).

Milsiril insists for a long time that she’ll just get him a house off campus so he can have his own space (aka a place she can drop by anytime and possibly live a few months out of the year just to be close to him) but Kabru puts his foot down and tells her the best way he’s gonna make friends is by living with other students (bye mom).

his floor in the coed dorms is the party floor and he always makes sure to invite everybody (his nightmare is accidentally leaving anyone out and having them think that he doesn’t like them). somehow it’s always a good time, everyone leaves with more friends than they came with, it never gets totally out of control, and plenty of girls who are interested in him (and a lot of guys too tbh) bring tons of baked treats so there’s always free food. Kabru is the RA’s favourite person to have in the building (even though Kabru himself is messy but most of the people he’s friends with are nice and clean up after themselves).

he has a porsche (Milsiril gift for his 16th bday) but he’s adamant about not driving it unless he absolutely has to (because he doesn’t wanna look like a douche). BUT he never says no when his friends ask for rides (so he ends up driving all the time anyway). he actually contemplates selling the porsche and going for a more practical car but Mickbell is like ‘dude you are not taking this away from me.’ Kabru sighs and decides to keep it because his friends (Mickbell) like being chauffeured around in a fancy convertible (Rin, Holm, and Dia don’t care, they’re just glad they don’t have to walk to the grocery store).

he’s probably on a casual texting basis with most of his professors and you know he’s going to all their office hours, grabbing beer with them just to keep chatting about life outside of school. and that’s how he winds up in some super secret faculty group chat where he’s now privy to all the college administration gossip.

Kabru is elected for student council during his freshman year and he’s probably the favourite to be sc president one day.

he doesn’t really date (gets too in his head about how he doesn’t wanna ruin any friendships) but he does hang out one on one with a lot of girls and treats them all really well. he probably goes so far out of his way to be platonic that he flies a little too close to the ‘Just Like One of the Girlies’ sun, he kinda forgets that most people interpret it as flirting coming from him. which leads to a few awkward conversations. people feeling led on, a few angry jealous boyfriends, scathing dms about him being a girl stealing homewrecker.

it’s such a nightmare for him and he needs it to end right now. so he begs Rin to ‘date’ him for a week or two and then publicly dump him just so the entire student body gets the message that he is Just A Friend.

Rin stares at him for a few seconds. then she laughs. she laughs and laughs. she laughs for a crazy long time. and then eventually she goes, ‘wow you’re an asshole, Kabru. no i won’t be your fake girlfriend. you’re gonna suffer and i’m going to enjoy it.’

and that’s when Kabru has a moment of enlightenment. ok yeah. asking for that is probably really selfish and mean. maybe he needs to think about girls’ feelings more and that’s maybe more important than his deep seated need to be liked, and when has Rin ever been wrong about anything.

he apologizes. and so begins one of the more serious talks he’s ever had with Rin about being okay with not being liked.

he thinks he can really turn over a new leaf. the whole ‘not worrying about what other people think’ thing goes pretty well — up until Kabru meets the aloof professor for his Monsters and Myths class who keeps forgetting and mispronouncing his name.

Kabru has never needed someone to like him So Bad, he needs Prof. Touden to like him as a matter of life and death, and he’s willing to look stupid for it (fails a midterm on purpose to justify begging for one on one tutoring)

[sun-marie]

BG3 has two of the most thoughtful, unapologetic, no holds barred depictions of men with abusive female partners I've every seen (Wyll + Mizora and Gale + Mystra), which is so rare to see in any media but especially video games, and some of the Larian writers seem determined to convince me it was 100% by accident

[autisticaradiamegido]

day 39

a redraw from a couple years back that was originally a redraw from 2014 so thats a FULL DECADE OF PROGRESS, BABEY!!

[the-cryptographer]

i ran low motorics for my first pt of de and imbetween all my save spamming i came to a really weird place coming into the tribunal. like, i really wanted titus and as many of his friends as possible to survive, and i was looking at a near impossible hand/eye coordination skill-check. and up until that point i had been super careful to avoid having harry do drugs anywhere where kim could see him and judge him for it, but i was falling far short of the save and the obvious thing was to snort up some speed to give myself the edge, so i did. and i felt like that was in a way the truest moment of the game.

like, i’m playing an addict. i’m going through withdrawal. my hand is shaking. my hand is shaking and i need it steady. ruining my physical and metal health in the longterm don’t matter rn, bc it’s my job to run into an impossible and impossibly violent situation and save as many people as i can, and if i can’t do that, what am i here for at all? more people are going to die unless i make this shot, and i can’t if my hand is shaking, and it’s not going to stop shaking until i get my drugs, and so the only reasonable choice to make is to take the drugs, and oh- that’s why he can’t quit! beyond all the difficulties and pain and emotional trauma of the withdrawal itself, there’s no way to keep doing this job (with an abnormally large case load according to kim) and to walk into life and death situations and not botch them, while under the strain of trying to quit. and, sure, because you won’t quit you’ll have breakdowns and go on benders and give yourself brain damage and crash your car, and they’ll dress you down and publicly humiliate you for it. but no matter how much they humiliate you, they’re also not going to give you proper medical care or lessen your case load or stop throwing you in life or death situations that require you keep using, so you can’t quit.

idk, just like... it’s very strange to me bc i keep seeing people throw out the idea that it’s a moral responsibility that Harry go sober (and beyond that a moral responsibility as the player to keep him sober) but this was honestly probably the best and most thought provoking moment in the game for me, and i feel like people are really cheating themselves out of it by getting so caught up in their personal feelings about addiction that they refuse to engage it.

[dreamerslovechaos]

*wakes up in a cold sweat* the reason the black rose arc had to be forgotten by everyone is because its foundational tenet operated on giving the Brides agency to protest against their role in the dueling system and seek to leave it, further exemplified by its final shot being that of anthy's complicitness in the dueling game. the black rose arc gives a 'voice to the voiceless' and exploits their rage against their lives into rage against the Bride - which though it furthers ohtori's system of oppression (the dueling game is built upon exploiting the internal conflicts of the duelists after all), the methodology of giving 'voices' to the Brides by allowing them to Speak Their Mind within the framework of 'self improvement' via seeking out therapy is shown to be antithetical to ohtori academy as a whole because true self actualization of the bride will mean the end of ohtori academy as a system. in this essay i will

[shadowtraveled]

this is a largely meaningless observation but, based on the fleki uniform demonstration comic, mithrun seems to wear the default style of the canary uniform, probably because he has no desire to personalize it or preference for how to do so, etc. when he does seem to pick his own clothes, though, they don’t look super in-line with what we’re shown of elven clothing styles in his region: high collars look like they’re fairly popular with elves in general, but out of uniform he tends to be a lot more covered up than everyone else—long sleeves, long pants, boots rather than sandals, and he dresses that way both prior to getting eaten and after the events of the series. anyway it’s kind of cute that after everything that happened to him, someone cared enough to remember what his clothing preferences used to be.

[chirpsythismorning]

Can we talk about how Jonathan might've been able to clock Mike simply because of what happened with him and Nancy in season two?

This will be a long post, so you might want to strap in or save it for later.

In Will and Mike's case, it would obviously be much different from Jonathan and Nancy's situation, given that you know, they're gay. But we still have Jonathan arguably going through a similar experience as Will, while Mike is going through a similar experience as Nancy.

In s2, we see Nancy confront Jonathan about how she waited for him before getting back with Steve, which is a revelation to him. Then they're at Murray's and she's struggling to say she loves Steve, after a handful of moments between them that felt like she might return Jonathan’s feelings. And you can clearly see it in his eyes, listening to Murray imply that they have feelings for each other, with him looking back and forth sort of in awe of what's happening, like he's starting to question if she might actually like him back.

Will doesn't have that same affordance as Jonathan to really hope, at least not anymore. Which is why these relationships in s2 and s4 end differently for these two brothers.

Based on all the signs he was seeing that Nancy felt the same, Jonathan decided to take the plunge to admit to Nancy how he felt, and at that same moment Nancy had the courage to show how she felt. In Will and Mike's case, Will wasn't ready to take the plunge to admit to Mike how he felt, at the same moment Mike didn't have the courage to show how he felt.

What's so painfully hilarious to me about all of this though, is that Jonathan arguably starts the season in the same shoes as most of the audience, where from his perspective, it's becoming obvious to him now that Will like's Mike, but that Mike does not feel the same way.

First at Rink-O-Mania, Mike appears a little uncomfortable upon hugging Will. Then as the happy couple continues on their adventure into Rink-O-Mania, he watches Will lagging behind moping. And then unfortunately he's out of commission for the rest of the evening...

But once he's sober and back to being an attentive brother the following morning, we see him watching them at breakfast, with Mike barely sparing Will a glance, all while Will is blatantly staring, almost like he's waiting for Mike to look back, only for Mike to get up and walk away.

All of these instances gotta be SCREAMING unrequited gay love to Jonathan. He's already gotten signs for years that Will is gay, these are now just the signs that are instilling his suspicions that Will has feelings for Mike. He could have easily interpreted their relationship in the early seasons as young best friends, with Will seeming to have a crush on Mike, and with them growing up and that potentially including Will's straight friend distancing himself from him because he doesn't feel the same. It's not the most unexpected thing in the world considering.

But then there's a shift.

Suddenly he's creeping up on them talking in his room. And we know he was listening in on the conversation because he brings up Owens when he sits down. As he's eavesdropping, he's probably thinking something innocent like Aww they're making up! And like, hey! Even if Mike doesn't feel the same, which is okay and entirely expected honestly, at least he still cares about Will enough to make things right after acting so out of character. Still, I'm not gonna lie, that sounded a lot like flirting to me--

Then he's knocking on Will's door like 30 minutes or less later only to find Mike and Will back on their bullshit. Mike suddenly isn't going out of his way to ignore or put Will on the back burner. In fact, he's on his bed and they're talking, again! The door is even closed this time, which is interesting. This has gotta be a good sign in Jon's eyes. Nothing to worry about! Right? Right...?

But then suddenly this shift continues, going in a direction he probably didn't expect.

I mean, this is literally an identical jancy parallel we have here with byler on the hood of the car, with Jonathan right there to witness it. Despite him maybe only now subconsciously picking up on the similarities between Will and Mike to him and Nancy here, he's at least taking note (I mean he's even got his gay map out and everything).

It isn't until the van scene happens, that I think Jonathan starts to genuinely consider his suspicions, which is that Mike might actually like Will back.

EVERY time we get a shot of Jonathan looking back at Will and Mike in the van, followed by a shot of his POV from the rearview mirror, we're faced with Mike looking at Will while Will is looking away.

As Jonathan is hearing Will confirm his suspicions about his feelings for Mike, he's simultaneously witnessing Mike not looking at Will with disgust, but something more akin to reverence. All of those moments in the van that we witnessed, including all the ways Mike looked at Will and everything that was said, Jonathan was right there.

And what's even more insane about this scene, is that it circles back to Jonathan as a character himself.

I remember when people were talking about how odd it was that we never saw Jonathan with a camera in s4. After 3 seasons in a row of making his passion for photography a big part of his identity, that part of him was apparently absent entirely this time around... But was it really?

This is the same guy that said, "Sometimes, people don't really say what they're really thinking. But you capture the right moment, it says more."

Jonathan might not have had his camera in s4, but this was without a doubt one of those moments where he captured something more.

Something that I also think get's highly overlooked about this scene, especially when it comes to Jonathan looking back at them, being followed by a shot of Mike staring at Will, is that he could see both of their reactions the whole time, from beginning to end. Will nor the audience had the affordance of knowing because Will was facing the other way at the end, while we on the other-hand were blurred from even having the chance, despite Mike literally being in the frame. But not Jonathan. He even lets us see what he sees, a few times, but not at the very end, which would have been nice after they didn't let us see Mike's reaction seconds before this.

Let's just stop right there for a second though and circle back to what I consider to be the first time Jonathan really picked up on Will's feelings for Mike, which was at the end of s3, in a sequence that is a little too relevant to the van scene if you ask me, given that they are almost direct parallels.

While these parallels are pretty spot on visually, they are also near spot on narratively when it comes to the evolution each of these characters are experiencing.

For Will in the first scene, it's sadness that he's moving away from his friends in Hawkins and also feeling like he's losing Mike, after what looks like him and El making up, which makes him scared he'll distance himself again. For Jonathan, it's sympathy for his brother who appears to have some very deep feelings for his friend, feelings he can't quite grasp yet but soon enough will.

For Will in the second scene, it's heartbreak that he has to accept that Mike will never feel the same, knowing that supporting his relationship with El (encouraging it honestly) will likely turn out just as it did last time, with him losing Mike all over again, for the last time. For Jonathan it's sympathy for his brother who has now confirmed his suspicions that the feelings he has for Mike are more than just that of a friend.

Given that this parallel reinforces the same feelings Will and Jonathan had in s3 to now, why would this not also reinforce those same feelings that Mike had in s3 to now?

In the first scene, Mike was visibly distraught, with dialogue from Hopper in the background applying a little too perfectly with what he was feeling in that moment, which was scared. He’s apparently back together with El now, despite them doing just fine as friends for the last 3 months, as well as him and Will just having finally gone back to them being on good terms again. But now, it’s like he’s right back where he started at the beginning of s3, feeling obligated to be the perfect boyfriend to El, and as a result, having no choice in his eyes but to distance himself from Will. Mike then walks into his house looking like a zombie, almost emotionless stepping into his mother's embrace.

Now, I say almost emotionless because it looks like Mike was trying to hold back showing how he truly felt in this moment. He's not crying like he did in s1 when he lost Will that first time. Time has passed and things have changed (he doesn't want things to change). And he's trying his best to keep it together. But the in-focus close-ups make it clear that he is definitely not okay.

What's so impactful about these parallels is that it presents the inner struggle both of these characters are having, both queer and experiencing doubts, but in different ways and for different reasons.

Will is the one who covers it all up with lies, hiding the tears in his eyes, because boys don't cry.

Mike is the one who has never cried to them, just to his soul (RUN AWAY! TURN AWAY! RUN AWAY! TURN AWAY! RUN AWAY!!!).

If you actually try to get a gage on Mike's in-focus emotions in that first scene vs. his out-of-focus emotions in that second scene, well they're not that far off from each other.

We go from Mike smiling vibrantly at Will, to him now slowly turning away to look back down at the painting, with whatever the hell emotion this is...

It's near impossible to catch because of how out-of-focus it is, but looking a lot closer, it honestly appears like Mike is feeling something akin to sadness that he's trying to mask. For a moment it even looks like he turns his head to wince emotionally, only to correct himself.

And call me crazy, but these shots also low-key parallel each other. Mike looking down trying to keep his emotions in check and failing miserably, only to look up and meet eyes with someone whose witnessing it.

With each shot before this of Jonathan observing Mike looking at Will, with him showing all the emotions Will never got to see and everything else in between, I wonder what Jon saw this time? Probably another thing he didn't expect.

Can you just try to imagine the silence in this van, accompanied by Will's muffled sobs, and then try to imagine Mike turning to look down at the painting, only to sneak a glance, and then go right back to looking at the painting, IN SILENCE, and then try to tell me how the assumption that Mike didn’t notice Will crying makes any sense, like realistically?

Yeah me and Jonathan are confused too.

Right now, Jonathan's probably wondering why Mike was acting a little fruity and repressed during the painting reveal. And that although he may have a penchant for being able to 'capture the right moment', Mike is sticking with his story (despite all the stalling and doubt). He is 100% straight!

And so maybe this is where Jonathan tries to accept what is being presented to him as the truth, despite the contradictions in front of him. It's likely that despite the way Mike looks at Will and acts around him, in ways he would have assumed coming from Nancy in s2 would've been evidence that she felt the same, it probably doesn't apply to Mike.

Maybe Jonathan's ready to accept that it's a lot more likely Will is experiencing unrequited love as a gay kid growing up in a small town, the most predictable experience a gay kid could go through, and in contrast Mike just feels too bad to let Will down easy.

Or who knows, maybe Mike could still be a little bit gay too...

But it doesn't matter anyways. Mike seems to be adamant about this and so there's really nothing else Jonathan can he do besides tell his brother he'll be there for him no matter what. And so he does just that.

But then Mike just has to surprise him one last time.

For those that don't know, the line Mike gives here in his monologue was in part pulled from Will's monologue in the van. Most don't know this because this line didn't make the final cut for the van scene, but in the official script the writers posted, what we find is an almost a direct parallel.

Which makes the reaction shots of Will and Jonathan directly after Mike says this all the more epic.

From Will's end he was probably hearing Mike say this and just thinking 'Damn. Well, that's what you get for using your feelings to inspire Mike to profess his love to El.'

But from Jonathan's end, I don't think his outside POV of these events overlapping was nearly as naive as his brothers understanding of the events. Because why the fuck would Mike need to use Will's feelings to inspire him to profess his love to El in the first place? Is this what Mike has been struggling with? Really? Why before every moment Mike takes action in this scene, is Will's hand literally pushing him into it? Why is Mike being so dramatic about saying I love you, stuttering and rambling about her being a superhero, not saying nearly as meaningful of things as what Will said in the van?

And then it hits him.

Mike is reminding him a little too much of another Wheeler right now...

Nancy Wheeler, who was afraid of what would happen if she accepted herself for who she really was, leading her to retreat back to the safety of Steve. Because Nancy liked Steve, but she didn't love Steve.

And now here is Mike Wheeler, who has went from being incredibly distant with Will after reuniting with El, something that is very unlike the Mike he knew in previous seasons, to something more himself again after they make up, with him looking at Will with adoration after hearing his words in the van, only to turn away and look heartbroken. Mike who is now struggling to simply tell El he loves her with Will right behind him literally yelling at him to do it.

And now it's like all those little moments are starting to add up to Jonathan.

Suddenly all those signs he picked up on from Will when he was younger are now blending in with moments Will shared with Mike. It was Mike who jumped in after him and his mom's speech to Will in the shed in s2, with tears in his eyes recalling the day that they met (without being asked, let alone pushed to). And it's Mike who is now looking like he's at war with himself as he attempts to give encouragement to El, just like he did with Will in s2, but this time he needs someone to push him to do it, and that person just so happens to be Will. After just finding out about Will's feelings and also while assuming El wants him to love her that way still, Mike is stuck.

I don't think it's takes a genius to consider Jonathan is capable of realizing how fucked they all are in this situation.

As much as Mike isn't ready for a sleuth of reasons, Will isn't ready either.

This provides a huge contrast between the bylers ², because while Jonathan and Nancy went through a similar experience to Will and Mike, them being ready to accept it and act on it didn't involve nearly as many factors and risks. Will and Mike also have the added barrier that is homophobia.

Will's internalized homophobia lies in part with assuming Mike could never feel the same based on some of the words he said in their last two fights, with parts being painfully reminiscent of the things his dad and bullies used to say about him. These are also words that contradict Mike's own words and actions from the previous seasons, things that did once give Will hope. The shame and guilt that comes with falling for your best friend, who you now know will never feel the same after being foolish enough to believe it not too long ago, and who might not even want to be your friend anymore upon finding out the truth, is understandable. He can't have hope like Jonathan can. It's just not the same.

Mike's internalized homophobia lies with assuming El wants him to love her, along with their relationship being expected and socially acceptable from everyone around him. Though unfortunately for her he feels abundantly more in love in the moments he shares with Will. Despite trying to make it work with El as hard as he could, because she's amazing and all any guy could hope for in a girlfriend, he can't ignore the fact that the feelings he has for these two people are different. The shame and guilt that comes with you, a boy, falling for your best friend, who is also a boy, and who is starting to show that he feels the same, all while you can't muster up the courage to break up with your girlfriend, nor can you muster up the courage to tell her that you love her, not when she's begging you, dying or even just simply at the end of a letter, is pretty understandable too. He can't have hope like Nancy can. It's just not the same.

Spoiler: They were not ready.

PS: I'm still not over the fact that they low-key confirmed these events elsewhere in the story...

[boywifesammy]

i will always love spn not only because i like the show but because as someone who enjoys fandom & transformative fiction, it is THE foundation for modern fandom. it’s a pillar of the fandom experience. this show lead to the creation of ao3 and the entire omegaverse. simply from a historical perspective it holds so much weight & value and u gotta take some joy out of being a part of that.

[leciraofthewilderness]

So, despite some faults, I really enjoyed totk, and on its anniversary I want to say something about it. Other people have said similar things before but it’s really important to me and actually a big part of why the story of totk was meaningful to me, so I want to also say it:

Zelda needed to come back from draconification. The story needed that. It wasn’t lazy and just ignoring “consequences” because (imo) that was the *point*

The point is to feel like there are going to be terrible consequences and then say actually, no. You can come back from this, with the help of other people.

To me at least, that was the theme of the whole story.

If botw was about how the world goes on past loss and grief and starts to heal (how flowers grow in the ruins and the world can be beautiful again, be worth saving, even if it has changed)…then totk was about a more personal kind of healing.

The weight of the world should not be on your shoulders alone…you, alone, should not have to fix everything…you should not have to sacrifice yourself, but when you do, someone will be there to save you from it.

This turned into a really long ramble so:

You (Link) gained so much and now it’s gone. It feels like you’re back to where you started and yet you know you have to do it all again…you were weak and you failed and you’re weaker now…but

You go down to the surface. Monsters swarm across it once again. Other people are fighting them too though. You help, but it’s not just you…

You go to the Rito, the Gorons, the Zora, the Gerudo…just like with the divine beasts, there are friends who help you save each region. But this time, part of them comes along with you when you leave. It’s nice, you realize, the first time one of them protects you from a monster you weren’t prepared for. You’re still weaker than you were before, but someone has your back…

When you go up to the sky you see a strange new dragon there. There’s something about them that feels familiar. You try not to think about it.

You go down to the depths too. It’s terrifying at first. You hate it. You only want to get what you came for and get out of the dark….but slowly, the light grows. You get stronger. The dark feels like a challenge you can face (and someone has your back).

There are spirits down there. You don’t know when they’re from, but some part of you wonders…are these all the people you let die in the Calamity? (You help them find rest from their wandering. The weight on your shoulders feels a little less heavy).

There’s so much gloom. The first few times the sky turns red and hands chase you (a reminder of what you’ve lost, how you failed) you just run. Eventually though, you have to fight. It feels like the (second) worst day of your life again. But you manage to get free of the grasping gloom and stand and fight, as wild and desperate as it is. Beneath the manifestation of your worst fears, there’s another thing to fight, but this time it has a face (a voice in the back of your head says…you know this isn’t all on you and your failure…it’s really Ganon’s fault right?). You get through it.

At every turn in your travels, it seems like something reminds you of Zelda. Her passion, her curiosity, her kindness. You miss her.

At first, the tears you find reassure you. She may be in the past, but she’s safe. She’ll come back somehow…but then you hear the word draconification for the first time. You want to believe she wouldn’t do it but you know her and the fear sits cold inside you. (Zelda is a lot of things. She’s been allowed to be more of them, since she was freed from her hundred year battle, without her father holding her back. But deep down inside her, there’s a vein of self-sacrifice that still runs strong. It’s what saved the world before, after all).

She did it. She really did it. She’s gone from you (from Hyrule) forever, and it’s all your fault. If only you hadn’t failed so utterly in the battle (you can hardly even call it that) under the castle. If only you’d caught her. If only you hadn’t let the sword break. You should have protected her you should have been better it’s all your fault and now she has to live with the consequences, forever. Everything really is on you, you should have been better.

(Zelda POV: you couldn’t call upon Hylia’s power in time, you were too content to let it wither and fade away from you, ready to be free of it. You shouldn’t have. He got hurt, the sword got hurt, it’s your fault…Sonia and Rauru help you channel it again, Sonia helps you learn how to turn back time…but you don’t save her. She dies because you couldn’t save her. Rauru dies not long after. There is no one left to guide you, once again. You could spend years trying to figure it out on your own. But you did that last time. It didn’t work. Self-sacrifice, stepping in front of someone you love, that worked. (You do what you can, to call upon the sages, to help Link in the future, first). And then you swallow the stone. You’ve come a long way, in the past five years, allowing yourself to exist. But in the end, self-sacrifice worked last time. It’ll work this time too.)

You (Link) go down beneath the castle. You were supposed to bring the sages but you didn’t. It’s nice, for someone to have your back. But no one else should get hurt to fix your mistakes.

They follow you anyway. They fight with you, against the hordes, against the greatest enemies you defeated together, along the way. They’ll have your back, even if you don’t think you deserve it.

You fight Ganondorf, and then the demon king, in the hardest battle of your life. You think it’s over and then the demon king decides it’s better to lose himself completely than let you win. You’re exhausted and afraid of yet another battle, but up there in the sky, when you’re falling, the Light Dragon catches you (you wonder why she changed her path to catch you, you wonder if there’s still something of Zelda left in there to save). With her help, you win.

And then you’re in some other realm. The spirits of Sonia and Rauru are there. You remember how the two of them and Zelda channeled such incredible power together. You think about Recall. Turning something back to the memory of what it was before, like Sonia said. You stand with them and you allow yourself to hope. Maybe the Light Dragon can remember the form she took so long ago, the person that she was.

And then you’re falling, and Zelda is falling, but this time you catch her. You catch her. She’s back home with you, finally, finally.

And maybe, one mistake doesn’t have to be the end of the world. You don’t have to be perfect. Sometimes, someone else can stand with you, and it’ll all turn out alright. (You can put the weight of the world on your shoulders, you can sacrifice yourself, but someone will be there to catch you, someone will be there to pull you back to yourself, when all is said and done).

[anonymous-chicken-was-taken]

So, how rare ARE Ford's extra fingers, anyway?

I'm not gonna lie, at first I was skeptical of Ford's claims that the Weirdness Magnetism had an effect on him. Like, yeah, the whole having six fingers thing isn't exactly common, but it's a naturally-occurring event. Stan describes it as a birth defect, and there doesn't seem to be a noticeably great number of people with those in Gravity Falls. It wouldn't be all that farfetched for Ford to think he was just Built Different, for like, at least 7 reasons, but then you start actually thinking about it.

Polydactyly isn't exactly common. Approximately 1 in 1,000 babies are born with some form of polydactyly. While it's true that postaxial polydactyly (extra digit is past the pinkie) is the most common form, which is shown to be the kind Ford has in the x-ray at the beginning of AToTS, there are several other extreme circumstances.

Extra digits in polydactyly aren't usually found on all limbs. It can occur on hands and feet (and Alex has confirmed that Ford does, indeed, have six toes on both feet) but rarely does it occur on both feet, or both hands, much less both hands and both feet. And even when it does occur more than once on one person, the extra digits aren't usually fully-formed. Oftentimes they don't even have bones. When they do have bones, they're usually much smaller, or barely opposable (if they have joints at all). When they're big enough to be maneuverable, they usually interfere with the structure of the hands/feet in negative ways. All this means that an extra finger or toe which doesn't direly require a surgery to remove the extra digit within the first year or two of life is incredibly uncommon.

And let's remember: that's just for one extra digit. Ford has four.

For Ford to have fully functional polydactyly on both hands and both feet, to the point where it's basically impossible to tell which one is finger x without x-rays... the odds of that are astronomically unlikely. Never-before-recorded, one in a kazillion, borderline medically unfathomable sort of rare.

I think I do believe the Weirdness Magnetism could've affected Ford, actually.

[scintillyyy]

i actually do have a theory that red robin wouldn't have been able to do near as much damage to fandom perception of dick & tim as it did if grant morrison hadn't been the one writing batman and robin.

(and i actually personally hold morrison more responsible for the state of things than yost because despite yost's best efforts to do a love letter to the dick & tim relationship and showcase dick caring about tim, one of the main reasons that people felt like dick didn't care about tim during that era was because morrison was *busy writing dick not caring about tim in that era* & i honestly do think that if we had a batman!dick who reminisced a bit about tim while he was gone or was shown to have missed him or wish he was there when he got frustrated with things instead of the "i could give timothy drake his job back" or "oh my god timothy drake was right" we got, there would have been less intepretations like we got.)