#i think we're all feeling the same right now

[starlight-library]

Paddock Throuple | OP81 & LN4 (sm!au)

pairing: oscar piastri x reader x lando norris

summary: an insight to the paddocks favorite throuple outside of f1 before a race weekend

warning: none!

fc: none!

oscarpiastri tagged yourusername and landonorris

liked by yourusername, landonorris, yourbestfriend, carlossainz55, arthur_leclerc, and 1.6m others

oscarpiastri this is why lando and y/n need to be supervised when they're together

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user025 LANDOSCARY/N NATION WAKE UP!!!

user842 what are they doing in the first photo?? 😭

user5936 THE PURPLE HOODIE IS SOOO CUTE WHERE IS IT FROM???

↳ user382 i think it's lando's hoodie on his store! ↳ user5936 runNING RN I NEED IT

carlossainz55 is lando trying to...crawl into the game?

↳ oscarpiastri yes but not to shoot since he's bad, the balls got stuck ↳ landonorris RUDE OMG??? ↳ yourusername don't cry cause he's right ↳ carlossainz55 they're right you are not...the best ↳ landonorris THE SLANDER IS--WILD

logansargeant y/n! grab me a coke while you're up there 🙏

↳ yourusername i got you bestie! 💕

user8739 YES OFF TRACK PHOTOS WE'RE SO BACK!!!

yourusername YOU LOVE US AND YOU KNOW IT!!!

↳ landonorris YEAH, WHAT Y/N SAID!! ↳ oscarpiastri just because I love you both, doesn't mean my statement isn't wrong. ↳ landonorris BOOOOOOOO ↳ yourusername 🍅🍅🍅🍅🍅🍅

yourusername tagged oscarpiastri, landonorris, logansargeant and alex_albon

liked by oscarpiastri, landonorris, logansargeant, alex_albon, arthur_leclerc, and 1.1m others

yourusername someone say mclaren & williams double date? 👀

comments on this post has been limited

logansargeant did someone say adventure?

landonorris we should run it back like NOW

alex_albon best night ever!!

arthur_leclerc what is happening in the second photo?

↳ alex_albon lando and oscar trying to hold logan up but it back fired so i came to his rescue ↳ landonorris alex failed at his rescue mission ↳ alex_albon SHUT UP 😫 ↳ logansargeant i think alex did a great job at saving me 🥰 ↳ oscarpiastri well if someone didn't scare us, it would've been a perfect photo ↳ yourusername oops?

charles_leclerc you are all menaces together i love it

↳ landonorris i was about to say we weren't better when streaming 😂

lewishamilton44 did someone win me something?

↳ yourusername yes king 💪💪

oscarpiastri okay i'll admit it, the amusement park was fun

↳ yourusername YES I WIN!!!

landonorris tagged yourusername and oscarpiastri

liked by yourusername, oscarpiastri, alex_albon, arthur_leclerc, carlossainz55, maxverstappen, and 1.6m others

landonorris pre-race date night ft. spiderman 🥵🫢

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user9473 stop y'all are so CUTE 🥹🥹

user34 omg omg I WAS AT THE SAME AQUARIUM AND THOUGHT I WAS INSANE ↳ yourusername not insane! ↳ user34 OMG YOU RESPOND!!!

alex_albon IS THAT SPIDERMAN?!

↳ oscarpiastri yes, yes it is ↳ landonorris met a REAL celebrity today ↳ yourusername ugh soooo upset i missed spidey 😫

user406 THE SPIDERMAN ONE AHAHAHA

user3857 please tell me y/n is coming with y'all to Singapore!! PLEASE!!!

↳ yourusername 🤭

yourusername tagged landonorris and oscarpiastri

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yourusername pretty boyfriends and prettier helmets 😮‍💨😮‍💨

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maxverstappen i swear they never can agree on the weather

↳ yourusername of course not! one is always too hot and one is always too cold

landonorris i feel like you're only dating us for the helmets

↳ oscarpiastri and the paddock passes ↳ yourusername 😮...what?

logansargeant y/n i got our drinks ready

↳ yourusername LETS GOOOO!!!

landonorris you know i didn't get a good luck kiss

↳ oscarpiastri i second this. how are we suppose to do good without our good luck kiss to start the race weekend? ↳ landonorris we can't ↳ yourusername oh you big babies, i'm coming!!

[linkspooky]

SUKUNA, YOU ARE ME

Now that we're in the last few chapters of Jujutsu Kaisen it's time to do a deep dive into Yuji and Sukuna's relationship. Is what Yuji showing Sukuna here truly empathy? Does Sukuna's death and Yuji's attempt to reach out mean Sukuna was human all along? We'll discuss that, the parallels between this and Mahito, and what Sukuna's exit means for both himself and Yuji as characters underneath the cut.

I AM YOU

While this post is about the connection between Yuji and Sukuna, I'm going to say the majority of this post will be about Yuji. I stated this in a previous post, I don't believe Yuji's showing Sukuna empathy here. While his offer to let Sukuna live inside of him may be genuine, it doesn't come from a place of genuine understanding. Sukuna himself isn't written as a character to be understood or empathized with.

Look at the words Yuji said. "You are me." He's not saying he's like Sukuna, he's saying Sukuna is like him. He is projecting himself onto Sukuna. Everyone in the story does, even Kashimo and Gojo who both considers themselves the strongest of their time and who naturally should have been able to understand the isolation of being someone as incomprehensibly strong as Sukuna were just projecting their own personal experiences on them in the end.

Of course we could dig a little deeper on the topic.

How much can one person truly understand another? It doesn't have to be a curser, or a borderline incomprehensible deity like Sukuna. How much do you understand your own best friend?

Gojo mentions that he felt loved by everyone, but also that he was so beyond their understanding that they may as well have been plants in comparison to him.

Of course, Shoko herself says that Shoko was always right there next to Gojo trying to offer him support and Gojo just chose to keep her at an arm's length. Gojo also believed that only someone as equally as powerful as him like Sukuna could understand him. Only to find that Sukuna didn't care about Gojo's feelings of isolation at all, nor was he troubled by love in the least.

Gojo makes himself out to be someone so superior to other human beings that he's beyond their comprehension, but that's Sukuna. Gojo did feel understood once, by Geto in his youth. The thing was that Gojo assumed that Geto could understand him because they were both euqal in power level. However, years after the fact when Gojo has long surpassed Geto, their friendship remains exactly the same.

The one that Gojo pictures patting him on the back is adult Geto, not teenage Geto. The one who Gojo truly would have been satisfied by in the end was Geto, not Sukuna.

So maybe what makes Sukuna so impossible to understand by others is that same reason why Shoko can't be close to Geto. Sukuna can't be understood by others because he doesn't care to be understood by them.

Perhaps, understanding isn't the end all be all of human connection. Gojo accepted Geto, and he didn't accept Shoko. Maybe Shoko would have been able to understand Gojo if Gojo ever tried to be emotionally open with her the ever way he was with Geto then he might have felt understood.

Then there's Ryomen Sukuna who rejects love and every notion of humanity along with it.

Therefore empathy means nothing to Sukuna. Yuji's empathy in particular. No, Yuji's attempt to save Sukuna is more about himself than Sukuna. It's a reflection of a change of Yuji's state of mind that he's willing to accept living with a curse like Sukuna. That he'd even try to understand Sukuna. Curses that Yuji previously dismissed as not even being worth understanding.

The first time Yuji said these words was when Yuji tried to make an offer to Sukuna to let him take control of his body in order to heal Junpei, in order to be laughed at by Sukuna. It was the last time Yuji ever asked anything of Sukuna.

Remember, in the very beginning of the manga Sukuna seemed like a standard inner demon character like the nine tails, or hollow ichigo. Yuji even thinks he can use Sukuna to switch out to help fight for him like against the special grade cursed spirit. However, we and the audience quickly learns that not only is Sukuna not just some evil half of Yuji, or a convenient power up, he's an actively malevolent entity with a will that will do anything to escape.

When Yuji realizes that Mahito and Sukuna are both curses, he starts to see Sukuna as an enemy trapped within him. Something he's reminded of again and again, especially after the Shibuya Massacre. From that moment Sukuna and Mahito become like villainous foils to Yuji, the dark to his light, the enemy for him to kill.

Yuji defines Mahito and Sukuna as his opposites and his enemies By killing them, he also gives himself a role. It's Sukuna and Mahito's actions in taunting is the first time Yuji uses the language "kill" when dealing with curses.

Mahito compared himself to Yuji and by saying as a curse he mindlessly kills humans. The same way that Yuji as a sorcerer, mindlessly kills curses. They are on the opposite side of the same cycle with no end in sight.

Yuji decides to embrace this violent cycle because it at least gives him a role to play. If curses are the shadow of humanity, if they're a reflection of humanity then what exactly is you saying here?

Yuji says he is Mahito, and then immediately that he's going to kill Mahito. It's not a statement of self acceptance, or accepting your shadow, but rather a statement of self destruction. Even though Mahito is a chaotic evil curse who enjoys killing humans, Yuji's decision to throw away his humanity just for the sake of killing him isn't a healthy way.

When Mahito said "You are me" he was attempting to drag Yuji down to his level. Yuji then willfully descends to Mahito's level as long as it gives him the strength to kill Mahito. It's character regression on his part. Yuji once said he didn't want to kill because then the value of life might become vague to him.

In a way it did, because Yuji began to devalue his own life. Yuji wasn't able to see any meaning in his life besides a "role' that someone else assigned him. Not only was he willing to throw it away at the drop of a hat, but he also didn't feel like he had permission to live.

Unlike Yuta who actively sought affirmation from others, Yuji rejected that affirmation and tried to push everyone including people like Megumi and Choso away. They were right next to him, but Yuji became unable to accept their love and support.

Yuji is a strange paradox because he presents himself as an all-loving hero who just wants to save as many people as possible, but then you read his dialogue and he's like "I'm just a cog in the machine, I will continue to kill curses until one day I die. Then I'll just be replaced by another cog. There's no meaning at all to this sequence. Life is an endless nightmare."

I'm exaggerating, but underneath Yuji's sweet nature and goofing around, there's this very bleak attitude that his life means nothing except for the labor that he produces, and one day he'll be tossed aside and that's fine because it's what he deserves.

If Yuta seeks self-affirmation, then Yuji is seeking self-destruction. His self-loathing leads him to practically lay his head down on the chopping block and offer his neck up for execution by Higuruma's domain during the fight with Higuruma, even when Higuruma himself points out that Yuji isn't the one at fault because he wans't in control of his own body. Yuji will still take the blame, anything to punish himself further.

So, the words Yuji uses in his triumph against Mahito also signify the destruction of his own ego. That is what Yuji does when he adapts his cog mentality, he denies his own sense of self.

What Yuji experiences is basically a prolonged ego-death.

Ego death is a "complete loss of subjective self-identity".[1] The term is used in various intertwined contexts, with related meanings. The 19th-century philosopher and psychologist William James uses the synonymous term "self-surrender" and Jungian psychology uses the synonymous term psychic death, referring to a fundamental transformation of the psyche.

I brung up Ego-Death in the Jungian context, but in Yuji's case, resigning himself to being a cog is also an act of self-surrender. Yuji basically moves away from all of his previous ideals. He only sees himself as a tool to kill curses. Saving others, or helping guide others to a natural death, those things get put on the back burner as a tool doesn't need ideals.

He's abandoned all kinds of idealism and higher reasoning. In fact that is what Mahito wanted him to do, to abandon the higher reasoning that belongs to human beings and act on instinct like a curse. Mahito successfully pushed Yuji to abandon human reason and become an unthinking cog.

Jung defines the Ego-Death as the stripping away of everything else to revert to your natural self. According to Ventegodt and Merrick, the Jungian term "psychic death" is a synonym for "ego death":

In order to radically improve global quality of life, it seems necessary to have a fundamental transformation of the psyche. Such a shift in personality has been labeled an "ego death" in Buddhism or a psychic death by Jung, because it implies a shift back to the existential position of the natural self, i.e., living the true purpose of life. 

Megumi also experiences an ego-death over the course of the manga that mirrors Yuji's own when Sukuna takes over his body, soaks his soul to bring Megumi near evil, and then kills Tsumiki. At this point both Yuji and Megumi both lose what were their reasons for fighting. The so-called "dignity obtained by human reason" is lost. After having those reasons stripped away from them and experiencing their ego-deaths both of them surrender control. Megumi becomes helpless and stops trying to fight Sukuna. While Yuji may not seem like he's given up on anything since he keeps trucking along, he too has given up on thinking for himself. Yuji has essentially given up as much as Megumi has, there's just less plot consequences for it.

Either way they are both brought to their lowest point by ego-death, in order to bring them to their lowest point, and make them experience a rebirth of sorts.

The persona in Jung is the face you show the outside world. it's one part of personality, with the other being the shadow. The shadow is the repressed part of peresonality. Just like curses are made up of repressed human emotions that leak out from our collective subconscious. Curses serve as the shadow of humanity collectively, especially Mahito who is made up of everything humans hate and fear about other humans. The physical embodiment of human cruelty.

However, a person can't live without their shadow. There's no such thing as a human without flaws after all, and you don't become a better person just by ignoring your own flaws. The kinds of people who are unaware of their own flaws tend to unconsciously repeat the same mistakes again and again and again.

Yuji despises curses as inhuman monsters that he can slaughter like they're enemies in a video game, but they're like... made of human vices. They are the product of humanity's emotions. Yuji's habit of only looking at the good makes him unaware of both his own shadow, his own shortcomings, and also the darker shades of grey in the world around him.

Megumi and Yuji both are characters who, need to be dragged down to the darkest point of the shadow and forced to confront their own flaws in order to learn about themselves. It's not a coincidence thaT Yuji who puts humanity on such a pedestal is a human and curse hybrid. That his older brother who's shown to be a source of overflowing unconditional love is also a human / curse hybrid, and who Yuji nearly killed because he blindly, obediently decided to kill curses. That Yuji killed two of his other curse / human hybrid brothers in spite of noticing they were different from other curses and had a family bond with each other.

It's not a coincidence that Yuji who puts humanity on such a pedestal devoured the corpses of all of his other brothers the same way that Sukuna ate his own twin in the womb to gain the power to defeat Sukuna.

Yuiji lacks a lot of self-awareness. That's why I've always said he doesn't quite live up to the "all-loving hero" he sees himself as. Savior is just a role that Yuji has adopted in order to give himself a purpose in life, but he falls short of that. The reason that he falls short is ironically that Yuji tries so hard to be superhuman, that he can't forgive himself for having basic human flaws.

It's why "Being a child is not a sin" is such a meaningful line coming from Nanami. In Yuji's eyes being a child is a sin. He constantly blames himself for not being able to hold the weight of the world on his shoulders, for not being able to save everyone by himself even though he's only been a jujutsu sorcerer for a few months.

It's why Yuji gets excited for a moment when Kusakabe mentions that Yuji is developing very fast by sorcerer standards, because he wants to be someone monstrously talented like Higuruma or Gojo - and why he immediately looks so disappointed when Kusakabe says it's not because Yuji is talented it's just because of Sukuna.

Yuji feels an overwhelming amount of responsibility and wants to be a special person who is strong enough to actually carry all that responsibility on his shoulders. That's why I say Yuji isn't a true all-loving hero, because it's more about Yuji's own feelings than the act of saving others. His guilt complex over Sukuna.

His desires to be someone special and meaningful. Yuji wants to be a good person who saves others because it gives YUJI and purpose and it gives YUJI a sense of fulfillment. If you've read Tokyo Ghoul it's like Kaneki's reason for participating in the Anteiku Raid. Not because he genuinely wanted to save others, but because he "was tired of not being able to do a thing."

(I'm keeping the meme panel because it's funny)-

Yuji wants to be strong and wants to be a savior because Yuji feels insecure in himself and loathes himself for his own weakness. However, this pushes Yuji farther away from his goal of saving others and making connections with other people so he can die surrounded by people BECAUSE people empathize with each other over their weaknesses.

Yuji wants to become someone strong and unbreakable who will never falter, never feel pain, and most of all never lose. He basically wants to become Satoru Gojo, but if Yuji were to ever rise to Gojo's level like that just by getting rid of all of his weaknesses he'd fundamentally lose his ability to connect with people the way Gojo and Sukuna have.

Yuji defines himself in strength, and suffering, and always overcoming, but then what is his heart for? He strives to become someone stronger than Gojo or Sukuna to protect his friends, but if he loses his heart that loves and cherishes those friends in the process then what even is the point?

Yuji walks a dangerous road from the culling games up until the Shinjuku incident, into nearly becoming like Mahito or Sukuna in his attempts to be stronger than them. I don't think he was ever in danger of going on a murder spree, but I do think he was risking becoming someone like Gojo.

Gojo made himself a tool for Jujutsu Society for the greater good and look what happened to him in the end. Not only did he die in the line of duty, his corpse was turned into a puppet to use as a weapon against the enemy. He made himself into a monster even when people like Yuta were begging Gojo not to. Yuji was on a similiar path of cutting off all the people who loved him and just becoming a person exploited in both life and death for the greater good.

So what stopped him?

Megumi.

YOU ARE ME.

A few people said that Yuji's abandoning the cog mentality suddenly happened too fast, or felt unearned but I think if you look at the culling games arc from higiruma's fight onwards as a whole it's actually a natural progression.

It all starts with Higuruma and Yuji's conversation:

Higuruma: "You're innocent. You didn't commit that crime." Yuji: "Even so, it's my fault." Higuruma: "Why?" Yuji: "...I see. Itaodri, there still may be a lot of people who are weak like you."

Yuji is someone who loevs humans, but puts humanity as a whole on a pedestal. He loves humanity but hates human weakness, especially his own weakness. Ironic because Higuruma is also someone who became jaded by having to work in the corrupt justice system and was forced to look at human ugliness day after day after day even though he wanted to be someone who valued people for their weaknesses.

Yuji doesn't learn to empathize with human weakness until Megumi's weaknesses are the one he's forced to confront. He doesn't abandon his notion of roles until he's robbed of his roles by Sukuna when Megumi becomes the possessed one instead of him.

Yuji is fine with being a sacrifice for the greater good, but he is not fine with sacrificing Megumi. By knowing exactly what Megumi is going through and wanting to save Megumi from Sukuna's possession, Yuji is in an odd way forced to empathize with himself. Like, it's a double standard on his part that's being challenged. Yuji blames himself for all the people he hurt as Sukuna, but he'd never blame Megumi for letting Sukuna kill tsumuki while possessing his body.

In his refusal to sacrifice Megumi for the greater good, even when Megumi is begging him to do so he rejects the common Ethos that sorcerer's are expendable cogs who are expected to sacrifice themselves and their comrades in the eternal fight against curses for the sake of public safety.

Yuji carries with him this grandiose notion of saving as many people as possible. However, when the option comes to make a sacrifice that would save hundreds of thousands of people from the merger by fighting to kill Megumi instead of save him from Sukuna's clutches Yuji can't do it. Even though Megumi at that point would be a completely willing sacrifice.

Yuji has to abandon his cog mentality to save Megumi, because an unthinking cog wouldn't put Megumi's life over the lives of everyone in Shibuya. A cog, especially a sorcerer would kill that one kid in order to save thousands of lives. Heck, Kusakabe more conservative sorcerer even brings up that argument that everything would have been avoided if Yuji was executed to begin with.

In order to save Megumi, Yuji must also reclaim his own humanity. There's a reason that Nanami, and Nobara, die right before Yuji adopts his cog mentality. Nanami, the most ethical of the first grade sorcerers who tried to teach Yuji to value his own life because he was a child, and Nobara the only kid in the main trio who was a normal person are both representatives of Yuji's humanity.

After losing both Yuji becomes reckless, he stops valuing his own life. As I said far, far bove, Yuji never listened to the advice Nanami gave him that it wasn't a sin to be a child. Yuji has this entire time thought it was a sin just to be weak, just to need the help of other people, just to not be able to accomplish everything on his own.

After Yuji starts reconciling with his own humanity though, he regains his connections to both Nanami and Nobara. Nanami comes back symbolically in the form of Higuruma, someone Yuji tries to encourage to live instead of taking the same suicidal path that Yuji was bent on. Whereas, Nobara herself actually comes back from the dead in time to land the final blow, the same way she reminded Yuji of her presence and that she wasn't alone in the Mahito fight.

Yuji also regains these connections when he's processed the grief for both people. He remembers Nanami and what Nanami left him in a more positive light. In my interpretation the line "I am a sorcerer" refers to Yuji developing a more healthy version of being a sorcerer. That instead of Yuji seeing sorcerers as slaves who have to sacrifice themselves for the greater good like Geto did, Yuji can see the camraderie between sorcerers who fight and put their lives on the line together.

Either way, I think the moment Yuji truly reconciled with the grief of death is sadly enough with Choso's death. If you want proof that Yuji's revelation wasn't rushed, that he didn't skip from point a to point b, then it's right here.

Choso apologizes to Yuji for leaving him ahead of time, and Yuji tells him not to, because Choso was always by his side when he was at his lowest point and that brief time they had together was enough for him.

Yuji's relationships so far have been defined by his fear of losing people. He wants to have a natural death, he wants the other people around him to have good deaths, he doesn't want people to die too early. By focusing on the fear of losing people, he hasn't yet been able to enjoy the time that they were around. However, in this moment he realizes how much Choso meant to him, even if their relationship was brief, and even if it came to an end. Yuji learned you can still love someone even if you inevitably lose them.

This is when Yuji finally accepts mortality and fragility as a part of life.

This is also what Sukuna can't accept. That life is fragile. That life is weak. That life comes to an end. Sukuna's entire goal is to maximize pleasure and live as long as possible, and therefore he's rejected all of the unpleasant parts of reality. Sukuna doesn't want to live in the real world like a human being, he wants to exist only in the world of Jujutsu where he's a god.

This is what Yuji represents to Sukuna, The human vulnerability, and mundanity that he threw away, by literally cannabilizing his own twin and throwing away part of his soul. The part of his soul that Sukuna threw away was taken by Kenjaku, and used as a science experiment to create Yuji. Technically, Sukuna is Yuji's uncle but symbolically Yuji is the twin that Sukuna cast aside. Especially since in this world cursed energy treats identical twins like they are the same person.

Yuji for the longest time tried to do what Sukuna did. Tried to throw his own humanity away so he could be as strong as Sukuna. He literally even ate the corpses of his own brothers.

Yuji and Sukuna are symbolically twins, but Yuji learns to embrace the things that Sukuna threw away. Sukuna threw away his own soul's twin in order to grow strong. He became all powerful in the jujutsu world because he ate his twin and gained an extra pair of arms and a mouth. He's like if Maki chose to kill Mai instead of Mai sacrificing herself for Maki's sake.

Yuji chose companionship with others over power. Sukuna doesn't need others people to satisfy him, and Yuji begs Megumi to come back from the dead because his life would be lonely without him. Yuji doesn't have some noble reason for going this far for Megumi's sake. He's not saving Megumi for the greater good, but because his connection to Megumi is important to him. Because he doesn't want to go through life without Megumi.

Yuji loathes weakness like Sukuna. Yuji desires to be someone special like Sukuna. Yuji has a grandiose sense of self importance like Sukuna. Yuji desires power like Sukuna. Yuji looks down on weak people like Sukuna does, he just condescendingly wants to save them instead of Sukuna who just wants to stomp on them like ants.

Yuji is also literally Sukuna. He was created by an offshoot of his soul. The same way that Sukuna was born with a body perfect for Jujutsu, Yuji was born stronger than anyone his age, and develops at an extreme rate as a sorcerer BECAUSE he was Kenjaku's science project to make the perfect vessel for Sukuna.

They are totally twinsies in so many ways, the only difference in the end is that Yuji learns to value human connection. In Sukuna's book there is no meaning to life, except for the pleasures he pursues as an individual. Therefore Sukuna is the only real person that matters or even exists. The narrator says as much he alone is the honored one, all that exists is his pleasures and displeasures.

In Buberian terms Sukuna only experiences existence and I and It relationships.

Buber's main proposition is that we may address existence in two ways:

The attitude of the "I" towards an "It", towards an object that is separate in itself, which we either use or experience.

The attitude of the "I" towards "Thou", in a relationship in which the other is not separated by discrete bounds.

Sukuna is the "i" and everyone else is an "it." Sukuna is the only real person who exists, and everyone else is just an object for their amusement.

Whereas, Yuji experiences "I" and "Thou" relationships. Yuji learns to see other people as different from himself. Yuji appreciates people as separate entities. While Sukuna gets amusement from his life by treating other people like toys, for Yuji the value in his life comes from the people who have entered into his life in some form. He appreciates the relationships he's formed with people and the memories they've left behind, no matter how brief the time they spent together was.

This is why Yuji's words reach Megumi, because he respects that Megumi feels differently than he does. He doesn't tell Megumi to just suck it up and keep fighting because that's what Yuji would do. He understands that he's a different person than Megumi, and he can't say he understands the grief and pain Megumi is going through right now.

That's Yuji's big revelation, in just a few short months as a sorcerer he's met so many people who left an impact on him. Some of those relationships came to an end early, but that painful ending doesn't negate what they meant to him.

The few months he spent with Choso have value even if it's not the same as the one hudnred and fifty years Choso spent with the rest of his brothers, because Choso supported Yuji when he was at his lowest point. Yuji finally sees that what gave his life meaning was the memories he made with other people while they were alive together. Not the way that they died.

So Yuji is finally willing to let himself exist outside of a role.

That's what he's offering to Sukuna as well. Maybe not empathy or understanding, because if Yuji had truly learned empathy maybe Sukuna might have accepted his offer. No, Yuji is simply willing to offer Sukuna the chance to live alongside him.

Sukuna rejects bonds of all kinds and Yuji is now embracing them. Yuji no longer seeks to annihilate curses because they're a fundamental part of life. Yuji wants to live on with his curses and burdens. He's also willing to give Sukuna a chance to keep living too.

Even Yuji points out that both of them are totally twinsies. Sukuna was born as a curse because he devoured his twin brother in the womb. Yuji was born as a curse because he was created to be Sukuna's vessel. The only way that Yuji is the way that he is is because he was raised as a normal child by his grandfather. If Yuji hadn't then he would have turned out entirely different. It's the same way that Choso became human because of his love for his brothers, even though he was born as a curse human hybrid and tossed aside by Kenjaku as a failed experience.

Yuji acknowledges both his capacity to have turned out like Sukuna if not for his grandfather's sake. This time when he says You are me, he's not saying it to threaten and destroy the person he sees as his shadow. This time Yuji is trying to reconcile with his shadow. He's looking at the person who represents the absolute worst of humanity, and the things he hates about himself and is still willing to give them the chance to keep on living together with him.

When Yuji says "I am you, so I'll kill you" to Mahito, that signals his first step on the road to self destruction.

When Yuji says, "I am you, so I'll save you" to Sukuna, that signals his first step on the road to self-acceptance.

It's Yuji allowing himself for the first time to just exist as a normal person not as the hero of some epic story. He even gave Sukuna that chance too, to just continue living alongisde him, but sukuna rejected it to keep on living as a curse until the end.

So, while Yuji saying "You are me" to Sukuna isn't true empathy, it is Yuji learning to accept himself and his flaws. . Because if Yuji is willing to forgive someone like Sukuna, then perhaps he might just learn to forgive himself.

[potatomountain]

CIY CH 23

Chapter Twenty-Three

📍Pairing: detective ateez ot8 x detective afab reader 📍Summary: "Made for you" 📍WC: 3.1k 📍AU: detective/mafia 📍Genre: action, dark themes, poly romance 📍Warning(s): 18+ rating, some angst, suggestive 📍Nets: @pirateeznet | @mirohs-aurora-society 📍Beta readers (and sole motivation): @flurrys-creativity , @candypop1611 , @yourfatherlucifer , @skteezcursed and edited(usually) by the amazing: @daemour 📍dividers made by: @cafekitsune

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The two of you shared a moment before you pulled away, finding the spark of tenderness in his eyes alarming. Despite the trust you just spoke of, it was still hard to lean into it without anxiety.

Others had shown you tenderness.

“So, you said you wanted to know my feelings right? Now that everything is on the table.” You glanced down at your drink, only for your eyes to flicker up when you thought he flinched- but his expression was the same, just a new tilt to his head.

“Right right. Though I think I understand already, Angel. We're growing on you aren't we? But you're scared? After the way your last unit handled things, I can understand that-”

You sighed when he trailed off. “But not entirely huh?” At his nod, you know it's your turn to indulge some personal information. “It was more than just a betrayal of comrades. I was close with them, considered them family. Mingi didn't… he didn't tell you all?”

He shook his head, his undivided attention on you now, listening with encouragement that was making this talk a bit easier. “He said a few choice things about Captain Chan but otherwise didn't go into details why his negative feelings were so strong. We assumed he just felt that strongly about you, considering he admitted to punching him and pretending to be your boyfriend during an altercation.” The corners of his lips turned up vaguely, which you assumed was due to your own flustered expression.

You were touched by Mingi's feelings, remembering his many attempts to prove he did like you and wanted you. As well as the fact that he hadn’t seemed to give up details about your harsh rejection, just how he had stepped in and played the rough hero you hadn't wanted but needed. “I see… I owe him an apology then. I assumed he had told you all about what happened.”

“Camera in the hall. We have Mingi bring women there because we can get surveillance footage of it all up to when He takes them inside. So… Yeosang indulged a bit and we didn't give Mingi a choice. Though he didn't go into details…”

You sighed, somewhat appeased. “Yunho made a comment… So I assumed.”

“Ah, Yunho is a different story. Those two tell each other everything. They grew up together. Would you be comfortable telling me?” It was the fact he was asking, putting your comfort first, that eased your nerves enough.

So you told him, recounting the story with a detached tone to make it easier on yourself. You told him of how you confessed to Chan supposedly, how the next time you saw him he served you with the transfer papers. You told him of your outburst immediately after, demanding the others to tell you who agreed you should transfer since Chan said it was a team decision. Minho, you're best friend had agreed and he hasn't contacted you. And then there was Felix.

That's how you were banned from contact because of the hell you raised. Changbin had to remove you from the office with some uniforms, an ugly sight. The man had no doubt sported a bruise or two on his face afterwards.

You told him about Felix, how you were sure you had loved him, and that you couldn't have faulted him for it. He thought he was looking out for you. Always sweet intentions.

You ended the story with the altercation in front of your apartment, playing with the empty beverage cup and unable to keep the emotion in your tone as you told him of Chan's confession before Mingi stepped in.

Silence followed, the air heavy and weighing down on your shoulders. The longer it lasted, the more anxious you became until you finally sparred a glance at him. After pouring your heart out, figuratively, pure undiluted anger was not what you expected to see on his face.

“Angel… I-” He started off, gaping like a fish as he seemed to struggle with what to say. The way his expression hardened like cold steel, eyes still burning with that ire as he glanced behind you, had you shifting to turn. “Don't turn around. You have some bad luck it seems.”

You were quite confused until you heard it, heard them. “Chan, that's not what I'm saying at all.”

“Then what are you implying Minho?” The sound of chairs scraping behind you slid up your spine like nails on a chalkboard. “First her, then Hyunjin, now Felix. I'm losing the hold on the unit.” The familiar gruff voice told you just how stressed he was, and you knew he hadn't been sleeping again.

Guilt grabbed at you as if this was your fault, hands bracing on the table to stand up and leave because like hell you wanted to stick around and listen to this. To let them hurt you even more.

Yet Seonghwa's hand reached out and grabbed your wrist, shaking your head and bringing a finger to his lips. Whatever game he wanted to play, while it confused you, your hands relaxed and you stayed silent.

“Hyunjin will come around, he always does, he cares for Felix and the rest. He made it no secret he was unhappy about the transfer. And Felix… he'll listen to you. You just have to talk to him- properly this time.” Minho urged, his voice closest to you.

“Because I do that so fucking well. You told me everything would work out if I put in the transfer request, Min. But why haven't you talked to her either?” A beat of silence. “Yes I'm aware you haven't reached out. Hyunjin was loud about that when I pushed Felix for answers. You're her best friend, why are you silent? Did you fuck this up on purpose? I trusted you when you said I could have her this way.”

Panic surged through you at this revelation; is this why Minho hadn't talked to you? Your whole transfer was his idea? Why? You had believed he had known you best, that he would have been on your side. That, just maybe, he hadn't talked to you because he was just giving you space?

This betrayal hit harder than Chan's.

“I thought she would understand. You received enough warnings about her, they were going to take action against the whole unit at that rate.” Minho sneered out, the edge in his tone snapping you out of the dizzying spell the pain had you under.

Chan scoffed. “Please, you didn't want her to get in the way of your career. I know the higher ups talk down on you, even when they are bad mouthing her they still recognize her drive. You were in her shadow and-”

Seonghwa slammed his hands on the table, standing up now. He glared at the two behind you with such a menacing fury it snapped you out of the spiral in your mind and gave him all of your undivided attention. Especially when he growled out your name. 

He moved around the table and pulled you up by your waist. You were captivated by the wrath radiating off of him when you realized it was entirely on your behalf. “Vi-”

He shut you up with a harsh kiss, pulling you fully onto your feet with the motion. The sounds Chan and Minho made noticing your presence were distant noises to your own thoughts at Seonghwa's kiss. You could feel his anger, but also his desire for you with every harsh stroke of his lips. Heat flooded your body, drowning out the cold betrayal that had settled in the pit of your stomach a moment ago.

The groan he let out when you kissed back went right to your core. For a quick moment he deepened it, grip on your waist tightening enough to pull a moan out of your lips. It was that sound that had him pulling away, but only his lips to glare back at the other two. “Your trash, our treasure.”

It left you spinning, the emotion ringing in those words as he dragged you out of the cafe. You hadn't even bothered to look back at them, staring up at Seonghwa instead with a plethora of emotions on your open expression.

Seonghwa chuckled as he pulled you over to his motorbike; it was a dark and unhinged sound that added to the growing cotton in your head. He had just shown you how caring and sweet he could be: respectful even. And then the anger- you couldn't really untangle the mess of emotions that had you feeling, just that you didn't dislike it.

And there was a touch of horniness there. Well… that's interesting.

Seonghwa once more jostled you out of your thoughts as he lifted you up onto the bike facing him, stepping closer to slot himself between your open legs. You glanced up at him, once more with your thoughts and emotions worn on your features as you were still figuratively reeling. “Vice?”

“Call me by my name- no my nickname Angel.” He said as he leaned forward, pressing his lips to the apples of your cheeks, then the tip of your nose, forehead, and finally lips. “And tell me not to go in there and get violent.”

You couldn't help the gasp that left your lips, immediately getting swallowed by him in what felt like a desperate kiss. He had just told you he was a peacekeeper, a negotiator of sorts, so for him to say he wanted to be violent?

“Hwa-” It fell from your lips like a soft caress, your arms wrapping around his neck to pull him closer against you, “-Don't go in there and get violent.”

Despite doing what he said, he protested with a pout, lips trailing along your jaw to your neck. “Why not? They hurt you. Absolute scum. Treated you like trash when you're so… so much more than them. They lost a good fucking thing.” His angry words were paired with little bites and nibbles, grip tight on your ass now As he pressed the length of his torso against yours.

It warmed your heart, and turned you on even more. “Th-they deserve your anger, Hwa. Would rather- ah fuck- rather have you like this.” He had found your sweet spot, melting you further against him as his lips attacked it once more with a soft bite. “Hwa~ please I-”

Tugging at his hair to pull away, you tugged on it harder when you heard those two familiar voices calling out to you. He delatched himself from you, quickly turning you on the bike and pulling the helmet on. “Time to go.” Voice still gruff as he pulled his own helmet on.

He started up the bike just as the two reached you, this time you allowed yourself to look. Chan looked pale, distraught, tears in his eyes you weren't going to acknowledge. But Minho- it was the first time you saw him in nearly two months and he too looked ragged… and angry. But he always looked angry when he was upset about something, even if it wasn't you, so you didn't think about that either.

Instead, as the bike beneath you roared to life drowning their words, you gave them the bird as you latched onto Seonghwa’s waist with your other arm. He drove off in the next second, speeding through the streets to leave them both behind. Both literally and figuratively.

They weren't your unit anymore, especially those two. 

Seonghwa dropped you off at the club soon enough, the bike still running as you got off and handed him the helmet. You used the ride to really think about what had happened, what Seonghwa proved to you. 

You tapped on his helmet, asking him in a roundabout way to take it off. He shook his head in reply. So with a bit of a pout, you kissed the visor where you guessed his cheek would be. “Thank you for today Hwa. I appreciate it. You'll be picking me up?”

He nodded.

Smiling, you fixed your hair. “Then I'd like to continue later if we can.” With a wink you turned and headed inside.

Minho's betrayal felt like a distant memory now, wrapping yourself into work and looking forward to seeing the Vice-Captain again. 

You had loved Chan, loved Felix, but neither of them, or anyone else you knew, made you feel like this.

Seen. Respected. Cared for. Supported. Wanted. All of that and genuinely. 

Well, no one before this unit. Wooyoung popped up in your head. So did Hongjoong. San, Yeosang, and Mingi too, to an extent. There were moments with them all that had you feeling like this.

As if you weren't fully alone. In those moments you had felt like you could let your walls down, let them in, and feel loved and accepted as a whole.

Seonghwa had you feeling like that again when he picked you up, quiet on the ride back but once he was parked in front of your apartment again, he was a gentleman. He took your helmet off first, then his, and immediately pressed a kiss to your forehead. “Were you okay today Angel?”

You knew he wasn't talking about the work, but what happened. “Surprisingly… yeah. And I think that's because of you.”

His eyes went wide as he cupped your face, pupils shining in the lowlight from the street lamp. “What do you mean?”

Suddenly flustered, you tried to look away. Ah, feelings and admitting them: two things you struggled with. “I mean… the way you reacted, to what I told you and to them, was uh… oddly comforting? I didn't feel… well it's kinda like-”

He chuckled softly, placing a hand on the small of your back. “Take a moment to think about that but I think I know what you mean.”

“You do?” You looked up at him as he lead you inside, letting you put in the code before stepping in. 

“Yeah. I uh, don't get along with my parents. Didn't follow in the family footsteps. It's a choice I made alone and it was scary, I didn't really have anyone who would understand my situation either… until I met Hongjoong. I told him about it, when I found out they are setting my sister up to be married off to, well, one of the underworld. He got angry, but not at me. It was the first time I saw him so furious as well.” He sighed, walking you up the stairs, taking his time to just talk with you.

You caught on to the vital piece of information he dropped, realizing that while Seonghwa’s parents had Golden Circle connections, he was working hard to take them down. He had something at stake here, making him the fourth- no fifth one in the unit who had some tie to the underworld. 

Your vendetta against Taejin Hwon felt so small in comparison.

But you also noticed the fondness that settled over his features at the memories he brought up, an adorable curve to his lips and a soft light in his eyes at the mention of Hongjoong's anger specifically.

He cared for Hongjoong deeply, and you admired that about them; felt a bit jealous even.

“He was angry for me, because it hurt me, and it was the first time in a while I didn't feel so alone. It was comforting, and the weight on my shoulders was a little less debilitating.” Stopping in front of your door, he turned to you fully. “And it seems this was that moment for you… am I right?”

“Y-yeah. I mean I've had people get angry for me before, to an extent but this felt… different.” You couldn't meet his eyes, feeling unnaturally shy for once. Perhaps it was due to the amount of vulnerable moments you've had with him today; opening up in a way that took even Hyunjin a while to get out of you. 

You couldn't forget Han and Felix, he'll even Changbin and the two younger ones- they all had moments you knew they genuinely cared. But this was different. Seonghwa, and this unit was different. You just couldn't put your finger on it.

“Talk with San tonight, maybe tell him what you told me?” Seonghwa offered, lifting your chin so you would meet his eyes again. “Can I have your permission to confide today with Hongjoong? Only the details you want told of course, I wouldn't-”

“You can tell him everything.” You blurted out, grasping onto the bravery and courage you usually had and pulling it to the surface. “I trust you Seonghwa, more than I'd like to admit right now but… if you trust Hongjoong enough you get all doe eyed when you talk about him, then I trust he is as trustworthy of this information as you are.” 

Seonghwa blushed at that, a beautiful sight to behold, before he buried his reddening cheeks against your shoulder. “You are… truly a treasure.”

Now it was your turn to get flustered. “Hwa… will you come inside?”

“Want to… but can't.”

“Why not?” Your fingers carded through his hair, pout in your tone.

He hummed softly, leaning in closer. “Because if I come in right now I won't leave so easily. And I have somewhere to be before the sun rises.” When you whined again, he pressed a soft kiss to your collarbone before stepping back. “Sorry Angel.”

He left a moment later, and nearly an hour later you were calling up San while laying in bed, freshly showered.

“Finally! I thought you forgot about me sweetcheeks.” His voice in your ear had you flustered. 

“I just needed a little extra courage to call. Are you doing okay?”

“I'm fine… Why the extra courage?”

“No reason in particular, just, wasn't ready to talk about what happened in the gym. Especially since I know they know.”

You heard him hiss, picturing him physically flinching at your words. “I'm sorry about that I-”

“It’s alright. I know it was Yeosang. I'll be talking to him later about it. For now. I miss you. Is it okay to just talk?”

And you did. You told him, surprisingly, everything. About Wooyoung, the job, Seonghwa, and of your old unit. He listened, even reacted much like Seonghwa did.

You felt it again. That sense you were loved, that you weren't alone… but this time you figured it out.

It felt like you were finally home. 

And as San said, once again, you were perfect for them- You thought it went both ways. They were made for you.

Taglist (Capped): @mingsolo | @wowie-hockey | @crispybaguettes | @tiny-apocalypse

| @philijack | @lelaleleb | @isiloiale | @vannabanana1995  | @piratequeen-queenofgames

| @starstruckforyou | @minheeskitten | @amphiroxx  | @cloudysannie | @sugarnspice630

| @sanhwalvr | @plutoneu |  @sousydive |  @fatalt | @iwishiwasrichasfuck

| @bitchwhytho | @st4rhwa | @thesafecafe | @alextheweeb7 | @ddaeing

Taglist will be continued in a reblog!!

[bookished]

( a collection of enemies to allies dialogue prompts. adjust phrasing as necessary.) feel free to make edits to better suit your muse, but please don’t edit or add on to the original post 🤍 if you like, please consider supporting me through tips, it's highly appreciated.

"I still don't like you, but we need to work together. Just… try not to get in my way."

"If you think this means we're friends now, you're delusional."

"I’m only helping you because I need you alive—don’t make me regret it."

"We may hate each other, but we hate them more. So, truce?"

"This doesn't mean I trust you. It just means we have the same enemy."

"You're the last person I want to rely on, but right now, you're all I've got."

"I never thought I’d be fighting alongside you. Feels weird, doesn’t it?"

"We make a surprisingly good team… let’s not talk about it."

"I still want to punch you in the face, but we have bigger problems right now."

"You think this changes anything between us? Think again. But thanks… I guess."

"Look, I don’t want to owe you anything. So let's call this even."

"Just because we’re working together doesn't mean I’ve forgotten what you did."

"I swear, once this is over, it’s back to hating each other. Deal?"

"I never thought I’d say this, but… I could use your help."

"It’s not like I had a choice—you were the only one who could pull this off."

"Don't get any ideas. This is temporary, and after we're done, it's back to being enemies."

"I don’t like you, you don’t like me. Let’s just get through this without killing each other."

"I’m only here because I need something from you. Don’t mistake this for kindness."

"Funny how the universe keeps throwing us together, huh? Almost like a sick joke."

"You’re the last person I want to see right now, but it seems I don’t have much of a choice."

"I’m starting to hate how well we work together. It’s unsettling."

"If anyone asks, this never happened. I wasn’t here, and we didn’t help each other."

"I didn’t think we’d ever be on the same side, but here we are… how does that feel?"

"I still think you're insufferable, but I suppose I could tolerate you… for now."

"This changes nothing between us. We're just two people with the same goal—for now."

"As much as I hate to admit it, I wouldn’t have survived without you back there."

"You think saving my life means I owe you? We’re still enemies, make no mistake."

"I don't want to be here any more than you do, so let’s make this quick."

"It doesn’t sit right with me, trusting you. But what choice do I have?"

"If we manage to pull this off together, you might just earn a sliver of my respect."

[vidavalor]

Hello lovely! I'm wondering if you have any thoughts about Maggie in Final1 5? Isn't it weird that she wants to go back to talk to Az and Crowley while Nina's working? Something about it feels off to me.

Hello right back. 💕 There's chamomile mint tea and shortbread since we're on a Maggie theme, if you'd like some. Maggie's behavior from that scene on is super fucking weird, I agree.

Before the milk run-- when Maggie becomes the only involved character whom we lose track of a bit during The Final 15-- versus how she behaves when she returns is so strange as to be something that I consider maybe additional proof that things are not at all what they seem to be in The Final 15.

On Maggie and Crowley's weird Final 15 behavior, a possible meaning to all the allusions to robbery in S2, and what Maggie and Nina might be able to tell us about what happened at the end of S2.

TW: brief mentions of show's non-consensual possession/rape analogy.

Think for a moment about how truly weird Maggie's request for her and Nina to go back to the bookshop in that moment actually is...

It's only been a matter of minutes since Maggie and Nina were basically hostages in the bookshop who were almost killed by Michael and Saraqael. Crowley saved their lives in getting them out of the shop maybe, what? It's been a minute since I rewatched that bit of it but it couldn't have been more than 15 minutes prior?

The beings in the shop but for Maggie and Nina are supernatural and so left magically without using the door but while we the audience know that these people are no longer in the shop because we were watching it, Maggie and Nina do not know that. When Maggie suggests to Nina that they go talk to Crowley and Aziraphale, they have no way of knowing if the beings that just tried to kill them are still in the shop. They didn't even see Aziraphale leave with Whoever Derek Jacobi Is Playing yet because Nina was all "where's the other one?" to Crowley when they arrived back in the shop.

Maggie is literally like: Nina, I know you opened the business you own late and are the only one working right now and have a line of 20 people waiting for their morning, pre-work coffee but what if-- just hear me out-- we just made them wait an indefinite amount of time to voluntarily go back into the place where we nearly died a matter of minutes ago that could still be full of the people who wanted us dead and we did this for no other purpose than just to tell off my beloved adopted godfather and his partner, who just risked harm to save both our lives? And to maybe then also stick our noses into their love lives in return or something?

I mean... WHAT?!?! lol

Consider, even, how even more weird that is when Maggie, just *prior* to having gone to the mini-mart, had never been more on the same page with Nina and never more understanding?

She sacrificed her own want to go sleep behind the counter of her shop to offer to help Nina. It's a big moment of change in their relationship and shows a lot of growth for Maggie. She's gone from someone who is caring but has a tendency to only think about how things make her feel to seeing things from Nina's perspective. She's matured through the season into being someone more ready to be a partner to Nina. Maggie offering to help Nina with her morning rush-- and Nina accepting the help-- is the sweet, romantic moment showing that these two are heading in a positive direction, both individually and together.

When Maggie gets back with the milk, though? After she's been out of our sight for a few minutes? She's behaving very differently.

During S2, Maggie is shown to be a pretty guileless character. She might have the occasional judgemental moment but she's not deceptive or tricky and she really wouldn't hurt a fly. When Maggie comes back from the milk run, though, her insistence on Nina dropping everything and going with her in that moment is not just weird behavior but manipulative in a way that could not be more out of character for Maggie.

Nina has been in an abusive relationship where she was afraid of displeasing Lindsay. Maggie is aware of this, as it's been the subject of multiple conversations between them throughout the season. So, when Maggie gets so bizarrely insistent on Nina dropping her work-- her livelihood, her purpose, her job-- to meet Maggie's demands in that moment? When this isn't an emergency of any kind and isn't at all time-sensitive and there is no objective reason why Nina should be halting her job to do what Maggie wants in this moment? Maggie is being controlling in a Lindsay-like way. She keeps at it, knowing that Nina will give in and agree to go with her because Nina is used to doing that with her partner.

Nina hesitates and isn't sure whether or not to go with Maggie for a moment and I don't really blame her? This is the complete opposite behavior to Maggie before she left for the mini-mart. Maggie is suddenly acting quite a lot like her polar opposite-- the Lucifer-and-Heaven-paralleling Lindsay.

Maggie is also literally on Nina's shoulder like a devil the whole time in the scene in which she's convincing her to step away from the shop and go across the street with her to the other shop for a chat and...

...listen to what we just said there...

...it's a parallel to the thing that Whoever Derek Jacobi Is Playing is doing with Aziraphale, is it not?

So, what happened on the milk run?

Who did Maggie run into at the mini-mart that we couldn't see in the ending of S2 without it giving the game away? I wouldn't be surprised if, on this mirror-happy show, on the other side of learning in S3 that it was The Devil with the coffee in the bookshop in The Final 15, we also had a scene that showed that, while on her milk run, Maggie had a run-in with Sister Teresa's killer.

Did Hastur possess Maggie as part of Satan's plan? Was the idea to use Maggie and Nina to further trip Crowley and Aziraphale towards disaster to get Aziraphale? If so, it kind of half-worked. I'm not convinced that anything Maggie and Nina said to Crowley really mattered-- I think they weren't telling him anything he didn't already know or feel and that it's largely misdirection for the audience. What was effective, though, was the impression Aziraphale got upon seeing them leave as he was coming in.

Maggie and Nina being back in there at this weird time and then rushing out with smiles and comments like that they were "just leaving" and they were sure Crowley and Aziraphale had "a lot to discuss" seem to have led Aziraphale to assume that Crowley had asked them to come back and to the conclusion that he must have done so to tell them of his intent to ask Aziraphale to marry him. It's Maggie and Nina leaving the shop that reinforce to Aziraphale the idea that, when Crowley stands up afterwards, takes off his glasses, and says he supposes he has "something to say", that Crowley is only trying to communicate a proposal and not a plan.

It's what helps-- big time-- to lead Aziraphale to not listen for a shred of coded language for the entire scene. Neither he nor Crowley are listening for that with one another, which is why neither of them can truly understand what the other is saying, but Aziraphale's part of that is really fucked to Hell by the presence of Maggie and Nina in the shop when he came back. That's all pretty suspicious since Maggie was out of our sight for a few moments and came back fixated on the idea that she and Nina needed to go to the bookshop right that very moment and that it couldn't wait.

The Final 15 is a dark parallel to The Baby Swap plot and Maggie and Nina are full of shadows of Sisters Mary and Teresa to a point that the final shots of both of them in the series are mirror images of the final shots of their S1 characters. Nina looking through glass at Crowley departing is the last shot of Sister Mary both in 2008 and 2019, while Maggie's last shot?

To me, it's one of the most eerie moments in the entire series because of how much it visually resembles Sister Teresa's death.

Basically two minutes after we hear about The Second Coming... in the same season where Maggie and Nina's partial-vavoom gives way to a (possessed?) Gabriel saying: the dead will leave their graves and walk the Earth once more... we are shown Crowley and Aziraphale's apparent adopted goddaughter unresponsive on the counter of her shop.

Is Maggie dead?

Is Maggie asleep, like we were led to believe she wanted to do earlier in the episode? Maybe. Is she comatose/unconscious? Maybe. It's just that, best I can tell, she does not take a breath during the shot which I feel had to be intentional on the part of Maggie Service, and she's in the same position as we last saw Sister Teresa in S1...

Then, there's the robbery theme and how Maggie and Nina foreshadow so much of the end of S2 back in this scene here:

In Good Omens, the shop is the character. Maggie is, symbolically, the records she sells. The show also explains that Maggie's shop used to be a part of the bookshop. Now, there are three characters, not two, who are A.Z. Fell & Co.: Aziraphale, Crowley and Maggie. At the same time, Aziraphale is also The Small Back Room. The shops are intertwined as the characters are, essentially, family in the story. The fate of one is the fate of the other, which makes what Maggie and Nina foreshadow when talking about Maggie's shop while trapped together in Nina's not just the fate of Maggie's shop in S2 but also of the bookshop.

Maggie says that if she can't close the door to her shop, someone could walk in and take records. Maggie is the records she sells so, symbolically, this means someone could take Maggie. We got a bit of a preview of that when Shax appeared to get into her mind during the attack on the bookshop and Maggie also became the one who unintentionally "let the robbers in."

These robbers, Maggie frets... they could empty her till-- take all her money on a literal level... take her mind, or maybe even her life, on another. (Not to mention the now chill-inducing use of money-related words and coins with regards to the paralleling Crowley...) These robbers could take forcible ownership of Maggie's shop-- so, of Maggie. Maggie's shop was born of the bookshop... so, they could take forcible ownership of the bookshop, too.

Not just the physical bookshop, though that, too. The symbolic bookshop. Which is not only Aziraphale but Crowley and Aziraphale.

But, if The Small Back Room was originally part of the bookshop, then the bookshop really isn't just Crowley and Aziraphale-- it's Crowley, Aziraphale and Maggie.

If the robbers come for the bookshop, they've also come for The Small Back Room because it is all born of the same, symbolic shop.

Is that what they did?

Is that why Maggie is last shown to us non-responsive in her shop?

Now, Nina's even more foreshadowing reply:

Nina said that, if she owned a record shop, she'd be more concerned about "someone breaking in and leaving more records behind."

What are records? They're the literal records in the musical and old film sense that Maggie sells, yes, and also Maggie herself. They're also books, like what Aziraphale sells, and Aziraphale himself. But they're also a third thing that's very much of note in S2.

They're also the life's work of a scrivener, like what Muriel does.

Nina foreshadows someone breaking in and leaving "more records behind"... which is exactly what happens in The Final 15.

Elspeth's graverobbing. Bildad stealing Job and Sitis' wine and food. The 1810 Clerkenwell Diamond Robbery. Aziraphale having the missing Shakespeare Robin Hood play in the box in 2.06. The robbery-based fantasy Aziraphale was telling Crowley in Lockdown: ...the other night, when a couple of young lads broke into the back and tried to steal the cash(cache)box!

The Final 15 is a robbery.

The last two episodes see the shop attacked during The Meeting Ball and into the next morning. Aziraphale is robbed blind of his entire life. Characters are taken hostage. Signals for help are tried and fail. The cop, it turns out, was a stooge for the robbers. Whoever Derek Jacobi Is Playing broke in through the open door and robbed the place blind, as Maggie foreshadowed. As Nina foreshadowed he would, what did the robber leave behind?

More records. Muriel.

To rob, as we know, is to steal. It's to plunder or strip a place from someone through force and/or violence. That is why it was once, in addition to being descriptive of physical goods stolen from a person, also a word that was used for rape, for which non-consensual possession has been analogous since the show's first episode. That is why some of us think that the music goes insane on the look to Crowley in the scene below. Satan is robbing Crowley-- forcing him to identify him as The Metatron to Aziraphale and the angels and to let Aziraphale go alone with him.

Satan attacked Crowley in front of Aziraphale and, while Aziraphale pretended he didn't see it, he did, which is why he led "The Metatron" straight out the door in an effort to get him away from Crowley. Because, speaking of characters behaving very weirdly... anyone have a better explanation for why guard dog Crowley sat in that chair like he couldn't get out of it and encouraged Aziraphale to go alone with a guy who once tried to kill them? It just doesn't make any sense unless his words are not really his own and there's only one character we've seen do that to him.

And if Crowley's not the only one behaving out of character, then what else happened to Maggie at the mini-mart but something similar?

What happened in The Final 15? Satan robbed the bookshop.

He and The Metatron don't give a toss about the shop itself and plan to destroy it alongside everything else once Armageddon gets rocking. They're there to get Crowley and Aziraphale out of the way for Armageddon by dividing and conquering. Just because we've yet to see blood doesn't mean this wasn't robbery by force.

Satan took hostages at the start-- letting the ones go he didn't care about go and keeping the ones most likely to influence the shop's owner: Crowley and Muriel.

Satan and The Metatron sacrificed Muriel to their plan, not caring if Muriel explodes along with the shop when they kick off Armageddon a matter of *checks watch* basically any minute now after S2. We think Muriel is better off in the shop at the end of S2 but I'm not totally sure they are. I think it actually might be one of the most dangerous places to be in right now. The bookshop didn't burn down this time-- it was burned as safe space in every possible way. It's a crime scene.

The Metatron and Satan are here for revenge. The Metatron is letting Satan have Aziraphale to get Crowley and Aziraphale out of the way for Armageddon. There is no real job offer-- it's all Satan tempting Aziraphale into falling. Satan's revenge on Crowley and Aziraphale is to force Crowley to help him take Aziraphale right out from under his nose. That's the start of it, anyway.

Besides Armageddon and daring to have a relationship and a sense of self outside of the demonic collective of Hell what is Satan really pissed at Crowley and Aziraphale about?

His kid. Adam. Crowley and Aziraphale helping Adam against him.

If Satan has been lying in wait, still very, very angry at Crowley and Aziraphale for turning his son against him and if he's now here for revenge, then who else besides Aziraphale is then most in peril here?

Yes, my Job-and-Sitis-paralleling poppet... your big, cross duck and your kids are most imperiled here and S2 showed us that your kids are not just humanity writ large but, specifically, Maggie. The Small Back Room is of the bookshop that is you and Crowley. Maggie is your Adam. Will Satan come after your daughter? It's a concept posed in your paralleling/foreshadowing story earlier in the season... actually, it was also the entire plot of that paralleling story earlier in the season as well...

I feel like not going with Ennon and Keziah's theories on Satan's behavior is probably the best way to form a Good Omens theory 😂 so I'll stick with the idea that Satan very much would dare leave a revenge body count of Crowley and Aziraphale's adopted kids, as the Job minisode proved he'd do even with the spawn of "God's favorite human", let alone anybody else.

As, speaking of foreshadowing lines, this is really even more S2 than it was about S1:

Satan will even have a whole pseudo-philosophical chat about it with you first, amused that he's standing in a place called Give Me Coffee or Give Me Death and ordering a coffee while the plan is likely for this place, the women making him the coffee, and everyone on this street and on most of the planet to be dead by tomorrow.

Maggie is the only character who actually asked for coffee using that exact word in S2.

[thewriteadviceforwriters]

I'm Kinda Terrified to Ask, But... Questions I NEED to Ask After You Read My Writing

I understand that many writers feel hesitant about sharing their work. It can be unnerving to think about others critiquing your writing. However, sharing your writing is crucial, especially if you're seeking feedback or thinking about publishing your work for a wider audience. Personally, I've only shared my work with a select few friends.

If you're thinking about doing the same, or if your friend has already read your entire piece, it might be helpful to ask them some questions to get their feedback and opinion on your writing. Here are a few questions you can consider asking them.

(Disclaimer: This is not my original concept; rather, it was inspired by something I saw on Pinterest. However, I did ask several friends who had read my work these exact questions, so I thought I'd share them with you all as well. Please let me know if you are able to locate the original creator of the concept on Pinterest.)

 Now That You've Read It, I Have Some Burning Questions

"So, uh, you finished reading my story... 👀"

• What was your overall impression? Did you enjoy it? Was it...you know, good? 😅

• Which character did you like the most? The least? And why?

• Was the pacing okay? Did the story drag at any point or move too quickly?

• Did the dialogue feel natural and authentic? Or did it sound a bit forced?

• Were there any plot points that confused you or didn't make sense?

• What was your favorite scene or moment? The one that really stood out to you.

• If you could change one thing about the story, what would it be?

• On a scale of 1 to 10, how would you rate it overall?

And the big one... 😨 Would you actually read more of my writing in the future?

anxiously awaits response

Before you go, why not join us at The Write Right Society? We're a supportive Tumblr community where writers lift each other up. Whether you're a newbie or a pro, we'd love to have you! Share your work, get feedback, and connect with writers and aspiring authors. 

[mundaneblue]

Alien Stage Theory time!!

With Round 7 just around the corner, I felt it fitting to look back on my theories I've gathered so far and very heavily believe in. But my most CRUCIAL one that I always feel like talking about is:

Ivan meant for both him and Till to die in Round 6.

So I am of the opinion that Ivan did NOT plan to do the whole sacrifice at all.

It was spontaneous.

And I have several reasons to back this theory up.

So we all know that ever since Ivan and Till were kids, Ivan had been obsessed with the idea of them escaping together.

He knew Till valued “freedom” and because he did, Ivan started to value it too. But never alone. Only with Till.

Since Ivan went back to Anakt instead of escaping after Till did the same because of the fear of leaving Mizi.

Even in the scene where Ivan finds Till passed out in around 6, he looks helpless, and cradles his face in a “Dont worry, it’ll all end soon” kind of way.

So when Till stops singing and Ivan approaches him to kiss, the kiss was NOT planned.

Now this was the factor that surprised everyone. Even Unsha. It was so unexpected that he wished he knew what Ivan was thinking, but that’s the thing.

Ivan WASNT thinking.

Even Ivan himself was shocked at what he was doing since he had no control over his actions at that moment at all.

And this correlates to ivan's eccentric behaviour. As we know that ever since he was a child, he never really felt like he fit in with his fellow peers. This is very interesting to me as in Black Sorrow we are shown this picture of Ivan being very uninterested in spending time with the kids in his class. He has this mundane look of unamusement.

But as we look at more alien stage content, we see that Ivan was actually one of the most social in his class. Everyone admired him.

This shows that the rounds/videos don't necessarily mean what was infact happening but what the characters themselves felt.

This is also why I believe Ivan and Till were way more closer than what Ivan painted in his rounds. He just never felt the same love from Till, hence his constant inner mantra of wanting Till to look at him.

Now we've gotten that clear!

The main thing I want to deliver is that Ivan is an unreliable narrator. And he doesn't know how to handle his feelings in a methodical way. He has this distortive, almost possessive view when it comes to love and honestly that, to me, is what makes Ivan Ivan.

Ivan doesn't know how to properly think when he's faced with his emotions. He's used to tuning out his emotions to do things. So when his emotions get involved? It's like an electric shock and he relies on the thing closest to him to hold on to.

And that thing is Till.

Ivan was obsessed with Till. I'm sure we all know that but people really undermine his determination when it comes to Till.

I really do believe that Ivan planned for both him and Till to die in R6 as an ode to their longing for freedom.

Because all Ivan ever wanted was to be free with Till.

The counter statements that suggest he wasn't choking Till and merely had his hands on him simply doesn't sit with me as the animation clearly showed Ivan's hands clenching hard as he progressed to choke him.

Look at the dent formed by Ivan's fingers on his neck, right at the crucial point of air supply.

And Till is shocked but as he's gradually losing air, his eyes start to get heavy and he gets ready to accept the darkness that follow

And while Ivan is getting shot, he chokes him even harder.

Because that IS his goal.

For Till and him to die so they'd be together in whatever life that follows hereafter.

I disagree when I hear that Ivan meant to sacrifice himself for Till. Yes that did happen at the end but it was never what he initially intended. His initial intent was far more dark and possessive. Which is very on brand for a Vivinos character.

However, now we're getting to the sacrifice part and I believe this is where Ivan had a turning point.

As he gets his final shot and basically sees he's about to die, he looks at Till in surprise.

Because no matter how much he wished for them both to be together, he can't kill his God. He can't kill his Universe. Ivan is possessive but Ivan is also weak when it comes to him.

This smile of his shows that sentiment. "Ah I really can't go through with it afterall"

Ivan always believed he and Sua were similar but he resented her for sacrificing herself for Mizi. He believed he was better than that. He won't ever do that. Wherever Till goes, he goes. Yet, when he was actually faced with the task of doing it, he finally realised what Sua felt. Because Sua, just like Ivan, was also quite possessive of Mizi.

He couldn't do it, and at that moment he knew that he and Sua really weren't so different. Only difference was that while Sua was loved, felt love. Ivan never felt it.

Ivan did everything for Till. He stayed at Anakt for Till. He pursued alien stage for Till.

And his last act was also for Till. He wanted his last action to be for himself, to finally grant his long due wish of being with Till but he couldn't do it. And while the sacrifice was spontaneous, it was just so...easy to do. Because again, Ivan thought Till never cared as much about him as he did (abandonment issues at their finest) so him dying wouldn't really affect him as much.

This makes Ivan so much more tragic for me. And this heavily fits him as a complex character.

"Thank you for being the victim of my shallow emotions."

When were you or your feelings ever shallow, Ivan...

[heartsforkento]

why you may be putting shifting on a pedestal and how to not do so

today we're talking about putting things like shifting or the void state on pedestal.

we'll mainly be talking about what it means to put something like shifting on a pedestal and how you can take it off the pedestal as well.

note: you can shift under any circumstances, whether you put shifting on a pedestal or not. however, if you do feel like it may be hindering your confidence in shifting, then you can work on it. also note that putting shifting on a pedestal is not the same as using shifting for escapism. they are completely different.

what does it mean to put shifting/the void on a pedestal?

let me give an example first. say you have exams coming up, lots of assignments to complete and it's really hectic. you think, "it's alright, i'll just shift to my IR. i'll be fine." or you think "i'll just try entering the void today." what you're doing here is depending too much on shifting or the void. but see, that's not the problem here.

the problem is you consider shifting to be something that's placed above everything else. something you give a special status to. and that's literally the definition of placing something on a pedestal. considering it to be an activity that has "higher class" than all your day-to-day activities.

and what has this reality taught us about things that are of more importance than regular things, or things that seem to good to be true?

it requires hard work. yes, that's what THIS reality taught us. everything that's good requires a good amount of hard work.

so naturally, when we place something on a pedestal, in this case, shifting or the void, we tend to associate it with something that requires hard work. by placing it above all our work, we may tend to assume that shifting is this tremendous activity, because our work required a lot of effort, think about shifting!

now, how can we not place shifting on a pedestal? how do we stop viewing it as a big thing?

firstly, grasp the concept of shifting properly. you do know that you can shift during the day as well, right? like you could blink and then be in your IR. it's not necessary that you're going to shift at night, or while you're lying down for a method. heck, you could shift while you're doing your assignments as well.

there's a reason why i'm mentioning this. this is so that people understand that you do not have to "make time" for shifting. so that you realize that you don't have to NOT do your assignment, so you can utilize that time for a shifting meditation or whatever.

shifting may be of high importance to you but is it something you put a lot of conscious effort and time over? no. it's like drinking water, which is essential, but i don't really put too much effort into it, it's just something that i do, something that happened.

now, how do i really take shifting off this pedestal? think of shifting as a hobby. a niche one that too. like maybe, taxidermy! it's just a little something you do in your free time and is always something you can do at any point in time, given you have the resources. which in the case of shifting, you already do. all you need is your consciousness right?

by associating it with something else, you'll change the way you feel about shifting. with changing the way you feel about shifting, you can effectively take it off the pedestal.

and of course, do what you have to do. know that shifting is going to go anywhere. you can shift in any point in time. under any circumstances as well. here's where i preach about the LOA as usual. but really, it's all low effort once you understand the LOA.

love,

rin.

[roblogging]

Its not that i dont agree because i do but theres bigger conversations to have

I think theres bigger things in the world and your world than the reboot and those are conversations you could be having ie Gaza?

hi anon !!

i am SO glad this has started a conversation !! so fucking glad !! i've seen a lot of people discussing it on tiktok now (a lot of my mutuals too so ily). i'm glad we're talking about it now because as i said in another post here on tumblr (the one where i had 47 trans people reach out to me and tell me about the transphobia they've faced in the fandom) this is bigger than a reboot.

and i do have bigger worries in my world, you're so right. my world is so messy in so many ways.

which is why i discussed how to make This world, the marauders fandom, feel safer and more inclusive. because i don't want to be arguing with my hormone clinic about the prices being raised, as i do every two months when they're raised to try and steer me off of it, and then come home and "relax" in fandom to see people hyping up something that profits jkr. i think that's valid.

i think this is a valid discussion for this space, right? i think the "what about xyz" view of conversations is actually more harmful?? we absolutely can discuss more than one thing at a time but i do also think that the hyping up of a reboot of the franchise on which our fandom is built upon but claims to be entirely against the franchise creator? i think that's a very big discussion that absolutely does need to be had in a queer-based fandom that a lot of trans people engage in.

and because, as stated, we can discuss more than one thing at a time:

here is the link tree that is accessible via my tiktok (and has been for months). here you can find gofundmes for palestinian families that have reached out to me for support, charities for palestine, information on gaza, and resources for congo, sudan, and trans rights (also putting together a lebanon section <3)

here is a link to my "🇵🇸river to the sea🇵🇸" playlist on tiktok . the videos that i have made for palestine are all in there, and they all have resources in the comment sections (such as exchange rates, families to follow and support, and people within the fandom that are offering buddy systems for donations)

here is the link to my public favourites folder full of videos to boost, families to support, informative videos, ways to indirectly support etc.

and if you go to my tiktok here and check the third pinned video, that is for Haneen and her family who still need as much support as we can offer <3 (gofundme here: please be wary of exchange rates !! NOK is a very weak currency, hence why the amount of donations is so high but funding isn't)

i will continue to discuss what i believe strongly in, regardless of how many conversations that takes. there is no limit on support, and there is no end to change, and it is possible to discuss the things that harm us personally, and those that harm others at the same time.

what a silly thing to say i fear

[grapejuicegay]

Okay, friend

[kashmirichaiwithmehr]

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[sherlock-is-ace]

.

[swinging-stars-from-satellites]

it's like. everything happens so much. it's all happening right now but at the same time nothing is happening whatsoever. it's a liminal space of an existence. it's slowly crushing me under the weight but when I look up there's nothing actually bearing down on me. there shouldn't be any weight. something is wrong but nothing has happened. I'm simultaneously overwhelmed and utterly bored. nothing is happening and maybe that's the everything that's happening. maybe the everything is the nothing. we aren't there yet but it's all so imminent. either everything is going to crash down or nothing is. I'm just waiting to figure out which.

[professorxsmokesweed]

posting about how both charles and erik make valid points/have justified concerns and that arguing over their fictional politics is just about as stupid as the way they both handled the missile issue while also talking to myself inside my head about how it wouldve been funny as hell if erik shot charles on purpose instead

[chiropteracupola]

a little pain now, to save a great deal more pain later

[flintlock fortress is a collaboration with @dxppercxdxver]

[sskk-manifesto]

MITCHELL AKUTAGAWA EPISODE!!!!!!!!!!