#i thought maybe the sacrifice one would be him

[nathaslosthershit]

Some Bad, But a Whole Lot of Good (LS2)

Summary: To the fans, it wouldn't be unreasonable to assume the week after his replacement had been hell for newly dropped Logan Sargeant, but to the people who knew him, they weren't worried. Warning: James Vowles slander, a lot of it, I made Logan yell at him because I want to yell at him

Getting fired a week before your first child was born wasn't on anyone's bucket list. But here Logan was.

He was mad- no he was furious. Sure, the past few months with the team have been miserable, but this was the worst timing possible.

"Why now? Why not the two weeks we were off on break?" Logan asks yells. He doesn't lose his cool, at least not like this, not by yelling at his boss.

"Logan, you have to understand we are in between a rock and a hard place. I am truly sorry but it's a difficult time for us-" Vowles begins to explain.

"A difficult time for you? I am about to have a fucking baby, James. Next week! What the fuck am I supposed to do?" He got up and ran his hand through his hair. "You just had a baby a year ago, I would have thought you of all people would have thought this through more."

"Believe me, we have Logan, we have discussed this at length for a long time now."

"Oh fuck you! You have been thinking about this for a long time and choose now to do something about it? God, James, why do you hate me so much? I know I haven't met expectations, I know I have fucked up, but I still have given everything to this team and this is how you end it?" he finally met his boss'- ex boss' now, I guess, stare.

As Logan looked at his team principal, he tried to see any remorse or sincerity in his eyes but just as he had suspected, James' apology was bullshit, completely insincere. He knew this wasn't going anywhere, he didn't even know why he was fighting.

Formula 1 had been the dream for a while. Logan had let himself sacrifice everything he could to achieve it. He tried to tell himself that he had made it and that he was happy, but it wasn't true. He couldn't face the reality of the dream he worked so hard for not being everything he had imagined.

After meetings about contract termination and how they were to proceed, a sad little goodbye party filled with people that were probably thrilled to have him go, and an actually heartfelt apology and goodbye from his teammate and those he worked closely with, the American left the factory for the last time.

The most difficult part of this whole affair? Telling his very pregnant wife that he was now unemployed, a week until their first child's due date.

After tears, cursing a certain British boss' bloodline, and dissociative silence, Logan sat next to his wife as she suddenly burst into laughter.

He was stunned, she was practically doubling over, at least as much as she could in her current condition. The sight so ridiculous given the circumstances that he began to laugh too.

Several minutes were spent laughing until their stomachs hurt and then trying to catch their breath before either one of them could say another word.

"This is such terrible timing!" she said, wiping her eyes as she continued to giggle.

"Could not me a worse time" he replied as he started to laugh even harder.

"God, we shouldn't be laughing at this! We have officially lost our minds"

"Perfect timing too! Just like everything else"

It was ironic, this was the absolute worse scenario Logan could come up with but this was also the hardest he had laughed in a long time. When was the last time he actually laughed? The last time he actually felt joy about anything involving his job?

As if she could sense what he was thinking, she took a few deep breaths, finally calming down, as she said, "This is insane of me to say, but maybe this is a good thing?"

He knew where she was going, he thought the same, but he needed to hear her rationalize it before he agreed.

"I mean, honey, you were miserable. And I am sorry because I did love some of the people on your team but most of them were jackasses! It was such a time commitment and you have spent so long giving everything to them just for the team to spit in your face. Plus, with savings and such, we have enough to be fine for a while, even with the baby. You finally can put your family and yourself first"

She was right, it was time he admitted to himself how much he had hated his job in the past few months. How miserable it made him. How he could hardly enjoy anything in his life because he was always thinking of how to improve, how to show he still has potential even with the shitty car he was given.

"Im sorry. I- its not fair that I spent so long chasing a dead end dream that I couldn't actually enjoy what I do have. I mean, I could never race again and I would be 1000 times happier with out little family then I could ever be in F1. I will never not put you both first again." He said as he looked at her, held the bump, and genuinely got to relish in what was to come.

The first race weekend since Logan was replaced, he wasn't stewing in his misery, he was sitting in the hospital next to his wife, holding his first born, and the last thing on his mind was what was happening anywhere else in the world outside of the room his entire life was currently in.

logansargeant

liked by alexalbon, jensonbutton, and others

logansargeant New job

user1 hey! so this is insane

user2 unemployment has never looked better

alexalbon This is a crazy way to hard launch fatherhood but good on you, mate!

logansargeant got to keep them guessing

user4 dilf era yes please

oscarpiastri how long is the contract?

logansargeant full time for 18 years, then after there is a bit more leeway, but there is certainly no retirement in my future

user3 replaced right before he had a BABY?! oh that British fuck better watch out

jensonbutton Such a big moment! So happy to see where life takes you, I know it will be great!

A/N: Had to finish this right after the news he is testing for indycar in november dropped!!! U-S-A U-S-A!

[peepeepy]

a lot of people who've watched gravity falls think that stanford is unsympathetic or a bad character, and most of the people who dont think that think stanford is at least selfish and flawed, which i can't really refute, but it always made me feel so awful, and i never realized why until now.

if you look at stanford pines as an allegory for a child with a developmental disability like autism or a "gifted kid", then a lot of the pieces start to fall together.

⚠️spoilers for gravity falls, the website, and maybe a bit of the book of bill⚠️

stanford pines was born with an "extra finger", a symbol for a disability. for a while, everyone thought it was a flaw. he was teased and shunned by his peers,

but then, people began to notice his genius. it even says on thisisnotawebsitedotcom.com, when you enter "sixer" or "stanford", that he has a "hyper-ability", something many people will say about "gifted" autistic people.

as soon as people started to point this out, everything felt like it made sense to ford. as a person who grew up with autism, i can relate to feeling alienated from my peers, and wondering "why? why, in a world made for normal people, was i made wrong?"

that kind of thought can lead to a sort of delusion.. that maybe you were destined for something great. maybe you were different because one day you would use it to change the world. i believe this is the way ford felt when he was approached by bill

bill came to ford and told him everything he'd ever wanted to hear.. that this feeling was real. that he was destined for greatness. that he was better, smarter, more special than the ones who had shunned him.

bill told ford that building the portal would make him a hero, make people finally see him as more than an extra finger. the one problem?

bill was a liar.

he used ford's selfish thoughts to trick him into making a gateway that would end the world. he used the years of mockery, the alienation, the loneliness, and he came to ford when he was alone, trapped, with nowhere to go.

he offered ford the opportunity to get back at a world that was built to knock him down at every turn, a world full of people who would never understand him. he offered to make ford a god.

and ford refused

he refused, even in a world that had done nothing but tear him down, to hurt others just to feel better about himself. he only had a few people who had ever cared for him, and yet, he was willing to destroy his life's work to save everyone who had made him miserable.

remember, he fully intended to stay trapped in the portal for all of eternity. that's why he was so frustrated when stanley brought him back. what we saw as a heroic act from stanley, ford saw as stanley refusing the sacrifice he had made to save him. he didn't thank stanley because nobody thanked him. no one thanked him for his hard work or sacrifice or his years of suffering just to protect stanley.

that, of course, led to this scene, which many people saw as stanford's most frustrating moment.

i think this post sums up really well why stanford, in this dire moment, would choose to insult his brother. because stanley was being selfish, too. stanley refused to help save the world, save his brother, all because ford never said "thank you."

they were both selfish. everyone is. they didn't fight because they were bad people, but because they both saw things from their own perspective. they were each hopelessly lonely without each other, but both too prideful to admit it.

in the end, they make up, and both follow their true dream. not money, not fame, just staying together.

stanford pines is not a bad, unsympathetic character. he is a complex, misdirected, "gifted" child. his only flaw was not seeing that he wasn't alone. his family was right there to support him the whole time.

[bloogers-boogers]

0*/**/20**

"My first time with Adam... now that's unexpected to write, think or say.. but it was unfortunately anticipated from the start of this whole marriage arrangement.

Where to begin? It was awkward. At the beginning, just by taking our clothes off was a struggle. Seeing for the first time in ages Adam's bare skin again... it felt like a curse, so soft and fragile looking like the human form he once bore. I couldn't dare touch it, nonetheless look at it so... exposed. It was exhilarating to say the least, but I would never admit it out loud to anybody, mostly not to Adam!

One of Adam’s worst qualities is that he was in fact beautiful. From the beginning of time to his worst possible fate becoming a fallen.

To believe Eve ate this man for dinner every night in eden is to envy. And I could now understand Lilith's fantasies of having the first man on fours and willing to take one in.

At first, ofcourse Adam would protest of the mere idea of bottoming, I didn't expect him to react positive or want to be the one to submit. But it was either that or be thrown back to the streets of hell, cause there was in no way a possibility of me ever submitting to Adam. After all, I've done already plenty of favors!

Aside from that issue, haha! There was plenty of more! Oh boy—! You'd think it'd be easy with our history? FUCK NO.

I wanted to scream the moment I had touched his shoulder, his skin burned against my fingertips. Not even the amount of pain I felt from my fall could compare! Okay... maybe I'm exaggerating a little... that shit was painful as fuck. But you get my point!! It was fucking odd!!! There's things an angel can predict but not this! Never this!

I never thought I'd fuck Adam! Adam of all people!!

And he's my fucking husband too!!!

And the worse part, it wasn't even bad. Yes, it started off awkward but it evolved immediately to something passionate and wreckless, the type of wreckless you could almost consider tender. Adam's kisses were desperate and suffocating, it was almost funny how he was trying to catch my pace. Almost. Because it was hot. Cute. CUTE erghhhhgg!!

Husband! Husband! Husband!! That thing is my husband! The thing that wanted to kill my precious daughter is my husband!

His messy hair, his golden sultry eyes, the drool sliding down his mouth while he chanted my name repeatedly shouldn't have been so memorizing under my gaze.

It shouldn't have felt so good to take him. After everything that happened. After all the sacrifices, betrayal and bitterness. It shouldn't have felt so sweet and right for me to claim Adam that night as mine.

The bite marks, hickes and bruises are only reminders of our honeymoon sins.

This is the last I'll ever be touching Adam, but it was sure an experience I'll never forget. A haunting memory."

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[rockwgooglyeyes]

Although this is extremely late, what would you say happens during and after Nyx’s and the other’s escape?

HI (I am assuming) PARA!! I'm so sorry that I never wrote something for the aftermath of Nyx's round, I had a draft but I just moved into my flat at uni and my flatmates moved in last Sunday and it's been kind of super chaotic since. I haven't had much time to write. But the finished product will be in this ask-response, for simplicity's sake. If that's okay with you

LOG (SUBJECT: Round 18 - ONYX LOSS)

SPECIMEN: 001247 (ONYX)

When the lights go out, fear is the furthest thing from Nyx's mind.

Why would he be afraid? Lang won, she won, he's so happy he could cry. She deserves it, she deserves the world, he wants to hug her and kiss her forehead and tell her that he loves her before he goes. He clutches onto her, their dance stuttering to a stop in the muddy black. He can hear the alarms going off, the panicked screams of the crowd, the footsteps clattering through the arena and the gunshots ringing out, but it all feels far away. Lang starts to push him away, her hands shaking, but he holds fast.

"It's just me, please," he rasps, voice breaking on the last syllable. She goes still in his arms, wariness clear in the steely potential energy of her limbs. He finds her forehead with his hand and brushes away her bangs from it, bending down to press a kiss to the revealed skin. "Thank you, Lang, for being my friend. I love you." She hesitates, hands twitching where they rest on his chest, before hugging him. She squeezes him tightly and lets go all too soon, distancing herself from him. She takes one step and then another, getting farther and farther each time.

Letting out a shaky breath, Nyx lets her go. Lang doesn't turn, she doesn't run away, she watches him unflinchingly in the murky darkness. If there really is an afterlife, he thinks, I will miss her when I get there. Maybe I'll get to see Kyo, or Cas. Tov might even name a constellation after me. He doesn't follow her, simply standing there and waiting for death to come. He doesn't care how it's done, whether it be a bullet through the chest or someone slams him to the ground and bashes his head in, it doesn't matter. If his last memory is one of pain, then so be it. He deserves it, after all this time of living past his expiration date.

See, it was as soon as he realized that Kyo would never love him back, it was when he first set his eyes on Asahi, it was when he stood on stage at graduation- those were the moments that told Nyx that he wouldn't make it past twenty. Here he is, though, twenty and something months, however many days over his allowance. He doesn't regret it, the moments he had in that stolen time. He was able to tell Tov he loved her, he got to tell Vera goodbye, he saw Aurien one last time and Solei, well, Solei is still alive. He just hopes that they're happy.

Nyx can't help but laugh- Tov will be absolutely furious with him for dying. For losing. At least, he hopes she hates him for it, that it makes it easier to accept that he's gone. Part of him still wishes he had done something other than laugh. He wishes that the last thing he said to her was something gentle, sweet, but he supposes it wouldn't have been true to form. He's not a sweet, gentle person. He's brittle and sharp around the edges and cruel when it counts, bitter when it hurts. Still, he wishes that he had done something better than laugh when she told him to win. He laughed because he had nothing to say, because he was surprised, because he was astounded that Tov thought he even stood a chance. After all, she knows the truth, that Cas threw the round, that he'd done it as some kind of sacrifice, some sick act of love.

(Really, Nyx should have known from the beginning, that something was off, that Cas wasn't trying as hard as he should have been, that he wasn't pouring his heart out into it like he would've been had the circumstances been different. He should've known that the calm, the acceptance in Cas' eyes was a harbinger of doom, an omen for what was to come. He didn't. He was too foolish, too naïve, too stupid to see the truth.)

When a hand clamps down over his mouth from behind him, he doesn't scream. He doesn't fight. He waits for the end, no resistance, no questions, no fear. Maybe that's why it takes him a moment to make out Aurien's voice, pleading with him.

"Nyx? Nyx, can you hear me?" He blinks, turning to see his little sister, standing stark in the darkness. Inky strands of hair is dripping into her wild eyes, she pulls down a mask covering her mouth, breathing heavily as she watches him.

"Aurien," he murmurs, breathing her name in a hushed whisper, reverent as a prayer. He takes a step forward and tucks her hair behind her ear, cupping her face with a hand, stroking his thumb down the delicate curve of her cheekbone, the gentle flutter of her eyelashes. She leans into his touch, smiling slightly and releasing a sigh of relief. "You're not supposed to be here." What happens next doesn't make sense, her eyes flashing open, fury flashing in their obsidian depths.

"Nyx," she intones, warning obvious in her tone. She places her hand on top of his, her jaw twitching with barely constrained rage.

"I've already stayed too long," he tells her, running his fingers through her hair, just as he used to when they were children and he was comforting her while she cried. "Please, save Lang instead. She doesn't deserve to die." She jerks backwards, ripping his hand away and stumbling, looking shaken to her core.

"What are you talking about?" She demands, throwing her hands up in the air. "You don't deserve to die, either." Nyx barks out a laugh, shaking his head.

"Of course, you would say that," he sighs, looking down at the ground. "But Cas died. He died so that I could live. Kyo is gone, Vera too, that's not even mentioning Tallis. You and Solei are happy, now. I'll just drag you down, with my cynicism, my baggage. You're better off forgetting about me."

"You-"

"I don't deserve to be saved."

"Well, good thing that I don't fucking care whether or not you deserve it," Aurien snaps, eyes flashing dangerously. "You're coming. We're saving you. No buts."

Of course, right after she says that, a whistle pierces the air and punctures her in the side. Right where she was shot the first time. Right where Cas was shot. Nyx catches her when she falls, grasping at her arms with shaking, sweaty hands. She coughs out blood onto his shoulder, trying to push herself back up and failing. Nyx should be helping her, he knows he should be helping her. After all, she's real.

But his vision is flickering in and out, Aurien's hair turning curly, the color of dried blood, hemoglobin on silk. She looks up at him, says something, but he can only see Castor's face, smiling at him with bloodied lips. Nyx can only hear the laugh that bubbled out of Castor in his last moments. Nyx's heart is beating the drums of war in his ears, chest heaving and tears budding in his eyes. He presses his hand to the wound in her side to stem the bleeding (like he did with Cas) and she hisses in pain just like Cas did.

Nyx chokes on his own breath, stuttering backwards, unable to do this any longer. Aurien makes a noise in surprise, crumpling to the floor, just like Cas did. Just like Cas did.

"It's not, real, he's gone," Nyx hiccups out, shaking his head, pressing the heels of his hands to his eyes. "He's gone, he's gone. Please, please," He repeats it, a broken record catching again on the needle, attempting to self-soothe in the face of a fracturing psyche.

"Onyx," a voice cuts through his delusions. He barely hears it and when a hand suddenly grabs his forearm, he flinches away on instinct, eyes wide, panic taking over every other faculty of his mind. The owner of the hand is he doesn't recognize, with white curly hair and a face mask just like the one Aurien was wearing, and they're looking at him sternly. "We need to get out of here."

"Wh- I- alright," Nyx acquiesces, too tired to fight anymore. "Where're we going?" His voice is hollowed out and rough, broken by his crying.

"Surveillance room," the white-haired person grunts out while picking up Aurien gingerly and holding her over their shoulder. "You know a way there?" Nyx nods, scanning his mind for the shortest route from the stage. He beckons them to follow him and darts off, lowering himself down off of the stage and going to the undercroft beneath the stage through a hidden panel. The person ducks in behind him, seeming surprised at where they end up, the racks of costumes, the tools and other supplies, microphones and cords strewn about. Nyx weaves through the mess quickly, leaving his companions to catch up as he rewires the lift to bypass the security lockdown.

"I wouldn't risk the lift if we didn't have someone injured," Nyx says quietly, fingers tangles and disentangling the cords he pulled from the outlet. Finally, the lift dings, the light turning on as the doors open with a hiss. The person holding Aurien nods to him and enters the lift. Nyx presses the button inside and opens up the admin panel to program a no-stop straight shot to the surveillance room. "See, the thing is, the undercroft and the surveillance room are directly connected because they're both backstage work areas." Nyx doesn't know why he's talking, not really, but the words are spilling out of him and it feels good to fill the silence up with something other than the hum of the electricity and the whispers in his head insisting that this isn't real either, he's already dead and this is some grandiose delusion of heaven.

They actually reach the surveillance room before the person holding Aurien even responds to his rambling which feels a bit like a blessing in disguise. There are two people already in the surveillance room, one of which whips around to face them while the other stays hunched over the admin panel, presumably doing damage control. Funnily enough, they look like Ryu and Ji-Woo but that's ridiculous. Those two went missing.

"Nyx?" The person that looks and sounds like Ryu exclaims, amber eyes widening. "Shit, what happened to Aurien, Bunny?!" The person carrying Aurien, Bunny apparently, lets out a sigh and walks out of the lift, dragging Nyx with them.

"She got shot, Ryu, obviously," Bunny answers. "Now, where's our muster point? We can't just hole up in here."

"I'm working on it," Ji-Woo barks out. Nyx has decided that they must be the real Ryu and Ji-Woo, no matter how ridiculous that is, because they both sound like them and look like them and Ryu got called Ryu by Bunny and Aurien is the real Aurien and- fuck, he should really just shut up. Ryu glances at Nyx out of the corner of his eye.

"Hey, are you okay?" Nyx blinks, frowning at Ryu in confusion. "You seem shaken up." Nyx stares at him for a moment longer before trying to smile.

"Never been better," he lies through his teeth. He's definitely been worse but suffice to say, this not one of his better days.

"I've got a muster point from Solei, c'mon, we need to go," Ji-Woo says as soon as he sends out a command for a system wide 24hr shut down. "We meet at docking bay 4D in the Φ wing. You know where that is?" Ji-Woo glances to Nyx who blinks in surprise before nodding. He finds his way to the front of their pack before darting ahead, scanning the hallways for any guards as he slowly orients himself and takes them through the weird back alleys of the arena.

"How do you even know these are here?" Ryu asks at some point while they're in an abandoned fuel cellar in Φ wing.

"Uh, trial and error mostly," Nyx replies as he tries to remember whether they go right or left from here. "Oryon took me to the last two seasons of ALNST but it didn't really supervise me well so I wandered around."

"And you never got caught?" Bunny inquires, skeptical and for good reason.

"Oh, it's left," Nyx realizes, beckoning them to follow him through the gap between two walls where there used to be insulation, before the wing was decommissioned and set for demolition. "I mean, I haven't gotten caught doing this yet." Finally, they emerge in the bay after going through the vault in the ceiling, where all the old electrical is still hanging from the rafters.

"You would have been useful to have when we did this before, Ji-Woo and I kept getting lost," Ryu remarks. Ji-Woo blushes and elbows his partner before breaking off to find Solei. He waves them over to a bulky object covered by a dusty tarp after a moment. He and Ryu drag the tarp off and Solei pops up from the bed of the truck, eyes huge and wary in the dim. Bunny settles into the bed of the truck as well, putting Aurien down gently in the pile of bedding there so that she won't get jostled too much. Solei chirps, panic obvious in their tone and Nyx feels guilt pool in his stomach. He gets into the passenger seat after Ji-Woo settles behind the wheel, unable to face his sister who he was unable to help when she needed and the friend who loves his sister as much as he does.

Nyx thinks the best thing that happened tonight was Lang surviving.

Perhaps, Nyx is not good at accepting good things.

I will tag @starry-skiez because Ryu & Ji-Woo belong to him, @bluemoonscape because Castor & Kyo belong to him, @apriciticreveries because she's Aurien's mama, @solei-eclipse is Solei's creator, @rosedeleca for Bunny & Rose. um. @zerostyrant because he asked to be tagged <3 oh and @ivanttakethis because i mention Tov <3

[writingforbordem]

Unachieved Dreams

Charles Leclerc Imagine

Summary: Every person has dreams in life, Charles is becoming world champion live every Formula 1 driver wishes to achieve one day and Y/N was becoming a wife and mother, but Charles achieving his dream was stopping Y/N from achieving hers.

The scent of the evening sea breeze from Monte Carlo swirls in the air as you sit on the balcony, looking out over the shimmering lights of the city below. A glass of wine sits untouched beside you. The quiet hum of the streets can’t drown out the echoes of your thoughts, the words you’ve replayed a thousand times since he left the apartment earlier today.

"Y/N, we both knew this wasn’t going to work out."

Charles' voice had been calm when he said it, too calm, as though the gravity of his words didn’t carry the same weight for him that they did for you. You thought about his hands—steady on the wheel, gripping the trophy, but cold when they let go of you.

It was always about the championship. From the day you met, you knew he had one goal: to become world champion, to be the best in a sport where only victory counts. That was his dream, the one thing he couldn’t let go of, couldn’t sacrifice. You’d admired him for it, fallen in love with that relentless drive. But somewhere along the line, it became clear that your dreams weren’t part of his.

You wanted more. You wanted a home. A family. To be a wife, a mother. You’d whispered those dreams to him late at night, in the moments between races, when you were both tangled in bed and everything seemed possible. And for a while, you believed he’d share that dream with you, too.

But then came the races, the endless travel, the pressure mounting on his shoulders. He could handle the physical strain, the crashes, the mistakes—but he couldn’t handle the weight of your dreams. You asked for a future together, a life beyond the finish lines and podiums. He asked you to wait. Always to wait.

"I love you, Y/N. But I can’t give you what you want. Not now. Not while I’m still fighting for this."

His words felt like a punch to the gut, as if you were the one holding him back, standing in the way of his destiny. Every driver dreams of becoming world champion, and every moment spent with you was, in his eyes, a distraction. But to you, he was everything. You would have traded every podium, every grand prix, just to have him by your side.

He made his choice today.

You sigh, your breath shaky as tears brim in your eyes. You wonder if he even hesitated before leaving you standing there, shattered. The Charles you knew wouldn’t have, and that was what broke you most. You knew this day was coming. You'd seen the signs, felt the growing distance every time he came back from a race. You were the one with the unfinished goal now, the one whose dreams were slipping through her fingers.

Becoming a wife, a mother—it seemed so simple in comparison to his grand ambition. But in his world, those dreams were secondary, smaller, not worthy of slowing down for. He was always going to chase the world championship, always going to sacrifice everything for that victory. Even you.

A tear falls, landing on your hand, and you realize that no matter how much you loved him, you couldn’t keep sacrificing your dreams for his. The realization hurts, ripping through your chest like a wound that would never fully heal. But there it is, raw and real. You were never going to be his priority.

You wanted a life together. He wanted a trophy. You wanted to be his future. He wanted to be a legend.

As the stars twinkle above, you realize that love wasn’t enough to hold onto someone who was destined to belong to the world, not to you. Charles would always choose the podium over a shared life. And maybe, just maybe, it was time for you to let go and choose yourself.

In the distance, you hear the faint roar of an engine. Charles is out there, chasing his dream, while you sit here, mourning yours.

But tomorrow? Tomorrow, you’d start chasing yours again.

Even if it meant leaving him behind.

Anais’s thought: Hi this is my first fan fic! If you’re reading this thank you for reading it, I hoped you liked it and feel free to leave and request or any feedback! Love Anais❤️

[scuderia-hamilton]

listen i don't like Daniel, that's a fact, but what's been happening to him during the course of this weekend has been nothing but cruel, unfair and frankly, disrespectful (even if the rumours turn out to be false). i hate nothing more in this sport than teams just dropping drivers in the middle of the season, with little to no warning whatsoever, if they didn't perform to the expectations. these people made and are still making so many sacrifices to be able to be in this sport, they work so fucking hard and i just hate seeing it go to waste like that. it's simply not fair.

you can come up with the regular excuses of it being a cutthroat sport, them being rich, white, privileged men, Daniel performing poorly, i do not care. yes, he hasn't been performing the way the team expected him to do so, but at the end of the day, he's still human and no one deserves that kind of treatment. rbr has been fucking over their drivers left and right and i absolutely despise that more teams are starting to do the same.

sending him out there to give interviews and answer questions about his own future in the sport, when he doesn't even know what it will be, is honestly the lowest of the low. they know exactly how nasty and rude f1 media is and a team putting their own driver in that position is something that should not be normalized. seeing his post race interview made my heart ache for him, he was literally a second away from crying then and there.

just as i've been upset about Nyk De Vries and Logan Sargeant being dropped in the same way, i feel the same for Daniel. it's not about whether you like a driver or not, it's about the principle. this is their dream, the thing they've been working for since they were literal toddlers and seeing it ripped away from them, without even giving them a proper shot is just inhumanely cruel.

i know that Daniel has been around for a while and he got to live his dream, but i still think it's unfair. rbr has been promising him this and that since he replaced De Vries last summer, just to (allegedly) drop him the next season with six more races left. even if they really want to replace him, then let him finish this season. he deserves that much.

i'm excited about the possibility of Liam finally getting a real shot, don't get me wrong and if he really ends up replacing Daniel, i'm happy for him, but i would like him to come into the sport under different circumstances. i also think that hating the driver who replaces another one, is pointless and frankly, stupid. this is not their decision, they obviously take the opportunity, cause getting into f1 is nearly impossible.

this is basically just to say that maybe we should remember from time to time, that they're not just athletes, but real people with feelings and we should always stay kind and compassionate. i've already seen so many hate posts about him, which shouldn't surprise me, but it did. this fandom likes to just jump on a person who's an easy target at the moment or pick and choose who they don't like at that time and all hell breaks loose.

the same thing happened when there were rumours about Daniel replacing Checo and all of a sudden, everyone had an issue with Checo's performance, him as a person, his actions and everyone thought that he deserved to be replaced. you don't have to like all of them, but at least be consistent with your opinions and know where the line is. you can't be upset about one driver being replaced mid-season, then turn around and wish that to happen to a different driver. that's hypocritical.

[deathfavor]

which tragic death would you suffer

the sudden

it happens so quick you won't even realize it. like being hit by a car, or having a heart attack. one moment you're here, the next you're not. you don't get to prepare. your family will spend months sifting through your belongings, not knowing what to do. your friends online will never know why you don't come back. you die thinking you're alive, face still preserved with your last emotion. you don't get to say goodbye.

tagged by: @shackld​ ( thank you!) tagging: im not sure who hasn’t done this yet since i know it went around a while so if you haven’t done it, i’m tagging you!

[endawn]

thinking more about hunger trying to re-possess pax again and -

[skrunksthatwunk]

kinda drives me up a wall when people go "hey i think x action in a war/combat scenario is inhumane and cruel and shitty" and someone responds with "oh but within the laws of war it's allowed or there's procedure for it etc etc". it doesn't have to be a war crime to be unforgivable man it's a shitty rulebook anyway

[bmpmp3]

the really beautiful landscape/skyscape animation in makoto shinkai's works tends to be the big thing i see focused on and that is understandable and deserved like the weather and lighting effects are unREAL but i do think we should also appreciate how absolute insane the plotlines of his original movies get. at least two movies with in universe catastrophes with major ecological implications. the guns and explosions. theres that one movie i havent seen yet with the guy who turns into a chair (?)

[dilfkuza]

watching Nishitani's death scene always leaves me devastated. like noooo king you can't die you haven't gotten your rocks off in a decent fight yet

[paradoxspaceheater]

i like to call him lazarus...

[image description: several drawings of varying quality of the young bard from the boy and the whirlwind.

in the first he is holding a book of music and looking slightly disgruntled while his wisp friend floats near his shoulder.

in the second he’s running off excited with his lyre clutched to his chest while somebody from offscreen yells “Lazarus! Don’t forget your chores!”.

the third is a black and white headshot. he has a serious look on his face while he says “My life is a small price to pay for the end of tyranny.”

the fourth is two simple headshot drawings in a similar style to the third one. in the first one he says “I’m the best bard who ever lived!” with a determined look on his face. in the second panel he rolls his eyes frustratedly and adds “Or I will be once I learn this chord...”

end id]

[my-thoughts-and-junk]

still thinking about my ideal horror game

[karouvas]

not saying I will actually write this but inspired by before I fall if I did write a Gansey’s death loop fic who should be stuck in the time loop; Gansey himself, Blue, or both Blue and Adam?

(I dismissed Adam only as an option because I’ve read a fic about the same concept thought it was done beautifully don’t think I have a better take on it.)

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[curryshesus]

jeon jungkook fics that had me going feral

hi guys, here's a part 2 to my favorite jjk fics on tumblr! note that many of these fics contain 18+ content. you are responsible for the content you consume! as always, if you enjoyed any of these fics as much as i did, please take a moment to send some love to the authors! part 1 | other bts members

➺ cold nights & blurred lines - by @awrkive

summary: jungkook and you have been in a sexual relationship with each other for four months now, and it’s casual for the most part. but as time passes, you can’t help but feel that some of the lines suddenly got blurred in the process. is it a cliché to blur the lines with your fuck buddy? it definitely is. will you do something about it? both of your emotional constipation have a hard time saying yes.

➺ night crawlers - by @alphabetboyluvr

summary: jungkook’s always been good at running. track, field, red lights, shit outta luck. drugs, now, too. but he doesn’t expect to run into you. in your shared lecture halls, sure. maybe. but not down the back alleys of daerim at ass o’clock in the morning. there are only three types of women he ever sees in daerim: hookers, sugar-babies and addicts. you aren't any of those; you're a trust-fund baby who can get percocet on private repeat prescription, if you really want it. he's sure of it. so it then further begs the question: why the fuck are you here?

➺ this is how you fall in love - by @jeonqkooks

summary: after years of drinking and clubbing most days of the week and leaving every gig with a different girl on his arm, jungkook feels what it’s like to want someone with his entire being.

➺ the dilf installments - by @mercurygguk

summary: this series follows jungkook’s life as a divorced father. but wait, how exactly does one balance being a father, a boyfriend, a friend, and a respectable boss at the same time? read the installments below to find out!

➺ ultimatum - by @parkmuse

summary: your pervy, idiotic boyfriend just so happens to also be your friendly neighborhood Spider-man (in bed).

➺ a hero's journey - by @hansolmates

summary: jungkook and jisoo are the mightiest power couple. however, one drunken confession and that whole facade fades in an instant. you realize that maybe you need to break from your unvaried life for a bit and be the hero of your own love story

➺ tempest - by @kooktrash

summary: you’ve always considered your life to be more mundane than you would like to admit. it was a constant cycle of the same things over and over again that when you meet jeon jungkook at a bar, of all places, you didn’t expect to see just how much he would change your life and those around you. he’s got an air of mystery around him with his charming good looks and a violent past that you slowly begun to unravel when it feels like everything is going perfect.

➺ by its cover - by @gimmesumsuga

summary: the one where Jungkook makes a horrifically bad first impression.

➺ slow dancing - by @yoonia

summary: when your countdown appeared on your wrist right in the morning of your eighteenth birthday, you had thought that perhaps the universe was on your side, especially since the final seconds were already ticking so soon. You just never expected to have your first meeting with your soulmate to be the day when you had to let him go. But hope was not lost when you still found love without the bond, and Jungkook showed you that it was possible to find happiness beyond the system that was written for you. Except that the universe doesn’t seem to have enough of its game, when your past sacrifice comes back hitting you straight in the face, just when you had believed that you had written off the perfect ending to your bittersweet tale.

➺ e s p r e s s o - by @joonberriess

➺ hold me closer - by @ahundredtimesover

summary: when you're asked to look after your parents' house and meet them before they go on vacation, you, Jimin, and Jungkook take the trip to your hometown of Busan and relive memories of your youth. While your new relationship has you feeling like a lovesick teenager with all the affection that Jungkook shows you, you're still you - a professional trying to make it in the corporate world, and an eldest child trying not to disappoint her parents. And that turns out to be your undoing, as a little blunder causes a rift between you and Jungkook, resulting in a trip that you might as well have messed up… Not if your brother can help it, though.