also yall we need to step back from the harryvision and understand that kim, at his core, is a loser (affectionate) like everyone else. so much out there wants to portray him as limitless patience, great cook, super organized, good handwriting, nice tasteful living quarters etc and that's fun to contrast him to harry but well i am here to RUIN that we need to take off the du bois glasses and appreciate kim for the weirdguy that he is. he has horrific fits of road rage and harry genuinely fears for his life riding along with him and witnessing the generational curses this man is capable of unleashing upon the stupid little fucks that cut him off on the 8/81. he has never had the time or space or budget to learn to cook so he lives off deli sandwiches and butter noodles and the occasional grab-and-go fruit. he writes so much so frequently with such awful handwriting that he has invented a new form of shorthand and the moralintern is contacting him to create a cipher system for them. he has no resources to furnish and maintain a nice flat so it's like a slightly gentrified r/malelivingspace but with a table for his sewing machine and there's scrap fabric and thread and half-pinned half-hemmed pants strewn about the place. there are absolutely a bunch of shitty mockups of his old wirral character in the backs of his notebooks and he hasn't played it in years but if he ever picks it back up then his minmax high int high dex definitely-not-a-self-insert sidhe artificer is READY. everyone add your weirdguy kim thoughts NOW 👇
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here's jere talking about how HE came up with a lot of the CCC choreo 😎
quick translation under the cut
öö.. for example about my own UMK performance I remember that about 1,5 weeks before the competition we redid half of it completely, like we had to practice new choreo and everything. I was like.. "ei jumalauta..."
(int. what did you have to redo?) from the part "nyt lähden tanssimaan", from the first singing part, from there we erased everything, and for half an hour we wondered with the UMK team what are we going to do, I was insanely stressed, thinking now everything is over. But then I got some idea, and accidentally did all these moves, and threw in the ideas for "possujuna" and "letkajenkka" (human centipide & idk what letkajenkka is in english, but the bit where they all stand together and hold on to the person in front of them). And then as a team we used those, (int. they were your ideas?) Yes, they were my ideas, I brought those things into it, but they figured out at which points they would happen. But I said I want possujuna, then letkajenkka, and I had the CCC moves I did with my hand, they were all accidents.
(So at first they said everything has to be changed, but then after that you came up with the ideas? I thought they wanted to change them because they knew what they wanted, but instead you came up with everything afterwards?)
What maybe happened was that at first I was dancing with a lot of style, yknow, but then even I was like I'm Käärijä, I'm not a very stylistic dude. Then the whole team watched it like this is not working, gotta rethink the whole thing. then they told me, go on stage, we gotta find something new (Erika: a way of moving that suits you), they told me, do what you want to do. We are gonna watch you do it. They all watched me with the song on repeat, and I just had to come up with something, and then I did some of those things and they were like "that's good! that's good! excellent!" and then we started picking stuff out from that, and that's how it all happened, the whole thing, the dance moves and possujuna and such legends.
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Where did mechi get his mechlink?
In my idea for his background, Mechi applied for a mechlink on his homeworld (one of the more developed urbworlds) and, after what probably felt like an achingly long period of review, was approved for it!
Probably the only person more excited about it than Mechi was his baby sister Yamka.
Also, the description of mechlinks on the RimWorld wiki made me grimace at how uncomfortable it sounded. I bet Yamka had a ball teasing Mechi about it, and I'm sure he had one hell of a headache for a few days after it was first installed.
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We met him
I’ve been working with a gentleman with severe panic disorder with agoraphobia for months, always over the phone. It was so bad that he’d been two years overdue for follow up for his clotting disorder medication. His psychotherapist was also working closely with him, and a couple of months ago, to my great relief, I saw he was evaluated for his clotting disorder, and even came to primary care.
He told me several times that he’d see me in person on his next visit, but switched to telehealth at the last minute. That’s fine. His other specialists are more important for in person visits.
So when he walked into my office last week, let me tell you, I screamed.
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Themes vs Realism
Saw an old debate about how isolated the Encanto is and it got me thinking about my own headcanons.
I watched the movie, saw the windows and wine glasses and thought “Oh! They must have trade, glass requires a specific sort of sand and while glass blowers would be relatively common, the odds they had somebody who knows how to make glass frit are pretty low”. And I can back up that argument with research and facts, buying glass is getting more expensive because we’re running low on sand with the right chemical composition, glass frit production would be more likely to happen in towns near silica rich beaches, where as Alma’s hometown looked like it was in the middle of the forest. Nowadays, not every country in the world has the right sand, when I worked with glass blowers they imported their frit from I think a family in Sweden(?) that are like one of the last few people making frit. So glass is actually a very big deal! I digress. Basically, realistically, the fact that they have glass means that they must have some trade.
But that’s completely irrelevant to the movie, isn’t it?
The movie is all about healing from generational trauma, Encanto being completely isolated is better for the movie’s themes. It’s like how we all love the deleted scene where Bruno argues with Alma and says “I wish I was dead” but the writers cut that scene because it gives Bruno confronting Alma on Mirabel’s behalf an extra bit of punch if he was never willing to do so before. Realistically, a deeply unhappy, almost forty adult who is as blunt as Bruno would have had that argument with Alma; thematically, Mirabel’s mysterious Tío couldn’t muster up the courage/passion to confront the movie’s antagonist until he was doing it for love. Realistically, it is actually necessary for Pepa to control her emotions because she can create hurricanes and that sorta disaster could wipe out the village; thematically, Pepa needs to be allowed to let her feelings flow through her without anyone snapping at her about it. Realistically they must have trade; thematically, they must be completely isolated.
There isn’t really a good way for canon to bridge this gap as far as I can tell, in story telling themes usually take precedence over realism, especially in a fantasy setting. But for a lot of people (like me) the funnest thing to do when writing fanfic is throw in a dash of realism and see what comes out of it. Obviously, the way you want to reconcile this is absolutely up to you. I personally care more about the movie sticking to themes than I do it being realistic or conforming to my background knowledge, I’m fully expecting to have most of my head canons disproven when they release more material. That said, for the sake of fic, I think asking questions like “Where are they getting the raw materials to build that” is a great launching pad.
I don’t know how to word my conclusion. That year I spent working with glass blowers is going to butt heads with my suspension of disbelief for the rest of my life? Realism is great for fanfic but not so much in short stories like movies? My head canons will never be canon and it’s better that way?
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