#fanfic meta

[foone]

weird thought: I think if I was a teenager now (or anytime in the last decade or so) I think I would have written (and read!) a lot more fanfic than I did in reality, where I was a teenager in the 90s.

See, I've never been hugely into fanfic. Never had anything against it exactly, but it just wasn't something I was into. But I think that has to do with an interesting combination of how my brain works and what time I was first really getting into being a fan.

I've got a "librarian" brain (I'm literally typing this from within a library, WHERE I WORK). It wants to know things like "what are all the works in this series/by this creator?" and "are they all accessible?" and "what info is available about how it was made?"

I'm the kind of person who will watch a show then go look it up on wikipedia to see how many seasons it has, who made it, if they're still making it, check tvtropes for any more info, etc. Or I hear a song I like by a band I've never heard of, so I go listen to their entire discography while researching them. I just focus on things I'm into that way, you know? I don't half-ass my interest. (this is probably related to my autism, of course)

So what does this have to do with fanfic? like, do I go read some fanfics as part of this process? No, and I think the reason for it is when I specifically first got into fandom, as a teen.

See, this sort of fandom-librarian was harder to do in 1997, you know? You couldn't just pull up the wikipedia for that new show and see how many episodes it had. You also couldn't just listen to the whole discography of that band! Forget Spotify or Google Music, even Napster didn't exist yet.

So my interest in fandom focused a lot more on very basic questions: How many episodes/albums/books/whatever are there? Where can I see/hear them all? Like, I remember getting excited because I found some fan magazine that had a list of all the Star Trek: The Next Generation episodes. Just a list! Not even descriptions or anything. I finally could take that list and see how many I'd seen, so I'd know when I saw them all in late-night reruns.

So I'm focusing on these very basic parts of being a fandom-librarian and I stumble across some fanfic. I'm like "oh, is this a transcript of an episode I haven't seen yet?" and I realize it's not, it's a story written by a fan, and I get a knee-jerk reaction of "that's not helpful to my quest to know and find all the episodes". It's like I am on a quest for the holy grail and I found a fake cup. It's not helpful to me, and at worst it's a distraction from my goal.

And the thing is, I think the fact I had that reaction is entirely due to the time and situation in which I first encountered fanfic. It was in that environment of "I can't even find a list of the episodes, let alone a way to watch them all!" and that anxiety that colored my response to finding fanfic.

I think if I instead was first introduced to fanfic NOW, where those fandom-librarian drives aren't so difficult to fulfill, I'd be way more positive about fanfic. If I could get a list of episodes with a quick google search, and watch them easily on netflix/prime/whatever, I'd be less "THIS DOESN'T HELP! I AM STRUGGLING WITH THE BASICS HERE!" and more "yay, more content for the fandom I'm obsessed with!"

Like I said, I'm not anti-fanfic, I never have been, I just never got into it. From the beginning I had this reaction that was "this is not useful" and I never developed any real interest in it. Which is a shame, honestly. Fanfic is great. It just never became one of my interests, and while I've written it and read it from time to time, I imagine I'd be way more into it if I didn't have the weird reaction to it due to the worries of the time in which I first encountered it.

I don't know how many other people have brains that work anything like mine, but if they exist, I'm glad they're now growing up in a world where they won't have these problems. They can get into fanfic without this weird baggage caused by a lack of information.

[thecoramaria]

Fanfic readers trying to find another fic exactly like the last one they read:

[the-cat-and-the-birdie]

Reblog your own posts. Like all the time if you want.

This site isn't algorithmic sometimes if you miss it you just miss it.

But reblog your old fics and old pieces. Reblog your own funny text posts. It's not embarrassing and honestly if you're a content creator, I suggest you get into the habit of doing it every once in a while because if it's not on a master list I think there's whole posts your new followers will just never see

You work hard on stuff and the internet teaches us that content is only good for a week before it spoils and that's just not true.

[infestedguest]

A relatively common trope of fma fanfiction is the modern Amestris au, which is basically your standard modern au for all your slice of life needs except stuff like alchemy and automail still exist, so the author doesn’t have come up with real world equivalents when that’s not really the point of their fic.

This is all fine and dandy, but one thing that’s always bugged me is that most of the time in these fics Al is just like. a normal, not disembodied, fully abled child. There are several issues with this, mainly that this alteration significantly changes the character dynamic between Ed and Al in ways the author often doesn’t account for at all.

This is also a common issue is regular modern aus, but I bring it up in the context of modern Amestris aus because an idea just occurred to me that I don’t think I’ve seen before: since alchemy still exists, why not have Al just straight up still be in the armor? Put that boy in public school and give him the strangest IEP known to man!

Touchscreens don’t recognize his leather fingers so he has a blackberry (which his hands are way too big for so it takes him twice as long to send most messages because he doesn’t like to leave in typos).

He was both pressured into joining and permanently banned from his middle school’s basketball team within the span of a week.

His condition isn’t secret or anything, it was kind of a big deal at the time and it made the news after it happened but after awhile the buzz mostly died down.

They were contacted by one of those medical mysteries documentary shows (a la extraordinary people), and Pinako told them that if they thought she would let an entire camera crew into her house they were fucking insane.

The initial publicity is the only reason the Amestrian government hasn’t kidnapped him or anything, but they do stalk him and the brothers and the Rockbells have definitely noticed.

If Izumi is Ed and Al’s legal guardian they are much more discreet about it because whenever she spots them hiding in the bushes or whatever she starts reciting castle doctrine law “to no one in particular.”

Because the modern world is a bureaucratic panopticon from hell and also CPS exists instead of just going out into the world to find the philosophers stone the Elrics just have to study real hard and try to eventually get into Alchemy MIT I guess.

Al is physically unable to use any kind of headphones because he has no ears.

He and Mei Chang are playing Minecraft right now as we speak.

[curator-on-ao3]

Part of the glorious agony of being a fanfic writer, I think, is caring about the characters more than the actual show/movie writers.

Because the fanfic writer has that luxury.

The fanfic writer doesn’t have to worry about production budgets or actor egos or what will or won’t be a commercial success. The fanfic writer can just love the characters wholeheartedly.

And there’s joy in that.

[cyangansey]

Enemies to Lovers: they are each other’s nemesis. They hate one another and are interested in ending the fight permanently (ie death)

Example: The Doctor and Missy

Rivals to Lovers: They despise each other, but don’t want the other to die. They just want to beat them in their shared field.

Example: Cookie and Evelyn Kwong

Haters to Lovers: They don’t despise each other, they just get annoyed. They don’t wish ill on the other person and may even be happy to see them succeed, but they would rather die than reveal that to the other. Some would say they argue like an old married couple.

Examples: Benedick and Beatrice

[cptn-merica]

please tell me other people have noticed that steve's leather jacket has significantly more rips than it did after talking to the red skull

the timeline of steve's jacket:

^ right before the rescue, slightly worn but fully intact jacket. he probably bought it while on the uso tour.

^ mid mission, the damage is beginning. his right shoulder is ripping through the seam. probably just from exertion and a slightly too small jacket or cutting the corners too close. keep in mind this is after he jumped out the plane and ran through the woods, right before he fought to get into the hydra base.

^ talking to the red skull. same status, same rip that could be widening

^ like 4 seconds before jumping to meet bucky. same status

--- time cut ---

^ the march into base camp. he has a slash across his chest where a leather strap was, even through the fucking metal zipper. his right shoulder is battered and the left is pretty exposed too. you can see through to his costume.

i wonder if his jacket got caught on the medal railing on the jump between the balconies of the exploding hydra building. i imagine that he probably was hanging from the jacket, stuck on the metal railing while trying to climb up and over.

seriously tho I wonder what happened, because bucky's shirt isn't any more torn after his jump. i guess we can blame it on steve being steve. anyways, i hope other people noticed this.

(imgs source)

[thecouchsofa]

Can I just say, I love how much activity there is in this fandom.

Every day there's new fics and artworks being posted and they're all just so ... good?

I get so excited whenever I see new fests come up on my dash because each has this cool unique theme. It seems like there's a never-ending pool of creativity in this space and it's all so high quality. I don't know if it's because this area of the fandom is of an older average age than fandoms I've been in previously and thus has had more experience writing or what, but there's a marked difference.

I have like 100+ tabs open, each with stories that are interesting, are highly acclaimed, or are brand new and relatively undiscovered, and there's more and more every day, so much so that I can't keep up with them all.

I'm just so wildly grateful that this fandom exists and how much love and care and excitement everyone puts into their works. It's truly, truly special.

[san-sebastienne]

I don’t care that it’s been months; I’m still thinking of how to tighten up s2 and make it have literally any narrative impact/emotional growth. So here’s my chopped and screwed s2 rewrite that nobody fucking asked for, PART ONE:

The big, overarching change is that Ned Lowe is the BBEG of s2. We’re saving Zheng and, more pertinently, Prince Ricky for s3 (that’s definitely happening in my world, shhh). This gives weightier narrative stakes to the Kraken era, since the looming problem is predicated on Ed’s actions – much like the Badmintons as BBEGs in s1 were based in Stede’s actions/past.

The season begins the same: the trauma crew are raiding every day, never making port. The Kraken is making everyone’s lives difficult. They break Ned Lowe’s record, but it doesn’t seem to matter (also Lucius is hiding in the walls of the revenge, causing even more stress and probably trying to haunt Ed. Let’s add a little levity.)

Stede and co in the ROP. Stede’s bartending at Jackie’z and hears someone talking about blackbeard… but they’re being very complimentary. Calling him “fascinating,” “a dedicated man” – not the kind of language that Stede’s gotten used to arguing about. Who’s this gent who seems to actually GET Ed? His name is Ned Lowe, and he’s looking for his old pal blackbeard.

Stede and the crew hitch a ride out of the ROP with Ned, since they all have the same goal – finding Blackbeard. Besides, Ned is genteel. He seems to have the same sort of appreciation for finer things that Stede has, and it’s nice to see after spending so much time cleaning up vomit at Jackie’z. Maybe Stede and Ned have a dinner in the captain’s cabin a la Barbarossa and Elizabeth Swann in the first PotC… everything is grand and well laid out, but something is very wrong. Stede tries to ignore this, but his “this guy is bad news” senses from being a gentleman are tingling.

Meanwhile, back on the trauma ship, Jim is trying not to mourn Oluwande. They’re very “everyone I’ve ever loved is dead; why would he be any different?” They’ve thrown themselves into pirating as a way to double down on their hardened I Am Vengeance persona, and this growing thing with Archie as a rebound.

Leg thing/Frenchie is first mate now/crazy storm thing/let’s kill Blackbeard are all the same. Except Lucius is there, probably spending a lot of time hiding with drunk/sick Izzy (there’s some hurt/comfort in both directions, as much as izzy can be lucid for it). He also shows up for that final shot of the crew looking down at Ed while Jim hefts the cannonball. Ed’s not worried about hallucinating anymore; he’s finally about to die!

It’s Ned’s ship (plus Stede et al) that comes across the storm wreck of the Revenge. Our crew still has to escape over to their old ship, not because anyone found Ed’s corpse but because Izzy, in a moment of clarity, is like oh shit, Ned Lowe is super bad news, we have to get the fuck out of here right now. This way we get the beginning of a basis of trust between Izzy and Stede, since Stede listens to the insistence of the Trauma Crew and takes Izzy’s advice on when to get out of a bad situation.

Gravy Basket happens.

Someone (Lucius?) tells Stede that Ed’s body is still onboard. MerStede happens.

Jim is extremely overwhelmed that Olu is alive. The two of them have a very sweet romantic reunion. They confess to Olu about Archie, but insist that she was just a rebound. Archie tries to laugh the whole thing off – it’s fine! This didn’t matter! Shit things are bound to happen to everyone! Jim feels mega guilty and starts to realize that maybe it wasn’t just a rebound – they might actually care for Archie.

The uicorn leg half of “fun and games” is pretty much the same, the big division between the crews being that The Trauma Crew wants to banish or straight up kill Ed, but they’re still very much being chased by Ned Lowe. Stede’s crew insists that getting distance here is more important than adjudicating that mess.

We do all still come together to give Izzy his new leg.

Ed is locked in some kind of makeshift brig, making everyone tetchy and uncomfortable. Except for Stede, of course, who sees this as his chance to explain himself to LITERALLY captive audience Ed. Stede has the “I love everything about you” scene with him there, and explicitly tells Ed that he didn’t go to the dock bc of Chauncey (holy shit, how does he never fucking bring that up in the actual s2). Ed is moved but not convinced to forgive Stede… yet. They do the hand holding thing here, but don’t have the conversation about taking it slow. Instead, offering his hand thru the bars of the brig is the only thing Ed does to show that he’s heard Stede and is considering forgiving him.

The other half of this episode is the crews re-integrating emotionally. Jim/Olu/Archie explicitly discuss their relationship structure. Jim can be with both of them. Lucius and Pete get to have a moment about how Pete thought Lu was dead; Lucius admits that he kind of thought he was too, since all he did was hide and hang out with a guy who was too delirious to even really recognize him.

Somehow we still get Ed in that catboy collar. Nonnegotiable.

Part two incoming…

[twochildreninamoteldemo]

Tbf I have my own "must reads" for fandoms but I don't think there should ever be ONE, you know? Like for wincest there are several that are seen as the iconic ones and while I think there's issues with anything like that inherently which I won't go into, I still subscribe to having my own little list. But the thing that I think places wincest uniquely within this phenomenon is that because there are several different common interpretations of them (and sooooo long of a timespan, both in canon and eras of the fandom itself) as opposed to ships where they get pigeonholed into one fanon narrative, there's different unspoken communities behind each. For instance, I've never read sure got a dirty mouth or the bright lights of disturbia, but I obsess over the ballad of the invisible boy and brothers (the fic). All of which are very popular but each have vastly different interpretations of samdean.

[tillywunderwing]

psst. hey. do you ever worry that you’re writing characters ‘ooc’ in fanfiction? well guess what. you’re not. that’s just your au now.

“they would not say that” yes they would, my au version of this character would totally say that

“ummmm this character’s powers don’t work like that” but they do. in my au

“these characters would never canonically be dating” buddy oh boy i cannot wait to tell you what fanfiction writers have been doing since the advent of their craft!! anything goes in my au!!!

the medium is inherently transformative do whatever you want forever ok ly byye

[the-cat-and-the-birdie]

Instead of calling something you enjoy cringe just change the word to whimsical and everything becomes okay

'omg my oc is so cringe' no they're a whimsical little being

'omg my art style is so cringe' nah it's full of whimsy and wonder

It works for anything

'omg I'm SO cringe' vs 'omg I'm SO whimsical'

Do you see how it hits different? That's cause Cringe doesn't exist it's literally just whimsy and joy rebranded as Something Bad

[korovaoverlook]

I Sacrificed My Writing To A.I So You Don't Have To

I was thinking about how people often say "Oh, Chat GPT can't write stories, but it can help you edit things!" I am staunchly anti-A.I, and I've never agreed with this position. But I wouldn't have much integrity to stand on if I didn't see for myself how this "editing" worked. So, I sacrificed part of a monologue from one of my fanfictions to Chat GPT to see what it had to say. Here is the initial query I made:

Chat GPT then gave me a list of revisions to make, most of which would be solved if it was a human and had read the preceding 150k words of story. I won't bore you with the list it made. I don't have to, as it incorporated those revisions into the monologue and gave me an edited sample back. Here is what it said I should turn the monologue into:

The revision erases speech patterns. Ben/the General speaks in stilted, short sentences in the original monologue because he is distinctly uncomfortable—only moving into longer, more complex structures when he is either caught up in an idea or struggling to elaborate on an idea. The Chat GPT version wants me to write dialogue like regular narrative prose, something that you'd use to describe a room. It also nullified the concept of theme. "A purity that implied personhood" simply says the quiet(ish) part out loud, literally in dialogue. It erases subtlety and erases how people actually talk in favor of more obvious prose. Then I got a terrible idea. What if I kept running the monologue through the algorithm? Feeding it its own revised versions over and over, like a demented Google Translate until it just became gibberish? So that's what I did. Surprisingly enough, from original writing sample to the end, it only took six turnarounds until it pretty much stopped altering the monologue. This was the final result:

This piece of writing is florid, overly descriptive, unnatural, and unsubtle. It makes the speaking character literally give voice to the themes through his dialogue, erasing all chances at subtext and subtlety. It uses unnecessary descriptors ("Once innocuous," "gleaming," "receded like a fading echo," "someone worth acknowledging,") and can't comprehend implication—because it is an algorithm, not a human that processes thoughts. The resulting writing is bland, stupid, lacks depth, and seemingly uses large words for large word's sake, not because it actually triggers an emotion in the reader or furthers the reader's understanding of the protagonist's mindset.

There you have it. Chat GPT, on top of being an algorithm run by callous, cruel people that steals artist's work and trains on it without compensation or permission, is also a terrible editor. Don't use it to edit, because it will quite literally make your writing worse. It erases authorial intention and replaces it with machine-generated generic slop. It is ridiculous that given the writer's strike right now, studios truly believe they can use A.I to produce a story of marginal quality that someone may pay to see. The belief that A.I can generate art is an insult to the writing profession and artists as a whole—I speak as a visual artist as well. I wouldn't trust Chat GPT to critique a cover letter, much less a novel or poem.

[curator-on-ao3]

New game: Share your three best fanworks. No thinking, just the three that instinctively occur to you. Then copy-paste this ask to anonymously share with as many people as you want.

Oh, thank you, anon! ❤️

Youthful Exuberance (Some Kind of Love) (Pikeuna, SNW, E) - my novel-length dive into how Chris and Una met, fell in love, and became the people they are/might have been.

Fly Me to the Moon (Kathryn Janeway/Tom Paris, Voyager, E) - oddly similar in theme to the above, only shorter and with more canon except less canon except more canon.

The Haze (Pikeuna, SNW, T) - an amnesia fic for a character I figured was about to have a slew of canon backstory but oh well. This fic was a departure for me in many ways, including some purposefully stylized writing that I worked stupid-hard to get where I wanted it.

Interesting that I rarely get fics betaed but two out of three of these were betaed.

Thank you again, anon! ❤️ (Note: If I ever get this ask again and answer with different stories, that’s how it goes.)

[presidenthades]

Once again, I am doing a series of my behind-the-scenes thoughts for The Golds while I do light edits for formatting, typos, and continuity. Here’s Chapter 1!

DO NOT read these commentaries until you have finishes reading the entirety of The Golds! These commentaries have many spoilers for future chapters.

First I’m gonna talk about why I decided to write this fic in the first place, because it wasn’t part of my original roadmap for the series. After I finished writing Daemon’s Handbook, my plan was to write an epic longfic with POVs from all the Targkids that encompassed a multi-year timespan a la the ASOIAF books…and then I realized if I did that, I had high odds of burning out halfway through 💀.

I’ve discovered that I do better at writing fic if I have an ending an mind when I start writing it, and the story needs to be something I can finish writing in several months so I don’t lose steam or get distracted/go on hiatus too long. That meant I needed to focus on a specific story with 1-2 protagonists/narrators that had its own complete story arc within the series’ larger arc.

When I finished writing the Handbook, I read a lot of books during my break. Several of those books were about fashion history, and one was the official GOT costumes book. I got really obsessed with fashion in the HOTD world, and I temporarily thought about writing a Rhaena POV fic because in my verse, she’s really into fashion and I wanted to put my newfound amateur knowledge to use 😅. But as I brainstormed what her story would look like, I realized it was super adjacent to Jace’s story because Rhaena is her lady-in-waiting, and eventually I shifted over to a Jace-centric story.

While I was brainstorming the Rhaena fic, I thought of a pregnancy subplot where Rhaena has to create Jace’s pregnancy wardrobe, and that pregnancy plot ultimately became the central story in The Golds. I was originally going to make Jace the sole narrator as she deals with the pregnancy, but I realized Aegon would have some really entertaining thoughts so I made it dual POV. This is when I started thinking about the Bridgerton approach, where each Targkid gets to be the star/costar of their own story in roughly chronological order.

The title “The Golds” is a reference to the canonical Greens and Blacks. There’s a theme throughout the story of Jace and Aegon accumulating popularity and soft power at court and among the smallfolk. This growing faction will unofficially be called the Golds because Jace and Aegon are strongly affiliated with that color, due to Sunfyre’s scales, Jace’s preference for gold, and all the symbolism that gold entails.

Most chapter titles are lyrics from the in-universe lullaby “The Song of the Seven.” Since the fic is about pregnancy, childbirth, and parenthood, I thought a reference to this lullaby was appropriate. My original outline had 7 chapters for the fic so I was going to title each chapter after the first line of each stanza in the lullaby. As I wrote the fic and realized it was going to be more chapters, I had to get creative. For Chapter 1, I picked the Maiden lyrics because the Maiden is associated with innocence and young women. Aside from this chapter including the wedding night (and thus Jace’s last night as a maiden), this is also the beginning of Jace’s character and emotional journey, during which she becomes less innocent/naive and, as you know, encounters a lot of darkness in the real world.

Ok now for the actual chapter commentary lol

I started showing during the Handbook that Jace is a responsible, dutiful “eldest sibling syndrome” kind of person, and I wanted to really highlight that in this fic. In the beginning of this story, Jace is the neurotic workaholic while Aegon is hedonistic and urges her to relax. Throughout the story, Jace does learn to relax and delegate better, but Aegon also starts picking up responsibilities along the way. By the end, my goal was for them to meet in the middle, where Jace learns that she has to take care of herself if she wants to take care of others, and Aegon learns that he needs to put in some work in order to secure the things he really wants in life.

There’s also a theme of private vs. public. Jace starts as having a very public life (she’s the heir to the throne, her life is on display at court) while being very private about things like her body and personal wants. In contrast, Aegon is very public about his body (the casual nudity is canon, don’t blame me) and personal wants (“I love my wife and everyone must know it”), but he wishes he could have a private life (be his own person and do what he wants, rather than be the prince and politician his family wants). Again, they kind of grow to meet in the middle by the end. Jace learns to be more selfish about her desires and fight for them (she also becomes more comfortable with her body around Aegon, although the self-consciousness never entirely goes away). Aegon learns to put aside his hangups about “I don’t want to be a player in the game” and steps into the arena so he can ultimately achieve what he wants, which is to protect Jace and their child.

We see the beginnings of Aegon’s powers of observation this chapter. He notices the Bracken/Blackwood exchange (these are the same lovers that Daemon spies in the tunnels in Chapter 9 of the Handbook) and deduces a likely explanation. This trait was inspired by a TGC quote about how Aegon is very observant and knows people’s weaknesses. I loved this idea that Aegon observes a lot of what’s happening around him, but canonically he’s too drunk and apathetic to do much about it. Here, Aegon is not an alcoholic and he’s a lot more grounded, so he actively registers a lot more details.

I mention in Chapter 2 that Daemon is part of the reason Aegon doesn’t drink so much, but that’s definitely not the whole story. Aegon seems very driven by the pursuit of dopamine, things that give him pleasure. In canon, he achieves this through whoring and alcoholism. Here, he has Jace, who has always fulfilled many of his emotional needs and now his physical needs. His life is a lot happier, so there’s no need for him to drink himself into a stupor. He did still have a youthful period of debauchery, but it’s not an outrageous amount of debauchery for a spoiled prince—although still in an upper percentile.

Aegon remains impressively chaste during the Stepstones because he realizes his youthful debauchery was a big reason Rhaenyra disapproved of him. And by the time he leaves for the Stepstones, he’s realized (thanks in part to their forced separation, thanks in part to Jace being the prettiest girl he can ever imagine existing) that no other woman is ever going to compare to Jace, so why bother? (He definitely had a locket or something with Jace’s mini portrait and lock of hair lol)

Aegon’s attitude toward dancing (he’s good at it but he hates the formality) is similar to his overall attitude toward court life and politics. He can do it if he wants, but he just doesn’t want to—unless it makes Jace happy.

Confession: the Tyroshi subplot wasn’t supposed to happen the way it did. I’ll explain more in future chapters, but for now, I’ll just say Floris and Sara weren’t always intended to die. But they did die in the final draft, and in hindsight I’m glad I included the Baratheon scene this chapter. Originally the scene was supposed to showcase Jace’s politicking and diplomacy, as well as lead up to her eventually picking Floris as a lady-in-waiting. Now it has extra meaning because it shows how sweet Floris was, how she fit in with her sisters, and how her mother doted on her 🥺.

I actually kind of like Maris, she’s funny in a mean girl way 😂. But she canonically has a tendency to run her mouth and say nasty things. Here, I think she feels jealous that Cassandra is getting so much attention from potential suitors, and that contributes to her rudeness. Jace could have publicly shamed Maris for being so rude to a Targaryen bride at her own wedding, but she decided to be sneakier about it and not cause a scene. Jace wants to maintain a good relationship with the Baratheons while making it clear what Maris said is unacceptable, so she extends the private tea invite to the other Baratheon women while deliberately omitting Maris from the offer. Now Lady Elenda feels honored by the invite and relieved to not have disfavor, and she’ll probably give Maris a terrible scolding in private.

The bedding tradition seems awful and potentially traumatic, especially for the bride (but that’s ASOIAF for you!). I can’t remember what’s canon or fanon, but I went with the interpretation that the bride and groom are supposed to be stripped naked or close to it. I feel like the royal family ought to be exempt from it (in a privileged “nobody else is allowed to behold our naked bodies” kind of way), but I know Alysanne made a point of having the bedding ceremony so nobody could question her marriage was consummated. The ceremony also seems horribly wasteful because all that expensive material and labor that went into the wedding clothes is just trashed, but I guess it’s a status flex. Only the super-rich can afford to deliberately destroy all those resources after one use.

I wish I wrote more scenes where Jace and Aemond hang out 😭. They have a lot of similarities: dutiful, studious, responsible for their siblings. I imagine their relationship being super chill. Then again, they’re very proper so they probably have hangups about spending alone time with someone of the opposite gender for extended periods of time 🙃. Anyway, their relationship is much less antagonistic than in canon. Fem!Jace thinks bullying is wrong and tones down Aegon’s mean streak, while Aemond has a chivalrous and gentlemanly attitude toward women (contrast with book!Aemond, who seems pretty misogynistic). Since a lot of the friction from canon is removed, they get along much better, and this Aemond is more comfortable with the idea of fem!Jace being queen one day because they start from a better place, and he’s her good-brother.

You can see my newfound fashion history geekery showing itself during the scene where Jace gets ready for bed. (Also, take note of how meticulous Jace is. It highlights her general cautiousness, and it serves as a contrast for Chapter 3). I try not to get too flowery with description, but I decided it was relevant to highlight key fashion choices like her wedding dress because it is an aspect of Jace’s influence at court, and she is concerned about appearances. I incorporated a lot of design aspects from GOT, which are much less medieval than the HOTD gowns. I had this idea that the older generation (Alicent and Rhaenyra) stick more to traditional cuts and designs, while Jace and the other girls are starting a new fashion trend akin to what we see in GOT, where styles are more flattering and multicultural.

Jace’s wedding dress is strongly influenced by Margaery’s Purple Wedding dress. The backless part makes it rather daring, and it’s part of Jace and Rhaena’s goal to depict Jace as a leader among the younger ladies at court since matrons are far less likely to wear something so revealing. Also, in GOT, Daenerys’s dresses tend to be much more revealing than anyone else’s, so I deduced that the fashion culture in Essos is overall more daring than in Westeros. Rhaena grew up in Pentos, so I decided she brings that influence into Jace’s wardrobe, which then spreads through court. Jace’s jewelry (heirlooms owned by Valaena Velaryon, mother of the Conqueror and his sisters) is also a statement to highlight that she was born a Velaryon but now she’s a true Targaryen in name.

Jace’s lingerie is definitely Rhaena’s (and Baela’s) influence. Otherwise she would have zero clue what’s fashionable in Lys. 😳

Jace deciding to work on her wedding night is very in character for her. And Aegon making her stop to enjoy herself is also very in character for him. Definitely a recurring pattern for these two.

Like any scene I write, I try to make sure the smut has a purpose in the story. I don’t usually write PWP but I think smut scenes are an excellent way to demonstrate dynamics and emotional connections between characters, so that’s how I typically use them. Here, we see Aegon is devoted to Jace: makes her feel comfortable, ample foreplay, even cracks a few jokes because their relationship is familiar enough for that sort of thing. He literally “lets her hair down” so she can shed her usual inhibitions.

True to character, Jace overthinks the process. She knows the theory of how it works (Rhaenyra would ensure her daughters are informed of the mechanics, and Jace has been living with Baela for three years). She also knows Aegon enjoyed his time on the Street of Silk and she desperately wants to meet his expectations. She doesn’t realize that she could do literally anything (or nothing) and Aegon would still think she’s perfect.

Since Aegon hasn’t had sex in three years, he’s trying very hard not to finish too early 😅. It’s OK though, Jace has no idea how long a guy is supposed to last and they have the whole night to make up for it 😂.

In the Handbook, I hint at Aegon’s artistic tendencies when he doodles in his letters. Here, I expand upon that so he’s sort of a Renaissance man: he sings, he plays lute, he dances, he draws, etc etc. All the skills he enjoys are skills not conducive for a politician/king. In this verse, Jace encourages him to sing and draw, so he pursues it further than he would’ve in canon.

I like to think of the morning-after smut scene as when Cheeseball is conceived 😂. It’s when Aegon dirty talks about making heirs for the throne, and Jace thinks about how much she would like to have children with Aegon. It just makes sense lol.

GRRM makes his female characters give birth way too young. Some people argue it’s historically accurate, but it’s really not. Other than Margaret Beaufort (who gave birth at 13 and never had any other children, probably due to complications), royal and noble women generally married in their late teens and early twenties. But this is the world and culture GRRM created, so I’m trying to work with it. I still headcanon that in normal peacetime, highborns try to wait until bride and groom are at least 16 to marry because they are aware that giving birth too young is dangerous. It’s during wartime or when politics require an earlier consummation that we see things like Sansa marrying at 13 💀. So I made Jace realize, after she’s had time to stew, that being forced to wait three years was best. (Especially since she IMMEDIATELY gets pregnant.)

I had to research whether people with a broken nose (or recovering from rhinoplasty surgery, which apparently has similar side effects—the more you know!) could have sex. Apparently one of the concerns is causing blood vessels around the nose to expand/contract/whatnot, and arousal impacts blood flow so that’s why Orwyle bans any nookie 😔. No wonder Aegon bribes Alyssa to wake Daemon early lol.

A side effect of broken noses is bruising around the face and black eyes, so Jace looks like she got hit very badly. The ensuing gossip about how she got injured ties into the recurring themes of a) Jace’s concern with appearances and b) that courtiers can and will gossip about anything, and the more salacious the better.

Jace is pretty peeved that Luce was so reckless re: the tunnel incident, and probably upset that it inadvertently led to her broken nose. But as soon as Luce needs help, Jace stops caring about her injuries 😭. Another recurring part of Jace’s personality: she’ll do almost anything to help her loved ones but she’s much harder on herself. (Note Luce’s little question, “What do I do now?” which is a question she always asked Jace when she was in trouble as a kid.)

Aegon is closer to Aemond than in canon, since a) they went to the Stepstones together and b) Aegon had far fewer options for male companionship in this genderbent world so he had to lean on Aemond a lot more. The brothers aren’t the kind to have heart-to-hearts, but Aegon knows Aemond well enough to know that Aemond is really into Luce and is probably going to try to marry her.

With Larys dead, there isn’t a very good option for master of whisperers. The council keeps trying to fill it but the candidates never last for long. I like to joke that they’re holding the seat open for when Joff is old enough, but finding a good spymaster seems pretty difficult. Daemon would probably be good at it but he’s already flamed out of several council positions, and he would hate working with Otto.

A little more fashion history! A surcote is that quintessential medieval gown for women, which I decided is very traditional in Westeros. This is Jace’s first day at her new job, so she wants to dress extra conservatively. Color is a big deal in this world of Black versus Green, so she deliberately picks very neutral and inoffensive colors. She also styles her hair and wears gold jewelry from Aegon to emphasize her new marriage, which shows she’s a mature woman and is forging harmonious bonds with her husband across the Black/Green divide.

In canon, Corlys resigns his position as master of ships around Episode 2. Tyland is canonically master of ships during this time, but I made an error in the Handbook and turned him into the master of coin. So I decided to just force Lyman Beesbury into retirement, and this can serve as an in-universe explanation for the change in roles: Viserys (or somebody else) wanted Corlys to have his position back, so they reshuffled the council a bit.

Aaaaand Jace officially has a “first day at work” horror history. Vomited, fainted, and cried in quick succession. And for someone who values privacy regarding her body, this was an awfully public way for her to find out about her pregnancy (and have it announced) 🥲.

[scapegrace74-blog]

Well lookie here. 😉