#i truly don't know who i would be without it

[poisonlove]

You² | w.a

Pairing: Wednesday Addams X reader

Wednesday hated Thornhill.

After that encounter in the library, she had done everything to avoid Y/N. Yet, fate seemed to take pleasure in her misfortune: a group activity paired her with the one person who made her feel the most out of place at Nevermore, making her realize just how unlucky she truly was.

After all, she was an Addams; she knew very well that luck was not on their side.

The activity involved collecting the Nightshade Bloom, better known as the Dreamshade Flower. It was an extremely rare plant found only in the Crackstone Forest. She had no idea where in the forest it grew, but she knew it preferred humid spots: probably near the waterfalls or in the Misty Glade.

"Are you sure it's this way?" Y/N asked, looking around with awe.

Wednesday stopped and turned to her partner, an eyebrow raised in disapproval. The question irritated her but when she saw the terror on the girl’s face, she decided to let it go.

"Of course, I'm sure," Wednesday replied in her characteristic monotone voice. She blinked and observed Y/N using her hand like a flashlight to navigate the darkness.

"I'm sorry, I didn't mean to be rude," Y/N justified, her Y/C eyes scanning the surroundings before turning back to Wednesday.

A strange flutter gripped Wednesday's stomach, forcing her to break eye contact. She didn’t like this feeling at all. Experimenting with new emotions, especially ones she didn’t understand, was not her style.

Without saying a word, Wednesday resumed walking, her right hand holding the makeshift torch while her left brushed aside branches that slowed their progress. An unsettling silence enveloped the woods, and Wednesday was oddly grateful for it.

But, of course, Y/N had to break it.

"So... I haven't seen you in the library lately," Y/N began, trying to spark a conversation, a way to distract herself and learn more about the gothic Addams. She had done some research about Wednesday, but her name didn’t appear on any social media, which honestly disappointed her.

Wednesday made a strange sound in her throat.

"I was busy," she replied coldly. It wasn't a lie. She had indeed been occupied writing her story and avoiding the person standing in front of her. She had nothing against Y/N; rather, it was the absence of disdain that bothered her.

"I understand... Enid told me you write a lot... and that you're not exactly a social person" Y/N confessed with a hint of sadness.

Wednesday stopped, noticing how Y/N hesitated to push aside a branch, suddenly halting. Enid? Why were they talking about me? Y/N looked at Wednesday, confusion evident on her face.

"Why were you talking about me?" Wednesday asked, her voice sharp.

Y/N's cheeks flushed.

"Um... I'm participating in the Poe Cup  and she mentioned you... the only member I don't know," she admitted, embarrassment creeping into her tone. The flames in her hand illuminated her Y/C eyes, and Wednesday couldn’t help but think how strikingly attractive she looked in that light.

Quickly, Wednesday averted her gaze and turned away.

Y/N let out a sigh she didn't realize she'd been holding, falling back into step behind Wednesday. Addams pondered Y/N's words, especially the fact that she would be competing in the Poe Cup with them. Honestly, she didn’t want to participate in the tournament again, but the prospect of competing alongside Y/N intrigued her.

"Have you finished reading the book?" Wednesday asked coldly.

She enjoyed the interaction they were having, and a part of her desperately wanted to keep talking to Y/N. Yes, Wednesday Addams, the most antisocial girl at Nevermore, found herself wanting to engage with Y/N.

A huge smile spread across Y/N's face.

"Yes, it was really interesting and helpful for my research," she confessed excitedly, glancing at Wednesday, who observed her from the corner of her eye. The moonlight highlighted Addams' pale skin, and her perfectly arranged braids gave her an air of authority and glamour.

Y/N had developed a small crush on Addams.

"Good," Wednesday murmured in a sharp tone, diverting her gaze from Y/N.

A strange flush crept onto her cheeks, and her heartbeat quickened at the sight of Y/N’s radiant smile. Something was definitely off within her.

She unconsciously rubbed her cheeks.

"Have we arrived?" Y/N asked nervously, her fear growing. She had heard a couple of howls during their trek that made her skin crawl, but seeing Wednesday's calm demeanor made her decide—no, force herself—that everything was under control.

"Yes." Wednesday pressed her lips together, trying to suppress a smile.

It was the third time that night that her lips had inexplicably wanted to stretch into a smile, and each time she held back. She had to maintain her reputation as the gothic weirdo of Nevermore.

The fog enveloped their path, and Wednesday felt relieved to finally reach the Misty Glade. If they were lucky, they might find the damn flower in this area; otherwise, she would have to cross to the other side of Crackstone Forest toward the waterfalls.

Wednesday took off her backpack and pulled a small basket from inside.

"Can you recognize the Nightshade Bloom?" she asked, looking at Y/N. The latter nodded decisively.

Y/N walked opposite Wednesday, scanning the ground for any signs of light, hoping to spot the flower.

Meanwhile, Wednesday delved deeper into the mist, focusing on finding the blooms.

(...)

Wednesday crouched down and carefully picked the flower, trying not to damage its luminescent petals. She placed it in the basket alongside the others and walked toward another damp area. Half an hour had passed since the search began, and Wednesday felt increasingly uncomfortable in the oppressive silence.

Where on earth were you?

"Y/N?" she called loudly.

All she received in response was a howl. What if you were in danger? Wednesday gripped the basket tightly and scanned the surroundings, determined to spot you, abandoning her task of collecting more flowers.

Her feet moved westward as she squinted, trying to extend her field of vision, but the damned fog was too thick. A strange sensation settled in her chest, something that edged on fear. But she wasn't scared; she was... uncomfortable due to your silence?

"Y/N, if this is a joke, it’s not funny!" Wednesday exclaimed loudly, looking around with heightened vigilance. Her heartbeat quickened.

The worst scenarios flashed in her mind, prompting her to quicken her pace.

"Ahhhhh!" you screamed.

Wednesday's eyes widened, and she raced toward the sound of your cry. Something had gone wrong. The brunette increased her running speed, breathing heavily, a strange light contrasting with the darkness of the forest.

"What happened?" she asked breathlessly upon arrival.

Y/N was sitting on the ground, an enormous smile plastered across her face as she held the Nightshade Bloom in her hands. Her Y/C eyes met Wednesday's, shining with pure happiness.

"I found my first flower!" she exclaimed, beaming.

Wednesday let out an exasperated sigh, and at that moment, she wanted to strangle Y/N with her bare hands. Had she run for nothing? Was it merely a scream of joy? Her expression softened as she watched you approach, curiosity written all over your face, your eyes sparkling as they scanned her basket.

"What? You’ve already found six?!" Y/N exclaimed in surprise.

Wednesday couldn't help but smile, a spontaneous and genuine smile that made Y/N's heart skip a beat. The dimples were evident as her lips curved, making Y/N wonder how something so beautiful could be so rarely seen.

Just like the Nightshade Bloom.

Wednesday felt relieved to see Y/N safe, and despite a part of her wanting to kill her for making her think the worst, another part couldn’t shake the memory of the enthusiasm radiating from her for finding the flower.

She would let this incident slide, simply because it was you.

[aviiarie]

cws & notes: reader (and kaveh) are VERY implied to be aromantic or on the aromantic spectrum. mentions of kissing. lots of platonic affection. platonic kaveh & gn!reader. 1.1k words. wrote this for myself tbh

“So are you two dating?”

You wish you could say it's the first time you've heard the question. And you wish you could bring yourself to be annoyed about hearing it again, but you know there's no malice or spite in the words. Only a polite sort of curiousity, unaware of the way your stomach turns at the thought.

And maybe you wish you could tell Nilou 'no, we're not, why would you think that?' but you know your hand is intertwined with his, and his knee is touching yours, and you have his cheek leaning against the top of your head. You know how it looks, but that never mattered. It felt comfortable, like you fit together just right. Affectionate, with no strings attached.

That was the part that no one seemed to get. You and him were at an understanding that seemed to make sense to no one but yourselves; the squeezing hugs, and nicknames, and nights spent staying up until 3am didn't mean a thing. When you fell asleep on his shoulder, when he chastely kissed you goodbye before leaving on a work trip, it wasn't because you both harboured a secret love you were too shy to say out loud.

You adored him, of course. He was your best friend. But that was it; no strings.

There were always those who couldn't wrap their heads around the thought, the ones who insisted that they had to be at least into each other a little bit. So much time spent being friends, such closeness had to speak to a blossoming romance that just hadn't quiet bloomed yet, right?

What they didn't know was you had tried, your senior year at the Akademiya. It was after all of the comments about how odd it was that they were so close without being a couple finally started to get to them. During a party hosted by a classmate you don't remember the name of, when the teasing and jabs had gotten a little too much, you had found him taking a breather out on the front steps.

Conversation came easily, comfort came quietly, and soon the topic shifted to what people were saying. It was always talk, rumours, gossip. But he could see how they were weighing on you. He could see the look of doubt in your eyes, wondering if this was something you were supposed to want.

If you can't bring yourself to fall for the most important person in your life, then what was wrong with you? Was love a prize that you were never going to win, a lock that you're never going to find the key for?

“Will you kiss me?” You blurted out, and his eyebrows raise. “J-Just once. I just... everyone keeps telling me I'm supposed to like you, and you're supposed to like me, but I just...”

“You want to see?” Kaveh asked hesitantly. You swallow, and nod. “I don't want to do something you don't want to do.”

“I want to. Please, I... I don't want to ask anyone else.” You paused, before quietly adding on, “If there's truly something wrong with me, I want to know now.”

The pinch between Kaveh's eyebrows deepened, but there was a flicker of vulnerability behind his eyes. Some part of him was flashing with the same fear, wondering if there was something wrong with him too, all because he couldn't muster up enough emotion to see you in a romantic light.

Carefully, he placed his hand on your cheek, bringing your face closer to his. There was a pause, before he met your lips in an awkward kiss. There were no sparks that crackled against your mouth, no butterflies in your stomach. It was a unpleasant clashing of teeth together, with your cracked lips pressing against his soft ones for a second too long.

You pull away, face flushed with embarrassment more than anything. “I... I don't think I want to do that again.”

“Me neither.” Kaveh grimaced. He sighed, leaning back to give you a bit more space. “Why do you worry so much about what they say?”

“Because! I'm supposed to enjoy it, aren't I?” There were tears in your eyes, but you didn't care. If there was one person you could cry around, it was him. “What is wrong with me? Why can't I even fake it?”

“You don't need to!” Kaveh said quickly. He ran his hand through his hair in frustration. “Maybe... maybe some people just don't like that sort of love. I know I sure don't, and I've known you long enough to figure out you don't either. We don't have to be a couple to care about each other, right?”

You stared at him, slightly dazed. “...I guess not.”

And since that night, you've never been able to forget his words, and the way he said them. It was like your world got shifted around, and nothing seemed quite the same. All the stress about love, all the worry about whether people thought you were a couple seemed so insignificant all of a sudden.

Yet, your new lighter worldview never stopped that burning question, that followed the pair of you like a shadow.

“So, are you two dating?”

The question echoes in your head, sounding over and over. Nilou is still staring at you, waiting for an answer, although her gaze occasionally flicks to your linked hands resting on his lap.

“We're just friends,” Kaveh responds smoothly. He lets go of your hand long enough to wave away the question, laughing lightly. “Honestly, the amount of times I've been asked that...”

“O-Oh!” Nilou's eyes widen, and her cheeks turn pink. Part of you feels bad for making her look so flustered, but the uncomfortable twist in your gut reminds you that it was her question that started it in the first place. “I didn't mean to assume... you just look so close!”

“We are.” He smiles gently. “But I can assure you we are very happy as friends. Neither of us are interested in that sort of relationship, much less with each other.”

She nods, as if she understands, but there's still confusion behind her expression.

It didn't matter. People didn't have to get what was so special about the two of you. They didn't have to understand what you had, and what you lacked, and why it didn't make much of a difference at all.

You were friends, best friends. And that was plenty enough love for the both of you.

© aviiarie 2024. do not copy, repost, translate or use my work to train ai

[lena-in-a-red-dress]

Musician Age Gap AU Pt 15

Kara sleeps hard and deep next to Lena that night, when they finally run out of energy and tension and need. She wakes hours later flat on her back, a starfish-shaped pillow for Lena to wrap herself around.

Realizing the younger woman is indeed tucked against her side, Kara curls her arm around Lena's shoulders, earning a moan of malcontent. "Five more minutes..."

Kara is more than willing to give Lena more than that, but a knock at the door pre-empts that idea. Lena groans, this time loud enough to be petulant.

"No can do," Jess calls from the other side of the door. "You don't pay me enough to tell your mother no!"

It must be a long standing joke between them, because Lena snorts, even as she reluctantly rolls onto her back.

"I have coffee!" Jess adds to lessen the blow.

Lena perks up a little, but still takes her time stretching against the sheets. "Fine," she calls. "Tell her we'll be in the kitchen in five. She can join us."

"Thank you!"

Kara listens to the exchange with her eyes closed, mentally preparing herself to peel away from Lena. Lena seems equally disinclined. Finally, Kara cracks a smile. "You should pay Jess more, if it'll get us more than five extra minutes."

"There is no amount of money on Earth that could convince Jess to cross my mother." Lena sighs. "Honestly I don't blame her. If she wasn't *my* mother I'd be running too."

Kara wisely keeps any thoughts she has on the matter of Lillian to herself. The woman has yet to look on her with any other than complete and utter disdain, and Kara is more than happy to let that be as far as it goes. She suspects that if she and Lillian were ever truly at odds, well.... she doubts recent-girlfriend would win in a contest against mother-manager.

Eventually, they manage to crawl out of bed and throw on some pajamas for decency before making their way to the kitchen. Lena's cooking an omelette for herself when Lillian joins them, with Kara hunched over a bowl of cereal.

"Charming," Lillian comments, to Kara's consternation. It's just cereal. But Lillian has already turned to Lena, so Kara settles for sticking her tongue out while the woman's back is turned.

"You have a meeting with Morgan Edge this morning at 10:30am," Lillian announces.

Lena stiffens at the stove. Kara catches the stillness immediately, but keeps quiet.

"You mean *we* have a meeting--"

"No, I have a meeting with Maxwell Lord. If I'd meant we, I would have said we."

Lena turns to her mother. "We agreed--"

"You are an adult, Lena, and capable of conducting a meeting without me," Lillian chides. "The label simply wants to check in on the tour and your recent... escapades. Meanwhile I be sorting the details of releasing your newest single."

Lena's cheeks splotch with color, though she does her best to hide her distress. "But--"

"Morgan's schedule is already strained Lena. If you cancel this meeting, you risk losing the faith of the label, as would rescheduling my meeting with Lord. You're fully capable of handling this on your own."

"But--"

Lena's protest dies in her throat under Lillian's withering glare. She swallows thickly, ducking her head. Satisfied, Lillian nods. "It's settled then. You have a photo shoot at 2pm, and we're due at the hangar at 7."

Lena nods, but her gaze is distant. Her features are neutral, but Kara knows its a mask. Even so, if Lillian sees as much as well, it doesn't bother her.

"And try to dress presentably, dear. If you intend to convince him you have... this," Lillian waves vaguely in Kara's direction, "under control, you'll need to look the part."

Lena nods, prompting her mother to nod approvingly. "Good. Don't be late."

With that, she turns and leaves them alone in the kitchen. Kara watches Lena, who doesn't move, not even when the smell of just-burning egg begins to fill the room.

"Lena?"

Blinking back to awareness, Lena hurriedly turns off the stove. Her fingers fumble on the knob, and Kara sees that they're trembling.

"Lena?"

"I'm not that hungry after all," Lena says distantly. Before Kara can press further, she continues. "Do you mind staying here today? Well, not *here*, just--"

Just not with her.

Kara nods quietly. "Yeah. I've got some work I can do."

It's not a lie, but it's definitely an acquiescence. Lena clearly doesn't want company for the impending meeting, and Kara has no reason to insist she go with her save concern.

"Thank you," Lena returns, distracted. "I should go get ready."

She makes a swift exit. Kara retreats to her own suite soon after, her own appetite quashed by the sudden change in mood. By the time she re-emerges, Lena is nowhere in sight, and there's no answer to Kara's knock on her door.

Doing her best to ignore the ball of worry churning in her belly, Kara sets up shop at the kitchen island. She's all but taken a leave of absence, but Eve sends her enough to keep busy for the morning. Lena texts that she's on the way to her photo shoot, confirming she won't be returning to the hotel. Jess would pack her things and arrange their delivery to the airport.

Sure enough, Jess arrives barely half an hour later, cheerful and busy as ever. She offers to take care of Kara's things as well, but shrugs amiably when Kara declines. As she works, Kara takes her laptop and retreats to her bedroom.

After a quick check of the time difference, Kara facetimes the only person who could give her comfort.

"Hey," Alex greets cheerfully from the screen. "How's Paris?"

"Fine," Kara allows, but lacking enthusiasm.

Alex frowns. "What's wrong?"

Kara hesitates. She knows Alex will keep her confidence, but sharing what she saw this morning feels... intimate. Perhaps too intimate for the fact Lena has only met Alex via phone call a week ago.

"I've got a bad feeling," she allows carefully. "And I don't know what to do about it."

"About Lena?"

"More like... for Lena? Lena's been-- amazing. But this morning... I don't know."

Alex considers Kara's words, taking a moment to determine her path of approach. "Sounds personal," she allows. "But it doesn't sound like it has anything to do with you, or your relationship?"

Kara nods. "It's not about us."

"Then I think... I think you should consider whether it's something you should get invovled with."

Resistance flares in Kara. "But I care about her--"

"I know," Alex confirms quickly. "And I'm sure she does too. So if she hasn't shared with you about what's making her uncomfortable, maybe she just doesn't want to."

On the screen, Alex sits on her bed. The room is still around her. Kelly's probably already at work.

"You care a lot, Kara. You always have. And I know Lena is even more special."

Kara can't deny it. She's loved before, but not like this. Her commitment to Lena has been swift and complete-- but from Alex's tone now, it's something she should be wary of.

"Hey," her sister says softly. "Why don't you come home for a visit? Esme would love to see you."

Resistance twists Kara's stomach into a knot. But this time, Kara stops to examine it. She came to support Lena, but... she's also made Lena her world, even if just for a few weeks. Does her resistance to leaving mean she thinks the distance would lessen the feelings she has for Lena?

Or does she trust that they'll remain, even with an ocean between?

After a moment, Kara makes her decision.

"Yeah. I can catch a flight tonight."

At the very least, at the end of this visit she'll know whether her feelings are more than a proximity-fueled addiction. And when she comes back... she'll have her head on straight, and hopefully feel more grounded than she does right now.

On the screen, Alex smiles broadly. "We'll make sure to have the guest room ready for you. Esme is going to be so stoked. Prepare yourself for the inquisition."

Kara grins.

"I look forward to it."

[mermaidsirennikita]

Sadly, the Wuthering Heights furor has also led to people (many of whom, let us be real, simply dislike the book or otherwise only think of it when it's brought up) to discourse about the content of the novel versus the wrongness of Emerald Fennell's choices with regards to the movie, which of course, has opened up the classic "IT'S NOT A ROMANCE! IT'S NOT A LOVE STORY! BAD PEOPLE! HATE STORY!"

... Which is... also a bad take.

First off, to be very clear, "Romance" is not inherently "genre romance", which is the thing I blog a lot about that was solidified in the latter half of the twentieth century (and which, no doubt, was influenced on some level by WH as much as Jane Eyre, Austen novels and so on). Wuthering Heights is a romance, it's just not a genre romance/romance novel. And indisputably, Wuthering Heights is a love story.

It may not be a love story you like. It may not be a love story with a happily ever after (though I will say—this is one of the few books where I think it's pretty debatable, as "wandering the moors as ghosts", if that is what happened, is kind of... what Cathy and Heathcliff would've wanted... and their ultimate desire was to be TOGETHER, regardless of whether or not it damned them, so is it an HEA in their freaky minds? Maybe so lol). It may ALSO be an abuse story in which the lovers act horribly to each other.... though, I gotta say, MUCH WORSE to literally everyone else in their lives than they do to each other...

But it's a love story. That is one of several things it happens to be. The entire novel is driven by this central love story between Heathcliff and Cathy—a love that is, contrary to what a surface-level reading or reading by word of mouth would imply... very much mutual. I've already gone on about how Cathy Earnshaw is not Heathcliff's victim the way Isabella Linton is, and how Cathy is very much as involved in the love affair as he is. But truly, while their individual internal struggles are the framework and what keeps them apart in many ways—Heathcliff being a man of color and subject to racist abuse, Cathy conforming to society and classist pressures when her natural temperament is very much not of society—what propels the story is this romance.

Because they are supposed to be read as extremely similar, and as two people who do not truly identify with anyone but one another. They're supposed to be read as like minds. They're supposed to be read as thwarted. Some of the things those two say about each other and to each other are legitimately some of the most romantic lines I've ever read.

I mean, are they also kind of sick and wrong? Sure! But I do find it kind of rich to see people who are totally fine with reading dark romance wring their hands over the public at large interpreting Heathcliff and Cathy's relationship as an epic romance. I don't have an issue with anyone enjoying either! But. Let us be real. Part of why y'all are even enjoying work like that is the standard that books like WH set, and the fact that WH does speak to the lure of the dark and the tragedy of people who are super imperfect... and also super in love... continuously fucking up their own lives (and the lives of basically everyone around them) in this push-pull of denial and desire.

When people say "HOW COULD ANYONE EVER INTERPRET THIS AS ROMANTIC?" I just have to question... did you read the book? Because even if it's not for YOU, if it's not romantic TO YOU, surely you can see why other people (me and mine lol) read lines like these and go, "Wow, romantic":

“Catherine Earnshaw, may you not rest as long as I am living. You said I killed you--haunt me then. The murdered do haunt their murderers. I believe--I know that ghosts have wandered the earth. Be with me always--take any form--drive me mad. Only do not leave me in this abyss, where I cannot find you! Oh, God! It is unutterable! I cannot live without my life! I cannot live without my soul!”

(fun fact: I do have a part of the above quote tattooed on my body and I'm very happy about it)

"My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger: I should not seem a part of it."

"Hush, my darling! Hush, hush, Catherine! I'll stay. If he shot me so, I'd expire with a blessing on my lips."

[said when her damn husband is almost at the door lol]

"I’m not wishing you greater torment than I have, Heathcliff. I only wish us never to be parted: and should a word of mine distress you hereafter, think I feel the same distress underground, and for my own sake, forgive me!"

"'Heathcliff, dear! you should not be sullen now. Do come to me, Heathcliff.’

In her eagerness she rose and supported herself on the arm of the chair. At that earnest appeal he turned to her, looking absolutely desperate. His eyes, wide and wet, at last flashed fiercely on her; his breast heaved convulsively. An instant they held asunder, and then how they met I hardly saw, but Catherine made a spring, and he caught her, and they were locked in an embrace from which I thought my mistress would never be released alive..."

"Kiss me again; and don’t let me see your eyes! I forgive what you have done to me. I love my murderer—but yours! How can I?"

[Read: she is the murderer he is talking about. He's saying she doomed herself to death a long time ago, and he hates her for it. While also crying and kissing her lmao]

They're sickos! Nobody can argue otherwise. But that does not mean they're not in love, and it doesn't mean this isn't a love story, and wagging your fingers at people who read this as the obviously destructive love story this is and find it romantic... doesn't change that.

And the thing is that the book makes it pretttyyyy clear that even if Heathcliff and Cathy has assholery programed into their personalities, WITHOUT the contexts of how they were raised and the society that expects them both to conform to prescribed roles, they would probably just... be together. Like, they victimize people, especially Heathcliff. But they are also victims. The book isn't about a critique of two people Emily Bronte dreamed up; it's a critique of the CIRCUMSTANCES by way of Gothic, subversive melodrama. At the end of the day, their feelings, however passionate they are, are not inherently subversive. Their feelings are NATURAL. But they're twisted and contorted into something ugly through circumstance and the characters' responses to those circumstances.

For Heathcliff, A LOT of those circumstances that did twist him are in fact out of his control. Which is why we hate that casting, right?

But all that said, a love story being dirtybadwrong and about Bad People doesn't mean it isn't a love story, lol. Again—we don't even expect genre romance to be about good people.

Like. Yeah. We know Heathcliff and Cathy are assholes. You're not breaking new ground with that take. The book is still, in many ways, about those assholes being in love.

[anangelinthepit]

Without You…

Warning ⚠️ - abuse. Please don't read if these topics make you uncomfortable.

************************************************

Part 5

Y/N’s POV

The car ride was silent the rest of the way after that horrific interaction. Little did I know that was only a glimpse of the punishment that was waiting for me at home. When we pulled up to the house, there was a new security gate installed along with some very high-tech cameras. One thing about Noah is if he didn’t have to spend money on it he wouldn’t, and the fact that I cost him a pretty penny just puts me in a deeper hole. I looked over and saw Noah staring directly at me. He must have been keeping his eye on me the entire time and if I didn’t know any better, I’d say he didn’t even blink.

I grabbed my purse and got out of the limo with Noah right behind me grabbing my arm.

“Wherever I go, you go. If I can’t be there, Nick or Davis will be. Understand?”

Squeezing my arm to make sure I heard him loud and clear, I shook my head in agreement and tried to wipe my tears away. I couldn’t stop them, it was like a waterfall of pure misery and despair falling from my eyes. He yanked me into the house abd forced me to go up the stairs to our bedroom, as I looked behind me I could see Nick staring at us and Davis trying to get him to unclench his first. I mouthed “It’s okay” in hopes it would bring some comfort. We got to our room and Noah aggressively shoved me in as if he just caught a firefly in a jar. As I stumbled over my feet I heard the door close and lock behind him.

“Noah I understand you are mad at me, but you need to stop grabbing me the way you d-“

Before I knew it, a sharp sting was kissing my cheek causing me to fall back on the bed.

“You listen to me and you listen good. I make the fucking rules around here, you just obey. Understand!”

I looked up at him and held my cheek, if I wasn’t in such a fragile state I would have fought back. Instead, I quietly agreed. I sat there on the bed with even more tears welding up in my eyes. So much for “I’ll never hurt you”

Noah went over and pulled his pack of cigarettes out. He was gonna light one in front of me until the realization hit him.

Letting out a sigh of exhaustion and running his fingers through his hair, he tossed his lighter on the dresser and looked at me

“I’m sorry.” He said looking down

Hm. Like I haven’t heard that one before.

“I know”

“No, I am sorry Ruby. I shouldn’t have done that. I can’t take it back now but I truly am sorry.”

“I understand”

I know this is all bullshit but I don’t want to poke the bear any more than I already have.

“You need to realize that this isn’t a game Ruby, I know you��re more than aware of where our money comes from and what I do for work. I also know that you indeed stand how dangerous my line of work is. Right?”

“Yes”

“Yes? Okay so then you should know that there are people out there who want to hurt you. Pregnant or not they will do what they want. Those men could have done the absolute worse to you Ruby, and wouldn’t have lost sleep over it.”

“Why is that Noah?”

“Why is what?”

“Why do these men want to hurt me and not you?

“Because…”

The hesitation in his tone and voice even confused me. What is it? Why wouldn’t they just hurt Noah directly?

“Noah?”

“Because they know you’re the only good thing left in me in this fucked up world I created.”

There it is. Big scary mafia man does have a heart. Instead of finding the cigarette, Noah grabbed his victory whiskey and took a huge gulp from the bottle. It’s almost like what he’s about to tell me next is gonna end his macho lifestyle.

“You were right Ruby, I knew what I was doing. All those times I cheated, all those times I came home and was cold to you. Baby, I fucked my world and took you down with me. I know you can’t forgive me, but all I’m asking is for you to stay with me and try. Fuck we aren’t perfect babe, but the love we got can withstand anything.”

I looked up at him and was met with sad heartfelt eyes. Why does he have to be so sweet to me now after all the damage he’s done? After all the damage I’ve done. I can never forgive myself and if he found out, well he would forgive me by putting flowers over my grave. We both have messed up in the past, but the decision I made is gonna haunt me forever.

I held my face in my hands, wishing all of this was a dream. Who do I love? Who do I belong to? Are they both just as equally toxic? Where do I go from here? God please help me, my mind is racing, and I feel like I’m gonna pass out.

I felt a warm loving touch on my stomach and Noah's fingertips gently caressing my chin to face him.

“Ruby, I love you so much fucking much. You are the mother of my child and my entire world. We can make this right again. Just please, please don’t ever leave me. Okay? I will make it so you and Theo don’t ever have to worry about being hurt. I swear to you on our marriage. Let me be the man you deserve. Let me be your protector Y/N”

My heart is fucking breaking and my head is spinning like a carousel. The words “my protector” made me break out in a cold sweat all over my body. I've heard them before.

“Y/N I can be your protector.”

But it wasn’t Noah who said it to me, it was Nick. On the lonely night where I confided in him after Noah up and left to go sleep with his whores. My bed and heart were so lonely and Nick filled that void. What have I done?

I could feel myself floating, almost like I was levitating onto a cloud. Something was wrong but I couldn’t speak.

“Ruby?”

The room is getting darker and my thoughts are becoming could

“Baby? What’s wrong.”

“Noah.. help me.”

The last thing I could hear was Noah screaming for Davis and Nick to call an ambulance and my entire world went dark.

My dream was peaceful yet quick. I was floating in the water but could breathe. When I looked up I could see the chaos happening above me but was unbothered because the water was keeping me safe. The ocean kept me safe. What was my dream telling me? Should I unfold the chaos that awaits me or stay safe in the cool dark ocean?

Grogginess lingered in my mind as I began to open my eyes. The smell of strong disinfectant and crisp air filled my nose. Where am I?

“Y/N”

“Am I in Heaven?”

“Angel.”

No, Heaven is not an option for me anymore.

I fully came to and was met with a worried Nick sitting at my bedside.

“Nick? What happened?”

I tried to get up but my head felt like it was full of cement.

“Easy Angel, you passed out. The doctor said it was some type of dizzy spell. He also said your sugar was extremely low. Have you not been eating?” Nick said gently pushing me back down

I looked around and gave Nick a puzzling stare.

“No, I have, it’s just I’ve been under a lot of pressure lately.”

I was going to relax until I realized something. I don’t remember if I fell on my back or my stomach. Sheer panic came over me and I almost threw myself out of the bed to make sure I wasn’t bleeding.

“Oh god! Theo! My baby !”

“Angel relax, please. He’s okay.”

“No what if something happened? How will I know? Nick my baby!”

Nick grabbed my face and tried to get me to steady my breathing. I’ve seen so many horror stories where women suffer a loss even though they can still see and hear the heartbeat.

“Y/N the baby is okay.”

My breathing started to slow down until Nick reminded me of the decision I would have to live with for the rest of my life.

“Our baby is okay.”

I pushed him off of me and tried to erase that beautiful haunting memory.

“Nick. Don’t.” I said raising my hand at him

“Angel I can’t keep pretending, he treats you like absolute garbage and even went as far as flipping a table at you. How long are you going to make me sit by and watch while he abuses you?”

“Nick this was your fucking idea. You’re the one who told me we didn’t need to tell him and that you’ll let him raise the baby as his own. We are two adults who made a decision that is going to bind us for the rest of our lives. If we tell Noah that Theo isn’t his, we aren’t going to see the rest of our lives. Got it?”

“Angel please, I fucking love you. Do you have any idea how hard this is for me? I was doing this for you so he wouldn't hurt you but he still is. Baby we can run away from all of this. I'm one of his trackers so I'll make sure to go where he can't find us.”

“Nick, get away from me,” I said scooching up in my bed.

I pushed him away once again, what the hell is this man thinking? I'm about to be 7 months pregnant, and I already tried the runaway stunt. Look where it fucking got me. It's like he hasn’t been paying attention. I began to feel aggravated that he would even suggest something so dangerous.

“Nick you have to let the both of us go. If you care about my and your baby’s well-being like you say you do, then you'll be the good little henchmen my husband hired and keep your mouth shut. We have to pretend and I'm sorry it has to end like this. I belong to Noah and now so does this baby. This was your fucking idea, so please try to remember that.”

Nick got up and faced away from me. I know my words hurt him but I have to be this way. It’s for the best for all 3 of us.

“As you wish Mrs. Davis.”

“Good, go get my husband and get the fuck out of my sight.”

The tears fell with each word that came out of my mouth. Our eyes met one last time exchanging the words “I love you” Maybe in a perfect world we could be together and have our baby. Relive those beautiful nights where we could lay under the sheets being tangled up in each other embrace. Talking about our future and if fate would allow us to create one together I would give everything to have that but this isn't my world….

Its Noah’s

************************************************

This storybisnstartin gro become my guilty pleasure. Short chapter but enjoy 🩵

Taglist

@reyadawn @bloodylullaby @fadingintothegrey @catsomens @ashdreamsalone @supersquirrel1996 @thisbicc @iluvmewwwww75 @dreamstyles @lma1986 @montgomery-929496 @amelia-acero @aubrey-melinoe

[restinslices]

Hello, I saw the publication, idea of MK1 characters with a combat medical reader, and I was wondering if you could do it. With the Lin Kuei brothers and if possible Harumi 😔☝🏻

Sorry for the bad English, it's not my mother tongue

L.N

Hey pookie. Ngl, I was having trouble making all of them different so imma pick one brother to do and if you want the rest, you can request again. Maybe spacing them out will let my brain marinate and actually work lol. Also I don't know anything about Harumi. I won't even lie to you-. Also your English is legit perfect.

I imagine that he'd meet combat medic reader at a young age

You're apart of the Lin Kuei, so he meets you when he's "adopted"

You still fight and all that jazz but you're also being trained in healing

He was adopted after his family was killed so um, yeah, he's a bit shook up and nervous

He doesn't know how he feels. He just stays in his room. He absolutely hates how everyone stares at him. He feels like he's being watched all the time

You're good friends with Bi-Han and Kuai Liang, so you're used to spending time with them at their place

I can see the first interaction being something simple. Like, his new dad (who is the Grandmaster of the clan that murdered his family) (I just CANNOT get over this shit) asks you to get him for dinner

You peek your head in his room to tell him dinner is ready. That's it. That's all.

He doesn't know who you are and honestly he has no intentions on finding out

But then over time he starts actually training, and that comes with injuries. He gets a real fucked up shoulder and is sent to your area

He's quiet the whole time for multiple reasons; he doesn't know you fr, he's still not sure about this clan, and he's watching you work your healer magic

You try to make smalltalk but he's kinda in and out of this world. Keeps zoning out. You can understand why though. Everyone knows what happened to his family

That's how your relationship is for awhile. He comes to get healed, then he leaves without really talking

Things change though when you're sent to get him for dinner again and you walk in on him crying

You're not an asshole, so you close the door behind you and sit by him

Neither of you talk. After some time you leave then come back with two plates of food

"I lied and said you were sick. Also asked if I could give you company" "Why'd you do that?" "I didn't want you to be alone in here" "Oh... thank you. Seriously" "It's all good man. You uh, wanna talk about something?

That's when the friendship truly starts. That act of kindness really sticks with him and now he truly thinks you're a good person to be around

He comes to you when he gets seriously fucked up in training or on actual missions. Sometimes he just chills out in your area and you two chat while you work on healing someone

I could see him take an interest in anatomy and shit after seeing what you do

I just see y'all vibing in your little healing hut a lot

I do think going on missions would be funny though-

"I gotta pop your shoulder back in place!" "You can't magically heal it?!" "Not this time!" "Hurry up then!" *pop* "DAMN!

"Do you get injured on purpose more when I'm here?" "I'm doing my best here"

As for when you start dating, honestly I don't see you dynamic changing much

A relationship with Tomas is like being friends but y'all hold hands occasionally

Oh and obviously you join the new clan (I am not googling how to spell that rn)

Gotta give y'all a happy ending sometimes

[afyrian]

line three - lovely little detail m.list

    "i just can't get a handle on him," you lean against the employee lounge's counter, fingers clenching a small stir stick as it swirls around the contents of your mug.

  the creamer and sugar disappear into the dark cup of coffee, your mug feeling warm against your knuckles. biting your lip, you watch as sakusa talks to atsumu. there's an air to him, the way he stands with his arms crossed over his chest, a warm smile on his lips. while atsumu looks likes he's coming from the pits of hell, bags heavy underneath his eyes. 

  his late night talk show typically ended when yours started, giving the two of you to chat before he left for the day. and yet you had never seen sakusa with him, never smiling, joking about something you'd love to hear. "no, you just love a mystery," yachi exclaims, holding her tea close to her, the small paper tag resting off to the side. 

  "no-" you start, looking over at her, shaking your head, "no. he's a new coworker who won't talk much. you know how much bo- my old sound engineer talked. i miss it sometimes and it makes me more jittery in between calls," you shrug, pursing your lips in an attempt to come off as nonchalant. 

  "and him being attractive is what? just a lovely little detail," she rolls her eyes, smiling over at you as her eyebrows arch upwards.

  shaking your head, you look up at the station's old clock above the door. it has seen the test of time, but some of the managers like to say it's been there since the station opened. that it's there as a good luck symbol. the chipped glass and cobweb weaving between it and the ceiling would seem to differ though. 

  "don't you have some sewing to do?" you question, knowing you have just under ten minutes before you have to reconvene in your booth. 

  “don’t you have some sewing to do?” yachi mocks, grabbing a small packet of honey for her tea, “fine, you don’t want to admit it. but just know i do know the office’s code of conduct about employee relations and my lips are sealed.”

  bringing her index finger and thumb up to her lips, she runs it along her lips, flicking her index finger as they reach her cheek. her eyes move rapidly between you and sakusa, tilting her head slightly in his direction. before yachi can make it out the door to get back to work, she calls out to sakusa and atsumu. “you guys are coming to that celebration thing tonight, right? i’m trying to talk y/n into coming,” she smiles, knowing full well you never wanted to go. 

  “oh yeah, the twenty-fifth anniversary? i’m going to be late, but i think sakusa’s gonna be there early to help get some seats,” atsumu nods, knocking his knuckles against the table, letting out a short echo in the lounge.

  “really? y/n should join him, she always has good luck with those sorts of things,” yachi waves her hand, like it’s no big deal, and she’s not feeding you to the metaphorical wolves. 

  feeling your whole body go jittery, you want to blame it on the coffee in your hand, but you know better. the thought of something as daunting as sitting silently with sakusa, without your gear around you, is terrifying. “oh y/n, you should meet him down there, he’ll be getting there around five,” atsumu brings his hand up, hitting sakusa in the stomach. 

  “okay.. i’ll think about it, but we should get heading to the booth, get ready for the show,” you nod, running your finger around the rim of your mug, trying to change the subject and hopefully get back to work.

  getting to know sakusa and truly working with him sounds like a dream… but the way yachi is going about it sends your heart rate spiking. “i’m right behind you,” he mutters, following you out of the lounge, sliding past yachi as she looks over to atsumu with an odd expression.

  sakusa says something behind you, talking quieter than he expected he would, his long legs carrying him over to you. he scratches his eyebrow as he catches up to you, grimacing as you look back at him, “what’d you say?”

  “you don’t have to come tonight… sorry if atsumu made it seem like you have to,” sakusa shrugs, hands pushing into his jean pockets. 

  “oh no, it’s okay. yachi’s right, for some reason every time we go to a restaurant i have the impeccable luck of always having seats available. and with most of the crew coming, you’re probably gonna want you,” you smile, nodding as you talk.

  the slightly hidden humor in your voice brings a small smile to sakusa’s own face. “okay, that would be cool,” he mutters, following you into the booth, shutting the door behind him, “it’ll be at the restaurant and bar down by onigiri miya, atsumu’s brother’s restaurant.”

  “okay, i will see you there, sakusa. make sure to bring a good attitude and an affinity for bar food,” you point at him, suddenly feeling an air of confidence as you sit in your chair, the cushions feeling comfortable against your back. 

  nodding, he walks into the sound booth, hiding his face from you. pulling the microphone down to you, you pull your headphones on, smiling to yourself. watching as the timer counts down to when you’re starting. glancing towards the sound booth, his hand is up by his mouth, eyes adamant about staring down at his equipment.

  tapping the table with your finger, you wonder if possibly you’ve gotten through to him. if possibly you’ve broken the shell that he keeps himself hiding behind. as the clock ticks down to one, you take in a deep breath, “hello everyone and welcome to talk it out. today, before we begin our usual conversations, i have a bit of an announcement. it’s the stations twenty-fifth anniversary!” 

  a short cheering noise carries through your headphones as sakusa sets it off. “today between our talks, i’ll be giving some facts about the station and my time here. but that’s for when the time comes, line one, what would you like to talk it out about with me today?” 

taglist (open): @eggyrocks @causenessus @applepi25 @softpia @bakery-anon

@jadeoru @yessimo @lale-txt @writing-for-the-hell-of-it @sugacor3

@quikhs @todorokiskitten @mollyrolls @honeyfewr @pookiebearcave

@phoenix-eclipses @madiexuberant @kameyyy @cr4yolaas @asrichin

[lifes-pinata]

Duck and Mytho, A Relationship Analysis

BY POPULAR DEMAND (10 notes and 1 prompt by a blog I follow and admire)

Duck and Mytho are obviously so very important to each others stories. Without Duck, Mytho would have remained a heartless doll forever. And without Mytho, Duck would have remained a simple bird. The story cannot exist without Duck, and up until the last few episodes, Mytho remains her primary motivation.

Which is why is was so surprising to me that the way their relationship resolved was so..... Unsatisfying.

Now when I say that, I am not talking about Siegfried and Tutu's resolution, which remains one of the most touching scenes of the show. I am specifically talking about the relationship between Mytho and Duck.

For the first 14 episodes, Duck and Mytho's friendship was a slow but steady burn. Duck is an anomaly in Mytho's small world. Even heartless, he doesn't quite know what to make of her. "Fakir and Rue don't say things like that" he says in episode 3, when Duck reacts to his hurt hand.

Duck, as a person, represents something Mytho never encountered even when he was Siegfried. Her simple, straightforward kindness is so different from Rue's desperate, grasping love. Fakir's poisonous protection, and even the blushing, tittering classmates that never dare to speak to him.

And even though Mytho can't express it, I think it's really valuable to him. Early on, Duck is the only person capable of making his loneliness disappear. Not Rue or Fakir, who he's known for years (which he says to their faces oh my GOD) but Duck. The first request he makes is that she stays a little longer.

The entire first arc Duck continually proves herself to be trustworthy. Once Mytho returned to school after receiving the feeling of fear, Duck tackle hugs him, saying she looked for him everywhere. She knows about Princess Tutu, and is the only one who listens to him. Who doesn't talk over him. She brought him an umbrella when he was waiting for Tutu. He values her opinion enough that he asked her opinion on gifts to get someone. And yeah maybe he could have asked anyone, but we never see him seek someone out until the Raven's Blood kicks in.

In episode 14, Mytho says to Duck, straight out "You're the only friend whom I can tell everything." And then? They never interact again? Huh???

Well. That's not entirely true. There is one more scene where Duck and Mytho interact, if you believe that Mytho was lucid enough to truly count it. Episode 24, where Mytho has fully succumbed to the Raven's blood, and as a result has turned into a raven himself. He runs outside, after being hidden away by Rue, and finds Duck. And what does he do? He asks her to dance, just as he did on the day of the fire festival. But this time, Duck doesn't answer. She backs away from the monster he's become, just like everyone else.

To its credit, that is a resolution, but it still doesn't sit right with me. It feels too bleak in a story where hope overcomes everything else. A spot where Drosselmeyer's tragedy wins.

The thing is, I understand why they did it this way. One thing I have always appreciated about Princess Tutu is that there is no wasted time. Even at the beginning of the show, when it seemed lighter and sillier, every episode contained important information. From the very beginning, they were building to the finale.

The second arc of the show is even more this way, there is no wasted space. Where would they even put Duck and Mytho interactions? Duck is reckless but she knows better then to approach Mytho when he's actively trying to rip out the hearts of their classmates. If anything, trying to shoehorn interactions would come across as forced, and could even cheapen their interactions in the finale.

But as much as I love the scene where Mytho realizes that Princess Tutu was a duck. I also wish he had a moment to realize that the duck was Duck.

Because Princess Tutu performed magic and returned heart shards with her beautiful dancing.

But Duck did the hard work of being human. Of living and loving and trying and failing and getting back up.

It was Duck who saved the town in the end.

And it was Duck, who was ultimately forgotten.

[midnight-mourning]

Day & Night. (Sun & Moon Drabble)

Requested By: @luckyyyduckyyy

Word Count: 500

Summary: Being stuck together 24/7/365 had been bad enough, working together is somehow worse. In certain aspects, anyway.

Note: Not canon to CS but utilizes the same personalities! Bri's here too lol Also third person POV bc I don't want y'all to get too into the boys' heads just yet :)

______________________________________________________

"Sun."

No outward reaction from the bot as he continues to orchestrate his craft session.

"Sun."

The slightest twitch of acknowledgement, and perhaps definitely annoyance.

The naptime attendant doesn't bother attempting a third time, instead opting for a more direct, though dramatic, approach. 

When he disappears from his yellow counterpart's view, it's under the assumption that he won't be returning. And frankly, he couldn't be happier-

His sensors alert him of a rapidly descending presence from above before his optics do. Though he's unable to stop from flinching when Moon appears eye to eye with him, hanging upside down from the wire he's so proud to show his mastering of. 

The night-themed bot's words are as blunt as his stare, "It's naptime."

Sun, despite his urges to do otherwise, remains polite. Or at least, his tone does, "Naptime begins at exactly 2:00:00 PM. I still have 5 minutes, 32 seconds, and 6 milliseconds."

"Light's off at 1:55:00 PM," Moon tilts his head, "You know that."

"I do."

Moon's eyes narrow, "Then why did you start another activity at 1:53:45 PM? Knowing that the children need time to wind down and prepare."

"Oh, did I?" Sun raises a hand to his faceplate, "Goodness me, it seems that without you constantly reminding me I've lost my ability to effectively keep track of time! What a shame."

The naptime attendant doesn't move an inch, "They're going to become tired quickly if you don't allow them to rest. Is that really something you wish to deal with?"

It's now that Sun begins to falter, gaze also implying irritation, "A few extra minutes of playtime will hardly do them any harm. Now too long of a nap on the other hand-"

"So you admit you're purposely trying to take extra time-"

"-Certainly not purposefully but if that's the outcome so be it-"

Both animatronics voices grow quieter but more forced.

"The children need their nap, Sun."

"They also need time to play, Moon."

"Hey, am I supposed to be turning out the lights or what?"

Both bots turn to where the security guard sits at her desk, hand hovering over the light switch with a brow raised. 

Moon snickers quietly, too quietly for Bri to hear.

Sun responds for both of them, "Just give us a moment, Officer Perry!" Then lowering his voice to mutter a threat of "Shut it." to the other attendant. 

Before his opposite can say what he wants to, Moon rises back to the ceiling again, thus ruining any chance of satisfaction for the day-themed bot. Which was of course the intention of such an action.

Instead, he's forced to receive a message which would have been spoken in the cheekiest, most frustrating, most grating, of voices.

'You have three minutes before I instruct Officer Perry to turn out the lights.

You have two and a half minutes before I decide to just do it myself.'

What pleasant company these two make. One would truly envy who ends up with them.

______________________________________________________

Ngl this was a fun challenge for me! I know how they interact when together and how that dynamic works but have never considered separate before. Next request should be up on Thursday :) Thanks for reading!!

[lovemyromance]

I still don't understand how EL/GAs simply just decided that Azriel only wants a mate.

Because -

1. If he only wanted a mate - why the fuck is he wasting his time with Elain - someone who he knows can't be his mate because she already has one?

2. If he only wanted a mate - how would he be oblivious to the presence of his mate when she was in grave danger twice in front of his eyes, and he trains them every single day?

Like if he's truly going out into the world with his "Mate Finder 4000" detector lenses on, then how can he also be obvious to the presence of his mate? He's not an idiot? He's literally the most observant one in the IC.

Not to mention - that is literally not how the mating bond works. The males always know. It might take a while for the mating bond to snap, like in the case of Vivian & Kallias, but it's not UNDETECTED. They had feelings for each other - they were protective of each other - they weren't just in each others lives for 18 years without having some pull to each other. They might not immediately know they're mates - but they know they feel something for that person. They know that person is someone they have to protect. Someone they're unable to stay away from.

You can't sit here and claim that:

Azriel only wants a mate, yet he doesn't recognize his mate even though she's allegedly been in front of him for 2 years now.

He's canonically an observant person. It's his literal job. Not to mention, you don't even need to be observant to recognize your mate. It's biological.

Unless Gwyn isn't his mate either. That's the only way he could be out here searching high and low for his mate and not notice - if he hadn't met her yet.

So which is it?

[max1461]

Frankly what I would really like is for somebody to just hand me a job. I know I could do a job, I know I could produce good work for any company that wants to hire me to do something sort of technical-adjacent. But at least in my current state of mind I truly cannot find a job, the application process combines everything that I am innately not so good at (paperwork, marketing-style writing, transactional social interaction) and which is therefore disproportionately affected by my not so great mental health. That's the uh, that's the fucked up bit. I don't think my mental health would prevent me from working, just that it's presently making it really hard to find a job, and in order for my mental health to improve (imo) I need to be doing something that feels productive, like fucking working, instead of sitting around all day. It's a nasty catch-22, which I would like someone to resolve by just handing me a job without the rigamarole please.

I recognize there are jobs you can get with less rigamarole, things like service jobs and so on. Unfortunately, these are the kinds of things that imo my mental health would prevent me from doing effectively at the moment. Like I am perfectly capable of doing some data fuckery or whatever but I think if I had to wait tables I would just have a panic attack on the first day.

And I really, really want to stop living with family so I would like to find something uh. Sooner rather than later.

Can someone who owns a fucking company just give me a job fucking your spreadsheets or whatever the fuck already. I swear to fucking god I can fuck spreadsheets like a motherfucker and without complaint.

[lena-in-a-red-dress]

Musician Age Gap AU Pt 14

True to Lena's plan, while the paparazzi on site hounds them for information on Kara, the rest of the world is too taken by the new song to speculate much on who Lena's *current* beau is.

Kara proves to be little more than an escort, following Lena from event to interview to even a hospital to visit the childrens ward. Even so, Kara doesn't mind. She has no thirst for the spotlight at her age, and is content to let Lena be front and center.

At the hospital, however, as she's lurking out of sight from the press cameras (legitimate press, looking for staged candids for the hospital's future use), Kara feels a tug on the hem of her shirt. Looking down, a frail little girl trailing a tattered blanket stares up at her.

"Can you read me a story?"

Without hesitation, Kara reaches for the girl's hand, and they manage to find a relatively isolated corner to huddle in. With a skinny children's book in her hand and the little girl tucked against her side, Kara reads aloud in a low voice, doing her best not to draw attention to herself.

Her efforts are for naught. When she glances up towards the final pages of the book, Lena's gaze is locked upon her, her gaze warm with something indecipherable. Upon being caught staring, she smiles, and cocks an eyebrow to check in. Kara nods, and Lena, satisfied, returns to the gaggle of kids crowded in around her for photos.

Lena is wrangled into a standing meeting with her mother once the children are returned to their nurses and caretakers, leaving Kara to linger on the periphery. To her surprise, Jess is the first to approach.

"Hi!" Jess chirps softly. "Lena has a few friends in town, and they want to take her out tonight before we fly out tomorrow."

Kara's eyebrows lift. "Okay...."

Jess leans in conspiratorially. "My guess is she'll invite you, but by out I mean clubs, bottle service, etc."

At that, realization dawns. "Ah. Thanks for the warning."

She won't mind declining, or spending an evening alone, especially in Paris. As eager to spend as much time with Lena as possible, she's loathe to infringe on Lena's time with friends--

"I don't suppose you brought anything.... appropriate?" Jess continues. "For the club, I mean."

Kara blinks, then barks a laugh. "Hah, no."

Jess nods, grinning. "Thought as much. I can pick up a few options for you, if you'd like..."

After a moment's consideration, Kara nods, smile growing on her face. "I'd appreciate that, thank you."

"Oh, it's no trouble at all! It'll be in your room by the time you get back this evening--"

"Jess?" Kara cuts in, a thought occuring to her. "Could you also pick up some workout gear for me? And maybe... keep all of it a surprise?"

The young woman brightens. "Sure-- do you prefer looser clothes, or more form fitting."

"Tight on the bottom, loose on top, if you can mange it?"

Jess makes a note on her phone, nodding. "Got it." She winks. "We'll put the rack directly in your suite."

"Thank you, Jess, truly."

"Oh," Jess grins, "it's my pleasure."

----

Lena approaches her shortly after, head tilted with an imminent check-in. "Doing okay?"

Kara nods. "Of course. Jess has been taking good care of me."

"Good," Lena purrs. She leans against Kara's chest, kissing her languidly. "I have a question for you."

Guessing it has something to do with the information Jess had imparted early, Kara feigns curiosity. "Uh huh?"

"I'm planning to go out with some friends tonight. Would you.... want to come?"

Kara acts out a thorough consideration of the prospect. In the end, she hedges. "Can I think about it?"

Lena nods. "Of course. And no worries if you'd prefer to take advantage of the time alone. I know this week has been..."

"Wonderful," Kara fills in, bringing a smile to Lena's face.

"Yes," she agrees, "but also a lot. I wouldn't blame you if you wanted to decompress."

With a nod, Kara leans in and kisses her again. "I appreciate that."

---

Lena's day continues until well into the evening, with the final interview wrapping up just before nine. Only the thought of seeing Lena in a new environment, with people who were not her mother, keeps Kara from groaning at the thought that the night was really only just beginning.

They split upon returning to the hotel penthouse, intent on refreshing with their own showers. When she steps out of the bathroom, towel wrapped around her, Kara makes her way to the rolling rack of clothes standing next to the closet.

She bypasses the workout clothes, noting only that Jess had fulfilled her request to a tee. The other half of the rack takes more consideration. Hanger after hanger displays dress after dress, all short, all glitzy. Lifting one of the hangars, Kara holds it against herself in front of the mirror, studiously regarding the figure staring back at her.

This is going to be interesting, she thinks to herself. Then she grins. No, this is going to be *fun*.

An hour later, Kara's putting on her shoes when she hears a soft knock on the door joining her suite with Lena's. "It's open," she calls.

"Hey," Lena issues quietly as she edges into the room. "Just checking in, have you made a decision about..."

Lena's words fall away as Kara rises from the edge of the bed, pulling herself up to her full height-- plus another four inch heels now strapped to her feet. Her hair is loose around her shoulders in waves that glint in the light, and her dress is short and layered with gold fringes.

Kara hasn't looked this good since college, and she feels the difference. She feels sexy, and powerful, and *thrilled* that Lena clearly sees it too.

"Oh," the younger woman breathes. Lena herself is clad in a rhinstone studded mauve dress. It comes to mid-thigh, but hugs every curve of Lena's body like a glove. Her sleek black hair is up in a high pony, the tail straight and shimmery. But her eyes are on Kara, and nothing else.

Kara slowly struts towards Lena with a sultry smile. "Does your offer still stand?"

Lena blinks, dazzled by Kara's beaded fringes. "Huh?"

Reaching out with one hand, Kara tilts Lena's chin up to meet her eyes. "Up here," she says quietly.

"Right. Sorry. Just--" Lena clears her throat. She shakes herself out of her daze. "I guess you're coming."

"If you'll have me."

Lena grins. "I'll have you right here if you'll let me..."

"I think I've been hogging you enough lately," Kara returns. "I wouldn't want to keep your friends waiting."

Even so, Kara takes Lena's hips with both hands, tugging her close enough for a kiss. Lena moans.

"Fuck 'em."

Kara chuckles. "I think that would make a bad impression."

Lena looks at her for a long moment. "You really want to meet them, don't you?"

Brow furrowing, Kara nods. "Of course." She pauses. "Is.... that okay?"

Lena's smile warms. "Yeah. It's just... new." Before Kara can ask what that means, Lena steps free, snapping her clutch shut. "Let's get out of here."

---

The club is glamorous, and clearly catering to a high end crowd. There's a cordoned area for paparazzi, allowing both photographs and unobstructive ingress to the establishment. When Kara slides out of the SUV, she's careful to immediately twitch her skirt down so as not to give the tabloids something new to talk about.

As always, she lets Lena set the pace. Lena takes her hand and leads the way into the club. Her free hand lifts towards the paparazzi as they walk the roped sidewalk to the building, in a wave or to shield her eyes or hide her face, Kara isn't sure. Before she could decide whether to do the same, the door opens to admit them, releasing a wave of music and voices from within.

When the door closes behind them, Lena takes a moment to scan the crowd. No one seems to recognize her, or, more likely, don't care. It allows Kara's gaze to catch on a tall, slender brunette at a both in the back, standing on the bench seat and waving them over.

Kara nudges Lena and points. Lena nods. "That's us!" she calls over the din. "Let's go!"

Lena tugs her through the crowd, and Kara soon finds herself watching as Lena throws her arms around the brunette. The hug is tight but brief, before Lena turns to pull Kara closer. "This is Sam!"

Sam thrusts her hand out, gripping Kara's hand firmly as she leans forward. "Kara! Nice to meet you!"

"And this is Jack!" Lena continues. "And Veronica-- who invited you?"

"Fuck you too!" Veronica returns easily. She eyes Kara up and down. "You're hot! Wanna dance?"

In an instant, Lena's arm loops through Kara's. "Sorry, taken! Bye!"

And then, Lena leads her back to the dance floor. Kara doesn't have the presence of mind to be upset at the introductions being cut short-- not with the way Lena's body soon moves against hers. Her movments aren't choreographed, but they may as well be with how quickly it melts Kara's insides.

For her own part, Kara struggles to find the beat. She eventually tries to mimic the bodies around her, but remains a half beat out of tempo until Lena gently grabs her wrists and guides Kara's hands to her hips.

It's too loud to even attempt to talk, but Lena's actions speak loudly enough. Her body moves sinuously, her hands resting atop Kara's, and with their bodies pressed together, Kara finds herself falling into step with her partner's. Soon, all that exists is the heat of Lena's body, the pulse of the heavy music, and the scent of Lena's perfume.

They dance for two songs before Lena calls a time out. They return to the booth only long enough to collect the others, before they all relocate to a second floor Kara hadn't noticed, where there's just enough air for Kara to hear herself think.

"We're gonna talk," Sam says, leaning in to murmur in her ear. "Later."

There's no malice in her voice, which prompts Kara to give an easy nod. She looks forward to knowing more about Lena's friends-- even if it means she gets a shovel talk or two.

Once they collapse in a booth, a server takes their orders for drinks and food-- for which Kara is grateful. She doubts the hunger in her belly will be sated by small bites from the bar, but it could perhaps tide her over until she and Lena returned to the hotel.

"Well," Jack says pegging Kara with a pointed look. "After that display, I think we deserve to hear how this happened." He gestures towards the pair of them, and Lena giggles.

"Kara barged into my dressing room," she delivers. Her fingers lace between Kara's under the table as she continues to relate the story of their meeting. When she finishes, Jack whistles.

"Quite the whirlwind for you then," he says to Kara. "How are you holding up?"

"Lena's been taking good care of me," Kara says with a smile. "It's been amazing to see her work."

Lena beams back at her. "You've been amazing." She shoots a look towards Jack. "Don't you dare scare her off."

"Only if you give me a dance, darling."

Lena sighs. "All right. Come on, before the food gets here."

Kara slides out of the booth for Lena to exit, and as she sidles past Lena kisses Kara's cheek. "The things I do for you."

"My hero," Kara grins. Lena isn't at all put out by the idea of dancing with her friend, and for all the warning Lena gave him, he didn't seem to be antagonistic about their relationship. She watches them go, glad that Lena has the chance to reconnect with her friends.

"Kara!" Sam calls. She waves Kara back to the table. "Come sit!"

Kara obeys, only for Veronica to slide out. "I'm going to find the restroom. You two have fun!"

Bracing herself, Kara turns to Sam-- who laughs and waves away her tension. "Relax... I'm not Lena's keeper. She's clearly into you, and you don't seem to be an asshole, so. I'm good."

"You're Sam Arias, right?" Kara asks. She hadn't been sure before in the strobing lights, but sitting so close she now recognizes the actress from some of the movies Esme likes.

Sam nods. "I'm filming in Florence right now, so I figured I'd stop by while I could. Jack has a cover shoot in Vienna, so we figured we'd make a night of it."

Warmth floods Kara's chest. She's seen how hard Lena works, and how solitary she's been since Kara met her. The fact that she has friends willing to bend their schedules to make time for her when they can speaks volumes.

"Mind if I ask you something?" Sam asks. Kara nods for her to continue. "What do you want out of this?"

Sam's not the first to wonder. The difference is that she's asked, rather than assume like Lillian has.

Kara shrugs. "Nothing Lena isn't willing to give." Sam looks at her, waiting for more. "I'm comfortable. I don't want her money, or her fame."

"Then why drop everything to go on tour with her?"

"Being with her makes me happy."

It's a simple truth, but a truth nonetheless. She can return to National City whenever she likes; Lena has placed no pressure on her to stay. But in National City, Kara's thoughts would stay with Lena, so why condemn herself to being stretched between two locations, when she has the freedom and means to simply stay?

"God, that's refreshing," Sam drawls. She takes a sip of her drink before she gives a broad smile.

"Positively saccharine," comes a dry voice from behind Kara, making her jump. She turns to find another tall brunette lurking over her shoulder. This woman's gaze, however, is far sharper than Sam's.

Sam doesn't seem all that surprised to see their visitor. "Andrea," she greets.

"Samantha."

Andrea sits on the edge of the bench, worming her way in so that Kara is forced to scooch to accommodate her.

"What's interesting," Andrea continues, "is that Lena finally found someone who has absolutely no impact on her career."

Though ostensibly that would be a good thing, the relish glinting in the woman's gaze suggests something much darker.

"Before she's chosen industry people. Singers, actors, reps and so forth. The kind of people who, if crossed, could end her career in a heartbeat. Untouchable."

Andrea leers at Kara, her smile tight and predatory. "But you... mmh."

Kara's features settle into a solemn glare, defensive. "What about me?"

"You're nothing," Andrea responds, as though it's the most obvious thing in the world. "So when you inevitably break her heart, which you absolutely will..." Andrea leans closer. "I'll be able to absolutely demolish you."

"Funny," says Lena, reaching between them to snag her drink. Her face is flushed, upper lip glistening with sweat, but her features are placid. "If only you had put that much care into our relationship *before* it ended."

Andrea blanches slightly, but her features remained solidly antagonistic. "Skimming the gutter, are you, Lena?"

"And happier than during the two years I spent with you," Lena returns smoothly. "Imagine that."

"Get lost, Rojas," Veronica drawls, approaching from the other direction. Andrea is cornered, and she knows it.

She rises stiffly. Moving to leave, she pauses at Lena's shoulders. "Lena--"

Lena scowls. "Please leave."

Andrea hesitates a moment more, but ultimately decides now was neither the time or place to push further. She leaves, and Lena watches her leave with a glower on her face, before she settles onto the bench seat next to Kara.

"Ignore whatever she said to you," Lena says stiffly.

Kara softens. "She cares about you."

"She doesn't get to," comes the sharp retort. "Not anymore."

The message is clear-- Lena does not want to discuss Andrea Rojas.

The mood lightens as Lena's friends expertly steer the conversation away from Andrea's interruption. It's not long until Lena's hackles ease, and she's once more laughing and having fun. Kara relaxes as well, accepting every one of Lena's invitations to dance.

When they leave, it's at Lena's request. Kara's surprised-- Lena's trademark energy still relatively untapped-- until Lena captures her gaze with a heady one of her own. They're on the dance floor when it happens, and Lena leans in to shout into Kara's ear.

"Wanna get out of here?!"

Kara hesitates only a moment, conscious of how Sam and Jack had crossed international borders to see Lena, before she sees Sam not too far off. The brunette's features are astute and smirking, confirming the she understands-- and approves-- exactly what Lena intends.

Before she nods, Kara turns her head to capture Lena's lips as she pulls away. She kisses Lena deeply and soundly, and when she breaks away Lena lists after her. Heavy eyes look up at her, dazed and hungry for more.

"What about your friends?"

"Sam says I've been eye-fucking you all night," Lena calls back. "I'd rather be fucking you for real." She grins. "Respectfully!"

Kara laughs, the sound lost in the music. "Uh huh," she says, mostly to herself. "Then let's go!"

Lena waves at her friends, earning cheeky grins from all three in return. Kara's surprised to see the time is already past 2am. Her blood buzzes in her veins, arousal and anticipation electrifying her nerves.

Kara enters the suv at Lena's slight push, which means when Lena climbs in she plants herself firmly in Kara's lap, hiking up her skirt to straddle Kara's thighs.

"You are so hot tonight," Lena murmurs. "I couldn't keep my eyes off you." She grins. "I wasn't the only one."

Kara blinks. She hadn't sensed anyone staring at her. Then again, she hadn't paid much attention to anyone but Lena.

"I didn't notice."

"I know," Lena purrs, leaning down. Her tongue laves across Kara's throat, before she engulfs all of her senses in a searing kiss. "So fucking hot...."

Kara glances frantically towards the front, hesitant to put on a show for anyone but Lena, but finds that the driver has already rolled up the privacy screen. Kara doubts the screen provides any amount of soundproofing, but it's enough for her to slide her hand under Lena's hitched skirt, cupping a bare ass cheek in her palm.

"Fuck," Kara groans. Her groin tightens, warming with arousal that leaks past her own thong. "Lena--"

"Let me, baby," Lena murmurs beside her ear. She suckles the column of Kara's neck, even as her hand deftly delves under Kara's dress. "I'm gonna make you feel so good..."

Expert fingers find Kara's clit and pause, pressing gently against the throbbing bud. Lena's fingers are warm, but still cooler than the heat between Kara's legs. She curses again, hips bucking ever so slightly.

"Not so fast," Lena croons. "I want you to enjoy this."

Kara's breaths are already coming hard and fast, as her higher brain functions swiftly cease to function. She grunts, pulling a smile to Lena's lips.

Long fingers slide tenderly across Kara's arousal-slicked opening, circling almost carelessly-- except Kara understands Lena knows exactly what she's doing.

"I want you to wait," Lena whispers. "Can you do that for me? Can you wait until we get to the hotel?"

Kara's teeth grind, lassoing any shred of self control she has left, even as Lena's fingers dip between her labia. She enters almost enough for Kara's walls to grip her fingers, but Lena is quick to react, withdrawing before Kara to gain any purchase.

"Answer me," Lena says.

"Y-yes," Kara stammers. "I-- I can wait-- ungh!"

A high, pitiful sound escapes from Kara's throat, wild and unexpected. She feels her cheeks tingle, and knows they would have turned a vivid red if she weren't already red from the exertion of the club.

Lena kisses her, long and slow and deep. As she does, a fingernail lightly catches on Kara's clit, making her gasp. She tastes the warm air and alcohol from Lena's breath, savoring it for a short moment before another stroke of Lena's fingers makes her huff in frustration.

"You're doing so good," Lena tells her. Her free hand strokes Kara's breast, teasing her through the dress until her nipple hardens and stands at attention. "Oh my god, Kara-- you are so beautiful..."

Kara moans plaintively. "I-- I wanna touch you... more--"

"Not yet," Lena chides. She rests their foreheads together, even as she continues her ministrations under Kara's dress. "Do you know what I'm going to do when I get you upstairs?"

Kara grunts, gasping for breath. She's on the verge of coming, and has to force her inner walls to relax lest she climax right then and there.

"I'm going lay you down on my bed," Lena continues, scissoring her fingers inside Kara and smiling sweetly when Kara squirms. "I'm going to lay you down, and then I'm going to ask you to spread your knees as far as you can. I'm going to make you stretch for me...."

Kara's thighs tense under Lena's, hungry in anticipation. Lena leans in close then, speaking low into Kara's ear.

"And then I'm going to put my mouth on you." Teeth scrape Kara's earlobe, sensitizing it for when Lena makes another pass, this time nibbling sharply. Kara throws her head back hard enough to bounce off the headrest.

"Would you like that, baby?" Lena asks, smiling languidly. "Do you want me to lick you dry? Suck on your clit until-- uh uh," comes a stern warning.

Lena withdraws her hand just before Kara climaxes. Kara gives a shuddering sigh, grateful even as she resents the sudden stillness. Her core gapes, walls flexing in search of something, anything to grip.

"You promised," Lena reminds her.

Kara nods, breathless. "S-sorry," she gasps.

"Shhhh," Lena soothes. Her hand returns, playing idly with Kara's clit. "You're doing amazing, baby."

She retracts her fingers again, less cruelly this time, and lifts them to Kara's mouth. Understanding her intent, Kara kisses Lena's slick fingertips, then parts her lips in invitation.

Lena carefully inserts her first and middle fingers, and Kara lets her tongue curl around them. The salt of her own arousal only heightens her senses further, and the pleasure in Lena's features only makes Kara want to perform perfectly, whatever Lena asks of her.

"I--I want...."

"Tell me," Lena murmurs. "Tell me what you want..."

Before Kara can find the coherence to answer, the car slows to a long stop. Lena's eyes flick up to glance out the back window. With a smile, Lena bends back down to capture Kara's lips in a soft kiss.

"You made it," she says. "We're at the hotel."

Lena wipes her damp fingers across her dress to dry them, then clasps Kara's hand and all but drags her out. If there are paparazzi waiting for them outside the building, Kara doesn't see them. She doesn't register much of anything until her dress is a pile on the floor, and Lena pushes her gently backwards. Her legs fold against the edge of the bed, and she sits with a thump.

"Lay back, baby."

Lena kneels, long ponytail spilling over one shoulder. "Let me take care of you."

And oh, does she.

Kara comes in moments, but Lena doesn't relent. She suckles Kara's clit, and licks ardently, endlessly, until Kara comes again and again.

She doesn't relent until Kara breathlessly pats somewhere near Lena's head, unsure if she actually makes contact. Nevertheless, Lena disengages and crawls over Kara, gazing down into her eyes with satisfaction and adoration.

"Worth the wait?"

Kara mutters a curse. She reaches up to snag Lena by the edge of her jaw, pulling her down to a deep, languid kiss.

"Do that again," Kara warns, "and there's no guarantee I won't explode on the spot, if that's my reward."

Lena beams.

"That was so hot. You-- Lena, I...." Suddenly, Kara's brain catches up to her. "Why are you still dressed?"

"I was a little busy..." Lena grins. Her chin is still slicked with arousal, which she wipes salaciously with her fingers.

"Fuck that," Kara growls. She fumbles for the zipper behind Lena's neck, but doesn't find one. "Off... off, off, off."

"Easy, tiger..." Lena casually reaches under her arm, and undoes the side zipper. Then Kara is treated to the sight of Lena peeling the dress up and over her head. Her boots, at least, are already off, leaving Lena utterly, delectably bare.

Lena tilts her head in a tantalyzing tease. She leans down, and the end of her ponytail tickles the hollow of Kara's throat. "How do you want me?"

"I want you so wet I could drown in you," Kara murmurs. Lena's cheeks heat in a ready flush. Carefully, Kara repositions them so that she was the one straddling Lena. She rubs the top of her thigh between Lena's legs, earning her a sweet mewling as Lena wriggles down to try and increase the pressure.

Rather than tease, Kara plants her knee in the mattress, a grounding rod for Lena to grind against.

"What do you need?" Kara asks simply.

"Drawer," Lena says breathlessly. "Under the scarf. There's a-- ngh, jeezus."

Now it's Lena's turn to be frustrated, and Kara finds that she enjoys the picture she paints. She enjoys it very much.

Kara gamely pushes off the mattress and pads over to the short dresser on the far wall. Fishing under the aforementioned scarf, she pulls out a dildo already fitted to a harness.

Lifting an eyebrow, Kara lets it dangle from her finger by one strap, shooting Lena a suspicious glance.

"Planning ahead, were we?"

Lena gives a cheesy grin. "Can never be too prepared," she teases. Her own eyebrow lifts in challenge. "Think you're up for it?"

Kara crosses back to the bed with dildo in hand. Lena returns to her back, and gazes up at Kara with eyes glazed by desire. She inhales sharply when Kara presses the shaft of the dildo between her legs.

"Tell me what you like," Kara urges, her voice low. She kisses her way up Lena's sternum, the licks the hollow of a slender throat. When she pulls back, Lena whimpers. "Tell me."

"I want you," Lena starts, her eyes hooded with want, "to hold me down, and fuck me senseless."

An all new wave of desire floods Kara, making her insides quake. She leans in close to Lena's ear, and feels her partner's breath catch.

"Challenge accepted."

[marshmallowprotection]

Have you ever done a post talking about how Ray stopped obsessing about MC on his own route?

I don't believe I've ever done one in depth before but I would LOVE to talk about that to clear up misconceptions. So, we're all well-aware of the fact Ray is completely in love with the idea of you. To talk about it in depth, we need to start at the beginning of Ray's awakening. While talking about his infatuation, it's important to understand the reason why he became so captivated with you in the first place, so that you'll be able to see how his love changes from mere infatuation with some idea to the conceptualizing of true love.

I'll start at the very beginning of Ray's identity in Mint Eye. When he realized who he was and what he had to do for the Savior, this person who has forced him to undergo torture the likes of which we only see brief spurts of and cannot even conceptualize just how horrible it was for him to experience, he understood the rules. He had to obey every order to survive, even if it made him feel sick to his stomach.

Any sort of deviation from the Savior's expectation would have him back into a basement that held nothing but nightmares.

"I have no one left for me. I have been abandoned by everyone but the Savior. I should be grateful that she hasn't given up on me like everybody I've ever known. I should devote my life to hers because that's all I'm good for. If I was good for anything, V and Saeyoung... wouldn't have left me behind. I see nothing but torment in my life, but that's all I've ever known and that's all I will ever know. I need to be grateful that the Savior saved me, because her torment is what can save me... if I can be good enough for her... maybe I'll be good enough to exist."

You have to understand that this is Ray's core foundation. He has been pressured to believe something that goes against who he is. Ray is described best as someone who cannot stop dreaming, and Suit Saeran said it the best, "Ray won't stop dreaming of a day that might bring V and Saeyoung back to his side, even if Rika's forced us to believe they'll hurt us. Unlike Ray, I know we can't go back to what we had, but he won't stop dreaming. If he stops dreaming, we won't have any hope. To dream is to have hope, and Ray is my hope. That's why I want to help him and you escape this place. So, our hope can... survive."

Ray's very existence is defined by his value to Rika. That's what he's been forced to believe and trust me when I say this, Ray doesn't want that. He doesn't want to be defined by what he can do for Rika to give her proof that he shouldn't be tortured anymore. He wants to be able to exist without the fear of a hammer swinging over his head, but he isn't allowed to have that. Rika's controlling him through fear, through the idea that he has to show her he has value so she won't throw him away like "V and Saeyoung threw him away".

She abuses Ray with a blend of verbal abuse and love-bombing on the regular and this back and forth of "you're an airhead and maybe Ray shouldn't exist in the first place because he keeps failing every task I give him," vs "Oh, Ray, no one in this world will care for you the way you need except for me... I didn't abandon you, so you can truly believe me above everyone else."

How would you feel if the only way you could evade being drugged in Mint Eye's basement would be to work your fingers to the bone?

Would you fight the Savior? Would you try to reason with her even though it is futile to argue with someone who refuses to listen to you? Would it take long for you to realize that the only means to your survival will be to obey? What if you fought her and she cast you aside, sending you to fight for yourself on the streets of Seoul? The very streets where one wrong move could have Saejoong Choi kill you?

What's worse, to be tormented in a basement with drugs until you learn your "lesson", or to be killed the minute you step foot into the outside world your Mother always told you would kill you when you did? You don't want to die. You don't want to die, do you? How long will it take before you accept this awful reality... because you don't have another choice? It didn't take Ray very long to accept that he had no other choice. It was Rika's torment and "salvation" or death.

He understands that he'll probably die in Mint Eye, but at least... in Mint Eye, he can tell himself that Rika didn't abandon him. At least, he would die knowing one person didn't "give up" on him. He settles, because what else can he do but settle? This is the greatest good he may ever get. Is it any wonder why he wants to make the "best" of the nightmare he's living in? No, it's really not.

It's not okay, though. He shouldn't have to make the "best" of what he's given because he doesn't deserve any of the suffering he's been forced to experience at the hand of Rika. None of the believers who found themselves trapped in that place deserved what happened to them. What Ray suffered doesn't justify his decision making, though. His suffering doesn't make what he does with the player before he's able to realize the error of his ways right.

Mind you, as I'm writing this post and explaining Ray's perspective, I don't want any of you to get this twisted. Ray's actions aren't justified in any way. He shouldn't have lied to the player, he shouldn't have told you the RFA were characters in a game, he shouldn't have risked your life and safety for his obsession with the idea of you, etc, etc. I know a lot of people are more understanding of Ray and Saeran than they are of other characters in this game, but I'm still going to say this since it has to be said so often.

Understanding a character, enjoying a character, and knowing the rhyme or reason why they do something doesn't mean you justify their actions. It just means you like that character and tried to get more information to understand why they did what they did and it's okay to morally dubious characters. Let's break down our important critical thinking skills and remember that.

Anyway.

Those images I stitched above are from his diary and show you a tiny glimpse into his formula for bringing someone to Mint Eye.

Ray starts out as the head of security for Mint Eye and he has to work his way up to the creation process that brings us to the RFA "game" he sells the player. He spends the first few months stalking the RFA as best he can to learn more about their habits and how to either eliminate them or bring them to Mint Eye for the Savior, it's only after he has proven himself worthy of gathering information that Rika tells him that he will be allowed to choose whoever he wants to help him take down the RFA.

This is a "reward" he's given for good behavior, as in, doing his job until his fingers bleed and he has to wear gloves to stop himself from dislocating the joints, chugging caffeine pills and his elixir like a "good boy", and keeping his mouth shut about anything but breathing and Paradise. He gets the "honor" of finding someone to help him do his job, and during the process of hunting down that person to help his mission, he finds... you.

I don't think he set out to find someone who could like him. I think he originally sought out someone who could listen to him and believe his lies about the RFA. He wanted someone who wouldn't question him... after all, how can you get someone to be your eyes and ears when all you hear is: "Why is this so life-like? Why do these characters feel so real? I'm starting to believe what they're telling me and I'm having so much doubt what you've been selling me, Ray."

He was looking for a person who would be incredibly naive, but kind-hearted. It's just that in the process of trying to find someone to fit that bill, he discovered you. It's not entirely clear how he found you or what made him like you, that's always left open to the player so they can decide what he liked about them. All we know is that he watched you visit your favorite cafe now and again. Everything else is really up to the player to decide... meaning however dark or light you want that imagery is up to you.

Regardless, he discovered you, and something about you captivated him so much that he told himself there could be no other person to test his game. It would have to be you. There was something about you that made him feel warm and fuzzy inside... it made him feel so good. Here's the thing about his feelings for you in the beginning. He could learn as much as he wanted by scouring information about you online, but that would never be the same as actually getting to know you.

So, from the get-go, Ray's foundation of who you are is based on what he can find.

Everything he can't find is built on what he creates in his head.

This is why he becomes obsessed with the idea of you, and it's so easy for him to slip into this fantasy. The idea of someone can be better than who they really are sometimes, because a concept can't disappoint you or break your heart. Ray spends most of his time fantasizing about what it would be like to be close to you, what it would be like to get to know you, and as he continues to fill in the pieces with his fantasized version of you, the line between reality and fiction becomes blurred. 

You become the only constant in his life that has a driving force for good, frankly. Whenever he is being tortured for a mistake he made or criticized for not being good enough, he slips into his head to just fantasize about what it would be like to be treated with respect by the object of his obsession. The concept of you, it comforts him, it brings him peace, it brings him joy, and it keeps him ALIVE. If not for those months he spent dreaming of you, he might not have survived as long as he did.

Ray, at his core, needs a reason to have hope.

If you strip away all of his hopes and dreams, there is nothing left but a shell. There is nothing left but a husk... and is it really any wonder in this world why Suit Saeran was angry when he woke up and saw his Ray was tortured for daring to dream the impossible?

When that was all Ray ever wanted? To dream? He wouldn't even allow himself a chance to ask for what he wanted, he would beat it out himself to let the Savior know he wouldn't try to fight her for ANYTHING.

Ray was trained to destroy himself from the inside out because Rika intended for him to disappear someday. For Saeran to "take over and prove that strength is only born from survival of the fittest."

The fantasy of you wasn't the real you by any means but Ray could settle for a fantasy if he couldn't taste reality.

The idea of you gave him strength to survive until tomorrow, and that's important to understand. Why else would Ray consistently say, "I will settle for whatever you give me. I don't deserve anything. Use me as you please, even if it hurts me, because I just want you to be happy."? Ray has to settle for less all the time. He is so desperate to be liked, to never be abandoned again, that he's okay with you doing anything to him as long as he can stay with you.

That's what Bad Ending 1 is all about—if you decide to take his offer to hurt him for your amusement.

When all he can dream of is his fantasy and what he settled for, it should become abundantly clear to players why he is so dead set on wanting you to stay with him. His desperation for you to stay with him stems from the fact that he doesn't want to be abandoned. Ray believes he was left behind by everyone who loved him except for his Savior, so when he begs and pleads for you to stay later on, it's 100% because of this fear.

Is it wrong for him to beg and plead to make you stay with him? YES! It's not okay! But, it's easy to understand WHY he's begging so hard in the first place. Ray wants so badly for his fantasy of you to be real. To be liked by you, not even loved, is all he wants because you have become the only thing that makes a smile stay on his face in this den of torment.

Do you know what you do as the player during Ray Route? During your time with Ray, you are constantly and consistently telling him that he should value himself, that he shouldn't beat himself down, that he shouldn't take Rika's torment and believe the horrible things she tells him, and that he should think for himself instead of what he thinks Rika wants him to think. You are actively working to help Ray understand his value as a person, nudging him to decide for himself what he wants.

Do you owe him that kindness? No, no you don't. You don't owe him this, nobody does, but if you decide to love him and give him the time to grow from his mistakes, this is where Ray Route takes you. Tumblr won't let me post more than 30 images, so I will point you to read just a couple of specific chatrooms I can't post snippets of.

Day 5, 19:23, "Small Coincidence" & Day 6, 03:17, "If I was stronger" & Day 6, 20:49, "Suddenly Afraid". Those chatrooms specifically give a player the option to reassure Ray at every turn, to tell him that he is a person who matters to you, and that he needs to trust your words as you say them, and not assume they come with a stipulation like every word out of Rika's mouth.

You're not telling Ray that you want to stay in Mint Eye with these choices.

You're telling him that you want to stay with him.

MC is actively making the decision once they realize the truth to see what they can do to get Ray out of Mint Eye. You may not trust V at first, you may not even believe him, but you have seen Ray suffer at Rika's hand and you know he doesn't deserve that. You want to get him away from this place, far, far away... and the closer you get to the kiss visual novel, the closer you get to helping Ray overcome what was done to him.

I understand it can be difficult to grasp what's happening during the first two days of the route because realistically this would be playing out throughout a couple of months. But, what you're doing is helping Ray undo the brainwashing. You are working to deprogram the cult manipulation, and I don't know if any of you know how hard it is for someone to do that in real life, but it's not easy.

There is a reason why it is so difficult to remove someone from a cult once they are knee-deep in the trenches. You can't just tell someone to leave, even if it's detrimental to their health and safety because they won't leave the cult. Cults are designed to keep people inside. Even if you present someone with logic and reason, they have been taught not to listen to anyone who tries to tell them anything that goes against the doctrine they have been forced to believe. 

You are more likely to lose a person if you try to force them out of a cult than you are to save them. Obviously, every situation is different and you need to approach this with care if you encounter something like this in real life, but I would pray nobody would have to learn about this information or how to use it.

I don't want anyone to be trapped in a cult. But, hey, look into how folks do help remove people from cults with SAFETY in mind. It's interesting, if a bit dark because there's right and wrong ways to help people.

That's why I advise you to look in those chat rooms if you want more contextual evidence to understand what's happening here since my images are limited and I had to chop this down to what I knew would be most helpful to someone's understanding of the situation. So, I've got two phone calls below that point out what I'm talking about and show what the MC is doing.

Reassuring Ray of his desires by telling him he's allowed to think for himself, and then down below, you're working to tell Ray that he can trust other people, not just the Savior. It is the little things like these choices that build up to what happens when you kiss him and it just about clicks for him that this place isn't sustainable.

This language the player uses is important in those chatrooms and during every phone call where this conversation topic comes up. He needs to hear it. He needs to know that his life is bound by what he can do for Rika. He can have more what he's been given, he doesn't have to settle for torment and torture. He can have whatever he truly desires as long as he's willing to face the facts. Ray's just... so afraid of what will happen when he stands up that it takes a long time to get him to that point.

Case in point, the fake elixir. He became so incredibly paranoid about his decision to have you forgo the elixir that he decided to cultivate a fake bottle that nobody could distinguish from the real thing just to protect you. He lied about you taking the elixir in the first place and that was dangerous in itself, but it was a decision he made that truly began to send him down a path that would lead him to run away from settling for the hell Rika gave him. 

This lie Ray made was huge, and I don't see a lot of people point that out.

He tells you multiple times that he's afraid of what might happen to you if they find out he lied about your initiation ceremony. He knows what's going to happen to you, and he knows what will happen to him because he lied about it. He might never be able to see you again, and he might never exist again after they're through with him, but he still decided to lie about it because he couldn't stand the thought of seeing you in pain.

Decisions like that are ones that help you understand the "generous" organization you're in isn't trying to help you, it's trying to kill you at every corner. Ray’s devotion is based on fear and fear alone. He truly doesn't believe what he's been sold, the only reason why he fights so hard for this paradise is because he believes that he doesn't have any other choice.

Why do you think he wants Paradise to be as good as he can make it? 

When you try to tell him you want to leave, he tells you that he could never survive in the outside world. It has been beaten into him over and over again. He won't be able to survive out there without the help of the savior. He won't be able to survive anywhere without her help.

That's why he tries to fight so hard to survive, to make the best of this nightmare, because one day he'll be able to catch the carrot on the string. Even if he knows that's never going to happen, he doesn't believe there's any other way for him to exist, and if he's going to be happy with you, the only place he can have it is here. Even when you make him want to believe in the impossible dream, it still feels very impossible.

That's by design, Rika's design.

So, when he actively starts to make hard decisions that go against everything she's tried to beat into him, that shows him breaking away from Mint Eye. That is the first step in the process of getting him out of there. It is not easy by any means, but by God were you so close to getting him out of there. Lying to Rika? Huge. Making a fake elixir to protect you? Huge. Owning up to the fact that he's terrified for what he's done by bringing you here? Huge. A process of accountability on his part and the beginning of Ray's journey to do the right thing.

Every conversation you had with Ray up until this point has helped him little by little realize you care about him and it's not something you're going to throw away. Your affection for him isn't something that's going to be yanked away like a carrot on a string, you intend to give him kindness because you believe he deserves it very inherently, meaning that he doesn't have to prove himself to receive it. He is all deserving of love, just as anyone else is, and you want him to know that because seeing him destroy himself is painful.

Even at the moment when you hold him close to your heart and there seems to be nothing in the world that could tell him you didn’t mean what you told him, there’s still some unease in his chest. You can't help somebody overcome years of insecurity and months of torture with a single kiss. But, it's a start, and the decision to start a journey towards self-reflection is what’s hopeful. 

There's still a hint of what he thought was love when you kiss him. It's not hard to miss. But, if you've been paying attention to the way he's been talking, you'll have noticed that the pressure he laid down to stay with him near the beginning of your journey has decreased by a significant margin. He is no longer trying to find ways to manipulate you into staying with him. 

He's trying to find ways to understand your heart and what it means to be close to the real you.

He's less focused on trying to convince you that this place is great, and he starts to reveal what's going on inside his head. He tells you why he’s lost and afraid, he tells you what keeps him awake at night, and he tells you how he’s come to believe this is truly the only place for him to exist.

His desperation is what asks you to stay with him because he wants to be with you if you’ll have him, but he can’t understand why you don’t want to stay in Mint Eye when he's been coerced to believe this is the only place he can exist. It's important to understand the huge difference in language.

But, now as you hold him close to your heart, his fantasy is starting to fade away by the minute. He's less focused on trying to make sense of his dreams and more focused on trying to understand the reality of what you're living in. You know, "If there really is a paradise, I wish you would be there with me." He's not calling Mint Eye a paradise, he said he would want to be in a "paradise" with you.

Little adjustments to his manner of speech stand out. Read between the lines and compare and contrast the way that Ray talks to you at the beginning and more so as you get closer to him. All that work you laid down as you got closer to him mattered so damn much that I can not even begin to explain it in a single sentence. Do you know why it matters so much?

Rika had eyes and ears on Ray. She knew what you were doing, she knew what you were telling Ray, and she knew Ray was on the cusp of leaving her behind. So, what did Rika do when someone told her Ray kissed the Special Missionary? She got rid of him, or she tried to get rid, at least.

She is using him for everything she can get out of him. She intends to use him until he is no longer useful, and your trying to convince him that he has value goes against everything she's been fighting to make him believe. The minute you help him realize that he has more worth than what she's given to him is the minute he decides to leave. Rika can't have him abandon her, she's the only person who can abandon someone, she says. I'm the only one who gets to decide who suffers after V tried to decide everything for me.

The only reason why he is punished is because you were only an inch away from helping him escape Mint Eye. 

You were THAT close.

He manages to call you somewhere amidst the torture because he finds the courage to tell you the truth. He wants to be with you more than anything in the world because he finally realized being with you made him feel like he was worth something, but he isn't allowed to exist in paradise. He was never meant to know what this felt like this, what it felt like to be loved by someone as kind as you to him, and if he doesn't take this torture, you will know this torture. 

"I must be gone for our salvation. I need to be gone for you to stay in paradise."

vs

"No, no! I want to stay! I want to see you so much! Please, I don't want to disappear! I miss you, please... please! Abandon me, save yourself!"

This is Ray trying to fight the programming that was beaten into him, but he ultimately lost his battle in the basement. He was so close to getting out of Mint Eye but Rika knew better than to turn her back on him. She knew she had to snuff out his light if she wanted to use him for what he was worth.

I do not doubt in my heart that he fought as much as he could to survive those hours of suffering and torment, but he was fighting Rika and God knows how many guards as they shoved elixir down his throat and told him he was a failure. I can't blame him for not being able to believe in his dreams when they held a bottle of poison to his throat and told him he needed to obey or you would suffer. 

Your last interaction with Ray as himself is when Saeran shuts down. When you tell Saeran that you won't treat him like Ray to give him the love he deserves, because you know treating Saeran like Ray won't be good or healthy for him. You want to love him as Saeran, not as Ray... and the idea of being loved as himself is torture. He'll die if the Savior finds out you love him (and he, you, in return) because that's literally what happened to Ray.

Pretending to be Ray was his only hope of tasting that adoration for even a moment. Because he understood inherently that love and kindness would always be a weakness in Mint Eye. Showing even a small amount of that weakness would’ve had him destroyed, and if they destroyed him, there would be nothing to protect whatever remained of Ray, and you. If he's gone and incapable of being the sword and shield of "strength", there will be no hope for all three of you.

I digress, I've talked about Suit Saeran’s desire to be loved before, so I don’t think I need to go too depth about that right here. Just know he craves love too, but he won't let himself have it because he's afraid of being tortured like Ray was for unleashing his desires. He wants to be the strongest so nobody tries to torture him ever again, even when it could cost him a chance at happiness.

I.E. Bad Ending 2, where Suit Saeran goes too far and he breaks the player completely beyond repair and he can't put you back together again even though he realizes he shouldn't have done what he did in the first place.

This moment is the one where everything finally comes to a head and Ray looks you in the eyes and confesses the truth. He apologizes to you for everything he's done, for tricking you, for deceiving you, for putting you in this predicament in the first place all because he was so obsessed with the idea of you.

Even if you decided to give him a chance, even if you decided he was worth fighting for, and even if you decided you wanted to be with him despite everything—Ray understood in that moment you deserved an apology because he shouldn't have deceived you in the first place. He acknowledges that he is guilty, not just Saeran.

They both hurt you and there is no excuse for their actions. Ray is able to conceptualize this need to apologize first, and his ability to own up to everything that's happened so far is what opens the door for Saeran to do the same.  

He tells you that you need to put yourself first, that you need to protect yourself and if it comes down to it, if you need to choose between him or yourself, he would want you to choose yourself. After all this time he spent trying to convince you to abandon everything and stay with him in this false paradise, he realizes that you deserve to decide for yourself what it is you want and after everything that's happened, it's your choice and he can't blame you for whatever you choose. 

He can't force you to stay with him. He can't manipulate you to stay with him. He can't get on his hands and knees and tell you not to abandon him just because he's afraid.

If you want to stay with him, it should be because that's something you want, not because it's something he's tried to make you do for him.

He understands that now, and he began to understand that before, it was hard to see it under all the torture and pain he was experiencing before, unfortunately.

You helped him realize that he's always been a person deserving of love and affection, and if it wasn't for this dire situation, if it wasn't for the fact that he knows if he's not careful you'll be tortured within an inch of your life, his words in this moment would be filled with more gratitude at having the chance to have known you. He's unfortunately still beating himself down because he's not sure if there will ever be a way for him to exist in a world that won't try to destroy him. 

But, he wanted you to know, no matter what, you helped him realize he was worth more than what he thought he was. You made him see meaning in what he imagined was NOTHING. Rika never for Ray to be anything but a tool, and you showed him that Ray mattered.

His existence mattered.

It meant something.

He meant something.

Ray: “Ever since I met you, I thought that I might be able to stay in this world. You made my name mean something when it was never meant to mean anything. You're kind, one of the kindest people I've ever met, and I wish... I wish I could stay with you... but I've hurt you so much.”

Suit Saeran, hours later: "You know, the name Ray wasn't supposed to mean something... but you look a little sad every time I say it. I'm certain that's because you made him feel real... made him feel like he was allowed to be something, more than just an airhead who did all the work they forced down his throat."

Ray realizing that true love sometimes means being willing to let someone go because the environment around the two of you is only going to destroy you in the end is huge for someone who thought his love could only be founded in fantasy. A boy who was ready to cling desperately to you and do anything he could to make you stayed by his side willfully choosing to let you go because he never should have tried to cage you in the first place? 

Character growth!

This here is the pivotal moment when you should understand his love for you has become real, and it is not founded in the obsession it was at the get go. I don't know how else to spell this out any clearer for people to understand, but if I missed anything and you're not sure about something you've come across in the game, please point it out because I would love to talk about it. 

I know that this game is not perfect by any means when it comes to showing his character progression, but the concept is there, and as long as you're looking like you will find it readily. 

[purplesoulcollection]

Unnatural Love

Part 6 Synopsis : Name has being transmigrated into the world of I'm Not That Kind Of Talent without ever reading the novel. She's not being reincarnated as a human but as a devil as well. Hi There! I want to let you know that this fanfiction story isn't solely my creation. I borrowed the concept from @quqiwo2. I haven't actually read the novel either, just some spoiler to the end.

I hope you'll excuse my spelling and grammar mistake, because English not my first language.

Finally after we were anxious to think about our future relationship. We also decided to keep our dating relationship as a secret from the Demon King .

But that's not the most important thing I want to say...

Because…

Finally, Deon himself revealed his secret. To ME!!!

He said that because for him we were already together, that's why he would also tell his secret life story.

I've actually wanted to know about him since a long time ago but wasn't sure how he would respond if I asked. So I'm afraid that if I want to ask directly,

The past is a taboo topic for soldiers. Because they have to sacrifice their humanity to fight. It would be unethical to ask casually. It’s also will drop the mood and interrupted that person.

He was the one who told me that his name was not Demon Arut, but Deon Hardt. And he also asked to just call him Deon when we were alone, I agreed with him.

He said that his original name, Deon, changed to Demon because he was being misunderstood by the devil's advertisements and was constantly being misunderstood his whole life.

And finally, Deon also told me about his life story, starting from when he was born albino, had a weak body since birth, was forced to fight in the war between kingdom, survived through struggle and luck and too often lost his memory.

When I heard everything Deon told me. I honestly feel very sad and sympathetic to him. But also wondering...

Is it accurate to say that his family is so unkind as to send him to war despite his physical condition being unsuitable?? Is there really having no misunderstanding at all?

Why am I asking the reality of the Deon’s story?

Because it’s really contradictive for me…

If his family really intended to kill Deon, why didn't they try to escape knowing that Deon could return home after 8 years of war? It is difficult to believe that Deon will not harbor any resentment towards those who sent him to war and they should be the one who know that.

Life is the second most valuable thing for nobles, after money of course. If they don't live, how will they enjoy their money? It’s logical to think that they would try to save their lavish life.

Just imagine, okay?

We become war soldiers for 8 years, and 8 years can survive in a war that can make people's minds go crazy. The psychological burden of a murderer must be enormous-- the possibility of the person becoming crazy and psychopathic is also possible occurrence.

Of course, the normal people would usually try to avoid Deon, who miraculously survived.

But his family, who tried to kill him, didn't run away and instead welcomed Deon home. As if they weren't aware of Deon's grudge for not being willing to become a soldier?

It's either that Deon's parents are stupid, greedy, trash, or a misunderstanding.

That's the biggest possibility of Deon's story which has a definite plot twist. Because Deon's story from start to finish is truly spectacular, suitable as a fantasy novel full of drama and tragedy. As an expert on fantasy novels, I am sure that there is a misunderstanding that has occurred.

Besides, his older brother, Cruel Hardt, also has oddities, Deon said that his brother hate and want to kill him, he also becomes a hero following his younger brother. Why did his brother never try to kill Deon who killed his parents with his own hands. Why?

Revenge is most delicious and satisfying when it is done with one's own hands. People who want revenge will never allow their targets to be killed by others. Because that is the revenge system that can satisfy a heart full of revenge.

So it is clear that there must be a big problem hidden without Deon's knowledge.

I believe this aligns with the perspective of seasoned readers. Those who enjoy cliché fantasy novels frequently trust their gut feelings. I can feel that in the future there will be will be a sacrifice that will occur if this situation continues and it will affect Deon too.

I actually don't know about psychological problems. But Deon's character is very unsuitable for someone who has becoming the hero of the war.

I'm not mocking him, but the trauma he has should be there for someone who didn’t want to do a war. He even told the story as if he didn't have any trauma at all. He talked about his 8 year war so casually, didn’t took any life at all but he took the lives of his family, and then he was sent to be one of the hero's journey companions and his hero died, but he became the Commander of the demon king's zero army now, but he said he was weak?

There's no way that could happen, war is never a joke. Only the strong can survive. It’s the same principle in this devil’s world

Even if he was lucky, Luck didn't work like that. That's why I say Deon's story is very suitable because it is a tragic fantasy. Especially the plot hole that occurs due to memory loss. I'm sure it must be because of his psychological problems, Deon's psychology seems so unstable that he can be like that.

I've only heard of it but is it possible that he has a split personality. According to an article I once read, people who have multiple personalities will not remember what the other personality did, As a mechanism to take care of itself. This symptom is match with his condition.

So I can't tell Deon all these facts I just thought about.

If all my hypotheses are really true, then tragedy will come to Deon. Because it's impossible to have a happy ending after all of Deon's stories have happened. Then what about me?

“Adele, Adele!”

Surprised, I turned to Deon. He looked at me with a worried look. "Adele, was my story that surprising to you?"

It seemed like he was worried about my situation. Maybe he thought I was in shock after my fragility earlier, even though I was just thinking about the possibility that Deon's story was a fantasy story from earth or not?

I exhaled tiredly. Of course, my thoughts above are just a hypothesis. It seems that I really have talent as a novel writer if my imagination continues like this.

"Even if your story is so surprising to me, this is your story. Of course, the one who feels the saddest is Deon, right?" I tried to empathize with him, even if I've never experienced the same thing as Deon.

Deon just looked down and made a shadow with his hair. This makes him feel very far from me. I, who couldn't stand seeing that, slowly touched his hand first before finally holding it.

Only then did he look back at me. I smiled sadly.

"I'm sorry I made you remember your past. But I'm glad you were honest with me about your past. Would you like me to hug you in return?" I opened my arms, inviting him to hug. At first she was hesitant, but then she came into my arms.

When he hugged me, suddenly a panel screen appeared in front of me.

The screen shocked me and shocked Deon too until his body turned stiff. I immediately stroked Deon's back. Trying to calm myself and Deon too.

"Sorry, Deon, I thought there was an insect passing by."

"Bugs won't come in here!"

"That's why I said I saw wrong."

After that, Deon was silent and I continued to stare at the damn screen that suddenly appeared in front of me.

Is this a clue to the reason why I am in this world.

Does that mean I came to this world without notice and had to suffer in this world because of Deon?

To change Deon's tragic fate from beginning to end…

.

.

.

Do I have any other choice but to accept it?

I had come into this world without warning, suffered, met Deon, interacted with him without thinking of him as a tragic character and we dated too now.

Maybe this screen is waiting for the right moment so that I can't resist it. Honestly, if I got this quest before. Maybe I will reject it outright.

But because I already know Deon, know him, like him, he finally was honest with me about himself. Do I have the heart to let Deon meet his tragic end? My conscience really couldn't bear to refuse this quest.

With a heavy heart but also with an anxious heart, I pressed the yes button.

And I can see a list of skills that I can get if I do the quest. This is like farming games where I have to deposit items first before I can get the prize.

Wait a minute, Why do I have to do Quests all full of romantic scenes. 

Teasing Deon, holding hands, hugs, cheek kisses, and so on until there is something most erotic that makes you

My face heated up instantly.

But in the most erotic part, namely doing it with Deon, the prize was clearly visible.

‘Clear the karma of Deon hart’

My eyes and mouth opened wide. I reflexively tightened my hug which made Deon squirm. I realized that I immediately let go of our hug.

"What's wrong with you all this time, it's like you've been seeing a ghost?" Deon's face became dirty. Maybe he's sulking because I keep bothering him.

I can only smile nervously. Technically, it is true that the screen that appears suddenly is like the jump scare.

"N- it's nothing! This is just because I'm hugging you for the first time. So I'm nervous." I avoided Deon's gaze. I don't even know if Deon can accept this reason.

Of course I'm not a fool who would say screen to Deon. He must not know that he had a tragic ending and only I can change his life.

If he found out, he would most likely kill all the demons and himself right now.

Of course that's something that can't happen now.

“Me too, this is my first time in a long time. "

“Then shall we hug again, I promise this time I will be quiet. “

Well, we hugged again, and in the end we both fell asleep.

To Be Continued

How is my innovations? Are you like it?

[jemandthesingalongs]

so a second article has hit the da fandom and i'm in the part of the "this is genuinely so disappointing i'm considering not actually preordering/playing on release". i'm sure i'll come to terms with it and still get it but this really has been such a blow to my sheer enthusiasm that is like...incredible really for me as a fan invested in this franchise for over a decade to put me (and others) so low lmao

(under a cut bc it got stupidly long, a cookie if you read all of it)

one of the big "reasons" i've seen parroted by the fandom and the justification from the devs is (paraphrasing) you're in the north and all of these major decisions are in the south, which is frankly, stupid? sure, the choices of the divine wouldn't matter too much (if the circles are disbanded or not, for example) but the divine choice itself, should matter? the throne of ferelden? orlais??? these are major characters!

whoever is the sitting ruler of ferelden, regardless of the choice, has obv, lived through a blight not 20 some odd years prior. so one could imagine they would be invested in this, you know, double blight is going on and would like to help or help for their country? given the fact one of the last of the two archdemon prisons is canonly within ferelden!! marketing has also started the blight has spread across thedas, so one would think the current world leaders would be supporting or at least looking to the group seemingly working on stopping the blight. but i guess not since it's not a choice.

even setting aside the lore and plot significance of the majority of choices, even if it truly did not matter, you can say the exact same for choices within dai itself, however the devs knew the desire to have that impact + fan service, even minor, still superseded lore and plot significance. the hof letter and mentions by their romance partner is clearly fan service (since tbh i doubt leliana or morrigan would willingly talk about their partner themselves) but it was also telling you, the player, where your mc was. another example is there is no impact who the sitting king of orzammar is, but the game still mentions in a codex the consequences of that choice, even if the anvil was kept or not in ambient dialogue.

these and many more mattered, not in a world shaping way, but to tell you, the player, yes you played in this world and here's the acknowledgement of it, thank you. i didn't need to decide the fate of the world to enjoy leliana talking about my warden or varric supporting templars because my hawke did, because it still felt like i mattered, that yes this is a world i changed, even in a small way, that i lived in it.

and they removed all of that.

like, hell it was even a good way to "check-in" in choices and characters without dedicating entire plot beats to them! the epilogue for a non-divine!romanced leliana heavily implies she and the warden are still doing their own things but meeting up when hey can. that aside the cure? the fucking cure??? did they find it? did they share it with the other wardens? was it suppressed? the other members of the inquisition were invested in stopping solas, what about them? since you are literally going to their turf, is dorian, josephine, isabela, and even bull okay? is zevran or fenris going to be ignored? fenris had a whole comic about him!

the only way i can take this is being told to no longer be invested in previous material, even material leading up to this game. even if i know that's not really the truth, it really feels that way.

i don't even like the excuse for getting newbies into the series, because, well, dai did that fine WITH returning characters and overall plots lol? there's a loss of some context and dai itself had writing flaws with this method, but it did show you could have both returning and new players work fine, and not alienate said new players despite it being the 3rd game.

speaking of dai, why bother making the choices so endgame linear if they wouldn't of even mattered? why no matter your choice of divine, another group rises up to oppose her? why have the grey wardens going quiet and possibly on the brink of civil war, exiled or no? i had assumed at the time the bottlenecking was future proofing to create less variables, and i guess i was wrong since there are no more variables lol!

i'm genuinely not sure what they truly thought would be the reaction, given they are still trying to pull returning players via the marketing? like. varric, harding, morrigan returning, the focus on the grey wardens as a group (and likely why davrin gets such a spotlight) are all indications for returning players. fuck even solas, no matter what you feel about him, is a returning npc! to resolve his plot!!!

i never truly believed we would see big huge cameos, i did expect the divine, those who live in the north, but otherwise simple codex entries or letters if anything.

but to have.......nothing? be left with nothing? burns.

i do mean this completely honestly: what is the point of investing myself, my time, my money, hell even just interest in this series anymore? without the impact of previous games (or a better lore reason, such as a longer timeskip than 5 fucking years since the last dlc) then this is your run of the mill rpg with better writing than most, but that's all it'd really have. i didn't fully play or get into the series because of the decisions carrying over, but it sure as fuck kept me and others coming back. if this is the norm going forward past da4 then well, might as well pick any other rpg series.

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)