alan alda storytime
the full story from one of the screenshots of my previous post.
story begins with my archaeology professor showing a slide of alan alda in the early 2000s holding some mammoth bones and asks the class if anyone recognizes him. i had watched some MASH with my mother when i was little and had also seen the movie The Object of My Affection, so i raised my hand and said it was alan alda. he lit up and said yes, it was, and told the rest of the class he used to be on this old show, and that when we got more into the bioanthro side of things, remind him to 'tell his alan alda story'.
about 2 months later, we are in bioanthro, and i remind him. he gets excited and says he included slides to talk about it.
[rest under cut]
he tells us how he had just moved to a new city, and he had taken a university job in order to get insurance for his new family [which he didnt get but thats neither here or there]. he gets news that his job is going to be working with Scientific American Frontiers, hosted by the one and only Alan Alda. my prof was thrilled, he loves MASH, and while he specifically wouldnt be involved in the process [being a presenter, working with alan, etc] he was allowed to be around incase they needed help.
i dont know the specific episode, or if it can be found anywhere, but the topic was early man and tools, and how there were mammoth bones that specifically had cuts that could only be made with tools, not by teeth from an animal. they had finished filming for the day and just needed B-roll of some lions at the local zoo chewing some bones [part of the experiment], and alan got a call. he asked if he could head out now, because he needed to get back to his hotel now, and the call had been important. the producers said sure, go ahead, and alan asked if someone could give him a ride.
my professor, having the chance to actually spend time with someone he idolized, and being a stupid late 20s-something, volunteered immediately. stupid why? well, i said he'd just moved there. he didnt know where the hell anything was, and he didnt have GPS available to him, he was just really excited. so they get in the car and start driving.
as i said in my previous post, alan alda had about 20 minutes with this random guy, and found out pretty quickly that he was an archaeologist, and the amazing topic of conversation that he picked was the [then new] theory that we developed agriculture specifically to make booze, and that the rest of the stuff was more or less a biproduct. which is pretty on-brand honestly.
after a while, alan catches on to the fact that this guy clearly has no idea where the hell hes going, and that they've been driving in circles around the city for a while now. he [reportedly very politely] said that actually, this here was his stop, and thanked him for the ride. he then most likely called a taxi that actually knew where it was going, and got to his hotel.
turns out the call was about The Aviator! the call was important because he learned it was confirmed he in it and they needed him to get over there.
its not a glamourous story, but its the only story i got. my prof reported he was a funny guy, and despite slightly kidnapping the poor man for a while, he was the picture of kindness and personability. and clearly he likes telling the story and it left an impression, because he took time out of our already-short lecture to tell a class of 20-somethings that had no idea who Alan Alda was about it.
sorry this is so verbose i dont know how to be short lmao
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Knowing that Percy does go to new rome with annabeth makes me kind of underwhelm for the upcoming books. It's obvious that Percy doesn't like academia and that he's just making this huge life decision only to be with annabeth. Even rick said in his latest interview that percy doesn't know what to do with his life. WHICH I THINK IS A GREAT ARC FOR PERCY, VERY ON CHARACTER. But knowing that it ends with him following annabeth to college in what we saw in TSATS makes me... honestly sad. I think Percy realizing that he doesn't have to conform to what society tells him and carry on with his studies even though he clearly doesn't like it (he spends the whole COTG complaining about school) and also percabeth realizing that following each other to the end of the earth is more a trauma response than a declaration of love would be so narratively amazing and satisfying. Them figuring out that being apart doesn't equal stop loving each other and that they're allow to grow up into adults with their own wishes and agency
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painfully aware of all the wasted time in cambridge and how what i might have wanted to do is just not ever gonna happen. idk if i'd have liked punting but i never went and now the friends who i'd have gone with are all too busy in exams and about to graduate. maybe i should have gone to the formals and just suffered through the sensory overload so that i could have taken photos with my friends at the end of the night and convinced myself afterwards i had fun. i've been to a couple of museums here, but only with my parents. i spent hours and hours in this stupid place hiding in toilets, self-destructing, not going to things because i was too scared, when i could - should - have been exploring the prettiest parts of cambridge with my friends. friends who were too fucking busy all the fucking time. friends whose social calendars were always already full of "drinks with [ensemble i'm not in] after the concert" or "dnd with [a group they formed before i met that friend]" - no one's excluding me on purpose, but what are you meant to do when you have friends you love but you missed out on all the things you wish you could have done with them and now it's too late? no one has time to do anything. i feel so so alone and i have for so long and it never seems to get any better
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I am now realizing I don't think I've ever really explained my Succession-Inferno analogy but it is something near and dear to my heart so. Buckle up I guess!
The whole thing is premised on the idea that Logan holds a lot of characteristics traditionally ascribed to the devil in literature. He's an excellent liar (far better than anyone else on the show), he goes out of his way to destroy relationships between other people because he can't stand it when people love others more than they love him, he presents himself as "uncle fun" to outsiders, he actively revels in sowing discord and conflict and betrayal whereas everyone else merely tolerates it. At the same time everyone around him treats him like a god. He deserves all their love, he is The Father who has created all they see, reality is manifested by his will and is simply whatever he wants it to be, he is all-knowing and all-powerful. But because their god is actually. you know. evil. the fruit of his continued power (and their continued worship of him) is nothing but misery and lies.
In Dante's Inferno, Dante goes on a journey through Hell, guided by Virgil. Virgil represents two things: the knowledge of morality necessary to understand what's happening in Hell and avoid being taken in by it, and the moral support and courage necessary to complete the journey. Dante journeys through nine circles that are meant to represent sins of increasing moral degradation. The first is limbo, who's actually just people who weren't bad at all but were never baptized and so can't go to heaven. That's where the pagan moral philosophers - including Virgil - are. After that, it's Lust, Gluttony, Greed, Wrath, Heresy, Violence, Fraud, and finally, Treachery. The order is very intentional, and rooted the belief that the early sins (sins of the flesh) are the easiest ones to fall into and ultimately are not as serious as the others - but, they also serve as gateways to the more serious sins. Each circle has sinners being punished in ways that are metaphors for the impacts of their sins. The devil sits in the ninth circle of hell, Treachery, where everyone (including the devil himself) is frozen in ice. The devil has Brutus, Judas, and Cassius in his mouth, and he chews on them for all eternity. Everyone around him betrayed someone they had an obligation to; the worse the betrayal, the closer to the devil they are frozen. The furthest away are those who betrayed their families (Cain); then those who betrayed their countries (Antenor); those who betrayed their guests and those who sheltered in their homes (Ptolemy); and finally, those who betrayed their masters, lords, and benefactors, which includes the three in Satan's mouth.
If Logan is Succession's Satan, then two things follow. First, Waystar becomes a metaphorical Inferno, where climbing the ranks to get closer to Logan requires climbing through the circles of hell and participating in greater and greater moral degradation. I think the character this most applies to, because we actually get to see his corruption arc over the course of the show, is Tom. And his arc, I think, arguably fits with that journey into hell. Season 1 gives us Gluttony and Greed, especially in 1.06 when he takes Greg to the restaurant and gives his spiel about how great it is to be rich. We also get his general obsession with nice things and with stuff, something which the Roys don't have, and something that seems to fade in Tom as his arc progresses. Season two gives us Wrath and Violence (Safe Room etc.), and Fraud (the cruise line scandal coming out). And then finally, at the end of season 3, we get Treachery. And I find it very very interesting that immediately before committing the act of Treachery, Tom asks Greg if he wants to make a deal with devil - something which turns out to mean both a deal with Logan, but also the act of betraying Shiv. Up until this point, you could argue that Greg had been riding along on Tom's coattails on this journey-through-hell - but the line "What am I going to do with a soul anyways?" means that, for the first time, he's actively consenting to what's happening. Sure, he doesn't know what's going on - but the line itself implies that it simply does not matter to him.
The second thing that follows, though, is that while Tom and Greg and the old guard have journeyed down to where Logan is, his children have been there all along. They grew up in a world characterized by Treachery, Fraud, Violence, Wrath, Greed, and Lust. Their arcs aren't about them becoming corrupted; their arcs are about whether they can escape the corruption they've always lived in. Everyone is frozen in that same ice together, but the ways they got here were very different.
Finally, the Virgil character is very important, because he doesn't have a corollary in the Succession half of this analogy, and that highlights what none of these characters have. None of them have a strong moral compass, and even if they did, none of them have the kind of support and moral courage to resist the allure of temptation. This is far more devastating for the Roy kids, though, because they've never had the opportunity to encounter a Virgil, whereas everyone else had to pass through Limbo - where Virgil is - before they could start going through hell. Or, in other words, with Tom et al. at some point there was an active choice to reject the moral compass and reject the moral support, which the Roy kids never had. But once you reject your moral compass it's hard to get it back again, hence why the further you get from Limbo the harder it is to find your way back.
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