fall out boy is seriously unserious the best band forever and its really good evernyan go listen to smfs and pop a can of sody for this win !!!¡!!!!!!!!
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the reason so many modern ‘feminist’/’gay’ retellings of classic stories or mythology are shit is because no-one wants to actually engage with a work on its own terms anymore. nobody wants to actually analyse and dig into the themes of a work they just want to plaster over it with what they consider self serving and ‘trendy.’ so instead of actually ANALYSING what a myth could say about women, or gay people, or society at the time in general, it just gets rewritten again and again to say what the author wants it to say. braindead fucking culture
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Definitely want a second season of XO, Kitty if only for the ensuing hilarity that would come from the two most popular students in school fighting each other over the dorky American transplant who barely passed her classes.
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I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
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on a less serious side, bad and foolish having witnesses who are somewhat normal and regular to their usual strange and deranged antics is so hysterical. bad playing the role of kidnapped and felon this time around, letting himself get captured, pretending to be soooo guilty and talking like he’s actually gonna snitch. foolish doing it half for fun, half for show, because he knows cellbit is the killer already - he just needs nails for bad’s coffin because he’s gonna be the scapegoat, and he’s bored. if they were alone maybe they’d trade more intel - they’re on the same page but can’t exactly confirm nor allude to that with an audience, so it just devolves into their usual antics. meanwhile bagi is sweating and convinced bad is definitely about to spill everything she’s told him, falling for bad’s little ‘oh I’m so easily caught and convinced’ act harder than anyone else, trying to avoid bad’s arrest or worse, cellbit’s - while really what’s going on is bad and foolish’s homoerotic batshit insane cop and robber routine, where you’re not sure if someone’s getting arrested or if they’re about to make out. and aypierre is just there
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Louise Page (main costume designer for all of David Tennant's original Doctor Who run) really fucking popped OFF with Donna's designs. Putting her in a pinstripe suit to visually mirror The Doctor in Partners in Crime. Putting her in a long brown jacket to visually mirror The Doctor in Journey's End. Making her primary outfit color purple both because it's cute and because it ties in with both her name being Noble and becoming a time Lord. The fucking ADORABLE Planet of the Ood jacket. Her lil flapper dress. Giving her sneakers with almost every fit regardless of how formal it is. Her hoop earrings that she's wearing TO THIS DAY. God everyone say thank you Louise Page!!
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I mean this in the nicest way possible, but why do so many people think that criticizing the Jedi is bad? The Jedi are and were never perfect. They can never be a perfect order who does everything right and never makes mistakes. Frankly, I can write an entire essay on their flaws.
It is okay that they were flawed. That doesn’t mean you can’t root for them. I root for them. I deeply love them and their lore. The Great Jedi Purge was a tragedy that they didn’t deserve. But acting like they’re an untouchable institution is not only just straight up wrong, but also just really boring?? The imperfections of the Order and those involved give the Jedi nuance and make them feel incredibly real and interesting. Things are not black and white in Star Wars. Let yourself feel conflicted about the Jedi and wish for them to succeed anyway. It’s more exciting that way, I promise.
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not to sound like the most annoying cunt ever but I do think it’s really funny that I’ve seen multiple people since the new clip dropped being like “wow I never even considered fang/izzy until now but they’re really cute!!” bc like,, bitch I’ve seen the Vision™️ since day fucking ONE. ever since I saw THIS fucking image for the first time vvv
this has ALWAYS been the vision besties. they have ALWAYS been here. not my fault y’all are blind as fuck lmao
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if you like the characters and picking out the parts that work ward is a lot of fun actually. there are genuine and valuable criticisms of it but the culture about it is getting kinda weird. love a solid post unpacking the problems or making jokes about it but if your instinctual reaction to seeing other people talk about ward is to feel upset and/or join the conversation to talk about how its the absolute worst you might want to consider if you would feel better blacklisting the tag
if youre curious about ward give it a try. its always gonna be a lot cooler and easier online for people to make fun of something; maybe you like it better than you expect. or maybe its awful. you can always stop reading
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Thoughts on humanstuck!Eridan? I'd imagine hes somewhat better adjusted considering. yknow. the lack of Murder and Gov't Mandated Racism. but if his dad was Dualscar or something he'd probably still have some Issues™.
SO many of Eridan's issues are tied up with Alternian society, specifically, that he's basically gonna wind up in OC-with-a-canon-skin territory in any situation where that pressure is removed. I'm not really the person to go to for that kind of thing; I'm a frothing-at-the-mouth canon purist 😂
No shade at all on the people who do like to mess around with AUs and the like, it's just not what I'm into. Even the meta fact that he's the Society Troll is significant to his character and place within the story and themes, so asking me to speculate about him when the Society aspect is removed is really not my boathouse, sorry.
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@unfortunate17 and I were discussing Wille’s anxiety and how we don’t feel like Wille’s reluctance to partake in public speaking was a result of his anxiety, but rather his history of being forced to speak and say things he doesn’t mean and follow a script in order to preserve the reputation of his family and control the public’s perception of him. He was forced to follow a script three times in season 1 - the first when he had to apologize on TV for a fight he was not sorry about, when he had to read a written speech to his classmates regarding his brother who had just died, and when he was forced to lie about the video leading to the destruction of his relationship with Simon.
In my opinion Wille’s fear of public speaking in season 2 is not related to general or social anxiety - as I do not believe Wille has social anxiety at all and is not shy at all despite some people in the fandom tending to believe he is - but rather a fear of being perceived, because that is ultimately Wille’s main struggle in the series - not being with a boy, not being in love with a gay, not being queer, but being perceived by others and feeling forced to live up to a certain standard or expectation when all he wants to do is live his life truthfully and without people having opinions about the things he does.
What’s so powerful and beautifully written about the scenes with Boris is that even though Wille is made to see a therapist by his mother, the Queen, who is the one who persuaded/forced him speak out when he didn’t want to, Wille’s sessions with Boris are the first time he is told he doesn’t have to say anything if he doesn’t want to, and the confidentiality of their sessions and Boris’ position as an unbiased professional allows him to be more honest with not only himself, but with another person without feeing like he is being judged or forced to feel or believe something he doesn’t.
We see in season 1 episode 4, when Wille goes off script and speaks from the heart about Erik, and in season 2 episode 6 when he once again goes off script, that Wille really has no issues with speaking to a crowd, but only when he feels he’s being truthful and honest and in control of the narrative. His fear of speaking in the class presentation, in my opinion, has a lot to do with how out of control of his own narrative Wille felt throughout season 2 as a result of the lie at the end of season 1 and the events of season 2 - he is perceived by his classmates now as having denied being a part of the video, as if it was something to be ashamed of, he is perceived as being interested in Felice when in reality he’s desperately in love with Simon. He just wants to exist and stay true to himself and it scares him to do it in front of an audience, and that’s what makes it so powerful when we see him slowly begin to accept how he feels about himself and the circumstances of his life through the sessions with Boris, and how that results with him re-taking control of his own narrative at the Jubilee at the end of the season, and that’s just beautiful writing.
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