#i would not watch it on a tv

[elexuscal]

Danny Phantom, The Show:

geeky kid gets super powers from his parents' weird inventions! now he has to fight a rogue gallery of ghosts... but uh-oh! he still has to keep his grades up, deal with his embarrassing parents, and navigate girl troubles! rap theme song!

Danny Phantom, the Fandom, After 19 Years of Fermentation:

a child dies. but not quite. the inherent tension between life and death. the obsession of the dead for faded remnants of the living. warped green shadows on the walls of a dark laboratory. having to hide your true nature from those who should be your greatest allies. the fear of the monster you could become if you let yourself. being a ghost as a metaphor for the trans experience. a cold breath on the back of your neck in the dead of the night. rap theme song!

[noodles-and-tea]

Back at it with my enchanted merthur shenanigans

[biggest-gaudiest-patronuses]

i vote that next year instead of reading Dracula we do a Jeeves & Wooster Book Club. those two never got the rabid tumblr shipping fandom they deserved (disqualified for the sheer technicality of being published a century too soon). we must correct this injustice

[givemewallywestorgivemedeath]

The funny thing about the PJO cabin system is that everyone's always all 'oh the twelve' this and 'the twelve' that but that's absolutely not even remotely accurate. To start, right off the bat it's thirteen, not twelve, because they don't count Hades. But not really because before Percy, there were no big three kids, so we're down to ten active cabins already but it's actually eight because Artemis and Hera don't make demigods.

And of those eight, Mr. D is stuck at camp (thus not really making new demigods all that often) and his only two kids don't even sleep in a cabin, they sleep in the Big House with him.

So, pre-Percy, there are seven active cabins at Camp Half-Blood:

Glee club, the Jocks, the Nerds, the Geeks, the Farmers, the 'Sketchy Kids' and the Popular Kids.

Or, in other words, the Apollo, Ares, Athena, Hephaestus, Demeter, Hermes (and the unclaimed kids) and Aphrodite cabins.

What's cool is that you can already see the cabin dynamics in the show. For example, the Athena cabin allies with the Hermes cabin for the numbers. The Hermes kids plus all the unclaimed kids? It's the biggest cabin in the camp by far. It's a battle strategy. Luke and Annabeth's close relationship is just the cherry on top for Annabeth. It'll be really cool to see how the show develops the differences in the cabins during the series.

[actionyak]

I recently watched the NIN Broken short film (which I somehow had never heard of? I haven't always been this out of the loop) and my recommendation is very don't.

unless you're really, really into new extremity movies then have a blast

[lesbiandarvey]

this was a confession of love btw

SUITS → 3x01 “The Arrangement,” dir. Christopher Misiano

[ashleyeveerson]

Haven't been able to think about anything other than the victorian/edwardian/WW1 twink and his 80's punk almost-boyfriend for a week, send help

[applebees4prez]

snl wishes they could be this funny prepared, let alone off the cuff. nobody has perfected the art of comedic timing like zac oyama has but also, nobody could work with other comedians well as these guys do.

[n0ahsferatu]

my dear friend @marlenacantswim asked me to draw the TOS yaoi polycule and i want you to know this is what the whole show is like to me

[talesfromthecrypts]

I Saw the TV Glow (2024) dir. Jane Schoenbrun

[willowser]

katsuki plays with your son's ears.

without thinking, really. it started when he was a newborn, and katsuki was unable to get over how soft your son's skin was—so squishy and tender and fresh, made of velvet—and it's followed the both of them all this way. whenever they're sitting together, either at the table or on the couch or with your little boy in his father's lap, you'll always see katsuki's hand come up to lightly fiddle with your son's little earlobe. tug on it, pass it back and forth between his thumb and his pointer.

you think it's an absent-minded comfort thing, for katsuki, like how he plays with the clasp of your necklace, sitting warm at the nape of your neck, or how he drums his fingers against your arm when he's waiting too long for something. how he keeps a hand on his chest when he's laying down, like he wants to feel his heartbeat beneath his skin, or how he rubs his hands on his pants even when they shouldn't be sweaty, just to be safe.

you notice your son doing it to himself when katsuki's out of the country, and then you notice him doing it to you, too.

just the same way—without thought, a little habit; after a bath, you're trying to wind down for bedtime by letting your son sit in your lap and lean back into your chest, his full little belly from dinner poking out under his pajama shirt. and then he rubs at his eyes and yawns and plays with his hair for a second, before reaching up to find your earlobe. to feel it softly between his fingers as he sighs, relaxed and sleepy.

(you'll remember to tell katsuki later, after you've tucked your little one in and are propping your phone up in the kitchen for a quick facetime chat. when the call finally connects, he almost immediately leans closer to the screen, to see you better, and you see his elbow prop up, his hand raise and the tendons of his wrists shifting as he fiddles with something you can't see—but something you know, anyway.)

[shadowsketches]

🦈Shark week!!!🦈

[mozart-the-meerkitten]

*rolls up 15 years late with Avatar the Last Airbender thoughts*

So I've been rewatching clips from the show lately to refresh my memory while I'm writing my Zuko Alone fanfic. And last night I rewatched the clip where Iroh teaches Zuko how to redirect lightning and I have had thoughts about this scene for years so I might as well finally throw them into the void of tumblr.

So, this scene is insane to me, because at the end of learning how he could-hypothetically- redirect lightning, Zuko looks at Iroh and, completely seriously says "okay I'm ready to try it with the real thing now". Like, Zuko, the boy with a massive scar on his face from where his father burned him just looks at his uncle and says, "shoot me with lightning".

And yes, he's 16 and not thinking but that's part of the point because the amount of blind, complete trust Zuko has in Iroh to look at him and say "shoot lightning at me" after the insane trauma he had at the hands of his own father- that is WILD to me. Zuko literally trusts Iroh so much that he just assumes, without even having to think about it, that no matter how volatile and unpredictable the lightning is, Iroh won't hurt him because Zuko cannot fathom his uncle hurting him.

And of course, Iroh's appalled because Zuko's standing there with a massive scar on his face from when his father misused firebending against him and likewise, Iroh cannot fathom hurting Zuko. And since IROH knows how volatile and unpredictable lightning is and how it could literally kill his son nephew he is absolutely NOT going to use it just to let Zuko practice redirecting lightning, but he's so flabbergasted that Zuko would even ask him that that he just kind of splutters angrily that he will ABSOLUTELY NOT shoot lightning at Zuko. (it's also just another layer of how messed up Ozai is because he shot lightning at Zuko without a second thought later)

But I hope Iroh thought about it later and realized the amount of pure, unthinking trust Zuko has in him because ;-; the child didn't even THINK about it. "Okay uncle shoot lightning at me now. I know I'll be safe because it's you." I love them so much 😭😭

[many-gay-magpies]

i love how dead boy detectives presents such a diverse mix of the campiest, most over-the-top tv characters of all time, and the best representation of actual real-life human beings i think i have ever seen on television

[judyalvqrez]

there was something really jim henson-esque and campy about how some of the non-human races were portrayed in the new dnd movie that i really enjoyed. they could’ve easily gone the shitty cgi route or just not shown those races up close at all, but no, they said you want a bird man? we’re gonna get you a bird man

[brother-emperors]

DO NOT BE AFRAID

this is combining Ovid's Heroides and the Excidium Troie because I can't stop thinking of Hermes telling him not to be afraid. what the fuck!! Ares is wearing the crown that Paris gave him.

I have. thoughts. about Paris. he's almost got this Troilos parallel in my mind, that the event that defines him in detail exists in a lost narrative that we don't have (the Cypria), but everyone else knew. the event that defines Troilos is his death (murdered, butchered by Achilles, the violence of which haunts everything after. Achilles, child killer, you can't escape that!), and the event that defines Paris is the Judgement. what's a lost text but a kind of grave!!

idk I don't think that Paris before the Judgement would recognize himself after bc when you become god touched, it rearranges your guts. you become transformed in the worst way possible! how could you recognize yourself! but I also think that all the Parises after the Judgement would recognize each other because that event is so locked into the trauma of war and the scar it leaves on the land, it's like a scar on the narrative too. it exists like this forever, over and over again, so you exist like that forever too. Troy collects grief and despairs.

Troy as trauma: Reflections on intergenerational transmission and the locus of trauma, Andromache Karanika

and Paris is like. a miserable little god/corpse-puppet or something, like a match for the gods to throw onto gasoline.

The Excidium Troie + Ovid's Heroides:

Excidium Troie, trans. Muhammad Syarif Fadhlurrahman

Ovid, Heroides 16 (trans. Harold Isbell)

a collection of things regarding Paris that made me go 😬 but under a cut bc this is getting. very long.

The Divine Twins in Early Greek Poetry, Corolla Torontonensis

Iliad 24 and the Judgement of Paris, C.J. Mackie

Elegy and Epic and the Recognition of Paris: Ovid "Heroides" 16, Elizabeth Forbis Mazurek

Ennian Influence in "Heroides" 16 and 17, Howard Jacobson

Paris/Alexandros in the "Iliad", I. J. F. de Jong