#i’m still longing to make it work

[toorurii]

eat your heart out.

Saturn Angels are a unique department of avian-like beings that prioritize vanity and superiority above all else. Many will abandon loved ones who reject these ideals; The most vile will attempt to break those who are too weak-willed to sacrifice the inferior. Their offspring are no exception.

[broodpuff]

[haliaiii]

expanding I guess? some more redesigns

I think for this au, nobody knows each others identities so it would make for some interesting character dynamics

[royaltea000]

watching yet another person fall from an unimaginably tall height

[blaithnne]

Local big sister experiences emotions, more at 6

Been wanting to do one of these with Lauren for AGES, but I never got round to it. Then I saw the Lydia and Phinium expression sheets on @littledigits’ website and I felt inspiration like never before.

The funniest struggle I have with Lauren’s design right now is that she nose too big for she got damn face. Literally, Hilda characters noses take up a fairly small portion of their faces, and her’s took up WAY too much, leaving little room for her to make facial expressions. But I struggled to find a fix because when I made the nose smaller it just didn’t look like Lauren anymore, so I took this as an opportunity to work on that!

She still has a larger nose than most characters, starting higher up (like her grandad!) and ending lower down (but not quite as low as before). I also made her eyes a little smaller and with a shape similar to Lydia’s (though you can see in some of these I hadn’t quite landed on that yet and her eyes are a bit too big), which works both as a nod to her parentage and because I think it makes the nose look bigger. This still doesn’t leave as much room for the mouth as most other characters, but that’s okay — Lauren is a very private person who keeps her feelings close to her chest, I think it works for her to have subtler expressions, adds to how guarded she is! Oh and I also updated the shape of her hair slightly, just to make it a bit more style accurate.

These changes are pretty small on their own, but I think combined they work well to make Lauren feel a lot more…alive? Far less stiff, anyway. I think she also has a more unique facial structure now, instead of just “what if Johanna was 90% nose”. She’s still got a big old nose and I love it but now she can emote, yay!

This is really all just concept stuff, I’m hoping to get a new fullbody style-ref for Lauren out soon! Now that I’ve improved the main issues I had with her face in the last ref, now it’s onto the silhouette! I want her to read as more of a strong character (though it comes across decently in her current ref, I wanna push it more without being as exaggerated as Ahlberg, which is. A challenge for me lol), streamline her silhouette, and finally make her taller than Johanna like she’s always meant to have been <3 I made her shorter for so long because I thought it would help her read better as her daughter but you know what? That’s dumb actually, she’s tall.

ANYWAYS, thank you for listening in on the annual Lauren redesign, and to the artists behind the show for posting so much amazing inspiring show stopping concept work for free because it makes my autism worse /pos

[fumifooms]

What if we were both magic prodigies and it otherized us in different ways and we devoted ourselves to protecting a family member who has general other goals & priorities. What if we both did self-sacrifical devotion in opposite ways.

What if we were dark mirrors of each other and where I've grown overcontrolling you've grown complacent. What if, bought as a servant into a pretty loving home, ownership and control is what love looks like to me, and to you neglected and lonely growing up, love is gratefully taking any scraps of it you’re lent.

By belonging to someone, even if she comes back injured or fails at finding Delgal, she feels like she belongs and is cherished, by owning someone he feels safe in them not leaving him.

She’s what’s tethering him do you see… And he’s the only thing giving her direction and purpose in her state. She needs a compass and he needs a support.

They’re both so out of it 😭 It’s the weirdly intense and unearned mutual trust and reliance on each other?? They’re each other’s weird little comfort codependent teddy bear. Or at least they were headed towards that before SHE DIED THEN HE DIED THEN THEY BOTH FORGOT ABOUT EACH OTHER AND NEVER MET EVER AGAIN. Though she’s also the guard attack hound keeping him safe… And vice versa he heals her and can rewrite her very being with just one wave of his hand. They’re both so so mentally and physically vulnerable both but they cling onto each other. They can’t perceive things accurately but despite it all someway somehow they stumble into something closer to resembling companionship just before they both die. Falin is just that kind and Thistle is just that lonely. Overworked.

We both haven’t lived for ourselves in a very long time, haven’t we.

They both have a similar devotion to the people they love but again the difference is that Thistle starts overtsepping while Falin is self-effacing. The other difference between them is that people care about Falin <3 People have given up on Thistle long ago, and he has given people reasons to, while people refuse to give up on Falin. Yaad has a mini arc about it dw about it it’s ok he’s not all alone in the end 😭😭 He reached out for Marcille’s hand but they already all wanted to help him, they just had to be given the chance to, Yaad just had to be given the chance to, it’s okay I’m okay

Hey what if we learned to get in touch with our own identity and the world around us and living in the present again through being in the worst codependent situationship ever.

Falin and Thistle sitting in a tree, sucking on flowers together because they’re h-u-n-g-r-y 💕💕💕

I bet he’s only ever thought of flowers as useless ornaments. Weak weeds. But she shows him they’re tasty and useful and good and pretty in their own right too and deserve existing without proving their worth and waaa <33 Thistles…... Did you know thistles taste sweet if you remove the thorns and eat them?

"Even as a chimera, her kind nature remains" you can’t suppress her in the way that matters. You can’t soothe him in the way that matters. It’s doomed. You’re doomed. It’s all doomed. Save me.

[turtleblogatlast]

Things I make for myself when insomnia kicks in

Just a chart about what I wanna change up and keep consistent in my art - I mainly wanna draw Raph with a tail because he deserves one, it fits too well. Donnie gets a long tail too because I didn’t realize how dino-like he looks until I gave him one, and now it’s a must for me haha.

[catcherwrites]

The first batch of my Arc 3 concept designs are finally done! It felt fitting to begin with the three who started it all: Rayla, Callum, and Ezran

Check out the more in-depth story and design choices below

Rayla

Story Choices

In the wake of S7’s Finale, Azymondias wasn’t just a 2-year-old King of the Dragons, but the only surviving Archdragon. That means he’s a very important figure across Xadia and the Human Kingdoms – and needs to be protected. Shortly after the events of S7, Rayla reclaims her title as ‘The Last Dragonguard’ and resurrects the order to act as Zym’s attendants, advisors, and protectors. She’s spent the last few years travelling between the Storm Spire, the Silvergrove, and Evrkynd, helping where she can and leading her fellow guards (who may be revealed in a later post). Rayla’s relationship with Callum has grown stronger than ever. Even though they’re holding off on marriage until Aaravos is dealt with for good, Callum gives her the Xadian equivalent of a promise ring he handcrafted (Ethari helped). With them both feeling secure with each other, they are more comfortable with being separated…but that won’t stop them from being attached at the hip whenever they’re near each other.

Design Choices

Going into these Arc 3 designs, I had a much clearer image in my head of Rayla compared to the other characters in my lineup. Using reference images of Tiadrin and Lain made creating Rayla’s Dragonguard uniform feel very bittersweet. Unfortunately, from a creative standpoint, uniforms run the chance of limiting the personality in a character’s design. I tried offsetting this by making Rayla’s undershirt and embedded gemstones in her armour more Silvergrove-y than Dragonguard-y. I also kept Rayla’s iconic belt, Arc 2 colour scheme, and added some of Ethari’s swirls where possible. Beyond the uniform, I kept going back and forth about her hairstyle. Keep the Arc 2 bun? Return to Arc 1’s style? Braided? A simple ponytail? Eventually, I settled on a half-up braid that let my sleep-deprived brain think I was getting the best of both worlds.

Callum

Story Choices

Ezran was disappointed when Callum turned down being his High Mage again, fearing that he’d lose his brother’s support in the council room. In reality, stepping down as High Mage meant that Callum could step up as Crown Prince. In the years following S7, Callum splits his time between assisting Ezran and studying magic on expeditions across Xadia. One of those expeditions leads him to Aaravos’ book in Elarion, which helps him delve deeper into the other primal sources. He’s fully mastered Sky and Ocean magic and has grown incredibly proficient at Earth magic. To Callum’s dismay, even with the help of Lujanne, Ethari, and Aaravos’ book, he still isn’t clicking with the Moon arcanum. He also hasn’t fully unlocked the Sun arcanum, but he’s getting very close and is a strong fire mage when wielding the Staff of Ziard. By Arc 3, Callum has gained the title of Archmage – and people far and wide seek him out for magical assistance, leaving him overworked and exhausted.

Design Choices

I was very excited to come up with Callum’s Arc 3 design for one reason: the parallels. His Arc 2 outfit is meant to resemble Viren, as Callum had taken his place as the High Mage of Katolis. But because he is no longer ‘High Mage,’ and instead ‘Archmage’, Callum’s Arc 3 outfit is intended to reflect Aaravos. I tried to do this with his uncovered arms, the open coat, and the vaguely celestial elements on his tunic. The geometric pattern on Callum’s coat is meant to look like a feather (symbolising his first primal source) while in the style of his Arc 2 coat. Rayla gifted Callum a matching belt buckle to hers (though with a moon opal for emergencies), which he wears alongside his uneven towers buckle from Ezran. His hair is mostly the same, except slightly longer, because I don’t see overworked-mage Callum caring about his hairstyle.

Ezran

Story Choices

S7 was a massive tipping point for Ezran: losing his brother, his true heart, and almost losing himself to the cycle of violence. While he stopped before he could go too far, Ezran was unequivocally changed by what happened. After Aaravos’ defeat, Ezran has been overseeing Evrkynd’s construction, ensuring it’s a safe home for humans and Sunfire elves who lost their home. However, it is also open to anyone, regardless of their origin. While he and Queens Janai and Amaya decided the people would rule the city of Evrkynd, Ezran continues to rule wider Katolis alongside his council. He does spend most of his time in Evrkynd for his royal duties, but Ezran is learning to take breaks – occasionally joining Callum, Rayla, and Zym on small getaways. As is tradition for anyone in the royal family, Ezran began combat training in his mid-teens with Soren as his teacher. He’s grown quite good and can hold his own in a battle (long enough for his Crownguard come to his aid, at least).

Design Choices

Ezran’s design in TDP has always been one of the simplest ones, probably symbolising his humble personality despite his status. I tried to maintain that effect in his Arc 3 outfit but with one major alteration. Going into this design, I wanted Ezran’s struggle in S7 to have had a visible impact on him by including armour in his design. His outer tunic is now gambeson, and his shoulder pads are scuffed-up leather. If he decides to wear it, the gold studs on Ezran’s shoulders are where his cloak will latch on. As should be expected from an age jump this severe, the biggest change to Ezran was his build. He’s finally overtaken his brother in height, much to the dismay of both Callum and Rayla, and is expected to be as tall as Harrow when he’s finished growing.

[watermelonsloth]

One of the most interesting parts of Naruto that I haven’t seen talked about nearly enough is the concept of offering a hand to someone who has done you wrong and you have no reason to like.

Naruto hardly ever offers help to or has meaningful conversations with anyone who… for lack of a better term, isn’t an asshole. From condescending Neji to serial killer Gaara to fascist dictator Nagato, Naruto primarily redeems people he has no reason to respect, let alone like. Yet, save for maybe Haku and Nagato, Naruto is the first person to open a line of communication and offer sympathy where they don’t offer him any. This is all based on a core principle of the Naruto series:

Bad People Are Still People

They have reason behind why they think and act the way that they do, they have feelings and fears and interests, and they have both the capacity for good and to change. Naruto’s “talk-no-jutsu” is him appealing to an enemy’s humanity and inspiring them to do better in the same way he inspires his friends.

[starcorvid]

Been thinking about the kind of traditional masks/costumes hearthians might have for festivals and such so I present:

the First Fish!

They’re dressed in a costume of leaves, fabrics and soft, flat aluminum scraps meant to mimic a mass of scales. Through this mass, they have ‘star scales’ in materials that differ each year (metal, sea glass, wood, etc) and are hand carved with patterns of stars.

Once in the year, all the hatchlings get to stay up through the evening and are told the story of the First Fish who left the water and walked the earth so they could better admire the stars in the sky. The First Fish then hides in the village and the nearby groves, and the hatchlings chase after them to catch them. The first fish has jingles attached to their ankles and arms to help locate them, and they might shake around to give some hints when a hatchling is close.

Other adults may go shake bells to ‘trick’ hatchlings into seeking them instead of the Fish. If those adults get found, they may offer a flute or whistle, which hatchlings can use to ‘lure’ the Fish to them.

Once every hatchling gets their star scale, the Fish may perform a dance to the night sky and leave to go gather more scales for the next year. At this point, the hatchlings get to stay up around the fire while elders tell them tales of the old times and tales of the stars.

[righteous-pines]

Moon 0

[adoornail]

so i never finished that peiwen picture 😓😓

but i did spend 8 hours making this so idk

ignore jiang cheng and wei wuxian they look like thalidomide babies 😡

[simcardiac-arrested]

ur probably sick of seeing posts like these but i just want to sit here and muse about how, well, i enjoy tumblr #mytumblr not just because of all the obvious stuff like how it’s not run on an algorithm, and because it’s one of the only social media that i don’t have to jump through hoops to use and that isn’t phone-exclusive (for me)

but i think my favorite thing has to be the askblogs, and running one. which is weird, because if you asked me as little as 3 years ago what i loved most about tumblr, i’d probably say “uh, looking at owl house posts, i guess?”, it’s weird because i never actually planned to make one and created it on a whim based on a few random people’s tags, and even then it was made mostly as a joke. i just never thought about it before—i grew up with askblogs, an era of tumblr that was truly as magical as it was catastrophic (as all things that get vaguely popular), but i never thought about making one because: it’s a commitment, it seems like a lot, i’m inconsistent, how would i draw for it every single time, etc etc all that good stuff

but then i just made it. and fuck me is it the most fun thing ever. it doesn’t have to be consistent. it doesn’t have to be perfect, or polished, or anything really. it just has to be. to exist out there in the world and be open to messages. the most it has to be is loved by me and by u guys.

and that’s the thing! the best thing—i love involving u guys in my writing, pushing the characters in one direction and then the next, seeing where that takes us (because i don’t always know either, that’s what writing is all about babeyyy). i love that i don’t have to just post the most important plot beats one after the other and have the story be done there. i love that i get to weave the development through vaguely connected, sometimes relevant but sometimes completely random joke asks. that i don’t have to write a whole ass novel of build-up or draw everything as one long-running comic just to make my characters feel like they actually exist and react to the things around them, that they’re not just here to get from point a to b. and i love that you’re all part of it. the story seriously just wouldn’t be the way it is without all of you guys who are always so curious to ask something, or call a character out (depending on how much they need to be humbled COUGHHHHCOUGHHHHH)

so yeah, i’m just forever grateful for all of you and for the fact that tumblr allows things like these to happen. i have no idea what other site could possibly offer the same sort of experience, or anything similar, but i am just forever in love with the fact that it’s something you can do here. i wouldn’t trade it for anything. what a cool fucking thing to be able to do

[kacievvbbbb]

I think it’s interesting how as time goes on Zoro kind of becomes more and more like mihawk in some ways whether that’s just because if you spend time with someone for 2 years you’re bound to pick up their habits or a deliberate attempt to emulate him is a conversation for another time. And Mihawk and Zoro where already pretty similar at the start so it’s a little hard to notice now.

But yeah whether unconsciously or consciously Zoro is becoming a bit more like Mihawk and it’s interesting to think that while this means maturing in some ways (he’s swordsmanship for one but he’s also just quieter much more assured of himself) it also means deaging in some others.

Despite their significant age gap and general dispositions, when it comes down to it Zoro is just a lot more emotionally mature and developed than Mihawk is. And a big part of why is because he found something larger than himself to devote his life too, hell Mihawk himself even kind of acknowledges this when he agrees to take Zoro on as a student when Zoro begs for the sake of his captain and crew. He acknowledges that putting aside his own ego and dreams for the sake of someone else isn’t something he can do and sees it as a fault in himself and a strength in Zoro.

Mihawk may be outwardly mature and his skills defiently did not stagnant but I’d wager that Mentally Mihawk is still stuck at the same age he was when he took over the title of world’s strongest swordsman. Honestly maybe even younger. And it isn’t until training Zoro, letting Perona stay with him, for probably the first time in his life taking charge of lives outside his own did he finally unarrest his development.

If Zoro is purposely trying to emulate Hawkeyes, which it wouldn’t be a surprise if he was that’s who he’s trying to be Afterall, then it would honestly set him back emotionally because fundamentally as he is now Mihawk’s attitude doesn’t work in a crew. It’s too singular, too abrasive. And while that abrasiveness can be useful in Zoro’s role as Luffy’s first mate sometimes it makes him a little too callous a little too apathetic, like with his disregard for Luffy’s sadness over vegapunk.

But Zoro has his crew to temper that, they are honestly just too ridiculous to ever stay serious around. And try as he might to hide it Zoro is also just a silly dude who likes to be horrifically petty with his opponents. And zoro still has so much fire in him, so much he has too prove and so much he wants to protect to ever really fall into Mihawk’s apathy. Zoro has Luffy who even after they reach their dreams will probably still continue to turn the world upside down forever keeping Zoro in some kind of trouble and his life interesting.

Zoro can’t be Mihawk because even Mihawk can’t be Mihawk anymore. Being with crossguild and crossing with the Red hair pirates and the strawhats is going to change him, it has too. if Mihawk is going to live after losing his title he’s probably gonna have to become a little bit more like Zoro.

[tj-crochets]

Beanie progress! This beanie is for an art trade (I’m trading it for a little painting of a worm and I’m delighted!)

[oddly-casual]

Homura Hc’s (or a mini appreciation post tbh)

Homura is one of those characters we see only a handful a times. I think we see her maybe three times in the show, and a couple times in the merch. Mostly Hesokuri wars.

But despite the fact that she has about two speaking roles in between three seasons and a movie, the writers try to keep her personality in tact and I like that they do that.

Most of this comes from Jyushimatsu Dolphin (season 3 Ep. 8). Where Homura sticks her neck out to help Jyushimatsu follow his dream of being a dolphin.

We don’t know exactly how cannon these skits are, but certain characters are chosen for a reason and I think we can take away a lot from some of Homura’s decisions and actions.

Like the fact that she even agrees to help Jyushimatsu at all despite not knowing him (in this skit at least). She tells us directly that it was because she was moved by his passion, but staking your job on something as flaky as passion would be- what some people call- a dumb risk.

Despite being the only one in his corner, Homura gives her all into training him. In her first appearance in season one, Todomatsu call her “Weird” And I think this skit goes into depth about how weird she actually is. Homura hardcore trains him in the ways of being a dolphin that she is familiar with, even if that means nearly drowning him.

This girl that we met in season one, who we knew as soft and sad, is in fact a weirdo.

Like just look at how everyone reacts to her! Go off queen!

I really like how this skit gets rid of any assumptions about Homura’s character. From her first appearance alone you would think maybe she’s weak willed or fragile- but she really puts her all into the things she cares about and doesn’t let anyone slow her down.

Homura doesn’t even call it out or try to explain herself, it’s just how she is and I love that for her.

We also see pretty consistently how she handles conflict, or failing.

In season 1 she calls off ever seeing Jyushimatsu again because she has to go home, and you can tell it hurts her to just outright reject him like the that.

The fact that we possibly know her background also adds context to her decision.

It’s possible she just wants to get away from that industry and the people, maybe too many people know her from the porn dvds and she just needed a fresh start somewhere else. Maybe she felt like she was lying to Jyushimatsu because she couldn’t tell him all she’d done- who knows?

There’s a lot of ways you can look at it but I think most of all, the skit in season 2 could reshape how we looked at her reaction to conflict in season 1.

When faced with failure, Homura gives up.

She gave it her all, and it still didn’t happen. Homura is grounded in reality to an extent. While the Matsuno’s live by their own rules and do whatever they want- it feels like Homura found a way to work within the rules. To try everything she can, but not to exhaust herself with something that’s not baring fruits.

She doesn’t seem disappointed that Jyushimatsu will keep trying, she’s angry. Homura yells at him and calls him a block head because he’s being stubborn- but why try so hard to get him to give up when it’s his dream? Why does she want him to quit? He will continue with it without her so why?

There’s a possibly that she doesn’t want to see him hurt. Like season 1, Homura distances herself from Jyushimatsu specifically after he confesses.

We can assume it’s because she would be in a whole other city, and with the past attached to her, she didn’t want to hold him back. Either that, or she didn’t want to face rejection if things didn’t end up working out.

But I also think it’s important to note that Homura was moments away from ending her own life. In the end, she chooses to take herself to a familiar place rather than to attempt again- showing signs of gaining some perspective or some motivation to keep going.

My main take away from Homura as a character, and outside of her potential relationship with Jyushimatsu, is that Homura is a character ground in reality who is a little silly.

Homura takes things seriously, no matter how goofy they are (like wanting to be a dolphin- like an actual dolphin), but she also likes to laugh and have fun like everyone else.

Homura knows not to spend time on something that possibly won’t work out, and this could be because she’s been beaten down before and knows the prolonged pain of hope. She also has a past we know nothing about that could’ve shaped the person she is today.

Homura is a silly weird girl, but unfortunately life got to her first. That doesn’t stop her from being weird and silly though.